Tag Archives: Eid

Mr. Men Little Miss Happy Eid by Roger Hargreaves

Standard
Mr. Men Little Miss Happy Eid by Roger Hargreaves

mr men

The nostalgic cast has reassembled recently, and now have an Eid title available.  Whether you grew up with Mr. Men and Little Miss or have never heard of them before, this book covers the basics of an Eid day celebration with (familiar) characters such as: Mr Greedy, Mr Bump, Miss Splendid, Mr Funny, Little Miss Scatterbrain and more.  The characters’ friend Aleena is fasting for Ramadan, the colorful crew help her to plan, and finally they all join in for the celebration.  The 32 pages are silly and random at best, but with a little discussion to help bridge the British to American English (if needed) ages three and up will enjoy the funny characters, seeing Aleena in hijab, and relating to the activities mentioned.  I love that generosity and forgiveness are included in the messaging, but was really irritated that a musical band is how they celebrate Eid night, and that Eid is compared to Christmas with gift giving.  The book is not written by a Muslim, so perhaps I should be forgiving about the Christian holiday comparison, but why write a book about Muslim joy, if you won’t let the Islamic holiday be enough on its own?  Thank you to Shifa @Muslimmommyblog for gifting me this after making fun of me for being old!

img_9333

Mr Greedy’s friend Aleena is fasting, and Mr Greedy breaks his fast nearly every hour so he is helping her.  Little Miss Inventor is out with her telescope and sees the moon, it is time for Eid.

img_9334

The days before Eid had been spent cleaning and decorating with the help of Mr Rush and Mr Bump.  They weren’t very helpful.

img_9337

Ramadan is also a time of generosity.  The football club receives donation, but what will they do with Mr Silly’s grandfather clock donation.

img_9336

Aleena puts mehndi on and is smart enough to not let Little Miss Naughty help, Little Miss Scatterbrain was not so wise.

img_9339

They all get dressed up, they give each other gifts, and share a meal. They then all settle arguments and forgive each other.

img_9338

Finally, they head to an Eid fair in town and eat treats while they watch a music show.  The book concludes with some factual information about Ramadan, Eid, and Zakat.

Title is available on Amazon.

After Iftar Tales arranged by Bismillah Buddies

Standard
After Iftar Tales arranged by Bismillah Buddies

after iftar tales

This book’s beautiful dark blue cover with sparkly stars feels good in your hands and looks lovely on the shelf.  It is a collection of 10 short stories presumably to be read by an adult to a child or children during Ramadan and has its highs and lows.  As often is the case in anthologies, some are written better than others and while I particularly liked two of the stories contained, I couldn’t help wishing that the entire collection would have been better edited.  I don’t know any of the authors, or their ages, and there is not an intro or conclusion detailing how the stories were selected or compiled, but as a whole, the grammar errors (spaces before and after commas and periods), failure to spell out numbers less than ten, and the overall plot holes in so many of the stories, makes it hard to love this book.  Something about judging a book by it’s cover would seemingly apply here, the illustrations are decent, the topics and themes covered are important, but the finishing is lacking, and the book really had a lot of potential.

SYNOPSIS:
The ten stories cover Ramadan in different ways, and do not get repetitive.  With different authors and illustrators and pictures on every other page at a minimum, the books presents well.  Many of the stories are adequate, but largely forgettable as the plot holes just made me and my kids dismiss them.  A few are too lengthy and wandering, but there are two that even despite writing obstacles, thematically were memorable:  “A Ramadan Surprise” by Malika Kahn and “Iftar in Space” by Tayyaba Anwar.

“A Ramadan Surprise” is written in rhyming verse and discusses the need for wheelchair accessibility at masjids.  Focusing on a young girl it also hints on the importance of accessibility for the elderly.  This is such a needed and important reminder and I love that it is present in a book that is positioned to be read and thus hopefully discussed.

“Iftar in Space” similarly opens itself up to be discussed and marveled at between a child(ren) and an adult: how would you fast and pray if you were on the International Space Station. This connection could then be made for people that live near the poles, and how science is valued in Islam and so much more.  I love that Islamic information is seemingly sourced, but I would have loved a line or two at the end clearly articulating that in fact this is what this scholar or these scholars have declared.

WHY I LIKE IT:

At first it didn’t bother me that the text was so small, but mid way through, it started to because the pictures are so inviting and regular.  If a child is snuggled up with a reader looking at the pictures it is impossible for them to follow along. I get that that is kind of the point, but with huge margins, the text size can easily be increased.

I don’t know why the book doesn’t seem to have been edited.  The cover and illustrations and binding are all decent to high quality, the cost of the book for consumers is high, so I don’t know why an editor was not (seemingly) involved in the process.  Sure I am picky, but it isn’t one or two grammar errors, it is a lot, and when it is a regular concern, it ruins the flow and feeling of the book.

