Tag Archives: Fun

May26

The Jasad Heir by Sara Hashem

Posted on May 26, 2023 by islamicschoollibrarian

When I requested this book, I really thought it was YA, when I saw it was 528 pages I went online to see what I missed, and sure enough it is considered an “Adult Fantasy” and in the process I read some of the (negative) reviews about the book. I grew nervous as I’m not naturally a fantasy fan, mg fantasy is more my level, with occasional YA entrapping me. I told myself 25% is the least I could do, and if it wasn’t clicking, I’d know I gave it a genuine shot. By about 21% I couldn’t put it down. I think not expecting the complexities of an adult book was a benefit. The book has no Islam, it contains Egyptian cultural references, but religion is not present, and thankfully that means no djinn either (they seem over represented these days). The protagonist is in her early twenties, it has an enemies to lovers trope, and magic is central to the storyline, but aside from frequent unremorseful murder and torture, an intimate make-out scene at the end, and some drinking of ale, the book is fairly clean. I feel like there might have been some plot holes, but I honestly was so swept up in the story and proud of myself for understanding the world building and politicking, that I am just going to assume I missed something or it will be addressed in the next book of the series. The author is Muslim and while it is labeled Adult, I think high school juniors and seniors and up, can and will, love Sylvia and Arin and sorting through the lies and deception to see the Jasadi heir rise.

SYNOPSIS:

The book follows Sylvia a young woman apprenticing with the village chemist, living in a keep (aka orphanage) and hiding her magic, or rather hiding that she is Jasadi, her magic is useless with the invisible handcuffs placed on her as a child before the kingdom burned in the Blood Summit. She is unkind, harsh, and selfish, but somehow a few other orphans have not been scared off and on her birthday she is forced to acknowledge that people in her life might care about her. There are four kingdoms that remain (Lukub, Omal, Orban, and Nizahl) and every three years they participate in the Alcalah, a battle to pay honor to the founding siblings who were entombed to cease their magic from destroying others and going mad. The tradition makes no sense as the champions often end up dead (think Hunger Games), and the people acknowledge it, but none-the-less, they all get caught up in the excitement and entertainment. Since the destruction of Jasad, the magic kingdom, magic everywhere has been outlawed. Originally all people had magic, but it was lost over time. Sylvia is the heir of the Jasad kingdom, and with no magic and no sense of obligation to Jasadis that have scattered, she carries on hoping to one day take over for the aging chemist. When the son of the Supreme responsible for the death of her loved ones and all of Jasad crosses her path, deals will be made, a champion will be crowned and love will felt. Sylvia will also have to reexamine people from her past, her selective memories, and decide what type of future she wants to fight for.

WHY I LIKE IT:

Phew, even writing that lame summary was challenging, the book weaves a lot together and I loved the politics and world building, but clearly don’t feel confident enough to discuss it. I think the slow burn romance was a little obvious, but I also think the author knew it would be obvious and rather than try and disguise it, she embraced it, and provided actual obstacles in their coming together (they cannot touch), not just that they want to kill each other. I am assuming that the physical copy (I read an electronic arc), will have a map and perhaps a list of the kingdoms and characters. It wasn’t hard to keep it all straight, but it will definitely add to the overall packaging.

I would have liked a little more explanation at points, even if it is my own weakness requiring it, but I didn’t understand the magic mining, the handcuffs, and would have liked a little more back story on the warring magic factions, their splintering timeline, and Soraya’s fallout. I also would have liked more about Sylvia’s parents relationship and how that union came to be across two kingdoms. Honestly I didn’t even quite get Sefa and Marek’s relationship. I probably needed to slow down and read, but I couldn’t it was action packed, fast paced, and I needed to know what was coming next. The climax was a little weak and the book ended on a cliff hanger as a book two is already forthcoming, but the fact that I read it and enjoyed it, speaks volumes as to the characters, story quality, writing, and approachability of the book.

