Tag Archives: language

Six Truths and a Lie by Ream Shukairy

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Six Truths and a Lie by Ream Shukairy

Woah baby, that was a wildly fantastic ride of a read.  The very first page grabs you and makes you sit up and pay attention.  I have never been so happy to sit in a waiting room so that I could read in peace.  This 387 page book is mature YA, I was gifted the knowledge prior to reading that there is a line that is toed, possibly stepped on, but not carelessly crossed, so I will gift that knowledge on to you, so that you might enjoy the story without that anxiety. Told from numerous perspectives, a group of Muslim teens find themselves arrested for an act of terror.  Strangers from different schools, different backgrounds, and different dreams for their future, are fiction, but their stories, their secrets, the broken system that they find themselves in, all feels very real.  The plausibility and commentary from an OWN Muslim author is incredible, I do wish their was more spiritual centering, Islamic framing, or even a more Muslim conscience present. Some of the characters do discuss hijab and one does find solace in prayer, but none of them really pour their heart out to Allah swt in the isolation of their cells, and in the predicament they are placed in, and it seems like they would.  Ultimately though the writing is remarkable, it has been a long time since I was truly tempted to skip ahead and read the last few pages because my heart was racing.  There is just one storyline thread that is so overly emphasized that comes close to a haram line, that I wish was a little down played so that I, as an Islamic school librarian, could encourage younger teens to pick up the book and dive in.

SYNOPSIS:
It is the fourth of July, and the MSA kids from the local different high schools are gathering at the beach for bonfires, fireworks, and socializing.  Everyone present will witness a crime, six teens though will be accused of committing it.  Qays, the Palestinian golden soccer boy who can charm everyone and anyone.  Nasreen, the outcast from a private Catholic school there to meet someone.  Samia the hijab wearing social media star. Muzhda the Afghan refugee with undocumented parents.  Zamzam the girl with a singular dream to be a doctor, and Abdullahi, the quiet EMT in training.  Six strangers whose histories and alibies link them to the outside world, but leave them skeptical of one another as they face charges in a world not concerned with the truth.

WHY I LIKE IT:

I love that the characters are Muslim and feel so real and developed. The characters are not tropes or their families stereotypical.  They know what Islamophobia faces them from others, they know what internalized issues they are dealing with, and they are not having a religious identity crises amidst everything else they are experiencing.  The writing allows each voice to be unique and clear, which is quite impressive as there are a lot of perspectives that move the plot along.  It is really hard to write a review that doesn’t spoil the book, so yes I’m being vague, and you are welcome.

FLAGS:

There are a lot of profanities not just when the stakes are high, but normalized as well throughout.  There are close relationships between boys and girls.  They take about dating.  There is weed, and the legalities of using, being in possession, and being high.  There is lying, death, incarceration, Islamophobia, some physical abuse mentioned.  There is a story line of a girl that doesn’t know if she is attracted to girls, she doesn’t act on it, but it is something that has tangled up her alibi and she choses not to explore it, but it keeps coming back up.

TOOLS FOR LEADING THE DISCUSSION:

This would be an awesome mature YA book club, just like some of the characters are being held in juvie and some being tried as adults, I think for Muslim readers a little older will benefit and be able to process, discuss, and see themselves in the book.  The book mentions that it could happen to anyone, and for a Muslim audience, to recognize and discuss that concept would be beneficial and engaging.

Fatima Tate Takes the Cake by Khadijah VanBrakle 

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Fatima Tate Takes the Cake by Khadijah VanBrakle 

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I really want to be raging furious and upset by the lying, premarital hetero sex, normalized/celebrated lesbian Muslim, internalized Islamophobia, gaslighting, abuse, and labeling of Muslims as “conservative” and Islamic principles as “ancient and ridiculous” (keep in mind the characters and author are all Muslim). But honestly, the writing is so terrible that to feel that much emotion is just not that warranted for what the story is. I’m so disappointed in the entire writing quality of the book, that I couldn’t appreciate the characters or story as written.  I know elements of the story probably ring true, my privilege and arrogance don’t blind me to recognizing that, and whether I agree or relate or identify with the Islamic representation is subjective, but it is not a good sign when reading- that screen shots are not enough, and I have to break out paper and pens to note the contradictions, plot holes, and inconsistencies.  The cover is the best part, with its beautiful Black Muslim inviting YA readers to crack open the book and spend time with Fatima who dreams of following her culinary dreams despite family and toxic relationship obstacles.  Sadly though, the text does not live up to the expectations the cover sets forth.  It reads like a very early draft where the plot points, the climax, and the conclusion are laid out, but the dialogue, backstories, and relationships are yet to come in this very mature 304 page book.

