Tag Archives: Loss

Apr28

The Kingdom Over the Sea by Zohra Nabi

Posted on April 28, 2023 by islamicschoollibrarian

This 336 page middle grade fantasy book had a lot of promise for me, but ultimately fell a little flat. The protagonist was likeable, there was emotion, the story was compelling, and I know it is widely said that debut novels tend to be a little weak or be underdeveloped or having pacing problems, yet I hesitate these days to use this as an excuse. I’ve been around the industry a few years and it seems many author’s debut novel, is not, in fact, the first book they’ve written or even the first book they’ve “sold.” Books are written and finalized years before they are released for some genres particularly of late, so I’m trying not to let myself get caught up in the author’s writing journey (I’m sure I’m all sorts of wrong about what I think it would be anyway), and just review the book in front of me. This book has no religion, and I don’t know if the author identifies as Muslim. There are a hodgepodge of Arab and Desi cultural references in the characters’ names, and in the sprinkling in of salwar qamis, abaya, head scarf, sambusak, and there is a ma’a salama at one point along with the presence of jinn (not religiously referenced). There is also mention of medicinal wine, magic, a lady who has a crush on another lady in her youth, music, and dancing. The book held my interest as I wanted to see how it unraveled, and I recognize that there is a book two, so some of my thoughts might be premature, but I struggled with the premise of the protagonist trying to understand the journey her deceased mother has sent her on, and how the person she was supposed to find for the answers simply won’t talk, even though the two are living together. It made the story really drag in places and seem underdeveloped. The world building, the backstories, the adventure at hand, really is imaginative, but the development of the relationships in the story are absolutely non existent, and the book overall suffers because of it. Also the ease in which rising action is resolved is often the kids just throwing an idea out and it being right. I read and review through a critical lens and many recent middle grade fantasy books have been absolutely incredible, perhaps it isn’t fair to compare, but this book just came up short for me in developing memorable characters and plot, even though all the elements were present, capitalizing on bringing it all together stayed just out of reach unfortunately.

SYNOPSIS:

Yara’s mother has died and when she finds a letter with instructions of what to do and where to go should this moment arrive, she decides to dodge her social worker and journey to a world of magic across the sea. Unsure of her own background, she thinks she might be Iraqi, but doesn’t speak Arabic, she longs to find a place to belong, and when she arrives in Zehaira and hears the language of her mother, she is hopeful that this Leyla Khatoun, who lives in the third to last house on Istehar Way, will provide her with answers. But alas Leyla is not there, the Sultan’s alchemists are, and Yara is now on the run in a foreign land. Help finds her and with a little magic she finds Leyla. Leyla begrudgingly takes her in, but refuses her any insight into her past, her relationship with her mother, or why the letter directed Yara to her. As the alchemists poison the sorcerers, Leyla and some other kids (friends?) have to find a way to save the settlement and magic in the land.

WHY I LIKE IT:

Yara as a character is likeable, she is plucky, resourceful, determined, and despite her circumstance does not want or need pity or handouts. She advocates for animals, the poor, is a grassroots organizer, and unapologetic in how she carries herself. I love that she isn’t whiney or helpless, and that she trusts herself to problem solve and isn’t afraid to think outside the box, while maintaining her kindness and appreciation for those around her.

As someone who doesn’t like Alice in Wonderland type stories, this book grounded the world building in an easily consumable way, so even though it is Yara leaving the UK and stepping into a new world, the functioning of the new world didn’t feel random or surprising. While this was beneficial for someone like me, it made the focus of the story more on the characters’ relationships in enhancing the plot, and the book wasn’t strong in showing those connections. Yara meets a map maker for a moment and a cat, and months later recalls the cat and the map maker by name and face. A boy, Rafi, who is also studying magic and Yara don’t get along, yet are friends because it says so, the book doesn’t show us their bond. Rafi meets some great uncle and the great uncle is painfully underdeveloped (along with his “friend”) and the tangent weak in reinforcing the major climax. The relationship between Yara and Leyla is the center of the story and so glossed over, there is no tangible connection, or cathartic release when details emerge, it was very disappointing to say the least. Yara and Ajal, the jinn, what is that relationship even, she frees him à la Aladdin freeing the Genie, but they are friends, not friends, he looks out for her, but doesn’t like her, the telling and the showing don’t align. Even Yara’s relationship with the settlement and the inhabitants is disconnected from the plot of saving magic. The climax is weak because we, the reader, don’t feel any connection to any magical folk. The emotion of the mother dying at the beginning and the slight retrospection (I’m not going to spoil it) of the mother’s love at the end, was developed and made me invested in Yara, that same energy did not present itself, sadly, in any other relationships in the book.

