Tag Archives: Muslim Characters

A Bit of Earth by Karuna Riazi

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A Bit of Earth by Karuna Riazi

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This Secret Garden retelling mixes the heart of the original with a dash of modernity, the flavor of desi culture, and the lyricism of a good writer.  Over 368 pages the slow plot but rich imagery will draw readers in, hold their attention, and leave them thinking about the characters they have been fortunate to spend time with on Long Island.  Islam is practiced and normalized and naturally woven into the Muslim characters’ daily lives without othering or over explaining.  I did struggle a bit trying to keep the relationships of who was supposed to be caring for the protagonist at various points since her parent’s died clear, but once I abandoned stressing about it I was able to be swept away.  I recently reread The Secret Garden with my own children and the original is not plot heavy, nor action packed, but I watched as my own children were drawn to the slower, more grounded (pun intended) nuanced tale, and I think this book, in the same vein, will find its way in to the hearts of middle grade readers.  The book is clean, there is a possible crush hinted very slightly at the end, periods are also endured, and I do have reservations of the terrible marital relationship between Mr. and Mrs. Clayborne, but it establishes that change will occur, so at least it isn’t normalized.  There are sprinkles of magic implied regarding the house, but it is always framed without clarity and in a subtle way to set the tone and the emotions the characters are feeling more than centralizing something rooted (see I did it again) in fantasy.

SYNOPSIS:

The book updates and mirrors the original fairly well with an obstinate orphan arriving at a sprawling house, finding a prickly boy, and setting off to form a tentative toleration of one another with friendly neighbor kids in a garden that is unquestionably off limits.

Maria Latif arrives from Pakistan against her will to be taken in by a distant relative (I’m not sure how she is related), but Asra has been called away and she is forced to stay with Lyndsay, the new wife of Mr. Clayborne.  The first wife was a friend of Maria’s family, but Lyndsay is just as emotionally overwhelmed and lost as the child in her charge.  With Mr. Clayborne away on businesses, his mother Charlotte keeps them all on edge.  When Colin Clayborne is expelled and returns home, more tension erupts and the two children find themselves in an off limits garden trying to make the most of a difficult situation.

WHY I LIKE IT:

I love the mix of poetry and standard novel format.  It is beautifully written and clearly the author does a remarkable job of making her very unlikeable characters worm their way in to the reader’s heart.  Both Maria and Colin are thorny and difficult, stubborn and rude, but you seriously cheer for them, and I did shed a few tears at the end.  With the author’s writing ability apparent, I’m still not sure why the foundation of the relationships and getting Maria to the Clayborne home is so cumbersome.  It is too muddled and it drags the book down every time it is revisited.  The Dadi having the aunt’s phone number was too easy, the inconsistency of the neighbors having no relationship to the Clayborne’s for so long and Lyndsay not even pausing to think another Bangladeshi family living a few houses down might be my husband’s first wife’s friends, seems inconsistent.  Honestly Lyndsey in general needed to read like a competent woman struggling, not a teenager in over her head. I disliked her and Mr. Clayborne’s relationship and I would hate to think any reader would find it ok or normal.

I love the Islam and how it presents when the character has to pray, she goes and prays, it is part of the story and it is seamless.  I don’t think the culture is handled quite as well.  Lyndsay is a foot writer who is always cooking, yet knows nothing of desi foods? If Colin’s mom is desi, wouldn’t she at some point tried to cook familiar foods for him.  Half the neighborhood is Bangledeshi, so it seems everyone has a parent or step parent or distant relative that is desi and I loved the normalizing, but it seemed a bit assuming.  I don’t think kids will wish it was more clear, but as an adult reading it, I felt like it needed to be interjected more without explanation, or if left as is, adding some context. I also wanted to know what Maria’s parents did and a little introspection from Maria.  Again as an adult I see how her anger and grief changes how she remembers them, but from them always being away, to such soft poignant memories at the end, I think kids will need a little hand holding to understand the grief process and her understanding of them.  As it is, they just seem terrible and then all of the sudden great, and the pacing gets thrown off in the process.

FLAGS:

It seems to hint at the end that Maria might have a bit of a crush on Colin, I honestly thought up until a single line that they were making a chosen family with the people who cared for them, but that line seemed to suggest it might be more of a romantic feeling than friend or brotherly.  I read an early copy, so this is subject to change.