SYNOPSIS:

Fatima Tate dreams of culinary school, but her mother demands a more practical degree of nursing.  The only child of a nurse and mechanic, Fatima goes to a virtual charter school and has a best friend since 5th grade, Zaynab. who goes to a private school, yet constantly chauffeurs her around, covers for her, and whose relationship with Amber is a major thread in the story.  One day, when Zaynab fails to pick Fatima up from her shift at the soup kitchen, Raheem, her crush who she has never really spoken to, offers to drop her off, he uses the excuse of not wanting to miss Asr salat to get in her house, and by the time the prayer rug is put away the two are kissing and holding hands.  It has been a busy day for Fatima, she was also invited to join a teen cooking competition, and with that, all in the first chapter, the direction of the story is set.  Add in the twist that her parents don’t know about her joining the cooking competition, Raheem being revealed as a narcissistic, controlling, wealthy, manipulator who has his mom properly meet Fatima’s parents resulting in the two quickly become engaged, and Fatima at some point having to finalize her college plans and you have most of the plot and spoilers of the book.

WHY I LIKE IT:

I wish there was more OWN voice Black Muslim culture inclusions.  As with all the potential themes of the book, the writing just feels so superficial.  The only thing quicker than the instant romance, is the reader’s (my) instant disdain for the creep that Raheem is: from his arrogance to his ghosting, his hypocrisy to his gaslighting.  There is no angst, attraction, sympathy, intrigue, nothing in his character makeup or in the relationship he and Fatima have.

The cooking thread is equally lackluster, I think most bakers have heard of refrigerating cookie dough, and where I should have been hungry or had my senses tingling, I found myself annoyed by the almost childish portrayal of the food scenes.  If it was meant to show passion or a divide with her parents, it was all talk and no show.  At times the text says how close Fatima is with her parents, how much she respects her mother’s strength and her father’s kindness, but lie after lie to them and their distance from the heart of the book, definitely do not show a complicated relationship, it once again, yep you guessed it, reads really flat and one dimensional.

Islamically there are concerns with the premarital relations, but even before that with the male and female being alone, the lying, the lgbtq+ relationships.  I never understood why Fatima refuses to pray in congregation and attend Jummah it just says she doesn’t join the community prayer, but she also doesn’t pray with Raheem, which might have actually been sweet.  She is noted to pray fajr late and it is a point of contention, she wears hijab, and says a lot of inshaAllahs, but while the text sprinkles in these touchstones, they don’t seem to shape her identity, it feels like it is just the paradigm that she knows.  She finds the mahr concept to be “ancient” and “ridiculous.” The one character that speaks out against same sex relationships wears abayas, black abayas to be exact. She is also labeled the “haram police.”  Zaynab doesn’t pray, doesn’t cover, but presumably identifies as Muslim.  Raheem says he is fine with her lesbian identity, but fears Fatima’s relationship with her will ruin his future political career.  The book never has any substantial commentary on the Islamic view of queer relationships and labels any one that has a problem with them as being “strict” and “conservative.”  The book says “love is love” and leaves it at that.

Constantly the reader is told that Fatima and Zaynab are best friends since 5th grade, no backstory as to why Fatima left for virtual school and Zaynab for private.  We never see Fatima add anything to the friendship, Zaynab drives Fatima, feeds Fatima, consoles Fatima, it is all very one sided.  So many story lines just fall off the page without resolution or insight.  At one point Fatima is angry at Zaynab and doesn’t want to share her with Amber, but then is mad that Raheem is wanting to take her away but nothing is ever done or explained or internally pondered over, it is just forgotten.  I really despise how we are also told that Zaynab and Amber are the ideal couple, but nothing ever shows it. NOTHING. They are always fighting, Fatima is always on edge to even ask Zaynab about Amber.  Zaynab and Amber fight about their graduation party and it magically all works out.  Amber is shocked to know that Muslims won’t accept them, and they seem to break up, but then they are together at the end so how did that get resolved?

Major plot holes: When Fatima’s mom asks Fatima if she knows Raheem, she says no and four pages later her dad asks her what she thinks about Raheem and she answers him.  This inconsistency mitigates the “reveal” at the end that they knew each other at the soup kitchen.  Speaking of soup kitchen, the reader sees she goes once and then stops for finals and never resumes going, so how is it such and important part of her or Raheem’s life? Does he return? Fatima gets driving lessons and a car, and is then driving alone, time line doesn’t work, nor does what she is driving get articulated if she returned the Lexus.  Extravagant gifts aside, it never fully explains where Raheem’s grandfather made his wealth, it seems lacking because he doesn’t want Fatima to work, but his mother does, in managing her father’s inherited wealth.  At the walimah it is very awkward between Zaynab and Fatima’s mom, almost to the point I thought they might not know each other, or might have issues with her lifestyle, but by the end it is clear they know each other well, so I think the scene is just written poorly.  I went back and read it and the familiarity of the families is definitely unclear and not consistent throughout.  For Fatima’s graduation Raheem gets permission to take her to dinner alone, for someone who is constantly watching money and loves cooking, it felt like it would be a big deal to be able to go out alone with her finance, to a fancy restaurant and savor all the flavors and ambiance.  Nope, the scene is skipped, no details, no nothing.  Lots of little details are skipped quite often, for example five people are qualified for the finals, only three names are given, just throw two more names in there, nope we get dot dot dot- it reads unfinished.  At one point when Zaynab once again saves the day and picks up Fatima, they come back to Zaynab’s house with Starbucks and meet at the fridge to get Pepsi’s out, like three sentences later, Starbucks on the table forgotten.