FLAGS:

Death, loss, poison, imprisonment, magic, mention of medicinal wine, one line mention of a female character liking another female character as more than a friend, dancing, singing, jinn, torture, male and female friendships, destruction, lying, sneaking.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use this as a book club selection and wouldn’t go out of my way to shelve it in the school library or classroom library. I will probably read the second book though and see where the series goes and reevaluate. I will also probably read future works from the author as the sparks of good story telling and writing definitely show promise for the author even though this particularly book wasn’t “magical” for me.

Feb13

Amir’s Blue Jacket by Sarah Musa illustrated by Rania Hasan

Posted on February 13, 2023 by islamicschoollibrarian

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Amir’s Blue Jacket by Sarah Musa illustrated by Rania Hasan

This heartfelt elementary picture book does a remarkable job of drawing the reader in to the emotions of the main character, his relationship with his grandfather, and imparting a moral message without being preachy. The illustrations are lovely on their own, but the way the muted tones convey the memories and illustrate the text really ties the book together. Whether it is for a larger story time or a one-on-one bedtime read, the book will offer discussion, comfort, guidance, and a little surprise at the end for Muslim and non Muslims alike. The slightly allegorical book does conclude with a widely known hadith (it is attributed to Prophet Muhammad saw, but is not further cited/sourced) and the family is clearly Muslim with their names mentions of Eid and God, and a hijab clad woman, but the book is universal and a lovely addition to any book shelf.

The book starts with Amir finding his Grandpa’s old blue jacket and recalling wrapping himself in it the day after his beloved Grandpa died. With it smelling like mothballs, he tosses it in the washing machine, but unfortunately when it comes out it has clearly shrunk. Amir is in denial, he says it fits fine and he has no desire for a new one. It is Grandpa’s jacket, and Amir is going to wear it, no matter how tight it is. Amir storms off to sit under the apple tree and recalls picking apples and making applesauce the year before for the whole neighborhood. Grandma shares that she used to keep grandpa’s cane but when someone needed it, she let it go.

Grandma stirs another memory in Amir when she pulls the tray of ka’k out of the oven, of him trying to sneak a whole plate for himself only to have his hiding spot taken over by ants. When he is asked this time to share a plate, every step to the neighbors house reminds him even more of making the trip with his grandfather. Slowly he starts to realize that his memories are with him, not in his grandfather’s things, and Amir makes a decision that would make his grandfather proud, and (inshaAllah) give him more good deeds, even though he is gone.

The idea of sadaqah jariyah is understood through the story, and present in the hadith at the back, but it is never mentioned outright. Just as God is used, not the term Allah (swt). As Amir feels denial, frustration, and eventually peace, nothing is really told, it is shown, which really opens the book up to be a tremendous tool in sharing it with children and asking them to discuss what they understand, what they feel, and what they took away from Amir and his Grandpa’s blue jacket story.

The book is available through the publisher Ruqaya’s Bookshelf as well as HERE at Crescent Moon Bookstore where code ISL will save you 10%.

Jan30

A Bit of Earth by Karuna Riazi

Posted on January 30, 2023 by islamicschoollibrarian

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This Secret Garden retelling mixes the heart of the original with a dash of modernity, the flavor of desi culture, and the lyricism of a good writer. Over 368 pages the slow plot but rich imagery will draw readers in, hold their attention, and leave them thinking about the characters they have been fortunate to spend time with on Long Island. Islam is practiced and normalized and naturally woven into the Muslim characters’ daily lives without othering or over explaining. I did struggle a bit trying to keep the relationships of who was supposed to be caring for the protagonist at various points since her parent’s died clear, but once I abandoned stressing about it I was able to be swept away. I recently reread The Secret Garden with my own children and the original is not plot heavy, nor action packed, but I watched as my own children were drawn to the slower, more grounded (pun intended) nuanced tale, and I think this book, in the same vein, will find its way in to the hearts of middle grade readers. The book is clean, there is a possible crush hinted very slightly at the end, periods are also endured, and I do have reservations of the terrible marital relationship between Mr. and Mrs. Clayborne, but it establishes that change will occur, so at least it isn’t normalized. There are sprinkles of magic implied regarding the house, but it is always framed without clarity and in a subtle way to set the tone and the emotions the characters are feeling more than centralizing something rooted (see I did it again) in fantasy.

SYNOPSIS:

The book updates and mirrors the original fairly well with an obstinate orphan arriving at a sprawling house, finding a prickly boy, and setting off to form a tentative toleration of one another with friendly neighbor kids in a garden that is unquestionably off limits.

Maria Latif arrives from Pakistan against her will to be taken in by a distant relative (I’m not sure how she is related), but Asra has been called away and she is forced to stay with Lyndsay, the new wife of Mr. Clayborne. The first wife was a friend of Maria’s family, but Lyndsay is just as emotionally overwhelmed and lost as the child in her charge. With Mr. Clayborne away on businesses, his mother Charlotte keeps them all on edge. When Colin Clayborne is expelled and returns home, more tension erupts and the two children find themselves in an off limits garden trying to make the most of a difficult situation.