Overall, honestly there is also very little Islam present in most stories except for the timing of Ramadan, and many of the stories seem to have gaps.  In the first story, a boy is found by a stranger and gifted a lamp, and the family never even tries to find the person who saved their son to thank him? They live in a small village?  In one of the stories where a little girls is fasting for the first time she is also making a salad independently and pulling a cooked tray of lasagna out of a hot oven. A child in one story eats moldy candy, and in a contemporary story kids donate their money to an orphanage.  Are there still orphanages? In one story it opens with a banner being made that is crooked, but the accompanying illustration does not match.  One error or two is easy to overlook, but again, when it is every single story, it is incredibly disappointing.

FLAGS:

Clean

TOOLS FOR LEADING THE DISCUSSION:

I think while reading it you would find plenty to discuss with your children.  On stories where your children seem bored you could skip them, if sentences don’t make sense you can alter them.  I doubt children will read the book independently, so there is some wiggle room to add or subtract from the text to make the points you want to make and keep the stories engaging.  There are a few stories that discuss Covid and the frustration that it has caused to daily activities, which might help add another layer of connection to the text.

My First Book About Ramadan: Teachings for Toddlers and Young Children by Sara Khan illustrated by Ali Lodge

Standard
My First Book About Ramadan: Teachings for Toddlers and Young Children by Sara Khan illustrated by Ali Lodge

ramadan

Once again, Sara Khan pushes the standard of what can be conveyed and presented in a toddler board book.  This book on Ramadan not only introduces concepts of the blessed month to our littles Muslims, but also provides details that will allow the book to stay relevant even as a child grows.  The soft, yet colorful pages allow the book to be engaging and attention holding for ages 2 and up, and provides a great way to get young children looking forward to Ramadan, as well as be read repeatedly during the month.  The 26 thick pages have a facts and questions about Ramadan at the end which make the book shareable with non Muslims and the many shapes, colors, cultures, and ages that make up our Muslim communities fill the pages that radiate with joy and love.

img_7070

The book starts out expressing the excitement of Ramadan, the new moon, and the anticipation.  It then talks about how Allah swt wants us to fast from dawn until sunset.  It mentions the five pillars, and fasting in Ramadan being one of them, and what it means to fast.

img_7071

It focuses on doing good deeds to make Allah swt happy.  It also dedicates a two page spread to showing who doesn’t have to fast, which answers that inevitably next question that people ask.  The book then says that even if you aren’t fasting, there are still blessings everyone enjoys in the month and spends a few pages detailing those activities and acts of worship.

img_7072

It mentions that Ramadan is the month of the Qur’an and that Laylat al-Qadr is the night of power, but doesn’t give much detail about either. Eid is celebrated at the end and a dua is made referencing a hadith in Bukhari about entering through the gate of Ar-Rayyan.

I love that the book’s tone is that this is what Allah swt wants us to do, and this is what makes Him happy.  Even with numerous Ramadan books out there, this one still manages to find a way to be unique, and truly the entire series is enjoyable and beneficial, alhumdulillah.

 

Salaam, with Love by Sara Sharaf Beg

Standard
Salaam, with Love by Sara Sharaf Beg

salaam

This 288 page YA contemporary Islamic romcom is very Islamic centered, and the storyline provides some nice twists along the way.  Unfortunately the writing is terrible.  Not the storytelling or even grammar per se, but the contradictions, errors, underdeveloped characters, and the inconsistencies. Yes I read an uncorrected proof, but this book is a mainstream major publisher presented book coming out in a few weeks, and it is in desperate need of some attention.  I really don’t think it is the author’s fault, it reads as if this was a manuscript that got shopped around and picked up and then never refined, polished, and made to sparkle.  The only saving grace is that as terrible as it is literary wise, once the main character starts to get over her “internalized islamophobia” (thank you @bintyounus for bringing this concept to my attention), the book as a whole presents a lot of unapologetic specific Islamic content on every single page: how Eid salat is different than normal salat,  the beauty of tajweed, the meanings of so many duas and surahs said regularly, the list goes on and on and doesn’t just cover the basics.  The flip side is that the characters are in a band that performs Islamic songs, but with instruments and everyone is fine with it, there are artists in the book drawing faces and portraits hang on walls, it is a romance, but it at most an arm or hand is touched and when tropes about Desi college choices are pushed back on the parents break the stereotype and relent.  There are threads of cultural-ism within Islam, Islamophobia and a violent near death experience, but the book is very clean and  honestly has a lot of potential, I have no idea why it is so sloppy.  SO SLOPPY, and I took notes, so buckle up.