Zaynab does have a slight character arc, but throughout needs someone to constantly side with her, and I don’t know that she is very independent at the end.   I don’t think there is a decent relationship in the book between any of the characters, which is unfortunate, and religion and the masjid (labeled “patriarchal”) are often portrayed in a negative light. The internalized Islamophobia was hard to swallow.  At one point Fatima shakes a man’s hand and says that she isn’t one of those Muslims that has issues with that.  It seems like this book checked a lot of boxes and for whatever reason didn’t get the polishing it needed.  It is unfortunate because OWN voice Black Muslim books with authentic rep and joy and complexities and nuances are so desperately needed, and this one just felt underdeveloped and raw.

FLAGS:

Language, closed door premarital sex, talk of sex, talk of condoms, child out of wedlock, cheating, lying, hetero and same sex couples, dancing, music, physical abuse, verbal abuse, gaslighting, controlling, stereotypes, internalized Islamophobia, male and female friendships, manipulation, blackmail, judging, deceit, hypocrisy.

TOOLS FOR LEADING THE DISCUSSION:

The cover will tempt younger readers to pick up the book, my only hope is the poor writing will cause it to be abandoned before the haram is glorified, normalized, and celebrated.

Egypt by Aya Khalil illustrated by Magda Azab

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Egypt by Aya Khalil illustrated by Magda Azab

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This sweet board book is part of a series, the other two books are Japan and France, releasing in October.  All are brightly illustrated, 20 page books for ages zero to four and take the littlest of readers into a country, through sights, experiences, foods and language.  This particular book does not feature any visible #muslimsintheillustrations but the author is Muslim, and so I am reviewing and sharing it here.

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The framing of the book is a day in the life of a little girl, who wakes up with bosas from her mama and baba and greetings of Ahlan.  Some of the words are written in Arabic script with the English transliteration and pronunciation provided, other times it is just the English transliteration of the Arabic with the pronunciation asterisked and written smaller immediately below the text.

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Once she is awake, she gets dressed, brushes her teeth and is off with her baba to buy pita and ful.  The busy street offers sights to see and fruits to pick from.  She ponders and asks herself and the readers which one to choose.

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At her Teita and Geddos there is dancing and tabla playing before walking back home along the Corniche.  Dinner is served and bedtime has arrived. The book concludes with a summary of her day linking the Arabic words to the illustrations and English meaning, as well as some pronunciation tips for the Arabic sounds.

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As a Muslim reviewer I had to hope there might be one hijab clad woman in the illustrations, I know many Muslims don’t cover and Egypt is diverse, but considering the lens I review from, I feel obligated to state that opinion.

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A little more critically, I was a bit surprised on the page with the colorful boats that the color names yellow, blue, and purple, were not included in Arabic and only in English.  Seemed that would have been an naturally and easy inclusion.

Overall, the book did a good job of celebrating Egypt without over explaining, keeping it bright and engaging for toddlers.  I really like the language being shared in a story context, not just a book with a picture on it and words in different languages.  I also liked that while the details were Egypt specific, there were also pages that were universal.

Available for preorder and purchase here

Hello! A Welcoming Story by Gina K. Lewis illustrated by Maria Jose’ Campos

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Hello! A Welcoming Story by Gina K. Lewis illustrated by Maria Jose’ Campos

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This 62 page early elementary story is told from two perspectives, you flip the book to read each parallel story from two points of view, the refugee children’s and the children welcoming them.  Overall, I feel it is very well-intentioned and gets a lot right, but I found myself not feeling comfortable with some of the messaging regarding the visibly Muslim character included.

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I love that there are characters of all skin tones both welcoming the refugees and the refugees themselves. And I love the vague universalness that binds all the refugees together being expressed:  that they love their home, they had to flee, the journey was dangerous, they left everything behind, etc..

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I also love the warmth and genuine compassion that comes from the welcoming children.  They are reassuring, open, and seem to truly want to provide confidence to their new classmates.  The simple text really conveys a lot of emotion albeit very idyllic, that provides ways that readers in similar situations can also mimic when welcoming anyone new.

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On one of the two story sides a map is included showing that the refugee kids come from all over the world, the side that did not have the map I worry might confuse young readers.  They might not realize that the five children do not all come from the same country.  There should be a map on both sides, ideally.

