Tag Archives: Picture book

Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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It is quite remarkable in the course of 40 pages that so many themes, layers, emotions, windows, mirrors, and relevance can radiate with ease and entertainment for children four and up.  The authenticity of the text and illustrations create tangible feels in this book, that months after reading it for the first time, I am still moved to tears, both inspired by joy and as a cathartic release of being seen.  The true mastery is that even if you are not Muslim and cannot relate to the nervousness of praying publicly, you understand Muhammad’s hesitancy and feel for him as he battles not just finding a place, but watching onlookers reactions to his father, police proximity, and being brave enough to push yourself even when you are scared.  Usually when asked what my favorite book is, I stumble to narrow it down to just one, but truly this book has raised the bar of not just traditional publishing representation, but Islamic/Muslim literature across the board.  It is a gift to read, to share, to enjoy, and a blessing that such an unapologetic book is available so widely for our children to connect with, and our non Muslim friends to see us through.  Please spend time with this book and make it available to your children, your students, your community, it really is that good, alhumdulillah.

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It is Muhammad’s birthday and he is seven, “Old enough to pray five times a day,” his father gifts him a prayer rug, and  Muhammad is ecstatic.  He makes wudu that night and offers salat with full attention.  He says the Sunday school words and shares his most wished for wishes to Allah swt, not even letting little sister, Maryama distract him.

After Fajr the next morning, he is determined to find a secret place at school to pray Dhuhr. Daddy doesn’t need secret places, if prayer time comes he pulls his ice cream truck over and prays on the sidewalk, “never delay salat.”  At school, Muhammad heads to Mrs. Baker to ask for a place to pray, but his confidence waivers and he returns to his seat.

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Anxiety about where to pray has him looking for spots throughout the morning, but when recess comes he finds he can’t take the prayer rug out from under his jacket.  He lingers when everyone returns to class and rushes through the words and motions in the coat closet.

That evening he is with his daddy in the ice cream truck and the sunshine and smiles pour out of the two.  When the sun sets it is Maghrib time and Daddy heads to the sidewalk to pray, reassuring Muhammad that he can pray at home.  Muhammad watches his dad and various events spur him to make his decision.

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I love love love the way salat is approached with love and excitement and that the dad embodies safety and joy and does not pressure or force Muhammad.  The relationship is beautiful and allows for worship to be seen as both personal, as well as obligatory and merciful.  The duo also show a great parent child dynamic that warms the heart.

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I like that there really isn’t any “hate” given to anyone praying, it is hinted at, people do not understood, but the focus is not on the outside bystanders- it is what Muhammad thinks and feels.  I’m fairly certain every Muslim who has prayed in public has encountered a wide variety of responses, and this book keeps the gray to reflect and spark conversation.  It is often met with ignorance, with hate, with aggression, but it is also met with respect, apathy, and curiosity which the text and illustrations allow for.

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There is so much love and joy in the book as well as identity, that I don’t mind one bit that my littles ask me to read it over and over.  It is perfect for groups, one-on-one, and I cannot wait to share it in a story time, there is also an incredibly informative and heartfelt Author’s Note at the end.  If you haven’t preordered it yet, the book releases on June 6, 2023, please pre order it and signal the support for this book and future books that center authentic Muslim joy, Black Muslim representation, and OWN voice author and illustrator accuracy.  Request it at your library, put it on hold at your library, check it out, read it.  If you cannot preorder it, still purchase it when you can, inshaAllah it will be a beloved book in your home as well.

Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

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Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

There was a time in college when my friends and I would gift each other Cinderella retellings and versions from all over the world, that was nearly 20 years ago, and I haven’t thought much of it, until this book reminded again of “This is the House that Jack Built.” Having just read and reviewed “The Masjid that Kamal Loves” which is structed similarly, I can confidently say forget Cinderella, I’m loving this new trend, of a repetitive layered story conveying love and excitement and joy to little readers in such an engaging way. This book has more of a story than the original and shows relationships and longing, even though it is primarily a love letter to Cairo.  The swapping out in some verses for Arabic words and English translations, the sound affects and the connections really elevate the OWN voice details in the text and make the book an absolute treat to read and share even for those of us who are not Egyptian and have never visited.  The Auntie who visits wears hijab, the muezzin calling Allah u Akbar is a repeated refrain, their are numerous illustrations of women in hijab and a masjid is shown repeatedly throughout allowing Muslims everywhere to feel seen with this culturally specific story.  The Glossary with the Arabic script and pronunciation guides and Notes from the Author and Illustrator really radiate with love and invite the reader to participate in the celebration on the pages.  I have no doubt children (and their parents) three and up everywhere will fall in love with the 40 page story and delightful illustrations.