SYNOPSIS:

Seventeen year old Dua is an only child and her doctor father and caterer mom are the only Pakistani and only Muslims in their small Virginia town.  They decide for Ramadan that they are all going to go and stay with family in Queens, New York for the whole month.  They have given Dua less than 48 hours notice to plan to spend the end of her summer with cousins she hasn’t seen in five years.  The parents hope that Dua will benefit from being around family, being closer to other Muslims in the month, and enjoy the cultural environment.  Dua is not excited, but when bear hugs and genuine smiles meet her at the door, she is sucked in to a bustling house and the happiness and drama that is bound to unfold.  Sharing a room with her older, law school bound cousin Mahnoor is by far the hardest relationship to cultivate.  Newly engaged, Mahnoor is quiet, reserved and deeply unhappy.  Dua makes little progress, but with Ramadan starting and her cousins setting goals for the month, Dua is determined to do better in all aspects of her life.  As she gets close to Mahnoor’s best friend, Haya, she also gets closer to Haya’s brother Hassan.   It is Ramadan though, and she isn’t good around boys, but Hassan is a hafiz and is helping her reach her memorization goals for the month, Hassan is also in a band and needs Dua’s help.  When Mahnoor’s engagement is called off to Haya and Hassan’s brother, everything comes to a standstill between the families, but when a cousin is shot, the families come back together to support one another and deal with their decisions and their outcomes.  By the end of Ramadan, every character has changed and grown and is sad the month is over and that Dua and her family are leaving.

WHY I LIKE IT:

Suffice it to say I love how Islam centered it is. I honestly checked the publishing information because of how much Islamic content is included, also for the amount of errors.  The book did not start off well for me with Dua trying to separate herself from her “religious” cousins.  The ones who practice communally and wear hijab.  She was not like “them” and the dichotomy of measuring religiosity as acceptable or not, too much or too little, enrages me.  It sets up that she practices Islam but in a relaxed manner and has been taught by her parents, and it is who she is, but it isn’t a huge part of her life.  As the story progresses, it seems that she just doesn’t know a ton of surahs, she actually is pretty religious, and devout, it is very awkward and not presented clearly, which is why I attributed it more to her being in denial or embarrassed by her identity, not about her level of belief.  Dua is also not like-able, she is incredible privileged and arrogant commenting on the size of houses and rooms, and her shoes.  About half way through she starts to comes across as clumsy, not sure then why is she always wearing heels.  Ultimately she is just not well-developed and often reads like an annoying helpless child.  The framing of Dua being a musician and not being so religious is quickly questioned as she gifts her cousins music paraphernalia, and looks at portraits on their walls.  If most are like me, and both families are praying, fasting, reading Quran, active musicians and artists and ok with hanging pictures, one would assume they are pretty in-syc with one another on their religious views and in practice.

Dua is not the only character that is poorly voiced, fractured, and inconsistent.  Her parents are so unrealistic and awkward in the beginning I physically cringed reading them telling her their reasons for going to New York.  In the car on the way, they even quiz Dua on her cousins names.  She hasn’t seen them in five years, she isn’t a toddler, she should know their names, she has clearly purchased incredibly personalized gifts for them, and is filled with detailed memories of when they all met up in Pakistan together, the whole scene is pointless. One of the cousins, Ibrahim, is blind and Dua says that a few years ago her parents had to explain to her what it meant to be blind.  Seriously?  I get the learning how to let him take the lead and how to interact, but you as a teenager didn’t know what it means to be blind? When you met him in Pakistan you didn’t know he was blind? The four year old cousin is cute and adorable, and has the vocabulary and mannerisms of a seven or eight year old at times, most times.  The 12 year old cousin has the wisdom of an old uncle and why do none of the adults in the book seem to work?  The book probably should have started at chapter five, it seems the book hits a bit of a stride that at least makes it readable.  

A huge plot of the book is the band, Sheikh, Rattle, and Roll, but the details about it are terrible.  Mahnoor is walking out the door and her mom tells her to take Dua.  The reader doesn’t know where they are going, but Mahnoor reluctantly agrees and they head out on the subway.  Mahnoor constantly is telling Dua to hurry so they aren’t late and miss it, when they arrive, the band performs one song and that is when Hassan and Dua and Haya all meet.  But the other two band members are her cousins, she is staying in their house.  What? Rabia is constantly talking, that is her character quirk, how does Dua not know that they are performing? Not know they are in a band?  No way would it not be mentioned.  And why only one song? That is so random.  At the end when they perform again on Eid, it is a concert, it is again only one song.  A concert is not one song.  Do they not practice or load up equipment, how is all this going on in one house and Dua is so clueless? 

