Category Archives: Non Fiction

May8

Girls Rock: Indonesia by Claudia Bellante illustrated by Josefina Schargorodsky

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Girls Rock: Indonesia by Claudia Bellante illustrated by Josefina Schargorodsky

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This book is part of a series that claims to want to bring the world closer to American children.  It is based on a true story, with noted liberties taken regarding the protagonists, and yet the Author’s Note says she went to Indonesia and was unable to meet with the characters whose lives the book is about.  I am not against non Muslims and non Indonesians per se writing a book about Muslims in Indonesia, nor am I naïve to the fact that music inspires many and radicalism is a real threat, but to conflate ideas without explanation, and not containing that OWN voice authenticity or biography feel, really leaves this book fighting against self made stereotypes and trying to seem woke and relevant while maintaining a very Western American paradigm of what it means to be happy and fulfilled.  The book (and series) may have had good intentions, but it just felt off to me, and with a publisher suggested reading age of 5-8, I think this book assumes too much about the readers prior understanding of hijab, Quran, Indonesia, music, heavy metal, radicalization, small village life, culture, Islam, Quran, imams, and prejudice and fails to assist in connecting the concepts, opting to use them interchangeably and ultimately making the 32 page book rather pointless.  I think if older children read it, it is one of those books that makes one feel like they are cultured and supportive of those breaking stereotypes, but I think Indonesian and Muslim readers will just be confused about why a book is supporting sneaking and lying and why music is ok, but loud metal is not, and why a Muslim teacher could have a band years before, but the current characters are receiving backlash now, amongst so many other things.

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The book starts with basic information about Indonesia: Java, Jakarta, religion, and the motto.  It also includes hijab as something some Muslims wear but does not detail why or what it entails.  It then introduces the reader to three girls that go to school and study Quran, as the pride of their parents and village. The girls feel something is missing and while they are “studying” they in reality are often secretly watch YouTube videos after learning about the heavy metal band Metallica from their teacher.

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The girls want to learn to play, but fear their parents will get mad, why they would get mad is not articulated, so they go to their teacher and whisper their passion for heavy metal “as if they are confessing a sin.” Their teacher, Pima, says she used to play in a metal band, and that they can use the instruments in her garage to learn and practice.

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So while their parents think they are studying, they are playing music.  The book says music is not against their dreams, not against Islam, they choose to wear hijab, they start to write their own lyrics, and their teacher arranges for a producer to come listen to them. The girls worry the imam will get mad and so will their parents. When a local interview airs, the teacher asks negative folks, “who says a girl in a hijab can’t play loud music? Does the Quran forbid following your dreams?”

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Pima regrets letting the naysayers deter her from her music dreams, but earlier said her band broke up when the members moved or got married.  The parents seem fine when a festival in Jakarta is about to happen and presumably they live happily ever after.

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The backmatter then throws in radicalism and Muslim feminist groups, and I’m not sure what the takeaway would be for Muslim or non Muslim children reading this book.  I admittedly haven’t read the other books in the series, but I would be skeptical of their portrayal of cultures and religion after reading this one, it isn’t so much that it is wrong, but it just seems to water the reality down to make it more “palatable” and “acceptable” to American children which results in strong themes of “othering” and dismissal.

Apr19

Eliyas Explains Why Should I Pray My Salah? Bite Size Journal by Zanib Mian illustrated by Daniel Hills

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Eliyas Explains Why Should I Pray My Salah? Bite Size Journal by Zanib Mian illustrated by Daniel Hills

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I love the Eliyas Explains books, but was a little curious what a “Bite-Size Journal” version would be, and Alhumdulillah, the silly relatable voice is the same, there just isn’t as much fictional story weaving together as the Angels and Miracles books had.  Instead it has activities and guided prompts for the reader to engage with and space for them to write.  The first 15 pages or so are Eliyas explaining about salah and what he has learned and how he has improved, and some parables through his point of view.  Then the journal pages begin, and while the first few are truly “journalistic” as it progresses to the last of the 60 pages you realize along the way there was a lot of “story” included on the activity pages as well.  The book isn’t blank pages and bound together as a book, it has text, it has hadith, it has games, it has questions, and trackers, and a lot of information.  I love that it states that it has been checked and the Shaykh’s name is included, the positive child framing, and the reasonable price point.  For first through third graders learning about salah, wudu, athan, and inshaAllah becoming more mindful of their actions and behavior, this book will be relatable, funny, and informative.