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The illustrations that show how the welcoming kids understand the refugee stories is clever in the showing of their understanding.  The images are similar, but the different style is a great emphasis on how we process from our point of reference facts that others have lived.

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The concept of a new kid finding everything so different and not fitting in, is a great concept to explore in terms of clothing and food and language, but for some reason I didn’t like how the girl in hijab was presented.  I’m ok that she took off her hijab to fit in, and that her classmates encouraged her to be herself, and put it back on, but the text is too over reaching, to an erroneous end.

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It says on one page, “No one looked like me, but most people smiled.”  Really, NO ONE? No other Muslims exist in your new home? It then says, “I was afraid to wear my real clothes to school.  The other kids didn’t dress like me.”  In the illustration her clothes are EXACTLY THE SAME, the only thing that changes is she has a scarf on. Hijabs are a religious article of clothing, they are not unique or country specific.  And what does real clothing even mean?

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I also didn’t like the text reading, “This is my journey’s end.”  That seems to imply that you leave the horrors behind, you build bridges, this is your home now, and that is it.  This is a children’s book, the message should be that there is so much more to you and to your life, and you will find welcoming people and be the one welcoming in the future.  I don’t like that it seems to carry the weight of finality to a person’s story.  People, all of us, are more than just a label.

This Is All Your Fault by Aminah Mae Safi

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This Is All Your Fault by Aminah Mae Safi

 

img_8116I wanted to give the author another chance to win me over after really disliking her first book’s writing style and characters and while this book is an easier read, I was shocked when the Empire Records inspired story really crossed over to me to being almost plagiarism.  I was a huge fan of Empire Records as a teen in the 90s, and can quote the movie, recall with little effort when Rex Manning Day is (it was yesterday), and know what is going to  happen at 1:37 exactly, so I was really excited to see what this Muslim author did with her spin of turning a music store in to an idie bookstore and focusing the story on three high school females. I wasn’t expecting the spin to be so minor though, and to still find an AJ and a Warren in the character list, a girl shaving her head, an employee dance party on the roof, a scummy celebrity, a celebrity assistant hinted at romance, a character deciding that today is the day to tell her crush how she feels, you get the point, it is remarkably similar.  If you haven’t seen the PG 13 movie, the book isn’t terrible, but it is very scattered with three voices, a lot of side characters- often random, and unresolved story threads, the book takes place in one day after all, I don’t know that it is really worth the time to read it.  There is straight and LGBTQ+ romance and break ups mentioned, a kiss, alcohol, vape pens, marijuana, sexual assault, some violence (slapping), a theft, language and one character has Arab parents and mentions Middle Eastern poets as well as likens the book store connecting people to the concept of an Ummah in Islam.  I can’t think of a demographic that I’d really recommend the book to, nor do I think that I’d ever read it again, the author’s writing style for me improved slightly but the characters are forgettable and the story un original. In terms of appropriateness probably high school readers, 14 and up.

SYNOPSIS:

Eli is closing up Wild Nights Bookstore and Emporium and accidentally opens the manager’s computer and accidentally logs in to her accounts and accidentally learns from her emails that the book store is closing in less than two weeks.  He then sees that the bank account is still logged in and finds a petty-cash account that has $9,000 and decides that he for once in his life is going to try and help out the store and invest in something to grow the money and hopefully delay the closing.  Unfortunately he buys nine grand worth of Air Jordan knock-off shoes, and is unable to return them.  The next day when the entire staff rolls in to work, bits of the story come out, some know the store is closing, others are sensing something is amiss when boxes are being unloaded that don’t contain books, and to top it all off a famous author is doing a book signing later in the day.  

Each of the characters has something going on as well on this particular day, Rinn is going to tell AJ she loves him and use her influencer status to try and rally support for Wild Night,  Daniella is going to lift the veil on her secret poetry writing and share it, and Imogen is going to break up with her girlfriend of nine months and shave her head.  None of the girls like each other, and go out of their way to be down right nasty to one another, but eventually they come around, they support one another in the face of them losing their beloved store, and helping each other when one is sexually assaulted by the famous author.  Along the way the reader meets the quirky characters that come to the bookstore regularly, some that never leave, a manager who never seems to be there, and an owner with weird rules about technology in the store.  

The climax is the girls stepping in to their own and becoming vulnerable to who they are to one another, the world, and ultimately themselves.  The book store isn’t saved in it’s entirety, but it isn’t lost either and the direction forward looks infinitely more unified than the crazy day the they all just had.