The inconsistencies are aplenty.  A few examples: it says her cousin doesn’t wear make-up, a few chapters later has a whole face of make-up, on Eid she even does Dua’s make-up.  When they all are sitting down to write their lists of plans for Ramadan it says they don’t have to share their lists.  Yet a few lines later Dua is singled out in a very creepy way to share hers.  In a single paragraph it says that at home she prays fajr half asleep, or late and in a rush before school, but concludes the description by complaining that praying in congregation is more difficult for her to focus in.  Huh? praying while half asleep or in a rush gives you more focus than praying in jammah?  Even non Muslims are going to be scratching their heads.  At one point as Dua is trying to figure out what she wants to study and if she wants to start an MSA in her high school, since she is the only Muslim, she internally discusses how she wants to prove herself to her parents.  Then when she decides what she wants to do for her, she remarks that she isn’t just doing it to prove to her parents, but because she wants it for her.  The only problem is, no where have we seen or has it been established that her parents are requiring this proof.  

There are odd errors as well.  The athan on a phone goes off, the Uncle reaches in to his pocket for his phone and turns off his iPad.  That is a big pocket indeed.  Dua gifts Hassan a CD, really a CD? What is this 1999? Who gifts CDs in 2021? Dua starts playing a keyboard in someone elses house and no one mentions it other than the two people with her, how big is the house that you can’t hear it? The Uncle gets upset that Dua doesn’t pray Asr right at time, but a lot of people prefer Asr specifically to be prayed later within the time frame.  In a two chapter frame it mentions letting out a breath she didn’t realize she was holding three times, word for word the same.

I was genuinely surprised that music being questionable was not brought up at all, two of the bandmates are huffaz.  The author lets her own qualifiers slip in, perhaps her own desire to not take a stand that could seem alienating.  She says, “allegedly” the time right before iftar is the best time to make dua.  As Dua tries to figure out what is going on with Hassan she often remarks how it is hard or confusing “especially because he is Muslim.” Would a relationship with a non Muslim be ok, less hard, more hard? There is no lowering of any gazes, which for as religious as everyone in the book is, should have at least been mentioned even if not adhered to.  The book puts on odd stress on tasbeehs and kufis, not sure why.  

I do like the genuine love the characters have for Islam, Allah, Ramadan, salat.  It is so much a part of every thing they do, and it is lovely.  I also love Dua’s friend in Virginia, Kat, she is fasting in solidarity and wants to join the MSA even though she isn’t Muslim, but a seemingly amazing friend.

FLAGS:

The on-gain-off-again engaged couple do touch hands at Eid prayer.  Hassan touches Duas arm when she is perceived as helpless.  There are anti Islam protests and an angry man shoots Adam.

TOOLS FOR LEADING THE DISCUSSION:

If the sloppiness gets resolved, the book could be used as a high school book club choice.  Those girls love them some halal romance, and this book is incredibly religious and clean. 

Eid al-Adha: Festivals Around the World by Grace Jones

Standard
Eid al-Adha: Festivals Around the World by Grace Jones

nonfic eid

I had hoped to go through all the recently published non fiction hajj and Eid al-Adha books at my local library, the same way I went through the Ramadan and Eid al-Fitr ones to check for errors and accuracy, but they really didn’t have many, and those that they did have were not published in the last few years.  I did find this book from 2017 and because it has some errors: saying Eid is in September every year, not mentioning all the parts of Hajj, which is ok, but overly stressing the stoning at the jamarat, pronouncing Hajj as Harj, etc.,  I thought to share it with you all, so that you too can contact the publisher and your local library and/or bookstore to see about pulling it if you are so inclined (booklifepublishing.com)

img_2345

The 24 page non fiction book is a large 9.5×12 horizontal layout with beautiful pictures of diverse Muslims worshipping and celebrating.  A little cartoon character, Noor, guides you to word pronunciation with a glossary at the end.img_2346The book starts out with a two page spread defining what a festival is.  The next two pages define Islam.   Page 8 then states that “Eid al-Adha is a festival celebrated by Muslims in September of every year.”  And page 9 of the book says we throw pebbles at a wall, not that we throw pebbles at three representative pillars.  It also says that Eid is celebrated for two to four days depending on the country.  Religiously, it should say it is a three day holiday.

img_2347It then tells the Story of Eid al-Adha aka Ibrahim (as) being to told to sacrifice his son.  I’m not sure why the book doesn’t says that Muslim’s consider Ibrahim a Prophet (peace and blessings be upon him), and instead call him a wise man.  Indeed he was, but it seems very awkward to not mention how Muslims regard him, and seems to go out of its way to not say he is a prophet in Islam.

img_2348

The next section is about Hajj which tells that it is performed in the last month of the Islamic year and that we walk around the kaaba seven times.  No other info is given, but in the next section it again mentions the throwing of pebbles,  really dismissing any other steps and making the sacrifice and stoning rituals seem to be the whole of Hajj which is incredibly misleading and erroneous.

