Tag Archives: Muslim Character

When a Brown Girl Flees By Aamna Qureshi

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When a Brown Girl Flees By Aamna Qureshi

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I was both nervous and excited to read this contemporary book having loved the author’s fantasy, but unsure how a Brown Muslim Pakistani American girl running away from home would be presented.  Alhumdulillah, the author approached the story from a place of love.  There is no internalized Islamophobia, self othering, or in broad strokes even an identity crisis. The protagonist has made decisions, drastic ones, and is trying to piece her life back together on her own terms, but the love of culture, family and faith, is always upheld.  It reads like Islamic fiction, with very didactic passages and moral positioning, I’m still quite surprised that it is traditionally published.  The version I read had grammar errors, so I’m hoping that they will be corrected when the book releases in a few weeks.  The story is engaging, nut the writing a bit monotone.  Much of the story is telling, not showing, and because of the surface level spoon feeding of so much of the plot, when the catalyst or rationale is not provided, the book seems underdeveloped, or lacking, unfortunately.  I would not recommend this book for the target audience of YA readers (12/13 and up) it contains sex, slut shaming, self harm, depression, suicidal thoughts, physical and emotional abuse, profanity, and mentions drug use.  I do think though, early college age readers will enjoy and benefit from reading the book.  At a time in the reader’s life when they are defining themselves on their own terms, owning up to their own mistakes and laying out a future path, this book will provide relatability amplified by religious and cultural touchstones.  The heart of the story is the connection of a girl with Allah swt after she has sinned, the guilt and regret she feels, and how she finds herself, and returns to try and fix things with her family.  The characters are flawed and the overall messaging beautiful, hopeful and uplifting.  Unfortunately, it just reads like an early draft and I wish it had a bit more refinement.  Keeping that in mind though, it does have a place, and I’m glad to see our “new adults”  can find reflections of  themselves in a piece of literature that amplifies their Islamic identity instead of criticizing or questioning it.

SYNOPSIS:

The book starts with Zahra deciding to run away from home.  She parks her car, leaves her phone and catches a flight to New York from California.  The reader doesn’t exactly know why she is running, only that a few days after high school graduation she is escaping a toxic home life, an impending wedding, and a misery.  As the story peels back layers we start to see some of the nuance of what she is running from as characters from her past find her and physical space allows her some perspective to see her own role in her “old” life.  When she arrives in New York, it isn’t the city life that she seeks, but rather the nature and pace of Long Island that offers her a fresh start.  She heads to the masjid, makes a friend, and starts to put her life together without parental obligation, outside interference, and self loathing.  She cannot run forever though and she cannot escape herself.  She must confront her past, own her mistakes, be honest with her new friends, and find peace with her family, not because she has to as a Brown daughter of immigrants, but because she trusts Allah, loves her family, and wants to “fix” things.

WHY I LIKE IT:

I’m a sucker for books that show redemption through the love and mercy of Allah (swt).  Yeah her new friends were idyllic in their family life, relationships and worship, but we all want friends that make us better Muslims, so I let it slide. Islam is centered, she wears hijab, she reconnects with salat, it is her identity even when she is just going through the motions. The author at times conflated culture and faith, but it never issues blanket statements or falls into universal stereotypes for Desi culture or Muslims.  She does a good job of keeping the negatives to the people and the critiques to the failure to push back on dangerous expectations. My issues weren’t the character flaws either, I’m onboard with the messiness of being human and the ability to seek and receive forgiveness from our creator.  I just wanted to feel things more.  So much was just told when it should have been shown.  I wanted to see the stress and anguish of her family life, not simply told it was depressing.  I wanted to see her cutting life long friends out and being isolated, not told she had lost her friends.  The book focuses on her running, and why she ran, but a big plot point for why she ran, having sex, needed more fleshing out.  Why was she driven to such an act? I know that she was depressed, I’m not belittling that, but what pushed her to such a strong stance, when she was already allowed on the school trip, she hadn’t yet been given the ultimatum and over and over the book says “I miss my family,”” I miss my home,” “I miss my mom.”  I didn’t feel the connection or understand what she was feeling, thinking, and it seemed like a huge hole in the book.  For all the themes of mental illness, faith, generational trauma, misogyny, abuse, expectation, depression, lying, culture, life choices, higher education, family dynamics, self harm. the book never quite felt rich with emotion or deeper than the surface level story.  At the beginning the author says she first wrote the book when she was a senior in high school, and while that may have made the main character’s perspective and voice ring true, as a successful author now, I wish she would have added the nuance, the insight, the subtlety that would have drawn the reader in and allowed them to get inside Zahra’s head and heart to see her and perhaps even themselves.

