Tag Archives: Muslim

Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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It is quite remarkable in the course of 40 pages that so many themes, layers, emotions, windows, mirrors, and relevance can radiate with ease and entertainment for children four and up.  The authenticity of the text and illustrations create tangible feels in this book, that months after reading it for the first time, I am still moved to tears, both inspired by joy and as a cathartic release of being seen.  The true mastery is that even if you are not Muslim and cannot relate to the nervousness of praying publicly, you understand Muhammad’s hesitancy and feel for him as he battles not just finding a place, but watching onlookers reactions to his father, police proximity, and being brave enough to push yourself even when you are scared.  Usually when asked what my favorite book is, I stumble to narrow it down to just one, but truly this book has raised the bar of not just traditional publishing representation, but Islamic/Muslim literature across the board.  It is a gift to read, to share, to enjoy, and a blessing that such an unapologetic book is available so widely for our children to connect with, and our non Muslim friends to see us through.  Please spend time with this book and make it available to your children, your students, your community, it really is that good, alhumdulillah.

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It is Muhammad’s birthday and he is seven, “Old enough to pray five times a day,” his father gifts him a prayer rug, and  Muhammad is ecstatic.  He makes wudu that night and offers salat with full attention.  He says the Sunday school words and shares his most wished for wishes to Allah swt, not even letting little sister, Maryama distract him.

After Fajr the next morning, he is determined to find a secret place at school to pray Dhuhr. Daddy doesn’t need secret places, if prayer time comes he pulls his ice cream truck over and prays on the sidewalk, “never delay salat.”  At school, Muhammad heads to Mrs. Baker to ask for a place to pray, but his confidence waivers and he returns to his seat.

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Anxiety about where to pray has him looking for spots throughout the morning, but when recess comes he finds he can’t take the prayer rug out from under his jacket.  He lingers when everyone returns to class and rushes through the words and motions in the coat closet.

That evening he is with his daddy in the ice cream truck and the sunshine and smiles pour out of the two.  When the sun sets it is Maghrib time and Daddy heads to the sidewalk to pray, reassuring Muhammad that he can pray at home.  Muhammad watches his dad and various events spur him to make his decision.

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I love love love the way salat is approached with love and excitement and that the dad embodies safety and joy and does not pressure or force Muhammad.  The relationship is beautiful and allows for worship to be seen as both personal, as well as obligatory and merciful.  The duo also show a great parent child dynamic that warms the heart.

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I like that there really isn’t any “hate” given to anyone praying, it is hinted at, people do not understood, but the focus is not on the outside bystanders- it is what Muhammad thinks and feels.  I’m fairly certain every Muslim who has prayed in public has encountered a wide variety of responses, and this book keeps the gray to reflect and spark conversation.  It is often met with ignorance, with hate, with aggression, but it is also met with respect, apathy, and curiosity which the text and illustrations allow for.

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There is so much love and joy in the book as well as identity, that I don’t mind one bit that my littles ask me to read it over and over.  It is perfect for groups, one-on-one, and I cannot wait to share it in a story time, there is also an incredibly informative and heartfelt Author’s Note at the end.  If you haven’t preordered it yet, the book releases on June 6, 2023, please pre order it and signal the support for this book and future books that center authentic Muslim joy, Black Muslim representation, and OWN voice author and illustrator accuracy.  Request it at your library, put it on hold at your library, check it out, read it.  If you cannot preorder it, still purchase it when you can, inshaAllah it will be a beloved book in your home as well.

Girls Rock: Indonesia by Claudia Bellante illustrated by Josefina Schargorodsky

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Girls Rock: Indonesia by Claudia Bellante illustrated by Josefina Schargorodsky

