Tag Archives: salat

The World is Your Masjid written and illustrated by Kate Rafiq illustrated by

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The World is Your Masjid written and illustrated by Kate Rafiq illustrated by

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This 30 page preschool to early elementary aged book is a simple rhyming book that reaffirms all the places we can pray and touches on those that we shouldn’t.  The engaging illustrations and relatable scenarios make the book a great choice for bedtime stories and small group readings.  

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The book starts out with a hadith, “The entire earth is a masjid (place for prayer), except the graveyard and the washroom” (Tirmidhi-317) and points out that one must pray five times a day. Screen Shot 2021-11-17 at 11.37.00 AM

It establishes that if you pray it a mosque you can follow the imam, but not to worry if you cannot, because you can pray (nearly) anywhere: a field in the rain, school, a train, a garden, a shed, even when sick you can pray in your bed.

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It then also turns to places you shouldn’t and can’t pray and sources a hadith about not praying where there are faces and statues that might distract you (Bukhari 374). The bathroom and graveyard are also included.  

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As an after thought, and for added laughs it reminds little readers to not pray in dangerous spots as well.

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Overall, I enjoyed the book and can see it pairing with In My Mosque to help create the foundation of a storytime theme about prayer and mosques.  The fact that it takes it a step further and doesn’t just list all the places serious and crazy that you can pray, elevates the book from being mediocre to being memorable and I appreciate that.  I also appreciate the Islamic sourcing, truly something that is required to show accuracy even in the “simplest” of all books.

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Salaam, with Love by Sara Sharaf Beg

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Salaam, with Love by Sara Sharaf Beg

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This 288 page YA contemporary Islamic romcom is very Islamic centered, and the storyline provides some nice twists along the way.  Unfortunately the writing is terrible.  Not the storytelling or even grammar per se, but the contradictions, errors, underdeveloped characters, and the inconsistencies. Yes I read an uncorrected proof, but this book is a mainstream major publisher presented book coming out in a few weeks, and it is in desperate need of some attention.  I really don’t think it is the author’s fault, it reads as if this was a manuscript that got shopped around and picked up and then never refined, polished, and made to sparkle.  The only saving grace is that as terrible as it is literary wise, once the main character starts to get over her “internalized islamophobia” (thank you @bintyounus for bringing this concept to my attention), the book as a whole presents a lot of unapologetic specific Islamic content on every single page: how Eid salat is different than normal salat,  the beauty of tajweed, the meanings of so many duas and surahs said regularly, the list goes on and on and doesn’t just cover the basics.  The flip side is that the characters are in a band that performs Islamic songs, but with instruments and everyone is fine with it, there are artists in the book drawing faces and portraits hang on walls, it is a romance, but it at most an arm or hand is touched and when tropes about Desi college choices are pushed back on the parents break the stereotype and relent.  There are threads of cultural-ism within Islam, Islamophobia and a violent near death experience, but the book is very clean and  honestly has a lot of potential, I have no idea why it is so sloppy.  SO SLOPPY, and I took notes, so buckle up.

SYNOPSIS:

Seventeen year old Dua is an only child and her doctor father and caterer mom are the only Pakistani and only Muslims in their small Virginia town.  They decide for Ramadan that they are all going to go and stay with family in Queens, New York for the whole month.  They have given Dua less than 48 hours notice to plan to spend the end of her summer with cousins she hasn’t seen in five years.  The parents hope that Dua will benefit from being around family, being closer to other Muslims in the month, and enjoy the cultural environment.  Dua is not excited, but when bear hugs and genuine smiles meet her at the door, she is sucked in to a bustling house and the happiness and drama that is bound to unfold.  Sharing a room with her older, law school bound cousin Mahnoor is by far the hardest relationship to cultivate.  Newly engaged, Mahnoor is quiet, reserved and deeply unhappy.  Dua makes little progress, but with Ramadan starting and her cousins setting goals for the month, Dua is determined to do better in all aspects of her life.  As she gets close to Mahnoor’s best friend, Haya, she also gets closer to Haya’s brother Hassan.   It is Ramadan though, and she isn’t good around boys, but Hassan is a hafiz and is helping her reach her memorization goals for the month, Hassan is also in a band and needs Dua’s help.  When Mahnoor’s engagement is called off to Haya and Hassan’s brother, everything comes to a standstill between the families, but when a cousin is shot, the families come back together to support one another and deal with their decisions and their outcomes.  By the end of Ramadan, every character has changed and grown and is sad the month is over and that Dua and her family are leaving.

