Tag Archives: culture

Mar8

Nayra and the Djinn by Iasmin Omar Ata

Posted on March 8, 2023 by islamicschoollibrarian

Set in Ramadan this graphic novel for middle grades has a coming of age theme brought to life with fantasy, religious practices, and storylines of bullying, acceptance, and folklore. Nayra is fasting, she prays, she says bismillah and Assalamualaikum, her practice of her deen is never in question and by and large I don’t know that anything is “haram” in the Islamic representation. Yes, she says bismillah in julus, the sitting position of salat, there is sihr, magic. done by the djinn, and a lot of liberties about the ghayb (you can’t really disprove them), but honestly my biggest problem with this book is that somehow even though it is a graphic novel, more visual than text, there is way too much telling and not enough showing. The reader is told that there is bullying, but only shown that one girl calls her “baba ghanoush,” we are told over and over that she is friends with Rami and that she needs to fix the relationship, but we never see what the friendship was before, only the forced awkwardness that it is now. The inside flap of the book stereotypes the “strict family,” but we never really see them being overly demanding or difficult, and the conclusion is very naïve with both the two girls and the two djinn resolving everything on Eid. I wanted to care about the characters, but never felt a connection to their stresses, traumas, and relationships, and many mirror my own life. In full transparency though, I must acknowledge to you all, that I do not read a lot of fantasy graphic novels or even comic books, if the choppiness, and lack of depth is what makes the genre work for others, then this book will be fun with its pink and purple pallet and tracking of the Ramadan moon. I really might just be the wrong person to review this OWN voice djinn fantasy authored by a Palestinian Muslim who like her fictitious djinn goes by they/them pronouns.

SYNOPSIS:

Nayra is being picked on by Tanya for messing up in volleyball in PE, and gets to calling Nayra “baba ganoush.” When the book opens Nayra fasting for Ramadan is what Tanya chooses to attribute Nayra’s lacking skill too, and Nayra is ready to find a new school. Her family offers no support, her older siblings set the bar high and got through by ignoring the bullies, and expect her to do the same. The one other Muslim at school is Rami, and Nayra needs a break from her, they meet to break fast every evening, but Rami is exhausting. When an online forum somehow gets a visit from a djinn, Nayra offers to be the anchor that Marjan needs to escape the ghayb and exist in the human world. Marjan’s past comes back to haunt them, and when Zirkouniya arrives, there is only so much protection the month of Ramadan can offer as Eid arrives and the djinn are returned to full strength. Djinn and human alike will have to own up to their mistakes, forgive others, and rebuild the relationships that matter.

WHY I LIKE IT:

I like the Ramadan centering, and appreciate that the coming of age story line was not an identity crisis about Nayra’s faith. I finished the book feeling like I didn’t understand much. There was a lot of build up for a strict family, and djinn wisdom, that just didn’t exist. The conflict with the friends was superficial and the resolution the same. Maybe I missed the visual resonance as I tend to enjoy lyrical writing and relatable text, but the story seemed really simplistic, and the characters flat.

I honestly don’t know if the liberties of the djinn world and djinn themselves goes too far or if folklore, mythology, and fantasy give it fictional protection. There are details that perhaps come from culture, or are completely made up, I don’t know. Djinn in Islam are real, they are made of smokeless fire, some are good, some are bad, they have genders, and families, and feelings, and communities. Outside of that, I don’t know much, and do not presume to, when I sent @bintyounus some of the pictures from the book, she remarked, “Djinn are part of the Ghayb/unseen, So it’s not like we say oh none of it is true, but we also don’t take it as 100% true.”

The magic is minor just a fixing of a flower and flower pot, so in reality the only fantasy are the details about the djinn and the journey to the djinn world.

FLAGS:

Lying, bullying, magic, sneaking out.

TOOLS FOR LEADING THE DISCUSSION:

There is not enough in the book to discuss in a book club, and because of the lacking resonance, I don’t know that most kids would read the book or be interested in it. I can see it being thumbed through, but I don’t think it would be finished by Muslim kids at the Islamic school, or by my own children. Those that know the Islamic view of djinns won’t find that enough of a hook when the story inside is about a friendship, and not a particularly deep or fleshed out one. They might see the bullying as relatable, but being called baba ganoush doesn’t really seem that bad compared to what many endure and pining for friends, when you have a very loyal friend, also will probably be met with some confusion.

Feb27

A Little Golden Book: Ms. Marvel by Nadia Shammas illustrated by Janelle Anderson & DK SUPER Readers Meet Ms. Marvel by Pamela Afram

Posted on February 27, 2023 by islamicschoollibrarian

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A Little Golden Book: Ms. Marvel by Nadia Shammas illustrated by Janelle Anderson & DK SUPER Readers Meet Ms. Marvel by Pamela Afram

This is not a typical review from me, more of my thoughts on Ms. Marvel books inclusion of Islam. Kamala Khan as Ms. Marvel has been around for a while now, and while I cannot comment on the show, I never watched it, I do appreciate that her faith is still a major part of her character building in books, even in young children’s 2022 and 2023 books about her. I have some concerns with her choices sure, but that a Little Gold Book and a leveled reader feature Islam as part of her identity, does still make me smile.