FLAGS:

Mention of rape, whores, sexual assault, sex, a character is asked if a character’s needs are met by a man or a woman, an intimate male/female passionate scene at the end, using physical flirting as a distraction, theft, killing, lying, torture, murder, poisoning, breaking of a back, stabbing, it is an adult fantasy, there is all sorts of deviant behavior, but I really think 17 and up even in an Islamic school can handle it.

TOOLS TO LEAD THE DISCUSSION:

The backmatter and author reference the book to Egypt, yet aside from the names and some foods and clothing, there isn’t a lot that a casual reader would catch. I think discussion about the Arab Spring and linking the plot to real politics could make for a fun discussion in a high school book club setting. There is some Arabic sprinkled in that I would assume is accurate and would enjoy having translated by students as well.

Apr19

Eliyas Explains Why Should I Pray My Salah? Bite Size Journal by Zanib Mian illustrated by Daniel Hills

Posted on April 19, 2023 by islamicschoollibrarian

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Eliyas Explains Why Should I Pray My Salah? Bite Size Journal by Zanib Mian illustrated by Daniel Hills

I love the Eliyas Explains books, but was a little curious what a “Bite-Size Journal” version would be, and Alhumdulillah, the silly relatable voice is the same, there just isn’t as much fictional story weaving together as the Angels and Miracles books had. Instead it has activities and guided prompts for the reader to engage with and space for them to write. The first 15 pages or so are Eliyas explaining about salah and what he has learned and how he has improved, and some parables through his point of view. Then the journal pages begin, and while the first few are truly “journalistic” as it progresses to the last of the 60 pages you realize along the way there was a lot of “story” included on the activity pages as well. The book isn’t blank pages and bound together as a book, it has text, it has hadith, it has games, it has questions, and trackers, and a lot of information. I love that it states that it has been checked and the Shaykh’s name is included, the positive child framing, and the reasonable price point. For first through third graders learning about salah, wudu, athan, and inshaAllah becoming more mindful of their actions and behavior, this book will be relatable, funny, and informative.

SYNOPSIS:

The book starts with Eliyas remembering when he was too lazy to make wudu and pray his salah, he then offers a story of an orphan and a muffin and a lady who makes the muffin to try and show readers that salah benefits and nourishes us and the maker of the muffin truly loves us. It is a little random, but it somehow all works and kids will go along with the allegory, it isn’t drawn out. He then moves to talking about how Allah swt loves him and what his parents told him that helped him to love praying. There are hadith and Eliyas’s explanation attempts, drawings, and some really powerful points about angels and being accountable on the day of judgement to Allah swt. The journal pages involve decoding, timing your prayers, writing down all the places you’ve prayed, latitude and longitude decoding and a lot more. The book also discusses the athan and Surah Fatiha.

WHY I LIKE IT:

I love the voice of Eliyas. It isn’t fear driven, or punishment framed, it stays positive and motivates from a place of love, but the conscience and priorities are highlighted too. It is such a crucial part of raising young Muslims, to lead with Allah’s love, but as kids get older you want to introduce consequences, and choices, and being accountable, and this book does it seamlessly with out it being overwhelming.

I honestly don’t know if I like the journal format or the other Eliya’s Explains books more, I do like the storytelling of Miracles and Angels and the way the facts are woven in, but I think for the topic of Salah this format works. I am happy with mine, and you can purchase yours here from Crescent Moon Store.

FLAGS:
None

TOOLS FOR LEADING THE DISCUSSION:

I don’t think the book would work for a book club, but in small groups at an Islamic School or Weekend School the teacher could very easily and affordably have a book for each student, or read aloud the story parts and engage the students in the activities without any difficulty at all.

