Tag Archives: Muslim Family

Hassan and Aneesa Go To a Nikaah by Yasmeen Rahim illustrated by Rakaiya Azzouz

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Hassan and Aneesa Go To a Nikaah by Yasmeen Rahim illustrated by Rakaiya Azzouz

hassan and aneesa

The latest installment in the Hassan and Aneesa series caught my attention because there just aren’t a lot of books about an Islamic marriage process (it is Desi tinged).  Cultural weddings you often see, but despite the misleading title of them just attending a Nikaah, they actually walk the reader through the steps from wanting to get married, to getting to know someone, praying Salatul-Istikhara,  agreeing on a mahr, signing contracts, and a walima.  The idea and premise is brilliant and greatly needed, the finished product, not so much.  Somehow I had forgotten how tiny in size the books in the series are (6.5×7.5), making it all visually cluttered and the text often hard to see over the illustrations.  And while I love how the concepts and terms are defined, the point of view of having it witnessed and detailed by the brother sister duo is often awkward and wordy.  I wish the author would have ditched the familiar characters, and just written a book about the marriage process for kids.  The vacillating between a fictionalized story, factual requirements, kids witnessing their parents helping their cousin get married, makes for a tangled book that fails to connect to readers seven and up, let alone two and up like the book claims. If you’re kids are asking about how Muslims marry or seem curious about a halal way it can be done, I suppose this book would provide a way to understand some of the key facets in broad strokes, but it needs editing, and more space to show joy and excitement in a book about families and a couple coming together.

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The very first page set the tone for me, the overly dressed girl at a barbecue and the way her name seems to be so formally introduced.  Perhaps it is a difference of culture, but the book never bounced back from the heavy handed tone.  Aisha wants to get married and asks her parents to help her find someone.  They ask her what she is looking for and she tells them.  I like what she includes kindness, love of Allah, funny, etc.  I wish it would have suggested that she had given it a lot of thought before answering though.

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Aneesa and Hassan’s mom and their aunt are discussing Aisha’s want to marry at their painting class and a friend over hears and suggests her son Uthman.  The families agree to have the two meet in a cafe with Aneesa and Hassan’s dad and uncle so that her mahram is nearby.  Uthman and Aisha both enjoy sports and Uthman interacts with a baby at another table impressing Aisha.  They both pray istikhara and decide that the families should all meet.

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It is then time to pick out a dress and hand out invitations, which at least involves Hassan and Aneesa, but the pages are so cringe and awkward from the phrasing, to the structure of the concepts.  The spread is disjointed and you’ll catch yourself shaking your head and making a face every time you read it.

Mehndi is next and I’m not sure why it focuses on Aneesa not sitting still and looking sad when her design is ruined.  It seems like an odd inclusion in what should be a joyous book.  Hassan is entrusted with gift to hold on to by Uthman for Aisha, and the Imam gives a khutbah about marriage.

Contracts are then signed with Aisha her wali, uthman and the imam and each party is asked if they agree.  They have already decided on the mahr and then Hassan hands over the gift.  The walima feast is delicious and the reader is encouraged to go back and find the cat in the illustrations.

As for illustrations I do like that the main females are shown out of hijab at home, and in hijab while out.  At the wedding there are different shades of brown, different loves of covering and not covering, there is a guest in a wheel chair and the couple and their families seem happy.  I found it odd that it says they are in love, since there isn’t a lot of emotion mentioned before the last page and I wish the text on numerous pages wasn’t mixed in with the pictures.

The book concludes with a glossary of terms.

