Category Archives: Picture book

Jun5

The Great Banned-Books Bake Sale by Aya Khalil illustrated by Anait Semirdzhyan

Posted on June 5, 2023 by islamicschoollibrarian

This follow-up picture book to The Arabic Quilt, takes readers back to Kanzi’s school, but also works as a standalone for ages 7-10. Addressing the hot topic of book banning, the fictional story brings the discussion down to an elementary level and shows kids speaking up and pushing back against something they don’t agree with. The main character finds a connecting thread to events in Egypt, and with her class and family behind her, she finds her voice and takes the lead. The story bounces around a bit and feels a little rough and underdeveloped at times, but the subject matter is important and can be used to help guide discussions, encourage peaceful protesting, and taking action. There is nothing Islamic specific in the text, the main character’s mom and teita wear hijab and are in the illustrations (#muslimsintheillustrations), in a memory of Egypt there is a man holding a cross. The author is Muslim and mentions it in the Author’s Note at the end.

The book starts with Kanzi leading the class to the library, she passes the Arabic quilt she helped bring to life and walks a little taller. She has promised her Teita she will bring home a book with Arabic words from the library, but when she walks in to the library, the “bookcase where the new diverse books were displayed has been emptied.” The librarian explains that the books have been banned. That the school district, like many others around the country, have decided certain books are not allowed. Kanzi is upset, but her classmates “gather near (her) in solidarity. They want her to know that they care, too.”

Back in class the teacher opens up the discussion, and Kanzi can’t find her words. Kareem says it is unfair and when the teacher explains that people are responding by protesting, writing letters, and buying more copies of banned books. Kanzi finds her voice and suggests a bake sale. Kareem suggests they raise money to buy books that are banned and call it “The Great Banned-Books Bake Sale and Protest.” Molly adds that they can put the books in Little Free Libraries. The class agrees that Friday will be the day, that baked foods inspired by books that are banned will be sold to raise funds to buy more banned books, and the local news station will be invited to broadcast the protest.

Kanzi helps Teita make baklawa from a book they once read, while her grandma tells her stories of protesting in Tahrir Square. Teita held a banner and demanded rights for the people of Egypt. Friday comes, and the kids are determined to be heard, as the crowd grows, Kanzi’s nerves also grow, but her strength comes from those that support her and who have also spoken up to be heard.

I enjoyed the illustrations and the backmatter. The inclusion of a baklawa recipe and insight to how this story came about with the banning of The Arabic Quilt, definitely adds to the book’s appeal. I felt a little disconnect though from the emotions of the book, and oddly enough, little connection to the characters.

I wish it would have shown her joy when she first saw the diverse book display. How it made her feel seen and valued and included to see books that reflected her and her classmates. Then we, the readers, would feel the pain too, now that they are gone.

I also was a little unsure of the scene when all the kids gather around Kanzi in solidarity, why is she the only one upset? Is it that they care about her or that they care that the books are no longer available? Sure it can be both, but again, as it is written, it isn’t particularly strong.

I’m not sure why the three characters named in the book Kanzi, Kareem, and Molly, do not have their names shown on the Arabic quilt pictured in the illustrations, and I also don’t know why it bothered me that the book banned that had baklawa/baklava was not named. I don’t care that it isn’t a real book, but I wanted a title to make the case of how ridiculous this ban is more articulate. Additionally, I love Little Free Libraries, but it seemed tossed in without much fleshing out. The book doesn’t explain what Little Free Libraries are, so I’m not sure that kids will even understand the plan.

The book is a decent read, I don’t know that the climax or characters will be memorable on their own, which is unfortunate because connection with the success or failure of this fictionalized book ban really could have radiated out of the book and deeply inspired kids. The reversal of the boards decision doesn’t directly link to the kids’ actions. I had to provide that link to my own kid when I read the book to him (he is almost 8). It is implied, but a line or two about how the kids protest encouraged other people to also speak up, or write letters, or that the school board attended the bake sale, would have shown that when voices amplify it is hard to ignore them.