Maria gets her period and it is detailed what she is feeling.  I think boys and girls can and should read it.  It is presented on age and appropriately: cramps, achy, dry about blood leakage, having it start young like her mother, etc..

Implied magic (possibly), music and musical instruments being played, milaad, lying, sneaking, being kicked out of school for physical assault, close male and female friendships, ADHD stigma.

TOOLS FOR LEADING THE DISCUSSION

I think this book would work in a classroom and would appeal to readers in an Islamic or public library.  I would consider it for a middle school book club, I think readers will connect and feel empathy for Maria, Colin, and Lyndsay and be better for it.

I preordered my copy HERE and I hope you will do the same

A Dupatta Is…by Marzieh Abbas illustrated by Anu Chouhan

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A Dupatta Is…by Marzieh Abbas illustrated by Anu Chouhan

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I read this 30 page early elementary book a few times before writing this review and honestly my cheeks hurt because I cannot stop smiling.  The lyrical writing radiates warmth and pride, culture and tradition, legacy and identity, while acknowledging both the playfulness and solemnness of a piece of fabric.  My heart breathed with the clarity and articulation that is felt and contained within the fabric that perhaps all Pakistanis feel, but cannot convey so poetically.  The book may be meant for children four to eight years old, but all readers will appreciate the text and illustrations that seamlessly flow like a favorite dupatta grabbed while running out the door. I struggled with picking only a few images to share, as every page became my new favorite as the book progressed.  Admittedly though, one page did give me pause as it conflated incense burning with getting rid of evil spirits which comes across as a religious belief, but is a cultural practice.

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The book starts out with the actual physical description of what a dupatta is and how it is adorned.  It then moves on to describing the color, the sound, the smell, the place, the function, the art, the beauty, the fun, the faith, the legacy, and the identity.  Each spread ends with the words, “but a dupatta is so much more…” seamlessly weaving so many facets of what a dupatta is together to create a true understanding of it from a tangible, to cultural, to practical perspective.

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I love that there is a page about faith, and praying five times a day with a dupatta being worn, it is a little odd that there is a portrait decorating the wall behind the two characters making dua, but at least it is clearly behind them.  I absolutely loved that so often the wearer of the dupatta was also wearing a hijab, particularly the bride picture- which is absolutely gorgeous.  It signals without words that a dupatta can be worn to cover a Muslim woman’s head, but it is also often not.  The backmatter further details that it was once worn as part of the national dress and as a form of modesty, but now is often worn as an accessory.

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One summer in Pakistan, a friend and some cousins and I started trying to formulate 101 Things to do with a dupatta (wipe noses, pull things out of the oven, catch fish), it was the year of net dupattas so clearly covering your head was not one of them.  Sure we were being silly, but to see the book also highlight wiping sticky hands, and wrapping it up like a sari, and using it as a cradle to rock a baby was very, very accurate and heartwarming.

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Please pre order this book, it signals to publishers that these books are in demand and is a way to show what type of books we want to see.  I preordered  mine here.

The Kindest Red: A Story of Hijab and Friendship by Ibtihaj Muhammad and S.K. Ali illustrated by Hatem Aly

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The Kindest Red: A Story of Hijab and Friendship by Ibtihaj Muhammad and S.K. Ali illustrated by Hatem Aly

This heartwarming book centers kindness, family, and friendship in an inclusive way; and while the tagline says “A Story of Hijab and Friendship” I think the hijab angle is a bit of a stretch.  The authors are Muslims that wear hijab, the older sister and older females in the family wear hijab, but there is nothing in the story or text that connect hijab to Islam or to something Muslim women wear as part of religion.  I don’t want to compare the first book in the series, The Proudest Blue, to this book, but hijab really was centered in that book and the Author’s Note mentioned that hijab is an Islamic act.  This book does not make those same connections, which is fine, I just want consumers to be aware.  This book is beautiful and the messaging endearing, and the tone and heart over 40 pages ideal for preschool to early elementary children.  It works as a standalone, but with the same characters and sisterly love, I think most people will enjoy keeping them together.

The book starts with Mama passing on Asiya’s dress to Faizah, that had been Mama’s even before that.  It is picture day, and the girls are helping each other get ready. At school Faizah and her friend Sophie twirl in their pretty dresses before heading in to class to discuss what kind of world they want.

