Tag Archives: desi

When a Brown Girl Flees By Aamna Qureshi

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When a Brown Girl Flees By Aamna Qureshi

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I was both nervous and excited to read this contemporary book having loved the author’s fantasy, but unsure how a Brown Muslim Pakistani American girl running away from home would be presented.  Alhumdulillah, the author approached the story from a place of love.  There is no internalized Islamophobia, self othering, or in broad strokes even an identity crisis. The protagonist has made decisions, drastic ones, and is trying to piece her life back together on her own terms, but the love of culture, family and faith, is always upheld.  It reads like Islamic fiction, with very didactic passages and moral positioning, I’m still quite surprised that it is traditionally published.  The version I read had grammar errors, so I’m hoping that they will be corrected when the book releases in a few weeks.  The story is engaging, nut the writing a bit monotone.  Much of the story is telling, not showing, and because of the surface level spoon feeding of so much of the plot, when the catalyst or rationale is not provided, the book seems underdeveloped, or lacking, unfortunately.  I would not recommend this book for the target audience of YA readers (12/13 and up) it contains sex, slut shaming, self harm, depression, suicidal thoughts, physical and emotional abuse, profanity, and mentions drug use.  I do think though, early college age readers will enjoy and benefit from reading the book.  At a time in the reader’s life when they are defining themselves on their own terms, owning up to their own mistakes and laying out a future path, this book will provide relatability amplified by religious and cultural touchstones.  The heart of the story is the connection of a girl with Allah swt after she has sinned, the guilt and regret she feels, and how she finds herself, and returns to try and fix things with her family.  The characters are flawed and the overall messaging beautiful, hopeful and uplifting.  Unfortunately, it just reads like an early draft and I wish it had a bit more refinement.  Keeping that in mind though, it does have a place, and I’m glad to see our “new adults”  can find reflections of  themselves in a piece of literature that amplifies their Islamic identity instead of criticizing or questioning it.

SYNOPSIS:

The book starts with Zahra deciding to run away from home.  She parks her car, leaves her phone and catches a flight to New York from California.  The reader doesn’t exactly know why she is running, only that a few days after high school graduation she is escaping a toxic home life, an impending wedding, and a misery.  As the story peels back layers we start to see some of the nuance of what she is running from as characters from her past find her and physical space allows her some perspective to see her own role in her “old” life.  When she arrives in New York, it isn’t the city life that she seeks, but rather the nature and pace of Long Island that offers her a fresh start.  She heads to the masjid, makes a friend, and starts to put her life together without parental obligation, outside interference, and self loathing.  She cannot run forever though and she cannot escape herself.  She must confront her past, own her mistakes, be honest with her new friends, and find peace with her family, not because she has to as a Brown daughter of immigrants, but because she trusts Allah, loves her family, and wants to “fix” things.

WHY I LIKE IT:

I’m a sucker for books that show redemption through the love and mercy of Allah (swt).  Yeah her new friends were idyllic in their family life, relationships and worship, but we all want friends that make us better Muslims, so I let it slide. Islam is centered, she wears hijab, she reconnects with salat, it is her identity even when she is just going through the motions. The author at times conflated culture and faith, but it never issues blanket statements or falls into universal stereotypes for Desi culture or Muslims.  She does a good job of keeping the negatives to the people and the critiques to the failure to push back on dangerous expectations. My issues weren’t the character flaws either, I’m onboard with the messiness of being human and the ability to seek and receive forgiveness from our creator.  I just wanted to feel things more.  So much was just told when it should have been shown.  I wanted to see the stress and anguish of her family life, not simply told it was depressing.  I wanted to see her cutting life long friends out and being isolated, not told she had lost her friends.  The book focuses on her running, and why she ran, but a big plot point for why she ran, having sex, needed more fleshing out.  Why was she driven to such an act? I know that she was depressed, I’m not belittling that, but what pushed her to such a strong stance, when she was already allowed on the school trip, she hadn’t yet been given the ultimatum and over and over the book says “I miss my family,”” I miss my home,” “I miss my mom.”  I didn’t feel the connection or understand what she was feeling, thinking, and it seemed like a huge hole in the book.  For all the themes of mental illness, faith, generational trauma, misogyny, abuse, expectation, depression, lying, culture, life choices, higher education, family dynamics, self harm. the book never quite felt rich with emotion or deeper than the surface level story.  At the beginning the author says she first wrote the book when she was a senior in high school, and while that may have made the main character’s perspective and voice ring true, as a successful author now, I wish she would have added the nuance, the insight, the subtlety that would have drawn the reader in and allowed them to get inside Zahra’s head and heart to see her and perhaps even themselves.