Apr5

Not Now Noor! by Farhana Islam illustrated by Nabila Adani

Posted on April 5, 2023 by islamicschoollibrarian

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Not Now Noor! by Farhana Islam illustrated by Nabila Adani

This 32 page book is incredibly adorable and silly, and yet so vague in the answer that is the whole premise of the book, that it really has me wondering why we are so afraid (in children’s books and possibly in our daily lives) to say that we wear hijab because Allah swt commands it? The book articulates that we are Muslim and that hijab defines us, which I love, it just seems that while the rest of the book is incredibly direct and funny, the answer is fuzzy and lyrical. It is by no means wrong, it just at the end presents what hijab means, the benefits of wearing it, and one’s personal feelings toward it, while skirting the answer the girl keeps asking of why? It seems to be a common approach lately, and I wish that more picture books about hijab would clearly articulate that the commandment to cover is in the Quran. It isn’t for any other reasons. It may have perks of keeping your ears warm, fashion, or hiding your earbuds, but that isn’t why Muslim women wear hijab. Perhaps the trend has me more frustrated than this book on its own warrants, it really is sweet and I don’t regret purchasing it and having it sent from the UK. It allows for a serious conversation about hijab to occur after, and it intentionally pushes the humor, which I definitely think we need more of in Muslim centered books.

The book starts with Noor identifying what her Ammu’s hijab is and isn’t, how she wears it and how she doesn’t. The next page shows Noor’s bustling family and she compares how her Ammu’s hijab is not the same as her Nanu’s or Dadu’s or Aunt’s or even her sister’s, but she doesn’t know why any of them wear it. Yes, I’m sure there is some pointed criticism I should make about how can a child her age not know, but I think for the sake of it being a book and being comically done, I am willing to let it slide. I do wish that the spread had the women and their style of wearing a scarf shown. I appreciate that they are in the dining room at home and thus not wearing a scarf, Nanu is because Dada is in the picture, authenticity which I love seeing, but children need a little more hand holding to see which person the text is talking about. Yes I know there is a family tree on the inside cover, but at story time, it is cumbersome to flip back and forth.

Back to the story, Noor starts by asking her sister, the coolest hijabi she knows, if she wears it to hide her snacks in, or hide her big ears, but Affa brushes her off with a, “not now, Noor” and she is off to the next family member to ask. Each time the rationale gets more outrageous: hide the eyes on the back of your head, prevent you from getting nits, etc.. And each time the person she asks sends her on her way with a “not now, Noor.”

When Noor finally gets to her mom it is she who answers with poetic lyricism, “We are Muslim women, my Noor, Unapologetic and true. We are believers. We are dreamers. We are thinkers. We are leaders. We can wear our hijabs on our heads like our hearts on our sleeves. Whether you choose to or not, my Noor,, we are so many things…and we are more than enough.” On the next page it continues, “My hijab is not just a scarf. It means more to me. It is a reminder of who I am, where I’m from, and where I’m going to be. And perhaps one day you’ll understand what I mean. Because, most of all without my hijab, my Noor, I don’t feel like me.”

A flowery sentiment, but little Noor and the reader never got the answer as to why Muslim women wear hijab, and I think that it is unfortunate. The book is beautifully illustrated, the size is great to be shared, the text funny, the voice playful, the joy contagious but the answer for me, just missed the mark, not by a lot, but by enough that I think an adult would need to supplement the overall takeaway message.

Mar31

Sajjadati and the Power of Dua by Ayesha N. Rahmaan illustrated by Laila Ramadhani Ritonga

Posted on March 31, 2023 by islamicschoollibrarian

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Sajjadati and the Power of Dua by Ayesha N. Rahmaan illustrated by Laila Ramadhani Ritonga

This 38 page large hard back picture book is absolutely beautiful: the illustrations, the tone, the thickness of the pages, all come together to create a child’s wonderment about the power of salah and dua with grounding in the actual parts of prayer. On my first reading the imaginative “magical” aspects of the prayer rug, “Sajjadati,” was sweet and endearing, but as I thought about the story and then reread it, I had some concerns. I know the book is meant for children, I know I am a reviewer and thus am over analyzing it, so I point the following out as a “heads up” so to speak, and for you to make your own decisions if the literal text will be misleading or if the overall mood of the book will be taken as loving dua and the closeness prayer brings one to Allah swt.