The book shows that those not at Hajj, pray in congregation wearing new clothes, give and receive gifts and giving charity.  In the section about Festive Food it only Buriyani from India is featured, it seems random.  It should have been stronger that one third of the sacrifice goes to the poor, one third to friends and family, and one can be kept for oneself.  This would show that meat is the highlighted festival foods in any culture celebrating.  On the “Noor Says” page at the end, it has Hajj pronounced as “harj” which is wrong, it is Hajj, or possibly hadj.

My standards have dropped considerably, and would sadly not consider much of this major.  But, it does provide another example of how involved and aware we need to be in our representation in mainstream nonfiction publications.

Rumaysa: A Fairytale by Radiya Hafiza illustrated by Rhaida El Touny

Standard
Rumaysa: A Fairytale by Radiya Hafiza illustrated by Rhaida El Touny

rumaysa

This middle grades retelling of the classic fairytales: Rapunzel, Cinderella, and Sleeping Beauty, replaces white characters with diverse Desi characters, reclaims female characters’ empowerment, and weaves the stories together with Rumaysa first freeing herself, and then using a magic necklace that takes her to those in need  (Cinderayla and Sleeping Sara) in her quest to find her long lost parents.  After a few chapters, I started writing a list of gaping-huge-ginormous plot holes, they are frequent and laughable, then I took a deep breath and recalled the similar eye-rolling inconsistencies that plague perhaps all fairy tales, but specifically Disney-esque ones. Once I let go of trying to understand why Rumaysa is wearing hijab while locked in an isolated tower, or how the witch can’t remember her name, but Rumaysa knows the name her parents gave her when she was kidnapped on the day of her birth, or that she knows she was kidnapped and her whole backstory, just to name a few, the book was much more enjoyable.  I still have major issues with some of the forced Islamization and cultural tweaks, but not because they existed, but rather because they weren’t strong enough.  Why have an Eid ball for all the fair maidens in the land.  It was awkward to read all the young people showing up to pair off, and then people asking the prince to dance, and him saying he didn’t know if he could.  Why not just make it an over the top Desi wedding with families, where dancing and moms working to pair their kids off is the norm. Having it be a ball for the maidens in the land, just seemed like it was afraid to commit to the premise of twisting the fairytales completely.  There are a few inconsistencies, however, that I cannot overlook.  This is a mainstream published books and there is at least one spelling error and grammar mistake.  I could be wrong, as it is British, and I am by no means competent in even American English, but I expect better.  Even content wise, Prince Harun for example, is wearing a mask, but the text comments on his blushing cheeks, eyes, eyelashes, and smile, not a typical mask perhaps? And don’t get me started on the  illustrations, the same awkward ball has Ayla leaving, and in the picture not wearing a mask concealing her face as the text states.  Overall, the inside illustrations are not well done.  The cover, by artist Areeba Siddique is beautiful with the shimmery leafing on the edges, that would have brought the inside pages a lot more depth and intrigue than the ones it contains.  Despite all the aforementioned glimpses of my critiques to follow, I didn’t hate the book and quite enjoyed the light handed morals and feminism that was interwoven with clever remarks and snark. The first story has Rumaysa wearing hijab, finding a book about salat and praying.  The second story takes place on Eid and Ayla eats samosas, discusses Layla and Majnun, and has a duputta. The third story I don’t recall any culture or religious tidbits other than keeping with the consistency of cultural names.  There is mention of romance between an owl who has a crush on a Raven, but the heroines themselves are learning to be self sufficient from errors of their parents/guardians and are not looking for any males to save them.  Other than that the book really needs an editor and new illustrations, I can see fairytale loving middle grade kids reading the book and finding it enjoyable, or even younger children having it read aloud to them a few chapters at a time, and being drawn in to the stories and eager to see what happens next. It would work for that demographic, but perhaps no one else.

img_0394

SYNOPSIS: (spoilers)

Rumaysa’s parents steal vegetables from a magical garden when there is no food or work to be found, as a result when Rumaysa is born, the owner of the garden, an evil witch, takes Rumaysa and places her in a tower protected by an enchanted forest and a poisonous river.  No one can get in, and Rumaysa cannot get out.  In the tower Rumaysa reads, no idea how she learned, and spins straw in to gold as she sings a song that channels the magic she consumed in utero from the stolen garden.  With only rations of oats to eat, a friendly owl named Zabina frequents Rumays daily and brings her berries and news .  When he brings her a new hijab, Rumaysa has the idea to lengthen the hijab with bits of gold over time, so that she might escape.  When she finally gets her chance, she is met by a boy on a magic carpet named Suleiman, and is both shocked and annoyed that someone got close to the tower, and only after she saved herself.  The two however, and Zabina, are caught by the witch and must escape her as well.  When that is all said and done, Suleiman gives Zabina a necklace that takes one to someone in need of help.  His parents want him to save a princess, he wants to study in his room, so he hands off the necklace hoping it will help Rumaysa find her parents, and he heads off on his flying carpet.

