Tag Archives: fantasy

Book One: Thunderbird by Sonia Nimr translated by M. Lynx Qualey

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Book One: Thunderbird by Sonia Nimr translated by M. Lynx Qualey

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My public library had this book and so I picked it up seeing that it was Palestinian authored fantasy, and I am always on the lookout to support OWN voice Palestinian stories.  The book cover is gorgeous, the inside text unfortunately is tiny making this middle school aged book only 110 pages.  It is translated from Arabic and published by a university, so my expectations were pretty meager which assisted in me being fully swept away by the story at hand.  Sure the book has a few glitches in point of view,  often it feels a bit abrupt and djinn stories are a dime a dozen, but what elevated this book and made it stand out was the Palestinian history interwoven into the plot: snippets about the Mamluk soldiers and Ottomans, the Ayyubid rulers and walls around Jerusalem.  There isn’t enough history touched upon in my opinion, but I look forward to see, now that the world building is established, if the rest of the series will highlight the historical thread.  I have no idea if the characters or author are Muslim, there are references to praying and hearing the athan, but they could just be cultural.  There is magic, fantasy, djinn, prophecies, and reading of tea leaves, as well as fighting, assault, and talk of oppression under Israeli rule.  I’d assume it is advanced Middle Grade or lower YA, but to me it seems 11 and up would enjoy the quick fast paced read.

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SYNOPSIS:

Noor’s parents are dead, and she lives with a grandmother who loves her, and an uncle and his family who don’t.  When her grandma dies, Noor is alone and with things combusting in to flames around her and no one left to defend her claims that it wasn’t her, Noor is trying to piece together a ring left to her, her mother’s research, and her flame creation abilities.  Her search leads her to a colleague of her mother’s and an old archaeological site.  While staying with an aunt in Jericho over the holidays, a mysterious cat guides her to the same archeological site where the cat reveals that she is really a djinn.  The barrier between the seen and unseen world is failing, and Noor is prophesized to be the only one that can ensure it doesn’t happen.  With a trait of the mythical phoenix Noor must find ways to travel in time and retrieve a feather before the bird is reborn.  Along the way she will have the help of the djinn and of her doppelgänger from that time period.

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WHY I LIKE IT:

The story is clever, fast paced, and the character endearing.  I wish the details were fleshed out and of course I wish there was more history when she travels back in time.  The climaxes are quick builds and even quicker resolutions, but despite all the flaws I really enjoyed the story and look forward to the rest of the series.  The book ends on a cliff hanger that feels rather abrupt, but being it is clearly established as book one in a trilogy, I don’t think readers will be too upset at the sudden end.

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FLAGS:

Magic, time travel, prophesies, fortune telling, assault, oppression, fighting, loss, arson, arguing, djinn, fighting

TOOLS FOR LEADING THE DISCUSSION:

The book probably is too short for a book club read, but I think a teacher could definitely use it as a reference in story writing, historical fiction fantasy, culture inclusion lessons.  If you wanted to use the book, you’d be able to find plenty to draw on for teachable moments in literature, history, and writing style.  There would also be a lot to discuss in terms of occupation, myth, legend, and culture.

If your library doesn’t have it you can find it on Amazon

Nayra and the Djinn by Iasmin Omar Ata

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Nayra and the Djinn by Iasmin Omar Ata

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Set in Ramadan this graphic novel for middle grades has a coming of age theme brought to life with fantasy, religious practices, and storylines of bullying, acceptance, and folklore.  Nayra is fasting, she prays, she says bismillah and Assalamualaikum, her  practice of her deen is never in question and by and large I don’t know that anything is “haram” in the Islamic representation.  Yes, she says bismillah in julus, the sitting position of salat, there is sihr, magic. done by the djinn, and a lot of liberties about the ghayb (you can’t really disprove them), but honestly my biggest problem with this book is that somehow even though it is a graphic novel, more visual than text, there is way too much telling and not enough showing.  The reader is told that there is bullying, but only shown that one girl calls her “baba ghanoush,” we are told over and over that she is friends with Rami and that she needs to fix the relationship, but we never see what the friendship was before, only the forced awkwardness that it is now. The inside flap of the book stereotypes the “strict family,” but we never really see them being overly demanding or difficult, and the conclusion is very naïve with both the two girls and the two djinn resolving everything on Eid. I wanted to care about the characters, but never felt a connection to their stresses, traumas, and relationships, and many mirror my own life.  In full transparency though, I must acknowledge to you all, that I do not read a lot of fantasy graphic novels or even comic books, if the choppiness, and lack of depth is what makes the genre work for others, then this book will be fun with its pink and purple pallet and tracking of the Ramadan moon.  I really might just be the wrong person to review this OWN voice djinn fantasy authored by a Palestinian Muslim who like her fictitious djinn goes by they/them pronouns.