WHY I LIKE IT:

I love the mix of poetry and standard novel format. It is beautifully written and clearly the author does a remarkable job of making her very unlikeable characters worm their way in to the reader’s heart. Both Maria and Colin are thorny and difficult, stubborn and rude, but you seriously cheer for them, and I did shed a few tears at the end. With the author’s writing ability apparent, I’m still not sure why the foundation of the relationships and getting Maria to the Clayborne home is so cumbersome. It is too muddled and it drags the book down every time it is revisited. The Dadi having the aunt’s phone number was too easy, the inconsistency of the neighbors having no relationship to the Clayborne’s for so long and Lyndsay not even pausing to think another Bangladeshi family living a few houses down might be my husband’s first wife’s friends, seems inconsistent. Honestly Lyndsey in general needed to read like a competent woman struggling, not a teenager in over her head. I disliked her and Mr. Clayborne’s relationship and I would hate to think any reader would find it ok or normal.

I love the Islam and how it presents when the character has to pray, she goes and prays, it is part of the story and it is seamless. I don’t think the culture is handled quite as well. Lyndsay is a foot writer who is always cooking, yet knows nothing of desi foods? If Colin’s mom is desi, wouldn’t she at some point tried to cook familiar foods for him. Half the neighborhood is Bangledeshi, so it seems everyone has a parent or step parent or distant relative that is desi and I loved the normalizing, but it seemed a bit assuming. I don’t think kids will wish it was more clear, but as an adult reading it, I felt like it needed to be interjected more without explanation, or if left as is, adding some context. I also wanted to know what Maria’s parents did and a little introspection from Maria. Again as an adult I see how her anger and grief changes how she remembers them, but from them always being away, to such soft poignant memories at the end, I think kids will need a little hand holding to understand the grief process and her understanding of them. As it is, they just seem terrible and then all of the sudden great, and the pacing gets thrown off in the process.

FLAGS:

It seems to hint at the end that Maria might have a bit of a crush on Colin, I honestly thought up until a single line that they were making a chosen family with the people who cared for them, but that line seemed to suggest it might be more of a romantic feeling than friend or brotherly. I read an early copy, so this is subject to change.

Maria gets her period and it is detailed what she is feeling. I think boys and girls can and should read it. It is presented on age and appropriately: cramps, achy, dry about blood leakage, having it start young like her mother, etc..

Implied magic (possibly), music and musical instruments being played, milaad, lying, sneaking, being kicked out of school for physical assault, close male and female friendships, ADHD stigma.

TOOLS FOR LEADING THE DISCUSSION

I think this book would work in a classroom and would appeal to readers in an Islamic or public library. I would consider it for a middle school book club, I think readers will connect and feel empathy for Maria, Colin, and Lyndsay and be better for it.

I preordered my copy HERE and I hope you will do the same

Jan20

The Next New Syrian Girl by Ream Shukairy

Posted on January 20, 2023 by islamicschoollibrarian

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The Next New Syrian Girl by Ream Shukairy

This culture rich, American set, upcoming 416 page YA book proudly shows the characters’ Islam as it shares a story of pain, privilege, guilt, adversity, hope, and family dynamics. The book is an easy read that is hard to put down, and is remarkably clean for the threads of romance, war, and mental health that permeate the pages (note that here are triggers of loss, separation, death, suicide, drowning, trauma, hate, and bullying). There, however, are also some plot holes, contradictions, and weak threads that I feel obligated to note, but ultimately don’t make the book a bad read. I think 16 year old readers, both Syrian and not, as well as Muslim and non Muslims will benefit from the characters sharing their lives and peeling back surface layers to show an intimate account of expectation and obligation for Syrian American girls in today’s world with the backdrop of war in Syria. The book’s first few pages are powerful in their Islamic centering and unapologetic normalizing of salat and hijab and identity. The Islam in the forefront fades as the story progresses and I don’t think I can sign off on the relationship between two characters as being “halal,” but starting the story with fears of praying on the side of the road as a mom’s concern is next level. Most book parents are trying to get their kids to pray, in this family- prayers are happening five times a day and on time, so the worry is knowing where you are when Maghrib time hits, because it obviously won’t be missed or delayed, alhumdulillah.

SYNOPSIS:

Khadija’s mom is queen bee in the tight knit Syrian community in Detroit and Khadija does not fit the mold of what the queen’s daughter should be. It isn’t that Khadija is a rebel, she loves her mother, her faith, her roots, and well, boxing. Khadija is wealthy, and privileged and so much of what is expected is for appearance sake only. Khadija knows this, and takes boxing lessons for free in exchange for helping keep the gym clean as to establish this as her own thing, no strings attached. When Khadija’s mom takes in a Syrian refugee and her daughter, Leene, Khadija has to figure out if she is threatened, jealous, or impressed by the new arrivals and what that means about her own family.

Leene shares the narrative with Khadija and shares her transition to life in America and in the Shaami home along with her past. The loses she has faced, the obstacles overcome, and the secrets she keeps in order to face each new day show glimpses into the destruction of the Syrian war on a way of life and the beauty lost.

