Tag Archives: Eid

My Baba is the Best by Bachar Houli illustrated by Debby Rahmalia

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My Baba is the Best by Bachar Houli illustrated by Debby Rahmalia

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This 32 page horizontal picture book by an Australian footballer starts out much like a list detailing why a little girl loves her Baba, after a few pages though of more superficial delights, the book gets deeper.  It shows the family making duas at bedtime, going to the masjid on Fridays, it even gives a little insight into Eid and fasting before it then takes readers on a camping trip.  There isn’t really a story or plot, but the bouncing around fits the narrator’s point of view and will appeal to the intended target audience.  The book is mainstream published by Penguin in Australia, so I absolutely love the inclusion of Islam, the mom in hijab, the dad’s beard and the love shown between the little girl and her Baba.  Sometimes celebrity books feel a little forced, but having never heard of this athlete, I still found the book incredibly sweet and joyful, and the illustrations by a Muslim illustrator a great amplification of the simple heartfelt text.

The book starts with a little girl rushing to give her Baba a hug on the field as fans cheer in the background.  After all her Baba gives the best hugs, it then mentions that he is always doing something and shows him washing his boat and jumping on a trampoline with the little girl and her younger sister.  The trio garden, exercise, ride bikes, train and go fishing. They also watch movies at the theater or at home with the whole family. At night Baba reads special prayers to protect them while they sleep.

On Fridays, the family goes to the mosque for prayers, and the most special time is when they all go for Eid in their best clothes.  They listen to the imam and give donations to those in need. They open presents and after fasting they eat Lebanese pizza before going to visit teta and jeddo.

The best time is when they go camping.  They all set up the tent, and get sticks to roast marshmallows.  They even see kangaroos eating dinner before heading back to eat theirs.  On many of the pages it is just the girl and her Baba, but even when the whole family is present, the focus is on the strong relationship between the two.

The book is very endearing and as a daddy’s girl myself, I love seeing the relationship unfold on the pages with big things, and little things, fun things, and reflective things, and from the little girl’s point of view.  The book is not readily available in the United States, I purchased mine from Book Depository, where they offer free shipping.

The Night Before Eid: A Muslim Family Story by Aya Khalil illustrated by Rashin Kheiriyeh

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The Night Before Eid: A Muslim Family Story by Aya Khalil illustrated by Rashin Kheiriyeh

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This 40 page early elementary picture book is set the night before Eid and radiates with love from a boy to his Teita, traditional ka’ak, and the family’s Egyptian culture.  The robust and personal backmatter shares a glimpse into the threads from the author’s real life that the story touches upon, and makes the book extend beyond the pages.  It is worth noting that this book does not articulate if it is for Eid al Fitr or Eid al Adha and thus works for both.   There is nothing religious in the book except a reference to something happening after Eid prayer in a memory, and the shape of the cookie being round like the Ramadan moon, Eid day is not mentioned, it is simply the catalyst for this warm family story about a boy and his grandma making a special treat for the first time and sharing it at school.  The large hardback book with fun illustrations is ideal for both story time and bedtime readings alike.

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It is the night before Eid and Teita has arrived from Egypt.  Zain can’t wait to make ka’ak to take to school and share with his friends.  The beloved powdered sugar cookies are steeped in tradition, both in Zain’s family and in Egyptian history.  Once the suitcases is unpacked and the special ingredients found, Teita and Mama share memories of baking with cousins, painting henna designs on hands and putting eidiya in envelopes.  The family recalls singing together on the balcony while Geddo played the tabla and lights and lanterns filled the streets below, after Eid prayer they would hand out the ka’ak.

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Zain wants the ka’ak to turn out perfectly so his teacher and friends will like them.  Teita tells him that ka’ak is as old as the ancient pharaohs, and that recipes were found in the pyramids.  At one time rulers would even put gold coins in the cookies.  Zain and his Teita mix and add the required ingredients, and drink iced apricot juice as they wait for the dough to be just right.  Getting the cookies pressed with the molds though is harder than it looks, and Zain gets frustrated. Teita’s love and patience and Zain’s clever thinking get the treat making back on track.  The ka’ak doesn’t have a gold coin filling, but they are filled with tradition.