Faizah wants a kind world, where there’s always a friend nearby, where everyone helps. At recess, Sophie and Faizah combine their visions, superheroes and kindness, to help other kids on the playground.  When picture time arrives the class is full of smiles, but when it is time for sibling pictures, Faiza and Asiya realize they don’t match.

Faizah is sad, and Sophie notices, can the kindness be passed along like the dress to help the sisters? To make Faizah happy too? I’m not going to give away the conclusion, but it is sweet and idyllic and shows how lovely the world can be if we all just share some kindness.

I love the illustrations and the hijab wearing super hero that presumably Sophie drew is powerful.  I think the book does wonders to normalize hijab, even if I do wish it articulated why one would wear hijab.  It seems that the industry trend is to keep hijab superficial and I recognize I am in the minority that wants religious centering for religious tenants.  So yes, I’m fully prepared for the backlash when people want to point out that it is joyful and that I’m a naysayer, but I deal with people on a daily basis that do not know that my own hijab is a reflection of me being Muslim.  With as connected as the world is through technology, I  think those in diverse environments take for granted the understanding of basic Islamic principals in the general population.  However, not everyone has those real life connections and rely on books and media to fill the gaps, so when books about hijab, don’t actually connect hijab to faith, I feel obligated to point it out.

I purchased (preordered) my copy here, but I hope you will support small business and order yours here  use code ISL for 10% off.

The Next New Syrian Girl by Ream Shukairy

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The Next New Syrian Girl by Ream Shukairy

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This culture rich, American set, upcoming 416 page YA book proudly shows the characters’ Islam as it shares a story of pain, privilege, guilt, adversity, hope, and family dynamics.  The book is an easy read that is hard to put down, and is remarkably clean for the threads of romance, war, and mental health that permeate the pages (note that here are triggers of loss, separation, death, suicide, drowning, trauma, hate, and bullying).  There, however, are also some plot holes, contradictions, and weak threads that I feel obligated to note, but ultimately don’t make the book a bad read.  I think 16 year old readers, both Syrian and not, as well as Muslim and non Muslims will benefit from the characters sharing their lives and peeling back surface layers to show an intimate account of expectation and obligation for Syrian American girls in today’s world with the backdrop of war in Syria.  The book’s first few pages are powerful in their Islamic centering and unapologetic normalizing of salat and hijab and identity. The Islam in the forefront fades as the story progresses and I don’t think I can sign off on the relationship between two characters as being “halal,” but starting the story with fears of praying on the side of the road as a mom’s concern is next level.  Most book parents are trying to get their kids to pray, in this family- prayers are happening five times a day and on time, so the worry is knowing where you are when Maghrib time hits, because it obviously won’t be missed or delayed, alhumdulillah.

SYNOPSIS:

Khadija’s mom is queen bee in the tight knit Syrian community in Detroit and Khadija does not fit the mold of what the queen’s daughter should be.  It isn’t that Khadija is a rebel, she loves her mother, her faith, her roots, and well, boxing.  Khadija is wealthy, and privileged and so much of what is expected is for appearance sake only.  Khadija knows this, and takes boxing lessons for free in exchange for helping keep the gym clean as to establish this as her own thing, no strings attached.  When Khadija’s mom takes in a Syrian refugee and her daughter, Leene, Khadija has to figure out if she is threatened, jealous, or impressed by the new arrivals and what that means about her own family.

Leene shares the narrative with Khadija and shares her transition to life in America and in the Shaami home along with her past.  The loses she has faced, the obstacles overcome, and the secrets she keeps in order to face each new day show glimpses into the destruction of the Syrian war on a way of life and the beauty lost. 

The two girls are at odds with each other for much of the book, but as their stories start to intertwine, they find themselves with similarities and strengths that show they are a benefit to each other, despite their stubbornness and fiercely independent personalities.  In a race to reclaim what was once lost, the girls start to trust each other, and when family is further threatened the two girls allow themselves to be vulnerable and work together to save what matters.

Clearly I am trying not to spoil the book, nor takeaway from the climax, but I think most that start the book, will find themselves glued to the pages and will understand why I am choosing not to disclose too much.