FLAGS:

The author and book identify triggers in the book “please be mindful of TWs: depression, anxiety, emotional abuse, physical abuse, self-harm, suicidal ideation, slut-shaming, PTS.”

There is also music, boys and girls alone in cars together, lying, cursing, generational trauma, misogyny, abuse, expectation, depression, anxiety, guilt, life choices, higher education, family dynamics, cutting, a brother who is often high or smells like weed/pot, it mentions partying, a sexual event, deceit, physically assaulted by a parent.  Nothing haram is glorified, but it is there and it is detailed, and not everything is resolved.

TOOLS FOR LEADING THE DISCUSSION:

I would not be able to shelve or teach this book in an Islamic school library, but in a college MSA book club or a youth group of a similar age this book would be incredible to read and discuss.

Fatima Tate Takes the Cake by Khadijah VanBrakle 

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Fatima Tate Takes the Cake by Khadijah VanBrakle 

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I really want to be raging furious and upset by the lying, premarital hetero sex, normalized/celebrated lesbian Muslim, internalized Islamophobia, gaslighting, abuse, and labeling of Muslims as “conservative” and Islamic principles as “ancient and ridiculous” (keep in mind the characters and author are all Muslim). But honestly, the writing is so terrible that to feel that much emotion is just not that warranted for what the story is. I’m so disappointed in the entire writing quality of the book, that I couldn’t appreciate the characters or story as written.  I know elements of the story probably ring true, my privilege and arrogance don’t blind me to recognizing that, and whether I agree or relate or identify with the Islamic representation is subjective, but it is not a good sign when reading- that screen shots are not enough, and I have to break out paper and pens to note the contradictions, plot holes, and inconsistencies.  The cover is the best part, with its beautiful Black Muslim inviting YA readers to crack open the book and spend time with Fatima who dreams of following her culinary dreams despite family and toxic relationship obstacles.  Sadly though, the text does not live up to the expectations the cover sets forth.  It reads like a very early draft where the plot points, the climax, and the conclusion are laid out, but the dialogue, backstories, and relationships are yet to come in this very mature 304 page book.

SYNOPSIS:

Fatima Tate dreams of culinary school, but her mother demands a more practical degree of nursing.  The only child of a nurse and mechanic, Fatima goes to a virtual charter school and has a best friend since 5th grade, Zaynab. who goes to a private school, yet constantly chauffeurs her around, covers for her, and whose relationship with Amber is a major thread in the story.  One day, when Zaynab fails to pick Fatima up from her shift at the soup kitchen, Raheem, her crush who she has never really spoken to, offers to drop her off, he uses the excuse of not wanting to miss Asr salat to get in her house, and by the time the prayer rug is put away the two are kissing and holding hands.  It has been a busy day for Fatima, she was also invited to join a teen cooking competition, and with that, all in the first chapter, the direction of the story is set.  Add in the twist that her parents don’t know about her joining the cooking competition, Raheem being revealed as a narcissistic, controlling, wealthy, manipulator who has his mom properly meet Fatima’s parents resulting in the two quickly become engaged, and Fatima at some point having to finalize her college plans and you have most of the plot and spoilers of the book.

WHY I LIKE IT:

I wish there was more OWN voice Black Muslim culture inclusions.  As with all the potential themes of the book, the writing just feels so superficial.  The only thing quicker than the instant romance, is the reader’s (my) instant disdain for the creep that Raheem is: from his arrogance to his ghosting, his hypocrisy to his gaslighting.  There is no angst, attraction, sympathy, intrigue, nothing in his character makeup or in the relationship he and Fatima have.

The cooking thread is equally lackluster, I think most bakers have heard of refrigerating cookie dough, and where I should have been hungry or had my senses tingling, I found myself annoyed by the almost childish portrayal of the food scenes.  If it was meant to show passion or a divide with her parents, it was all talk and no show.  At times the text says how close Fatima is with her parents, how much she respects her mother’s strength and her father’s kindness, but lie after lie to them and their distance from the heart of the book, definitely do not show a complicated relationship, it once again, yep you guessed it, reads really flat and one dimensional.