The two girls are at odds with each other for much of the book, but as their stories start to intertwine, they find themselves with similarities and strengths that show they are a benefit to each other, despite their stubbornness and fiercely independent personalities. In a race to reclaim what was once lost, the girls start to trust each other, and when family is further threatened the two girls allow themselves to be vulnerable and work together to save what matters.

Clearly I am trying not to spoil the book, nor takeaway from the climax, but I think most that start the book, will find themselves glued to the pages and will understand why I am choosing not to disclose too much.

WHY I LIKE IT:

The first chapter completely blew me away, I loved the idea of such a strong hijabi girl boxing and being so unapologetic about her Islam and culture. I must admit I cried at the end as well. It was tied up very neatly, arguably too perfectly, but there were tears none-the-less and no matter what I critique about the book, I was moved by it. The writing is engaging, and entertaining, no doubt, but alas, I have some questions, lots of questions in fact: How did the mom’s meet? One is super posh and high class, the other refugee with very little, how did their paths cross? How did Leene convince her mom to let her travel even if the ‘why’ was kept hidden? After everything they have been through wouldn’t being left to travel to the Middle East be a huge obstacle that needed to be overcome, it reads inconsistent and unbelievable. How hard was it for the “girls” to leave the “boys,” I would imagine it was devastating, yet it didn’t even get a mention.

What changed so much about the family dynamic when they stopped going to Syria, the author shows the joy of Syria and being together for the family, but I think if you are not Syrian and do not know Syrians well, some of this thread, is going to fall short. I talked to @muslimmommyblog and could see the reflection of the characters for her, but if I didn’t have her shared experience to flesh out the characters, I don’t know that I would have understood the weight of the guilt, the helplessness, and the frustration. Similarly, only through talking to Shifa did I understand the pressures of being an American Syrian girl, if I’m being honest, Khadija the majority of the time, just reads whiney. Other family dynamic questions involve the dad and brother. Was the dad always so absent? It must not have happened overnight, right? And exactly how old is Zain? He reads like he is 12, but he is in high school? Additionally, high school graduation is very important for both girls for very different reasons, but their is no talk of college or career plans, which was noticeably missing from the book.

Then there is the angsty storyline of Younes. The perfectly selfless guy who doesn’t center his Islam as much, but does want to have a prolonged engagement. What does that even mean, and how will that be ok Islamically, with them already laying on the 90s Bollywood style glances and loving confession? Also why does Khadija frame morality through an Islamic lens for most things, but for the relationship resorts to worrying about what her mother will be ok with? And was the family ok with Younes? How is he at the BBQ? Speaking of places he shouldn’t be, how was he at the party Nassima isn’t Arab enough for, when she at least speaks Arabic and he does not?

I think it best to just enjoy the story for what it is, not look too deep, not ask questions, and just enjoy the rep, the story, the characters, and the emotions released with the climax and conclusion.

FLAGS:

Romance, crushes, road rage, bullying, Islaophobia, mental health, death, killing, war, destruction, suicide, drowning, abandonment, separation, loss, grief, rebellion, angst, lying.

TOOLS FOR LEADING THE DISCUSSION:

This would not work for a middle school book club, and I really should say that this wouldn’t work for a high school book club either, but I know many older high school girls that would absolutely love this book and I think it might be possible to convince them that the relationship is more than the text shared, and was approved by the families and made halal. Considering so many holes exist, it might be possible to control the narrative in a book club setting on the permissibility of the relationship. It would definitely depend on the girls reading the book and I would strongly suggest that whether you read this book in a group or hand it to a teen, that you make it clear what a halal relationship looks like and that this is a work of fiction.

The book releases in March 2023 and as always to show support for OWN voice Muslim character filled stories please consider pre-ordering the book: you can do so here on Amazon. And once the book releases please purchase, checkout from your library, and encourage your schools to shelve titles to encourage similar books to be published and made available, thank you.

Dec30

Hamza Attends a Janaza by Shabana Hussain illustrated by Atefeh Mohammadzadeh

Posted on December 30, 2022 by islamicschoollibrarian

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Hamza Attends a Janaza by Shabana Hussain illustrated by Atefeh Mohammadzadeh

For years it has been noted how few children’s Islamic books about grief and loss are available, and while numerous titles have come out in the last few years, it wasn’t until I saw this new book, did I realize how desperately we were in need of a book on janaza. I love that the author establishes on the first page that this book is not focused on grief, but rather about death, the burial, and preparing to meet Allah (saw) in the hereafter with our deeds. The beauty is that while the topic is critical and needed, the story is also well done. It may not focus on emotion, but it has a lot of heart and tenderness, thus making it a wonderful addition to all book shelves for children preschool and up as a brief introduction to how Islam views death, the rituals of burial, and the worship that surrounds it. Packaged with clear text, robust backmatter and absolutely adorable illustrations, I am very happily impressed with this book.