Little Golden Book: On the very first page it establishes her Pakistani American background before it explains her super powers and her connection her to Carol Danvers, Captain Marvel. It then shows Kamala at the masjid making duas and showing her family with text that attributes her Muslim religion for being the foundation of how she learned how to be a good hero and good person. Nakia is consistently across different platforms depicted as wearing hijab, and this children’s book is no different. The book at the end does conflate her culture with her religion, with the use of the word heritage, but that Islam is positively highlighted in this 24 page children’s book is great representation.

Super Readers Level 3: This meet book introduces 16 characters in the Ms. Marvel series and each two page spread tells about them. On the page about Kamala’s family, her mom is not in hijab, but her brother is wearing a kufi/topi and their names are shared: Aamir, Yusuf and Muneeba. It also shares that her parents are from Karachi, Pakistan. It isn’t until Nakia is introduced on page 26 (of 48) that it articulates that Ms. Marvel is Muslim. “Kamala met Nakia in Kindergarten. Nakia is a practicing Muslim, just like Kamala.” The next page shows her hugging her other best friend, a boy named Bruno, so that is a little hard to accept, and it states that the super dog Lockjaw is her pet. The term Muslim also appears in the glossary.

I found both books at my local library and definitely liked the Little Golden Book representation more, but was happy to see that her religion was not watered down or shied away from for younger readers in both.

Feb24

The Adventures of Amina Al-Sirafi by Shannon Chakraborty

Posted on February 24, 2023 by islamicschoollibrarian

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The Adventures of Amina Al-Sirafi by Shannon Chakraborty

It has been a long time since I have stopped reading a book because I simply do not want it to end. Clearly I have no self control, so a day later I picked it back up and finished the 496 pages, but oh what a treat to be swept away aboard a magnificent tale with rich history, Muslim characters, Islamic references, developed fantasy world building, complex side characters, excitement, plot, adventure, and everything else you would expect from the author of the Daevabad series. The book is an adult read, and I really can’t suggest it to YA readers, the protagonist is a middle aged mom with a foul mouth and a bad knee, there is cursing, and killing, hetero, gay and demon love interests among the main characters, a transgendered character, sex mentioned, drinking, and magic, it is all part of the story, but it isn’t so in your face that older mature Muslim readers will be uncomfortable. So why am I reviewing it here, I honestly don’t know. Clearly it is not to be shelved in the Islamic School Library, but there is so much authentic Islamic centering on every single page, that I want to give it space to remind/encourage us all that we don’t have to hide or water down our faith in mainstream books- not if the writing, story, and characters are so incredible. I really thought a historically set pirate fantasy would be hard to read, that the vocabulary and references would leave me lost and confused, but it is written so beautifully that the pages fly by and you forget you are reading; it is as if you are watching the story unfold in front of you. Please consider preordering this book so that publishers know support exists for authentic OWN voice Muslim character led books, I have an e-version, but have also preordered a physical hard back copy here.

SYNOPSIS:

It has been a decade since the infamous nakhuda Amina al Sirafi has taken to the Indian Ocean to plunder and sail. The stories of her have grown and traveled in her retirement, but life is now more about protecting her daughter and fixing her leaking roof. When her previous life finds her and threatens her, however, she must return to her Marawati, call on her old friends, and put together a crew. Told through a storyteller, with banter between Jamal and Amina, the fourth wall is broken and the reader knows that the hero will survive, yet the adventures of outsmarting Aden’s defenses, peris, demons, Franks, pirates, and marids to prevent the Moon of Saba from being manipulated is a fast paced chaotic adventure that pulls you in from the first page. The fairly linear story from one point of view (mostly), connects the haunting past to the trials at hand, as the crew and characters are understood through their captain. I don’t want to give anything away, but the side characters are nuanced and developed in a way that you feel just as close to them as Amina does, and as she becomes frantic to save them, the reader too is invested in their choices and actions. Pirate adventure, saving the day, a mom as a hero and a missing demon husband refound, yeah, don’t read summaries of this book, just read the book.

WHY I LIKE IT:

I was surprised at the religious redemption arcs and details that were included on truly every page, from the meaning of the translation of Ayat ul Kursi, to acknowledging past sins and striving to not repeat them, Amina al Sirafi practices her Islam in her five daily prayers, regular supplications, regular repentance, and view of the world and her place in it. She isn’t preachy, and much of what she faces tempts her to drink wine and fornicate again, but her struggles are really refreshing to see. It isn’t that she is Muslim and that is the framing for the al-ghayb elements alone, it is so part of her and thus of the book, that you can’t help but feel seen.