WHY I LIKE IT:

Suffice it to say I love how Islam centered it is. I honestly checked the publishing information because of how much Islamic content is included, also for the amount of errors.  The book did not start off well for me with Dua trying to separate herself from her “religious” cousins.  The ones who practice communally and wear hijab.  She was not like “them” and the dichotomy of measuring religiosity as acceptable or not, too much or too little, enrages me.  It sets up that she practices Islam but in a relaxed manner and has been taught by her parents, and it is who she is, but it isn’t a huge part of her life.  As the story progresses, it seems that she just doesn’t know a ton of surahs, she actually is pretty religious, and devout, it is very awkward and not presented clearly, which is why I attributed it more to her being in denial or embarrassed by her identity, not about her level of belief.  Dua is also not like-able, she is incredible privileged and arrogant commenting on the size of houses and rooms, and her shoes.  About half way through she starts to comes across as clumsy, not sure then why is she always wearing heels.  Ultimately she is just not well-developed and often reads like an annoying helpless child.  The framing of Dua being a musician and not being so religious is quickly questioned as she gifts her cousins music paraphernalia, and looks at portraits on their walls.  If most are like me, and both families are praying, fasting, reading Quran, active musicians and artists and ok with hanging pictures, one would assume they are pretty in-syc with one another on their religious views and in practice.

Dua is not the only character that is poorly voiced, fractured, and inconsistent.  Her parents are so unrealistic and awkward in the beginning I physically cringed reading them telling her their reasons for going to New York.  In the car on the way, they even quiz Dua on her cousins names.  She hasn’t seen them in five years, she isn’t a toddler, she should know their names, she has clearly purchased incredibly personalized gifts for them, and is filled with detailed memories of when they all met up in Pakistan together, the whole scene is pointless. One of the cousins, Ibrahim, is blind and Dua says that a few years ago her parents had to explain to her what it meant to be blind.  Seriously?  I get the learning how to let him take the lead and how to interact, but you as a teenager didn’t know what it means to be blind? When you met him in Pakistan you didn’t know he was blind? The four year old cousin is cute and adorable, and has the vocabulary and mannerisms of a seven or eight year old at times, most times.  The 12 year old cousin has the wisdom of an old uncle and why do none of the adults in the book seem to work?  The book probably should have started at chapter five, it seems the book hits a bit of a stride that at least makes it readable.  

A huge plot of the book is the band, Sheikh, Rattle, and Roll, but the details about it are terrible.  Mahnoor is walking out the door and her mom tells her to take Dua.  The reader doesn’t know where they are going, but Mahnoor reluctantly agrees and they head out on the subway.  Mahnoor constantly is telling Dua to hurry so they aren’t late and miss it, when they arrive, the band performs one song and that is when Hassan and Dua and Haya all meet.  But the other two band members are her cousins, she is staying in their house.  What? Rabia is constantly talking, that is her character quirk, how does Dua not know that they are performing? Not know they are in a band?  No way would it not be mentioned.  And why only one song? That is so random.  At the end when they perform again on Eid, it is a concert, it is again only one song.  A concert is not one song.  Do they not practice or load up equipment, how is all this going on in one house and Dua is so clueless? 

The inconsistencies are aplenty.  A few examples: it says her cousin doesn’t wear make-up, a few chapters later has a whole face of make-up, on Eid she even does Dua’s make-up.  When they all are sitting down to write their lists of plans for Ramadan it says they don’t have to share their lists.  Yet a few lines later Dua is singled out in a very creepy way to share hers.  In a single paragraph it says that at home she prays fajr half asleep, or late and in a rush before school, but concludes the description by complaining that praying in congregation is more difficult for her to focus in.  Huh? praying while half asleep or in a rush gives you more focus than praying in jammah?  Even non Muslims are going to be scratching their heads.  At one point as Dua is trying to figure out what she wants to study and if she wants to start an MSA in her high school, since she is the only Muslim, she internally discusses how she wants to prove herself to her parents.  Then when she decides what she wants to do for her, she remarks that she isn’t just doing it to prove to her parents, but because she wants it for her.  The only problem is, no where have we seen or has it been established that her parents are requiring this proof.  

