Tag Archives: funny

Much Ado About Nada by Uzma Jalaluddin

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Much Ado About Nada by Uzma Jalaluddin

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I get teased a lot by my Lit Sisters for enjoying Hana Khan Carries On so much, so I’m writing this review to convince them why I think this is Uzma Jalaluddin’s best book yet, and why they should preorder here and dive in ASAP! First note that is an adult read, it is not targeted to teens, the protagonist for the majority of the book is nearly 30 years old. It is a romance, it is not a hundred percent halal, but it is definitely halal-ish, and if you feel like you reach a point where it absolutely isn’t, please keep reading (you might be surprised).  The book for being what I thought would be an empty calorie rom-com guilty pleasure snack, tells the story of Nada in spiraling layers that keep the reader hooked.  Just when you think it is predictable and tropey, the next layer peels back a twist and depth that kept me ignoring my kids and glued to the pages for two days straight.  I furiously scribbled notes writing down “haram” deal breakers and most by the end where crossed off, so no this is not Islamic fiction, but there is no internalized Islamophobia, there is no liberal agenda, the author knows the lines and is abiding by them and occasionally breaking them in a fictional entertainment world for Muslim and non Muslim readers alike.  I hate to compare, but in many ways it reads like an adult S.K. Ali book.  There is social commentary on Islamic communities from a place of love and practice from the inside, there are relatable characters, there is humor, there is love, laughter, and warmth. On occasion there is skirting of the halal/haram line a bit here and there, and sure males and females are a little too friendly at times, but it isn’t the oppressive parents and identity crisis, it is joy. Muslim reality and stress, with true mirroring joy as well.

So why am I reviewing this book here? Simple so you can enjoy it.  So often I feel like reviewers particularly, but casual readers as well, become nervous while reading, that the book is going to take a turn and become haram or preachy that we can’t just get lost in the story.  So my gift to you, is that if you enjoy rom-coms and don’t usually go for “Muslamic” ones because of apprehension, you can dive in and enjoy this.  You can laugh when they ask for a doctor at an Islamic convention, you can roll your eyes when hijabi’s bring extra scarves to throw on the stage of the band (there is a guitar player, but mostly daf and vocals), you can be upset at the slight physical touching (keep reading), and you can nod along with the commentary on divorce, misogyny, wheelchair access, and mental health, but you can also just cheer for the protagonist to find her way to happiness and love too.

SYNOPSIS: (Will be brief because other wise there will be too many spoilers, and because of how the book is told, you don’t want spoilers, trust me, you want to enjoy)

The book opens with Nada trying to hide from both her mom who wants discuss her future and her best friend Haleema who is determined to have a girls weekend with her bestie at the Deen & Duniya Islamic conference in Toronto.  Cornered she finds herself at the conference organized by Haleema’s soon to be inlaws and face to face with a variety of characters from her past including past victims of her bullying, past love interest, past business partners, past camp roommates, college friends, startup mentors, and others- it is a very popular and large conference

Yep, that is all you are getting.

WHY I LIKE IT:

Again, to avoid spoilers I’m going to simply point out a few plot concerns I had with the book, because it is who I am, and I need to get them off my chest.

In some of the flashback scenes Nada’s voice reads the same as it does in the present.  Her articulation of Baz’s potential as a daf player at 11 years old is very mature and insightful and not realistic at all that she can opine on his skill and the role his hand size have on his mastery at that moment of the instrument.  She would probably just think, yeah he is good, or wow, he isn’t bad.

I found it odd that Marya’s husband had opinions on Nada’s makeup, it seemed a bit forward.  Also they were in line, then they left, the pacing of the scene was a little off, I read an arc, but I’m hoping it is cleaned up a bit, because it is an important scene.

Haleema is Nada’s college friend, but toward the end in college flashbacks she really disappears, and it was noticeable, because the reader is constantly told Haleema and Nada were good college friends, but never shown.  So in those scenes to not have her there, without note, is suspect.  Nada really isn’t a good friend to here either, at any stage of life save the conclusion, I’m not sure why Haleema does so much for her honestly.

There is a wedding scene without a wali, and there should be a comment as to why the wedding is performed without the religiously mandated staple or how they are getting around it.  It reads off for a book that gets so many details correct.  I am hoping that the final has it corrected! PLEASE!!!!!!