WHY I LIKE IT:

The first chapter completely blew me away, I loved the idea of such a strong hijabi girl boxing and being so unapologetic about her Islam and culture.  I must admit I cried at the end as well.  It was tied up very neatly, arguably too perfectly, but there were tears none-the-less and no matter what I critique about the book, I was moved by it. The writing is engaging, and entertaining, no doubt, but alas, I have some questions, lots of questions in fact: How did the mom’s meet? One is super posh and high class, the other refugee with very little, how did their paths cross? How did Leene convince her mom to let her travel even if the ‘why’ was kept hidden? After everything they have been through wouldn’t being left to travel to the Middle East be a huge obstacle that needed to be overcome, it reads inconsistent and unbelievable. How hard was it for the “girls” to leave the “boys,” I would imagine it was devastating, yet it didn’t even get a mention.  

What changed so much about the family dynamic when they stopped going to Syria, the author shows the joy of Syria and being together for the family, but I think if you are not Syrian and do not know Syrians well, some of this thread, is going to fall short.  I talked to @muslimmommyblog and could see the reflection of the characters for her, but if I didn’t have her shared experience to flesh out the characters, I don’t know that I would have understood the weight of the guilt, the helplessness, and the frustration.  Similarly, only through talking to Shifa did I understand the pressures of being an American Syrian girl, if I’m being honest, Khadija the majority of the time, just reads whiney. Other family dynamic questions involve the dad and brother.  Was the dad always so absent? It must not have happened overnight, right? And exactly how old is Zain? He reads like he is 12, but he is in high school? Additionally, high school graduation is very important for both girls for very different reasons, but their is no talk of college or career plans, which was noticeably missing from the book.

Then there is the angsty storyline of Younes.  The perfectly selfless guy who doesn’t center his Islam as much, but does want to have a prolonged engagement.  What does that even mean, and how will that be ok Islamically, with them already laying on the 90s Bollywood style glances and loving confession?  Also why does Khadija frame morality through an Islamic lens for most things, but for the relationship resorts to worrying about what her mother will be ok with?  And was the family ok with Younes? How is he at the BBQ? Speaking of places he shouldn’t be, how was he at the party Nassima isn’t Arab enough for, when she at least speaks Arabic and he does not?

I think it best to just enjoy the story for what it is, not look too deep, not ask questions, and just enjoy the rep, the story, the characters, and the emotions released with the climax and conclusion.

FLAGS:

Romance, crushes, road rage, bullying, Islaophobia, mental health, death, killing, war, destruction, suicide, drowning, abandonment, separation, loss, grief, rebellion, angst, lying.

TOOLS FOR LEADING THE DISCUSSION:

This would not work for a middle school book club, and I really should say that this wouldn’t work for a high school book club either, but I know many older high school girls that would absolutely love this book and I think it might be possible to convince them that the relationship is more than the text shared, and was approved by the families and made halal.  Considering so many holes exist, it might be possible to control the narrative in a book club setting on the permissibility of the relationship.  It would definitely depend on the girls reading the book and I would strongly suggest that whether you read this book in a group or hand it to a teen, that you make it clear what a halal relationship looks like and that this is a work of fiction.

The book releases in March 2023 and as always to show support for OWN voice Muslim character filled stories please consider pre-ordering the book: you can do so here on Amazon.  And once the book releases please purchase, checkout from your library, and encourage your schools to shelve titles to encourage similar books to be published and made available, thank you.

Baby’s First Series: Bismillah by Marwa Ahmed illustrated by Natalia Scabuso

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Baby’s First Series: Bismillah by Marwa Ahmed illustrated by Natalia Scabuso

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Every few years a new Bismillah board book comes out and while after a while they all blur together, this new 2022 version is bright and colorful and at 24 pages a good length to show and teach toddlers when to say Bismillah without boring them.  At this age repetition is key, so while there is no real story, the book highlights familiar activities through the character Maryam and stresses saying Bismillah before you begin them. The book concludes with sourced duas to say when leaving the house, starting a meal, entering a bathroom, and before sleeping, and every morning and evening. I do wish the book would have clearly established that you say Bismillah, before starting anything and everything.  It hints at it at the end saying, “throughout the day, remember to say Bismillah,” but I worry that some kids would take it more literal, that you only say it at the times mentioned in the book, and not that the featured scenarios are just examples.  

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The book begins with Bismillah in Arabic text and the translation before starting the format of Maryam doing something on the left page spread and the saying of Bismillah on the right. So, “Maryam likes taking walks with her day,  When they leave, they say Bismillah.” In this manner Maryam takes the readers to play at the park, eat a meal with vegetables, drink a drink after her meal, read a book, wash before prayer, and get ready for bed.