Auntie Fatma comes to visit a little girl’s family from Egypt and brings sahlab and changes for two weeks to the home.  Arabic is spoken, and a nightly lullaby of the sounds of Cairo are among the beloved additions to connect the little girl to her Auntie and her culture.

The lullaby begins with the sound of the Nile, the boats floating through the city, the athan calling to prayer, the carts on the streets, the traffic.  The halawa ya battekh, swish, swoosh, swish, Allah u Akbar, beep honk toot, all add layers to the bustle of the city as the little girls memories of the sights and sounds of Egypt soothe her to sleep.  When it is time for Auntie to return the little girl’s sadness is palpable, but Auntie finds a way to reassure her and all those that have drunk from the Nile and long to return.

It is hard to say if the text adds to the illustrations or the illustrations to the story, both combine to make this book impossible to read without smiling.  I love that the mosque is shown in the daytime and at night implying that the call to prayer is not a one time thing without articulating that Muslims pray five times a day. I don’t know if the author identifies as Muslim or if the inclusion of the athan and Allah u Akbar is just an environmental reality of Egyptian daily life and thus featured.  The illustrator could have very well added the hijabs on his own as there is nothing religious or explanatory in the text.  Perhaps it is worth noting that there is a dog in the family’s home that seems to sleep with the little girl.  The book is a cultural heartfelt portrayal, and that Islam is prominently featured so beautifully made for a lovely surprise.

I hope you will consider preordering the book here, requesting it at your library, and sharing it on classroom and home bookshelves.  Happy Reading!

Not Now Noor! by Farhana Islam illustrated by Nabila Adani

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Not Now Noor! by Farhana Islam illustrated by Nabila Adani

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This 32 page book is incredibly adorable and silly, and yet so vague in the answer that is the whole premise of the book, that it really has me wondering why we are so afraid (in children’s books and possibly in our daily lives) to say that we wear hijab because Allah swt commands it?  The book articulates that we are Muslim and that hijab defines us, which I love, it just seems that while the rest of the book is incredibly direct and funny, the answer is fuzzy and lyrical.  It is by no means wrong, it just at the end presents what hijab means, the benefits of wearing it, and one’s personal feelings toward it, while skirting the answer the girl keeps asking of why? It seems to be a common approach lately, and I wish that more picture books about hijab would clearly articulate that the commandment to cover is in the Quran.  It isn’t for any other reasons. It may have perks of keeping your ears warm, fashion, or hiding your earbuds, but that isn’t why Muslim women wear hijab.  Perhaps the trend has me more frustrated than this book on its own warrants, it really is sweet and I don’t regret purchasing it and having it sent from the UK.  It allows for a serious conversation about hijab to occur after, and it intentionally pushes the humor, which I definitely think we need more of in Muslim centered books.

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The book starts with Noor identifying what her Ammu’s hijab is and isn’t, how she wears it and how she doesn’t.  The next page shows Noor’s bustling family and she compares how her Ammu’s hijab is not the same as her Nanu’s or Dadu’s or Aunt’s or even her sister’s, but she doesn’t know why any of them wear it.  Yes, I’m sure there is some pointed criticism I should make about how can a child her age not know, but I think for the sake of it being a book and being comically done, I am willing to let it slide.  I do wish that the spread had the women and their style of wearing a scarf shown.  I appreciate that they are in the dining room at home and thus not wearing a scarf, Nanu is because Dada is in the picture, authenticity which I love seeing, but children need a little more hand holding to see which person the text is talking about. Yes I know there is a family tree on the inside cover, but at story time, it is cumbersome to flip back and forth.