The Maliks Ramadan Mayhem by Zanib Mian

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The Maliks Ramadan Mayhem by Zanib Mian

This 93 page Islam centered, action packed, humor filled book was written as a gift by the fabulous Zanib Mian for her readers. The book was to be free, all you had to do was pay shipping. Well, if you lived outside of the UK, that would make the book pretty expensive, so like any entitled book lover, I started annoying the author, my friend Noura the owner of Crescent Moon Store, and any and all connections I could muster to get the book during Ramadan. I wasn’t trying to get it for free, I just really wanted it in my hands. So, when the author did a second printing for purchasing, and my US stockist was on the list, I was giddy. Then I went out of town to be able to spend Eid with family and the lovely book sat on my neighbors dining table until the blessed month and the festivities of Eid, had come and gone. But guess what, it is ok. This book is fun, no matter what time of year you read it. It is as silly and informative and relatable as all the Omar books, and the characters just as delightful, the mystery just as teasing, and the quirkiness just as charming for readers 7 to 100. Thank you for this gift, thank you dear friend for stocking it at an incredibly affordable price and getting it to me with such speed and love. And dear readers, don’t wait until next Ramadan to get your copy, you and your children will enjoy the book now, repeatedly, and as they get excited for Ramadan next year (and the year after, and the one after that too), inshaAllah.

SYNOPSIS:

Maysa Malik is often misunderstood, and crossing lines at school, with friends, and at madrassah that get her in trouble, even while making others laugh. Her twin brother Musa doesn’t have Maysa’s penchant for getting in trouble, and so their parents are letting him go on the school trip, but not her. Maysa is determined to prove to her parents that she isn’t a class clown and can stay out of trouble. With help from Musa and their neighbor Norman, a cookie tower competition might be just the thing to raise money for charity and get in her parents’ good graces. But, a little lie to avoid teasing has big consequences and destroyed cookie towers mean her plan to go on her residential trip is failing. And no, I’m not going to spoil the plan b the kids come up with, or reveal the snowballing implications of the lie, I wouldn’t want to ruin it for you.

WHY I LIKE IT:

I love that the Islamic tidbits are woven in and made a part of the story. It doesn’t pull out to give facts about Ramadan, salat, and charity, it is all part of the story and works well for both Muslims and non Muslims without compromising or watering down important aspects of our faith. I absolutely love that Norman makes wudu before doing anything and everything related to Islam, and is very aware that farting is a wudu popping act.

There is a “moral” about honesty and self confidence, but it doesn’t come off preachy, and as I’ve grown to expect from the author, her voice reads very genuine and true. The lessons from one character to another and from within internal reflection of a character, feels organic and age appropriate.

The only thing that bothered me initially, but perhaps not so much at the end (I’m going to try not to spoil anything here). Is that the one character that speaks “broken” English is painted as being strict, mean, and short tempered. There is redemption for him, but I wish the characters were more aware of their own impressions of Mr Saleh, and that the stereotype wasn’t perpetuated.

FLAGS:

Lying, accusations, some retaliation against a bully, gossip, gambling is mentioned, butt jokes, fart and bathroom mentions. Nothing offensive, but it is funny.

TOOLS FOR LEADING THE DISCUSSION:

I won’t do this as a book club selection, but I am hoping to read it aloud to 2-4th grade next year before or during Ramadan. It would probably just take a few library sessions and I think the kids will love it.

The Secret Diary of Mona Hasan by Salma Hussain

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The Secret Diary of Mona Hasan by Salma Hussain