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The timeline is a bit off for me with the grandma coming before Eid and then the cookies going to school on Monday, and then Monday evening when Zain is writing down the recipe with Teita he is telling her Eid Mubarak and that it is the best Eid ever.  So, it seems that he went to school on Eid, not to Eid prayers, which is fine, just a little sad that there was no Eid celebration or prayers.  I don’t know that kids will be bothered by it, but the lack of mirroring and stressing how joyous Eid is does somehow get lost and mitigated, in my opinion, by skipping acknowledgement of the religious holiday.   In the backmatter the author remarks that she has “outgrown the magic of Eid,” so perhaps it is intentional that the day is not included in the text.

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The last six pages of the book are filled with informative and engaging information about What is Eid, Ka’ak Time Line, A Note from the Author with photographs of her and her family celebrating Eid, a Simple Ka’ak Recipe and Additional Resources.

I purchased my copy from Crescent Moon Store where if you put my initials ISL (Islamic School Librarian) in at checkout you will save 10% or is available here on Amazon where the book currently has a coupon for $3.80 off.

The Adventure of Faris: Faris & the Curious Case of the Missing Eid Presents by Muhammad and Husna Sattaur illustrated by Farimah Khavarine Zhad

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The Adventure of Faris: Faris & the Curious Case of the Missing Eid Presents by Muhammad and Husna Sattaur illustrated by Farimah Khavarine Zhad

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This 22 page padded cover toddler book, is not quite a board book, but the thick cardstock glossy pages are definitely meant for toddler hands.  The book works for both Eid al Fitr and Eid al Adha and my 3 year old finds it silly. My older kids that have walked in and paused to listen to me reading it, as well as myself, feel like a page is missing.  The rhyming story sets the stage of Eid morning and missing presents, but the resolution is abrupt, really abrupt, with no hinting at and the forced rhyme has you wondering who Uncle Sam is in the story.  The 22 pages are bright with Islamic decorations in the house and references to Eid and praying in the text. The excitement and joy are sweet, and the focus is presents, there is nothing about Eid or anything deeper than the story at hand as it stays on level for toddler aged children.

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The book starts with Faris waking up on a beautiful spring morning, it is Eid and he starts to sing, before tip toing down the stairs in his Eid pjs.  He sees the time and knows they won’t be up til fajr.  So, while kids won’t care, as someone who has read the book now a dozen times, I’m curious how old Faris is that he knows how to tell time, what it means and what time fajr is.  I’m also wondering how it is ok to sing and dance, but then you need to sneak down quietly, and how it is a beautiful morning, if it isn’t fajr yet, it is dark outside.

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He daydreams in the kitchen before heading off to open presents.  Except the presents are missing. He looks everywhere and imagines a dragon eating them.  I don’t want to spoil where the presents are, but they are found, and he opens them and then his parents wake up.

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It is a little sad that he opens one at least before his parents come, and I really wish there was a little hinting at what had happened to the presents, it really feels like a page is missing.  The book was published in 2021 so hopefully they will edit the text for a next printing.

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I got mine from Crescent Moon and you can purchase a copy by clicking this link here, if you use my initials ISL (Islamic School Librarian) at checkout you will save 10%.  

 

 

Little Leena Learns about Ramadan by Zainab Fadlallah

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Little Leena Learns about Ramadan by Zainab Fadlallah

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I was excited to see this 20 page book in my public library, and then once I started reading it I was equal parts frustrated, disappointed, and honestly a little upset.  The book is an example of what I posted a reel about a few days ago, about an over used, unrealistic, textbook fact share of Ramadan from a kid’s perspective in a plotless book.  In this book it is Little Leena waking up from a nap smelling something delicious and finds her family eating and wondering why.  She is told by her sister it is the ninth month of the lunar calendar, the new moon has been sighted.  Oh sure there are some mentions of cakes and cupcakes, but seriously, come on, what three year olds have a working knowledge of moon phases but don’t know what Ramadan is, know what “blessed Ramadan” means but have never heard “Ramadan Mubarak.” Ramadan is explained to be special because we try and be extra kind, and not because it is the month we are told to fast, and we get more blessings for being kind, and the month the Quran was revealed.  Yes I appreciate that hijabs are not worn in the house, but are worn outside, and the excitement and joy are visible, but how can you have a book this centered on Ramadan that contains no Islam in it.  You can’t say on the back that it is learning about “what the occasion is all about” if there are no religious inclusions: it does not say that it is an act of worship, that fasting is prescribed by Allah swt in the Quran, that we pray extra, there is nothing, it doesn’t even attribute Ramadan and Eid to a religion, sigh.  My frustration isn’t just in this book, it is in this growing trend that this book is a part of sadly.  Why have an OWN voice adorably illustrated book claiming to be teaching about Ramadan, when the religion is completely absent? If it was a cultural, or family traditional book of joy with or without Ramadan facts blended in, I might see what it was trying to accomplish, but a book for early elementary, from a toddlers perspective that is so formulaic misses the mark in my opinion, both in educating the target audience or in helping young Muslims feel seen.