FLAGS:

The author and book identify triggers in the book “please be mindful of TWs: depression, anxiety, emotional abuse, physical abuse, self-harm, suicidal ideation, slut-shaming, PTS.”

There is also music, boys and girls alone in cars together, lying, cursing, generational trauma, misogyny, abuse, expectation, depression, anxiety, guilt, life choices, higher education, family dynamics, cutting, a brother who is often high or smells like weed/pot, it mentions partying, a sexual event, deceit, physically assaulted by a parent.  Nothing haram is glorified, but it is there and it is detailed, and not everything is resolved.

TOOLS FOR LEADING THE DISCUSSION:

I would not be able to shelve or teach this book in an Islamic school library, but in a college MSA book club or a youth group of a similar age this book would be incredible to read and discuss.

Nadia and Nadir Eid Surprise by Marzieh A. Ali illustrated by Lala Stellune

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Nadia and Nadir Eid Surprise by Marzieh A. Ali illustrated by Lala Stellune

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This is another holiday book in the Nadia and Nadir series for early readers, this one focusing on Eid al Fitr, but also celebrating Muslim American athletes Ibtijaj Muhammad and Muhammad Ali, sadqa, and the love of grandparents.  The 32 page book with four chapters shows Desi American siblings enjoying both their Pakistani and American cultures while consistently embodying their Islamic faith.  They pray salat, wear hijab, discuss sadqa, and say Salam and Eid Mubarak.  I am not sure why they pray Eid prayers at home, and not in a community congregation, no it is not a Covid set book, they then go to the mall, but the pride in their faith, culture, and family is enjoyable.  Early readers will enjoy the colorful pages, large illustrations, and relatable story situations.

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The book starts with the siblings hearing laughing downstairs, then seeing suitcases, and being surprised by their Nani and Nana coming from Pakistan to surprise them on Eid.  The family eats paratha and chai together before praying and making duas.

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After presents are passed out, the kids receive eidee and are off to the mall to pick out a toy.  Nadia sees an Ibtihaj doll, and Nadir points out that she is wearing a hijab just like his sister.  Nadia recognizes her and shares some facts since she has read her books.  Nadir wonders if Ibtihaj knows it is Eid and the family reassures him that Muslims everywhere in the world are celebrating.

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When it is Nadir’s turn to choose what to buy, he picks some boxing equipment with marketing images by Muhammad Ali.  Nana fills him in on the activism and accomplishments of Ali and how impressive his fearlessness really was.  When the change is given after paying, the kids and their grandparents discuss sadqa, charity, and this gives Nadia an idea.

The book concludes with a glossary of new words and information about the illustrator and author.  You can purchase your copy at all major retails such as here at Amazon, or you can support small business owners like Crescent Moon store and purchase your here.

Hunger Alert by Shazia Afzal illustrated by Sania Hussain

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Hunger Alert by Shazia Afzal illustrated by Sania Hussain

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On my first read through, this book came across as a bit text heavy and the presentation didn’t quite fit with the content for the target audience, but when my seven year old read it, then reread it, and my 12 year old picked up and read it and both said, “it’s good,” I realized, the target audience is not little kids, nor is it adults, it is kids who have fasted and have felt the pangs of hunger.  The character is getting through his first day, but the relatability is for kids everywhere fasting for the first time the hundredth time and everywhere in between.  It is Islam centered, I appreciate the healthy food temptations and the unwavering that fasting needs to be done, but as an adult and an educator, so often I wanted to interject Islamic touchstone to getting through the day asking Allah for help, talking your self up and increasing your determination by knowing the Angels are recording your struggles and you will be rewarded in the akhira, and while Quran is read, and a surah loved, and Islamic phrases included, the focus of the book is a little boy in a very idyllic family trying to keep hungry thoughts away. The small 8 x 8 soft back book with 22 thick cardboard pages would be a bit hard to share at story time, but the simple concept story is fine in smaller groups and at bed time.