mona

I really don’t know how to review this book. Is it funny and engaging, yes at times, but I am a 41 year old, and I can attribute it (hopefully/possibly) to satire, hubris, character voice, and commentary, except it isn’t written for me, it is written for 10-14 year olds.   There is no way would I put this in the hands of a fourth grader, let alone a high schooler.  The book starts on New Year’s eve with a “Muslim” family drinking alcohol, later the 11 year old drinks to get brave enough to meet up with her boyfriend (he wanted to wait until after Ramadan), after a bad haircut she starts wearing hijab and later takes it off, her period starts and she is baffled at which hole it comes out of, she is no longer allowed to be alone in a room with a boy because that is how babies are made, but it is ok to go to a school dance and kiss them, women are rather useless, old people (31 year olds and up)  should know their place and act their age, dark skin is bad, chests need to be big, slut is both something you are and something you can do,  Aisha (RA)’s age of marriage is criticized as is Khadeeja (RA)’s, no one is as good at her, Ramadan is annoying because she has to hide when she eats in public for a whole month, Friday prayers even though they rush through them limit their fun time, the Tablighi Jamaat have to be lied to and hidden from, her mom is pregnant months after coming out of her bedroom smiling, her father claims he will only ever enter a mosque horizontally, you can see the list goes on and on.  Yet at the same time, there are true moments of strength, such as when she fights back against the creepy sexual assault vibes from “uncle annoying” and then protects her sister when her parents dismiss it, when she sticks up to a bully to protect her gay friend in Canada, the dad getting caught one day praying salat, the love of family felt despite her perceived privilege while visiting Pakistan, her constant reference to Allah swt as she asks Him and tries to understand the world around her, and her terrible, terrible poetry.  The diary style is both brilliant in trying to show the world through Mona’s eyes, and irritating as NONE of the aforementioned concerns are given any context, explanation, reflection, anything.  The thoughts pour out of her head, onto the paper, and the reader is left to figure out if this is how things are, is this her naïve view, is she commenting on society, is the author, is this fact, is it satire, is it someone with an axe to grind on culture and religion, is it showing the ridiculousness of so many stereotypes? And to be honest, I have no idea.  Which is why I can’t say that the book is good or bad, I think it is well written, my problem with it is, I don’t know who it is written for.  I think it would be very damaging to young children, the vulgarity, misogyny, racism, arrogance, will hurt both those that see parts of themselves in Mona and those that read it and assume too much about what Mona represents.

SYNOPSIS:

Mona is an 11 year old girl, and this is her diary.  She is arrogant and opinionated, but she grows and mellows as her view of the world moves from privilege in Dubai to immigrant in Canada with a bit of an awakening in Pakistan in between.  It is her view of her life, her place in the world, and the greater society around her.  It is an easy read on the surface of her living through the war without getting any days off of school, friends, maturation, first loves, hoping for a bigger chest, pulling a fire alarm to get time with a boyfriend, feminism, and the annoyance of being better than everyone else in everything she does.  There are side characters that flit in and out and family members that shape her, but the point of view is uniquely hers in all matters regarding leaving the Middle East as a Pakistani living there, spending time with her mother and father’s families in Pakistan and the rift her parents’ love marriage caused on their acceptance of her, their move to Canada to start a more peaceful life that ends up being grueling and difficult and through it all threads of Islam, fitting in, and growing up.  It is a snapshot of so much that the reader is left to connect the pieces, assign them value, and understand the larger message, if one exists.

WHY I LIKE IT:

I still don’t know if I like it or dislike it.  I dislike it for kids.  I like it for adults as a light over the top snarky read, but I think my opening paragraph is sufficient and the 296 page book doesn’t need my concerns and praises rehashed here.

FLAGS:

Misogyny, anti Islam, sexism, racism, ageism, lying, vulgarity, cursing, crude talk, lying, disrespect, lack of religious respect, kissing, sexual assault (attempt), deceit, pulling a fire alarm, physical fighting/assault, family trauma, arrogance, pettiness, stereotypes, bullying, sexual innuendos,

TOOLS FOR LEADING THE DISCUSSION:

I have suggested a few ADULT friends read the book so we can chat, but no kiddos, no teens, no early twenties, old ladies (31 plus according to the main character)!

My Baba’s House: A Poem of Hope by Dr. Amani Mugasa illustrated by Eman Salem

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My Baba’s House: A Poem of Hope by Dr. Amani Mugasa illustrated by Eman Salem