SYNOPSIS:

Nayra is being picked on by Tanya for messing up in volleyball in PE, and gets to calling Nayra “baba ganoush.”  When the book opens Nayra fasting for Ramadan is what Tanya chooses to attribute Nayra’s lacking skill too, and Nayra is ready to find a new school.  Her family offers no support, her older siblings set the bar high and got through by ignoring the bullies, and expect her to do the same.  The one other Muslim at school is Rami, and Nayra needs a break from her, they meet to break fast every evening, but Rami is exhausting.  When an online forum somehow gets a visit from a djinn, Nayra offers to be the anchor that Marjan needs to escape the ghayb and exist in the human world.  Marjan’s past comes back to haunt them, and when Zirkouniya arrives, there is only so much protection the month of Ramadan can offer as Eid arrives and the djinn are returned to full strength.  Djinn and human alike will have to own up to their mistakes, forgive others, and rebuild the relationships that matter.

WHY I LIKE IT:

I like the Ramadan centering, and appreciate that the coming of age story line was not an identity crisis about Nayra’s faith.  I  finished the book feeling like I didn’t understand much.  There was a lot of build up for a strict family, and djinn wisdom, that just didn’t exist.  The conflict with the friends was superficial and the resolution the same.  Maybe I missed the visual resonance as I tend to enjoy lyrical writing and relatable text, but the story seemed really simplistic, and the characters flat.

I honestly don’t know if the liberties of the djinn world and djinn themselves goes too far or if folklore, mythology, and fantasy give it fictional protection.  There are details that perhaps come from culture, or are completely made up, I don’t know.  Djinn in Islam are real, they are made of smokeless fire, some are good, some are bad, they have genders, and families, and feelings, and communities.  Outside of that, I don’t know much, and do not presume to, when I sent @bintyounus some of the pictures from the book, she remarked, “Djinn are part of the Ghayb/unseen, So it’s not like we say oh none of it is true, but we also don’t take it as 100% true.”

The magic is minor just a fixing of a flower and flower pot, so in reality the only fantasy are the details about the djinn and the journey to the djinn world.

FLAGS:

Lying, bullying, magic, sneaking out.

TOOLS FOR LEADING THE DISCUSSION:

There is not enough in the book to discuss in a book club, and because of the lacking resonance, I don’t know that most kids would read the book or be interested in it. I can see it being thumbed through, but I don’t think it would be finished by Muslim kids at the Islamic school, or by my own children.  Those that know the Islamic view of djinns won’t find that enough of a hook when the story inside is about a friendship, and not a particularly deep or fleshed out one.  They might see the bullying as relatable, but being called baba ganoush doesn’t really seem that bad compared to what many endure and pining for friends, when you have a very loyal friend, also will probably be met with some confusion.

The Adventures of Amina Al-Sirafi by Shannon Chakraborty

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The Adventures of Amina Al-Sirafi by Shannon Chakraborty

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It has been a long time since I have stopped reading a book because I simply do not want it to end.  Clearly I have no self control, so a day later I picked it back up and finished the 496 pages, but oh what a treat to be swept away aboard a magnificent tale with rich history, Muslim characters, Islamic references, developed fantasy world building, complex side characters, excitement, plot, adventure, and everything else you would expect from the author of the Daevabad series.  The book is an adult read, and I really can’t suggest it to YA readers, the protagonist is a middle aged mom with a foul mouth and a bad knee, there is cursing, and killing,  hetero, gay and demon love interests among the main characters, a transgendered character, sex mentioned, drinking, and magic, it is all part of the story, but it isn’t so in your face that older mature Muslim readers will be uncomfortable.  So why am I reviewing it here, I honestly don’t know.  Clearly it is not to be shelved in the Islamic School Library, but there is so much authentic Islamic centering on every single page, that I want to give it space to remind/encourage us all that we don’t have to hide or water down our faith in mainstream books- not if the writing, story, and characters are so incredible.  I really thought a historically set pirate fantasy would be hard to read, that the vocabulary and references would leave me lost and confused, but it is written so beautifully that the pages fly by and you forget you are reading; it is as if you are watching the story unfold in front of you.  Please consider preordering this book so that publishers know support exists for authentic OWN voice Muslim character led books, I have an e-version, but have also preordered a physical hard back copy here.

SYNOPSIS:

It has been a decade since the infamous nakhuda Amina al Sirafi has taken to the Indian Ocean to plunder and sail. The stories of her have grown and traveled in her retirement, but life is now more about protecting her daughter and fixing her leaking roof.  When her previous life finds her and threatens her, however, she must return to her Marawati, call on her old friends, and put together a crew.  Told through a storyteller, with banter between Jamal and Amina, the fourth wall is broken and the reader knows that the hero will survive, yet the adventures of outsmarting Aden’s defenses, peris, demons, Franks, pirates, and marids to prevent the Moon of Saba from being manipulated is a fast paced chaotic adventure that pulls you in from the first page.  The fairly linear story from one point of view (mostly), connects the haunting past to the trials at hand, as the crew and characters are understood through their captain.  I don’t want to give anything away, but the side characters are nuanced and developed in a way that you feel just as close to them as Amina does, and as she becomes frantic to save them, the reader too is invested in their choices and actions.  Pirate adventure, saving the day, a mom as a hero and a missing demon husband refound, yeah, don’t read summaries of this book, just read the book.