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SYNOPSIS:

The book starts with Eliyas remembering when he was too lazy to make wudu and pray his salah, he then offers a story of an orphan and a muffin and a lady who makes the muffin to try and show readers that salah benefits and nourishes us and the maker of the muffin truly loves us.  It is a little random, but it somehow all works and kids will go along with the allegory, it isn’t drawn out.  He then moves to talking about how Allah swt loves him and what his parents told him that helped him to love praying.  There are hadith and Eliyas’s explanation attempts, drawings, and some really powerful points about angels and being accountable on the day of judgement to Allah swt.  The journal pages involve decoding, timing your prayers, writing down all the places you’ve prayed, latitude and longitude decoding and a lot more.  The book also discusses the athan and Surah Fatiha.

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WHY I LIKE IT:

I love the voice of Eliyas.  It isn’t fear driven, or punishment framed, it stays positive and motivates from a place of love, but the conscience and priorities are highlighted too.  It is such a crucial part of raising young Muslims, to lead with Allah’s love, but as kids get older you want to introduce consequences, and choices, and being accountable, and this book does it seamlessly with out it being overwhelming.

I honestly don’t know if I like the journal format or the other Eliya’s Explains books more, I do like the storytelling of Miracles and Angels and the way the facts are woven in, but I think for the topic of Salah this format works.  I am happy with mine, and you can purchase yours here from Crescent Moon Store.

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FLAGS:
None

TOOLS FOR LEADING THE DISCUSSION:

I don’t think the book would work for a book club, but in small groups at an Islamic School or Weekend School the teacher could very easily and affordably have a book for each student, or read aloud the story parts and engage the students in the activities without any difficulty at all.

Apr10

What Color is My Hijab? by Hudda Ibrahim illustrated by Meenal Patel

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What Color is My Hijab? by Hudda Ibrahim illustrated by Meenal Patel

When this book arrived I flipped through it and loved that it tied hijab colors to careers, when I asked my seven your old to read it to my three year old and I overheard snippets, I was impressed that positive characteristics associated with the professions were articulated and embodied by the main character to inspire young girls everywhere.  When I finally sat down to read the book my self, I enjoyed the joy, diversity, and backmatter, but unfortunately felt like a page was missing at the end.  Over 32 pages the book introduces a color as seen on someone the narrator knows hijab, and identifies the woman’s job and a couple of characteristics.  The facing page highlights that when the girl wants to have strength or show kindness she too will wear that color hijab.  The text on the first page and the last page is the same, “Hijab is the crown/I wear every day./It is worn many ways, and it comes in every color.”  I absolutely love the premise of the book, but it seems that the conclusion should perhaps broaden that we can be anything and everything no matter the color we wear.  The blurb on the back of the book actually uses language of wearing “yellow, ‘like’ my doctor’s hijab, brown ‘like’ my teacher’s hijab,” etc.  that allows for a more interpretive and less literal view of I have to wear this color or that to be a leader or athlete or loving. I know I know, I’m probably overthinking it, but I’ve read the book so many times, and each time I just feel like the conclusion tying it together is missing and makes the book primarily a color book and thus preventing it from transcending into being more.

The book text is like a poem with the opening and conclusion reading the same.  The patterned body of the book works very well in establishing the links between hijab, color, occupation, empowerment, characteristics and implementation.  The pictures also allow the reader/listener to broaden their knowledge about various careers and see what they look like in action and what attributes they draw upon.