my babas house

I wanted to love this Islamic centered children’s book about grief, but I found it a bit problematic and misleading.  I am by no means an expert in Islamic matters of death or in psychological bereavement, but the note at the beginning of the book- if I wasn’t already going to look at it critically- really raised some warning flags.  It says that the book is not an instructional book on Aqeedah, that even though the title and whole story is about a house being built that “the book only expresses the idea that we hope and pray that Baba’s good deeds will lead him to Jannah, that that the rest of the family will meet him there one day, not that he is there already.” So, before you even start the story, it seems that the disclaimer is making it clear that this book is not religiously accurate, and that it is just meant to soothe and provided hope.  After taking all that in to consideration, and reading the 26 pages of text over a dozen times, I think I finally pinpointed why the book further reads problematic for me.  It is the repeating phrase, “Your Baba has been building a beautiful house for you,”  because he hasn’t right? He has built a house for himself through his good deeds in this duniya, he benefited HIS parents by being a righteous Muslim.  The words “for you” completely take the book in my head from being a slight suspension of timing where the deceased are, in to be misleading.  So if the book is not accurately framed and only to be taken as something “to open the discussion,” what is the point? Why fill it with Islamic references and concepts, if they will then have to be clarified, corrected, and re taught?  Sigh, I’m happy to listen to those that want to change my mind, truly I am.

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The rhyming book starts out with a mom and two kids being consoled by the text that their Baba has been building a house for them with Allah’s help.  That it is amongst the flowers, made with Allah’s powers. That with every good deed he did, their Baba becomes a builder, that there are pure rivers and trees, and that the house is hidden through Allah’s gate.

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To find their Baba’s house they will walk with Prophets, and see ripe fruits, and smell sweet musk.  There will be rivers of milk and he will carry them above his head.  The illustrations on this page are a little off in my opinion the shadows of a person elevating and even the girl looks a little concerned.

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I like that the next spread addresses that only Allah knows when the day will come that we reunite. And then the next pages tell how the children can help decorate their Baba’s house by calling adhaan, reading Qur’an, being kind, giving charity, and making duas.

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The book concludes with encouraging patience and finding reassurance in knowing we belong to Allah and to Him we return.

With the exception of the one page, the illustrations are adequate and show a mixed racial family.  The rhyming lines are rather weak, and ultimately there are just better books out there about grief that don’t have to be so qualified for accuracy.

Zara’s Rules for Record-Breaking Fun by Hena Khan illustrated by Wastana Haikal

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Zara’s Rules for Record-Breaking Fun by Hena Khan illustrated by Wastana Haikal

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This early chapter book packs a lot of personality, growth, and fun into 127 pages.  The writing quality is engaging and the characters relatable.  If you have read the Zayd Saleem books you will recognize the family in this new stand alone series.  Either way though, from the surprising Naano to the fun Mamoo, the neighborhood children and the desire to maintain her reign as Queen of the neighborhood, the book may be meant for 7-10 year olds, but based on the kids in my house, anyone that picked it up, read the entire book before putting it back down.  The grandma covers her head, it mentions she reads Quran, there is a Salaam or two, an InshaAllah, and desi cultural foods mentioned.  The focus is not on religion or culture, but the layer adds depth to the characters, and normalizes names and practices in a universal plot.

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SYNOPSIS:

Zara’s neighborhood has a lot of kids in it, and Zara has the reputation of being the leader who rules with grace and fairness.  It is a position she takes very seriously.  When Mr. Chapman moves out and a new family moves in, Zara fears losing her place.  The new girl Naomi has a lot of ideas and everyone seems to like them.  Zara has a grand idea to set a Guinness World Record, but with her little brother Zayd messing her up, nothing is going as planned for the summer.

As she finds her self alone a lot and not having much fun, she decides to change things up.  She works to be less bossy, less controlling, more willing to to share her crown.  With a lot of heart, internal growth, recognizing her strengths and weaknesses, the neighborhood kids just might have a record-breaking summer.

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WHY I LIKE IT:

I love that the story wasn’t just surface level, it acknowledged some emotions and stresses and introspection, that I was pleasantly surprised to see played out in an early chapter book.  I really just enjoy the family, they read relatable and fun. The Nanoo’s surprise ability to hula hoop and her pettiness over a cooking competition genuinely made me smile.  The neighborhood kids and the politics of the different aged children having to find ways to compromise reminds me a lot of my summers as a kid, and the nostalgia was sweet.  I like the Islamic touchstones, I would have loved if they had to go in at sunset to pray or something of the like, but I was glad that at least that Nanoo reads Quran and an inshaAllah in the text made me feel seen.