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This book is part of a series that claims to want to bring the world closer to American children.  It is based on a true story, with noted liberties taken regarding the protagonists, and yet the Author’s Note says she went to Indonesia and was unable to meet with the characters whose lives the book is about.  I am not against non Muslims and non Indonesians per se writing a book about Muslims in Indonesia, nor am I naïve to the fact that music inspires many and radicalism is a real threat, but to conflate ideas without explanation, and not containing that OWN voice authenticity or biography feel, really leaves this book fighting against self made stereotypes and trying to seem woke and relevant while maintaining a very Western American paradigm of what it means to be happy and fulfilled.  The book (and series) may have had good intentions, but it just felt off to me, and with a publisher suggested reading age of 5-8, I think this book assumes too much about the readers prior understanding of hijab, Quran, Indonesia, music, heavy metal, radicalization, small village life, culture, Islam, Quran, imams, and prejudice and fails to assist in connecting the concepts, opting to use them interchangeably and ultimately making the 32 page book rather pointless.  I think if older children read it, it is one of those books that makes one feel like they are cultured and supportive of those breaking stereotypes, but I think Indonesian and Muslim readers will just be confused about why a book is supporting sneaking and lying and why music is ok, but loud metal is not, and why a Muslim teacher could have a band years before, but the current characters are receiving backlash now, amongst so many other things.

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The book starts with basic information about Indonesia: Java, Jakarta, religion, and the motto.  It also includes hijab as something some Muslims wear but does not detail why or what it entails.  It then introduces the reader to three girls that go to school and study Quran, as the pride of their parents and village. The girls feel something is missing and while they are “studying” they in reality are often secretly watch YouTube videos after learning about the heavy metal band Metallica from their teacher.

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The girls want to learn to play, but fear their parents will get mad, why they would get mad is not articulated, so they go to their teacher and whisper their passion for heavy metal “as if they are confessing a sin.” Their teacher, Pima, says she used to play in a metal band, and that they can use the instruments in her garage to learn and practice.

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So while their parents think they are studying, they are playing music.  The book says music is not against their dreams, not against Islam, they choose to wear hijab, they start to write their own lyrics, and their teacher arranges for a producer to come listen to them. The girls worry the imam will get mad and so will their parents. When a local interview airs, the teacher asks negative folks, “who says a girl in a hijab can’t play loud music? Does the Quran forbid following your dreams?”

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Pima regrets letting the naysayers deter her from her music dreams, but earlier said her band broke up when the members moved or got married.  The parents seem fine when a festival in Jakarta is about to happen and presumably they live happily ever after.

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The backmatter then throws in radicalism and Muslim feminist groups, and I’m not sure what the takeaway would be for Muslim or non Muslim children reading this book.  I admittedly haven’t read the other books in the series, but I would be skeptical of their portrayal of cultures and religion after reading this one, it isn’t so much that it is wrong, but it just seems to water the reality down to make it more “palatable” and “acceptable” to American children which results in strong themes of “othering” and dismissal.

I Was Their American Dream: A Graphic Memoir by Malaka Gharib

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I Was Their American Dream: A Graphic Memoir by Malaka Gharib

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I was hesitant to read the book, afraid it would pit the author’s two cultures (Egyptian and Filipino) and faiths (Catholic and Muslim) that her parents identified with against each other.  Raised as the daughter of immigrants from very different backgrounds in California I was very pleasantly surprised that the book leads with heart and positivity for the unique, yet universal feelings she experienced in her life.  The short 156 page red, white, and blue filled pages are funny, poignant, and reflective, that I think high school readers and up will enjoy spending time in Cerritos and Egypt through the eyes of Malaka.  It is easy to say that you can’t be Muslim and Catholic, but she doesn’t opine on the right or wrong of it in large terms, she discusses her life and her own situation.  As a teacher I would see students that would attend Islamic school five days a week and then go to church on Sundays, whether you agree with the choices this author/character makes is not what I intend to review, it is her life, but rather the manner in which it is shared.  There are many kids out there from “conflicting” backgrounds, and to see someone take the love and benefits offered to forge their own path in creating their own American dream, was a nice twist on the immigrant identity finding narrative.

SYNOPSIS:

The book starts with introductions to the characters, her family members that influence her, and then begins the tales of what brought her Filipino mother and Egyptian father to America, how they met, married, started a family, and divorced. Malaka exists outside her family in school, balancing her heritage and coming of age.  Raised during the school year by her mother and extended Filipino family, she spends summers in Egypt where her father resides with his new wife and children.  Coming of age as an immigrant, balancing cultures, religions, school, and dreams, the book concludes with her marrying a white Southerner and adding to the mix.