WHY I LIKE IT:

I was surprised at the religious redemption arcs and details that were included on truly every page, from the meaning of the translation of Ayat ul Kursi, to acknowledging past sins and striving to not repeat them, Amina al Sirafi practices her Islam in her five daily prayers, regular supplications, regular repentance, and view of the world and her place in it.  She isn’t preachy, and much of what she faces tempts her to drink wine and fornicate again, but her struggles are really refreshing to see.  It isn’t that she is Muslim and that is the framing for the al-ghayb elements alone, it is so part of her and thus of the book, that you can’t help but feel seen.

The gay character’s lover is mentioned, neither are Muslim, but it is only a few lines in the entire book.  The transgendered character starts off uncomfortable with being forced to marry and hints that she doesn’t feel feminine, Amina pieces together what she is saying and then at the end it shows that she is now identifying and carrying herself as a man.  It isn’t a big part of the text, it has a strong effect on the story and it does touch on God’s view of such things, as the character is Muslim.  The demon love interest SLIGHT SPOILER is Amina’s husband that she thought she had killed, she has had a lot of husbands, but when he turns up alive, she realizes technically they are still married.  He asks her quite often to have sex.  It is usually is just that blunt with no romance or longing, and when they do partake in the act, it isn’t overly graphic, it is “closed door.”  There is killing and murder and deceit and lying and drinking, all things assumed would be in a pirate story.  None of it is overly glorified, but it is normalized.

I really just love the characters and the fast paced action, the book leaves off implying there will be more tales to come and I hope there are.  (I keep writing what I love about the book and deleting it, because you know….spoilers, ahh).

FLAGS:

As previously mentioned: cursing, sex, hetero and gay relationships, magic, fantasy, killing, murder, lying, drinking, drugs, jinn, peris, marids, fantasy, occult, demons, death, loss.

TOOLS FOR LEADING THE DISCUSSION:

I would never do this for a school book club, but would do it in a heartbeat for an adult book club!

 

 

Hamra and the Jungle of Memories by Hanna Alkaf

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Hamra and the Jungle of Memories by Hanna Alkaf

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This 400 page middle grade retelling of Little Red Riding Hood bursts with Malaysian culture, magic, action, and adventure.  The main character and her family are Muslim and hijab, duas, zikr, halal, Qur’an and salat are included throughout.  The mix of legends and characters from Malaysian culture in building the fae world is not contrasted with religious faith, but assumed to both coexist without issue.  The book is clean for ages nine and up and the only concepts worth noting are some intense life and death situations, close male and female friendships, dementia, and the element of fantasy.  The book is set during the Covid-19 pandemic which will ultimately date the book as it doesn’t convey the tone for readers unfamiliar with the curfews, social distancing, controversies, and masking.  Those who have just lived through it, will not need the framing, but in a few years I do fear that the book will be lacking in fully understanding why the tourists, parents, and markets are so absent.  As with all of the author’s books there are also dated pop culture references, that slow the narrative down for today’s readers.  The book grabs you from the start and the second half flies by smoothly, but the middle quarter is a bit slow as the world building is not robust, and the reader is thrust into a magical world that is just accepted without pause, and the reader is asked to accept it at face value as well.

SYNOPSIS:

It is Hamra’s birthday, but the independent 13 year old is not being celebrated- everyone has forgotten: her mother is a front line worker, her father helping those with limited resources, and her aging grandfather and her are left to care for her memory slipping grandmother.  When Hamra, Little Red, storms off to the jungle to collect some herbs, in an act of spite, she defies the rules drilled in to her 1- Always ask permission before you enter.  2- Don’t challenge what you can’t even see. 3- Never use your true name. 4-Never take what isn’t yours. 5-If you hear someone calling your name, never, ever look behind you. She also doesn’t listen to the regular reminders to tie her shoes.  Simple rules, that when broken set the story in to motion.  Along with her best friend Ilyas, the two will strike a deal with a weretiger for their transgressions that takes them on a journey to try and save Opah, themselves, and prove their quest a success.  The characters they meet, the clues they unravel, the legends they understand, and the scenic islands they explore are as lush as the love Hamra has for her family and the drive she has to return home safely.