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Back to the story, Noor starts by asking her sister, the coolest hijabi she knows, if she wears it to hide her snacks in, or hide her big ears, but Affa brushes her off with a, “not now, Noor” and she is off to the next family member to ask.  Each time the rationale gets more outrageous: hide the eyes on the back of your head, prevent you from getting nits, etc..  And each time the person she asks sends her on her way with a “not now, Noor.”

When Noor finally gets to her mom it is she who answers with poetic lyricism, “We are Muslim women, my Noor, Unapologetic and true.  We are believers.  We are dreamers.  We are thinkers. We are leaders. We can wear our hijabs on our heads like our hearts on our sleeves.  Whether you choose to or not, my Noor,, we are so many things…and we are more than enough.” On the next page it continues, “My hijab is not just a scarf.  It means more to me.  It is a reminder of who I am, where I’m from, and where I’m going to be.  And perhaps one day you’ll understand what I mean.  Because, most of all without my hijab, my Noor, I don’t feel like me.”

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A flowery sentiment, but little Noor and the reader never got the answer as to why Muslim women wear hijab, and I think that it is unfortunate.  The book is beautifully illustrated, the size is great to be shared, the text funny, the voice playful, the joy contagious but the answer for me, just missed the mark, not by a lot, but by enough that I think an adult would need to supplement the overall takeaway message.

Sajjadati and the Power of Dua by Ayesha N. Rahmaan illustrated by Laila Ramadhani Ritonga

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Sajjadati and the Power of Dua by Ayesha N. Rahmaan illustrated by Laila Ramadhani Ritonga

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This 38 page large hard back picture book is absolutely beautiful: the illustrations, the tone, the thickness of the pages, all come together to create a child’s wonderment about the power of salah and dua with grounding in the actual parts of prayer.  On my first reading the imaginative “magical” aspects of the prayer rug, “Sajjadati,” was sweet and endearing, but as I thought about the story and then reread it, I had some concerns.  I know the book is meant for children, I know I am a reviewer and thus am over analyzing it, so I point the following out as a “heads up” so to speak, and for you to make your own decisions if the literal text will be misleading or if the overall mood of the book will be taken as loving dua and the closeness prayer brings one to Allah swt.

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The book starts with a little boy recalling when he got his green prayer rug from his grandma, that has his name on the corner (in the illustration it is centered on the top, not in the corner) and him naming the prayer rug, “Sajjadati.” The following page, same spread, then says,  “When I have Sajjadati with me, I can pray anywhere.  And when I pray on Sajjadati, I can go anywhere.” These lines give me pause, because even if the prayer rug is lost or not with him as he grows up, he is still going to need to pray. The importance of the prayer rug seems over elevated, albeit sweet, religiously a little unsettling.  The second of the two lines, about going anywhere, is also a bit of a gateway to the rest of the book and almost encouraging one’s mind to wander during salah.

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The next page gets back on track saying that starting to pray and saying “Allahu Akbar” leaves this world behind, the little boy says surahs he has memorized, and knows Allah swt is watching him.  He asks Allah for what he wants, and his imagination takes him on adventures after each salah. He imagines flying, and being a superhero.

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The story then returns to being in prayer, not after, and going in to ruku.  The text has him imagining he is in the “biggest candy store in the universe” wondering if Jannah has rivers of chocolate before standing up straight again saying “Sami Allahu liman hamidah,” and contemplating if there is a place where his prayers would be worth more and Sajjadati taking him to al-Aqsa.

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In sujud Sajjadati tickles his nose, but he doesn’t mind because he is closest to Allah swt in this position, and while he won’t let his “annoying little sister,” bother him, his mind does drift to being on a boat in the sea with seagulls squawking, “salaam.”

Hamza is then making dua for those suffering.  Since nothing is impossible when making dua, he is also asking for pets from the savanna, but knowing that Allah swt will provide what is best.  He makes duas to go for hajj and concludes his salah by folding up Sajjadati and finding peace in Allah swt being al-Mujeeb.