WHY I LIKE IT:

Even though she identifies more as Filipino American and goes to Catholic school, there is a fair amount of Islam and Egyptian culture included in the book.  I love that she loves her step mom and step siblings and finds beauty in Islam, learns to pray, read Quran, and mentions her love of Prophet Muhammad saw.  Sure as an Islamic school librarian, I wish she chose Islam, lived it and centered it in her life, but this is not a character, this is a real person, and to see her lovingly showing the goodness in Islam and how it has positively influenced her, is nice to see nonetheless.  There are a few storylines I didn’t quite understand, the skateboarding in Egypt a big one, but the quick pace of her narrative life-story flows well and is easily consumable.  Often stories like this are overly dragged down by dated pop cultural references and over criticizing “othering” paradigms, but this book contains enough to keep it grounded without it alienating contemporary readers.

FLAGS:

Stereotypes, lying, relationships, periods, music, dancing, nothing really stands out, there might have been some language, I read it a few days ago and honestly don’t recall anything overly problematic, but content wise it is a mature teenage read with retrospection and marriage being a part of the narrative.

TOOLS FOR LEADING THE DISCUSSION:
I don’t know that I would shelve or teach this book, but I think it is one to file away in my head for people I might encounter looking for a book about blended faiths and cultures benefitting from the many worlds they have one foot in and one foot out of, and those ultimately looking for a place to see their experiences mirrored.

I found my copy of this book at my local public library and it is also available here from Amazon.

Grounded: A Novel by Aisha Saeed, Huda Al-Marashi, Jamilah Thompkins Bigelow and S.K. Ali

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Grounded: A Novel by Aisha Saeed, Huda Al-Marashi, Jamilah Thompkins Bigelow and S.K. Ali

Over the years I’ve read to a lot of kids, with a lot of kids, discussed books in classrooms, and in book clubs, so when reviewing I often share what kids think or what I imagine kids will think, and I usually acknowledge when I’m being overly critical as a reviewer, but this book I will tell you, I did not read through the intended middle grade lens, I read it as a 42 year old seasoned reader.  I know this because I cried during the entire second half, and the book is not sad.  It is fast paced, joyful and adventure filled.  I cried at the ownership of identity, the pureness of friendship, the acceptance of the flaws and strengths of those closest to us, the love of family and that this book is written by four incredible Muslim women authors for Muslim kids to be seen and for non Muslims to see Muslim kids in action in a fantastic, non preachy, authentic, powerful engaging story.  In short I loved it.  I love that the voices are different, but polished and seamless in conveying a fictional story with universal themes through a variety of Muslim characters without talking down or over explaining anything. From the maps to the crossover character Hanna from S.K. Ali books, the poetry from they young lyricist to the representation and discussions of Muslims not being a monolith, and the sprinkling of a Hadith or Quranic ayat here and there (I wish there was more), the book tugged at my heart strings.  For kids third grade and up, some of those themes might resonate, or it might just be a book about a lost cat in an airport and a hodgepodge group of strangers, turning friends, stranded in an airport searching for her while dodging security and exasperated parents.

SYNOPSIS:

The end of the MONA  (Muslims of North America) Conference has lots of families at the fictional Zora Neale Hurston heading home.  Tired parents and restless kids lead Feek’s little sister Ruqi to go missing and Feek to blame.  As he searches for his little sister he meets Hanna, a girl looking for a lost cat, not her lost cat, just one she has heard about from her animal activist group that is missing at the airport.  As they search for Ruqi, Sami gets dragged along even though he’d rather be mentally keeping his anxiety in check as he prepares for the Karate competition he is heading to.  Luckily Nora, Congresswoman Najjar’s daughter, finds Ruqi and the five strangers are brought together.  When all flights are grounded because of weather, the group goes in search of the missing cat, Snickerdoodle, finding leads, security, secret corridors, self confidence, friendship, and skills along the way.