WHY I LIKE IT:

I like that the wave of nostalgia that hit me as I recalled the regular watching and quoting of Empire Records from my younger days, but that really was about all the book gave me.  I wanted to love the girls coming together to save the day, but they were really crass and rough and while I’m glad they did get to a place of tolerance, the transition wasn’t cathartic because their original irritations with one another didn’t seem justified.  The lack of character connection made it hard to cheer for them when they broke free from what they perceived was holding them back as well.  For example, I wanted to be giddy with nerves when Daniella stepped on that stage, but the emotion just wasn’t there.  There was a lot of telling, not showing, and with three perspectives, it was just stretched too thin.

I kind of like that Islam and the concept of Ummah was referenced at the end, but really only someone like me looking for it and piecing together the poets she mentioned, her one parent being from Lebanon and the other coming to America after the six day war would even take that conversation as being in sync with the character.  She might not be Muslim, she is a lesbian has/had a girlfriend, and it is a non issue.  Religion is otherwise not mentioned in relation to her or any other character.  A French Tunisian customer calls her habibti and says ‘Handulullah.”  I probably am reading to much in to it, old habits die hard and even after writing over 500 reviews, I still get so excited to see someone in literature possibly identifying as Muslim.

One thing that really stood out to me as a hole in the story was that it never said what Danny’s plan was,  just kept hearing that it was a terrible, awful plan.  That bothered me. The pacing is also off, to have all this happen in one day you would think it was all happening so quick, but then there are really long winded tangents about cell phone cases and grape soda.  At times it is such a time crunch and at other times everyone is chilling on the roof or in the alleyway it is no surprise there is not enough business.

FLAGS:

Copied from above: There is straight and LGBTQ+ romance and break ups mentioned, kissing, alcohol consumption, a massive hangover, vape pens, marijuana, sexual assault, some violence (slapping), a theft, language. Nothing is really sensationalized though, the 

TOOLS FOR LEADING THE DISCUSSION:

Not even tempted to use this as a book club, or recommend others to do so.  There is no real literary or representation value, in my opinion.

 

I am Brown by Ashok Banker illustrated by Sandhya Prabhat

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I am Brown by Ashok Banker illustrated by Sandhya Prabhat

This 40 page celebration of diversity within the label “brown” is a sweet and powerful book that shows how the color of our skin is beautiful and perfect while at the same time making it clear that who we are and what we can be is not defined by our appearance.  The book shows adorably illustrated brown children finding strength in different cultures, clothing, religions, languages and dreams, which will hopefully empower children everywhere (and of all colors) to take labels that may have negative connotations and turn them in to positive affirmations of identity and strength.  There isn’t a story with a plot, but with the regular inclusion of a girl with a scarf on, and the mention of a mosque, I thought to highlight it.  The book is perfect for preschool and up.  

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The book starts with a little girl identifying herself as brown, beautiful and being perfect.  It then stretches to her being love, friendship and happiness.

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From there it branches out to a whole cast of kids identifying the variety of things they can be, from a writer to an electrician to a prime minister. the same kids then do and make and work on things before identifying where they come from and what languages they speak.  

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The kids all have different hair on their heads and faces and even no hair at all. They live in different dwellings, they like to do different things. 

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Brown people are not a monolith, the kids show that they eat different foods in different ways, that they wear different clothes.

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People with brown skin are roommates and teachers and friends and classmates.  Some go to temple or church, others a mosque or shrine, some not at all. 

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The book ends with a close up of three smiling faces proclaiming, “I am brown.  I am amazing.  I am You.”

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I’m sure people will argue that if you switch out white for brown the book would be deemed racist, and you are correct it would be.  But as a group that is marginalized as “other” and often the darker brown you are with in the brown subset moves you “value” and “worth” down, makes a book celebrating the strength and beauty of “brown” so necessary and heart warming.  I personally am the lightest “brown” imaginable being only half Pakistani.  So, believe me I have privilege in the desi community, but I don’t find this book offensive at all.  I’ve read this book at least a dozen times and my impressions alternate between beaming with pride and tears that so many beautiful people feel less than because of skin color and yes, anger too,  that people are MADE to feel less than.   May we all be more inclusive, more loving, and more open to the diversity of the human being. Ameen.

The Day Saida Arrived by Susana Gómez Redondo illustrated by Sonja Wimmer translated by Lawrence Schimel

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The Day Saida Arrived by Susana Gómez Redondo illustrated by Sonja Wimmer translated by Lawrence Schimel

saidaThis absolutely gorgeous lyrical book will sweep you up and hold you tight as you imagine a world where more people take the time to get to know one another through the power and beauty of language.  Over 32 pages that are exquisitely and whimsically illustrated the words dance and come to life in English and Arabic as a friendship is formed.  Perfect for preschool through 3rd graders, older children and adults alike will be softened by the kindness and example shown between two little girls.

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Told from the perspective of a little girl that meets a new girl in school named Saida and decides right away that they are going to be friends.  Unfortunately Saida speaks only Arabic, and the little girl only English.

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But it is no problem, because the little girl is going to help Saida find her words.  She is going to look everywhere to let her get rid of her tears and throw away her silence.  So that she doesn’t see questions and sadness locked up in her.