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I love the heartfelt framing of salah and the interweaving of both real and whimsical wants, as well as the sprinkling of facts about prayer into the story, but I honestly struggled a bit with the juxtaposition of the parts of prayer with the day dreaming elements.  I also struggled with the tenses, and find myself constantly rewording this review to reflect the book’s timeline.  Hamza is with his family, for example, hearing the current event news, while the next set of pages has him back making dua at the end of the prayer he started at the beginning of the book.  And the hearing the news and the praying for people is all being conveyed in the present tense, not clear if he recalled hearing about strife in the world and then made dua, or paused heard and resumed his prayer, it all seemingly happening at once, but that doesn’t really make sense. The title also says dua, not salah, and so much of the book is about prayer, that I feel like the two get conflated erroneously, and dreaming big during dua is different than having your mind wander during your salah.

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The book starts with an ayat from the Quran in Arabic text and meaning of the translation in English and concludes with a glossary and space to complete a Dua List.

If this book seems like a good fit for your young child, I ordered mine from Crescent Moon Store and you if you use my initials ISL (Islamic School Librarian) at checkout you’ll save 10%.

My Baba is the Best by Bachar Houli illustrated by Debby Rahmalia

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My Baba is the Best by Bachar Houli illustrated by Debby Rahmalia

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This 32 page horizontal picture book by an Australian footballer starts out much like a list detailing why a little girl loves her Baba, after a few pages though of more superficial delights, the book gets deeper.  It shows the family making duas at bedtime, going to the masjid on Fridays, it even gives a little insight into Eid and fasting before it then takes readers on a camping trip.  There isn’t really a story or plot, but the bouncing around fits the narrator’s point of view and will appeal to the intended target audience.  The book is mainstream published by Penguin in Australia, so I absolutely love the inclusion of Islam, the mom in hijab, the dad’s beard and the love shown between the little girl and her Baba.  Sometimes celebrity books feel a little forced, but having never heard of this athlete, I still found the book incredibly sweet and joyful, and the illustrations by a Muslim illustrator a great amplification of the simple heartfelt text.

The book starts with a little girl rushing to give her Baba a hug on the field as fans cheer in the background.  After all her Baba gives the best hugs, it then mentions that he is always doing something and shows him washing his boat and jumping on a trampoline with the little girl and her younger sister.  The trio garden, exercise, ride bikes, train and go fishing. They also watch movies at the theater or at home with the whole family. At night Baba reads special prayers to protect them while they sleep.

On Fridays, the family goes to the mosque for prayers, and the most special time is when they all go for Eid in their best clothes.  They listen to the imam and give donations to those in need. They open presents and after fasting they eat Lebanese pizza before going to visit teta and jeddo.

The best time is when they go camping.  They all set up the tent, and get sticks to roast marshmallows.  They even see kangaroos eating dinner before heading back to eat theirs.  On many of the pages it is just the girl and her Baba, but even when the whole family is present, the focus is on the strong relationship between the two.

The book is very endearing and as a daddy’s girl myself, I love seeing the relationship unfold on the pages with big things, and little things, fun things, and reflective things, and from the little girl’s point of view.  The book is not readily available in the United States, I purchased mine from Book Depository, where they offer free shipping.

The Night Before Eid: A Muslim Family Story by Aya Khalil illustrated by Rashin Kheiriyeh

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The Night Before Eid: A Muslim Family Story by Aya Khalil illustrated by Rashin Kheiriyeh

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This 40 page early elementary picture book is set the night before Eid and radiates with love from a boy to his Teita, traditional ka’ak, and the family’s Egyptian culture.  The robust and personal backmatter shares a glimpse into the threads from the author’s real life that the story touches upon, and makes the book extend beyond the pages.  It is worth noting that this book does not articulate if it is for Eid al Fitr or Eid al Adha and thus works for both.   There is nothing religious in the book except a reference to something happening after Eid prayer in a memory, and the shape of the cookie being round like the Ramadan moon, Eid day is not mentioned, it is simply the catalyst for this warm family story about a boy and his grandma making a special treat for the first time and sharing it at school.  The large hardback book with fun illustrations is ideal for both story time and bedtime readings alike.

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It is the night before Eid and Teita has arrived from Egypt.  Zain can’t wait to make ka’ak to take to school and share with his friends.  The beloved powdered sugar cookies are steeped in tradition, both in Zain’s family and in Egyptian history.  Once the suitcases is unpacked and the special ingredients found, Teita and Mama share memories of baking with cousins, painting henna designs on hands and putting eidiya in envelopes.  The family recalls singing together on the balcony while Geddo played the tabla and lights and lanterns filled the streets below, after Eid prayer they would hand out the ka’ak.