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The book starts with Little Leena waking up from a nap and smelling something delicious.  She wonders if mummy has been baking cookies, or cupcakes with sprinkles, or maybe a chocolate cake.  She decides to go have a look and finds colorful lights and decorations and a magnificent chocolate cake.  She also finds her family sharing a meal, she asks what is going on and learns that it is Ramadan.

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Leena’s sister Safiyya explains that “Ramadan is the ninth month of the Lunar calendar” and “it starts as soon as the new moon is sighted.”  She further explains that “Grown ups fast from when the sun rises till the sun sets”  she says brave kids are welcome to try too.  I’m not sure what being brave has to do with fasting, to me determined or even strong would be better words to use as fasting isn’t scary, and kids are encouraged to try, not forced.

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Leena then wants her sister to explain what fasting is, and Leena can’t believe it means no food or drink during the day light hours.  Leena asks what makes Ramadan special, and is told, “Ramadan is special because during the month we try to be extra kind and do as many good deeds as we can.”  It does not say why we try and be extra kind though, before reminding that we also “try to remember to be grateful for all the things we have.” It is worth noting that in the illustration on this spread it has a Ramadan sign, that is spelled Ramadhan, not that one transliteration is write or wrong, but to have both in a children’s book is a little confusing.

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Leena then finds some presents and Saffiya explains that they are for Eid when Ramadan is over and we wear new clothes and get presents.  The two then discusses their love of presents and saying Ramadan Mubarak.

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The 8.5 inch square book is short, but the image quality and hardback binding in this library edition is nice, it just adds nothing in my opinion to the genre, to conveying to Muslim and non Muslims what Ramadan is and why it is important.  I worry that libraries might think this is good as our Ramadan reads are and not budget to get much better, engaging, reflective stories as a result.

Moon’s Ramadan by Natasha Khan Kazi

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Moon’s Ramadan by Natasha Khan Kazi

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This beautiful lyrical book has a simple premise of the moon looking down on people celebrating Ramadan as it circles the Earth, but stands out as being unique thanks to the poetic language and engaging illustrations.  Each spread shows moon in a different phase over a different country, and the joy, activities and worship that Muslims are partaking in during the blessed month.  I’m embarrassed to say, I didn’t realize that the author is also the illustrator until I sat down to write this review, and honestly it makes sense, as the story text and illustrations work seamlessly together.  The tone of the book, the details in the pictures, and the rich language make this a good read for a large audience.  Little ones probably won’t fully understand the poetry, but they will be mesmerized none-the-less and feel the excitement.  My three year old calls the moon all year round, the “Ramadan Moon” and he understood that the Moon in the story is excited seeing us celebrate and worship.  He consistently would still be peeking in windows or searching the scenes, not quite ready for me to turn the page long after the text was done being read.  Older kids will appreciate the shared global bonds of Muslims and the cultural specifics too.  They will grasp the information shared and beliefs touched upon in the flowing words that do not preach.  My only criticism is that the book starts with Moon saying, “Hello.”  In an Islamic centered book I would have expected to see Assalamualaikum, especially since it appears on the page where moon is above Egypt, so I’m not sure why the English greetings is used.  The book has a glossary and notes at the end making it a great addition to Muslim and non Muslim spaces alike.  I plan to read the book for a Masjid story time as the large hardback book will work just as well for a group of kids as it does at bed time.

Told from a personified Moon’s perspective, the book begins with Moon smiling at Earth as people all over the world excitedly point and look up at her, but once they see her, they rush off to prepare for the month. Over Turkey, the Ramadan Drummer awakens sleepy people for suhoor and over Indonesia he sees families gathering for iftar. As each day passes Moon grows fuller watching the children do good deeds and people sharing their wealth.

Nights of Taraweeh and listening to the Quran over Somalia, sharing treats in the United Kingdom, and  interfaith among neighbors in the United States bring joy to Moon.  And as the waning crescent sees henna being put on hands in Dubai the month is coming to an end.  People once again look to the sky, but they cannot see Moon in Argentina, Moon is new.  It is Chaand Raat and then it is Eid.  Moon is back in Egypt watching people celebrate and then the world returns to looking up at Moon and she beams with love and gratitude.