The book starts with Hamza telling about his favorite day of the week, Saturday, the day he spends with his Nano-ji and cousins, but one day all that changes when his mom gets a phone call about the loss of a community Uncle. Mom says, inna lillahi wa inna illahi rajioon quietly in to the phone and Hamza knows something is wrong, but doesn’t quite understand why the passing of Uncle Sameer, the owner of the local sweet shop, means he has to attend a janaza instead of going to his grandfather’s house.

Hamza’s parents explain the reward of going, and remind him that we all have to leave this world one day. They recall Uncle Sameer helping bandage his knee when he got hurt and gave him a lollipop. Once in the car, Hamza wants to know what is going to happen. His parents explain the ghusl and the body being wrapped in the kafan and the body being put in the ground.

When they get to the masjid there are a lot of aunties on the women’s side, including Auntie Salma who everyone is hugging and reassuring. After dhuhr the janaza begins, but it is a standing up namaz, and is very short, and Hamza is confused. Later outside the long box is loaded into the car, duas are made, and the body taken to the cemetery.

At the graveside, more duas are made, and Hamza worries that Uncle will be lonely. When his father explains that his good deeds will keep him company, Hamza remembers the kindness Uncle Sameer has shown him and makes duas.

The backmatter contains hadith about what still benefits those that have died, reward for attending a janaza, a glossary, discussion points, suggested activities, and duas. The book is a great starting point to introducing death, rituals, and answering questions any child might have in a gentle manner.

I bought the book from Crescent Moon Store

Dec2

The Love Match by Priyanka Taslim

Posted on December 2, 2022 by islamicschoollibrarian

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This new YA book features Muslim characters, but is not a religious conscious read that fits in the halal category. There is a lot of Islam: waking up for fajr, celebrating Eid, a hijabi, mention of jummah, but the OWN voice rom com sets boundaries based on Bangladeshi culture and American perspectives. The book does not other, or have internalized Islamophobia, or fall in to tropes of oppression and rebelling- quite the contrary- it normalizes everything: LGBTQ+ relationships, dating, music, etc. The book is well written from a literary perspective: easy read, fleshed out characters, resolved plot lines, I wish there would have been more slow burn and heightened emotion, and cathartic release, but it happily held my attention for 388 pages, so I can’t really complain about plot holes or development. The problem I have as an Islamic School Librarian is the non issue dating and romance is for the characters with their parents knowledge, both lesbian and heterosexual. The book doesn’t get graphic, in fact there is only a handful of kisses, but there is a lot of hand holding and pdas in front of parents and even a sleepover with a lesbian couple in a Muslim family’s home, again, nothing “racy” occurs, but the normalization is worth noting for those thinking a Salaam Reads book is going to be a more Islamically centered publication.

SYNOPSIS:

Zahra Khan has graduated high school, and while she’d love to be heading to Columbia to study writing with her best friends, she is stuck deferring her admission and scholarships, and hiding her dream to be an author. Two years earlier her father has passed away and Zahra works in a tea shop to help keep a roof over the heads of her mother, grandmother, and siblings. In the Bangladeshi community in Patterson, New Jersey Zahra’s mom imagines arranging a marriage to a wealthy family for Zahra to ease their financial stresses. When a potential match comes a possible reality, Zahra takes control to try and keep the peace and keep her dreams within reach. In Jane Austin-y feels, a love triangle emerges, friends step up, culture and family touchstones shared and appreciated, and decisions about the future will have to be figured out at 18 years old.

WHY I LIKE IT:

I loved how easy a read the book is, the cultural framing was warm and rich and never overly explained or apologized for. It is what it is, it is who the characters are, and while at times they push back on the negatives, it doesn’t disregard the love that exists at the core. Unfortunately, I really struggled though with the ease in which the characters date with their parents’ knowledge, hold hands, cuddle. I really couldn’t imagine a practicing Muslim family being so supportive of a lesbian daughter in the way that the Tahir family is and allowing a sleepover, nor could I see a hafiz attending musical concerts and Bollywood movies or an imam passing on “love” notes, even side comments about a loan between mother and daughter being paid back with interest felt off. I know I know, there are lots of shades of Muslims, but the normalcy of haram I feel in a review of this book should be noted. It isn’t side mentions, they are central to the story and large portions of the book. The reason I also feel they are worthy of note, is because the book includes a lot of Islam as well. The characters pray and fast and eat halal. They are conscious of chaperones in some settings and keeping things appropriate. There is no doubt that the characters are Muslim, but I think intentionally, to avoid perhaps critiques such as mine, Islam is not used as a reason to do or not do anything, Islam is not used in the thought process or conscience of the characters, culture is. There is no haram police setting boundaries, it just isn’t what “good Deshi girls do.” To be fair, I don’t think the author has ever claimed that this is a halal love story, or that the characters are exploring their Muslim identities, it is a love story that features Muslims is all.