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Zain wants the ka’ak to turn out perfectly so his teacher and friends will like them.  Teita tells him that ka’ak is as old as the ancient pharaohs, and that recipes were found in the pyramids.  At one time rulers would even put gold coins in the cookies.  Zain and his Teita mix and add the required ingredients, and drink iced apricot juice as they wait for the dough to be just right.  Getting the cookies pressed with the molds though is harder than it looks, and Zain gets frustrated. Teita’s love and patience and Zain’s clever thinking get the treat making back on track.  The ka’ak doesn’t have a gold coin filling, but they are filled with tradition.

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The timeline is a bit off for me with the grandma coming before Eid and then the cookies going to school on Monday, and then Monday evening when Zain is writing down the recipe with Teita he is telling her Eid Mubarak and that it is the best Eid ever.  So, it seems that he went to school on Eid, not to Eid prayers, which is fine, just a little sad that there was no Eid celebration or prayers.  I don’t know that kids will be bothered by it, but the lack of mirroring and stressing how joyous Eid is does somehow get lost and mitigated, in my opinion, by skipping acknowledgement of the religious holiday.   In the backmatter the author remarks that she has “outgrown the magic of Eid,” so perhaps it is intentional that the day is not included in the text.

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The last six pages of the book are filled with informative and engaging information about What is Eid, Ka’ak Time Line, A Note from the Author with photographs of her and her family celebrating Eid, a Simple Ka’ak Recipe and Additional Resources.

I purchased my copy from Crescent Moon Store where if you put my initials ISL (Islamic School Librarian) in at checkout you will save 10% or is available here on Amazon where the book currently has a coupon for $3.80 off.

The Ramadan Shield by Fadelah Mahmood illustrated by Ayun Sekar

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The Ramadan Shield by Fadelah Mahmood illustrated by Ayun Sekar

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This new 32 page rhyming book focuses on a boy who gets frustrated and often loses his temper and how the onset of Ramadan has his father imparting the lesson that fasting isn’t just staying away from food and drink, but also about behavior and controlling your anger.  He shares the hadith of saying “…I’m fasting, I’m fasting,” which is shared in its entirety and sourced at the end.  The book has a lot of text and scenarios in its moral framed telling that creates a bit of a disconnect between the presentation and the target audience.  The characters are fasting, there is no discussion about why they are fasting or that it is a first time fasting (thank you). the child’s art assignment is pretty advanced, and friends are seen independently out and about, but the rhyming lines and illustrations at the end of the kids on the rug seems aimed at a much younger reader/listener.  For my purpose of story times to children 4-9 it is a great choice, because it can appeal to the large range of relatability and attention spans, but for repeated readings in a home, it might need some shortening or additional explaining to connect as intended.

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The story starts with Nuh working on an assignment to draw and paint a picture of the Kaba, but it keeps coming out tilted and he crumples and throws page after page.  His dad snuggles him close and explains that Shabaan is over and Ramadan is about to start which means that he needs to go without food and water, but also work on his behavior.  He explains, how to use the advice of saying, “Fasting is my shield; I will not be defeated! I am fasting, I am fasting.”

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Empowered by the words, Nuh starts his next morning remembering his father’s advice.  When he spills water on his painting he remembers the advice. When a grocery cart collision at the store with his nemesis gets his fist clenching, he remembers his father’s advice.  He even gets a chance to share his knowledge with his friends.

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When the day is over he is eating iftar with his family and determined to keep his temper at bay throughout he whole month and beyond, inshaAllah, starting with him trying his drawing of the Kaba again.

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I like that the focus is on behavior, I think that is a good reminder for older kids, and something younger kids that may or may not be fasting need to implement in Ramadan.  I also like that the parents are encouraging and invested, but not controlling the individual situations.  The book is preachy, and when the kid takes the lesson and starts preaching it to him, it is a little heavy handed, but I think it fits with the nature of the book.  I appreciate that the kid knows what Ramadan and fasting is, so that the lesson can go a bit deeper in this Islamic fiction story.