Islamically there are concerns with the premarital relations, but even before that with the male and female being alone, the lying, the lgbtq+ relationships.  I never understood why Fatima refuses to pray in congregation and attend Jummah it just says she doesn’t join the community prayer, but she also doesn’t pray with Raheem, which might have actually been sweet.  She is noted to pray fajr late and it is a point of contention, she wears hijab, and says a lot of inshaAllahs, but while the text sprinkles in these touchstones, they don’t seem to shape her identity, it feels like it is just the paradigm that she knows.  She finds the mahr concept to be “ancient” and “ridiculous.” The one character that speaks out against same sex relationships wears abayas, black abayas to be exact. She is also labeled the “haram police.”  Zaynab doesn’t pray, doesn’t cover, but presumably identifies as Muslim.  Raheem says he is fine with her lesbian identity, but fears Fatima’s relationship with her will ruin his future political career.  The book never has any substantial commentary on the Islamic view of queer relationships and labels any one that has a problem with them as being “strict” and “conservative.”  The book says “love is love” and leaves it at that.

Constantly the reader is told that Fatima and Zaynab are best friends since 5th grade, no backstory as to why Fatima left for virtual school and Zaynab for private.  We never see Fatima add anything to the friendship, Zaynab drives Fatima, feeds Fatima, consoles Fatima, it is all very one sided.  So many story lines just fall off the page without resolution or insight.  At one point Fatima is angry at Zaynab and doesn’t want to share her with Amber, but then is mad that Raheem is wanting to take her away but nothing is ever done or explained or internally pondered over, it is just forgotten.  I really despise how we are also told that Zaynab and Amber are the ideal couple, but nothing ever shows it. NOTHING. They are always fighting, Fatima is always on edge to even ask Zaynab about Amber.  Zaynab and Amber fight about their graduation party and it magically all works out.  Amber is shocked to know that Muslims won’t accept them, and they seem to break up, but then they are together at the end so how did that get resolved?

Major plot holes: When Fatima’s mom asks Fatima if she knows Raheem, she says no and four pages later her dad asks her what she thinks about Raheem and she answers him.  This inconsistency mitigates the “reveal” at the end that they knew each other at the soup kitchen.  Speaking of soup kitchen, the reader sees she goes once and then stops for finals and never resumes going, so how is it such and important part of her or Raheem’s life? Does he return? Fatima gets driving lessons and a car, and is then driving alone, time line doesn’t work, nor does what she is driving get articulated if she returned the Lexus.  Extravagant gifts aside, it never fully explains where Raheem’s grandfather made his wealth, it seems lacking because he doesn’t want Fatima to work, but his mother does, in managing her father’s inherited wealth.  At the walimah it is very awkward between Zaynab and Fatima’s mom, almost to the point I thought they might not know each other, or might have issues with her lifestyle, but by the end it is clear they know each other well, so I think the scene is just written poorly.  I went back and read it and the familiarity of the families is definitely unclear and not consistent throughout.  For Fatima’s graduation Raheem gets permission to take her to dinner alone, for someone who is constantly watching money and loves cooking, it felt like it would be a big deal to be able to go out alone with her finance, to a fancy restaurant and savor all the flavors and ambiance.  Nope, the scene is skipped, no details, no nothing.  Lots of little details are skipped quite often, for example five people are qualified for the finals, only three names are given, just throw two more names in there, nope we get dot dot dot- it reads unfinished.  At one point when Zaynab once again saves the day and picks up Fatima, they come back to Zaynab’s house with Starbucks and meet at the fridge to get Pepsi’s out, like three sentences later, Starbucks on the table forgotten.

Zaynab does have a slight character arc, but throughout needs someone to constantly side with her, and I don’t know that she is very independent at the end.   I don’t think there is a decent relationship in the book between any of the characters, which is unfortunate, and religion and the masjid (labeled “patriarchal”) are often portrayed in a negative light. The internalized Islamophobia was hard to swallow.  At one point Fatima shakes a man’s hand and says that she isn’t one of those Muslims that has issues with that.  It seems like this book checked a lot of boxes and for whatever reason didn’t get the polishing it needed.  It is unfortunate because OWN voice Black Muslim books with authentic rep and joy and complexities and nuances are so desperately needed, and this one just felt underdeveloped and raw.

FLAGS:

Language, closed door premarital sex, talk of sex, talk of condoms, child out of wedlock, cheating, lying, hetero and same sex couples, dancing, music, physical abuse, verbal abuse, gaslighting, controlling, stereotypes, internalized Islamophobia, male and female friendships, manipulation, blackmail, judging, deceit, hypocrisy.