The book has value on the shelf and can be preordered here https://amzn.to/3C5Baaj

May29

These Olive Trees: A Palestinian Family’s Story by Aya Ghanameh

Posted on May 29, 2023 by islamicschoollibrarian

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These Olive Trees: A Palestinian Family’s Story by Aya Ghanameh

This stunningly illustrated OWN voice Palestinian book for early elementary kids is an important story and I love that it is coming out to the world, but I do have some issues with the literary aspects and target demographic. The story bounces around from being factual about the brining and curing process of turning the bitter olives into numerous things, to Oraib’s present life in the refugee camp, to memories of the family’s life in Al Tira. When war once again drives the family from their home in the Balata refugee camp, Oraib, plants seeds and vows to return one day to harvest the fruit. The language at times is very mature and complicated for ages 5-8, I felt uncomfortable with the family moving being attributed to war and not occupation, and at one point it clearly articulates there are many olive trees located outside the camp and that they are leaving the seeds that would be later planted, so why is the climax her asking the earth permission to plant one more and for the sky to water and care for it until she can return? The backmatter allows the book to be used to spread awareness about Palestine and the process of harvesting olives, but the illustrations will appeal to younger readers, and the concepts contained seem more geared for slightly older ones. There is nothing religious in the book, there is depiction of the Dome of the Rock in an illustration and I believe the author/illustrator identify as Muslim.

The writing style of the book is fairly surface level with concepts not fleshed out to allow difficult concepts to reach younger readers. When describing the taste of the fresh olives, Oraib wonders if long ago people were, “pleasantly surprised by its acidity.” No insight into what that acidity tastes like, or bitterness, or what curing and brining means. Often the paragraphs seem long winded and repetitive, adding very little to advance the story.

There is little lyricism in the text, and the first time some tries to peek out, the metaphor is quickly abandoned, and it is notable that it doesn’t return. The occasional enjoying of the bitter fresh olives is juxtaposed with the surprising joy occasionally found in the camp, it seems that with the uprooting of the family once again at the end, this thread would have been a natural inclusion to reinforce the patience for something better to occur.

The dramatization of asking the earth and sky when planting a seed upon their departure, didn’t make much sense to me. It is noted there are olive trees already there, the illustrations show the ground littered with seeds that were to be planted had they stayed, so why not have the little girl pocket some of the seeds to take with her wherever they go. That is after all what the mother is doing at the beginning. Why not have the little girl invest in the cause herself and share in that ownership that they will always endure and prosper. The personification of the earth, sky and rain also doesn’t seem to fit the flow of the story, so much is internal observation and reflection of the main character, that this seems like an attempt to bring it back to a child’s level that instead just reads disjointed.

I might have missed something as I am not Palestinian, but the book to look at is incredibly beautiful, I just don’t think it will be read and remembered by young children. One of my first thoughts when reading it was that it was an early draft, but it is to be published soon and this review is based on the most recent version sent to me. I also wondered in the back of my mind if the book was allowed to be used to check a box, and wasn’t given the editing and polishing that it deserved on purpose. It depresses me to even think that, and I guess I’ll never know, but I would love to hear your thoughts, and I do hope you will request your local libraires to shelve the book as a show of support to authentic Palestinian voices.

May22

Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

Posted on May 22, 2023 by islamicschoollibrarian

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Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

It is quite remarkable in the course of 40 pages that so many themes, layers, emotions, windows, mirrors, and relevance can radiate with ease and entertainment for children four and up. The authenticity of the text and illustrations create tangible feels in this book, that months after reading it for the first time, I am still moved to tears, both inspired by joy and as a cathartic release of being seen. The true mastery is that even if you are not Muslim and cannot relate to the nervousness of praying publicly, you understand Muhammad’s hesitancy and feel for him as he battles not just finding a place, but watching onlookers reactions to his father, police proximity, and being brave enough to push yourself even when you are scared. Usually when asked what my favorite book is, I stumble to narrow it down to just one, but truly this book has raised the bar of not just traditional publishing representation, but Islamic/Muslim literature across the board. It is a gift to read, to share, to enjoy, and a blessing that such an unapologetic book is available so widely for our children to connect with, and our non Muslim friends to see us through. Please spend time with this book and make it available to your children, your students, your community, it really is that good, alhumdulillah.