There are odd errors as well.  The athan on a phone goes off, the Uncle reaches in to his pocket for his phone and turns off his iPad.  That is a big pocket indeed.  Dua gifts Hassan a CD, really a CD? What is this 1999? Who gifts CDs in 2021? Dua starts playing a keyboard in someone elses house and no one mentions it other than the two people with her, how big is the house that you can’t hear it? The Uncle gets upset that Dua doesn’t pray Asr right at time, but a lot of people prefer Asr specifically to be prayed later within the time frame.  In a two chapter frame it mentions letting out a breath she didn’t realize she was holding three times, word for word the same.

I was genuinely surprised that music being questionable was not brought up at all, two of the bandmates are huffaz.  The author lets her own qualifiers slip in, perhaps her own desire to not take a stand that could seem alienating.  She says, “allegedly” the time right before iftar is the best time to make dua.  As Dua tries to figure out what is going on with Hassan she often remarks how it is hard or confusing “especially because he is Muslim.” Would a relationship with a non Muslim be ok, less hard, more hard? There is no lowering of any gazes, which for as religious as everyone in the book is, should have at least been mentioned even if not adhered to.  The book puts on odd stress on tasbeehs and kufis, not sure why.  

I do like the genuine love the characters have for Islam, Allah, Ramadan, salat.  It is so much a part of every thing they do, and it is lovely.  I also love Dua’s friend in Virginia, Kat, she is fasting in solidarity and wants to join the MSA even though she isn’t Muslim, but a seemingly amazing friend.

FLAGS:

The on-gain-off-again engaged couple do touch hands at Eid prayer.  Hassan touches Duas arm when she is perceived as helpless.  There are anti Islam protests and an angry man shoots Adam.

TOOLS FOR LEADING THE DISCUSSION:

If the sloppiness gets resolved, the book could be used as a high school book club choice.  Those girls love them some halal romance, and this book is incredibly religious and clean. 

Seven is Special! By Shagufta Malik

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Seven is Special! By Shagufta Malik

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I’ve seen this book on and off over the years, but it wasn’t until I saw @muslimkidsbooknook’s post about it, did it register that it is a chapter book, with a plot and story.  I thought it was a journal for seven year olds with prompts perhaps.  Needless to say I judged a book by its cover and hope at some point the author will consider changing the title, redesigning the cover, and tightening up the story, because there is a lot to enjoy in this book, but to get to it, you have to get it in your hands, and open the cover.  The doodles, the author’s voice, and the playful font over 128 pages will appeal to elementary aged girls, but boys will find plenty to relate to as well if you can convince them to give it a try.

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SYNOPSIS:

Seven-year-old Maryam has started taking her salat more seriously, and finally the family, her parents and her, are going on a REAL holiday.  They are going for Umrah.  Maryam is so excited, but then the trip gets canceled and her mom is sick, and Maryam is tired of always feeling different than her classmates.  Will everything work out? Will prayers and duas be answered? Will eight be great?

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WHY I LIKE IT:

I love that the book stays on a seven/eight year old level, but I do question how much stress is on how sick the pregnant mom is, and how kids will understand that.  I was sick, very sick, with all my pregnancies, and my older children saw me and it still affects them, in sometimes surprising ways.  My oldest daughter says she is never having kids.  Granted she is 14, but I would worry that reading a children’s book that mirrors something that was pretty traumatic for her to see will cement her impression about childbearing.  Obviously, I could be the exception, and perhaps like many literary mirrors it would make her relate more to the story.  I know she is above the target audience, but the illness of the mom is a large part of the book, and it is very detailed and specific.  I think if you are a young child reading it, you might ask your mom if that was her experience, and it could be a lovely conversation about heaven being at your mother’s feet, and the tests and blessings of it all, but the book really doubles down on some of the details of the throwing up and vomiting, and I wish her being sick could be shown in more situational ways.  Maybe she tried to do an activity with her daughter, but couldn’t, or she had to ask another mom to help with something she normally did at Maryam’s school, etc..  There are such wonderful tangible little nuggets in the book about salat at the park, and kids duas, and making wudu in public, that I think a little reframing of the illness and symptoms is definitely in the author’s skill set.