TOOLS FOR LEADING THE DISCUSSION:

The cover will tempt younger readers to pick up the book, my only hope is the poor writing will cause it to be abandoned before the haram is glorified, normalized, and celebrated.

Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

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Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

There was a time in college when my friends and I would gift each other Cinderella retellings and versions from all over the world, that was nearly 20 years ago, and I haven’t thought much of it, until this book reminded again of “This is the House that Jack Built.” Having just read and reviewed “The Masjid that Kamal Loves” which is structed similarly, I can confidently say forget Cinderella, I’m loving this new trend, of a repetitive layered story conveying love and excitement and joy to little readers in such an engaging way. This book has more of a story than the original and shows relationships and longing, even though it is primarily a love letter to Cairo.  The swapping out in some verses for Arabic words and English translations, the sound affects and the connections really elevate the OWN voice details in the text and make the book an absolute treat to read and share even for those of us who are not Egyptian and have never visited.  The Auntie who visits wears hijab, the muezzin calling Allah u Akbar is a repeated refrain, their are numerous illustrations of women in hijab and a masjid is shown repeatedly throughout allowing Muslims everywhere to feel seen with this culturally specific story.  The Glossary with the Arabic script and pronunciation guides and Notes from the Author and Illustrator really radiate with love and invite the reader to participate in the celebration on the pages.  I have no doubt children (and their parents) three and up everywhere will fall in love with the 40 page story and delightful illustrations.

Auntie Fatma comes to visit a little girl’s family from Egypt and brings sahlab and changes for two weeks to the home.  Arabic is spoken, and a nightly lullaby of the sounds of Cairo are among the beloved additions to connect the little girl to her Auntie and her culture.

The lullaby begins with the sound of the Nile, the boats floating through the city, the athan calling to prayer, the carts on the streets, the traffic.  The halawa ya battekh, swish, swoosh, swish, Allah u Akbar, beep honk toot, all add layers to the bustle of the city as the little girls memories of the sights and sounds of Egypt soothe her to sleep.  When it is time for Auntie to return the little girl’s sadness is palpable, but Auntie finds a way to reassure her and all those that have drunk from the Nile and long to return.

It is hard to say if the text adds to the illustrations or the illustrations to the story, both combine to make this book impossible to read without smiling.  I love that the mosque is shown in the daytime and at night implying that the call to prayer is not a one time thing without articulating that Muslims pray five times a day. I don’t know if the author identifies as Muslim or if the inclusion of the athan and Allah u Akbar is just an environmental reality of Egyptian daily life and thus featured.  The illustrator could have very well added the hijabs on his own as there is nothing religious or explanatory in the text.  Perhaps it is worth noting that there is a dog in the family’s home that seems to sleep with the little girl.  The book is a cultural heartfelt portrayal, and that Islam is prominently featured so beautifully made for a lovely surprise.

I hope you will consider preordering the book here, requesting it at your library, and sharing it on classroom and home bookshelves.  Happy Reading!

Eliyas Explains Why Should I Pray My Salah? Bite Size Journal by Zanib Mian illustrated by Daniel Hills

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Eliyas Explains Why Should I Pray My Salah? Bite Size Journal by Zanib Mian illustrated by Daniel Hills

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I love the Eliyas Explains books, but was a little curious what a “Bite-Size Journal” version would be, and Alhumdulillah, the silly relatable voice is the same, there just isn’t as much fictional story weaving together as the Angels and Miracles books had.  Instead it has activities and guided prompts for the reader to engage with and space for them to write.  The first 15 pages or so are Eliyas explaining about salah and what he has learned and how he has improved, and some parables through his point of view.  Then the journal pages begin, and while the first few are truly “journalistic” as it progresses to the last of the 60 pages you realize along the way there was a lot of “story” included on the activity pages as well.  The book isn’t blank pages and bound together as a book, it has text, it has hadith, it has games, it has questions, and trackers, and a lot of information.  I love that it states that it has been checked and the Shaykh’s name is included, the positive child framing, and the reasonable price point.  For first through third graders learning about salah, wudu, athan, and inshaAllah becoming more mindful of their actions and behavior, this book will be relatable, funny, and informative.