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The faces of Maryam and other people are never shown, the stuffed animals in her room do not have eyes, although the duck bouncy seat at the park does.  The illustrations are blocky and colorful with the text clear and large.  The duas at the end tell when to say the dua, the dua in Arabic, the translation in English, and the source.

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For where to purchase the book you can visit the publisher’s website: www.litfancyhouse.com

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The Great Labne Trade by Eman Saleh illustrated by Eilnaz Barmayeh

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The Great Labne Trade by Eman Saleh illustrated by Eilnaz Barmayeh

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My friend Noura, owner of Crescent Moon Store, said this book was good, so when I saw the amazing illustrations on the cover, I didn’t even look into what the book was about, I bought it and waited impatiently for it to arrive.  When it came I started reading it and thought ok, ok another book about lunch food that is perceived as “other” and the bullying that ensues with having a “smelly” lunch.  But the bullying never really came, and the book was suddenly not about being different, it was about entrepreneurship, and a mother’s love and support, and appreciating good food, and sharing culture, and raging against an oppressive system. Ok, so there was no raging, the book ended with determination and a following of the “rules,” in a very kid appropriate manner, but it was fun and a nice change from the typical storyline in rhyming children’s books.  There is no “Islam” aside from a boy named Ahmed and his sweet hijab wearing mother, but this book will result in smiles for kids preschool to early elementary and encourage business creativity and thinking outside the box.

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Ahmed is not thrilled to be taking a labne sandwich to school and would rather have a pb&j like everyone else. His mom encourages him to “be proud of who you are, appreciate how special you are, stand tall, don’t let other’s make you feel small,” and sends him out the door.  At lunch when the kids start to turn up their noses, Ahmed gets them to try the sandwich, and they love it.

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Ahmed gets an idea, maybe he can sell labne sandwiches to his classmates. Mama stays up late making them and Ahmed sets up shop in the cafeteria. He sets his price, and they sell out, so he increases the charge, and they are still selling. He also is open to trades for those that can’t pay.  Before you know it he is adding dishes to the menu.  Things are going well for entrepreneur Ahmed, until the lunch ladies have had enough and take matters to the principal.

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The 58 page book is not text heavy and the rhyme is fairly good, it is hit and miss at times, but the story is not hindered by it. I did feel like the book took a few pages to set the stage and get into the story. The initial timeline and the “smelly” lunch could be cleaned up a little, but once the business storyline presents it is smooth and enjoyable. And the illustrations, they are perfect for the story and for keeping Ahmed and his dream in your heart.

The book is available here at Crescent Moon or on Amazon.

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Hamza Attends a Janaza by Shabana Hussain illustrated by Atefeh Mohammadzadeh

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Hamza Attends a Janaza by Shabana Hussain illustrated by Atefeh Mohammadzadeh

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For years it has been noted how few children’s Islamic books about grief and loss are available, and while numerous titles have come out in the last few years, it wasn’t until I saw this new book, did I realize how desperately we were in need of a book on janaza.  I love that the author establishes on the first page that this book is not focused on grief, but rather about death, the burial, and preparing to meet Allah (saw) in the hereafter with our deeds.  The beauty is that while the topic is critical and needed, the story is also well done.  It may not focus on emotion, but it has a lot of heart and tenderness, thus making it a wonderful addition to all book shelves for children preschool and up as a brief introduction to how Islam views death, the rituals of burial, and the worship that surrounds it. Packaged with clear text, robust backmatter and absolutely adorable illustrations, I am very happily impressed with this book.

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The book starts with Hamza telling about his favorite day of the week, Saturday, the day he spends with his Nano-ji and cousins, but one day all that changes when his mom gets a phone call about the loss of a community Uncle.  Mom says, inna lillahi wa inna illahi rajioon quietly in to the phone and Hamza knows something is wrong, but doesn’t quite understand why the passing of Uncle Sameer, the owner of the local sweet shop, means he has to attend a janaza instead of going to his grandfather’s house.

Hamza’s parents explain the reward of going, and remind him that we all have to leave this world one day. They recall Uncle Sameer helping bandage his knee when he got hurt and gave him a lollipop.  Once in the car, Hamza wants to know what is going to happen.  His parents explain the ghusl and the body being wrapped in the kafan and the body being put in the ground.