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The books starts with Ahmed fasting for the first time in Ramadan, he has a list of things he needs to complete his fast: 1-Keep busy, 2- Don’t think about food, and 3-Stay away from the kitchen.  I found when reading it to my younger kids I would pause here to discuss why we fast, and that we are doing it for the sake of Allah, so we need Him to be successful, not distractions.

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Ahmed starts with reading his favorite book about a charitable boy, the illustrations though had baskets full of shiny, big, read apples.  “Grr, Hunger Alert!” He runs to his brother’s room to keep busy with a soccer video game, but the prize on the screen are big, yellow bananas. “Grr, Hunger Alert!” This continues throughout the day, including while reading Surah Rahman, and the pomegranates trigger yet another Hunger Alert. When Grandpa asks him to take strawberries to his mom and his mom is in the kitchen, each of his rules will have to be broken.

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With iftaar approaching and fruit chaat waiting, Ahmed will have to persevere to complete his fast.  There is a glossary at the back and the book you can search online to find where the book is available near you http://www.compassbooks.ca

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Nadia and Nadir: Ramadan Cookies by Marzieh A. Ali illustrated by Lala Stellune

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Nadia and Nadir: Ramadan Cookies by Marzieh A. Ali illustrated by Lala Stellune

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This 32 page early reader is part of the Nadia and Nadir series that can be read and purchased as a standalone.  It shows the sibling duo problem solving, working together, sharing, and getting excited for Ramadan.  With the theme of cookies, the book could work as a read aloud in a small group with an activity of making cookies following it, but the small leveled reader size and text volume would make it a hard selection for larger groups.  The setting is Ramadan, the female characters wear hijab (even in the home with just family), but there is not a lot of religious beliefs or practices included in the story. It does detail the lunar calendar and phases of the moon, but thankfully does a decent job of inserting that knowledge from Nadia who has learned about the moon in science class.  There are a few salams, and it mentions that Nadir isn’t fasting because he is young, Nadia gets up for their predawn meal, and snuggles back in to bed after saying her prayers. There is articulation that Ramadan is a month for Muslims and a time to share blessings when the kids share their cookies with the neighbors.  There is a handful of Urdu words sprinkled in and a glossary at the end.  The book shows a family’s traditions and radiates joy, it is a solid addition to Muslim and non Muslim book shelves in showing Ramadan cookie making and excitement in action, but would not inform a lot about the religious aspects, uniqueness, or basic practices about the month.

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Nadia and Nadir start the book with their binoculars around their necks waiting for Abu to arrive home from work, Ammi is already on the roof and they are determined to spot the Ramadan moon.  The kids are all sorts of confused where to even look in the vast night sky, but once Abu helps them out they find it and declare, “Chand Mubarak.”

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Nadir wants to know why it isn’t a full moon, and his older sister Nadia explains the cycles, they are then off to make cookies as per their families Ramadan tradition.  The dough is ready, the star cookie cutter has been found, but where is the moon cookie cutter? Nadia has an idea, and sure enough her problem solving skills allow crescent moons to be made.

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The next morning Nadia has her predawn meal of cookies and milk and when Nadir wakes up he has the same.  The kids pack up bags of cookies with their Ammi to pass to neighbors and friends, with only one left who will get it Nadia or Nadir?

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The books are available widely at places such as Amazon but for the same price I hope you will support a small Muslim owned bookstore and purchase your copy at Crescent Moon, if you use my initials ISL (Islamic School Librarian) at checkout you will save 10%, link:

Nadia & Nadir Series

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A Dupatta Is…by Marzieh Abbas illustrated by Anu Chouhan

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A Dupatta Is…by Marzieh Abbas illustrated by Anu Chouhan

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I read this 30 page early elementary book a few times before writing this review and honestly my cheeks hurt because I cannot stop smiling.  The lyrical writing radiates warmth and pride, culture and tradition, legacy and identity, while acknowledging both the playfulness and solemnness of a piece of fabric.  My heart breathed with the clarity and articulation that is felt and contained within the fabric that perhaps all Pakistanis feel, but cannot convey so poetically.  The book may be meant for children four to eight years old, but all readers will appreciate the text and illustrations that seamlessly flow like a favorite dupatta grabbed while running out the door. I struggled with picking only a few images to share, as every page became my new favorite as the book progressed.  Admittedly though, one page did give me pause as it conflated incense burning with getting rid of evil spirits which comes across as a religious belief, but is a cultural practice.