FLAGS:

Music, dancing, frustration, jealousy

TOOLS FOR LEADING THE DISCUSSION:

I think this book should definitely be on every library and class shelf.  It releases tomorrow on Amazon, but Crescent Moon Store already has it.

The Most Exciting Eid by Zeba Talkhani illustrated by Abeeha Tariq

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The Most Exciting Eid by Zeba Talkhani illustrated by Abeeha Tariq

the most exciting eid

I was really excited for this book, I even contacted Scholastic USA and the author to see how we could get it here in America, but once I received my copy from the UK, I was disappointed.  It offers nothing new to the available Eid titles aside from the pretty illustrations. It is a rather forgettable story, with nothing more than surface level growth, predictable emotion, and a formulaic retelling of a basic Eid day.  Meant for preschoolers (3-4 year olds) the story will suffice as an introduction to Eid and reinforce the importance of sharing with others, but anyone older will find the story lacking unfortunately, and question why they didn’t go for Eid salat, if the cousin was even upset about not getting to ride Safa’s new bike, if the neighbors are poor and needy, and if they have gifts for neighbors or are just giving out random leftovers. Five years ago when reasonably priced brother sister duo books celebrating Eid were popping up everywhere, this book would have warranted excitement of representation and Eid joy, but the quality has elevated and while there might not be anything “wrong” with the book, it still feels like it sadly falls short.

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Safa and her parents see the new moon and that means it is Eid.  She is so excited as her mom puts henna on her like every year, and her dad brings out the box of decorations.  At night she is anticipating presents, gifts, new clothes and food that she can hardly sleep.

The next morning she comes down in new clothes, prays, asks Allah for a new doll, a colouring pencil set and a bicycle.  Guests come over, even Alissa her cousin. She opens her presents revealing she got everything she asked for.  Alissa calls after Safa, but Safa doesn’t want to share, she’s been waiting for this bike forever. Since sharing is the point of the story, it is worth noting that Alissa in the text shouts after her and in the illustration is shown to be calling out, there is no reinforcement that Alissa even wants to ride the bike.  I suppose I’m glad that Safa feels it, and regrets it later, but it is subtle and I don’t know that a 4 year old will even register that, that is implied.

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Mom then calls to Safa while carrying two huge purple bags to come with her to share joy and food with those in need.  Safa adds some of the treats she has received in to the big purple bags and they hand the items out to their neighbors. I love that they are visiting their neighbors and it brings the giver and receiver joy, but the set-up is that neighbors and those in need are one in the same, and I think that is conflating two different things.

Some neighbors get small gifts, one a potted plant, another homemade looking food, and then there is one bag left, somehow the purple huge garbage bag sized bags have shrunk to being a shopping bag size and the next recipient is a surprise: grandparents.

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The mom and daughter join the grandparents for desi cultural foods of samosas, kebabs, biryani.  Dad does not join them, and I’m not sure why the grandparents didn’t come to the party at Safa’s house? I also wondered if the party at the house was still happening, because once Safa realizes she enjoyed sharing, her parents and Alissa are seen outdoors, with the little girls on bikes and Alissa asking her cousin where she went.

There is a two page spread glossary at the end which defines words that are not in the text, but is informative.  It mixes “cultural” words such as Allah Hafiz being defined as being a common way among Muslims to say goodbye, which technically isn’t wrong, but it is an Urdu word and only used by Desis.  It isn’t in the story, so it seems off to me as well.

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The illustrations are the highlight in the book.  They are vibrant, expressive and engaging.  The mom seems to have a dupatta on her head, it might pass for hijab, but she has wavy tendrils showing on the side, even the grandma shows much of the top of her hair.  Neither the father in the story or grandfather have beards.