There are diverse characters of a variety of skin tones, mobilities, ages, body size and abilities featured all throughout the book in a positive and inclusive normalizing manner.  The backmatter makes the concepts more accessible and the book work on different layers.  I really enjoyed the book and am excited to share it.  I purchased mine at Crescent Moon Store where using my initials ISL (Islamic School Librarian)  will save you 10% it is also available here at Amazon Even my local public library has it on the shelves already! Happy Ramadan!

Ramadan Nights by Jenny Molendyk Divleli illustrated by Halime Nur Sevim

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Ramadan Nights by Jenny Molendyk Divleli illustrated by Halime Nur Sevim

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This rhyming softcover picture book sets the tone of the month with its large heartfelt images on cardstock thick pages.  The book mentions tarawih, reading Quran, suhoor, iftar, compassion, Laylatul Qadr, eid, but does so in a way that reflects what Muslim kids know and love about the month.  It is not overly descriptive, nor does it define the terms. It shows Muslim kids in Ramadan living their lives and draws out the emotional joy felt in acts of ibadah, not in the gifts and parties alone.  The rhyme works and isn’t terribly forced and the 8.5 by 11 size and the introductory framing of major Ramadan activities makes the book a good addition for toddlers and up. I plan to use this for a masjid story time for Muslim kids ages 4-9, but it can be used in non Muslim settings easily as well.

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The book starts out with decorating the home for Ramadan, as the city decorates outside too.  Ramadan has arrived, the moon has been seen with binoculars, and Tarawih at the mosque is where everyone is praying, and kids are playing.  Mornings start with the Ramadan drummer waking people up for suhoor, but mom is already up cooking.  The first few days of fasting are hard waiting for iftar, implying it gets easier.

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The kids and their parents make duas and thank Allah for their blessings as well as share their blessings with neighbors as they learn compassion.  The kids practice reading Qur’an every day with Grandma and before you know it, it is the last ten nights and Laylatul Qadr and then eid, alhumdulillah.  The 32 page book ends with prayers of gratitude and hope that Ramadan will be seen again.

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The book really is well done, there is no plot or story, but it introduces the month to little ones, reminds older ones what to expect and does so with accuracy and mirroring.  The book will lend itself to spark discussions about what a readers’ family can look forward to in the month, how one should behave in a masjid, perhaps some Quran goals and some appreciation for parents.  The poor mom helps decorate, stays up early to cook suhoor, cooks yummy iftar, and lays out Eid clothes all while wearing hijab.  InshaAllah a point to mention when reading how amazing moms (and dads) are in making Ramadan memories while fasting themselves.

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I purchased mine from https://crescentmoonstore.com/ if you use my initials at checkout ISL (Islamic School Librarian) you can save 10% or click this link directly to go to the book.

Ramadan Mubarak!

Crescent Moon Friends by Wadia Samadi & Mo Duffy Cobb illustrated by Lisa Lypowy

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Crescent Moon Friends by Wadia Samadi & Mo Duffy Cobb illustrated by Lisa Lypowy

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This 32 page book does not read like a new release, it looks like something you would have found in the early 2000s when the recent war in Afghanistan started and books about refugees from the region were popping up.  Admittedly back then, I probably would have been more forgiving that the smiling illustrations showed Islam in action and two characters from different cultures coming together through dialogue, respect, acceptance, and fun, but for reasons I’ll articulate, this book reads very superficial, dismissive and erroneous at times.  I am not Canadian or Afghani, I am a neighbor to both as a Pakistani American, and the book is OWN voice, so if I am just being overly picky, or sensitive, and am wrong, I am happy to acknowledge it, but before you push back, please read the entire review.

The description of the book says:

Crescent Moon Friends introduces the reader to two best friends Amelia and Aisha. While the pair is from Canada and Afghanistan, the girls reconcile their differences through exploration of the values they share. This book initiates a family conversation about Islam, explores tradition and language, and brings the girls closer together as a result. It is our hope that the book will be used as a teaching tool to help children understand the cultural backgrounds of others, and to create a warm environment for refugees resettling in Atlantic Canada from the Middle East.

This picture book is for both non- Muslims who are living in the West, and Muslims who are living outside their home countries. The focus of the book is on tradition, not religion, it also captures the significance of Islam. This is a valuable title for library and classroom use.