I got my copy from Crescent Moon store, and you can get yours there as well by clicking this link here.  If you use code ISL (Islamic School Librain initials) at checkout you will save 10%,

Hunger Alert by Shazia Afzal illustrated by Sania Hussain

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Hunger Alert by Shazia Afzal illustrated by Sania Hussain

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On my first read through, this book came across as a bit text heavy and the presentation didn’t quite fit with the content for the target audience, but when my seven year old read it, then reread it, and my 12 year old picked up and read it and both said, “it’s good,” I realized, the target audience is not little kids, nor is it adults, it is kids who have fasted and have felt the pangs of hunger.  The character is getting through his first day, but the relatability is for kids everywhere fasting for the first time the hundredth time and everywhere in between.  It is Islam centered, I appreciate the healthy food temptations and the unwavering that fasting needs to be done, but as an adult and an educator, so often I wanted to interject Islamic touchstone to getting through the day asking Allah for help, talking your self up and increasing your determination by knowing the Angels are recording your struggles and you will be rewarded in the akhira, and while Quran is read, and a surah loved, and Islamic phrases included, the focus of the book is a little boy in a very idyllic family trying to keep hungry thoughts away. The small 8 x 8 soft back book with 22 thick cardboard pages would be a bit hard to share at story time, but the simple concept story is fine in smaller groups and at bed time.

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The books starts with Ahmed fasting for the first time in Ramadan, he has a list of things he needs to complete his fast: 1-Keep busy, 2- Don’t think about food, and 3-Stay away from the kitchen.  I found when reading it to my younger kids I would pause here to discuss why we fast, and that we are doing it for the sake of Allah, so we need Him to be successful, not distractions.

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Ahmed starts with reading his favorite book about a charitable boy, the illustrations though had baskets full of shiny, big, read apples.  “Grr, Hunger Alert!” He runs to his brother’s room to keep busy with a soccer video game, but the prize on the screen are big, yellow bananas. “Grr, Hunger Alert!” This continues throughout the day, including while reading Surah Rahman, and the pomegranates trigger yet another Hunger Alert. When Grandpa asks him to take strawberries to his mom and his mom is in the kitchen, each of his rules will have to be broken.

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With iftaar approaching and fruit chaat waiting, Ahmed will have to persevere to complete his fast.  There is a glossary at the back and the book you can search online to find where the book is available near you http://www.compassbooks.ca

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Little Leena Learns about Ramadan by Zainab Fadlallah

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Little Leena Learns about Ramadan by Zainab Fadlallah

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I was excited to see this 20 page book in my public library, and then once I started reading it I was equal parts frustrated, disappointed, and honestly a little upset.  The book is an example of what I posted a reel about a few days ago, about an over used, unrealistic, textbook fact share of Ramadan from a kid’s perspective in a plotless book.  In this book it is Little Leena waking up from a nap smelling something delicious and finds her family eating and wondering why.  She is told by her sister it is the ninth month of the lunar calendar, the new moon has been sighted.  Oh sure there are some mentions of cakes and cupcakes, but seriously, come on, what three year olds have a working knowledge of moon phases but don’t know what Ramadan is, know what “blessed Ramadan” means but have never heard “Ramadan Mubarak.” Ramadan is explained to be special because we try and be extra kind, and not because it is the month we are told to fast, and we get more blessings for being kind, and the month the Quran was revealed.  Yes I appreciate that hijabs are not worn in the house, but are worn outside, and the excitement and joy are visible, but how can you have a book this centered on Ramadan that contains no Islam in it.  You can’t say on the back that it is learning about “what the occasion is all about” if there are no religious inclusions: it does not say that it is an act of worship, that fasting is prescribed by Allah swt in the Quran, that we pray extra, there is nothing, it doesn’t even attribute Ramadan and Eid to a religion, sigh.  My frustration isn’t just in this book, it is in this growing trend that this book is a part of sadly.  Why have an OWN voice adorably illustrated book claiming to be teaching about Ramadan, when the religion is completely absent? If it was a cultural, or family traditional book of joy with or without Ramadan facts blended in, I might see what it was trying to accomplish, but a book for early elementary, from a toddlers perspective that is so formulaic misses the mark in my opinion, both in educating the target audience or in helping young Muslims feel seen.