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SYNOPSIS:

The book starts with Eliyas remembering when he was too lazy to make wudu and pray his salah, he then offers a story of an orphan and a muffin and a lady who makes the muffin to try and show readers that salah benefits and nourishes us and the maker of the muffin truly loves us.  It is a little random, but it somehow all works and kids will go along with the allegory, it isn’t drawn out.  He then moves to talking about how Allah swt loves him and what his parents told him that helped him to love praying.  There are hadith and Eliyas’s explanation attempts, drawings, and some really powerful points about angels and being accountable on the day of judgement to Allah swt.  The journal pages involve decoding, timing your prayers, writing down all the places you’ve prayed, latitude and longitude decoding and a lot more.  The book also discusses the athan and Surah Fatiha.

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WHY I LIKE IT:

I love the voice of Eliyas.  It isn’t fear driven, or punishment framed, it stays positive and motivates from a place of love, but the conscience and priorities are highlighted too.  It is such a crucial part of raising young Muslims, to lead with Allah’s love, but as kids get older you want to introduce consequences, and choices, and being accountable, and this book does it seamlessly with out it being overwhelming.

I honestly don’t know if I like the journal format or the other Eliya’s Explains books more, I do like the storytelling of Miracles and Angels and the way the facts are woven in, but I think for the topic of Salah this format works.  I am happy with mine, and you can purchase yours here from Crescent Moon Store.

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FLAGS:
None

TOOLS FOR LEADING THE DISCUSSION:

I don’t think the book would work for a book club, but in small groups at an Islamic School or Weekend School the teacher could very easily and affordably have a book for each student, or read aloud the story parts and engage the students in the activities without any difficulty at all.

Grounded: A Novel by Aisha Saeed, Huda Al-Marashi, Jamilah Thompkins Bigelow and S.K. Ali

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Grounded: A Novel by Aisha Saeed, Huda Al-Marashi, Jamilah Thompkins Bigelow and S.K. Ali

Over the years I’ve read to a lot of kids, with a lot of kids, discussed books in classrooms, and in book clubs, so when reviewing I often share what kids think or what I imagine kids will think, and I usually acknowledge when I’m being overly critical as a reviewer, but this book I will tell you, I did not read through the intended middle grade lens, I read it as a 42 year old seasoned reader.  I know this because I cried during the entire second half, and the book is not sad.  It is fast paced, joyful and adventure filled.  I cried at the ownership of identity, the pureness of friendship, the acceptance of the flaws and strengths of those closest to us, the love of family and that this book is written by four incredible Muslim women authors for Muslim kids to be seen and for non Muslims to see Muslim kids in action in a fantastic, non preachy, authentic, powerful engaging story.  In short I loved it.  I love that the voices are different, but polished and seamless in conveying a fictional story with universal themes through a variety of Muslim characters without talking down or over explaining anything. From the maps to the crossover character Hanna from S.K. Ali books, the poetry from they young lyricist to the representation and discussions of Muslims not being a monolith, and the sprinkling of a Hadith or Quranic ayat here and there (I wish there was more), the book tugged at my heart strings.  For kids third grade and up, some of those themes might resonate, or it might just be a book about a lost cat in an airport and a hodgepodge group of strangers, turning friends, stranded in an airport searching for her while dodging security and exasperated parents.

SYNOPSIS:

The end of the MONA  (Muslims of North America) Conference has lots of families at the fictional Zora Neale Hurston heading home.  Tired parents and restless kids lead Feek’s little sister Ruqi to go missing and Feek to blame.  As he searches for his little sister he meets Hanna, a girl looking for a lost cat, not her lost cat, just one she has heard about from her animal activist group that is missing at the airport.  As they search for Ruqi, Sami gets dragged along even though he’d rather be mentally keeping his anxiety in check as he prepares for the Karate competition he is heading to.  Luckily Nora, Congresswoman Najjar’s daughter, finds Ruqi and the five strangers are brought together.  When all flights are grounded because of weather, the group goes in search of the missing cat, Snickerdoodle, finding leads, security, secret corridors, self confidence, friendship, and skills along the way.

WHY I LIKE IT:

I knew the book would be good with the authors’ names on the cover and their ability to tell a good story, but I was still blown away by how real the characters were fleshed out and their “problems” articulated.  The emotional connection to each character facing their insecurities and supporting one another’s’ vulnerabilities was reflective and insightful. I love the diverse inclusion of showing Muslims that don’t speak Arabic or don’t know if they are Muslim enough, of Black Muslims and Black culture, of being an only children and struggling with siblings, understanding parental expectation and finding your voice to speak up to those you love.  The surface story is paced well and entertaining and sufficient, but the details and the story beneath the surface, really is powerful.