Also for a different wedding Sufyan is noted to have got an invite to help serve chai, but he is the groom’s cousin’s son, introduced earlier as a nephew, before the cultural chain of relation is given, so why wouldn’t he be at the wedding?

FLAGS:

Music, female and male close friendships, sneaking around, bullying, talk of sex, sex, kissing, talk of pregnancy, lying, stealing, theft, there might be a curse word or two, sorry, not sure.  For an adult book it is clean, these days for a YA book it would be considered remarkably clean.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t suggest it for a school library or high school book club, but I wouldn’t put up much of a fight if it was on the shelf or schedule.

I Was Their American Dream: A Graphic Memoir by Malaka Gharib

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I Was Their American Dream: A Graphic Memoir by Malaka Gharib

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I was hesitant to read the book, afraid it would pit the author’s two cultures (Egyptian and Filipino) and faiths (Catholic and Muslim) that her parents identified with against each other.  Raised as the daughter of immigrants from very different backgrounds in California I was very pleasantly surprised that the book leads with heart and positivity for the unique, yet universal feelings she experienced in her life.  The short 156 page red, white, and blue filled pages are funny, poignant, and reflective, that I think high school readers and up will enjoy spending time in Cerritos and Egypt through the eyes of Malaka.  It is easy to say that you can’t be Muslim and Catholic, but she doesn’t opine on the right or wrong of it in large terms, she discusses her life and her own situation.  As a teacher I would see students that would attend Islamic school five days a week and then go to church on Sundays, whether you agree with the choices this author/character makes is not what I intend to review, it is her life, but rather the manner in which it is shared.  There are many kids out there from “conflicting” backgrounds, and to see someone take the love and benefits offered to forge their own path in creating their own American dream, was a nice twist on the immigrant identity finding narrative.

SYNOPSIS:

The book starts with introductions to the characters, her family members that influence her, and then begins the tales of what brought her Filipino mother and Egyptian father to America, how they met, married, started a family, and divorced. Malaka exists outside her family in school, balancing her heritage and coming of age.  Raised during the school year by her mother and extended Filipino family, she spends summers in Egypt where her father resides with his new wife and children.  Coming of age as an immigrant, balancing cultures, religions, school, and dreams, the book concludes with her marrying a white Southerner and adding to the mix.

WHY I LIKE IT:

Even though she identifies more as Filipino American and goes to Catholic school, there is a fair amount of Islam and Egyptian culture included in the book.  I love that she loves her step mom and step siblings and finds beauty in Islam, learns to pray, read Quran, and mentions her love of Prophet Muhammad saw.  Sure as an Islamic school librarian, I wish she chose Islam, lived it and centered it in her life, but this is not a character, this is a real person, and to see her lovingly showing the goodness in Islam and how it has positively influenced her, is nice to see nonetheless.  There are a few storylines I didn’t quite understand, the skateboarding in Egypt a big one, but the quick pace of her narrative life-story flows well and is easily consumable.  Often stories like this are overly dragged down by dated pop cultural references and over criticizing “othering” paradigms, but this book contains enough to keep it grounded without it alienating contemporary readers.

FLAGS:

Stereotypes, lying, relationships, periods, music, dancing, nothing really stands out, there might have been some language, I read it a few days ago and honestly don’t recall anything overly problematic, but content wise it is a mature teenage read with retrospection and marriage being a part of the narrative.

TOOLS FOR LEADING THE DISCUSSION:
I don’t know that I would shelve or teach this book, but I think it is one to file away in my head for people I might encounter looking for a book about blended faiths and cultures benefitting from the many worlds they have one foot in and one foot out of, and those ultimately looking for a place to see their experiences mirrored.

I found my copy of this book at my local public library and it is also available here from Amazon.