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That night at home, the little girl’s parents tell her about Morocco and find it on the globe.  They explain that Saida’s words don’t work here and that her words wouldn’t work in Morocco.

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Undeterred the two girls start teaching each other words in their languages.  Some stick, some float away, but the two learn and communicate and connect. They find friendship in learning each other’s words.

They recite a poem by Jacqueline Woodson and tells stories about Marrakesh. The two girls plan to travel the world together. The book concludes with both alphabets shared and the reader wishing to join the little girls on their adventures.

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I was blown away by the presentation of the book and the feeling of compassion and cultural appreciation depicted.  Such a beautiful approach to welcoming someone different in to your life.

There is nothing Islamic or religious in the book, or really even cultural, aside from language.

More Than Just a Pretty Face by Syed M. Masood

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More Than Just a Pretty Face by Syed M. Masood

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This book is a Muslim YA romcom OWN voice written by a Muslim male.  Woah, right? And the actual story, sigh (blush) I enjoyed it, and part of me is disappointed in myself for how much I enjoyed it.  Most of the characters are Muslim and all over the spectrum in their religiosity so to speak, there are a lot of jokes at the expense of tenants in Islam and trivializing of certain concepts which really isn’t something to celebrate, but it reads real and there is a lot of Islam that is front and center and deep and though provoking. For most non Muslim readers, I’m sure 15 or 16 and up would be fine with the content and 353 page length, but as a former Islamic School Librarian, I’d have to reserve recommendations to college age.  The protagonist is 19, there is talk of sex, but not crass, the main female character has a past that includes a sex tape, and there is a lot of language, but its also really funny and really relatable and really sweet and takes place in high school.

SYNOPSIS:

Danyal is a pretty face, but he isn’t very bright.  He goes to an elite private school though somehow, and while he is admittedly dingy, he is also very kind, innocent and generous.  He was held back at some point in school and is 19 as a senior in high school.  He works in a French restaurant and dreams of being a chef.  He has no desire to go to college and as the only son of Pakistani immigrants, they are not thrilled with their son’t future plans.  Danyal is pretty chill about it though and his mom wants to arrange his marriage, and he is willing, although he is crazy in love with his friend’s twin sister.  He is religious and hasn’t really broken any of the Islamic relationship rules, he prays fajr, and just kinda floats through life doing the best he can and forgiving himself and others when they mess up.

When his mom arranges a meeting with Bisma he is willing to get to know if they are a match.  She however, fully discloses her past to him when they head out for coffee, which involves her rebelling, once a few years earlier, against her father and going to a party, further rebelling and getting drunk and then making the poor and regrettable choice to sleep with someone.  To make matters worse, the event was video taped and spread around the community forcing the family to move.  Bisma is pretty religious and really studious and really sorry, but her father and most community people don’t let it go.  Danyal thinks that is stupid, one mistake shouldn’t haunt her forever, unfortunately he doesn’t think chivalry and pity are enough of a reason to marry her as he doesn’t think they are meant for each other.  Basically, he is still really crushing on Kaval.  So he and Bisma decide to be friends.

When Danyal’s history teacher in a fit of spite nominates Danyal for a prestigious Renaissance Man competition, Danyal calls on Bisma for help.  The topic is Winston Churchill, the beloved British leader, but Danyal quickly learns he is not beloved by most Indian subcontinent people.  Kaval offers to help so that Danyal can win the competition, impress her parents and then maybe give them a chance.  But, suddenly Danyal doesn’t know if that is what he wants.  He wants to be himself, he wants to be accepted, he wants Bisma.

WHY I LIKE IT:

You know how it is going to end, you don’t know entirely how it is going to get there, but you know where it is headed, yet the book is still compelling and fun.  Between the banter of the religious friend, and the no longer religious friend, the advice the French Chef bestows on Danyal and Danyal’s complete and utter cluelessness to everything, the book is really warm and the characters really like-able.  I dislike the stereotype of the “religious” character, but the other side characters are better developed.

On occasion I think Danyal’s stupidity is over done, he isn’t an idiot, he just isn’t book smart. So when he doesn’t know what “break a leg” implies for example, it seems a tiny bit off.  I know his friends say he isn’t funny, but I think he is hilarious, especially with his commentary on the Desi community.  “It is the curse of brown boys everywhere.  We either die young or we live long enough to see ourselves become uncles.”

The role of Islam is incredibly prominent, and the characters understand what it means to be Muslim differently.  Sometime I agreed with them, sometimes I didn’t, sometimes the characters didn’t agree with each other, sometimes they did.  There is a lot to think about: destiny, Allah’s mercy, Qalb-e-saleem (a pure heart), caring for the less fortunate.  Even politically there is a strong thread of colonialism, which the characters wrestle with and with being immigrant’s children.   There is a lot packed in, but it flows so smooth and the writing rich with authenticity, that quite often I would laugh out loud and read various lines to my young children.