It is Muhammad’s birthday and he is seven, “Old enough to pray five times a day,” his father gifts him a prayer rug, and Muhammad is ecstatic. He makes wudu that night and offers salat with full attention. He says the Sunday school words and shares his most wished for wishes to Allah swt, not even letting little sister, Maryama distract him.

After Fajr the next morning, he is determined to find a secret place at school to pray Dhuhr. Daddy doesn’t need secret places, if prayer time comes he pulls his ice cream truck over and prays on the sidewalk, “never delay salat.” At school, Muhammad heads to Mrs. Baker to ask for a place to pray, but his confidence waivers and he returns to his seat.

Anxiety about where to pray has him looking for spots throughout the morning, but when recess comes he finds he can’t take the prayer rug out from under his jacket. He lingers when everyone returns to class and rushes through the words and motions in the coat closet.

That evening he is with his daddy in the ice cream truck and the sunshine and smiles pour out of the two. When the sun sets it is Maghrib time and Daddy heads to the sidewalk to pray, reassuring Muhammad that he can pray at home. Muhammad watches his dad and various events spur him to make his decision.

I love love love the way salat is approached with love and excitement and that the dad embodies safety and joy and does not pressure or force Muhammad. The relationship is beautiful and allows for worship to be seen as both personal, as well as obligatory and merciful. The duo also show a great parent child dynamic that warms the heart.

I like that there really isn’t any “hate” given to anyone praying, it is hinted at, people do not understood, but the focus is not on the outside bystanders- it is what Muhammad thinks and feels. I’m fairly certain every Muslim who has prayed in public has encountered a wide variety of responses, and this book keeps the gray to reflect and spark conversation. It is often met with ignorance, with hate, with aggression, but it is also met with respect, apathy, and curiosity which the text and illustrations allow for.

There is so much love and joy in the book as well as identity, that I don’t mind one bit that my littles ask me to read it over and over. It is perfect for groups, one-on-one, and I cannot wait to share it in a story time, there is also an incredibly informative and heartfelt Author’s Note at the end. If you haven’t preordered it yet, the book releases on June 6, 2023, please pre order it and signal the support for this book and future books that center authentic Muslim joy, Black Muslim representation, and OWN voice author and illustrator accuracy. Request it at your library, put it on hold at your library, check it out, read it. If you cannot preorder it, still purchase it when you can, inshaAllah it will be a beloved book in your home as well.

May1

The Together Tree by Aisha Saeed illustrated by LeUyen Pham

Posted on May 1, 2023 by islamicschoollibrarian

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The Together Tree by Aisha Saeed illustrated by LeUyen Pham

Being the new kid, not having friends, and being teased are not new themes in literature (or life), so if you are going to write a book about them, take a lesson from Muslim author Aisha Saeed and make sure the story is heartfelt, emotional, and well-told. There is no Islam in the book, no foreign culture, or teasing because of skin color, it is a boy named Rumi who has moved from San Francisco to the other side of America and his shoes, with their drawings and colorings, that cause the kids to stare and start bullying. Rumi seeks solace under a willow tree and fellow classmate Han has to be brave to put a stop to the mistreatment by finding his voice and not simply staying silent. The text and illustrations provide a lot of opportunities for children to see themselves in the story, in the various characters, and ruminate over the actions and feelings from different points of view. The book is lyrical, it is not heavy handed or preachy, and the Author’s Note at the end is equally touching and hopeful.