Again with the reviewer lens- I did wish in the middle there was a tiny bit more inclusion of a Bismillah when following a lead or an AstugfirAllah when breaking a rule or a quick prayer when running from authorities, the beginning and end was Islamically rooted, but as an Islamic School Librarian, I must admit I’d like a few more mentions during the “adventure” parts.

FLAGS:

The kids are dishonest, they break rules (possibly laws), they lie, and do some damage, they sneak and kind of talk back to their parents, nothing is normalized or accepted though and they are called to account.  There is a birthday that is celebrated with everyone singing, and possible triggers of talking about a deceased parent. The kids are 12/13 and younger, and brought together by circumstance, but by the end the girls and boys have developed close friendships.

TOOLS FOR LEADING THE DISCUSSION:

Even though the book is meant for middle grades, I think younger middle school readers would enjoy the book and find plenty to discuss as they see themselves and others in the characters, imagine what they would do in such a situation, and get swept up in the ride.

Not Now Noor! by Farhana Islam illustrated by Nabila Adani

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Not Now Noor! by Farhana Islam illustrated by Nabila Adani

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This 32 page book is incredibly adorable and silly, and yet so vague in the answer that is the whole premise of the book, that it really has me wondering why we are so afraid (in children’s books and possibly in our daily lives) to say that we wear hijab because Allah swt commands it?  The book articulates that we are Muslim and that hijab defines us, which I love, it just seems that while the rest of the book is incredibly direct and funny, the answer is fuzzy and lyrical.  It is by no means wrong, it just at the end presents what hijab means, the benefits of wearing it, and one’s personal feelings toward it, while skirting the answer the girl keeps asking of why? It seems to be a common approach lately, and I wish that more picture books about hijab would clearly articulate that the commandment to cover is in the Quran.  It isn’t for any other reasons. It may have perks of keeping your ears warm, fashion, or hiding your earbuds, but that isn’t why Muslim women wear hijab.  Perhaps the trend has me more frustrated than this book on its own warrants, it really is sweet and I don’t regret purchasing it and having it sent from the UK.  It allows for a serious conversation about hijab to occur after, and it intentionally pushes the humor, which I definitely think we need more of in Muslim centered books.

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The book starts with Noor identifying what her Ammu’s hijab is and isn’t, how she wears it and how she doesn’t.  The next page shows Noor’s bustling family and she compares how her Ammu’s hijab is not the same as her Nanu’s or Dadu’s or Aunt’s or even her sister’s, but she doesn’t know why any of them wear it.  Yes, I’m sure there is some pointed criticism I should make about how can a child her age not know, but I think for the sake of it being a book and being comically done, I am willing to let it slide.  I do wish that the spread had the women and their style of wearing a scarf shown.  I appreciate that they are in the dining room at home and thus not wearing a scarf, Nanu is because Dada is in the picture, authenticity which I love seeing, but children need a little more hand holding to see which person the text is talking about. Yes I know there is a family tree on the inside cover, but at story time, it is cumbersome to flip back and forth.

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Back to the story, Noor starts by asking her sister, the coolest hijabi she knows, if she wears it to hide her snacks in, or hide her big ears, but Affa brushes her off with a, “not now, Noor” and she is off to the next family member to ask.  Each time the rationale gets more outrageous: hide the eyes on the back of your head, prevent you from getting nits, etc..  And each time the person she asks sends her on her way with a “not now, Noor.”

When Noor finally gets to her mom it is she who answers with poetic lyricism, “We are Muslim women, my Noor, Unapologetic and true.  We are believers.  We are dreamers.  We are thinkers. We are leaders. We can wear our hijabs on our heads like our hearts on our sleeves.  Whether you choose to or not, my Noor,, we are so many things…and we are more than enough.” On the next page it continues, “My hijab is not just a scarf.  It means more to me.  It is a reminder of who I am, where I’m from, and where I’m going to be.  And perhaps one day you’ll understand what I mean.  Because, most of all without my hijab, my Noor, I don’t feel like me.”

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A flowery sentiment, but little Noor and the reader never got the answer as to why Muslim women wear hijab, and I think that it is unfortunate.  The book is beautifully illustrated, the size is great to be shared, the text funny, the voice playful, the joy contagious but the answer for me, just missed the mark, not by a lot, but by enough that I think an adult would need to supplement the overall takeaway message.