WHY I LIKE IT:

I love the way Islam is truly part of the characters, and a natural extension of how they see the world and act within it.  I wish there was stronger world building blending the world of the known and the fantasy for the reader.  The writing of the Malaysian setting is beautifully unapologetic and I love that there is not a glossary or overly explained descriptions, it is immersive and I appreciate that, but the framing of the two worlds I felt was a bit disjointed and needed some fleshing out.  At times it feels more telling than showing in detailing the depths of the legends or the superstitions that are true for the story.  I did enjoy the characters’ quirks and stubbornness, there is not a lot of arc and growth, but with the intensity of the adventure and culture, I didn’t feel it lacking in development.  For much of the book I didn’t quite appreciate the Covid-19 framing, but by the end I understood that it was a way to have the tourist spots void of people, the parent’s out of the way; a little more development though would have had the uncertainty of so much more fully realized.

FLAGS:

Fear, trickery, danger, loss, death, music, musical references, dammit is said.  There is some violence, close male and female friendships, and a possible trigger of dementia in a loved one.  There is myth, legend, magic, fairies, fae, and fantasy, if you are ok with the concepts in general the presentation is clean even with mixing religion and these concepts.  If you are uncomfortable of fantasy and Islam coexisting, this book draws the two worlds very close.

TOOLS FOR LEADING THE DISCUSSION:

I have taught two of her books in middle school book club discussions, and I would teach this one as well.  It is enjoyable to see Malaysian Muslim characters so confident in their identity and having adventures that are enhanced by their faith and culture while focusing on larger themes of friendship, family, forgiveness, and adventure.

The book comes out in March of 2023, I’ve preorderd mine HERE and I hope you will as well.

Spice Road by Maiya Ibrahim

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Spice Road by Maiya Ibrahim

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I have no idea if the author identifies as Muslim. I saw the 2023 YA book described as a Middle Eastern fantasy, characters with Arabic names,  djinn representation and possibly a hijab wearing protagonist on the cover, so I requested an advanced reader’s copy, squealed with delight when I got approved, and happily fell into the 464 page world of The Sahir and Kingdom of Alqibah.  Their is no Islam in the book, it is not a hijab, but I’m sharing it here, not just to let readers know it isn’t Islamic rep, but to let them know that for the genre it is pretty clean, and the story is an engaging easy read.  At times Imani is whiney and annoying, but she has a developed arc, and the book has a few slow patches, but nothing that lasted long enough to tempt me to give up on it.  I think 14 year olds and up can handle the three brief kisses, the sexual assault that is thwarted, the lusting glances, the killing, the potential addiction, and the commentary on colonizers and oppressors.  It is the first book in a series, so this review is only for this book and not an evaluation of the rest of the books that perhaps are not even written yet.

SYNOPSIS:

In Qalia, the Shields protect their community from monsters with the Spice entrusted to them, misra, that magically empowers affinities in them.  The top Shield, Imani, has an affinity for iron, and with the support of her powerful clan she exists in a world of privilege and opportunity.  When her powerful brother, Atheer, is assumed dead after stealing misra and suffering from magical obsession, the family’s reputation is not as pristine as it once was.  Imani’s younger sister, Amira, is also keeping secrets as she is caught stealing, skipping school, and refusing to follow family orders and country laws.  When the two girls find themselves following Atheer’s horse into the forbidden waste, they learn that their brother might not be dead and that there is more to their world than they ever were allowed to know.  With desperation to learn more about her brother’s location clouding her judgement, the Djinni Slayer, Imani, bonds with Qayn, a djinni who claims to not only know Atheer, but to have been his close friend.  Imani scrambles to know what to do, and seeks out answers and permission from Council, that results in her and three other’s heading off on a rescue mission to the Kingdom of Alqibah.  Everyone’s orders, however, are not the same, and first they must survive the desert, the monsters, and each other if they are to find Atheer.

WHY I LIKE IT:

I love  that the world building is not at the expense of character development.  The single linear story line does mean that at times side characters are seemingly forgotten, but the focus of the world through Imani’s eyes allows the gaps to be overlooked as her concerns and priorities take center stage.  I love the emphasis on family, it is sibling love that is motivating the protagonist and closeness to an aunt that allows for privilege and opportunity. The romantic threads and tangents never overshadow the familial importance- it isn’t a forced obligation it is very warm and it is nice to see and feel the truth in the characters approach to family.  I love the Arabic names, foods, and while my electronic version did not have a map, the author has one on her Instagram page that suggests the physical book will have a map.

I love that the book discusses colonizers and oppressors.  It may be fiction and fantasy, but there are some very real themes included in fleshed out way that would allow for a lot of deeper discussion and connections to be made. The book is well polished, I don’t know that it reads like a debut, which is always a good thing I suppose.  At times Imani is really unlikeable, but fortunately it doesn’t last too long, same goes for Amira and her bouts of childishness juxtaposed with her glimpses of maturity. Taha, is noted to be very different depending on the company he keeps, so while frustrating- it seems to be intentional. The only real hiccup I felt in the book was understanding how at times the language differences were such an obstacle and how at other times Imani could read the graffiti and be understood.