Rumi is quiet, and on his first day in Ms. Garza’s class the kids stare at him as he stares out the window. At recess he wanders off to sit beneath the willow tree when Asher, Ella and Han leave the swings to see what he is up to. Asher and Ella start to make fun of Rumi, Han is uncomfortable, but stays quiet.

Rumi recalls coloring his shoes with his friends, and how different it was to where he is now, he picks up a twig to twirl as the hurt grows. In music class when the giggling starts, he tries not to cry. At recess he retreats to his refuge under the tree.

When the bullying escalates, and tears fall, Han speaks up and breaks the cycle. Others follow and see the world Rumi has created with his twig and are drawn to it and to Rumi. Forgiveness is asked for, and granted and the tree becomes a place of friendship and togetherness.

The Author’s Note shares the real life observations of the author about her son in kindergarten and how while heartbreaking, there was also hope in the concern shown by other kids that simply weren’t sure what to do. I love that even though Rumi is being teased for his shoes and being different, he doesn’t stop wearing his shoes or try and clean the drawings off.

I think this book is a must read in classrooms and homes were kids can slowly peel back the pieces and see where they can relate, how they can plan to act, and what parts they identify with. The book is deliberate and slow, and while a child could read it on their own and enjoy the story and illustrations at hand, the real power it has, is being a catalyst for discussion and empathy and speaking up.

Pre order/order here on Amazon

Apr24

Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

Posted on April 24, 2023 by islamicschoollibrarian

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Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

There was a time in college when my friends and I would gift each other Cinderella retellings and versions from all over the world, that was nearly 20 years ago, and I haven’t thought much of it, until this book reminded again of “This is the House that Jack Built.” Having just read and reviewed “The Masjid that Kamal Loves” which is structed similarly, I can confidently say forget Cinderella, I’m loving this new trend, of a repetitive layered story conveying love and excitement and joy to little readers in such an engaging way. This book has more of a story than the original and shows relationships and longing, even though it is primarily a love letter to Cairo. The swapping out in some verses for Arabic words and English translations, the sound affects and the connections really elevate the OWN voice details in the text and make the book an absolute treat to read and share even for those of us who are not Egyptian and have never visited. The Auntie who visits wears hijab, the muezzin calling Allah u Akbar is a repeated refrain, their are numerous illustrations of women in hijab and a masjid is shown repeatedly throughout allowing Muslims everywhere to feel seen with this culturally specific story. The Glossary with the Arabic script and pronunciation guides and Notes from the Author and Illustrator really radiate with love and invite the reader to participate in the celebration on the pages. I have no doubt children (and their parents) three and up everywhere will fall in love with the 40 page story and delightful illustrations.

Auntie Fatma comes to visit a little girl’s family from Egypt and brings sahlab and changes for two weeks to the home. Arabic is spoken, and a nightly lullaby of the sounds of Cairo are among the beloved additions to connect the little girl to her Auntie and her culture.

The lullaby begins with the sound of the Nile, the boats floating through the city, the athan calling to prayer, the carts on the streets, the traffic. The halawa ya battekh, swish, swoosh, swish, Allah u Akbar, beep honk toot, all add layers to the bustle of the city as the little girls memories of the sights and sounds of Egypt soothe her to sleep. When it is time for Auntie to return the little girl’s sadness is palpable, but Auntie finds a way to reassure her and all those that have drunk from the Nile and long to return.

It is hard to say if the text adds to the illustrations or the illustrations to the story, both combine to make this book impossible to read without smiling. I love that the mosque is shown in the daytime and at night implying that the call to prayer is not a one time thing without articulating that Muslims pray five times a day. I don’t know if the author identifies as Muslim or if the inclusion of the athan and Allah u Akbar is just an environmental reality of Egyptian daily life and thus featured. The illustrator could have very well added the hijabs on his own as there is nothing religious or explanatory in the text. Perhaps it is worth noting that there is a dog in the family’s home that seems to sleep with the little girl. The book is a cultural heartfelt portrayal, and that Islam is prominently featured so beautifully made for a lovely surprise.