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The book starts with Little Leena waking up from a nap and smelling something delicious.  She wonders if mummy has been baking cookies, or cupcakes with sprinkles, or maybe a chocolate cake.  She decides to go have a look and finds colorful lights and decorations and a magnificent chocolate cake.  She also finds her family sharing a meal, she asks what is going on and learns that it is Ramadan.

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Leena’s sister Safiyya explains that “Ramadan is the ninth month of the Lunar calendar” and “it starts as soon as the new moon is sighted.”  She further explains that “Grown ups fast from when the sun rises till the sun sets”  she says brave kids are welcome to try too.  I’m not sure what being brave has to do with fasting, to me determined or even strong would be better words to use as fasting isn’t scary, and kids are encouraged to try, not forced.

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Leena then wants her sister to explain what fasting is, and Leena can’t believe it means no food or drink during the day light hours.  Leena asks what makes Ramadan special, and is told, “Ramadan is special because during the month we try to be extra kind and do as many good deeds as we can.”  It does not say why we try and be extra kind though, before reminding that we also “try to remember to be grateful for all the things we have.” It is worth noting that in the illustration on this spread it has a Ramadan sign, that is spelled Ramadhan, not that one transliteration is write or wrong, but to have both in a children’s book is a little confusing.

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Leena then finds some presents and Saffiya explains that they are for Eid when Ramadan is over and we wear new clothes and get presents.  The two then discusses their love of presents and saying Ramadan Mubarak.

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The 8.5 inch square book is short, but the image quality and hardback binding in this library edition is nice, it just adds nothing in my opinion to the genre, to conveying to Muslim and non Muslims what Ramadan is and why it is important.  I worry that libraries might think this is good as our Ramadan reads are and not budget to get much better, engaging, reflective stories as a result.

Amir’s Blue Jacket by Sarah Musa illustrated by Rania Hasan

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Amir’s Blue Jacket by Sarah Musa illustrated by Rania Hasan

This heartfelt elementary picture book does a remarkable job of drawing the reader in to the emotions of the main character, his relationship with his grandfather, and imparting a moral message without being preachy. The illustrations are lovely on their own, but the way the muted tones convey the memories and illustrate the text really ties the book together. Whether it is for a larger story time or a one-on-one bedtime read, the book will offer discussion, comfort, guidance, and a little surprise at the end for Muslim and non Muslims alike. The slightly allegorical book does conclude with a widely known hadith (it is attributed to Prophet Muhammad saw, but is not further cited/sourced) and the family is clearly Muslim with their names mentions of Eid and God, and a hijab clad woman, but the book is universal and a lovely addition to any book shelf.

The book starts with Amir finding his Grandpa’s old blue jacket and recalling wrapping himself in it the day after his beloved Grandpa died. With it smelling like mothballs, he tosses it in the washing machine, but unfortunately when it comes out it has clearly shrunk. Amir is in denial, he says it fits fine and he has no desire for a new one. It is Grandpa’s jacket, and Amir is going to wear it, no matter how tight it is. Amir storms off to sit under the apple tree and recalls picking apples and making applesauce the year before for the whole neighborhood. Grandma shares that she used to keep grandpa’s cane but when someone needed it, she let it go.

Grandma stirs another memory in Amir when she pulls the tray of ka’k out of the oven, of him trying to sneak a whole plate for himself only to have his hiding spot taken over by ants. When he is asked this time to share a plate, every step to the neighbors house reminds him even more of making the trip with his grandfather. Slowly he starts to realize that his memories are with him, not in his grandfather’s things, and Amir makes a decision that would make his grandfather proud, and (inshaAllah) give him more good deeds, even though he is gone.

The idea of sadaqah jariyah is understood through the story, and present in the hadith at the back, but it is never mentioned outright. Just as God is used, not the term Allah (swt). As Amir feels denial, frustration, and eventually peace, nothing is really told, it is shown, which really opens the book up to be a tremendous tool in sharing it with children and asking them to discuss what they understand, what they feel, and what they took away from Amir and his Grandpa’s blue jacket story.

The book is available through the publisher Ruqaya’s Bookshelf as well as HERE at Crescent Moon Bookstore where code ISL will save you 10%.