At times the wording gets a little loose with “give kindness” and “show wisdom” but the overall tone conveys the sentiment and allows for the stronger, “get results” and “be a leader” to balance out the flow of the book.  The illustrations amplify the color being presented, but it is worth pointing out that the hijab’s are all patterned and could be a little confusing to little readers.  Similarly, the yellow hijabs appear more orange and the purple more pink.

I love that the book is authored by a Somali woman and that the illustrations show diversity (skin color, mobility, body shape), but focus on strong black women inspiring the young protagonist.  The backmatter hints that it is the author’s niece and also explains hijab, and hijab styles.

I purchased mine from Book Depository, but they are going out of business, you can also purchase it on Amazon, here.

Mar13

Ramadan is Upon Us

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Ramadan is Upon Us

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Just skip it sigh, I have strong reason to believe that this is an Artificial Intelligence (AI) written and illustrated book and it is just reads as a repetitive non fiction copy pasted Wikipedia page.  I know there are worse books out there, but I love, love, love the little girl’s face on the cover, and it does nothing but mislead. It implies it is a children’s picture book, and the text does not read appropriate for children. The illustrations are also not uniform they are different styles and aesthetics and not on every page.  There are errors in the text, and it repeats the same lines multiple times.  There are better books out there and real author’s that benefit from consumer support that I hope this does not become the norm.

The book is broken into sections almost like a textbook. What is Ramadan?, The origins of Ramadan? (yes, there is a question mark), When is Ramadan?, How is Ramadan observed & practiced?, Rules of fasting in Ramadan, Prayers during Ramadan, Benefits of Ramadan, Where is Ramadan celebrated (no question mark), Laylat al-Qadr, Eid al-Fitr.  I am terrible at grammar, but with the question marks and the random capitalization throughout the body of the text needs to be corrected “Ramadan is one of the Five Pillars of Islam,” salawat after the Prophet’s name also needs to be added.

The wording on occasion feels awkward, for example it says that “Ramadan’s origin can be traced back to the time of the Prophet Muhammad (saw),” which isn’t technically wrong, but it sure seems a weird way to say that Ramadan was prescribed to RasulAllah (saw) from Allah (swt), through Angel Jibra’eel.  It notes that the starting of the month depends on the moon and thus can vary from country to country, but it then says that it falls between late May and late June on the Gregorian calendar.  By the third page of text it has mentioned twice that Ramadan is the ninth month of the Islamic/lunar calendar.  It also erroneously says that the sighting of the moon is done by religious authorities, taraweeh is 20 rakats, and that “children fasting in Ramadan isn’t common practice.” Clearly we all look for the moon and have protocols to have it verified, there are some varying thoughts on the number of rakats to be prayed for taraweeh, and many children of a variety of ages fast and are encouraged to do so.

I didn’t like the repeated statement that during the daylight hours food, drink, and other physical needs are abstained from.  On one page it even says “refraining from eating, drinking, smoking, and engaging in intimate relationships.”  This book presents as a children’s book, but it reads for more older readers and is dry and disconnected from the format of the book.

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Perhaps the book has a lot of good information, but with the errors and format I have no idea how you would gleam what is accurate and who should know what.  I really couldn’t get through it as the repetition was intense, the essay feel with numbered lists and bolded sub points off putting, and the pictures terrible.

Feb3

Animals in the Qur’an Search & Find by Jenny Molendyk Divleli illustrated by Guliz Gerdan

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Animals in the Qur’an Search & Find by Jenny Molendyk Divleli illustrated by Guliz Gerdan

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This book is targeted to preschoolers, but with the minor details the book sends readers looking for, I think children up to third grade will enjoy the mix of fun and learning that this book offers.  The book uses animals in the Qur’an as the theme for each two page spread, tells what surah the animal is mentioned in, and some Islamic context, as well as some basic facts about the animal.  Over 45 pages kids will learn about bees and snakes, donkeys and wolves, and dive in to the challenge of finding a spider with spots looking to the left or a fish with strips swimming to the right.  My three year old can not differentiate between some of the more specific markings of this cow or that, but he still loves the illustrations and benefits from the brief factual text. This book is a great addition to school, masjid, and home libraries with its Islamic foundation, beautiful large execution, and wide audience appeal.