FLAGS:

Straight and sapphic relationships, secret relationships, kissing, hand holding, hugging, lying, music, loss, bullying, interest.

TOOLS FOR LEADING THE DISCUSSION:

I would not be able to use this book, it would be very damaging to be given to a Muslim child from a Muslim teacher in an Islamic school. It normalizes a lot of haram in a familiar Islamic framing that I think would really confuse YA readers who see themselves and see no push back or consequences for actions they know to be against Islamic ideology.

Nov28

House of Yesterday by Deeba Zargarpur

Posted on November 28, 2022 by islamicschoollibrarian

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While reading this 320 page YA supernatural/contemporary book-I couldn’t turn the pages fast enough. When finished- I was bothered that certain threads weren’t resolved, now that I’ve ruminated a bit- I think the vagueness of the author’s prose in sharing her “fever dream” on paper has lingered and the gaps not as troublesome. The author’s OWN voice Afghan-Uzbek Muslim identity adds layers to a story that is both haunting in the literal sense and familiar in the immigration inter-generational traumas and secrets shared. Even deeper though, the book pokes at universal themes of regret, holding on to the past, family, friendships, and grief. The book’s characters identify as Muslim, but the story is not Islamic, nor is there much religion save a few salams and mentions of Eid. The supernatural elements in the book, whether you understand it to be ghosts, or personified memories, or jinn, are a large part of the book, but are not framed in a belief or spiritual manner, and while some may find it Islamically off-putting, I felt the book explored what the main character was enduring and what the weight of the past was doing to her, didn’t necessarily cross the haram line. Her father has a girlfriend he is looking to marry, but it isn’t celebrated, and there are close male/female friendships, but the book is relatively clean for the genre and would be a good fit for high school readers and up.

SYNOPSIS:

Summer on Long Island has Sara retreating into herself. Surrounded by nearly a dozen aunts and uncles and numerous cousins, it is the separation of her parents and trouble with her best friend that makes getting out of bed every morning a challenge. As a result, her mother ropes her in to helping with her latest remodeling project. When she enters an old crumbling house one morning to take “before” pictures, she starts seeing things, and feeling things. Things about her past. Things about her beloved grandma, Bibi Jan, who is alive and deteriorating from dementia. What is the house trying to tell her? Why won’t anyone tell the truth?

WHY I LIKE IT:

I love the mystery and the chills of the story. As the reader you aren’t entirely sure where the story is headed, what you are to do with the bits of the puzzle you are given, but the intrigue to find out pulls you forward. That being said, the book does reads debut, a few of the side story lines are not fleshed out enough to feel important, satisfying, or resolved and they come across as being abandoned. I would have liked to see more of Sara and her father’s relationship, the details don’t seem to fit, and the continuity seems halfhearted. At times so does the “night” it all changed with Sam. I like the interpretive vagueness of the supernatural threads and that they are up for interpretation amongst readers not just at the end, but throughout the book. I also like the family’s closeness even when they are disagreeing. For most of the book Sara and her cousins aren’t portrayed as particularly close and I didn’t invest time to differentiate one from another, but by the end, I felt that they were grounded and different and relatable, and I am not sure when that change occurred. At times the writing seemed a bit repetitive, but the lyrical style would then catapult the story ahead. There was one place that the fourth wall was broken though, and I was bothered by that slip.

Overall I loved that the Uzben Afghan culture sprinkles showed immigrant nuances, and that the love between the generations countered the trauma being shared as well. The messaging is subtle but powerful long after the last page has been read.

FLAGS:

For the most part the book stays clean, the father has moved on and has met someone he would like to marry, the mom and aunts briefly recall sneaking out to attend a prom decades earlier. There is mention of a child bride, and swimsuits, tank tops, and cocktail dresses being worn with no second thought. For a YA book, the flags are incredibly minimal, save the “ghosts”(?). There are flags of a death that is detailed, the book is “spooky” at times, there is mental health, divorce, pain, dementia, abandonment, theft, running away, and fear.

TOOLS FOR LEADING THE DISCUSSION:

I would love to read this book with some high schoolers. It is a quick read that would allow for a lot of self reflection, arguments, and entertainment. The book is available here and releases in a few days, so if planning to purchase, please consider preordering and showing your support.

Nov21

My Garden Over Gaza by Sarah Musa illustrated by Saffia Bazlamit

Posted on November 21, 2022 by islamicschoollibrarian

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My Garden Over Gaza by Sarah Musa illustrated by Saffia Bazlamit

This book is hard to read, it hurts the heart, it doesn’t let you claim ignorance regarding the plight of Palestinians, and it shows cruelty, a specific inexcusable cruelty, in a children’s book that will haunt you and infuriate you for weeks and months, if not indefinitely. I’ve read a number of Palestine set books, but this one, in its simplicity, leaves me raw. A child with a rooftop garden that helps feed her family is deliberately targeted by Israeli drones and destroyed. This isn’t science fiction or dystopian, this is based on real acts. The book itself threads in themes of hope, of not giving up, of remembering strength of a lost parent, of vowing to move forwards, but the catalyst for it all is not happenstance, and while the details of the occupation and oppression are not stressed and articulated, they are referenced and skillfully present to be discussed with children on their level with the included backmatter at the end. This book is powerful and should be required reading. It is a difficult read and it has flags, but it is also a glimpse of the reality of our world, and the manner in which this book is told allows for the discussion to taken place with middle grade readers and up. The book is not text heavy, but the nature of the content makes me suggest it for mature children.