I love the unapologetic voice of being Muslim and some of the insecurities that Maryam faces and grows from.  Kids will enjoy seeing their concerns articulated, and inshaAllah benefit from her perspective as they make decisions about their own identity and attitude.  I know some families make a big deal about starting salat at seven, but when the book starts she has been seven for a while, so I’m not entirely sure why that was the focus of the book’s title.  Additionally, the pink cover really screams that it is a girl book, and I think boys will be nervous to be reading a “girl book,” that really isn’t gender specific in the storyline.  Yes, there are all sorts of stereotypes in that assessment, but I think you all get what I’m saying.

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FLAGS:

Illness, a bit of a temper bubbling over, stress.

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TOOLS FOR LEADING THE DISCUSSION:

I think young readers that are handed the book and start it, will finish reading it.  It is a super quick read, and with the drawings and conversational language, they will enjoy the pages as they fly by.  It is an elementary read, and anyone older will probably see the foreshadowing that the mom is expecting, while the second and third grade readers, will probably be genuinely surprised.

Halal Hot Dogs by Susannah Aziz illustrated by Parwinder Singh

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Halal Hot Dogs by Susannah Aziz illustrated by Parwinder Singh

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I’m not sure what I expected this book to be, I just knew I wanted to get my hands on it, but I’m fairly certain, that even if I would have had some expectations, they would have been no where near how well done this 40 page book for four to eight year olds is overall.  It is unapologetically American-Palestinian Muslim in an inclusive funny delightful way, that only an OWN voice book can be. There have been some great picture books lately that are authentic, yet mainstream, and this book pushes that standard just a little bit higher as it normalizes jummah, halal food, dabke, hijab, with familiar threads of street food, spunky little sisters, untied shoelaces, tradition, and excitement.  The story has a twist and some intentionally misleading foreshadowing, that give the book depth and added fun.  Readers of all backgrounds will relate to this book and find something that they can relate to, as they laugh and marvel at Musa’s infectious enthusiasm for hot dogs. img_0610

Musa Ahmed Abdul Aziz Moustafa Abdel Salam, aka Musa, loves Fridays.  His family heads to the masjid for Jummah prayer and then home for a special Jummah treat.  Lately, they’ve had molokhia, that stayed in their teeth for a week, kufte kabobs that were better for soccer playing than eating, riz bi haleeb with lost dentures, and prelicked jelly beans.  Alhumdulillah, this week is Musa’s turn to pick, and he is picking his favorite: halal hot dogs with Salam sauce.

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They head to the mosque dancing dabke as they leave their house with smiling faces.  The khutbah is long though, and during salat his stomach is roaring! Afterward he is off, but Seedi has to help Maryam find her red shoes in a sea of red shoes and mama is chatting with friends. 

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Dad gives in and lets Musa go get the hot dogs alone.  As he heads to the stall with the best hotdogs: the perfect amount of hot, chewy, juicy hot dog goodness, he passes all sorts of foods being eaten.  There is falafel and bao and tacos and samosas and churros, but he is determined to get hot dogs, even though the line is really long.

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He sees friends in line, and firefighters, and even his school principal.  Everyone loves hot dogs, even birds and squirrels.  Finally he buys a whole bag full with special Salam sauce and races home to share with everyone.  But uh oh, it doesn’t go as planned, and I’m not about to spoil it, so get yourself a copy like I did from http://www.crescentmoonstore.com or your library, and maybe don’t read it while you are fasting, because you will be craving hot dogs, mmmmmm nom nom nom.

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There is an Author’s Note at the end that details her kids’ influence on the story and explains that a portion of the proceeds go to UNRWA USA, a non profit that helps Palestinian refugees.  There is a glossary of Arabic Words and Terms, and a section explaining Halal Laws.

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The book shows the mom in hijab outside the home, and uncovered within the home.  There are diverse skin colors among the Muslim and non Muslim characters in the book, as well as a variety of ages depicted.  Seedi wears a keffiyah on Jummah, but different clothes on different days.  The illustrations are wonderful and descriptive and do a lot to compliment the story by setting a relatable and diverse-positive visual.