The book starts with the Arabic ayat of verse 45 in Surah Nur and the English meaning of the translation.  It then establishes the format of the book, and then lists the 20 animals featured, where they are found in the Qur’an and on what page number, in the table of contents.

Each page offers the animals and some nature elements to be found on the large 10 x 10 pages.  The pictures are playful and colorful with the print quality glossy and a sturdy thickness.

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I enjoy the book and think most families with young elementary aged children will as well.  You can purchase a copy here from Crescent Moon Store and if you use my initials “ISL” at checkout, you will save 10%

Jan16

Ahmed Goes to Friday Prayer: Ahmed se va a la oración del viernes by Wendy Díaz illustrated by Muhammad & Mariam Suhaila Guadalupe

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Ahmed Goes to Friday Prayer: Ahmed se va a la oración del viernes by Wendy Díaz illustrated by Muhammad & Mariam Suhaila Guadalupe

 

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This dual lingo: English and Spanish is a linear story of Ahmed going for Jummah prayers.  The rhyming text in both languages is fairly consistent and the information framed in an upbeat, fun, positive way.  From waking up early and taking ghusl to reading Surah al-Kahf, the book shows some spiritual aspects, some sunnah reminders, and social Jummah interactions with friends as well.  The 48 pages are good for preschool to early elementary aged readers and with the minimal text on the pages, even younger listeners will enjoy the book.  I wish the religious statements were sourced, and while I didn’t initially love the aesthetics of the puppets when I first saw the cover, I definitely warmed up to Ahmed and absolutely cooed at the adorable (puppet) Imam.  The book starts with a sourced hadith and ayat from the Quran and ends with questions to test your knowledge.

The story begins in a bit of an awkward fashion with Ahmed breaking down the fourth wall, and addressing the reader, and then on the next page, the “narrator” reaching out to the readers to have them pay attention to Ahmed.  Then the story starts with asking if the reader knows what the special day of the week is called.  It then tells us that it is called Friday in English, Jummah in Arabic and that I, Ahmed, is going to tell us about it.  With all the introductions and signposting it makes the book actually start 11 pages in.  I read the first few spreads numerous times trying to see what was going on, and finally just realized it has a lot of framing and set up before diving in.  Alhumdulillah, after the repetitive first few pages, the book reads smooth and clearly.  

Ahmed wakes up, does ghusl, puts on nice clothes, and then waits until midday to go to salatul Jummah.  Muslims read Surah al-Kahf, and then get to the mosque early.  It is noted that we get rewards for every step we take, we are encouraged to praise our Lord, we greet friends with Salam, and after athan we sit calmly and quietly listening to the Imam.  The khutbah talks about our faith and then we pray foot to foot closing the gaps. The last few spreads are about the importance of Jummah.

The illustrations show Ahmed the puppet in different places with other Wendy Diaz books displayed in poster form, books on side tables, and graffitied on a wall. The only other character beside Ahmed and the Imam is Ahmed’s un named friend.  The simple illustrated backgrounds with puppets in the foreground, the minimal rhyming text and the content presentation make this book a great addition to home and school libraries as well as ideal at story time or bedtime where early elementary aged children are able to understand both the excitement and protocols of the blessed day.

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Over the years I’ve done a few Jummah themed readings and this book would be a great addition at story time.  You can purchase the book here.