So first of all, I feel like the foundation of the book is othering Islam in making it seem that this book is an introduction of Islam to non Muslim with the premise being that Islam is what, a foreign religion? Numerous Canadians are both Afghani and Muslim in 2022, before I even began the book I was already fearing the framing.  Then it identifies Afghanistan as the Middle East, which just made me really question the accuracy.  Somehow after that first paragraph, the book then tries to say that the book is not about religion, but traditions.  While part of me appreciates that distinction, the second part of the sentence saying that it wants to capture the significance of Islam really shows the poor focus of the book.

Let me pause here though and answer a question I’m sure many of you are wondering, “why review a book that is not well written, and is not widely promoted or known about.” The answer is simple, a book such as this may not sell in big numbers and be regularly seen online and in stores, but they often do find their way into libraries and classrooms.  They are often shelved to fill “diversity” or “inclusion” quotas and thus their messaging does often reach our children.  I also highlight books like this, not just to pick on this particular book, but to show that OWN voices doesn’t make something automatically correct.  If this is the author’s own experience or is a memoir, there is some leeway, but saying that Afghanistan is in the Middle East or that Salam is Dari, not Arabic, or that it is “naan tandori” instead of “tandoori naan,” just makes the book seem inauthentic.  Often publishers, editors, agents perhaps don’t want to push back and appear uncultured or racist, so they don’t question details, is the only thing I can think of as to why this trend continues to perpetuate.  Which is also why the importance of having a piece sensitivity read cannot be overlooked, even when the author is writing about their own religion or culture. Yes, I too am only one person saying I have issues, but beta and sensitivity readers such as @muslimbookreviewers are four people and we discuss based on what we know and between the four of us there are a lot of singular specialties and a lot of  overlapping expertise that really help books get it right. Sorry for my rant, back to the book at hand…

The book starts with the white Canadian girl camping with her family and wondering what the upcoming school year will bring.  The text says. “she loved to look at the crescent moon.”  Already the writing is clearly weak, who loves to look at a particular phase of the moon, does she not like the waxing gibbous or whole moon? The next spread introduces Aisha, she is standing in the foreground with a mosque behind her and the text says she loves the moon too.  “There was a crescent moon on top of the mosque where her family went to pray.” Aisha has her hair loosely covered, and immediately we are connecting Aisha to her faith and to Amelia through their love of the crescent moon.  Interestingly, Aisha who would presumably love the crescent as it symbols holidays and month changes in the lunar calendar is presented as liking the moon because of it decoration aesthetic. It is where her family went to pray, sure it reminds her of home, but chances are she didn’t often go to the masjid as culturally most women don’t, so I’m not sure that this spread really has any accuracy or value, it just sounds good…if that.

The next spread is the first day of 6th grade with the teacher introducing a new friend to the class.  If it is the first day of school, aren’t they all new to the class? Aisha recalls that she left Afghanistan because there was a war in her country and school wasn’t safe, if she is twelve or thirteen, I’m not sure what caused the change in real life for the war timeline being referenced.  On a more relatable note it mentions that she missed swinging in her grandfather’s garden with cousins as well.

The next page showing the girls being silly with pencils to look like a bunny and walrus is sweet.  It shows language isn’t necessary, that silliness is universal and it is cute.  The girls then show how they share things unique to their culture with one another.  Aisha teaches her how to say Salam, hello in Dari, how to dance the Attan, about Eid, the most important Muslim holiday, and about a game with stones called anjaaq panjaaq.  But this is wrong, Salam is Arabic, Eid is Arabic for festival or holiday so what Eid is the book referring to? Also why not tell how to play the game, or how to do the dance or how Eid is celebrated? If the book is to build cultural (or religious) bridges, thus far I’ve only learned how to stick pencils in my mouth to look like a walrus or behind my head to look like a rabbit.

It is then Amelia’s turn to share Canadian culture and the book picks: ghosts, goblins, Santa Clause and the Easter Bunny.  I find this a bit offensive on Canadians’ behalf, really their holidays are what make them who they are?  Later we will learn that Amelia is not religious, yet the symbols for religious holidays of Easter and Christmas are what are being presented.  Additionally, the holidays mentioned are not even unique to Canada: Christmas, Halloween, and Easter, are the same in America at the very least.

The next spread shows their moms becoming friends and the girls playing in Aisha’s mom’s scarves, hijabs, shoes and make-up.  I find the joy sweet, but I wonder if the book as stated in the details by the author/publisher is to help refugees- is this a bit misleading- that they are settled and have an abundance of clothing accurate?  Often refugees need assistance, will a book like this send the wrong message about helping those fleeing war get established, by not just avoiding talking about need, but celebrating surplus?