The gay character’s lover is mentioned, neither are Muslim, but it is only a few lines in the entire book. The transgendered character starts off uncomfortable with being forced to marry and hints that she doesn’t feel feminine, Amina pieces together what she is saying and then at the end it shows that she is now identifying and carrying herself as a man. It isn’t a big part of the text, it has a strong effect on the story and it does touch on God’s view of such things, as the character is Muslim. The demon love interest SLIGHT SPOILER is Amina’s husband that she thought she had killed, she has had a lot of husbands, but when he turns up alive, she realizes technically they are still married. He asks her quite often to have sex. It is usually is just that blunt with no romance or longing, and when they do partake in the act, it isn’t overly graphic, it is “closed door.” There is killing and murder and deceit and lying and drinking, all things assumed would be in a pirate story. None of it is overly glorified, but it is normalized.

I really just love the characters and the fast paced action, the book leaves off implying there will be more tales to come and I hope there are. (I keep writing what I love about the book and deleting it, because you know….spoilers, ahh).

FLAGS:

As previously mentioned: cursing, sex, hetero and gay relationships, magic, fantasy, killing, murder, lying, drinking, drugs, jinn, peris, marids, fantasy, occult, demons, death, loss.

TOOLS FOR LEADING THE DISCUSSION:

I would never do this for a school book club, but would do it in a heartbeat for an adult book club!

Feb20

Babajoon’s Treasure by Farnaz Esnaashari illustrated by Nabi H. Ali

Posted on February 20, 2023 by islamicschoollibrarian

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Babajoon’s Treasure by Farnaz Esnaashari illustrated by Nabi H. Ali

This beautifully illustrated imaginative story focuses on Persian culture and a grandfather-granddaughter relationship. I have no idea if the characters, author, or illustrator identify as Muslim, the scarf on the grandma and the salaam greetings might just be cultural, but Muslim kids will see themselves in those words and images and thus I am reviewing the book. Young Miriam spends a week with her grandparents, Babajoon and Mamanjoon, every summer, and on this trip, she has reason to believe her grandpa is a pirate. The progression of Babajoon sharing his culture with his granddaughter who has misread the signs is silly, but honestly also a little sad. It seems she is very unaware of her family’s culture, not just generational details, but basics. The story itself is for kids, but I think parents will find a deeper message in the importance of maintaining cultural ties and familiarity no matter where our children are raised.

Miriam loves her week every summer with her grandparents, it is a magical adventure spending time with them at their tea shop. One day Miriam and her Babajoon head out for rocket pops and a mysterious gold coin falls out of her grandpa’s pocket. As they enjoy their popsicles, Babajoon starts singing with a parrot, and he has a secret language with an old friend before crystals are revealed, the only possible connection for the young girl, is that her grandfather is a pirate.

Babajoon reveals the cultural context of all the days adventures tying them back to his childhood in Iran. He encourages her to ask questions, and Miriam worries that she isn’t like her beloved Babajoon. His reassures her that they are alike and that they will teach each other, leaves the book with both appreciation and hope and a whole lot of love from a little girl to her family and culture.

There is a bit of a continuity issue for me as the little girl is excited her grandfather is a pirate, and then at the end, glad he isn’t. Also that she doesn’t know what Farsi sounds like or where her grandfather is from seems a little bit of a stretch as she herself calls them Babajoon and Mamajoon and says salaam to them. They also own a Persian tea shop called Aziz and the sign board is written in English and Farsi. If the little girl is aware enough and old enough to piece together the clues to discern that he is a pirate, clearly she recognizes the difference in the titles, foods, and clothing her grandparents wear to the larger society. I know, I’m being picky, but it took me a few readings to get past all that, and appreciate the story for what it is, and how beneficial it really can be to encourage children to ask about their family heritage and traditions.

The 40 page horizontal hardback book is beautiful to share in groups or one-on-one. The illustrations are enjoyable, and the pirate aspect will make this book a frequently requested read. You can preorder your copy here, after March 28, 2023 you can still purchase through that link.

Feb17

Free Radicals by Lila Riesen

Posted on February 17, 2023 by islamicschoollibrarian

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This contemporary 400 page YA book about an American Afghan girl dealing with life and boys and worrying about family in Afghanistan since America’s withdrawal from the country, is written by an Afghan Australian, raised in America, and thus it seemed like a book I should review from an Islamic lens even if the blurb on the back seemed a little stereotypical with the oppressed-can’t-meet-with-boys theme. Well, suffice it to say the blurb on the back is terribly misleading and this OWN voice book lightly sprinkles in Islam as cultural adoptions and there are flags, oh so many flags. In the first 20 pages alone there is normalizing and discussion of sex, watching pornography, voyeurism, a females breast being exposed, drinking alcohol, a trans character changing, cheating, gossip of the main character circle jerking three guys, partying, a boy sneaking over, parents vacuuming to cover the sounds of their son and his girlfriend in the bedroom, attempted sexual assault, and the book doesn’t just say it is young adult, it specifies, 7th grade, ages 12 and up! I’m reviewing it as an Islamic School Librarian, but I am not ok with any 12 year olds reading this, and worry the American flag on top, the masjid on the bottom and the young girl on the side, just might entice a young reader to start reading, and that is alarming. The characters do not identify as Muslim, the grandpa known as Baba is a “conditional Muslim” he skips Ramadan, celebrates Christmas, and only prays a few times a week, so the drinking and the dating are really not concerns for the characters. I kept reading to see if there was some religious arc with the family in Afghanistan possibly coming, but SPOILER, I’ll save you the read, there is no Islam, a Quran is mentioned to be stored in a box with old shoes, the dad starts reading the Bible and considers “converting” and there are make-out scenes, a pan sexual character, vandalism, sexual assault rumors, just to name a few. The writing is entertaining if not chaotic at times, but I cannot recommend this book for Muslim readers, and have reservations about some of the stereotypes for non Muslims, I will stay focused on the Muslim reader in this review, however, since the book is OWN voice, and just because I don’t like or agree with various aspects, does not mean that they are not accurate or real.