Jan6

We’re in this Together (Young Reader’s Edition of We Are Not Here to be Bystanders) by Linda Sarsour

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We’re in this Together (Young Reader’s Edition of We Are Not Here to be Bystanders) by Linda Sarsour

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I don’t have strong feelings one way or another about Linda Sarsour, so I read the book primarily to see what the messaging would be from a well-known Muslim activist to a mainstream audience, and I must say I was pleasantly surprised.  This YA adaptation of her adult book weaves together personal experiences with larger pushes for justice reform. It is not all memoir, there are historical blurbs, educational backstories, and centering of Palestinian occupation and Islamic tenants.  I feared that the book would be entirely self-promoting and it wasn’t, it shows her as a person, and her struggles, but the spotlight is bigger than her, as she talks about the efforts and accomplishments of others in promoting police reform, social change, elevating women’s voices, and working with Black Lives Matter.  The 229 page book is sourced and reads easily.  I think ages 13 and up will benefit from seeing the intersectionality of many current social struggles sprinkled in with historical landmarks that they have learned about in school, told through the lens of a personal, relatable Muslim, Palestinian, American voice.

SYNOPSIS:

The book starts with the Women’s March as the culmination of her status and then takes the reader back to show the pivotal moments that got her to that stage: the immigration of her parents to America, her childhood, her family’s bodega, trips to Palestine and finding her voice.  The book shows her in various stages of her life while showing what is currently happening regarding police brutality, national politics, and relatable historical movements.  It shares close relationships she has had professionally, as well as mentions her getting married, becoming a mother, and the loss of a close family member and mentor.

WHY I LIKE IT:

I was happy to see how much Islam and culture shaped her activism and identity, as both are generously sprinkled in, and are unapologetically presented.  The book is a memoir and many characters are introduced and shown to enhance her understanding or presenting her with opportunities,  yet I don’t feel I really got to “know” her or any of them.  The book is centered more on events and how she lent her voice in this arena or that.  I still don’t know that I have much of an opinion on her personally or on her work, or even felt motivated to take action because of her enthusiasm, but the book was an easy read, it was informative and reflective.

FLAGS:

Racism, oppression, murder, police brutality, car accidents, hate crimes, death, assault, systemic racism, slurs, misogyny, occupation, hate.

TOOLS FOR LEADING THE DISCUSSION:

I probably wouldn’t read this book in a book club setting, but I think it would be a good addition to a school or library shelf.  I think you could require it in a history or civics or current events class and readers would find it compelling and relatable and be able to add their own life experiences to any discussions that would follow. It shows that the struggle in history books for justice and equality is not over, it is still ongoing and still very very real with horrific consequences.

Dec26

What Colour is your Mosque? By Jenny Molendyk Divleli illustrated by Aybüke B. Mumcu, Damla Koçak,  Fatma Betül Akbal, Gökhan Özdemir, Gülşah Irmak, Hümeyra Yorgancı, M. Ahmet Demir, Menekşe Özdemir, Özlem Güneş, Şüheda Başer Yılgör, Zeynep Alptekin, Zeynep Begüm Şen  

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What Colour is your Mosque? By Jenny Molendyk Divleli illustrated by Aybüke B. Mumcu, Damla Koçak,  Fatma Betül Akbal, Gökhan Özdemir, Gülşah Irmak, Hümeyra Yorgancı, M. Ahmet Demir, Menekşe Özdemir, Özlem Güneş, Şüheda Başer Yılgör, Zeynep Alptekin, Zeynep Begüm Şen  

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Sometimes the idea and presentation of a book make it stand out even if the writing is a bit bland and erroneous.  This book with bright colorful illustrations from 12 different illustrators highlighting the bold colors and designs of 12 masjids around the world is one such book for me.  I think young children will delight in seeing such beautiful masjids and appreciate that Muslims are found all over the world.  Adults and older children will also learn about mosques I’m sure they had never heard of before.  I kind of wish the book was a board book for little hands learning colors to enjoy, but the 8.5 x 8.5 style does suffice for story time and bedtime. 