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The book starts out with the actual physical description of what a dupatta is and how it is adorned.  It then moves on to describing the color, the sound, the smell, the place, the function, the art, the beauty, the fun, the faith, the legacy, and the identity.  Each spread ends with the words, “but a dupatta is so much more…” seamlessly weaving so many facets of what a dupatta is together to create a true understanding of it from a tangible, to cultural, to practical perspective.

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I love that there is a page about faith, and praying five times a day with a dupatta being worn, it is a little odd that there is a portrait decorating the wall behind the two characters making dua, but at least it is clearly behind them.  I absolutely loved that so often the wearer of the dupatta was also wearing a hijab, particularly the bride picture- which is absolutely gorgeous.  It signals without words that a dupatta can be worn to cover a Muslim woman’s head, but it is also often not.  The backmatter further details that it was once worn as part of the national dress and as a form of modesty, but now is often worn as an accessory.

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One summer in Pakistan, a friend and some cousins and I started trying to formulate 101 Things to do with a dupatta (wipe noses, pull things out of the oven, catch fish), it was the year of net dupattas so clearly covering your head was not one of them.  Sure we were being silly, but to see the book also highlight wiping sticky hands, and wrapping it up like a sari, and using it as a cradle to rock a baby was very, very accurate and heartwarming.

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Please pre order this book, it signals to publishers that these books are in demand and is a way to show what type of books we want to see.  I preordered  mine here.

Basking in My Brown by Fatima Faisal illustrated by Anain Shaikh

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Basking in My Brown by Fatima Faisal illustrated by Anain Shaikh

This picture book celebrating brown skin, particularly in girls, and specifically from a Desi culture point of view, takes on the notion of dark brown skin not being as ideal as compared to lighter skin.  If this is not a concept you are familiar with, I don’t think that the book will hit home, but as someone who has heard this refrain of staying out of the sun to not get darker since childhood, aimed at my friends and cousins (I turn red and burn in the sun), I do appreciate this owning and pushing back on a ridiculous colorist mindset. I don’t love the “magic” diction choice, and there is nothing Islamic in the book, save some covered heads that could be religiously inspired, or culturally, or even weather related, and I’m not sure if the author or illustrator identify as Muslim, but I’m sharing anyway because I know young Pakistani girls particularly, hear this colonial mindset messaging still, and I support undermining it.  This book is not about systemic oppression and racism and taking up space, this book is internal cultural acknowledgement of a pointless beauty notion.

A young girl begins the book telling of things she loves: trips to Pakistan to fly kites with her Dada, her mother’s dinner parties, swimming, climbing trees, but most of all she loves basking in the sun.  One day while playing with her friend Zoya in the warm sun, Zoya abruptly says she should go in before she gets too dark.  The protagonist counters that she loves all the shades her beautiful brown turns and equates it to magic.

She holds out her hand to show her magical brown skin shimmering, and connects the beautiful brown to the brown clay pot her Nani used to carry water in, the brown shawl her mother wore when coming to a new home, the brown of the henna her sister puts on, etc..  She says her brown skin has its own story of being proud, brave, courageous, soft, sweet, and fearless.

Zoya decides she likes the magic and decides to stay and bask in the sun. The author on the final spread raches out to brown girls to own, embrace, and celebrate their brown skin.

The Glass Witch by Lindsay Puckett

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The Glass Witch by Lindsay Puckett

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Another Scholastic published book that I genuinely cannot understand why the author forced a Muslim character to be a part of, and no it isn’t just a token hijab on a character named Fatima.  It mentions she goes to the mosque, there is a Quran on the book shelf, her parents don’t understand her obsession with monsters, she is desi, and there is Urdu in the text as well.  This isn’t me just doubling down on Halloween being a pagan holiday that I’m against, this book is about witches and magic and while it does take place on Halloween, and the witches are Good(e), it is their last name, it is a weird inclusion flex for me.  The book also has the Muslim grandpa crushing on the grandma witch, he even kisses her hand and they are revealed to be soul mates.  There is evil possession, different men that could be the protagonists father, killing, and a pageant.  The book has good qualities- positive body size messaging, focus on family love, self acceptance, and is fast paced and entertaining, but even as a parent that lets my kids read fantasy books, and books that mention Halloween, this book went too far for me.  It normalizes Muslims being ok with magic, it isn’t world building and fantasy, it is very much the real world with sihr characters and practices. It positions the parents as being loving when they come around to accept their daughter’s love of monsters, it also seems to normalize men and women relationships, and for a middle grade 224 page book I just can’t support a Muslim character’s role in such a story. 