SYNOPSIS:

Mafi is 16 and since rumors about what she did at a party with three guys started circulating she finds herself friendless and unseen. She has become the dealer of vengeance, working to ensure people get what is coming to them when the notes left in a tree are verified. Living each day in sweats and hoodies she dreams of Jalen, a basketball player, being more than just her brother’s friend. When she starts to get sloppy in her justice “ghost” dealings she finds herself emotionally involved and her world changing as a result. There are numerous side characters and side stories that keep this book buzzing: her parents relationship falling a part, her sister away at college, her grandfather’s dementia, her brother Rafi and his girl friend Bian, Rafi getting signed by a college for basketball that wants to make public his Afghan roots, a father who wants them to always deny their Afghan roots, Jalen’s own drive to be signed with a college, Jalen’s dad’s PTSD, motocross, driver’s license, the kid next door that smells of smoke, piercing noses, Brit, a popular trans activist with no sex drive who befriends Mafi, and rumors and gossip that poke and complicate every aforementioned character and relationship.

WHY I LIKE IT:

I have issues with the blurb on the back, the cultural/religious restraints are really non existent in the book, the SOL tree is only brought in for two acts of vengeance, and the age demographic is just too young to read about the sexual exploits, that are not detailed but are very present and normalized. I have issues with the religious references that are present anecdotally for the dismissiveness it implies, but it is not an issue for the characters- because religion is not a part of their lives, and honestly- ultimately, I’m glad it was kept at arms length, because with so many “haram” story lines, it would be problematic to see the characters identifying as Muslim. The writing at times was really engaging and smooth and I was shocked at how fast the pages were flying by. At other times it seemed too chaotic and underdeveloped. Keying a car seems such a sad planned act of vengeance, I wanted to know what acts she had done in the past other than the two mentioned in the book, there was a lot of set up to go deep on Bian, or Jalen’s dad or Mafi’s loss of friends, but it all just fizzled. I never felt emotionally tied to the family in Afghanistan, or the dad on the deck. I wanted to understand some of the walls the family established so that I could feel what the characters were feeling- and so often it just wasn’t there. I absolutely loved the grandfather and his quirks and the sibling relationship of Rafi and Mafi as the story progressed. After the initial shock value, the book really did settle down and have a lot of heart, but those first 20 pages were aggressive, and the last twenty seemed to just unravel. I would have loved to see some commentary about the hypocrisy or ironies of Mafi’s life, she has insights, they just seemed missing when reflecting on her own family quirks: her family doesn’t want to identify as Afghan, yet all their nicknames are Afghani, she claims she can’t hang out with boys, but she seems to all the time with no problem, they have no Afghan friends and yet there is no acknowledgement of this when the man on the moped shows up, how long Baba has lived with them seems inconsistent, they eat dinner together most nights but seem like strangers.

Politically, the author has her views and thus the characters theirs. For those not familiar there is enough information about Hazaras, and the Taliban, to understand her point of view, but I don’t know that the books really conveys a lot of the nuance or accounts for why the family would be heading to Pakistan while dropping jabs at Pakistan’s view of the Taliban. There is a bit of othering and we are the good ones not the terrorist ones that seems stereotypical, but the remarks are said in passing and not often.

FLAGS:

Sex, kissing, making out, voyeurism, porn, female breasts exposed, trans character changing, Islamophobic remarks, misogyny, bullying, language, loss, dementia, discrimination, drugs, mental health, rumors, gossip, lying, sexual assault, violence, ptsd, relationships, pan sexual, racism, theft, hate speech, death, fear, threats, sneaking out, Halloween, alcohol, hung over, violence, mention of murder, masturbation word play, a child using a dildo as a sword, pretty much every flag you can think of is present in some form.

TOOLS FOR LEADING THE DISCUSSION:
I would not shelve this book in an Islamic school library or classroom. I would hope that public libraries would not be displaying it near the books for younger YA as well. It isn’t that I am holding it to a higher standard than other YA books, but it would be naive to think that the Afghan architecture on the bottom right of the cover that looks like a mosque and the light hearted blurb on the back, might excite young Muslim readers, and thus I’ve posted this review as much for my own conscious in making sure parents don’t pick this up for their kids as for warning Muslims that there isn’t Islamic rep in the book.