The book starts with a little boy recalling when he got his green prayer rug from his grandma, that has his name on the corner (in the illustration it is centered on the top, not in the corner) and him naming the prayer rug, “Sajjadati.” The following page, same spread, then says, “When I have Sajjadati with me, I can pray anywhere. And when I pray on Sajjadati, I can go anywhere.” These lines give me pause, because even if the prayer rug is lost or not with him as he grows up, he is still going to need to pray. The importance of the prayer rug seems over elevated, albeit sweet, religiously a little unsettling. The second of the two lines, about going anywhere, is also a bit of a gateway to the rest of the book and almost encouraging one’s mind to wander during salah.

The next page gets back on track saying that starting to pray and saying “Allahu Akbar” leaves this world behind, the little boy says surahs he has memorized, and knows Allah swt is watching him. He asks Allah for what he wants, and his imagination takes him on adventures after each salah. He imagines flying, and being a superhero.

The story then returns to being in prayer, not after, and going in to ruku. The text has him imagining he is in the “biggest candy store in the universe” wondering if Jannah has rivers of chocolate before standing up straight again saying “Sami Allahu liman hamidah,” and contemplating if there is a place where his prayers would be worth more and Sajjadati taking him to al-Aqsa.

In sujud Sajjadati tickles his nose, but he doesn’t mind because he is closest to Allah swt in this position, and while he won’t let his “annoying little sister,” bother him, his mind does drift to being on a boat in the sea with seagulls squawking, “salaam.”

Hamza is then making dua for those suffering. Since nothing is impossible when making dua, he is also asking for pets from the savanna, but knowing that Allah swt will provide what is best. He makes duas to go for hajj and concludes his salah by folding up Sajjadati and finding peace in Allah swt being al-Mujeeb.

I love the heartfelt framing of salah and the interweaving of both real and whimsical wants, as well as the sprinkling of facts about prayer into the story, but I honestly struggled a bit with the juxtaposition of the parts of prayer with the day dreaming elements. I also struggled with the tenses, and find myself constantly rewording this review to reflect the book’s timeline. Hamza is with his family, for example, hearing the current event news, while the next set of pages has him back making dua at the end of the prayer he started at the beginning of the book. And the hearing the news and the praying for people is all being conveyed in the present tense, not clear if he recalled hearing about strife in the world and then made dua, or paused heard and resumed his prayer, it all seemingly happening at once, but that doesn’t really make sense. The title also says dua, not salah, and so much of the book is about prayer, that I feel like the two get conflated erroneously, and dreaming big during dua is different than having your mind wander during your salah.

The book starts with an ayat from the Quran in Arabic text and meaning of the translation in English and concludes with a glossary and space to complete a Dua List.

If this book seems like a good fit for your young child, I ordered mine from Crescent Moon Store and you if you use my initials ISL (Islamic School Librarian) at checkout you’ll save 10%.

Mar9

The Adventure of Faris: Faris & the Curious Case of the Missing Eid Presents by Muhammad and Husna Sattaur illustrated by Farimah Khavarine Zhad

Posted on March 9, 2023 by islamicschoollibrarian

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The Adventure of Faris: Faris & the Curious Case of the Missing Eid Presents by Muhammad and Husna Sattaur illustrated by Farimah Khavarine Zhad

This 22 page padded cover toddler book, is not quite a board book, but the thick cardstock glossy pages are definitely meant for toddler hands. The book works for both Eid al Fitr and Eid al Adha and my 3 year old finds it silly. My older kids that have walked in and paused to listen to me reading it, as well as myself, feel like a page is missing. The rhyming story sets the stage of Eid morning and missing presents, but the resolution is abrupt, really abrupt, with no hinting at and the forced rhyme has you wondering who Uncle Sam is in the story. The 22 pages are bright with Islamic decorations in the house and references to Eid and praying in the text. The excitement and joy are sweet, and the focus is presents, there is nothing about Eid or anything deeper than the story at hand as it stays on level for toddler aged children.