WHY I LIKE IT:

I knew the book would be good with the authors’ names on the cover and their ability to tell a good story, but I was still blown away by how real the characters were fleshed out and their “problems” articulated.  The emotional connection to each character facing their insecurities and supporting one another’s’ vulnerabilities was reflective and insightful. I love the diverse inclusion of showing Muslims that don’t speak Arabic or don’t know if they are Muslim enough, of Black Muslims and Black culture, of being an only children and struggling with siblings, understanding parental expectation and finding your voice to speak up to those you love.  The surface story is paced well and entertaining and sufficient, but the details and the story beneath the surface, really is powerful.

Again with the reviewer lens- I did wish in the middle there was a tiny bit more inclusion of a Bismillah when following a lead or an AstugfirAllah when breaking a rule or a quick prayer when running from authorities, the beginning and end was Islamically rooted, but as an Islamic School Librarian, I must admit I’d like a few more mentions during the “adventure” parts.

FLAGS:

The kids are dishonest, they break rules (possibly laws), they lie, and do some damage, they sneak and kind of talk back to their parents, nothing is normalized or accepted though and they are called to account.  There is a birthday that is celebrated with everyone singing, and possible triggers of talking about a deceased parent. The kids are 12/13 and younger, and brought together by circumstance, but by the end the girls and boys have developed close friendships.

TOOLS FOR LEADING THE DISCUSSION:

Even though the book is meant for middle grades, I think younger middle school readers would enjoy the book and find plenty to discuss as they see themselves and others in the characters, imagine what they would do in such a situation, and get swept up in the ride.

Not Now Noor! by Farhana Islam illustrated by Nabila Adani

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Not Now Noor! by Farhana Islam illustrated by Nabila Adani

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This 32 page book is incredibly adorable and silly, and yet so vague in the answer that is the whole premise of the book, that it really has me wondering why we are so afraid (in children’s books and possibly in our daily lives) to say that we wear hijab because Allah swt commands it?  The book articulates that we are Muslim and that hijab defines us, which I love, it just seems that while the rest of the book is incredibly direct and funny, the answer is fuzzy and lyrical.  It is by no means wrong, it just at the end presents what hijab means, the benefits of wearing it, and one’s personal feelings toward it, while skirting the answer the girl keeps asking of why? It seems to be a common approach lately, and I wish that more picture books about hijab would clearly articulate that the commandment to cover is in the Quran.  It isn’t for any other reasons. It may have perks of keeping your ears warm, fashion, or hiding your earbuds, but that isn’t why Muslim women wear hijab.  Perhaps the trend has me more frustrated than this book on its own warrants, it really is sweet and I don’t regret purchasing it and having it sent from the UK.  It allows for a serious conversation about hijab to occur after, and it intentionally pushes the humor, which I definitely think we need more of in Muslim centered books.

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The book starts with Noor identifying what her Ammu’s hijab is and isn’t, how she wears it and how she doesn’t.  The next page shows Noor’s bustling family and she compares how her Ammu’s hijab is not the same as her Nanu’s or Dadu’s or Aunt’s or even her sister’s, but she doesn’t know why any of them wear it.  Yes, I’m sure there is some pointed criticism I should make about how can a child her age not know, but I think for the sake of it being a book and being comically done, I am willing to let it slide.  I do wish that the spread had the women and their style of wearing a scarf shown.  I appreciate that they are in the dining room at home and thus not wearing a scarf, Nanu is because Dada is in the picture, authenticity which I love seeing, but children need a little more hand holding to see which person the text is talking about. Yes I know there is a family tree on the inside cover, but at story time, it is cumbersome to flip back and forth.

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Back to the story, Noor starts by asking her sister, the coolest hijabi she knows, if she wears it to hide her snacks in, or hide her big ears, but Affa brushes her off with a, “not now, Noor” and she is off to the next family member to ask.  Each time the rationale gets more outrageous: hide the eyes on the back of your head, prevent you from getting nits, etc..  And each time the person she asks sends her on her way with a “not now, Noor.”