Feb10

Hamra and the Jungle of Memories by Hanna Alkaf

Posted on February 10, 2023 by islamicschoollibrarian

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Hamra and the Jungle of Memories by Hanna Alkaf

This 400 page middle grade retelling of Little Red Riding Hood bursts with Malaysian culture, magic, action, and adventure. The main character and her family are Muslim and hijab, duas, zikr, halal, Qur’an and salat are included throughout. The mix of legends and characters from Malaysian culture in building the fae world is not contrasted with religious faith, but assumed to both coexist without issue. The book is clean for ages nine and up and the only concepts worth noting are some intense life and death situations, close male and female friendships, dementia, and the element of fantasy. The book is set during the Covid-19 pandemic which will ultimately date the book as it doesn’t convey the tone for readers unfamiliar with the curfews, social distancing, controversies, and masking. Those who have just lived through it, will not need the framing, but in a few years I do fear that the book will be lacking in fully understanding why the tourists, parents, and markets are so absent. As with all of the author’s books there are also dated pop culture references, that slow the narrative down for today’s readers. The book grabs you from the start and the second half flies by smoothly, but the middle quarter is a bit slow as the world building is not robust, and the reader is thrust into a magical world that is just accepted without pause, and the reader is asked to accept it at face value as well.

SYNOPSIS:

It is Hamra’s birthday, but the independent 13 year old is not being celebrated- everyone has forgotten: her mother is a front line worker, her father helping those with limited resources, and her aging grandfather and her are left to care for her memory slipping grandmother. When Hamra, Little Red, storms off to the jungle to collect some herbs, in an act of spite, she defies the rules drilled in to her 1- Always ask permission before you enter. 2- Don’t challenge what you can’t even see. 3- Never use your true name. 4-Never take what isn’t yours. 5-If you hear someone calling your name, never, ever look behind you. She also doesn’t listen to the regular reminders to tie her shoes. Simple rules, that when broken set the story in to motion. Along with her best friend Ilyas, the two will strike a deal with a weretiger for their transgressions that takes them on a journey to try and save Opah, themselves, and prove their quest a success. The characters they meet, the clues they unravel, the legends they understand, and the scenic islands they explore are as lush as the love Hamra has for her family and the drive she has to return home safely.

WHY I LIKE IT:

I love the way Islam is truly part of the characters, and a natural extension of how they see the world and act within it. I wish there was stronger world building blending the world of the known and the fantasy for the reader. The writing of the Malaysian setting is beautifully unapologetic and I love that there is not a glossary or overly explained descriptions, it is immersive and I appreciate that, but the framing of the two worlds I felt was a bit disjointed and needed some fleshing out. At times it feels more telling than showing in detailing the depths of the legends or the superstitions that are true for the story. I did enjoy the characters’ quirks and stubbornness, there is not a lot of arc and growth, but with the intensity of the adventure and culture, I didn’t feel it lacking in development. For much of the book I didn’t quite appreciate the Covid-19 framing, but by the end I understood that it was a way to have the tourist spots void of people, the parent’s out of the way; a little more development though would have had the uncertainty of so much more fully realized.

FLAGS:

Fear, trickery, danger, loss, death, music, musical references, dammit is said. There is some violence, close male and female friendships, and a possible trigger of dementia in a loved one. There is myth, legend, magic, fairies, fae, and fantasy, if you are ok with the concepts in general the presentation is clean even with mixing religion and these concepts. If you are uncomfortable of fantasy and Islam coexisting, this book draws the two worlds very close.

TOOLS FOR LEADING THE DISCUSSION:

I have taught two of her books in middle school book club discussions, and I would teach this one as well. It is enjoyable to see Malaysian Muslim characters so confident in their identity and having adventures that are enhanced by their faith and culture while focusing on larger themes of friendship, family, forgiveness, and adventure.

The book comes out in March of 2023, I’ve preorderd mine HERE and I hope you will as well.

Jan30

A Bit of Earth by Karuna Riazi

Posted on January 30, 2023 by islamicschoollibrarian

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This Secret Garden retelling mixes the heart of the original with a dash of modernity, the flavor of desi culture, and the lyricism of a good writer. Over 368 pages the slow plot but rich imagery will draw readers in, hold their attention, and leave them thinking about the characters they have been fortunate to spend time with on Long Island. Islam is practiced and normalized and naturally woven into the Muslim characters’ daily lives without othering or over explaining. I did struggle a bit trying to keep the relationships of who was supposed to be caring for the protagonist at various points since her parent’s died clear, but once I abandoned stressing about it I was able to be swept away. I recently reread The Secret Garden with my own children and the original is not plot heavy, nor action packed, but I watched as my own children were drawn to the slower, more grounded (pun intended) nuanced tale, and I think this book, in the same vein, will find its way in to the hearts of middle grade readers. The book is clean, there is a possible crush hinted very slightly at the end, periods are also endured, and I do have reservations of the terrible marital relationship between Mr. and Mrs. Clayborne, but it establishes that change will occur, so at least it isn’t normalized. There are sprinkles of magic implied regarding the house, but it is always framed without clarity and in a subtle way to set the tone and the emotions the characters are feeling more than centralizing something rooted (see I did it again) in fantasy.