Aisha is then shown helping Amelia with math and when Aisha needs help with a Halloween costume, Amelia is there.  The book really is doubling down on the importance of Halloween to Canadian culture, which again feels off.  But also most Muslims don’t celebrate pagan holidays, so I’m not sure I like the positioning that it is cultural to celebrate and that to be Canadian one must engage in the rituals.  Whether you see it as pagan or just assimilation, either way it doesn’t sit right for a book aimed at finding common ground between diverse individuals.  Math is neutral and universal, why not have Amelia help Aisha with something also less controversial?

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The next spread shows Aisha missing Afghanistan, and Amelia being a supportive friend and wanting to visit Afghanistan too.  Unfortunately, once again the weak writing has her sounding like an adult missing the laughter in the air and hope and flowers, not a kid talking.  When Amelia joins in, naan tandori is mentioned, which is backward, if it is the same as in Urdu it should be tandoori naan.  She also wishes they could wear colorful Afghani clothes and dance the Attan, which are two acts not limited to Afghanistan.  They can put on traditionally clothing and dance in Canada.

The story then takes a huge pivot and shows Aisha and her mom praying with the very vague text of her mom “described her way of life, Islam as the peace in her heart, and said turning to Allah in prayer would keep Aisha happy.”  The text seems misplaced and the messaging completely pointless, why not frame it as what Aisha believes or what her faith teaches her? It almost comes across as her mom forcing the belief on her and this being the first Aisha has heard about it.  The next page is set up the same, but shows Amelia’s faith to be kindness and compassion while they sit in nature.  I think the intent was to be positive, but when you have two people representing entire populations, all sorts of stereotypes come in to play that either have to be so general as to be accurate or more specific to the two characters at hand.  In this case I feel the takeaway is that holidays define Canadians, even religious holidays, but they are fine to participate in because Amelia is not part of organized religion.

Thus the next spread of Aisha’s family celebrating Christmas with Amelia makes sense in the story, but I find alarming because it normalizes abandoning your own religious convictions and adopting another faiths in order to fit in and assimilate.  Imagine a teacher reading this book to a first grade class and little Muslim children who demand that Christmas and Easter stay out of public schools are hearing messaging normalizing the holidays for people of all faiths.  Imagine a recent immigrant or refugee further feeling pressured to adopt these practices because they want to be seen as “good citizens” or be accepted by the larger community.  The contrast of Aisha’s family celebrating Christmas is Amelia helping make star and moon shaped cookies for Eid.

The story comes back to the girls love of the moon, one as a dreamer, the other as a scientist.  It tells of other firsts Aisha experiences and Amelia learning about Aisha and her faith.  I’m not sure what a genie lamp has to do with Islam, but it is in the illustration with a hamsa hand, a book, a tasbih, and a crescent with a minaret coming out.

Aisha then starts to wear hijab and Amelia learns how to wear one too. No details about what or why hijab is worn or given, and in the illustrations it doesn’t completely cover anyone’s hair. The girls ski together and drink hot chocolate and living in Canada allows Aisha “to be the girl she was meant to be.”  I’m not sure what that means, but that seems to be the resolution to the book before it circle backs to the mom and concludes.

I think on the very surface the book is a nice idea, but the conflation of what it means to be Canadian with observance of holidays and the lacking details of what it means to be Muslim Afghani make the book miss so much and ultimately do more harm than good if shared.

An Andalus Adventure by S.N. Jalali

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An Andalus Adventure by S.N. Jalali

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I truly am glad I read this book. I love historical fiction, visiting Spain is on my bucket list, this book has a map, details about what is historical what is fiction, has Islam woven in to the heart and soul of the story and characters, and yet it was a hard read.  The first few pages grip you, the last 50 bring it all together, but the middle 250 were hit and miss in this lower YA/upper MG book.  I honestly had to force myself to keep reading.  My teen and tween son couldn’t get past 38 pages or so, and I’ve asked around and no one I know that started the book, finished it.  I think ultimately there are just too many characters, too many points of view, that even though the history is rich, the literary points all in order, their isn’t enough character connection to hold the readers through the wandering details.  This author’s style is a bit more slow, but I think in the House of Ibn Kathir series, the setting of being in school and having friend problems is relatable to readers; boarding horses on to a boat, deciding to wage war, and going in to battle are not familiar concepts, and without the emotional connection it loses momentum.  The climax is nice but ultimately rather lackluster, and the beauty of characters taking shahada, Jews being freed, Solomon’s table, an old lady with a premonition, and a character dying are just not enough to keep the story in reader’s hands, unfortunately. 