The book starts with Faris waking up on a beautiful spring morning, it is Eid and he starts to sing, before tip toing down the stairs in his Eid pjs. He sees the time and knows they won’t be up til fajr. So, while kids won’t care, as someone who has read the book now a dozen times, I’m curious how old Faris is that he knows how to tell time, what it means and what time fajr is. I’m also wondering how it is ok to sing and dance, but then you need to sneak down quietly, and how it is a beautiful morning, if it isn’t fajr yet, it is dark outside.

He daydreams in the kitchen before heading off to open presents. Except the presents are missing. He looks everywhere and imagines a dragon eating them. I don’t want to spoil where the presents are, but they are found, and he opens them and then his parents wake up.

It is a little sad that he opens one at least before his parents come, and I really wish there was a little hinting at what had happened to the presents, it really feels like a page is missing. The book was published in 2021 so hopefully they will edit the text for a next printing.

I got mine from Crescent Moon and you can purchase a copy by clicking this link here, if you use my initials ISL (Islamic School Librarian) at checkout you will save 10%.

Mar3

Moon’s Ramadan by Natasha Khan Kazi

Posted on March 3, 2023 by islamicschoollibrarian

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This beautiful lyrical book has a simple premise of the moon looking down on people celebrating Ramadan as it circles the Earth, but stands out as being unique thanks to the poetic language and engaging illustrations. Each spread shows moon in a different phase over a different country, and the joy, activities and worship that Muslims are partaking in during the blessed month. I’m embarrassed to say, I didn’t realize that the author is also the illustrator until I sat down to write this review, and honestly it makes sense, as the story text and illustrations work seamlessly together. The tone of the book, the details in the pictures, and the rich language make this a good read for a large audience. Little ones probably won’t fully understand the poetry, but they will be mesmerized none-the-less and feel the excitement. My three year old calls the moon all year round, the “Ramadan Moon” and he understood that the Moon in the story is excited seeing us celebrate and worship. He consistently would still be peeking in windows or searching the scenes, not quite ready for me to turn the page long after the text was done being read. Older kids will appreciate the shared global bonds of Muslims and the cultural specifics too. They will grasp the information shared and beliefs touched upon in the flowing words that do not preach. My only criticism is that the book starts with Moon saying, “Hello.” In an Islamic centered book I would have expected to see Assalamualaikum, especially since it appears on the page where moon is above Egypt, so I’m not sure why the English greetings is used. The book has a glossary and notes at the end making it a great addition to Muslim and non Muslim spaces alike. I plan to read the book for a Masjid story time as the large hardback book will work just as well for a group of kids as it does at bed time.

Told from a personified Moon’s perspective, the book begins with Moon smiling at Earth as people all over the world excitedly point and look up at her, but once they see her, they rush off to prepare for the month. Over Turkey, the Ramadan Drummer awakens sleepy people for suhoor and over Indonesia he sees families gathering for iftar. As each day passes Moon grows fuller watching the children do good deeds and people sharing their wealth.

Nights of Taraweeh and listening to the Quran over Somalia, sharing treats in the United Kingdom, and interfaith among neighbors in the United States bring joy to Moon. And as the waning crescent sees henna being put on hands in Dubai the month is coming to an end. People once again look to the sky, but they cannot see Moon in Argentina, Moon is new. It is Chaand Raat and then it is Eid. Moon is back in Egypt watching people celebrate and then the world returns to looking up at Moon and she beams with love and gratitude.

There are diverse characters of a variety of skin tones, mobilities, ages, body size and abilities featured all throughout the book in a positive and inclusive normalizing manner. The backmatter makes the concepts more accessible and the book work on different layers. I really enjoyed the book and am excited to share it. I purchased mine at Crescent Moon Store where using my initials ISL (Islamic School Librarian) will save you 10% it is also available here at Amazon Even my local public library has it on the shelves already! Happy Ramadan!