SYNOPSIS:

The book updates and mirrors the original fairly well with an obstinate orphan arriving at a sprawling house, finding a prickly boy, and setting off to form a tentative toleration of one another with friendly neighbor kids in a garden that is unquestionably off limits.

Maria Latif arrives from Pakistan against her will to be taken in by a distant relative (I’m not sure how she is related), but Asra has been called away and she is forced to stay with Lyndsay, the new wife of Mr. Clayborne. The first wife was a friend of Maria’s family, but Lyndsay is just as emotionally overwhelmed and lost as the child in her charge. With Mr. Clayborne away on businesses, his mother Charlotte keeps them all on edge. When Colin Clayborne is expelled and returns home, more tension erupts and the two children find themselves in an off limits garden trying to make the most of a difficult situation.

WHY I LIKE IT:

I love the mix of poetry and standard novel format. It is beautifully written and clearly the author does a remarkable job of making her very unlikeable characters worm their way in to the reader’s heart. Both Maria and Colin are thorny and difficult, stubborn and rude, but you seriously cheer for them, and I did shed a few tears at the end. With the author’s writing ability apparent, I’m still not sure why the foundation of the relationships and getting Maria to the Clayborne home is so cumbersome. It is too muddled and it drags the book down every time it is revisited. The Dadi having the aunt’s phone number was too easy, the inconsistency of the neighbors having no relationship to the Clayborne’s for so long and Lyndsay not even pausing to think another Bangladeshi family living a few houses down might be my husband’s first wife’s friends, seems inconsistent. Honestly Lyndsey in general needed to read like a competent woman struggling, not a teenager in over her head. I disliked her and Mr. Clayborne’s relationship and I would hate to think any reader would find it ok or normal.

I love the Islam and how it presents when the character has to pray, she goes and prays, it is part of the story and it is seamless. I don’t think the culture is handled quite as well. Lyndsay is a foot writer who is always cooking, yet knows nothing of desi foods? If Colin’s mom is desi, wouldn’t she at some point tried to cook familiar foods for him. Half the neighborhood is Bangledeshi, so it seems everyone has a parent or step parent or distant relative that is desi and I loved the normalizing, but it seemed a bit assuming. I don’t think kids will wish it was more clear, but as an adult reading it, I felt like it needed to be interjected more without explanation, or if left as is, adding some context. I also wanted to know what Maria’s parents did and a little introspection from Maria. Again as an adult I see how her anger and grief changes how she remembers them, but from them always being away, to such soft poignant memories at the end, I think kids will need a little hand holding to understand the grief process and her understanding of them. As it is, they just seem terrible and then all of the sudden great, and the pacing gets thrown off in the process.

FLAGS:

It seems to hint at the end that Maria might have a bit of a crush on Colin, I honestly thought up until a single line that they were making a chosen family with the people who cared for them, but that line seemed to suggest it might be more of a romantic feeling than friend or brotherly. I read an early copy, so this is subject to change.

Maria gets her period and it is detailed what she is feeling. I think boys and girls can and should read it. It is presented on age and appropriately: cramps, achy, dry about blood leakage, having it start young like her mother, etc..

Implied magic (possibly), music and musical instruments being played, milaad, lying, sneaking, being kicked out of school for physical assault, close male and female friendships, ADHD stigma.

TOOLS FOR LEADING THE DISCUSSION

I think this book would work in a classroom and would appeal to readers in an Islamic or public library. I would consider it for a middle school book club, I think readers will connect and feel empathy for Maria, Colin, and Lyndsay and be better for it.

I preordered my copy HERE and I hope you will do the same

Jan27

A Dupatta Is…by Marzieh Abbas illustrated by Anu Chouhan

Posted on January 27, 2023 by islamicschoollibrarian

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A Dupatta Is…by Marzieh Abbas illustrated by Anu Chouhan

I read this 30 page early elementary book a few times before writing this review and honestly my cheeks hurt because I cannot stop smiling. The lyrical writing radiates warmth and pride, culture and tradition, legacy and identity, while acknowledging both the playfulness and solemnness of a piece of fabric. My heart breathed with the clarity and articulation that is felt and contained within the fabric that perhaps all Pakistanis feel, but cannot convey so poetically. The book may be meant for children four to eight years old, but all readers will appreciate the text and illustrations that seamlessly flow like a favorite dupatta grabbed while running out the door. I struggled with picking only a few images to share, as every page became my new favorite as the book progressed. Admittedly though, one page did give me pause as it conflated incense burning with getting rid of evil spirits which comes across as a religious belief, but is a cultural practice.