When Noor finally gets to her mom it is she who answers with poetic lyricism, “We are Muslim women, my Noor, Unapologetic and true.  We are believers.  We are dreamers.  We are thinkers. We are leaders. We can wear our hijabs on our heads like our hearts on our sleeves.  Whether you choose to or not, my Noor,, we are so many things…and we are more than enough.” On the next page it continues, “My hijab is not just a scarf.  It means more to me.  It is a reminder of who I am, where I’m from, and where I’m going to be.  And perhaps one day you’ll understand what I mean.  Because, most of all without my hijab, my Noor, I don’t feel like me.”

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A flowery sentiment, but little Noor and the reader never got the answer as to why Muslim women wear hijab, and I think that it is unfortunate.  The book is beautifully illustrated, the size is great to be shared, the text funny, the voice playful, the joy contagious but the answer for me, just missed the mark, not by a lot, but by enough that I think an adult would need to supplement the overall takeaway message.

Hunger Alert by Shazia Afzal illustrated by Sania Hussain

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Hunger Alert by Shazia Afzal illustrated by Sania Hussain

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On my first read through, this book came across as a bit text heavy and the presentation didn’t quite fit with the content for the target audience, but when my seven year old read it, then reread it, and my 12 year old picked up and read it and both said, “it’s good,” I realized, the target audience is not little kids, nor is it adults, it is kids who have fasted and have felt the pangs of hunger.  The character is getting through his first day, but the relatability is for kids everywhere fasting for the first time the hundredth time and everywhere in between.  It is Islam centered, I appreciate the healthy food temptations and the unwavering that fasting needs to be done, but as an adult and an educator, so often I wanted to interject Islamic touchstone to getting through the day asking Allah for help, talking your self up and increasing your determination by knowing the Angels are recording your struggles and you will be rewarded in the akhira, and while Quran is read, and a surah loved, and Islamic phrases included, the focus of the book is a little boy in a very idyllic family trying to keep hungry thoughts away. The small 8 x 8 soft back book with 22 thick cardboard pages would be a bit hard to share at story time, but the simple concept story is fine in smaller groups and at bed time.

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The books starts with Ahmed fasting for the first time in Ramadan, he has a list of things he needs to complete his fast: 1-Keep busy, 2- Don’t think about food, and 3-Stay away from the kitchen.  I found when reading it to my younger kids I would pause here to discuss why we fast, and that we are doing it for the sake of Allah, so we need Him to be successful, not distractions.

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Ahmed starts with reading his favorite book about a charitable boy, the illustrations though had baskets full of shiny, big, read apples.  “Grr, Hunger Alert!” He runs to his brother’s room to keep busy with a soccer video game, but the prize on the screen are big, yellow bananas. “Grr, Hunger Alert!” This continues throughout the day, including while reading Surah Rahman, and the pomegranates trigger yet another Hunger Alert. When Grandpa asks him to take strawberries to his mom and his mom is in the kitchen, each of his rules will have to be broken.

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With iftaar approaching and fruit chaat waiting, Ahmed will have to persevere to complete his fast.  There is a glossary at the back and the book you can search online to find where the book is available near you http://www.compassbooks.ca

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The Adventures of Adam and Anisah: The Golden Trail by Zahra Patel illustrated by Reyhana Ismail

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The Adventures of Adam and Anisah: The Golden Trail by Zahra Patel illustrated by Reyhana Ismail

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This third book in the Adam and Zahra series, also available with a workbook, focuses on zakat and can be read alone.  Aimed at toddlers to early preschoolers, this rhyming story can also work at story time with slightly older kids as a reminder of zakat and giving to those in needs.  The book has very minimal text and as a result if you overthink it, it could be slightly problematic: there is magic, they are taking and giving something that doesn’t belong to them, Zakat is a portion of your wealth not sharing something you found-even if a note says otherwise.  I think the book is sweet though, and the discussions to have with little ones outweigh the adult concerns I’ve mentioned. It touches on giving to others, on people in need, of people in need living very close to you, that everything being a gift from Allah (swt), it shows siblings working together, sharing, generosity, a lemonade stand for Yemen, giving of food and money, and befriending others.  I think if you liked the other books in the series regarding a “magic” pray rug and a fasting shield, both mentioned in this, you will like the presentation of sharing and the term zakat presented in a similar fantasy laced manner; if those books felt uncomfortable for you and your family, this one probably will as well.