Noura, a young girl, is in her home in Gaza when drones are seen just out the window and she quickly pulls her little brother Esam away to safety. To distract him she tells him about their father and his farm that he used to have in Umm An-Naser. She explains how the wall cut them off from their land and when the drone noises fade, she takes him up to her rooftop garden to pick green beans. Their mama works downstairs as a seamstress, and while they wish they had meat, the garden helps them have fresh vegetables.

The next day after Noura gets her little brother ready for the day they head to the roof, but drones arrive and start spraying chemicals on the growing plants, killing them, and sending Noura gasping to breathe. She tries to cover the plants and swing a shovel at the drone, but it does little to save any of the food and Noura is devastated.

Noura’s mama reassures her daughter that the food can be regrown, but she is irreplaceable, as Noura goes to scrub the chemicals from her skin. The frustration is real, but determination prevails as the family cleans the garden and begins again, just as their father did.

The last two page spread of the book is a basic map, general touchstones of the situation in Palestine, and the very real drones that fly in to Gaza to surveil, attack, and spray herbicides on crops. You can purchase a copy on the publisher’s website or HERE at Crescent Moon Store.

Oct3

The Moon from Dehradun: A Story of Partition by Shirin Shamsi illustrated by Tarun Lak

Posted on October 3, 2022 by islamicschoollibrarian

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The Moon from Dehradun: A Story of Partition by Shirin Shamsi illustrated by Tarun Lak

I’ve read this book numerous times: sometimes for the text, sometimes for the tone, sometimes to slowly immerse myself in the pictures. I know the basics of my own family’s journey to Pakistan, and this book added to that understanding. I like that it forced me to slow down and to really appreciate what partition was for both sides, from a child’s perspective. Pakistan and India gained freedom from British rule 75 years ago. Nearly every Pakistani or Indian you know today, has a parent or grandparent that lived through it. It is not history from long ago, it is still very much with us, and no I’m not talking about the lingering effects of colonization, I’m talking family stories, and loss of property and wealth, memories of the journey, the terror, the fear, the relief, the determination. This book is one story, perhaps the first mainstream published in the west, of one family’s experience. There could be a thousand more books and they would all be different, all powerful, all reflective. I love that this book is Pakistani authored, Indian illustrated, I love that it offers pages with no words at all. I love that a child’s perspective for such a monumental event is told for other children. There is a lot there for desi readers to unpack, and consider, there is also a lot there for non desi’s to be made aware of, and I hope that you will seek out this book no matter who you are, and share it.

The book starts with excitement from Azra about an upcoming train ride, even though her family has lived in Dehradun, at the base of the Himalayas, for generations. Suddenly though there is yelling outside because people are afraid, and her Abba runs in saying they have to leave now. Ammi, Abba, Azra, and the baby “Chotu,” rush out the door, leaving the cooking dinner still on the stove. When they get to the train, Azra realizes she has left her beloved doll, Gurya behind. They cannot go back for her.

Azra blames Chotu, for making her forget her doll, for taking her parent’s attention, yet as the days and nights on the train reveal tired people, sad faces, and fear, Azra finds comfort in her little brother’s embrace.

When they arrive in Lahore, they are met with food, and shelter. They are given a house that looks like the owners left in the same manner that they had to flee. There are balls of dough with a rolling pin, laundry strewn about, and even a doll left abandoned under a bed.

The book concludes with a map, a glossary, and an informative author’s note addressing pre-partition, partition, and the author’s own family story. There is hardship and frantic upheaval, but peace and welcome too. The illustrations illuminate the text and show the powerful emotion when words sometime simply don’t exist.

The book is not political or even religious. There is an Indian flag when they leave and a Pakistani flag when they enter, there are sounds of athan, and packing of a rehl, and a comparison to Eid, and the doll at the end has a bindi on her forehead. The book does not make one side out to be in the right or in the wrong, if you do not know that partition of the subcontinent was a mass migration based on religion and the chaos further exacerbated by the British, this book will not spell it out for you.

I preordered mine here and it can now be purchased from all major book sellers.