FLAGS:

Magic, romance, lust, kisses, flirting, attempted sexual assault, lying, killing, addiction, alcohol, drinking, murder, abuse, physical abuse, bullying, oppression, colonizing.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that I would pick this as a book club read, but I would definitely shelve it in a class, school, or home library.  I think it is a fun read for teens and up and I look forward to the rest of the series.  The book releases in January 2023 and as always presales are the biggest way to show support to authors and titles.  You can find the book here.

 

 

The Glass Witch by Lindsay Puckett

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The Glass Witch by Lindsay Puckett

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Another Scholastic published book that I genuinely cannot understand why the author forced a Muslim character to be a part of, and no it isn’t just a token hijab on a character named Fatima.  It mentions she goes to the mosque, there is a Quran on the book shelf, her parents don’t understand her obsession with monsters, she is desi, and there is Urdu in the text as well.  This isn’t me just doubling down on Halloween being a pagan holiday that I’m against, this book is about witches and magic and while it does take place on Halloween, and the witches are Good(e), it is their last name, it is a weird inclusion flex for me.  The book also has the Muslim grandpa crushing on the grandma witch, he even kisses her hand and they are revealed to be soul mates.  There is evil possession, different men that could be the protagonists father, killing, and a pageant.  The book has good qualities- positive body size messaging, focus on family love, self acceptance, and is fast paced and entertaining, but even as a parent that lets my kids read fantasy books, and books that mention Halloween, this book went too far for me.  It normalizes Muslims being ok with magic, it isn’t world building and fantasy, it is very much the real world with sihr characters and practices. It positions the parents as being loving when they come around to accept their daughter’s love of monsters, it also seems to normalize men and women relationships, and for a middle grade 224 page book I just can’t support a Muslim character’s role in such a story. 

I know sometimes I’m ok with magic in books, this one just seems a bit intense, we might just have to agree to disagree if you feel differently, and I’ll own my possible inconsistency in the matter as well.

SYNOPSIS:

Adelaide is heading to her grandma’s house with her mom, and being dropped off for three months- abandoned is more like it. The family dynamic is stressed even on a good day, and today is not a normal day.  The Goode family of witches are all that remain of the witches in the town and more than three can not exist within town lines.  Additionally, if at least one witch is not always in Cranberry Hollow, all the magic will be lost.  Adelaide, doesn’t have magic though, toss in that she is a bigger girl than most other twelve year olds, and that she never feels like she is enough, and the bees within her are buzzing. 

The plan was to drop off Addie and head out of town.  The neighbors, Hakeem and his granddaughter Fatima show up though, and before Candice can sneak out, she finds herself heading to the Cranberry Hollow Halloween Festival with Fatima, Addie, and her mom.  The town loves the Goodes, they help crops grow better, cancer to be cured, and so much more.  Of course they don’t know that they are witches, but they know that they are helpful.  When the time to leave arrives, Aunt Jodie stays on the other side of the town line and they prepare to say their goodbyes and keep the fourth Goode outside the imaginary line, but Addie in a last ditch attempt to make her mother notice her, pulls her mother back across and thus sets off the curse of having too many witches in the town.  The hated Hern family is going to be possessed, and Addie will be hunted come midnight on Halloween.

WHY I LIKE IT:

The book is intense and scary at times, just toeing the line of what a MG reader can handle, I just don’t get the Muslim character.  It really seems intentional and thought out, and I would love to find out why it was a conscious choice.  There is a small passage equating Addie standing out because of her size with Fatima and her hijab, but I can’t imagine that is enough of a reason to have a practicing Muslim loving Monster hunter in the book.  I know we want representation, but this didn’t work for me, and while I know others are ok with Halloween and some with sihr in a fictional sense, having a Quran on a shelf above the book of monsters and jinn that the Nana has collected, just rubs me the wrong way.  The book is published by Scholastic and will undoubtedly be in book order offerings and in book fairs, and if you are ok with it for your children, that is your choice, I just feel obligated to share my concerns so that you can decide what is best for your family.

FLAGS:

Magic, witches, curses, killing, death, Halloween, crushes, romance, kiss on the hand, premarital sex not detailed (two options at least for who Addie’s father is), cigarette smoking, bullying, mention of a kid at the festival with two dads.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t shelve the book in an Islamic school library or classroom.  I would also pull it from a Scholastic Book Fair display at our Islamic school.

A Darkness at the Door by Intisar Khanani

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A Darkness at the Door by Intisar Khanani

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Y’all I was devastated when Theft of Sunlight ended on a cliffhanger, but Alhumdulillah, this conclusion was well worth the wait.  My heart is at ease, even if I am trying to figure out how to get the “Blessing” so that I can forget I read the book, and enjoy it all over again for the “first” time.  I don’t normally review second books in the series, and this won’t be a typical review, but truly if you have not read Thorn or Theft, what are you waiting for, go get those books and start reading.  I don’t know a lot about the publication drama of this fantastic book, but I do know that it was not published in the USA by the same publisher as the first book in the duology, and the thought that we, the readers, could have stepped up the pre-sales and shown our love for the series, the author, and the characters weighs heavy on me.  Thankfully, the UK publisher kept the book and the author found a way to get Darkness to us in the US (it publishes later this summer), but truly we have the power to support good, quality stories, and we must actively show it so that they get published, rather than simply complain about what options are made available to us. This is the author’s website: http://booksbyintisar.com/ if you sign up for her newsletters you can get all the bookishly delicious info.  She is not asking me to promote her or her books, but I happily share and direct support to her, because her stories really are great, and from what I can fangirl find out about the author, so is she.