I hope you will consider preordering the book here, requesting it at your library, and sharing it on classroom and home bookshelves. Happy Reading!

Apr17

The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

Posted on April 17, 2023 by islamicschoollibrarian

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The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

I don’t normally post about upcoming releases this far in advance (2.5 months), but I am hoping that if I share the link for preorders, I just might help in signaling to the traditional publishing world that books like this are so so so important and that we will support unapologetic, well written, Muslim centered, Muslim and Black joy featured books with our purchasing power. This book is incredible for toddlers to early elementary in its “This is the House that Jack Built” format. Muslim kids will giggle with excitement as they see themselves happy to see their friends at Jumu’ah, flinging shoes a little too hard before entering the musallah, splashing a bit when making wudu, playing while helping put out the prayer rugs, and getting a little wiggly or tired during the khutbah. The happiness and love radiates off the pictures and through the text that even non Muslim readers will feel our connection to our Masjids and the prayers that occur within. Muslim authored, Muslim illustrated, masjid not mosque, and a beautiful Author’s Note, makes this book a must have on every shelf where young children need books that mirror their experiences and provide windows into the beauty of Islam.

The book starts out describing Kamal’s smile and offering the reason for such joy as being Jumu’ah at the masjid. It then starts with describing the masjid and all that is contained with the lines adding on the refrain of “the masjid Kamal loves.” The friends, the shoes, the feet, the rugs, etc.. Terms such as imam, ummah, salaam are in the text and the illustrations show wudu, salat, khutbah, conveying a Jumu’ah experience.

Each page is brightly illustrated across horizontal orientated scenes. The expressions on the kids faces, are engaging and smile inducing and the lyrical text has a rhythm and strength that makes you feel proud to also have a masjid to love like Kamal.

I have an arc, but have preordered a copy for myself here and hope you will do the same. Please also request your public libraries to order it, and if they have already you can place the book on hold, inshaAllah little steps to show support.

Apr10

What Color is My Hijab? by Hudda Ibrahim illustrated by Meenal Patel

Posted on April 10, 2023 by islamicschoollibrarian

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What Color is My Hijab? by Hudda Ibrahim illustrated by Meenal Patel

When this book arrived I flipped through it and loved that it tied hijab colors to careers, when I asked my seven your old to read it to my three year old and I overheard snippets, I was impressed that positive characteristics associated with the professions were articulated and embodied by the main character to inspire young girls everywhere. When I finally sat down to read the book my self, I enjoyed the joy, diversity, and backmatter, but unfortunately felt like a page was missing at the end. Over 32 pages the book introduces a color as seen on someone the narrator knows hijab, and identifies the woman’s job and a couple of characteristics. The facing page highlights that when the girl wants to have strength or show kindness she too will wear that color hijab. The text on the first page and the last page is the same, “Hijab is the crown/I wear every day./It is worn many ways, and it comes in every color.” I absolutely love the premise of the book, but it seems that the conclusion should perhaps broaden that we can be anything and everything no matter the color we wear. The blurb on the back of the book actually uses language of wearing “yellow, ‘like’ my doctor’s hijab, brown ‘like’ my teacher’s hijab,” etc. that allows for a more interpretive and less literal view of I have to wear this color or that to be a leader or athlete or loving. I know I know, I’m probably overthinking it, but I’ve read the book so many times, and each time I just feel like the conclusion tying it together is missing and makes the book primarily a color book and thus preventing it from transcending into being more.

The book text is like a poem with the opening and conclusion reading the same. The patterned body of the book works very well in establishing the links between hijab, color, occupation, empowerment, characteristics and implementation. The pictures also allow the reader/listener to broaden their knowledge about various careers and see what they look like in action and what attributes they draw upon.