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‘Tis The Night Before Eid by Yasmin Rashidi illustrated by Mariam Aldacher

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‘Tis The Night Before Eid by Yasmin Rashidi illustrated by Mariam Aldacher

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On the surface this 32 page inspired re-imagining of the classic Christmas poem might not seem that impressive, but it is really quite effective in highlighting general key points of Ramadan, the mix of sadness that Ramadan has gone too quickly with the excitement of Eid, and showing the diversity of Muslim families and communities.  The large 8 x 10 hard bound pages showcase fun and relatable illustrations that would help inform those unfamiliar with the holiday, while also mirroring and encouraging Ramadan and Eid excitement.  It is already a favorite at our house and with simple rhyming lines, the book can lend itself easily to more in-depth discussions (there is a glossary at the back) or be kept as a sweet flowing story that you don’t mind reading repeatedly at the prodding of toddlers and preschoolers alike.

img_8997The story starts with it being the night before Eid.   Ramadan has flown by, iftar eaten, dishes are put away, trips to the masjid for Taraweh have concluded and now it is time to prepare for Eid.  The house is cleaned, clothes ironed, sweets prepared and dreams of gifts filling the kids minds.

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The narrative bounces back to Ramadan to explain that fasting is not eating til sundown for 30 days, that Quran was revealed during the blessed month and that we hold on to the lessons of Ramadan all year long.

I pre-ordered mine from the author’s website https://rashidibooks.com/home , but it is also available at Crescent Moon Store https://crescentmoonstore.com/products/twas-the-night-before-eid.  There are also printables on the author’s website.

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We’re off to Pray by Sana Munshey illustrated by Eman Salem

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We’re off to Pray by Sana Munshey illustrated by Eman Salem

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This 8×8 hardback rhyming book for ages 4 and up is filled with detailed pictures that will remind children of all ages how important salat is despite how tempting it often is to neglect it.  I think six and seven year olds will benefit the most from this 30 page book that also has an activity poster included, as they start to take on the responsibility of praying on time and making good choices.  The gentle parents, the relatable scenario and the adorable little sister, bring this story to life, and will hopefully be a benefit for young muslims and their families.

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A small family of a mom, a dad, a brother and a sister are out working in the garden when the athan is heard.  The five prayers are mentioned as they set off to pray just like the Prophet (saw) did.

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They all head in to make wudu as wudu and salah go hand in hand.  They start with bismillah before going through the simplified steps to wash their sins away.  They are about to start, when the doorbell rings.

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Friends have come to play.  Mom and dad tell the boy to pray.  The boy says there will be time after they play.  Once takbeer is called, the boys slip out on their bikes.  The boy wants to have fun, but something is nagging at him and he wonders what the Prophet (saw) would have done.

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Whispers urge him to enjoy the beautiful day, but he realizes what he must do, and when his friends ask what is wrong he suggests they go pray.  Aqeemus salah!

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They head back to the boy’s house, make wudu and pray together. The steps are named and explained and after concluding he sees his proud parents watching.

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There is a glossary at the end and the poster has the steps of wudu and salat as well as an activity to put the steps in order.

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Ramadan’s Coming by Rabia Bashir illustrated by Laila Ramadhani

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Ramadan’s Coming by Rabia Bashir illustrated by Laila Ramadhani

img_8785I think the illustrations in this 40 page picture song book are my favorite of the new 2021 books.  They are adorable and expressive and a big part of the story that the text alludes to, but doesn’t detail.  They also are a big part of the activities at the end of the book that encourage children to go back and find different Ramadan and Eid concepts to discuss and further understand.  I absolutely love that there is a glossary and a reference page that details and attributes the hadith implied in the simple sing song-y words.  The chorus is to the tune of jingle bells, and while I struggled to maintain the rhythm, the chorus reappears and if you are able to sing the book, your children will love it even more, haha, my voice and lack of rhythm forced me to read it, but either way it is absolutely delightful and informative for toddlers and up.

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It starts out with the refrain that Ramadan is here and we will fast and pray and that Allah (swt) will give us more rewards and we will do more good deeds, than on normal days.  It then shares that Ramadan is the month after Shaban when the Qur’an first came down and that we look for the crescent moon to know when Ramadan is here.  It is important to note that the words flow and are so concise you don’t even realize that much information has been conveyed.

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The chorus repeats and shows a family praying, kids helping vacuum, and giving socks to homeless.  The family then wakes up early for a healthy suhoor, no food or drink, thinking about how the poor must feel and then having iftar with a sticky sweet date and water.  Sometimes you eat so much your belly protrudes (a great vocabulary word for little ones). The next page has salat starting and those that ate too much wishing they would have left space for air and water.