The book picks up where Theft leaves off, and manages to remind readers what might have been forgotten in the interim.  It had been over a year since I read book one and while I fumbled a little at the beginning, the author caught me up to speed and didn’t let me lose a beat in Rae’s latest and ongoing adventures.  It starts with Rae aboard a slavers ship with children bound for a horrible fate.  More than just her life is at stake, as the information she has recently discovered implicates palace officials, the Circle of Mages, an heir to the throne and so much corruption.  With the help of street thief Bren, Rae gets herself in and out of trouble quicker than most expect.  Her clubfoot, sharp brain, and genuine values, force anyone who underestimates Rae to find themselves scrambling to keep up.  She has grown to love her body and the strengths that it affords her, and in her actions and dedication to changing the world she becomes a formidable river Pirate Queen that you genuinely care for, cheer on, and hope gets a happy ending.

Yes, if you have read Theft and are wondering why I didn’t mention Princess Alyrra, Red Hawk, the Cormorant, Niya, Stonemare, Artemian, and everyone else, fear not, they are all present, and get their story arcs, I just don’t want to risk a single spoiler.  If you’ve waited for this conclusion, you will find yourself desperately dreading the final pages, and wishing the story would never end.  The fantasy, action, characters, world building is all incredible and so hard to put down.  The author is Muslim, but there is no Islam present in the stories, although hints of desi culture do seem to present in the Sweetening atleast. 

The book is YA, but I think 15 and up or so would be a good fit. Like the others in the series, it has magic, murder, killing, lying, thieving, alcohol, corruption, implications of sexual abuse, assault and threat of rape, but this book also has some language, talk of infertility, and some implied banter about marital relations. The romance is very halal and clean, but the violence is graphic as dealing with the implications of murder and slavery are grappled with and thus a thematic element of the story.

Thank you Netgalley UK for the arc, if the book looks interesting and fun for you, please preorder the book wherever you are.

Nura and the Immortal Palace by M.T. Khan

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Nura and the Immortal Palace by M.T. Khan

nura and the immortal palace

This 272 page unapologetically Muslim MG tale takes on some heavy concepts: child labor, jinn, education, and gulab jamun- I mean greed.  Through the eyes of feisty, determined, clever, and strong Nura, though, the trials of life and society are never without hope, a sense of adventure, and good intentions.  The characters are likeable, the Islam wonderfully present and often centered, the social commentary remarkable, but the framing for me, made it a bit of a struggle to read at times.  It is set up like Alice in Wonderland or even Silverworld, where the characters living in a real world stumble in to an alternate reality, and thus the world building occurs in real-time so to speak.  The reader has no idea what is going on until it is happening, no clue what the rules and constraints of the fantasy world are until some detail is needed to help or hinder the protagonist, and personally I struggle with this wandering style of narrative.  I have mentioned before that as a child I really never read fantasy, and I think this is why, I  need the context to ground the story so that I might lose myself in the adventure at hand.  If you are fine with this framing and at ease with Islamic jinn fantasy, then this book will be a lot of fun.  If you find fantasy “shirk-y” do know that Ayat ul Kursi is used to save the day, but that there is a lot of imagination regarding the beings made of smokeless fire, a casino is present along with dancing, indentured labor, and the fear of death.

The book releases in July 2022, and as always pre-orders help show support for books, authors, and the OWN voice content that they entail, so if this book seems like a good fit for your 3rd/4th grade reader and up you can pre-order it here: https://amzn.to/3MVvxQo

SYNOPSIS:

Nura lives in the small industrial Pakistani city of Meerabagh.  Her father has passed away and her family is too poor to send her to school, instead she must work so that her siblings might eat.  Her mother works in a sweat factory and Nura in the mica mines.  The illegal child labor and cruel owners provide less than ideal working conditions for the children forced to mine the sparkly mineral.  Nura’s mom wants her to quit, Nura herself doesn’t enjoy the torment, but somehow she takes it on as a challenge to be the best miner in Meerabagh, pushing her self deeper into the fragile tunnels.  With bestfriend Faisal always warning her about going too far, she decides to finally listen to her mother and quit the mines, but not after she makes one final effort to find the rumored “Demon’s Tongue” treasure.  She digs too deep though, and the mines collapse, children are lost, Faisal among them. Determined to find her best friend, she plunges in to the fallen mines and finds herself on the pink waters outside the luxurious jinn hotel, the Sijj Palace.