My Dad is Always Working by Hafsah Dabiri illustrated by Arwa Salameh

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My Dad is Always Working by Hafsah Dabiri illustrated by Arwa Salameh

This sweet 26 page story addresses a universal feeling with Islamic flavor.  The Black Muslim family in the illustrations is adorable, the sprinkling in of Islamic terms is lovely, and the concept of dad working unseen for the benefit of his child is touching, (I hope a Mom book is forthcoming).  The text size changing for no reason bothered me though, as did some of the wordiness and possible contradictions.  Ultimately the story will resonate with many children and mirror a common feeling that is not often addressed for young children, and I’m glad I have it on my bookshelf.

The book starts with Abdullah waking up for class and noticing his clothes laid out on his bed, and his dad with a dirty shirt rushing off to work.  He misses his dad and muses that his dad is “always working,” As he eats his favorite strawberry and chocolate pancakes.  He then jumps on his bike with his clean cleats and heads off to Sunday class with his friend Khalid.

In class they learn about “JazakhAllah Khair,” and homework is to make a card for a person who deserves our thanks.  When Abdullah’s mom, not dad, picks him up he decides to make a card for his mom who has woken him up, set out his clothes, made him breakfast and picked him up for class.

At dinner however, when he discusses class with his mom and the homework the mualimah has assigned, Abdullah’s mom shares with him all that his dad has done and Abdullah reconsiders why his dad is “always working.”

I don’t quite get why the next night when dad is cooking the food is burned, nor am I sure why it said Arabic school, when it seems it is Islamic school, or why he rode his bike to class but then his mom picks him up.  I do like that in the praising of the dad, the mom is not diminished, but rather both are elevated.  An important book, but as I often say, I just wish it was edited better, or more.   It has a lot of potential, the story idea is great, but the writing isn’t polished and it makes it hard to share repeatedly or with a wider audience because of it.

Purchased at Crescent Moon Store also available on Amazon

A Show for Two by Tashie Bhuiyan

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A Show for Two by Tashie Bhuiyan

a show for two

I didn’t love the author’s debut novel, but wanted to see what a second novel would offer, and sadly it really is a lot of the same: light funny romcom surface story featuring a Bangladeshi Muslim character lead mixed in with layers of mental health, a toxic family, high school stress, and cultural expectations driving the plot.  There is crude language, hetero, lesbian, bi, and pansexual relationships discussed, but nothing more than kissing is detailed in any of the scenes.  There is a lot of cultural trauma from the parents and to the book’s credit, it does establish pretty early on that the main character is not religious, but that she does believe in Allah swt.  Similarly, there is a Bangladeshi loving family in the story, so it is not making a critique on the entire culture, it is just the character’s family that is cruel.  Ultimately, at 416 pages I was surprised that there were gaps in character arcs and plot.  I never really liked the protagonist, Mina, but because of how underdeveloped and pivotal the best friend and younger sister were, when it all came to a climax, I found myself rooting for her, which is a very shallow reasoning in an OWN voice book. Additionally, the parents are terrible, and had I dnf-ed it (I was tempted until about 30% through it) I doubt I would have ever known that there was a time that they weren’t terrors.  The peeling back of the layers of the family came too late, too slow, and the progression was muddled.  I probably will not actively seek out further books from this author if the same themes and tropes are present, if she changes it up, I probably could be persuaded.  The book is marketed 7th grade and up, but with the triggers, hate, language, content, genre, language, length I would say 17 and up, if at all.

SYNOPSIS:
Samina “Mina” Rahman is waiting to leave New York and her hateful parents, and start her life at USC as a film student.  All she needs to do is win the Golden Ivy Film Competition, and get excepted to USC.  Her parents dismissing her dreams, passions, and abilities agree to only let her leave if she wins the competition, doubting that it would ever happen, they even put it in writing.  Co-president of the high school film club and best friend, Rosie is equally determined to win, there is just one big problem, every year the winning film has a cameo by a famous actor.  Cue accidental meeting of Mina and Emmitt Ramos, up and coming indie movie heart throb that is cast in the new Firebrand blockbuster.  Sent to Mina’s high school to research for his upcoming role, Mina is tasked with convincing him to make an appearance in their film.  It is a romance story, so you can see where it is headed in this enemies to lovers book.