FLAGS:

Talk of sex and losing virginity, but not detailed, just stated.  The chef is a lesbian.  There is lots of language including the F word, not thrown in effortlessly, usually for a reason, and often reprimanded.  There are a few kisses on the cheek and lips between Danyal and Bisma, but in a Disney princess movie sort of way.

TOOLS FOR LEADING THE DISCUSSION:

Not for middle or even high school book club. I don’t think that it is a completely “halal” romance story, but I think I wouldn’t be concerned if juniors and seniors were reading it, I think they would love it, and I might just have a few that I want to suggest it to…

 

The Arabic Quilt: An Immigrant Story by Aya Khalil illustrated by Anait Semirdzhyan

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The Arabic Quilt: An Immigrant Story by Aya Khalil illustrated by Anait Semirdzhyan

 

arabic quilt

This 36 page picture book tells a beautifully presented story that incorporates events from the author’s real life that convey a story of loving your culture, finding similarities and giving people a second chance.  Ideal for students between 2nd and 4th grade, younger children will enjoy having the story read to them, and older kids will benefit from the message as well.

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Kanzi is about to start her first day of 3rd grade in a new school.  It doesn’t specify if she has just come from Egypt, but being she seems to speak English well, knows that she’d rather have peanut butter and jelly instead of a kofta sandwich and mentions that she got a quilt when she visited her grandmother, in Egypt, she possibly is just starting a new school, not her first in America, but it is considered an immigrant story, so I’m not certain. E403D261-438B-4263-A2FB-C3F8693C9D3E

When she arrives in class and introduces herself she bravely says that she is Egyptian-American, but on the way to school she turns down the Arabic music in the car, so the reader sees that she is a little nervous about being seen as “different.”  When her hijab wearing mom brings her forgotten kofta sandwich and calls Kanzi ‘Habibti,’ classmate Molly teases her that she is being called a hobbit.

A crying Kanzi tells her teacher and Mrs. Haugen reassures her that “being bilingual is beautiful.”  That night Kanzi asks her mom to send her a turkey sandwich for lunch the next day, and before beds she writes a poem as she snuggles in her beloved quilt.

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At school Molly apologizes to her and says that it just sounded funny.  Kanzi tells Molly it is because she doesn’t speak Arabic and that her mom says that “learning different languages makes a person smarter and kinder.”  Molly dismisses the comment and smugly walks off.

Mrs. Haugen sees Kanzi’s poem about her quilt from her grandma in Egypt and asks her to bring her quilt to school. The kids love it, and Friday Kanzi’s mom shows up to help with a special project: an Arabic quilt with the kids names.

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Molly is not enthusiastic and Mrs. Haugen writes English words that come from Arabic on the board: coffee, lemon, sugar, algebra.  Telling the kids that “we can speak non-English languages and still be American.”

Kanzi and her mom write the kids names down and the children copy them.  The teacher cuts them out and makes a quilt to hang in the hall.  On Monday when everyone sees the quilt, they love the beautiful letters and colors.  Even Molly sincerely apologizes and asks Kanzi to write her mom’s name in Arabic as a gift.  The two hug and seemingly will become friends.

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Across the hall another quilt is hung with names in Japanese, as another student and teacher were inspired by Kanzi and her quilt.  The last page of the story is a letter Kanzi has written to her parents telling them how grateful she is that she has two languages and that she will speak them without guilt.

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The story is beautifully told and exquisitely illustrated on well-sized 9.5 x 10.5 pages in a hardback binding.  The mom wears hijab and it mentions it, but there is nothing religious about the text.  It is a universal story of coming to be proud of your roots and inviting those around you to learn and grow.  There is a Glossary of Arabic Words at the end and a bit about the author and illustrator.

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My kids favorite page by far was reading the names written in Arabic and they all enjoyed the story (ages 13, 10, 9, 4).  I actually had an issue when Molly apologized the first time, feeling that Kanzi’s response was a bit pretentious to what seemed like an 8 year old being told to go say she was sorry, but my older three unanimously and fervently disagreed with me, saying that she was obviously insincere and Kanzi knew it.  I’d love to hear from other readers if they felt like Molly was sufficient in saying sorry and admitting that it sounded funny and that Kanzi was arrogant in saying that people that know two languages are smarter and kinder, or if Molly was being rude and racist and Kanzi was sticking up for herself.

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Irregardless, the book is well done, enjoyable, and will get repeated reads by a large range of readers.  My children keep pulling it off the book shelf, and for that I need to thank Gayatri Sethi (@desibookaunty) who generously sent me the book the same day I checked it out from the public library.  Her generosity once again is a gift that I hope to pay forward in the future.  This book also highlights how amazing teachers can be and often are in facilitating inclusion, understanding, and respect.