Adam and Anisa start the story in Ramadan, a week before Eid, digging in the sand at the beach.  Adam finds a treasure box and a message in a bottle.  The treasure box is locked and the message says that “My name is Zakat and I’m for someone in need…”  Once the kids get the box home and the lock off, a beam of light shines a path for them to follow.

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They follow the light out the door and through the field, and past the mosque and their friends, along the way they purchase a pie from the bakery for when they break their fast and keep following the light to the field as the sun starts to set.  They find a house in the forest with a mom, a baby, and a little boy, to whom they give the money and the pie. They learn that they had moved to this country and were all alone, but Allah swt provided for them, and He is never far. They all break their fast together and learn that “Whenever you give, Allah will give you more.”

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The backmatter of the book contains Context to the Story, Developing Character Strengths, Learning through Practice and a map of their adventure.  I purchased my copy from Crescent Moon Store here and if you use my initials (Islamic School Librarian) ISL at checkout you will save 10%.

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The Adventures of Amina Al-Sirafi by Shannon Chakraborty

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The Adventures of Amina Al-Sirafi by Shannon Chakraborty

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It has been a long time since I have stopped reading a book because I simply do not want it to end.  Clearly I have no self control, so a day later I picked it back up and finished the 496 pages, but oh what a treat to be swept away aboard a magnificent tale with rich history, Muslim characters, Islamic references, developed fantasy world building, complex side characters, excitement, plot, adventure, and everything else you would expect from the author of the Daevabad series.  The book is an adult read, and I really can’t suggest it to YA readers, the protagonist is a middle aged mom with a foul mouth and a bad knee, there is cursing, and killing,  hetero, gay and demon love interests among the main characters, a transgendered character, sex mentioned, drinking, and magic, it is all part of the story, but it isn’t so in your face that older mature Muslim readers will be uncomfortable.  So why am I reviewing it here, I honestly don’t know.  Clearly it is not to be shelved in the Islamic School Library, but there is so much authentic Islamic centering on every single page, that I want to give it space to remind/encourage us all that we don’t have to hide or water down our faith in mainstream books- not if the writing, story, and characters are so incredible.  I really thought a historically set pirate fantasy would be hard to read, that the vocabulary and references would leave me lost and confused, but it is written so beautifully that the pages fly by and you forget you are reading; it is as if you are watching the story unfold in front of you.  Please consider preordering this book so that publishers know support exists for authentic OWN voice Muslim character led books, I have an e-version, but have also preordered a physical hard back copy here.

SYNOPSIS:

It has been a decade since the infamous nakhuda Amina al Sirafi has taken to the Indian Ocean to plunder and sail. The stories of her have grown and traveled in her retirement, but life is now more about protecting her daughter and fixing her leaking roof.  When her previous life finds her and threatens her, however, she must return to her Marawati, call on her old friends, and put together a crew.  Told through a storyteller, with banter between Jamal and Amina, the fourth wall is broken and the reader knows that the hero will survive, yet the adventures of outsmarting Aden’s defenses, peris, demons, Franks, pirates, and marids to prevent the Moon of Saba from being manipulated is a fast paced chaotic adventure that pulls you in from the first page.  The fairly linear story from one point of view (mostly), connects the haunting past to the trials at hand, as the crew and characters are understood through their captain.  I don’t want to give anything away, but the side characters are nuanced and developed in a way that you feel just as close to them as Amina does, and as she becomes frantic to save them, the reader too is invested in their choices and actions.  Pirate adventure, saving the day, a mom as a hero and a missing demon husband refound, yeah, don’t read summaries of this book, just read the book.

WHY I LIKE IT:

I was surprised at the religious redemption arcs and details that were included on truly every page, from the meaning of the translation of Ayat ul Kursi, to acknowledging past sins and striving to not repeat them, Amina al Sirafi practices her Islam in her five daily prayers, regular supplications, regular repentance, and view of the world and her place in it.  She isn’t preachy, and much of what she faces tempts her to drink wine and fornicate again, but her struggles are really refreshing to see.  It isn’t that she is Muslim and that is the framing for the al-ghayb elements alone, it is so part of her and thus of the book, that you can’t help but feel seen.