The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

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The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

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I don’t normally post about upcoming releases this far in advance (2.5 months), but I am hoping that if I share the link for preorders, I just might help in signaling to the traditional publishing world that books like this are so so so important and that we will support unapologetic, well written, Muslim centered, Muslim and Black joy featured books with our purchasing power.  This book is incredible for toddlers to early elementary in its “This is the House that Jack Built” format.  Muslim kids will giggle with excitement as they see themselves happy to see their friends at Jumu’ah, flinging shoes a little too hard before entering the musallah, splashing a bit when making wudu, playing while helping put out the prayer rugs, and getting a little wiggly or tired during the khutbah.  The happiness and love radiates off the pictures and through the text that even non Muslim readers will feel our connection to our Masjids and the prayers that occur within.  Muslim authored, Muslim illustrated, masjid not mosque, and a beautiful Author’s Note, makes this book a must have on every shelf where young children need books that mirror their experiences and provide windows into the beauty of Islam.

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The book starts out describing Kamal’s smile and offering the reason for such joy as being Jumu’ah at the masjid. It then starts with describing the masjid and all that is contained with the lines adding on the refrain of “the masjid Kamal loves.”  The friends, the shoes, the feet, the rugs, etc.. Terms such as imam, ummah, salaam are in the text and the illustrations show wudu, salat, khutbah, conveying a Jumu’ah experience.

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Each page is brightly illustrated across horizontal orientated scenes.  The expressions on the kids faces, are engaging and smile inducing and the lyrical text has a rhythm and strength that makes you feel proud to also have a masjid to love like Kamal.

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I have an arc, but have preordered a copy for myself here and hope you will do the same. Please also request your public libraries to order it, and if they have already you can place the book on hold, inshaAllah little steps to show support.

Not Now Noor! by Farhana Islam illustrated by Nabila Adani

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Not Now Noor! by Farhana Islam illustrated by Nabila Adani

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This 32 page book is incredibly adorable and silly, and yet so vague in the answer that is the whole premise of the book, that it really has me wondering why we are so afraid (in children’s books and possibly in our daily lives) to say that we wear hijab because Allah swt commands it?  The book articulates that we are Muslim and that hijab defines us, which I love, it just seems that while the rest of the book is incredibly direct and funny, the answer is fuzzy and lyrical.  It is by no means wrong, it just at the end presents what hijab means, the benefits of wearing it, and one’s personal feelings toward it, while skirting the answer the girl keeps asking of why? It seems to be a common approach lately, and I wish that more picture books about hijab would clearly articulate that the commandment to cover is in the Quran.  It isn’t for any other reasons. It may have perks of keeping your ears warm, fashion, or hiding your earbuds, but that isn’t why Muslim women wear hijab.  Perhaps the trend has me more frustrated than this book on its own warrants, it really is sweet and I don’t regret purchasing it and having it sent from the UK.  It allows for a serious conversation about hijab to occur after, and it intentionally pushes the humor, which I definitely think we need more of in Muslim centered books.

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The book starts with Noor identifying what her Ammu’s hijab is and isn’t, how she wears it and how she doesn’t.  The next page shows Noor’s bustling family and she compares how her Ammu’s hijab is not the same as her Nanu’s or Dadu’s or Aunt’s or even her sister’s, but she doesn’t know why any of them wear it.  Yes, I’m sure there is some pointed criticism I should make about how can a child her age not know, but I think for the sake of it being a book and being comically done, I am willing to let it slide.  I do wish that the spread had the women and their style of wearing a scarf shown.  I appreciate that they are in the dining room at home and thus not wearing a scarf, Nanu is because Dada is in the picture, authenticity which I love seeing, but children need a little more hand holding to see which person the text is talking about. Yes I know there is a family tree on the inside cover, but at story time, it is cumbersome to flip back and forth.

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Back to the story, Noor starts by asking her sister, the coolest hijabi she knows, if she wears it to hide her snacks in, or hide her big ears, but Affa brushes her off with a, “not now, Noor” and she is off to the next family member to ask.  Each time the rationale gets more outrageous: hide the eyes on the back of your head, prevent you from getting nits, etc..  And each time the person she asks sends her on her way with a “not now, Noor.”

When Noor finally gets to her mom it is she who answers with poetic lyricism, “We are Muslim women, my Noor, Unapologetic and true.  We are believers.  We are dreamers.  We are thinkers. We are leaders. We can wear our hijabs on our heads like our hearts on our sleeves.  Whether you choose to or not, my Noor,, we are so many things…and we are more than enough.” On the next page it continues, “My hijab is not just a scarf.  It means more to me.  It is a reminder of who I am, where I’m from, and where I’m going to be.  And perhaps one day you’ll understand what I mean.  Because, most of all without my hijab, my Noor, I don’t feel like me.”