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When they get to the masjid there are a lot of aunties on the women’s side, including Auntie Salma who everyone is hugging and reassuring.  After dhuhr the janaza begins, but it is a standing up namaz, and is very short, and Hamza is confused. Later outside the long box is loaded into the car, duas are made, and the body taken to the cemetery.

At the graveside, more duas are made, and Hamza worries that Uncle will be lonely.  When his father explains that his good deeds will keep him company, Hamza remembers the kindness Uncle Sameer has shown him and makes duas.

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The backmatter contains hadith about what still benefits those that have died, reward for attending a janaza, a glossary, discussion points, suggested activities, and duas.  The book is a great starting point to introducing death, rituals, and answering questions any child might have in a gentle manner.  

I bought the book from Crescent Moon Store 

 

Mama Shamsi at the Bazaar by Mohdeh Hassani and Samira Iravani illustrated by Maya Fidawi

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Mama Shamsi at the Bazaar by Mohdeh Hassani and Samira Iravani illustrated by Maya Fidawi

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At first glance it might seem that this Iranian set book with a chador at it’s core is a political statement.  I do not believe that it is.  The backmatter does state that, “Our wish in writing this book is to add to the growing list of stories for children that demystify this veil (that is too often used as a symbol of hate) and instead present a different view of it as the safe and comforting space we always knew it to be.”  This is an OWN voice authored book, from what I can find online the authors do not cover. It is a warm memory of finding love and humor and safety in the modest coverings worn by a grandmother.   I do wear hijab and I choose to do it based on my understanding of what Allah swt commands, I have never been forced to cover by a person or government, and do not know how that would effect my love of fulfilling a tenant of my faith.  But all that is an aside to make the point that this book to me is not weighing in on Iran’s politics, books are written and slated to be published years before they finally release, and this book is a silly heartfelt picture book about a girl and her chador wearing grandmother heading to the bazaar.

In the bustling city of Tehran, Samira is heading out to buy groceries in the big bazaar for the first time with her grandmother. Samira is nervous that it will be loud, and she might get lost, she asks her grandmother if she can rider under chador on her back. Her grandmother tells her no, she will look like a turtle.

Samira then suggest they walk in a line with grandma in front and her behind.  Grandmother Shamsi says, na, na, na, she doesn’t want to look like a donkey. Various other suggestions involving hiding under the big black chador and staying close to Mama Shamsi are suggested, but all make grandma look like a funny animal, and she declines.

When at last they arrive at the bazaar, Mama Shamsi encourages Samira to not hide but to use her eyes, and ears, and nose to learn about the world around her. Hand in hand, they stick close together, and enter the market.

The love between the two characters is heart warming in the text and truly elevated by the remarkable illustrations.  You love their relationship, you can feel Samira’s nerves, you appreciate Mama Shamsi’s humor to lovingly empower her granddaughter, and at the end you truly long to have your grandma next to you guiding you.

I enjoyed this book and don’t mind one bit reading it over and over again as kids giggle at the pictures and find details they hadn’t noticed before.  The book releases in February, and I hope that presales can reinforce the power of OWN voice authentic tales to be shared.  You can preorder/purchase it here.

 

Salim’s Soccer Ball: A Story of Palestinian Resilience by Tala El-fahmawi illustrated by Naveen Abu Saleem

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Salim’s Soccer Ball: A Story of Palestinian Resilience by Tala El-fahmawi illustrated by Naveen Abu Saleem

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This 58 page rhyming picture book weaves together a tale of a little boy and his lost soccer ball, with larger issues of community, oppression, and perspective for the youngest of readers to older children too.  I am noted to be skeptical of rhyming books, but the large font, the sweeping pictures, and the dropping of occupation, struggle, and resilience really make this book a treat. Add in discussion questions and an author’s note and you have a solid book that deserves space on home, library, and classroom shelves.  My only wish, was that the book was hardback.  The horizontal layout with a soft cover make the book difficult to read during story times as the pages flop back.  The book is long, but the text on most spreads is minimal and while I could not identify the author’s religious identity, their are numerous hijab wearing #muslimsintheillustrations as Salim journey’s around his neighborhood and into his grand father’s memories.

Salim wakes up, brushes his teeth, and is out the door to play soccer with his best friend Qusai, but the ball goes flying and Salim can’t find it. He starts walking down the hill and it seems to have disappeared.