As family, friends, and college admission stresses mount, the simplicity of what Mina wants and how to go about getting it will be called in to question as her walls crumble and she will have to evaluate people in her life and how they will be affected by her actions.

WHY I LIKE IT:

I like that the story is based on real events in the author’s life, not just the religion, culture, mental health threads, but that an actor came to her high school in preparation for a part: Tom Holland.  I also like that while her parents don’t value her, she has found a support group of sorts that do.  At times Mina reads a lot older than she is, particularly when she is admonishing the freshman, but at other times she storms off pouting and seems to be very childish.  I vacillate between this being intentional and it being an inconsistency in the writing. The younger sister Anam is painfully written.  She is bold and confrontational, yet at the same time so clingy and needy and all over the place.  At one point I thought she perhaps was suicidal and was braced for a really dark twist in the story, but no it was just Anam being Anam, I suppose, and the stress was never revisited let alone resolved.

I truly dreaded the passages about Mina’s home life and her family, they all were just awful to each other and rather than taking Mina’s side because I was shown, I found myself questioning what I was missing in the before and after dynamic.  It is clear they are wretched, the victim doesn’t need to justify the abuse. The transformation of the family dynamic just felt lacking and in fiction when parts are explored it could have really showed some of the micro aggressions and changes that existed and made the relationship salvageable so that the reader would understand why saving and fixing the family were no longer options.  Generational trauma is real and serious and a little more attention I think could have provided an amazing mirror to readers dealing with similar elements.

If the book was half the length I would assume that details would be glossed over, but this book had room, and I don’t understand why so few photography and director references seem to find their way into the text to show that these characters truly are passionate about what they are claiming to desire.  I know the story isn’t a film story or a culture story, but they don’t spend hours editing the film or working on props? Emmitt is regularly pulled away from shoots, but always seems to have enough photos to choose from?  Mina talks of her dad cooking, but foods aren’t detailed, the connection of food to love to family and that being severed seemed like a gaping hole in the crumbling home scenes.  If halal food and no pork can make it into a love relationship, that much cultural/religious depth should have made it inside a families home.

As mentioned in the intro, it didn’t bother me from a religious perspective that Mina was off kissing a boy, that Anam had boyfriends, etc. because Islam was accounted for and the characters are not practicing, so I do appreciate that it didn’t become a stereotypical rebelling against religion book.  Truly, thank you.

FLAGS:

Language, relationships (straight, bi, lesbian, pan), kissing, making out, hand holding, lying, mental health, hate, deception, cruelty, emotional abuse, angry ex boyfriend, triggers.

TOOLS FOR LEADING THE DISCUSSION:
Would not shelve or encourage young readers at our Islamic school to read this.

Rapunzel: An Islamic Tale by Fawzia Gilani illustrated by Sarah Nesti Willard

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Rapunzel: An Islamic Tale by Fawzia Gilani illustrated by Sarah Nesti Willard

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Having read the other “princess” retellings by Fawzia Gilani I didn’t rush out to acquire this book, but when a friend said it was available at the public library, I was surprised and admittedly curious.  This book just like the others in the series are very much in my eyes “Islamic fiction” for how centered Islam is for the characters and how it is used to frame the story toward a religious message.  The fact that a small city library in a Southern state purchased and shelves it, is pretty impressive.  As for the story, well it is really long, and wordy, and every page is filled with tiny text filled lines that I doubt most kids will be able to sit through.  The Islamic content is very present, the Uyghur setting appreciated, but wow do the 41 pages pack a lot of text in to a fairytale re-telling. There is a lot of Islam and Quran and at times it fits well, at other times incredibly forced.  The book claims it is for ages 5-8, but truthfully I don’t know that any age would be able to sit through it and be engaged.