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A flowery sentiment, but little Noor and the reader never got the answer as to why Muslim women wear hijab, and I think that it is unfortunate.  The book is beautifully illustrated, the size is great to be shared, the text funny, the voice playful, the joy contagious but the answer for me, just missed the mark, not by a lot, but by enough that I think an adult would need to supplement the overall takeaway message.

The Adventure of Faris: Faris & the Curious Case of the Missing Eid Presents by Muhammad and Husna Sattaur illustrated by Farimah Khavarine Zhad

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The Adventure of Faris: Faris & the Curious Case of the Missing Eid Presents by Muhammad and Husna Sattaur illustrated by Farimah Khavarine Zhad

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This 22 page padded cover toddler book, is not quite a board book, but the thick cardstock glossy pages are definitely meant for toddler hands.  The book works for both Eid al Fitr and Eid al Adha and my 3 year old finds it silly. My older kids that have walked in and paused to listen to me reading it, as well as myself, feel like a page is missing.  The rhyming story sets the stage of Eid morning and missing presents, but the resolution is abrupt, really abrupt, with no hinting at and the forced rhyme has you wondering who Uncle Sam is in the story.  The 22 pages are bright with Islamic decorations in the house and references to Eid and praying in the text. The excitement and joy are sweet, and the focus is presents, there is nothing about Eid or anything deeper than the story at hand as it stays on level for toddler aged children.

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The book starts with Faris waking up on a beautiful spring morning, it is Eid and he starts to sing, before tip toing down the stairs in his Eid pjs.  He sees the time and knows they won’t be up til fajr.  So, while kids won’t care, as someone who has read the book now a dozen times, I’m curious how old Faris is that he knows how to tell time, what it means and what time fajr is.  I’m also wondering how it is ok to sing and dance, but then you need to sneak down quietly, and how it is a beautiful morning, if it isn’t fajr yet, it is dark outside.

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He daydreams in the kitchen before heading off to open presents.  Except the presents are missing. He looks everywhere and imagines a dragon eating them.  I don’t want to spoil where the presents are, but they are found, and he opens them and then his parents wake up.

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It is a little sad that he opens one at least before his parents come, and I really wish there was a little hinting at what had happened to the presents, it really feels like a page is missing.  The book was published in 2021 so hopefully they will edit the text for a next printing.

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I got mine from Crescent Moon and you can purchase a copy by clicking this link here, if you use my initials ISL (Islamic School Librarian) at checkout you will save 10%.  

 

 

The Adventures of Amina Al-Sirafi by Shannon Chakraborty

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The Adventures of Amina Al-Sirafi by Shannon Chakraborty

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It has been a long time since I have stopped reading a book because I simply do not want it to end.  Clearly I have no self control, so a day later I picked it back up and finished the 496 pages, but oh what a treat to be swept away aboard a magnificent tale with rich history, Muslim characters, Islamic references, developed fantasy world building, complex side characters, excitement, plot, adventure, and everything else you would expect from the author of the Daevabad series.  The book is an adult read, and I really can’t suggest it to YA readers, the protagonist is a middle aged mom with a foul mouth and a bad knee, there is cursing, and killing,  hetero, gay and demon love interests among the main characters, a transgendered character, sex mentioned, drinking, and magic, it is all part of the story, but it isn’t so in your face that older mature Muslim readers will be uncomfortable.  So why am I reviewing it here, I honestly don’t know.  Clearly it is not to be shelved in the Islamic School Library, but there is so much authentic Islamic centering on every single page, that I want to give it space to remind/encourage us all that we don’t have to hide or water down our faith in mainstream books- not if the writing, story, and characters are so incredible.  I really thought a historically set pirate fantasy would be hard to read, that the vocabulary and references would leave me lost and confused, but it is written so beautifully that the pages fly by and you forget you are reading; it is as if you are watching the story unfold in front of you.  Please consider preordering this book so that publishers know support exists for authentic OWN voice Muslim character led books, I have an e-version, but have also preordered a physical hard back copy here.