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The chorus repeats again showing zakat being given, iftars being eaten in segregated large groups, before looking for Laylat ul Qadr takes place and some children read Qur’an in an itikaf tent. Then it is time for Eid hugs, salams, prayer, food and fun.

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On one page, the grammar of one line seems off, perhaps an extra word was added.  I contacted the author to see if it is an error as it is part of the chorus, but only appears wrong in one place and one time.  Even with the error, I would happily encourage this book for families with toddlers, preschoolers, and kindergarteners.  It will be read multiple times, and the pictures will hopefully offer something new with each reading as understanding increases.

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The copy I purchased from Amazon is 8.5 by 8.5 paperback, I’m not sure if they will be available from the publisher as a board book or without faces like so many of their books are.

The Girl Who Slept Under the Moon by Shereen Malherbe illustrated by Sarah Nesti Willard

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The Girl Who Slept Under the Moon by Shereen Malherbe illustrated by Sarah Nesti Willard

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I was really surprised by the number of gaps in this 46 page story that is so adorably illustrated and seemingly planned out. I thought perhaps I was being overly critical, so as always I tested it on my kids, and they too were confused by the main character’s rational and choice of words, the holes in the narrative, and the inconsistency of the characters. The book is wordy, so conciseness cannot be the reason for the holes, and it is published by a publishing company, so I would assume it has been proofed. Really the point of stories connecting us and giving us comfort when we need it, is sadly lost. I had hoped to love this fictional story of a Palestinian girl using prayer to give her comfort in her new home, but alas it seemed to be trying to weave in too much, and as a result the story isn’t fabulous for me unfortunately.

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Noor is new at school and stands out. She finds comfort in remembering the things that are the same. 1-Allah could still see and hear her. 2- The Angels were still by her side, and 3-She still slept under the same moon. She also wears clothes that remind her of home and provide an unspoken clue as to where home is for her.

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At school Noor has a problem, she needs a place to pray, but at lunch time the kids are not allowed to go inside and the dinner lady guards the door. Noor needs a distraction to sneak in the building and it isn’t clear if she provides the distractions, or just benefits from a baby bird falling out of a nest, a snake being in the grass, and a classmate getting hurt. Either way, when the teacher is occupied, Noor enters the building and finds a closet to pray in.

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On one such visit to the closet she finds someone already in there, Hannah. Hannah is there because she doesn’t like being on the playground because she is different. Noor never asks why Hannah feels different, so the reader isn’t made aware either. Hannah asks her why she is there and Noor says she comes “to pray because it reminds me of where I’m from.”

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When Hannah asks where she is from, Noor doesn’t just simply answer, she tells her stories about her homeland, the mountains, olive trees, where the athan floats in the air and fisherman return to the shore with their catch. The next day Hannah is there again, and Noor tells her more stories and legends about her culture and lessons of the Prophets. Noor learns that through her stories she feels connected to her old home.

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Weeks pass, and one day when she sneaks in to the school, she finds the door locked. With no where to go she heads back to the playground and starts to cry that she won’t be able to pray. She then sees Hannah disappear and she follows her in to the drama studio. When she enters she sees sets built that look like the setting of her stories, of her home. Hannah knew she missed home and built her sets to look like Palestine.

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Other kids miraculously enter, and Noor begins telling them her stories, without praying first. The other kids seem to enjoy her stories and Noor learns that she can pray anywhere while holding on to her three reassuring thoughts.

The illustrations are engaging, although I’m not sure where the prayer rug seems to magically come from for Noor to pray on in the closet the first time. Had the book just been about prayer and finding a way to pray, or just about the stories connecting us to our past I think it would have been more powerful. I’m glad that Noor loves salat and that Hannah is a good friend, but I feel like by trying to do too much, the poignancy of the little things was lost.

And as for my questions: Can’t Noor ask for a place to pray? Can’t she pray outside? How is Hannah making the sets all by herself? Noor says she prays because it reminds her of home, she doesn’t pray for the sake of Allah or because it is required of her? Why did Hanna feel different, and why didn’t Noor bother to ask? It says that she needed to distract the dinner lady, isn’t that dishonest even for a good cause? Did she harm the baby bird so that it would need rescuing? Put the snake in the grass? Hurt the little girl so that she could get by the teacher? How was Hanna getting inside at lunch time? How is the school ok with a kid coming inside to build a whole set with school materials, but can’t let another child inside to pray for less than 5 minutes? And if Noor didn’t feel comfortable asking for a space to pray, clearly Hannah had connections to get permission to create a huge scene, couldn’t she have asked, or helped Noor ask?