Nura has always been warned about jinn, qareens and the tricks they play on humans, but when a life of luxury is dangled in front of her, Nura pushes her better judgement aside to enjoy a life she has always dreamed of.  It isn’t just the food and clothes, but it is the respect and honor she is given as she wins a food eating contest, gambles in a casino, and gets decorated for a dance party.  It all comes crashing down however, when in an attempt to impress the painted boy, she cuts off his horn.  Status revoked, Nura is sent to the labor force, where she will remain for eternity, imprisoned and at the disposal of the hotel.  What is more, after the three day festival of Eid al Adha, her memories of her life before coming to the jinn world will disappear. Nura is determined to escape, but nothing in the jinn world is easy, and for a 12 year old girl with fading memories, this might be more than she can endure.

WHY I LIKE IT:

I love that Nura is unapologetically Muslim.  Even though she is poor, there is time spent on the pages detailing the feeling of Eid al Adha, the familial togetherness and community festiveness even if it all is meager, it still has value.  I also really like the relationship between Nura and Faisal.  They drive each other crazy and have nothing in common, but they never give up on each other.  They act like siblings, tolerating each other’s annoying quirks, while never wavering on their concern and worry for one another.  It is sweet and well fleshed out.

The threading of education was also done well.  Nura finds the idea of school repulsive, but it grows and changes as the obstacle of being illiterate slows her down, and ultimately she changes her mind.  The growth arc is subtle, but powerful, and Nura’s intellect, cleverness, and ingenuity is never dimmed as a result of her lack of formal schooling.

The characters, even the “bad” ones are given some depth and sympathetic qualities, and Nura has to recognize some of her own flaws and choices as she journeys through the book.  Desi culture is present primarily in food and clothing, but it adds depth to the story and flavor to the experience.

The food eating competition, however, didn’t really impress me.  I get that it was to flesh out the jinn world and show Nura’s smartness, but I thought the jinn in the water were eaten, only to have them reappearing, and the founding premise is that jinn are tricksters, so to have Nura tricking them seems to blur the lines of integrity.  Also the bird was critical, and then never seen again, the scene just didn’t read as tightly edited or as clear as it should have in my opinion.

I didn’t love that a casino either, or that it was so central to the story. If it would have said something about gambling being haram and jinn being free to do what they want, like it did when discussing how Eid is celebrated by non practicing jinn, I might have not been as bothered,  but it seems an odd setting nonetheless, for a middle grade book.

FLAGS:

Gambling, child labor, indentured servitude, magic, fantasy, jinn, destruction, bombing, fire, death, fear.

TOOLS FOR LEADING THE DISCUSSION:

I think this could work as a middle school book club read.  It is a little below level and age, but there is a lot to discuss and connect with, that I think it would be a lot of fun.  Our school is ok with fantasy reads, so for us it definitely deserves a place on the bookshelf in a classroom, school library, and possibly (depending on your views of fantasy) a home library.

Zachary Ying and the Dragon Emperor by Xiran Jay Zhao

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Zachary Ying and the Dragon Emperor by Xiran Jay Zhao

zachary ying

It is hard to believe that this book is middle grade- the world building, the social and political commentary, the authenticity, the history, the humor, the writing quality, the richness, really makes me embarrassed that as a child I never gravitated towards books like this.  Everything I love about contemporary fiction seems to be done so well in the handful of fantasy books I’ve read of late, add in layers of adventure, imagination, and nuance, and I don’t know why I took so long to embrace this genre.  Not to say every MG fantasy is written this well, but why settle for only friendship, family, and identity issues when you can have all of it and dragons?  This 352 page book about a Chinese American Hui Muslim kid is action packed, culture rich, unapologetically Muslim, and a gripping good time.  While I think lower MG could handle and enjoy the book, there is nothing explicit, it does in passing mention eunuchs, concubines, and adult entertainment, along with the main character stating that he is not attracted to girls a few times and that he acts like a girl, but presents as a boy, thus making me think middle school aged might be a better fit.  If younger kids read it, they may or may not even pause or notice the aforementioned possible flags, I only highlight them, so that my readers are aware and can be prepared to explain and discuss if needed.  As an adult reading it, I can see clearly that Zach is gay, but I don’t know that most kids will catch it.  The author skillfully hints at it, but doesn’t make it the focus of the story, ultimately making me feel like if you want to see it you will, if you don’t, you probably won’t. Oh and the chapter titles, they are awesome!

SYNOPSIS:

Zachary Ying is twelve and while he isn’t comfortable in his Maine school, he manages.  He dumps the delicious Chinese food his mom makes every day so that no one teases him for the smell it carries.  He tries to impress the other members of the Mythrealm club, a vr video game, without rocking the boat, and he loves his single mom who works hard since his father was killed in China advocating for the rights of Uyghurs.  He knows little about Chinese history, the language, or myths, but that all starts to change when his VR gaming headset becomes the host for the spirit of the First Emperor of China, Qin Shi Huang. 