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SYNOPSIS:

The summary might make the book seem fast paced, and while it does constantly move forward to a clear destination, it isn’t a “buckle your seatbelt and hang on” type of story.  The setting is Northern Africa and the Iberian Peninsula in 711 CE, 92 years after the Hijrah.  The book opens with two young siblings Ben and Bella, overlooking the coast, dreading their lives under Visigoth oppression, and hiding their Jewish culture and faith.  It then jumps to the Governor of Ceuta, Count Julian (Ilyan), awaiting to meet with Umayyad leader Tariq ibn-Ziyad.  He is hoping to rescue his daughter from the court of King Roderick and convince the Muslim General to enter Iberia, restore the rightful king, and free the people essentially.  Add in voices from Qasim, a young Berber, and Jacob a captured Iberian, and the stage is set to get everything in order to cross the straights, survey the enemy, take on the King, and introduce Islam to the new land.

WHY I LIKE IT:

I absolutely love the Islam and the history and the fictional liberties.  I love that the book is clean, although, I do wonder if more information about Lady Florinda would have helped the reader understand her father’s desperation, I do understand the vagueness, but it is a glaring omission that keeps the reader curious.  Ultimately I wanted more backstory.  The little given about the characters was engaging.  I loved the teasing about being a shepherd, Jacob coming to love Islam, Bella not wanting to marry, but it seemed to always stop short of sweeping me away.  I didn’t cry (SPOILER) when Hisham died, I barely knew him.  I didn’t feel the urgency to hide and escape from Leander’s proposal.  It set up to add depth regarding Old Mother Magda, the Cave of Secrets, and the unverified death of the king, but after being stated it was never mentioned again or resolved for any real purpose. 

All that aside, I think the book has value, it is just really dry in spots, a lot of spots, and given the vocabulary, the changing narrators, the choppiness between chapters, and the history, it is hard to keep reading or be anxious to pick up once you have put it down.  So with all that in mind, I think the book would be great to use in a classroom setting.  You could read a chapter Monday, and then pick it back up on Thursday and not worry that no one remembers anything because it is focusing on new characters anyway.  In a middle school, or upper elementary the book would be a great crossover between History, English, and Islam classes. The book would naturally lend itself to the students keeping character journals, the supplements and backmatter would allow for references and insight in to real history, and I think the book would do really well in this set up to connect with the audience. 

The Epilogue was nice, but a little disjointed.  I appreciated the updates on the characters and it showing Muslims and people of other faiths coexisting and being accepting even within families, but the connection to the story was a little lost.  Similarly, I love that it mentioned  Abbas Ibn Firnas, but I don’t know that most kids know enough about him to know what is being hinted at and what the outcome was of his flight at the end.

FLAGS:

Death, war, battles, killing, nothing graphic, very tame, not graphic or detailed gore.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that I could get middle school students to read the book for a book club, it would have to be motivated by a grade to get through it in a classroom setting I’m afraid.  See above to read my thoughts on how to present it.

I purchased my book on Amazon and will receive a few pennies if you decide to purchase a copy using this link.

Mr. Men Little Miss Happy Eid by Roger Hargreaves

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Mr. Men Little Miss Happy Eid by Roger Hargreaves

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The nostalgic cast has reassembled recently, and now have an Eid title available.  Whether you grew up with Mr. Men and Little Miss or have never heard of them before, this book covers the basics of an Eid day celebration with (familiar) characters such as: Mr Greedy, Mr Bump, Miss Splendid, Mr Funny, Little Miss Scatterbrain and more.  The characters’ friend Aleena is fasting for Ramadan, the colorful crew help her to plan, and finally they all join in for the celebration.  The 32 pages are silly and random at best, but with a little discussion to help bridge the British to American English (if needed) ages three and up will enjoy the funny characters, seeing Aleena in hijab, and relating to the activities mentioned.  I love that generosity and forgiveness are included in the messaging, but was really irritated that a musical band is how they celebrate Eid night, and that Eid is compared to Christmas with gift giving.  The book is not written by a Muslim, so perhaps I should be forgiving about the Christian holiday comparison, but why write a book about Muslim joy, if you won’t let the Islamic holiday be enough on its own?  Thank you to Shifa @Muslimmommyblog for gifting me this after making fun of me for being old!

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Mr Greedy’s friend Aleena is fasting, and Mr Greedy breaks his fast nearly every hour so he is helping her.  Little Miss Inventor is out with her telescope and sees the moon, it is time for Eid.