My Baba is the Best by Bachar Houli illustrated by Debby Rahmalia

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My Baba is the Best by Bachar Houli illustrated by Debby Rahmalia

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This 32 page horizontal picture book by an Australian footballer starts out much like a list detailing why a little girl loves her Baba, after a few pages though of more superficial delights, the book gets deeper.  It shows the family making duas at bedtime, going to the masjid on Fridays, it even gives a little insight into Eid and fasting before it then takes readers on a camping trip.  There isn’t really a story or plot, but the bouncing around fits the narrator’s point of view and will appeal to the intended target audience.  The book is mainstream published by Penguin in Australia, so I absolutely love the inclusion of Islam, the mom in hijab, the dad’s beard and the love shown between the little girl and her Baba.  Sometimes celebrity books feel a little forced, but having never heard of this athlete, I still found the book incredibly sweet and joyful, and the illustrations by a Muslim illustrator a great amplification of the simple heartfelt text.

The book starts with a little girl rushing to give her Baba a hug on the field as fans cheer in the background.  After all her Baba gives the best hugs, it then mentions that he is always doing something and shows him washing his boat and jumping on a trampoline with the little girl and her younger sister.  The trio garden, exercise, ride bikes, train and go fishing. They also watch movies at the theater or at home with the whole family. At night Baba reads special prayers to protect them while they sleep.

On Fridays, the family goes to the mosque for prayers, and the most special time is when they all go for Eid in their best clothes.  They listen to the imam and give donations to those in need. They open presents and after fasting they eat Lebanese pizza before going to visit teta and jeddo.

The best time is when they go camping.  They all set up the tent, and get sticks to roast marshmallows.  They even see kangaroos eating dinner before heading back to eat theirs.  On many of the pages it is just the girl and her Baba, but even when the whole family is present, the focus is on the strong relationship between the two.

The book is very endearing and as a daddy’s girl myself, I love seeing the relationship unfold on the pages with big things, and little things, fun things, and reflective things, and from the little girl’s point of view.  The book is not readily available in the United States, I purchased mine from Book Depository, where they offer free shipping.

The Ramadan Shield by Fadelah Mahmood illustrated by Ayun Sekar

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The Ramadan Shield by Fadelah Mahmood illustrated by Ayun Sekar

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This new 32 page rhyming book focuses on a boy who gets frustrated and often loses his temper and how the onset of Ramadan has his father imparting the lesson that fasting isn’t just staying away from food and drink, but also about behavior and controlling your anger.  He shares the hadith of saying “…I’m fasting, I’m fasting,” which is shared in its entirety and sourced at the end.  The book has a lot of text and scenarios in its moral framed telling that creates a bit of a disconnect between the presentation and the target audience.  The characters are fasting, there is no discussion about why they are fasting or that it is a first time fasting (thank you). the child’s art assignment is pretty advanced, and friends are seen independently out and about, but the rhyming lines and illustrations at the end of the kids on the rug seems aimed at a much younger reader/listener.  For my purpose of story times to children 4-9 it is a great choice, because it can appeal to the large range of relatability and attention spans, but for repeated readings in a home, it might need some shortening or additional explaining to connect as intended.

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The story starts with Nuh working on an assignment to draw and paint a picture of the Kaba, but it keeps coming out tilted and he crumples and throws page after page.  His dad snuggles him close and explains that Shabaan is over and Ramadan is about to start which means that he needs to go without food and water, but also work on his behavior.  He explains, how to use the advice of saying, “Fasting is my shield; I will not be defeated! I am fasting, I am fasting.”

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Empowered by the words, Nuh starts his next morning remembering his father’s advice.  When he spills water on his painting he remembers the advice. When a grocery cart collision at the store with his nemesis gets his fist clenching, he remembers his father’s advice.  He even gets a chance to share his knowledge with his friends.

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When the day is over he is eating iftar with his family and determined to keep his temper at bay throughout he whole month and beyond, inshaAllah, starting with him trying his drawing of the Kaba again.

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I like that the focus is on behavior, I think that is a good reminder for older kids, and something younger kids that may or may not be fasting need to implement in Ramadan.  I also like that the parents are encouraging and invested, but not controlling the individual situations.  The book is preachy, and when the kid takes the lesson and starts preaching it to him, it is a little heavy handed, but I think it fits with the nature of the book.  I appreciate that the kid knows what Ramadan and fasting is, so that the lesson can go a bit deeper in this Islamic fiction story.