SYNOPSIS:

It has been a decade since the infamous nakhuda Amina al Sirafi has taken to the Indian Ocean to plunder and sail. The stories of her have grown and traveled in her retirement, but life is now more about protecting her daughter and fixing her leaking roof.  When her previous life finds her and threatens her, however, she must return to her Marawati, call on her old friends, and put together a crew.  Told through a storyteller, with banter between Jamal and Amina, the fourth wall is broken and the reader knows that the hero will survive, yet the adventures of outsmarting Aden’s defenses, peris, demons, Franks, pirates, and marids to prevent the Moon of Saba from being manipulated is a fast paced chaotic adventure that pulls you in from the first page.  The fairly linear story from one point of view (mostly), connects the haunting past to the trials at hand, as the crew and characters are understood through their captain.  I don’t want to give anything away, but the side characters are nuanced and developed in a way that you feel just as close to them as Amina does, and as she becomes frantic to save them, the reader too is invested in their choices and actions.  Pirate adventure, saving the day, a mom as a hero and a missing demon husband refound, yeah, don’t read summaries of this book, just read the book.

WHY I LIKE IT:

I was surprised at the religious redemption arcs and details that were included on truly every page, from the meaning of the translation of Ayat ul Kursi, to acknowledging past sins and striving to not repeat them, Amina al Sirafi practices her Islam in her five daily prayers, regular supplications, regular repentance, and view of the world and her place in it.  She isn’t preachy, and much of what she faces tempts her to drink wine and fornicate again, but her struggles are really refreshing to see.  It isn’t that she is Muslim and that is the framing for the al-ghayb elements alone, it is so part of her and thus of the book, that you can’t help but feel seen.

The gay character’s lover is mentioned, neither are Muslim, but it is only a few lines in the entire book.  The transgendered character starts off uncomfortable with being forced to marry and hints that she doesn’t feel feminine, Amina pieces together what she is saying and then at the end it shows that she is now identifying and carrying herself as a man.  It isn’t a big part of the text, it has a strong effect on the story and it does touch on God’s view of such things, as the character is Muslim.  The demon love interest SLIGHT SPOILER is Amina’s husband that she thought she had killed, she has had a lot of husbands, but when he turns up alive, she realizes technically they are still married.  He asks her quite often to have sex.  It is usually is just that blunt with no romance or longing, and when they do partake in the act, it isn’t overly graphic, it is “closed door.”  There is killing and murder and deceit and lying and drinking, all things assumed would be in a pirate story.  None of it is overly glorified, but it is normalized.

I really just love the characters and the fast paced action, the book leaves off implying there will be more tales to come and I hope there are.  (I keep writing what I love about the book and deleting it, because you know….spoilers, ahh).

FLAGS:

As previously mentioned: cursing, sex, hetero and gay relationships, magic, fantasy, killing, murder, lying, drinking, drugs, jinn, peris, marids, fantasy, occult, demons, death, loss.

TOOLS FOR LEADING THE DISCUSSION:

I would never do this for a school book club, but would do it in a heartbeat for an adult book club!

 

 

Mama Shamsi at the Bazaar by Mohdeh Hassani and Samira Iravani illustrated by Maya Fidawi

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Mama Shamsi at the Bazaar by Mohdeh Hassani and Samira Iravani illustrated by Maya Fidawi

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At first glance it might seem that this Iranian set book with a chador at it’s core is a political statement.  I do not believe that it is.  The backmatter does state that, “Our wish in writing this book is to add to the growing list of stories for children that demystify this veil (that is too often used as a symbol of hate) and instead present a different view of it as the safe and comforting space we always knew it to be.”  This is an OWN voice authored book, from what I can find online the authors do not cover. It is a warm memory of finding love and humor and safety in the modest coverings worn by a grandmother.   I do wear hijab and I choose to do it based on my understanding of what Allah swt commands, I have never been forced to cover by a person or government, and do not know how that would effect my love of fulfilling a tenant of my faith.  But all that is an aside to make the point that this book to me is not weighing in on Iran’s politics, books are written and slated to be published years before they finally release, and this book is a silly heartfelt picture book about a girl and her chador wearing grandmother heading to the bazaar.

In the bustling city of Tehran, Samira is heading out to buy groceries in the big bazaar for the first time with her grandmother. Samira is nervous that it will be loud, and she might get lost, she asks her grandmother if she can rider under chador on her back. Her grandmother tells her no, she will look like a turtle.