The necklace doesn’t transport Rumaysa to her parents, however, it takes her to a street where a girl is throwing rocks in desperation having been denied attending an Eid ball after her dress was torn to shreds.  The story starts with Ayla’s back story before Rumaysa arrives, but the two girls befriend each other, Rumaysa uses her magic gold weaving abilities to conjure up a new and beautiful dress and golden shoes and the girls head to the ball.  When Ayla heads off to get samosas she meets the prince, but doesn’t know he is the prince.  They argue about the play Layla and Majnun and when her stepmother asks about the dress, Rumaysa and Ayla make a run for it.  A shoe is lost, the stepmother comes to know, the guards search for the missing girl, and all is well.  Except Harun is incredibly shallow and superficial and only interested in Ayla’s clothes and status, so she rejects him and points out that she is much too young for marriage.  She instead reclaims her home, fixes her relationship with her stepsisters and begs Rumaysa to stay.  Rumaysa makes her excuses and is whisked away to a land that is being ruled by a man and his dragons.

Originally the land of Farisia is ruled by King Emad and Queen Shiva, but they have become unjust and disconnected from their people.  When Azra gets a chance to steal Princess Sara and take the kingdom, he does.  Rumaysa arrives to free a sleeping Sara from the dragon and restore apologetic and reformed leaders to the thrown.

img_0397

WHY I LIKE IT:

I do like the spinning of familiar stories and either updating them, or twisting them, or fracturing them, so I am glad to see an Islamic cultural tinge available.  I feel like the first story was the strongest conceptually even if the details and morals weren’t well established.  The second story was strong in the messaging that Ayla, and any girl, is more than just a pretty dress, but the premise was a little shaky and not that different from the original.  The third story was a little lacking developmentally for me and all three I felt could have gone stronger in to the religion and culture without alienating readers or becoming heavy.  There are characters illustrated in hijab, some in saris, some in flowing robes. Princess Sara is noted to be a larger body type and I appreciated that in elevating the heroines, other’s weren’t put down.  Even within the book, there is diversity which is wonderful.  

img_0398

FLAGS:

There is lying and stealing with consequences.  “Shut up” is said.  There is magic, death, destruction, and a brief mention of an avian crush.

img_0395

TOOLS FOR LEADING THE DISCUSSION:

I could see this being used in a classroom for a writing assignment to urge students to write their own tales.  I think it is fourth or fifth grade that children read fairytales from different points of view: think the three little pigs from the wolf’s perspective or the Stinky Cheese Man and Other Fairly Stupid Tales, and this book would lend itself easily to that lesson as well.

Elisha the Eid Fairy by Daisy Meadows (Rainbow Magic)

Standard
Elisha the Eid Fairy by Daisy Meadows (Rainbow Magic)

img_9867

If you are familiar with the Rainbow Magic fairy books, you know they are never ending, there are currently 228 titles in the collection that cover beginning readers, early chapter books, and longer solo chapter books.  They cover seasons, colors, flowers, jewels, musical instruments, pets, friends, holidays, etc., and now festivals.  They may not be the most intellectually stimulating, but they serve a purpose in getting young readers confident and engaged.  My daughter loved them in first and second grade and when this book was delivered a few days ago, she was so excited to see a Muslim fairy.  She is 14.  Representation will always matter, even when the story is a bit hokey and random, to see yourself in a beloved series, has power.  Yes, the story is predictable in the 80 drawing filled pages, but for first and second graders it is fun.  Elisha wears western clothes with her hijab, has a magical Pelita lamp that brings Eid joy to the human world, and hosts feasts with international foods.  Yes, the fairy is Muslim and Eid joy after Ramadan comes from an oil lamp apparently, it is a stretch, and if you are not comfortable with this imaginative representation of Eid joy coming from a magical creature’s enchanted item, then please don’t waste your time.  If your kids already read books about fairies, this book might be of great delight to them, and be a great conversation starter for you to have about what really makes Eid a joyous time.

img_9869

SYNOPSIS:

Jack Frost is still determined in this the third book in the four part festival series, to cancel Eid, Diwali, Hanukkah and Buddha Day to create his own Frost Day.  With the sighting of the new moon, in this book Eid is under attack.  Humans Rachel and Kirsty are summoned to help find Elisha the Eid Fairy’s magical Pelita lamp.  But, Elisha goes missing and the girls arrive on Festival Island to find goblins destroying the Eid decorations.  The fairyies divide up and Rachel and Kirsty in their fairy form are off to find Elisha, while the other fairies handle the goblins.  They find her in a tower surrounded by a hail storm, the can’t get her out unless they find her wand.  Once they find her wand they have to find her magical item.  The goblins have it and are trying to teach it to make Frost Day treats instead of the kleichas and baklava and turkish delight that it keeps creating.  With quick thinking, and an impromptu dance lesson, the lamp is recovered, Eid joy is saved, and the girls return to the human world, knowing that one more festival will need saving in the near future.

img_9870

WHY I LIKE IT:

First of all, I didn’t know what a pelita lamp or kleichas were, so I did learn something once I Googled it, but I’m not entirely convinced that a pelita lamp (sometimes it is capitalized and sometimes it isn’t) is critical to the celebration of Eid.  Aside from the religious uncomfortableness of attributing Eid joy to a magical creature and her enchanted item, the concept of the lamp seems a bit weak.  I like that information about Ramadan is included and Eid Mubarak is mentioned a few times, but a little bit more about a lamp or lantern perhaps as a cultural relic, would have really made more sense even in this fragile framework.  

I like that multiple cultures are represented in the concept of Eid and Elisha, she isn’t boxed in to one culture, she is universal.  The themes of team work and friendship are always present in these books which is a great way to show respect for multiple religions and festivals.  Jack Frost at times seems to be a good villain, but more in theory than in reality.  His spell that the fairies are trying to break:  “Ignore Eid and Buddha Day, Make Diwali go away.  Scrap Hanukkah and make them see- They should be celebrating me!  I’ll steal ideas and spoil their fun. My Frost Day plans have just begun.  Bring gifts and sweets to celebrate The many reasons I’m so great!” spells out his plans and make him the right amount of scary for early readers.

img_9874

FLAGS:

The premise of where Eid joy comes from.  The goblins say “shut up” at one point.

img_9871

TOOLS FOR LEADING THE DISCUSSION:

It is a little young for a book club selection, but if you have Rainbow Magic books on your shelf, you should definitely have this one too.

 

Too Small Tola by Atinuke illustrated by Onyinye Iwu

Standard
Too Small Tola by Atinuke illustrated by Onyinye Iwu

9781536211276

This AR 3.6, 89 page early chapter book features three stories set in Lagos, Nigeria.  The main character and her family are Christian, but many of the neighbors are Muslim, and the third story is set in Ramadan with Easter and Eid falling at the same time.  The sense of community throughout the book, the OWN voice detail and charm make this book silly, warm, and delightful for first through third grade readers.

img_9777

SYNOPSIS:

In the first story Tola heads to the market with her Grandmommy.  Not the fancy mall, but the muddy market further away.  Her older brother Dapo is too busy playing soccer to help, her older sister Moji is busy with homework, that leaves little Tola to carry the items on her head with her tough as nails little grandmother.  Everyone says she is too small, but Grandmommy knows she can do it.  As they purchase the items, and neighbors call to have them pick up items for them too, the duo have to take lots of breaks on their way home, but Too Small Tola does it and proves to herself and others that she might be small, but she is strong.

The second story once again focuses on life in Lagos and the one bedroom apartment the family shares.  One morning both the power and the water are out and the jerry bottles need to be filled at the pump.  When some bullies trip Tola and the water spills, an elderly neighbor lady patiently waits for the right time to get her revenge on Tola’s behalf, and when the bully challenges the woman, the entire line stands together.  Tola may be small, but she stood for something and made a difference.

The final story involves the neighbor, Mr. Abdul, the tailor who lives downstairs, coming to measure Tola and her family for their new Easter clothes.  He let Tola measure everyone last year and praises her as the best measurer in Lagos, and Tola is eager to take the measurements this year.  When the tailor breaks his leg, he is worried he will not be able to ride his bicycle to his clients and will not be able to prepare the Eid feast and pay rent.  Tola knows they have been fasting all Ramadan and between her, Grandmommy, and Dapo they come up with a plan to help.  Dapo will peddle the bike and take Tola to measure everyone for their orders.  Tola may be small, but she can save the day for the Abdul family.