At times the wording gets a little loose with “give kindness” and “show wisdom” but the overall tone conveys the sentiment and allows for the stronger, “get results” and “be a leader” to balance out the flow of the book. The illustrations amplify the color being presented, but it is worth pointing out that the hijab’s are all patterned and could be a little confusing to little readers. Similarly, the yellow hijabs appear more orange and the purple more pink.

I love that the book is authored by a Somali woman and that the illustrations show diversity (skin color, mobility, body shape), but focus on strong black women inspiring the young protagonist. The backmatter hints that it is the author’s niece and also explains hijab, and hijab styles.

I purchased mine from Book Depository, but they are going out of business, you can also purchase it on Amazon, here.

Apr7

What Should I Do? By Fadelah Mahmood illustrated by Ayun Sekar

Posted on April 7, 2023 by islamicschoollibrarian

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What Should I Do? By Fadelah Mahmood illustrated by Ayun Sekar

Most rhyming children’s books are absolutely terrible, but this one made me smile as the format compliments the tone of the book. Every child has done something they regret and every parent desperate to raise truthful children; what very easily could have been a heavy handed story, stays positive as little Yousuf breaks something and seeks advice from his siblings about what to do. The book provides a lot of teachable moments and allows discussion and reflective referencing. It also is a reminder to us parents to praise the honesty, and forgive the transgression. The book is 24 pages and while text heavy at times, the fairly smooth rhyme and relatable story will be great for mature toddlers to kindergarteners. Some of the vocabulary will possibly need some explanation, but the cute pictures provide clues and the messaging will come through.

The book starts with Mum heading out to run errands and the kids being reminded to be nice, not to fight, not to make a mess, and that dad is in the garden and call if they absolutely need her. Did I say it is relatable? Yeah, I say this at least once a week, but dad isn’t in the garden, and I don’t rhyme.

Yousuf amuses himself and one thing leads to another and a ceramic plate gets broken. Not just any ceramic plate, his Mum’s favorite. He heads to his brother playing playstation for advice, and then to his other brother, and then finally to his sister before his mom comes home.

I’m sure for adults the story is predictable, but the solutions the siblings provide are similarly relatable and mom being grateful that honesty won out are conveyed on a child’s level that makes the book enjoyable at bedtime or in small groups. It provides an entertaining and clear reminder of how important telling the truth is.

There is nothing clearly Islamic in the text except the children’s names and the mother wearing hijab. No hadith or ayats are mentioned in conveying the universal character trait of honesty. The author and illustrator are Muslim and I do wish that there was a tie back to Islam either before or after the story, but alas there is not.

I purchased my copy here at Crescent Moon where my initials ISL (Islamic School Librarian) will save you 10% and it is also available here at Amazon.

Apr5

Not Now Noor! by Farhana Islam illustrated by Nabila Adani

Posted on April 5, 2023 by islamicschoollibrarian

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Not Now Noor! by Farhana Islam illustrated by Nabila Adani

This 32 page book is incredibly adorable and silly, and yet so vague in the answer that is the whole premise of the book, that it really has me wondering why we are so afraid (in children’s books and possibly in our daily lives) to say that we wear hijab because Allah swt commands it? The book articulates that we are Muslim and that hijab defines us, which I love, it just seems that while the rest of the book is incredibly direct and funny, the answer is fuzzy and lyrical. It is by no means wrong, it just at the end presents what hijab means, the benefits of wearing it, and one’s personal feelings toward it, while skirting the answer the girl keeps asking of why? It seems to be a common approach lately, and I wish that more picture books about hijab would clearly articulate that the commandment to cover is in the Quran. It isn’t for any other reasons. It may have perks of keeping your ears warm, fashion, or hiding your earbuds, but that isn’t why Muslim women wear hijab. Perhaps the trend has me more frustrated than this book on its own warrants, it really is sweet and I don’t regret purchasing it and having it sent from the UK. It allows for a serious conversation about hijab to occur after, and it intentionally pushes the humor, which I definitely think we need more of in Muslim centered books.