Samira then suggest they walk in a line with grandma in front and her behind.  Grandmother Shamsi says, na, na, na, she doesn’t want to look like a donkey. Various other suggestions involving hiding under the big black chador and staying close to Mama Shamsi are suggested, but all make grandma look like a funny animal, and she declines.

When at last they arrive at the bazaar, Mama Shamsi encourages Samira to not hide but to use her eyes, and ears, and nose to learn about the world around her. Hand in hand, they stick close together, and enter the market.

The love between the two characters is heart warming in the text and truly elevated by the remarkable illustrations.  You love their relationship, you can feel Samira’s nerves, you appreciate Mama Shamsi’s humor to lovingly empower her granddaughter, and at the end you truly long to have your grandma next to you guiding you.

I enjoyed this book and don’t mind one bit reading it over and over again as kids giggle at the pictures and find details they hadn’t noticed before.  The book releases in February, and I hope that presales can reinforce the power of OWN voice authentic tales to be shared.  You can preorder/purchase it here.

 

Iman’s Sunnah Adventures: Mama Once Told Me by Sharifah Huseinah Madihid illustrated by Lakhaula S. Aulia

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Iman’s Sunnah Adventures: Mama Once Told Me by Sharifah Huseinah Madihid illustrated by Lakhaula S. Aulia

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This adorable 36 page board book had me laughing as a mom watching the increasing exasperation and dishevelment of the poor mother in the book page after page.  The book focuses on the sunnahs of welcoming guests, but the interpretations are the efforts and understandings of a small child being overly helpful, and the toll it takes on his parents.  The humor, the presentation, the introduction to various sunnahs is well done for little ones and their caregivers alike.  The book has not released yet, I viewed an e-version and I’m assuming the final spread is a lift the flap review of sunnahs.  Nothing is sourced, and salutations on Prophet Muhammad ﷺ are denoted by an asterisk throughout the book with a footnote at the end.  There are two books in the series and both share sunnahs, humor, and the main character Iman.

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The book starts with Iman feeling bored as his parents prepare for the arrival of guests.  Iman then remembers something Mama once told me (him), “That the Prophet* said cleanliness is half of eeman…” and with that the little one is off to help clean. Bubbles and more mess later, Iman is proud of himself and his parents are shocked and the bigger mess that greets them.

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Up next is recalling that Prophet Muhammad ﷺ “would make a special seat to honor his guests” and Iman decides that glitter will be a great way to fulfill that sunnah.  When Iman is sent to get himself ready, more fulfillment occurs until Mama is exhausted and Iman finds a way to fulfill the sunnah of making his parents happy.

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The book might be a little above level of a toddler, but I think the silliness makes it a great introduction to sunnahs and will be a joy to read over and over again.

For more information about availability you can check the publisher’s website

Tittle Tattle Talia: A Story about Gossiping by Salwah Isaacs-Johaadien illustrated by Zeyneb Yildirim

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Tittle Tattle Talia: A Story about Gossiping by Salwah Isaacs-Johaadien illustrated by Zeyneb Yildirim

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I really enjoyed this Islamic moral book about gossiping.  Over the years I’ve taught a few Sunday school lessons, class lessons, and even hosted story times on the Islamic cautions regarding backbiting, and honestly I don’t think kids really grasp how easy it is to commit the act and be a part of it.  They understand they shouldn’t do it, what the punishment is, and that it is bad, but I don’t know that the materials I’ve used and seen, have really connected with younger kids without a lot of supplementing; and this book highlighted that we really can be messaging better on a child’s level.  The pages are incredibly text heavy, but neither I nor my audience seemed to mind until close to the end, because of the comedy and relatability of the story up to that point.  I think the coach getting overly involved took it back to being a lesson from adults and broke the child perspective tone.  I do love that the kids that listen to the gossip are also held accountable, the importance of the coach’s message clearly is important, but the story telling quality would have benefitted from a few tweaks.  The illustrations are cute, unfortunately the font is not very appealing.  I do like that the salwat is given in Arabic, and that Hadith are mentioned in the text as well as in the backmatter with an author’s note.