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The book starts with an introduction to the author, Jenny and her sharing her favorite mosque in Turkey, Hagia Sophia. Each two page spread after that is a child introducing themselves, telling where they are from, and sharing their favorite mosque in their home country.  From Sri Lanka’s Jami Ul Alfar that looks like candy to the purple lights of Mohammed Al Ameen Mosque in Oman.  Some masjids stand out for their colors, others for their 99 domes, and some look like castles or are built out of mud.

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The illustrations reflect the beautiful buildings and radiate with joy from the smiling children introducing them.  I think the text is translated from Turkish to English which might account for some of the errors, but spelling Kabbah with two b’s doesn’t seem right in any language. 

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Despite it all, I’m happy with the book, I think we need to make a more intentional point to instill a sense of global community in our children and celebrate the beauty that our architecture and culture can result in for the worship of Allah swt.

The book is available from here from Crescent Moon Store.

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Nov4

Connecting with Allah: A Treasury of Poems by Mona Zac illustrated by Neamah Aslam

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Connecting with Allah: A Treasury of Poems by Mona Zac illustrated by Neamah Aslam

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Similar to Call Me By My Name, this book stands out in highlighting the Names of Allah swt.  In this collection it is the descriptive poetry, warm illustrations, urge to reflect and act, and space to think through and write up your own du’as that make this book so versatile.  I can see a middle grade to middle schooler using the book almost like a journal, just as easily as I can see an Islam teacher using the book to teach the names of Allah and have their students ponder and write their own verses.  I plan to use it with my own children when we gather up for salat-waiting for everyone to make wudu- to read a poem, discuss, and understand each name on whatever level the child is at thus bring the names of Allah swt, into our daily awareness, inshaAllah.

The book is divided into sections following a heading and seasonal imagery: Loving Allah, Asking Allah, Knowing Allah, and Blooming with Allah’s names.  The table of contents is out of order, but it isn’t an issue.  Poems are given a two page spread, some poems are one name, others are two.  At the end of each poem is a “Reflect and Act” section with bulleted items to help connect the name and the poem’s content with one’s own life and Islamic principles.

At the end of each section are two pages to write your own du’as using Allah’s names followed by Sources from the Qur’an and Hadith.  The illustrations are adorable to look at, and while on first glance the collection might seem more female appealing, I think boys and girls alike will benefit from time spent with the book and not find it targeting to only one gender.

The Asking Allah section features easy to read Arabic with harakat and even the English font is very appealing and easy to read.  Overall the hard bound book is beautiful and I hope to see it stocked in more places, hint hint Crescent Moon.  Currently in the US it is available here by the publisher.

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Oct31

Call Me By My Name: 99 Names of Allah by Ayesha N. Rahmaan illustrated by Azra Momin

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Call Me By My Name: 99 Names of Allah by Ayesha N. Rahmaan illustrated by Azra Momin

If you are going to put out a book that has been done hundreds of times before; think numbers, alphabets, Islamic phrases- then be sure and make your book stands out.  And while yes there are numerous English and Arabic books of all sizes about the beautiful names of Allah, this book does in fact stand out.  The shiny cover, with or without the dusk jacket, the sturdiness in your hands, the illustrations, the large font and easy to read English and Arabic (with harakat), is an absolute joy to read, look through, and talk about with children four and up.  The book works in a lot of settings for a lot of ages because of its simplicity, presentation, and appeal.  Kids will pull this off the shelf and look at it without prompting, just as adults can discuss the names, and build lessons off of the ayats included.  The versatility of the book is why I’m stretching out of my comfort zone of fictional reads to review this Islamic non fictional book.

The book starts with establishing that the 25 of 99 names included are those “specifically mentioned in the Holy Quran, with a reference to the surah and aya where each name can be found.”  It shares an aya about the Asmaa Al Husna and a hadith narrated by Abu Huraira and then starts right in.

Most of the names are given a two page spread, a few are only given one, and the English, Arabic, aya, and source are provided.  The illustrations are joyful children and nature scenes.  The book concludes with a spread of all 99 names in English and Arabic with the translations.

You can purchase a copy here.