WHY I LIKE IT:

I love little Tola and her sassy grandma.  The book would lend itself so wonderfully to be read aloud as it bursts with personality and dialogue.  I love the sense of community in such a day-to-day life that would seem to stark and hard to most western readers.  Tola’s draws on those around her to find her strength, from her Grandmommy, to her neighbors, they may tease her that she is too little, but they also build her back up and stand with her.  I love the diversity in Tola’s world.  She seems so excited that Eid and Easter will be aligned and that after her services they will be joining the Abdul’s feast, such a great lesson of tolerance and respect without being preachy about tolerance and respect.  Young readers will enjoy Tola and the insight into Nigeria.

FLAGS:

Grandmommy lies when a neighbor calls her in the market to ask her to pick up his TV, she pretends the battery dies as she and Tola laugh at how ridiculous them carrying a TV would be in addition to everything else they are carrying.  There is bullying when Tola is tripped and then when Mrs. Shaky-Shaky trips the bully.

img_9781

TOOLS FOR LEADING THE DISCUSSION:

This wouldn’t work for a book club, but would be ideal in small groups, or to be read aloud.  There would be a lot to discuss as children would relate to Tola and find themselves cheering her on.

‘Tis The Night Before Eid by Yasmin Rashidi illustrated by Mariam Aldacher

Standard
‘Tis The Night Before Eid by Yasmin Rashidi illustrated by Mariam Aldacher

img_8995

On the surface this 32 page inspired re-imagining of the classic Christmas poem might not seem that impressive, but it is really quite effective in highlighting general key points of Ramadan, the mix of sadness that Ramadan has gone too quickly with the excitement of Eid, and showing the diversity of Muslim families and communities.  The large 8 x 10 hard bound pages showcase fun and relatable illustrations that would help inform those unfamiliar with the holiday, while also mirroring and encouraging Ramadan and Eid excitement.  It is already a favorite at our house and with simple rhyming lines, the book can lend itself easily to more in-depth discussions (there is a glossary at the back) or be kept as a sweet flowing story that you don’t mind reading repeatedly at the prodding of toddlers and preschoolers alike.

img_8997The story starts with it being the night before Eid.   Ramadan has flown by, iftar eaten, dishes are put away, trips to the masjid for Taraweh have concluded and now it is time to prepare for Eid.  The house is cleaned, clothes ironed, sweets prepared and dreams of gifts filling the kids minds.

img_8998

The narrative bounces back to Ramadan to explain that fasting is not eating til sundown for 30 days, that Quran was revealed during the blessed month and that we hold on to the lessons of Ramadan all year long.

I pre-ordered mine from the author’s website https://rashidibooks.com/home , but it is also available at Crescent Moon Store https://crescentmoonstore.com/products/twas-the-night-before-eid.  There are also printables on the author’s website.

img_9002

Zara’s New Eid Dress by Nafisah Abdul-Rahim

Standard
Zara’s New Eid Dress by Nafisah Abdul-Rahim

img_8802

The search is on for an eid dress that reflects Zara’s African American Muslim culture.  This much needed representation highlights more of looking for a dress and the process of having one made, than providing information about Eid or the African American Muslim experience over its 30 pages.  Iftar is mentioned on one page in parentheses, so if you omit that word it could reflect either Eid preparation.  The book is cute if you are looking for a slice of life and coming together of a child, mother, and grandmother over the creation of a dress that has what Zara is wanting: pink, fluffy and containing flowers.  It falls short if you are looking for a book to learn about Eid, Ramadan, what a cultural African American Muslim dress would look like, or a peek into an under represented culture.  The illustrations are sufficient.  I felt the girl looked younger in some of the depictions, and I was surprised that the girl’s rain boots and clothes were worn over multiple days in her search for a dress, picking out fabric and inside her house when the dress is completed.  Similarly, on Eid day while her dress is stunning and fabulous, her friends are wearing the same eid clothes they wore at the start of the book from years past.

img_8804

Zara has worn a salwar kameez from Pakistan with her friend Sana, an abaya like her friend Noura one year too, but this Eid, she wants a dress that shows “her own style, her heritage, a reflection of her culture as an African American Muslim.  As her mom is preparing iftar she asks when they can start shopping for her Eid dress.  She knows it won’t be easy to find and convinces her mother to start looking this weekend.

img_8805

She pulls on her rainboots as they head out the door to find “something bright, pink, fluffy, and has flowers on it.” They go to several stores and kind find anything just right.  Her mom suggests asking Nana to make it.  Zara’s mom recalls the fabulous dresses her mom used to make her to wear on Eid.

img_8806

Nana and Zara head out to the fabric store the next morning. First they find the pattern, then they find the fabric.  After a few days of hard work for Nana, the dress is complete.

img_8808

On Eid day, Zara meets up with her friends in her dress that is uniquely her own.

img_8812