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In a tangled forest lives a wife and her husband, a clockmaker and a woodcutter.  Before they married, the wealthy and cold Shuna Leng had hoped to marry the woodcutter, but he never asked, and she never forgot.  As a result seeing her neighbors happy keeps her jealous heart plotting and conniving to bring the couple misery and pain.

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One day, while pregnant, the wife has a strong craving for rapunzel greens.  Some just happen to grow on Shuna Leng’s property.  The husband is nervous to ask, but when his wife falls weak he makes an effort.  She doesn’t answer, so he picks some growing along the path and leaves coin for payment.  This wife regains her strength and then begins craving them again.  He decides to do what he did last time, but is caught.  The evil woman agrees that he can have all the rapunzel greens he wants but if the baby is a girl she shall be given in payment.

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Once born the baby is taken and kept hidden from her parents.  Various governesses are employed over the years to tend to Rapunzel and who teach her Islam and kindness.  Ever so often they have to up and move and abandon their routine when people start asking questions, but the lessons learned from the Quran stay with Rapunzel and she endures what she must.

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Eventually she ends up in a tower, she offers to help a stray boy recite Quran, and the evil plot of keeping her locked up unravels.  Yes SPOILER she is returned to her parents.

It is a decent retelling in theory, it just is really long, and there isn’t quality character building to invest the reader to the side stories being presented.

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One Wish: Fatima al-Fihri and the World’s Oldest University by M.O. Yuksel illustrated by Mariam Quraishi

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One Wish: Fatima al-Fihri and the World’s Oldest University by M.O. Yuksel illustrated by Mariam Quraishi

one wish

This book is so long overdue, yet at the same time it was worth the wait.  The writing is simply superb: Fatima al Fihri is celebrated, Islam is centered, there are references, and the story compelling.  We, Muslims, as a whole know so little about the beautiful impact fellow Muslims have had on the current world and our way of life, that to see this book being celebrated in public libraries, in Islamic schools, at masjids, and retail bookstores, truly makes you sit up a little straighter, and reach confidently to get this book in your hands to share with those around you.  Thank you Mindy (@moyuksel.author) for these 40 pages of absolute delight, ages 5 and up will read it to learn, read it again to enjoy, and inshaAllah read it repeatedly to be inspired.

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The book begins with a Hadith regarding seeking knowledge and leaving knowledge behind.  It then begins the biography of Fatima as a small girl curious about the world around her starting with the word Iqra, read, from the Qur’an.  It sets the stage of her living in the desert in the early ninth century, a time where some boys went to school and some girls learned at home. Her connection to Islam and it teaching her the value of knowledge caused her wish, to build a school, to grow stronger.

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When war destroys her town her family flees to the busy city of Fez, Morocco.  She begins to accompany her father to the souk and enjoys listening to talk of planets, distant lands and different languages and wishes these scholars could educate everyone. She grows and gets married and her and her family become wealthy merchants.

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Tragically, her father and husband die, and Fatima must decide what to do next for her family.  She decides to help her community as a form of sadaqah jariyah and make her wish a reality.  She sets out to build a school where everyone can live and study for free.  She purchases land, and the building begins.  Fatima oversees each detail and names it the al-Qarawiyyin after her hometown in Tunisia.  It takes two years to build and it still functions today.

The back matter is just as compelling as the story with an Author’s Note, information on The University of Al-Qaryawiyyin, a Glossary, Bibliography, and a Timeline.  The only complaint I have about the book, are the illustrations.  I really don’t understand why half of her hair is showing when based on the time and her connection to her faith, she most likely was a niqabi.  I don’t understand the continuity of the hijab from a young child to adulthood.  I get that it shows her influence moving forward at the end, but it could have been a small print on an outfit for token representation of symbolism, I don’t get it as being a complete outfit her whole life.

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I absolutely love the role of Islam in both Fatima’s life and in this book.  It is so much a part of her and her wish, that every reader will recognize how connected her faith and the creation of the University were and I’m confident both Muslim and non Muslim readers will be in awe of her devotion and accomplishments, inshaAllah.