His mom becomes the target of demons and when her soul is taken, Zachary is off to China to secure the barrier that divides the worlds and keeps the spirits at bay.  To do that though he is going to need to learn Chinese history, the power of artifacts, and the role of myths in keeping stories alive.  With two friends, also possessed by past emperors, joining him, the adventure is non stop.

WHY I LIKE IT:

I love that Ramadan is mentioned on the very first page, that Zach’s mom wears hijab, that he only eats halal, and that details about life in China for Muslims is shared.  It isn’t the main part of the story, but it adds such a powerful layer, that I found myself looking up Hui Muslims and trying to rectify how little I know about Islam in China.  

The social commentary about which individuals from history are remembered and why some are celebrated and others vilified was so impressive to see in a MG fantasy book.  It doesn’t ask you to agree with the narrative, nor does it preach anything, it just presents it in all its beautiful shades of gray glory albeit often shrouded in humor.  I truly feel that most MG authors talk down to their readers, if these themes can be so strongly presented and consumed, what superficial fluff did I waste my time reading as a preteen?  Thankfully I’m an adult that loves juvenile fiction, so there is still hope for me yet.

FLAGS:

Magic, mythical gods, fighting, violence, lying, deceit, killing, crushes, same sex attraction, concubines are mentioned as are eunuchs, but nothing more is said about them.  Affairs and mistresses in context to myths and past emperors are mentioned.  

TOOLS FOR LEADING THE DISCUSSION:

I don’t know if I could teach this.  Once you sense that he is gay it is hard to unsee, and in an Islamic school, that would be problematic.  I will have my own kids read the book, I don’t think there would be any concerns for me there.  A few weeks ago concubines were mentioned in a khutbah, so I’ve already had to explain that to one of my kids. 

PRE-ORDER BEFORE MAY 10, 2022 or PURCHASE AFTER HERE

Lowriders to the Rescue by Cathy Camper illustrated by Raúl Gonzalez III

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Lowriders to the Rescue by Cathy Camper illustrated by Raúl Gonzalez III

lowriders

This is my first Lowriders book, so admittedly there was a lot going on that I really don’t feel confident that I understood, but even with that, it was a sweet story of first love (crush), Arab and Latinx joy, humor, social activism, environmentalism, gentrification, and fun.  I don’t know that the other books in this middle grades series explain the characters or their world any more or less, so I think it can be read as a standalone book, and I think the 140 page detailed illustration filled pages will tempt even the most reluctant readers to give it a try.

SYNOPSIS:

Sokar is an Arab Muslim monarch butterfly, and the fires have taken so many of her family, and cut the survivors off from being able to safely migrate.  She comes to town with a broken wing and in desperate need of help, only to find prejudice against her at every corner, until she meets the Lowriders:  Lupe, Flapjack, and Elirio.  Lupe is an impala, Elirio a mosquito, and Flappy a land octopus with brand new glasses who falls for Sokar at first sight.  Sokar, however, has concerns with the environmental impact the lowrider car has knowing that the fires and pollution are all related.  Add on that the Upscale Business Association gentrifying the neighborhood, and everyone is going to need to work together to save the monarchs, the neighborhood, the environment, and a tender friendship.  As characters find connections between Arab and Latin foods, Arabic and Spanish words, the readers will find similarities from the real world with this crazy one with people, animals, insects, and flying cars.

WHY I LIKE IT:

The author saw my review of Arab Arab All Year Long! and let me know that this book also had Islamic representation, and that I should check it out.  I love that there are Islamic phrases (inshaAllah, salam), a possible hijab on Sokar, connections to Moors of Spain, and Arab culture.  Part of me doesn’t love the love interest, crush thread, but it is between a land octopus and a butterfly and there is only a kiss on the cheek, so, I’m not sure it is that big of a deal.  I love that environmental concerns, discrimination and activism are the heart of the story, yet somehow it doesn’t read preachy.

The similarities of words, foods, and my favorite throwing of a chancla/throwing of a shabashib are all amazing for readers of all backgrounds to see and be made aware of.  I love the teamwork, altruism, and compassion that so many of the characters show, while not sacrificing the humor and quirkiness of it all.

I was a bit concerned with the posters going up everywhere, that seems like a lot of waste and excess, in every other instance they were so mindful: making the car solar powered, reducing plastic in the ocean, etc..

FLAGS:

Racism, discrimination, crush, kiss on the cheek, death, loss, destruction.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think this would work for a full on book club selection, but I think it would be a popular book to give to a kid to read and then chat about it with them when they finish.  The book has a lot to discuss and maybe in small groups it would be a good selection.  I’m hoping to get it in the library when it releases and I’ll come back and report on how it works with reluctant readers, avid readers, and in getting the kids reading, thinking, and laughing.  You can pre-order yours to show support for the author by clicking HERE.