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The days before Eid had been spent cleaning and decorating with the help of Mr Rush and Mr Bump.  They weren’t very helpful.

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Ramadan is also a time of generosity.  The football club receives donation, but what will they do with Mr Silly’s grandfather clock donation.

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Aleena puts mehndi on and is smart enough to not let Little Miss Naughty help, Little Miss Scatterbrain was not so wise.

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They all get dressed up, they give each other gifts, and share a meal. They then all settle arguments and forgive each other.

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Finally, they head to an Eid fair in town and eat treats while they watch a music show.  The book concludes with some factual information about Ramadan, Eid, and Zakat.

Title is available on Amazon.

After Iftar Tales arranged by Bismillah Buddies

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After Iftar Tales arranged by Bismillah Buddies

after iftar tales

This book’s beautiful dark blue cover with sparkly stars feels good in your hands and looks lovely on the shelf.  It is a collection of 10 short stories presumably to be read by an adult to a child or children during Ramadan and has its highs and lows.  As often is the case in anthologies, some are written better than others and while I particularly liked two of the stories contained, I couldn’t help wishing that the entire collection would have been better edited.  I don’t know any of the authors, or their ages, and there is not an intro or conclusion detailing how the stories were selected or compiled, but as a whole, the grammar errors (spaces before and after commas and periods), failure to spell out numbers less than ten, and the overall plot holes in so many of the stories, makes it hard to love this book.  Something about judging a book by it’s cover would seemingly apply here, the illustrations are decent, the topics and themes covered are important, but the finishing is lacking, and the book really had a lot of potential.

SYNOPSIS:
The ten stories cover Ramadan in different ways, and do not get repetitive.  With different authors and illustrators and pictures on every other page at a minimum, the books presents well.  Many of the stories are adequate, but largely forgettable as the plot holes just made me and my kids dismiss them.  A few are too lengthy and wandering, but there are two that even despite writing obstacles, thematically were memorable:  “A Ramadan Surprise” by Malika Kahn and “Iftar in Space” by Tayyaba Anwar.

“A Ramadan Surprise” is written in rhyming verse and discusses the need for wheelchair accessibility at masjids.  Focusing on a young girl it also hints on the importance of accessibility for the elderly.  This is such a needed and important reminder and I love that it is present in a book that is positioned to be read and thus hopefully discussed.

“Iftar in Space” similarly opens itself up to be discussed and marveled at between a child(ren) and an adult: how would you fast and pray if you were on the International Space Station. This connection could then be made for people that live near the poles, and how science is valued in Islam and so much more.  I love that Islamic information is seemingly sourced, but I would have loved a line or two at the end clearly articulating that in fact this is what this scholar or these scholars have declared.

WHY I LIKE IT:

At first it didn’t bother me that the text was so small, but mid way through, it started to because the pictures are so inviting and regular.  If a child is snuggled up with a reader looking at the pictures it is impossible for them to follow along. I get that that is kind of the point, but with huge margins, the text size can easily be increased.

I don’t know why the book doesn’t seem to have been edited.  The cover and illustrations and binding are all decent to high quality, the cost of the book for consumers is high, so I don’t know why an editor was not (seemingly) involved in the process.  Sure I am picky, but it isn’t one or two grammar errors, it is a lot, and when it is a regular concern, it ruins the flow and feeling of the book.

Overall, honestly there is also very little Islam present in most stories except for the timing of Ramadan, and many of the stories seem to have gaps.  In the first story, a boy is found by a stranger and gifted a lamp, and the family never even tries to find the person who saved their son to thank him? They live in a small village?  In one of the stories where a little girls is fasting for the first time she is also making a salad independently and pulling a cooked tray of lasagna out of a hot oven. A child in one story eats moldy candy, and in a contemporary story kids donate their money to an orphanage.  Are there still orphanages? In one story it opens with a banner being made that is crooked, but the accompanying illustration does not match.  One error or two is easy to overlook, but again, when it is every single story, it is incredibly disappointing.

FLAGS:

Clean

TOOLS FOR LEADING THE DISCUSSION:

I think while reading it you would find plenty to discuss with your children.  On stories where your children seem bored you could skip them, if sentences don’t make sense you can alter them.  I doubt children will read the book independently, so there is some wiggle room to add or subtract from the text to make the points you want to make and keep the stories engaging.  There are a few stories that discuss Covid and the frustration that it has caused to daily activities, which might help add another layer of connection to the text.