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He asks the fisherman, Abu Zaid, if he has seen it, and he hasn’t, but he offers to help.  They then go and ask the seamstress, she hasn’t either, but she puts down her tatreez, offers reassurance, and offers to help.  As they head out they bump in to Dr. Bassam.  “‘I will help you look,’ the kindly man said. “I can fix broken bones with very few supplies.  A lack of resources has made me clever and wise. Resilience and courage are plentiful here. We will find your ball. Salim, no need to fear.'”

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The searching continues, with a small break for khanfeh, and then Qusai is found, and so is the ball.  Like so many joyful items, the barbed wire of the apartheid wall has destroyed the soccer ball. Upset, Abu Omar, calls out to Salim, and his grandpa embraces and consoles the young boy recalling a donkey with wonky ears and life on the farm.  With resilience and joy Salim heads home to a community surprise and a hopeful future inshaAllah.

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The book concludes with five discussion questions that connect Salim’s experience to universal experiences of people everywhere.  It is followed by factual and personal author’s note about Palestine and the book.  

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There is nothing religious aside from the hijabs worn, Dome of the Rock, Masjid al Aqsa, and Church of The Holy Sepulcher in the backgrounds of a few images.  I purchased my copy from Amazon HERE and can also be purchased through Shop Palestine HERE.

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“Granny, Where Does Allah Live?” by Yasmin Kamal illustrated by Citra Lani

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“Granny, Where Does Allah Live?” by Yasmin Kamal illustrated by Citra Lani

 

This 32 page picture book for 3-6 year olds takes readers and listeners on a car ride with Granny as questions are asked, sights are seen, and love is spread.  The rhyme is actually pretty decent, the explanation of Allah swt being on a throne above us wherever we are adhered to, and the illustrations are bright, bold, and have a lot to hold little one’s interest.  Overall, the banter between the kids and their Granny, the drive to the mosque being filled with joy and love, make me overlook a lot of little annoyances.  The book packs a lot in, but the voice and tone is easy and I think most kids will see the connection of asking where Allah is, to asking why we have to go to the mosque, to why it is important to talk to Allah swt in our prayers, etc., as a way to have their own questions touched upon.  I do wish the book was a little bigger and perhaps hardbound, to make story time sharing a possibility, the book is 7.5 x 7.5, so good for little hands and sufficient for in lap reading.  The book concludes with three activities that incorporate a few of Allah’s beautiful names.

The book starts out with a young boy and girl excited to be spending the day with their Granny and going on a ride in her special car.  No idea why it is special, but it is purple and has flowers painted on it, so lets go! The kids love to ask Granny questions when they drive.  So after saying bismillah, they wonder why people don’t have tails or shells on their backs, or where they are going, or if they can have ice creams. 

As they head to the mosque to meet Grandad  they wonder if that is where Allah (swt) lives.  Granny tells them no, so they ask if He lives in the sky, when she says no, they wonder about in the trees or in the sea.  Finally she says that they “don’t have to go anywhere to find Allah, His throne is above us where ever we are.”

She then details how we can be reminded of Allah in things around us, nature, animals, land formations and then tells the children Allah is the most generous friend and it is important to talk to Him in our prayers. The children ask what we can tell Him, and Granny shares that we can tell Him everything and anything because He always hears.

Granny then explains that when we do good, we make Allah swt happy and when we aren’t nice we make him sad.  So then the kids want to know why we have to go to the mosque, Granny replies, to be part of a community.

The book is a string of questions, so it doesn’t come across as overly preachy, even though it is Islamic fiction, and the voice is natural.  It sounds like a conversation a grandma and some kids would have, I’m guessing the book was spawned by some real life experiences.  My kids and my mom definitely have this relationship.

 All this though, isn’t too say the book is perfect.  If  you read my reviews, you know there is always going to be a little nudge to try and elevate it from my perspective for the next go round. So with that in mind, the book does read a little long, the tangents get a little away from the simple articulate answer of stressing where Allah swt is, the text runs over the pictures a few too many times, and the people praying are not foot-to-foot shoulder-to-shoulder.  There are no salutations, saw, or asterisks after Allah. The word Jummah is not used although they are going to the mosque on Friday and a lot of people are gathering in the day, and the word mosque is used, not masjid.

The pictures are fun and will appeal to kids, especially when the car goes all magic school bus and starts flying, and going underwater.  I hope this is the first book in the series as it really does have potential to present answers to kids questions in a joyful colorful way.

Book available on Amazon