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The story starts with Talia owning that she loves to share tales about the people around her, before telling one to her older sister.  Her sister tries to stop her and tells her that she needs to watch what she says or she might one day have to eat her words.  Talia wonders what eating your words means.  Similar situations occur between Talia and her brother, her mother, as well as her father.  Each time the story is reprimanded and a funny euphuism remarked upon and then giggled about by Talia.

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At school she does the same, telling stories, often at the expense of a boy named Ahmed, and the more interest the other kids show, the more outrages her tales become.  She soon starts telling them about everyone, and her classmates and friends grow weary and fearful that they might be next.

It all comes to a climax when Talia’s classmates say enough is enough and stop talking to her, and go as far as refusing to pick her when picking teams, and playing with her at all.  The coach concludes then that the match should be cancelled and Talia should apologize.  The cancellations seems extreme, and the forcing to apologize almost takes away from the emotional realization that her “tales” have become bullying.

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As Talia leaves, her classmates gather up and she sees Ahmed not joining them.  When she gets to her front gate, her friends catch up to her and apologize and acknowledge their roles in perpetuating the gossip.  Talia then goes to find Ahmed and get him some ice cream to apologize.

I don’t quite think the friends needed to apologize, I think they should have just realized their role, I think with discussion it might be clarified, but I worry that it defers Talia’s ownership of wrong doing, and could send some mixed messages.

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It is also a little pausing that Talia makes up a story about why a girl wears hijab, when her own mother wears hijab and she is clearly Muslim.  On the one hand, I like that it shows how ridiculous her tales have gotten, but it also could seem like she is falling for a stereotype as well.  There is good rep in the illustrations of those that cover and those that don’t, there is a child in a wheelchair and lots of shades of skin colors and hair types.  The text also contains traditional Islamic names and some that are not.

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The book helps our children to be better and the story engaging enough to be memorable, that while I wish it was cleaned up a better to strengthen the writing, I do find it a benefit on a shelf to be shared at bedtime, in classrooms, in story times and as a reminder to not participate in gossip or listen to it.

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Zayd & Musa in The Trouble with Videos (The Story of Riya) by Hafsa Ahsan illustrated by Yusra binte Absar Kazmi

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Zayd & Musa in The Trouble with Videos (The Story of Riya) by Hafsa Ahsan illustrated by Yusra binte Absar Kazmi

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This illustrated 64 page Islamic fiction chapter book is meant for early readers, but it was a good reminder for me as well.  Tackling the rarely covered topic of Riya (to do good deeds only to be seen by others), the book has been checked by a religious scholar (and his name included), features Quranic references at the end of the story, and the book is entertaining, relatable, funny, and adorably, albeit simply illustrated, by a child no less.  Like the first book in the Hiba’s Readalicious Series, there are a few grammar errors, and the Mommy/Daddy references read childish, but the story has interest, heart, humor, and both myself and my children found the book engaging on its own while also lending itself to worthwhile discussion around the dinner table.

SYNOPSIS:

Twins Zayd and Musa don’t have a smart phone and their friend Isa not only has one, but also has a YouTube channel.  Isa’s desire for likes and followers gives Zayd and Musa a variety of feelings, and with the context of their involved parents, friendly neighbor, and their own conscious, they learn about riya, and that often things in life are not just good or bad, but one’s intention that matters.

The illustrations not only illustrate the text, but also include talking bubbles with additional comedy or facts about screen usage, internet availability and study results as pertaining to the topics raised.

WHY I LIKE IT:

I love that the topic isn’t just handed down from the adults in the story, the boys and their point of view flesh it out and make it so the reader will actually understand the concept and hopefully recall it later in life.  The humor makes it relatable and the lessons while preachy, it is that type of book, are not presented as good/bad, right/wrong, it shows different scenarios, and how we all must constantly check our intentions, not just the “antagonist” of the story.

FLAGS:

None

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TOOLS FOR LEADING THE DISCUSSION:

The book lends itself to discussion with older children than the intended audience.  While the book is meant for say a six year old, the discussion using the examples in the book, at least for my children, was much more relevant to the middle schoolers.  Naturally, teaching early readers about intention is still a valuable lesson, but I’d encourage 10 and up to also read the story, so that discussion from their perspective can occur.  It is an easy read for older kids, but a beneficial one- just give them a heads up that the kid parent relationship is notably cringe and babyish, the lessons however are food for though.