I got my copy from Crescent Moon store, and you can get yours there as well by clicking this link here.  If you use code ISL (Islamic School Librain initials) at checkout you will save 10%,

Hunger Alert by Shazia Afzal illustrated by Sania Hussain

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Hunger Alert by Shazia Afzal illustrated by Sania Hussain

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On my first read through, this book came across as a bit text heavy and the presentation didn’t quite fit with the content for the target audience, but when my seven year old read it, then reread it, and my 12 year old picked up and read it and both said, “it’s good,” I realized, the target audience is not little kids, nor is it adults, it is kids who have fasted and have felt the pangs of hunger.  The character is getting through his first day, but the relatability is for kids everywhere fasting for the first time the hundredth time and everywhere in between.  It is Islam centered, I appreciate the healthy food temptations and the unwavering that fasting needs to be done, but as an adult and an educator, so often I wanted to interject Islamic touchstone to getting through the day asking Allah for help, talking your self up and increasing your determination by knowing the Angels are recording your struggles and you will be rewarded in the akhira, and while Quran is read, and a surah loved, and Islamic phrases included, the focus of the book is a little boy in a very idyllic family trying to keep hungry thoughts away. The small 8 x 8 soft back book with 22 thick cardboard pages would be a bit hard to share at story time, but the simple concept story is fine in smaller groups and at bed time.

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The books starts with Ahmed fasting for the first time in Ramadan, he has a list of things he needs to complete his fast: 1-Keep busy, 2- Don’t think about food, and 3-Stay away from the kitchen.  I found when reading it to my younger kids I would pause here to discuss why we fast, and that we are doing it for the sake of Allah, so we need Him to be successful, not distractions.

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Ahmed starts with reading his favorite book about a charitable boy, the illustrations though had baskets full of shiny, big, read apples.  “Grr, Hunger Alert!” He runs to his brother’s room to keep busy with a soccer video game, but the prize on the screen are big, yellow bananas. “Grr, Hunger Alert!” This continues throughout the day, including while reading Surah Rahman, and the pomegranates trigger yet another Hunger Alert. When Grandpa asks him to take strawberries to his mom and his mom is in the kitchen, each of his rules will have to be broken.

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With iftaar approaching and fruit chaat waiting, Ahmed will have to persevere to complete his fast.  There is a glossary at the back and the book you can search online to find where the book is available near you http://www.compassbooks.ca

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The Adventures of Adam and Anisah: The Golden Trail by Zahra Patel illustrated by Reyhana Ismail

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The Adventures of Adam and Anisah: The Golden Trail by Zahra Patel illustrated by Reyhana Ismail

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This third book in the Adam and Zahra series, also available with a workbook, focuses on zakat and can be read alone.  Aimed at toddlers to early preschoolers, this rhyming story can also work at story time with slightly older kids as a reminder of zakat and giving to those in needs.  The book has very minimal text and as a result if you overthink it, it could be slightly problematic: there is magic, they are taking and giving something that doesn’t belong to them, Zakat is a portion of your wealth not sharing something you found-even if a note says otherwise.  I think the book is sweet though, and the discussions to have with little ones outweigh the adult concerns I’ve mentioned. It touches on giving to others, on people in need, of people in need living very close to you, that everything being a gift from Allah (swt), it shows siblings working together, sharing, generosity, a lemonade stand for Yemen, giving of food and money, and befriending others.  I think if you liked the other books in the series regarding a “magic” pray rug and a fasting shield, both mentioned in this, you will like the presentation of sharing and the term zakat presented in a similar fantasy laced manner; if those books felt uncomfortable for you and your family, this one probably will as well.

Adam and Anisa start the story in Ramadan, a week before Eid, digging in the sand at the beach.  Adam finds a treasure box and a message in a bottle.  The treasure box is locked and the message says that “My name is Zakat and I’m for someone in need…”  Once the kids get the box home and the lock off, a beam of light shines a path for them to follow.

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They follow the light out the door and through the field, and past the mosque and their friends, along the way they purchase a pie from the bakery for when they break their fast and keep following the light to the field as the sun starts to set.  They find a house in the forest with a mom, a baby, and a little boy, to whom they give the money and the pie. They learn that they had moved to this country and were all alone, but Allah swt provided for them, and He is never far. They all break their fast together and learn that “Whenever you give, Allah will give you more.”

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The backmatter of the book contains Context to the Story, Developing Character Strengths, Learning through Practice and a map of their adventure.  I purchased my copy from Crescent Moon Store here and if you use my initials (Islamic School Librarian) ISL at checkout you will save 10%.

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