The book starts with Noor identifying what her Ammu’s hijab is and isn’t, how she wears it and how she doesn’t. The next page shows Noor’s bustling family and she compares how her Ammu’s hijab is not the same as her Nanu’s or Dadu’s or Aunt’s or even her sister’s, but she doesn’t know why any of them wear it. Yes, I’m sure there is some pointed criticism I should make about how can a child her age not know, but I think for the sake of it being a book and being comically done, I am willing to let it slide. I do wish that the spread had the women and their style of wearing a scarf shown. I appreciate that they are in the dining room at home and thus not wearing a scarf, Nanu is because Dada is in the picture, authenticity which I love seeing, but children need a little more hand holding to see which person the text is talking about. Yes I know there is a family tree on the inside cover, but at story time, it is cumbersome to flip back and forth.

Back to the story, Noor starts by asking her sister, the coolest hijabi she knows, if she wears it to hide her snacks in, or hide her big ears, but Affa brushes her off with a, “not now, Noor” and she is off to the next family member to ask. Each time the rationale gets more outrageous: hide the eyes on the back of your head, prevent you from getting nits, etc.. And each time the person she asks sends her on her way with a “not now, Noor.”

When Noor finally gets to her mom it is she who answers with poetic lyricism, “We are Muslim women, my Noor, Unapologetic and true. We are believers. We are dreamers. We are thinkers. We are leaders. We can wear our hijabs on our heads like our hearts on our sleeves. Whether you choose to or not, my Noor,, we are so many things…and we are more than enough.” On the next page it continues, “My hijab is not just a scarf. It means more to me. It is a reminder of who I am, where I’m from, and where I’m going to be. And perhaps one day you’ll understand what I mean. Because, most of all without my hijab, my Noor, I don’t feel like me.”

A flowery sentiment, but little Noor and the reader never got the answer as to why Muslim women wear hijab, and I think that it is unfortunate. The book is beautifully illustrated, the size is great to be shared, the text funny, the voice playful, the joy contagious but the answer for me, just missed the mark, not by a lot, but by enough that I think an adult would need to supplement the overall takeaway message.

Apr3

Allah and My Heart by Humera Malik illustrated by Basmah Syadza

Posted on April 3, 2023 by islamicschoollibrarian

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Allah and My Heart by Humera Malik illustrated by Basmah Syadza

This 47 page book of feelings and reassurances shows Muslim kids that they are not alone and that Allah swt is always there for them providing love. The book is not a story, and at times it might sit unopened on a shelf, but when it comes out as a needed tool, I think the resource it provides will be much appreciated, powerful, and useful. The book offers scenarios with emotions: fear, excitement, anger, sadness, and then reassures the reader with Allah’s promises, and then with what we can do or say. There are only a few words on each page, with a simple illustration that changes with each scenario and is reflective and inclusive to skin colors and abilities. The book if rushed, will just seem like a list, it really needs to be discussed and shared with children in a way that leads to internalization, application to their own life, and appreciation that Allah swt is aware of everything. The book is not sourced, but the sentiments are familiar.

Here are a few samples of how the book is tied together: “When it is dark outside, I feel scared, Allah says don’t be scared I am with you. I can say ‘Allah is my protector,’ and read the last three surahs of the Quran.” This plays out over four pages. “When I have too much to do, I feel overwhelmed. Allah says He does not give me more than I can handle. I can say ‘Allah I am overcome, help me’ and I can do dhikr to calm my body.

I like that the book is well done for what it is. The repetitive format and Islamic centering make it is a useful tool and the guidance gentle on a child’s level. If nothing else knowing that what you are feeling is normal and common and accounted for in our deen is a tremendous reassurance in feeling big emotions. The reasonable price and the Islamic centering makes me hope this book is shared and shelved in places that little Muslims will have access to with adults to help facilitate the messaging.

The book can be purchased here from Amazon or from Crescent Moon Store here if you use my initial ISL (Islamic School Librarian) at checkout you will save 10%.