I know sometimes I’m ok with magic in books, this one just seems a bit intense, we might just have to agree to disagree if you feel differently, and I’ll own my possible inconsistency in the matter as well.

SYNOPSIS:

Adelaide is heading to her grandma’s house with her mom, and being dropped off for three months- abandoned is more like it. The family dynamic is stressed even on a good day, and today is not a normal day.  The Goode family of witches are all that remain of the witches in the town and more than three can not exist within town lines.  Additionally, if at least one witch is not always in Cranberry Hollow, all the magic will be lost.  Adelaide, doesn’t have magic though, toss in that she is a bigger girl than most other twelve year olds, and that she never feels like she is enough, and the bees within her are buzzing. 

The plan was to drop off Addie and head out of town.  The neighbors, Hakeem and his granddaughter Fatima show up though, and before Candice can sneak out, she finds herself heading to the Cranberry Hollow Halloween Festival with Fatima, Addie, and her mom.  The town loves the Goodes, they help crops grow better, cancer to be cured, and so much more.  Of course they don’t know that they are witches, but they know that they are helpful.  When the time to leave arrives, Aunt Jodie stays on the other side of the town line and they prepare to say their goodbyes and keep the fourth Goode outside the imaginary line, but Addie in a last ditch attempt to make her mother notice her, pulls her mother back across and thus sets off the curse of having too many witches in the town.  The hated Hern family is going to be possessed, and Addie will be hunted come midnight on Halloween.

WHY I LIKE IT:

The book is intense and scary at times, just toeing the line of what a MG reader can handle, I just don’t get the Muslim character.  It really seems intentional and thought out, and I would love to find out why it was a conscious choice.  There is a small passage equating Addie standing out because of her size with Fatima and her hijab, but I can’t imagine that is enough of a reason to have a practicing Muslim loving Monster hunter in the book.  I know we want representation, but this didn’t work for me, and while I know others are ok with Halloween and some with sihr in a fictional sense, having a Quran on a shelf above the book of monsters and jinn that the Nana has collected, just rubs me the wrong way.  The book is published by Scholastic and will undoubtedly be in book order offerings and in book fairs, and if you are ok with it for your children, that is your choice, I just feel obligated to share my concerns so that you can decide what is best for your family.

FLAGS:

Magic, witches, curses, killing, death, Halloween, crushes, romance, kiss on the hand, premarital sex not detailed (two options at least for who Addie’s father is), cigarette smoking, bullying, mention of a kid at the festival with two dads.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t shelve the book in an Islamic school library or classroom.  I would also pull it from a Scholastic Book Fair display at our Islamic school.

Bhai for Now by Maleeha Siddiqui

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Bhai for Now by Maleeha Siddiqui

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We tend to love people and books that do things first, for good reason, they raise the bar, set the standard, and pave the way for all those that come after.  And no, this is not the first middle grade traditionally published book to have Muslim characters having a completely non-Islamic-identity-centered plot, BUT it might just be the best one I’ve read.  The amount of Islam woven into the characters and storyline is absolutely incredible and seamless. The writing quality keeping dual male point of views separate, engaging, and unique without judgement, is nearly flawless.  The emotional connection of the writing and characters and plot had me both laughing out loud and crying unapologetically within the span of the 276 pages of the book.  This book is a treat for the readers and everyone eight and up I’m quite nearly certain will enjoy this Muslim authored, unapologetically Muslim approach about two 8th grade strangers realizing they are twin brothers and getting to know each other.

SYNOPSIS:

Shaheer lives with his dad and paternal grandfather.  They are well-to-do with his father being an ER physician, but they move around a lot, and never stay in one place long enough to make friends, unpack boxes, or feel like they have a home.  Ashar has lived in Virginia since he was four.  He and his mom recently moved out of living with her brother and his family, but they are next door so even though money is often tight, family and love are always present.