The book starts out with the actual physical description of what a dupatta is and how it is adorned. It then moves on to describing the color, the sound, the smell, the place, the function, the art, the beauty, the fun, the faith, the legacy, and the identity. Each spread ends with the words, “but a dupatta is so much more…” seamlessly weaving so many facets of what a dupatta is together to create a true understanding of it from a tangible, to cultural, to practical perspective.

I love that there is a page about faith, and praying five times a day with a dupatta being worn, it is a little odd that there is a portrait decorating the wall behind the two characters making dua, but at least it is clearly behind them. I absolutely loved that so often the wearer of the dupatta was also wearing a hijab, particularly the bride picture- which is absolutely gorgeous. It signals without words that a dupatta can be worn to cover a Muslim woman’s head, but it is also often not. The backmatter further details that it was once worn as part of the national dress and as a form of modesty, but now is often worn as an accessory.

One summer in Pakistan, a friend and some cousins and I started trying to formulate 101 Things to do with a dupatta (wipe noses, pull things out of the oven, catch fish), it was the year of net dupattas so clearly covering your head was not one of them. Sure we were being silly, but to see the book also highlight wiping sticky hands, and wrapping it up like a sari, and using it as a cradle to rock a baby was very, very accurate and heartwarming.

Please pre order this book, it signals to publishers that these books are in demand and is a way to show what type of books we want to see. I preordered mine here.

Jan20

The Next New Syrian Girl by Ream Shukairy

Posted on January 20, 2023 by islamicschoollibrarian

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The Next New Syrian Girl by Ream Shukairy

This culture rich, American set, upcoming 416 page YA book proudly shows the characters’ Islam as it shares a story of pain, privilege, guilt, adversity, hope, and family dynamics. The book is an easy read that is hard to put down, and is remarkably clean for the threads of romance, war, and mental health that permeate the pages (note that here are triggers of loss, separation, death, suicide, drowning, trauma, hate, and bullying). There, however, are also some plot holes, contradictions, and weak threads that I feel obligated to note, but ultimately don’t make the book a bad read. I think 16 year old readers, both Syrian and not, as well as Muslim and non Muslims will benefit from the characters sharing their lives and peeling back surface layers to show an intimate account of expectation and obligation for Syrian American girls in today’s world with the backdrop of war in Syria. The book’s first few pages are powerful in their Islamic centering and unapologetic normalizing of salat and hijab and identity. The Islam in the forefront fades as the story progresses and I don’t think I can sign off on the relationship between two characters as being “halal,” but starting the story with fears of praying on the side of the road as a mom’s concern is next level. Most book parents are trying to get their kids to pray, in this family- prayers are happening five times a day and on time, so the worry is knowing where you are when Maghrib time hits, because it obviously won’t be missed or delayed, alhumdulillah.

SYNOPSIS:

Khadija’s mom is queen bee in the tight knit Syrian community in Detroit and Khadija does not fit the mold of what the queen’s daughter should be. It isn’t that Khadija is a rebel, she loves her mother, her faith, her roots, and well, boxing. Khadija is wealthy, and privileged and so much of what is expected is for appearance sake only. Khadija knows this, and takes boxing lessons for free in exchange for helping keep the gym clean as to establish this as her own thing, no strings attached. When Khadija’s mom takes in a Syrian refugee and her daughter, Leene, Khadija has to figure out if she is threatened, jealous, or impressed by the new arrivals and what that means about her own family.

Leene shares the narrative with Khadija and shares her transition to life in America and in the Shaami home along with her past. The loses she has faced, the obstacles overcome, and the secrets she keeps in order to face each new day show glimpses into the destruction of the Syrian war on a way of life and the beauty lost.

The two girls are at odds with each other for much of the book, but as their stories start to intertwine, they find themselves with similarities and strengths that show they are a benefit to each other, despite their stubbornness and fiercely independent personalities. In a race to reclaim what was once lost, the girls start to trust each other, and when family is further threatened the two girls allow themselves to be vulnerable and work together to save what matters.

Clearly I am trying not to spoil the book, nor takeaway from the climax, but I think most that start the book, will find themselves glued to the pages and will understand why I am choosing not to disclose too much.

WHY I LIKE IT:

The first chapter completely blew me away, I loved the idea of such a strong hijabi girl boxing and being so unapologetic about her Islam and culture. I must admit I cried at the end as well. It was tied up very neatly, arguably too perfectly, but there were tears none-the-less and no matter what I critique about the book, I was moved by it. The writing is engaging, and entertaining, no doubt, but alas, I have some questions, lots of questions in fact: How did the mom’s meet? One is super posh and high class, the other refugee with very little, how did their paths cross? How did Leene convince her mom to let her travel even if the ‘why’ was kept hidden? After everything they have been through wouldn’t being left to travel to the Middle East be a huge obstacle that needed to be overcome, it reads inconsistent and unbelievable. How hard was it for the “girls” to leave the “boys,” I would imagine it was devastating, yet it didn’t even get a mention.