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Yes No Maybe So by Becky Ablertalli and Aisha Saeed

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Yes No Maybe So by Becky Ablertalli and Aisha Saeed

yes no

This new rom com in book form with a Muslim female character written by a Muslim author, sets itself apart by being co-written by a Jewish author and the other half of the love story being told by a Jewish boy’s point of view.  This YA book is very relevant as a special election in Georgia served as the catalyst of the two authors coming together and fictionalizing the effects of white supremacy, Islamaphobia, and antisemitism for the book, while real headlines were urging the two to canvas, get involved, and make a change against the increased showing of hate with the election of Trump.  The presentation of Islam is probably realistic, but definitely not ideal, and with the kissing, multiple LGBTQ+ supporting characters, the profanities, and 436 page length, the book is probably best for 15 year old readers and up.

SYNOPSIS:

Jamie Goldberg is 17 and is spending his summer helping his cousin work on a special election campaign for a Democratic candidate in an incredibly red district in Georgia.  A very nervous kid, who hates public speaking and talking to girls in general, he would rather be behind the scenes or hanging out at Target.  His little sister, Sophie’s bat mitzvah is coming and things at home are crazy with pre party planning.  His grandma, an Instagram sensation uses him for tech support and video filming, and his easy going demeanor means he spends a lot of time, being bossed around.

Maya is the 17 year old only child of a lawyer mom and physician dad and has just found out that they are separating.  With her one friend too busy with work and starting at the University of Georgia, US born, Pakistani-American Muslim Maya, is not having a very good Ramadan.  When an interfaith event reunites her with a childhood play-date friend, Jamie, her mom convinces her to help him canvas to keep busy and sweetens the deal by bribing her with a car.

Naturally the two spend a lot of time together vounteering for Jordan Rossum, stuffing envelopes, canvassing, and putting up signs.  Along their way they become good friends, and invested in the election as a House Bill banning head coverings, and antisemitic bumper stickers start getting plastered around town.  The end of Ramadan, the election, the hate the two encounter, and families changing, bring Jamie and Maya together.

Maya’s parents are pretty chill about boys, and only caution her about unnecessary complications by dating in high school, when Maya throws it back on them, that their relationship is pretty complicated, she seems to not find an Islamic reason not to make-out with Jamie.  The whole book is angsty and the two feign cluelessness, but based on the cover of the book alone you know where it is going.  The true climax is how much the relationship can be used for political gain, and if they can get their candidate elected.

WHY I LIKE IT:

I like the political setting, it is a different and very relevant slant.  It might be a little alienating to readers outside the United States, because the political process isn’t really detailed, but the characters involvement in their small slice is a major aspect of the book.  The book is definitely pro Democrat, but addresses the gas lighting, hate speech, and views of those on both sides.

I also like that two minority authors came together to share an OWN voice perspective of life today.  For the most part the story telling is smooth with the two characters getting alternating chapters to tell their story from their point of view.  A few times, I felt details were missing, for example what Maya wore for Eid, when space was given to detail that she didn’t wear ethnic clothes to an iftar, and her picking a dress for Sophie’s bat mitzvah.  Similarly, Maya’s parents seemed flat for their trial separation being a major part of Maya’s stress.  Jamie’s grandma was probably my favorite side character, and one of the most fleshed out.

I am fully aware that some Muslims pick and chose what to follow and that not everyone is strict about boy/girl relations, but I felt like for a book that is set in Ramadan, uses religion as a catalyst for civic action, Maya’s mom wearing hijab, and an opening scene being set at the masjid, there is really nothing Islam in the defining aspects of the characters or story.  It is so watered down and almost catering to non Muslims to feel comfortable, that it left me annoyed.  And I think non Muslims too will wonder why Maya’s mom covers and Maya doesn’t and how that works, or why Maya switches to having one reason for not dating and then a religious one.

The book sets out to do a lot in terms of humanizing the effects of laws and policy on average people, but I don’t know that most Muslims hoping to see a mirror to their experience will find that in Maya.  I can’t speak about Jamie, and the Jewish experience, but Maya is rather forgettable in my opinion.

FLAGS:

There is a lot of cursing, and the F word at that.  In the dialogue set in Ramadan, it becomes a joke to substitute it for something else, but once the month is over, the language resumes.  There is kissing, and making-out with the main characters.  There is talk of hooking up, but nothing explicit.  There are is a side character friend that is gay and he and his boyfriend are affectionate.  After the bat mitzvah Sophie comes out to Jamie.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think that I could do this as a middle school selection, the rationale for Jamie and Maya dating, isn’t ok for an Islamic School message.  I really wish just once, a book like this would have the main character, being like, “nope, sorry.”  It is getting predictable and while I know it is countering the oppressed woman view, it is becoming equally one dimensional in its presentation of Muslim women.