The gay character’s lover is mentioned, neither are Muslim, but it is only a few lines in the entire book.  The transgendered character starts off uncomfortable with being forced to marry and hints that she doesn’t feel feminine, Amina pieces together what she is saying and then at the end it shows that she is now identifying and carrying herself as a man.  It isn’t a big part of the text, it has a strong effect on the story and it does touch on God’s view of such things, as the character is Muslim.  The demon love interest SLIGHT SPOILER is Amina’s husband that she thought she had killed, she has had a lot of husbands, but when he turns up alive, she realizes technically they are still married.  He asks her quite often to have sex.  It is usually is just that blunt with no romance or longing, and when they do partake in the act, it isn’t overly graphic, it is “closed door.”  There is killing and murder and deceit and lying and drinking, all things assumed would be in a pirate story.  None of it is overly glorified, but it is normalized.

I really just love the characters and the fast paced action, the book leaves off implying there will be more tales to come and I hope there are.  (I keep writing what I love about the book and deleting it, because you know….spoilers, ahh).

FLAGS:

As previously mentioned: cursing, sex, hetero and gay relationships, magic, fantasy, killing, murder, lying, drinking, drugs, jinn, peris, marids, fantasy, occult, demons, death, loss.

TOOLS FOR LEADING THE DISCUSSION:

I would never do this for a school book club, but would do it in a heartbeat for an adult book club!

 

 

Hamra and the Jungle of Memories by Hanna Alkaf

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Hamra and the Jungle of Memories by Hanna Alkaf

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This 400 page middle grade retelling of Little Red Riding Hood bursts with Malaysian culture, magic, action, and adventure.  The main character and her family are Muslim and hijab, duas, zikr, halal, Qur’an and salat are included throughout.  The mix of legends and characters from Malaysian culture in building the fae world is not contrasted with religious faith, but assumed to both coexist without issue.  The book is clean for ages nine and up and the only concepts worth noting are some intense life and death situations, close male and female friendships, dementia, and the element of fantasy.  The book is set during the Covid-19 pandemic which will ultimately date the book as it doesn’t convey the tone for readers unfamiliar with the curfews, social distancing, controversies, and masking.  Those who have just lived through it, will not need the framing, but in a few years I do fear that the book will be lacking in fully understanding why the tourists, parents, and markets are so absent.  As with all of the author’s books there are also dated pop culture references, that slow the narrative down for today’s readers.  The book grabs you from the start and the second half flies by smoothly, but the middle quarter is a bit slow as the world building is not robust, and the reader is thrust into a magical world that is just accepted without pause, and the reader is asked to accept it at face value as well.

SYNOPSIS:

It is Hamra’s birthday, but the independent 13 year old is not being celebrated- everyone has forgotten: her mother is a front line worker, her father helping those with limited resources, and her aging grandfather and her are left to care for her memory slipping grandmother.  When Hamra, Little Red, storms off to the jungle to collect some herbs, in an act of spite, she defies the rules drilled in to her 1- Always ask permission before you enter.  2- Don’t challenge what you can’t even see. 3- Never use your true name. 4-Never take what isn’t yours. 5-If you hear someone calling your name, never, ever look behind you. She also doesn’t listen to the regular reminders to tie her shoes.  Simple rules, that when broken set the story in to motion.  Along with her best friend Ilyas, the two will strike a deal with a weretiger for their transgressions that takes them on a journey to try and save Opah, themselves, and prove their quest a success.  The characters they meet, the clues they unravel, the legends they understand, and the scenic islands they explore are as lush as the love Hamra has for her family and the drive she has to return home safely.