The first day of eighth grade finds the two boys at the same school, staring at each other and wondering how they can maybe find the pieces of themselves that have always been missing. The idea is good, but the reality is complicated.  Ashar and Shaheer’s parents have refused to even acknowledge each other to the boys over the years, extended family plays along, and the boys have to decide if they can even forgive their parents for doing this to them.  Throw in a cousin who knows the boys are switching places, hockey practices, a masjid remodel, and the ever looming threat that Shaheer will be moving yet again and the stage is set for a lot of laughs, tears, and characters that won’t be forgotten anytime soon.

WHY I LIKE IT:

The retelling of “The Parent Trap” is not predictable, nor does it talk down to the reader and tie everything up in a nice unrealistic bow.  There are twists and disappointment and hope and joy, not just for the characters, but for the readers as well.  The side characters are even fleshed out and memorable, not just as foils for the protagonists (I loved cousin Zohra), but as characters with a vested interest in how it all plays out.  I was surprised how clearly different the characters are, even when imitating one another and how nuanced their differences are.  They are not simply opposites: one is not good the other bad, one outgoing one an introvert, rather they are just different, as any two siblings undoubtedly would be.

I absolutely love how Islam is so much a part of the story, a part of the characters, a part of the details, but is not the whole story.  There is no Islamophobia, internal or external, there is no religious othering, it is masterfully done and Muslims and non Muslims alike will benefit from the real tangible expression, growth, and presentation of faith for the characters.

Similarly, culture is presented as a part of the characters in various forms without overly explaining or white centering.  This is who the characters are and their present predicament, as crazy as it is, could happen to anyone, of any culture or of any faith, the two are not corollary. But because it is happening to Ashar and Shaheer, the reader is brought into their world where salat/namaz, athan, mosques, hockey, entrance exams, volunteer work, finances, naan, pineapple on pizza, donuts, and nihari are all present and all unapologized for.  Well, except for the pineapple on pizza.

The best part of it all, is that it is also clean.

FLAGS:

Nothing an eight year old can’t handle, but there is deception as they imitate each other, parental arguing.  There is mention of Shaheer putting his headphones on and listening to music. Zohra plays flute in the band and it mentions when she has practice or that the family all goes and supports her. Male cousins and female cousins interact with each other freely.

TOOLS FOR LEADING THE DISCUSSION:

If my middle school book club is mostly 6th graders in the fall, I think I will feature this book as soon as it is released on October 4th.  Even if it is a bit below “reading level” the writing is engaging and I don’t think even the most cynical book club member will be sorry they spent time with this book.  It would be a quick read for them, but an enjoyable one for sure.

It can be preordered here on Amazon

Hassan and Aneesa Go To a Nikaah by Yasmeen Rahim illustrated by Rakaiya Azzouz

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Hassan and Aneesa Go To a Nikaah by Yasmeen Rahim illustrated by Rakaiya Azzouz

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The latest installment in the Hassan and Aneesa series caught my attention because there just aren’t a lot of books about an Islamic marriage process (it is Desi tinged).  Cultural weddings you often see, but despite the misleading title of them just attending a Nikaah, they actually walk the reader through the steps from wanting to get married, to getting to know someone, praying Salatul-Istikhara,  agreeing on a mahr, signing contracts, and a walima.  The idea and premise is brilliant and greatly needed, the finished product, not so much.  Somehow I had forgotten how tiny in size the books in the series are (6.5×7.5), making it all visually cluttered and the text often hard to see over the illustrations.  And while I love how the concepts and terms are defined, the point of view of having it witnessed and detailed by the brother sister duo is often awkward and wordy.  I wish the author would have ditched the familiar characters, and just written a book about the marriage process for kids.  The vacillating between a fictionalized story, factual requirements, kids witnessing their parents helping their cousin get married, makes for a tangled book that fails to connect to readers seven and up, let alone two and up like the book claims. If you’re kids are asking about how Muslims marry or seem curious about a halal way it can be done, I suppose this book would provide a way to understand some of the key facets in broad strokes, but it needs editing, and more space to show joy and excitement in a book about families and a couple coming together.