Feb20

Babajoon’s Treasure by Farnaz Esnaashari illustrated by Nabi H. Ali

Posted on February 20, 2023 by islamicschoollibrarian

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Babajoon’s Treasure by Farnaz Esnaashari illustrated by Nabi H. Ali

This beautifully illustrated imaginative story focuses on Persian culture and a grandfather-granddaughter relationship. I have no idea if the characters, author, or illustrator identify as Muslim, the scarf on the grandma and the salaam greetings might just be cultural, but Muslim kids will see themselves in those words and images and thus I am reviewing the book. Young Miriam spends a week with her grandparents, Babajoon and Mamanjoon, every summer, and on this trip, she has reason to believe her grandpa is a pirate. The progression of Babajoon sharing his culture with his granddaughter who has misread the signs is silly, but honestly also a little sad. It seems she is very unaware of her family’s culture, not just generational details, but basics. The story itself is for kids, but I think parents will find a deeper message in the importance of maintaining cultural ties and familiarity no matter where our children are raised.

Miriam loves her week every summer with her grandparents, it is a magical adventure spending time with them at their tea shop. One day Miriam and her Babajoon head out for rocket pops and a mysterious gold coin falls out of her grandpa’s pocket. As they enjoy their popsicles, Babajoon starts singing with a parrot, and he has a secret language with an old friend before crystals are revealed, the only possible connection for the young girl, is that her grandfather is a pirate.

Babajoon reveals the cultural context of all the days adventures tying them back to his childhood in Iran. He encourages her to ask questions, and Miriam worries that she isn’t like her beloved Babajoon. His reassures her that they are alike and that they will teach each other, leaves the book with both appreciation and hope and a whole lot of love from a little girl to her family and culture.

There is a bit of a continuity issue for me as the little girl is excited her grandfather is a pirate, and then at the end, glad he isn’t. Also that she doesn’t know what Farsi sounds like or where her grandfather is from seems a little bit of a stretch as she herself calls them Babajoon and Mamajoon and says salaam to them. They also own a Persian tea shop called Aziz and the sign board is written in English and Farsi. If the little girl is aware enough and old enough to piece together the clues to discern that he is a pirate, clearly she recognizes the difference in the titles, foods, and clothing her grandparents wear to the larger society. I know, I’m being picky, but it took me a few readings to get past all that, and appreciate the story for what it is, and how beneficial it really can be to encourage children to ask about their family heritage and traditions.

The 40 page horizontal hardback book is beautiful to share in groups or one-on-one. The illustrations are enjoyable, and the pirate aspect will make this book a frequently requested read. You can preorder your copy here, after March 28, 2023 you can still purchase through that link.

Feb3

Animals in the Qur’an Search & Find by Jenny Molendyk Divleli illustrated by Guliz Gerdan

Posted on February 3, 2023 by islamicschoollibrarian

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Animals in the Qur’an Search & Find by Jenny Molendyk Divleli illustrated by Guliz Gerdan

This book is targeted to preschoolers, but with the minor details the book sends readers looking for, I think children up to third grade will enjoy the mix of fun and learning that this book offers. The book uses animals in the Qur’an as the theme for each two page spread, tells what surah the animal is mentioned in, and some Islamic context, as well as some basic facts about the animal. Over 45 pages kids will learn about bees and snakes, donkeys and wolves, and dive in to the challenge of finding a spider with spots looking to the left or a fish with strips swimming to the right. My three year old can not differentiate between some of the more specific markings of this cow or that, but he still loves the illustrations and benefits from the brief factual text. This book is a great addition to school, masjid, and home libraries with its Islamic foundation, beautiful large execution, and wide audience appeal.

The book starts with the Arabic ayat of verse 45 in Surah Nur and the English meaning of the translation. It then establishes the format of the book, and then lists the 20 animals featured, where they are found in the Qur’an and on what page number, in the table of contents.

Each page offers the animals and some nature elements to be found on the large 10 x 10 pages. The pictures are playful and colorful with the print quality glossy and a sturdy thickness.