WHY I LIKE IT:

I love the way Islam is truly part of the characters, and a natural extension of how they see the world and act within it.  I wish there was stronger world building blending the world of the known and the fantasy for the reader.  The writing of the Malaysian setting is beautifully unapologetic and I love that there is not a glossary or overly explained descriptions, it is immersive and I appreciate that, but the framing of the two worlds I felt was a bit disjointed and needed some fleshing out.  At times it feels more telling than showing in detailing the depths of the legends or the superstitions that are true for the story.  I did enjoy the characters’ quirks and stubbornness, there is not a lot of arc and growth, but with the intensity of the adventure and culture, I didn’t feel it lacking in development.  For much of the book I didn’t quite appreciate the Covid-19 framing, but by the end I understood that it was a way to have the tourist spots void of people, the parent’s out of the way; a little more development though would have had the uncertainty of so much more fully realized.

FLAGS:

Fear, trickery, danger, loss, death, music, musical references, dammit is said.  There is some violence, close male and female friendships, and a possible trigger of dementia in a loved one.  There is myth, legend, magic, fairies, fae, and fantasy, if you are ok with the concepts in general the presentation is clean even with mixing religion and these concepts.  If you are uncomfortable of fantasy and Islam coexisting, this book draws the two worlds very close.

TOOLS FOR LEADING THE DISCUSSION:

I have taught two of her books in middle school book club discussions, and I would teach this one as well.  It is enjoyable to see Malaysian Muslim characters so confident in their identity and having adventures that are enhanced by their faith and culture while focusing on larger themes of friendship, family, forgiveness, and adventure.

The book comes out in March of 2023, I’ve preorderd mine HERE and I hope you will as well.

We’re in this Together (Young Reader’s Edition of We Are Not Here to be Bystanders) by Linda Sarsour

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We’re in this Together (Young Reader’s Edition of We Are Not Here to be Bystanders) by Linda Sarsour

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I don’t have strong feelings one way or another about Linda Sarsour, so I read the book primarily to see what the messaging would be from a well-known Muslim activist to a mainstream audience, and I must say I was pleasantly surprised.  This YA adaptation of her adult book weaves together personal experiences with larger pushes for justice reform. It is not all memoir, there are historical blurbs, educational backstories, and centering of Palestinian occupation and Islamic tenants.  I feared that the book would be entirely self-promoting and it wasn’t, it shows her as a person, and her struggles, but the spotlight is bigger than her, as she talks about the efforts and accomplishments of others in promoting police reform, social change, elevating women’s voices, and working with Black Lives Matter.  The 229 page book is sourced and reads easily.  I think ages 13 and up will benefit from seeing the intersectionality of many current social struggles sprinkled in with historical landmarks that they have learned about in school, told through the lens of a personal, relatable Muslim, Palestinian, American voice.

SYNOPSIS:

The book starts with the Women’s March as the culmination of her status and then takes the reader back to show the pivotal moments that got her to that stage: the immigration of her parents to America, her childhood, her family’s bodega, trips to Palestine and finding her voice.  The book shows her in various stages of her life while showing what is currently happening regarding police brutality, national politics, and relatable historical movements.  It shares close relationships she has had professionally, as well as mentions her getting married, becoming a mother, and the loss of a close family member and mentor.

WHY I LIKE IT:

I was happy to see how much Islam and culture shaped her activism and identity, as both are generously sprinkled in, and are unapologetically presented.  The book is a memoir and many characters are introduced and shown to enhance her understanding or presenting her with opportunities,  yet I don’t feel I really got to “know” her or any of them.  The book is centered more on events and how she lent her voice in this arena or that.  I still don’t know that I have much of an opinion on her personally or on her work, or even felt motivated to take action because of her enthusiasm, but the book was an easy read, it was informative and reflective.

FLAGS:

Racism, oppression, murder, police brutality, car accidents, hate crimes, death, assault, systemic racism, slurs, misogyny, occupation, hate.

TOOLS FOR LEADING THE DISCUSSION:

I probably wouldn’t read this book in a book club setting, but I think it would be a good addition to a school or library shelf.  I think you could require it in a history or civics or current events class and readers would find it compelling and relatable and be able to add their own life experiences to any discussions that would follow. It shows that the struggle in history books for justice and equality is not over, it is still ongoing and still very very real with horrific consequences.