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The very first page set the tone for me, the overly dressed girl at a barbecue and the way her name seems to be so formally introduced.  Perhaps it is a difference of culture, but the book never bounced back from the heavy handed tone.  Aisha wants to get married and asks her parents to help her find someone.  They ask her what she is looking for and she tells them.  I like what she includes kindness, love of Allah, funny, etc.  I wish it would have suggested that she had given it a lot of thought before answering though.

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Aneesa and Hassan’s mom and their aunt are discussing Aisha’s want to marry at their painting class and a friend over hears and suggests her son Uthman.  The families agree to have the two meet in a cafe with Aneesa and Hassan’s dad and uncle so that her mahram is nearby.  Uthman and Aisha both enjoy sports and Uthman interacts with a baby at another table impressing Aisha.  They both pray istikhara and decide that the families should all meet.

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It is then time to pick out a dress and hand out invitations, which at least involves Hassan and Aneesa, but the pages are so cringe and awkward from the phrasing, to the structure of the concepts.  The spread is disjointed and you’ll catch yourself shaking your head and making a face every time you read it.

Mehndi is next and I’m not sure why it focuses on Aneesa not sitting still and looking sad when her design is ruined.  It seems like an odd inclusion in what should be a joyous book.  Hassan is entrusted with gift to hold on to by Uthman for Aisha, and the Imam gives a khutbah about marriage.

Contracts are then signed with Aisha her wali, uthman and the imam and each party is asked if they agree.  They have already decided on the mahr and then Hassan hands over the gift.  The walima feast is delicious and the reader is encouraged to go back and find the cat in the illustrations.

As for illustrations I do like that the main females are shown out of hijab at home, and in hijab while out.  At the wedding there are different shades of brown, different loves of covering and not covering, there is a guest in a wheel chair and the couple and their families seem happy.  I found it odd that it says they are in love, since there isn’t a lot of emotion mentioned before the last page and I wish the text on numerous pages wasn’t mixed in with the pictures.

The book concludes with a glossary of terms.

Zara’s Rules for Record-Breaking Fun by Hena Khan illustrated by Wastana Haikal

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Zara’s Rules for Record-Breaking Fun by Hena Khan illustrated by Wastana Haikal

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This early chapter book packs a lot of personality, growth, and fun into 127 pages.  The writing quality is engaging and the characters relatable.  If you have read the Zayd Saleem books you will recognize the family in this new stand alone series.  Either way though, from the surprising Naano to the fun Mamoo, the neighborhood children and the desire to maintain her reign as Queen of the neighborhood, the book may be meant for 7-10 year olds, but based on the kids in my house, anyone that picked it up, read the entire book before putting it back down.  The grandma covers her head, it mentions she reads Quran, there is a Salaam or two, an InshaAllah, and desi cultural foods mentioned.  The focus is not on religion or culture, but the layer adds depth to the characters, and normalizes names and practices in a universal plot.

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SYNOPSIS:

Zara’s neighborhood has a lot of kids in it, and Zara has the reputation of being the leader who rules with grace and fairness.  It is a position she takes very seriously.  When Mr. Chapman moves out and a new family moves in, Zara fears losing her place.  The new girl Naomi has a lot of ideas and everyone seems to like them.  Zara has a grand idea to set a Guinness World Record, but with her little brother Zayd messing her up, nothing is going as planned for the summer.

As she finds her self alone a lot and not having much fun, she decides to change things up.  She works to be less bossy, less controlling, more willing to to share her crown.  With a lot of heart, internal growth, recognizing her strengths and weaknesses, the neighborhood kids just might have a record-breaking summer.

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WHY I LIKE IT:

I love that the story wasn’t just surface level, it acknowledged some emotions and stresses and introspection, that I was pleasantly surprised to see played out in an early chapter book.  I really just enjoy the family, they read relatable and fun. The Nanoo’s surprise ability to hula hoop and her pettiness over a cooking competition genuinely made me smile.  The neighborhood kids and the politics of the different aged children having to find ways to compromise reminds me a lot of my summers as a kid, and the nostalgia was sweet.  I like the Islamic touchstones, I would have loved if they had to go in at sunset to pray or something of the like, but I was glad that at least that Nanoo reads Quran and an inshaAllah in the text made me feel seen.

FLAGS:

Music, dancing, frustration, jealousy

TOOLS FOR LEADING THE DISCUSSION:

I think this book should definitely be on every library and class shelf.  It releases tomorrow on Amazon, but Crescent Moon Store already has it.