I enjoy the book and think most families with young elementary aged children will as well. You can purchase a copy here from Crescent Moon Store and if you use my initials “ISL” at checkout, you will save 10%

Jan27

A Dupatta Is…by Marzieh Abbas illustrated by Anu Chouhan

Posted on January 27, 2023 by islamicschoollibrarian

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A Dupatta Is…by Marzieh Abbas illustrated by Anu Chouhan

I read this 30 page early elementary book a few times before writing this review and honestly my cheeks hurt because I cannot stop smiling. The lyrical writing radiates warmth and pride, culture and tradition, legacy and identity, while acknowledging both the playfulness and solemnness of a piece of fabric. My heart breathed with the clarity and articulation that is felt and contained within the fabric that perhaps all Pakistanis feel, but cannot convey so poetically. The book may be meant for children four to eight years old, but all readers will appreciate the text and illustrations that seamlessly flow like a favorite dupatta grabbed while running out the door. I struggled with picking only a few images to share, as every page became my new favorite as the book progressed. Admittedly though, one page did give me pause as it conflated incense burning with getting rid of evil spirits which comes across as a religious belief, but is a cultural practice.

The book starts out with the actual physical description of what a dupatta is and how it is adorned. It then moves on to describing the color, the sound, the smell, the place, the function, the art, the beauty, the fun, the faith, the legacy, and the identity. Each spread ends with the words, “but a dupatta is so much more…” seamlessly weaving so many facets of what a dupatta is together to create a true understanding of it from a tangible, to cultural, to practical perspective.

I love that there is a page about faith, and praying five times a day with a dupatta being worn, it is a little odd that there is a portrait decorating the wall behind the two characters making dua, but at least it is clearly behind them. I absolutely loved that so often the wearer of the dupatta was also wearing a hijab, particularly the bride picture- which is absolutely gorgeous. It signals without words that a dupatta can be worn to cover a Muslim woman’s head, but it is also often not. The backmatter further details that it was once worn as part of the national dress and as a form of modesty, but now is often worn as an accessory.

One summer in Pakistan, a friend and some cousins and I started trying to formulate 101 Things to do with a dupatta (wipe noses, pull things out of the oven, catch fish), it was the year of net dupattas so clearly covering your head was not one of them. Sure we were being silly, but to see the book also highlight wiping sticky hands, and wrapping it up like a sari, and using it as a cradle to rock a baby was very, very accurate and heartwarming.

Please pre order this book, it signals to publishers that these books are in demand and is a way to show what type of books we want to see. I preordered mine here.

Sep5

Egypt by Aya Khalil illustrated by Magda Azab

Posted on September 5, 2022 by islamicschoollibrarian

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Egypt by Aya Khalil illustrated by Magda Azab

This sweet board book is part of a series, the other two books are Japan and France, releasing in October. All are brightly illustrated, 20 page books for ages zero to four and take the littlest of readers into a country, through sights, experiences, foods and language. This particular book does not feature any visible #muslimsintheillustrations but the author is Muslim, and so I am reviewing and sharing it here.

The framing of the book is a day in the life of a little girl, who wakes up with bosas from her mama and baba and greetings of Ahlan. Some of the words are written in Arabic script with the English transliteration and pronunciation provided, other times it is just the English transliteration of the Arabic with the pronunciation asterisked and written smaller immediately below the text.

Once she is awake, she gets dressed, brushes her teeth and is off with her baba to buy pita and ful. The busy street offers sights to see and fruits to pick from. She ponders and asks herself and the readers which one to choose.

At her Teita and Geddos there is dancing and tabla playing before walking back home along the Corniche. Dinner is served and bedtime has arrived. The book concludes with a summary of her day linking the Arabic words to the illustrations and English meaning, as well as some pronunciation tips for the Arabic sounds.

As a Muslim reviewer I had to hope there might be one hijab clad woman in the illustrations, I know many Muslims don’t cover and Egypt is diverse, but considering the lens I review from, I feel obligated to state that opinion.

A little more critically, I was a bit surprised on the page with the colorful boats that the color names yellow, blue, and purple, were not included in Arabic and only in English. Seemed that would have been an naturally and easy inclusion.

Overall, the book did a good job of celebrating Egypt without over explaining, keeping it bright and engaging for toddlers. I really like the language being shared in a story context, not just a book with a picture on it and words in different languages. I also liked that while the details were Egypt specific, there were also pages that were universal.

Available for preorder and purchase here