Sep30

Ida in the Middle by Nora Lester Murad

Posted on September 30, 2022 by islamicschoollibrarian

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Ideal for middle school readers (upper mg/lower ya), this magical realism book takes readers from middle school in American to a Palestinian village outside of Jerusalem through the consumption of some magical olives. Written by a Jewish author married to a Palestinian Muslim who raised their three daughters in Palestine, the book features a lot of Islam, but is Palestinian centered in its insight, critique, culture, and dreams. Over 224 pages, Ida starts to find where she fits in both in understanding her self within her family, her place in America, her passion in life, and what it means to be Palestinian. The story is important, and is told in a way that will encourage readers to learn more about the occupation. Nuances are shown in characters and groups, but the line that the occupation is oppressive is never compromised. I appreciate that the author writes from her own experiences and openly acknowledges that she is not trying to take away from Palestinian born and raised OWN voice stories, but she is an advocate, she has raised her children and lived in the West Bank, and her characters reflect a sense of intimate knowledge, love, and appreciation. Even with Ida having to decide to stay in America or Palestine, the two countries are not pitted against each other or seen as black or white, as to which is better or worse, the middle is where much of the story takes place, and appreciating your culture no matter how much others are trying to erase your existence, is always stressed.

SYNOPSIS:

Ida is the middle child of her Palestinian immigrant family and isn’t artistic like her younger sister, a ballet dancer like her older sister, or a soccer player like her father. She wishes she was invisible. Especially when her classmates turn on her every time there are conflicts in the middle east. When it seems that everyone wants to diminish her heritage, she finds herself at a new school, unsure of where she fits in. With anti Palestinian attitudes and Islamophobic people, Ida just wants to go unnoticed, unfortunately middle school requires a passion project to be presented and Ida has no idea what her passions are, and how she will face the crowds.

One day when looking for a snack she finds a jar of olives stuffed in a cupboard- olives brought by a family friend from her now deceased aunt in Busala, one bite and she is magically transported to the familial village. It is an alternate reality of what life would be if her parents never came to America. Not only is she in a country she has never seen before, meeting family members she has never met before, but even her own parents and sisters are somehow different. She enjoys the warmth, the communal activities, the extended family. Her mom in hijab, the athan being heard, the men all going for jummah, but then they sit down for a meal and the same olives are served and Ida accidently takes a bite and is whisked back home.

Once home, she longs for so much of Palestinian life, but relishes in the convenience and ease of America as well. Her passion project still looms and she finds herself hoping to escape it by going back to Palestine. When she finds herself back near Jerusalem she ventures out with her Aunt, who isn’t dead in this reality, and learns more about the occupation and oppression, and how the families interact with the various Israelis: some sympathetic to Palestinians, some actively working to help Palestinians, and some settlers- forcefully killing and bulldozing Palestinian homes.

When Israeli military troops enter their village, the families meet to discuss the best course of action, the families do not agree, there is no clear way to prepare, there is no guarantee of survival. Ida starts to find her voice, and when the soldiers enter, Ida finds herself rushing out to help a small boy. Guns, demolition, rocks, tear gas, fear, so much fear, what can one person do? What can one village do? What will Ida do?

WHY I LIKE IT:

The book is relatable and moving, not just for those with a tie or interest in Palestine. It is a coming of age story that shows a girl grappling with forces so much bigger than herself, while at the same time dealing with homework and friends and stereotypes. Ida has a lot to figure out and the book doesn’t sugar coat a happy ending, it simply provides a moving story based on reality, through a character whose quirks and personality you find yourself rooting for.

I love the presence of Islam and the way it is apart of Ida and her surroundings, even though she makes it clear early on that her family is not religious. The Quran is mentioned, the athan, various salat, hijab, Hajj, Ayatul Kursi, Ramadan, Eid, wasting food as being haram. In Boston her friend knows she doesn’t eat pork, she went to Sunday school to learn Arabic at the mosque when she was younger. It doesn’t gush with Islam, but it is present, for example Ida’s sister and her joke about a good Palestinian girl shouldn’t have a boyfriend, it isn’t tied to their religion. The story is a Palestinian one, and as someone who is not Palestinian, the images, the foods, the smells, the love all seemed to embrace everything I’ve ever heard Palestinian friends talk about, and it feels like a warm hug to read the effects being in Palestine has on Ida.

I love that the author is upfront about her perspective, and I love that she is putting this story out there. The writing is sufficient: I was invested in the story, and it was an easy read. I don’t know that I’ll remember it months from now for it’s imagery or power, but I’m certain I’ll remember the commentary about life under occupation and the struggle to not be erased by a world that doesn’t seem to care about the settlers still taking Palestinian homes and their way of life away by force.

FLAGS:

Fear, crushes, death, injuries, loss, magic, bullying, racism, Islamophobia, guns, physical assault, threat of force, destruction.

TOOLS FOR LEADING THE DISCUSSION:

Our school is majority Palestinian. Years ago when we read Where the Streets Had a Name, I learned so much about the students, their families, their own experience living under oppression, that I can’t wait to present this book with the middle schoolers and take notes on their thoughts. I would not lead the discussion, I would let them, their voices will not be erased by me.

Preorder available here: Amazon