What changed so much about the family dynamic when they stopped going to Syria, the author shows the joy of Syria and being together for the family, but I think if you are not Syrian and do not know Syrians well, some of this thread, is going to fall short. I talked to @muslimmommyblog and could see the reflection of the characters for her, but if I didn’t have her shared experience to flesh out the characters, I don’t know that I would have understood the weight of the guilt, the helplessness, and the frustration. Similarly, only through talking to Shifa did I understand the pressures of being an American Syrian girl, if I’m being honest, Khadija the majority of the time, just reads whiney. Other family dynamic questions involve the dad and brother. Was the dad always so absent? It must not have happened overnight, right? And exactly how old is Zain? He reads like he is 12, but he is in high school? Additionally, high school graduation is very important for both girls for very different reasons, but their is no talk of college or career plans, which was noticeably missing from the book.

Then there is the angsty storyline of Younes. The perfectly selfless guy who doesn’t center his Islam as much, but does want to have a prolonged engagement. What does that even mean, and how will that be ok Islamically, with them already laying on the 90s Bollywood style glances and loving confession? Also why does Khadija frame morality through an Islamic lens for most things, but for the relationship resorts to worrying about what her mother will be ok with? And was the family ok with Younes? How is he at the BBQ? Speaking of places he shouldn’t be, how was he at the party Nassima isn’t Arab enough for, when she at least speaks Arabic and he does not?

I think it best to just enjoy the story for what it is, not look too deep, not ask questions, and just enjoy the rep, the story, the characters, and the emotions released with the climax and conclusion.

FLAGS:

Romance, crushes, road rage, bullying, Islaophobia, mental health, death, killing, war, destruction, suicide, drowning, abandonment, separation, loss, grief, rebellion, angst, lying.

TOOLS FOR LEADING THE DISCUSSION:

This would not work for a middle school book club, and I really should say that this wouldn’t work for a high school book club either, but I know many older high school girls that would absolutely love this book and I think it might be possible to convince them that the relationship is more than the text shared, and was approved by the families and made halal. Considering so many holes exist, it might be possible to control the narrative in a book club setting on the permissibility of the relationship. It would definitely depend on the girls reading the book and I would strongly suggest that whether you read this book in a group or hand it to a teen, that you make it clear what a halal relationship looks like and that this is a work of fiction.

The book releases in March 2023 and as always to show support for OWN voice Muslim character filled stories please consider pre-ordering the book: you can do so here on Amazon. And once the book releases please purchase, checkout from your library, and encourage your schools to shelve titles to encourage similar books to be published and made available, thank you.

Jan2

The Great Labne Trade by Eman Saleh illustrated by Eilnaz Barmayeh

Posted on January 2, 2023 by islamicschoollibrarian

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The Great Labne Trade by Eman Saleh illustrated by Eilnaz Barmayeh

My friend Noura, owner of Crescent Moon Store, said this book was good, so when I saw the amazing illustrations on the cover, I didn’t even look into what the book was about, I bought it and waited impatiently for it to arrive. When it came I started reading it and thought ok, ok another book about lunch food that is perceived as “other” and the bullying that ensues with having a “smelly” lunch. But the bullying never really came, and the book was suddenly not about being different, it was about entrepreneurship, and a mother’s love and support, and appreciating good food, and sharing culture, and raging against an oppressive system. Ok, so there was no raging, the book ended with determination and a following of the “rules,” in a very kid appropriate manner, but it was fun and a nice change from the typical storyline in rhyming children’s books. There is no “Islam” aside from a boy named Ahmed and his sweet hijab wearing mother, but this book will result in smiles for kids preschool to early elementary and encourage business creativity and thinking outside the box.

Ahmed is not thrilled to be taking a labne sandwich to school and would rather have a pb&j like everyone else. His mom encourages him to “be proud of who you are, appreciate how special you are, stand tall, don’t let other’s make you feel small,” and sends him out the door. At lunch when the kids start to turn up their noses, Ahmed gets them to try the sandwich, and they love it.

Ahmed gets an idea, maybe he can sell labne sandwiches to his classmates. Mama stays up late making them and Ahmed sets up shop in the cafeteria. He sets his price, and they sell out, so he increases the charge, and they are still selling. He also is open to trades for those that can’t pay. Before you know it he is adding dishes to the menu. Things are going well for entrepreneur Ahmed, until the lunch ladies have had enough and take matters to the principal.

The 58 page book is not text heavy and the rhyme is fairly good, it is hit and miss at times, but the story is not hindered by it. I did feel like the book took a few pages to set the stage and get into the story. The initial timeline and the “smelly” lunch could be cleaned up a little, but once the business storyline presents it is smooth and enjoyable. And the illustrations, they are perfect for the story and for keeping Ahmed and his dream in your heart.

The book is available here at Crescent Moon or on Amazon.