The Adventures of Adam and Anisah: The Flying Carpet by Zahra Patel illustrated by Reyhana Ismail

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The Adventures of Adam and Anisah: The Flying Carpet by Zahra Patel illustrated by Reyhana Ismail

 

img_6995I am confident that every Muslim child has imagined their prayer rug at one time or another to be a flying carpet, so how absolutely heart filling as an adult to find a book that embraces this idea, roots it in Islamic fact and presents it so beautifully for our littlest Muslim believers.

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The occasionally rhyming and constantly cadence filled picture book features a big brother preparing for and performing salat as his enamored little sister puts imagination and celebration to the act of worship.

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I absolutely love the admiration that Anisah has for her big brother and am delighted how prayer is presented not as an obligation but as an opportunity to soar and marvel in amazement.

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The book concludes with a section that provides context to the story, questions to discuss, and ways to extend the learning.  The hardback binding, 8.5 x 13 horizontal orientation and high glossy illustrations make the book a joy in small groups and at bedtime.

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This book is really, really well done in its simplicity, and I need to order the other book in the series, My Brother’s Shield from Crescent Moon Book Store, as soon as possible.  

Flying Over Water by Shannon Hitchcock and N.H. Senzai

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Flying Over Water by Shannon Hitchcock and N.H. Senzai

This middle grades, upper elementary book is a character driven contemporary story of two friends with their own fears coming together: one a native of Tampa, the other one a refugee from Syria arriving in the US on the day Trump’s ‘Muslim Ban’ goes in to effect. In 272 pages of alternating narratives, two 12 year old girls find strength and kindness in themselves, in each other, and in many around them. Islamaphobia is focused on in the story, but the inclusion of diversity, Black Lives Matter, anti semitism, mental health, social justice, and US immigration makes the book relatable to everyone and interesting to explore. The book is remarkably similar to another book published this year, A Galaxy of Sea Stars, and I wish I had not read them so close together. Both are well done, and I honestly don’t know if one is better than the other, but space them out so you don’t find yourself comparing them. I got my copy from Scholastic, and I’m always happy when the school market shows accurate strong Muslims, so if you see this in the book order forms that come home or book fairs and are wondering if you should get it, do it, it is worth your time and your child’s, inshaAllah.

SYNOPSIS:

Noura’s family has escaped Syria and had been living in Turkey when they learn they have been granted assylum in Tampa, Florida, USA. When the book opens Noura is practicing controlling her fear of water as the plane flies over the ocean. Her twin brother, Ammar, her parents and baby brother Ismail are greeted with protesters when they land. Whisked away by a church group and local Muslims, the family is given support and assistance in a new country.

One of the members in the church group that have volunteered to help the Alwan family, is Jordyn and her mother. Jordyn is going to be Noura and Ammar’s Student Ambassador at Bayshore Middle School and Jordyn’s mom has offered to help Noura’s mom learn English. Jordyn is the state title holder in swimming, but while she was swimming her fastest race, her mom was having a miscarriage, and both have a lot to work through to function as they once did.

The two girls immediately hit it off, and the families follow. Noura’s love of birds is mirrored in Jordyn’s love of water and fish, and both have their fears and mental health coping skills to bond and confide in with one another about. The girls and Ammar are assigned a Social Studies assignment and Jordyn getting close to the Alwans is not well received by Jordyn’s close friend Bailey who’s brother was killed while fighting in Afghanistan. Other classmates also show bigotry and with the real incidents of 2017 incorporated in to the story of a mosque being burned, Jewish cemeteries being ransacked, pedestrians being run-over in France, and more, the Alwans are questioning their new country, and their friends are wondering how America has gotten this way.

While praying at school Ammar and Noura are constantly harassed no matter where they relocate to, and finally ask the administration if there is a safe place they can worship. Florida law says a space can be set aside for all faiths to have the same access as clubs do (I’m overly simplifying), and many different and diverse students come together to turn an old closet into a place of peace, worship, freedom, reflection, and meditation. As expected, the space is destroyed, the culprits never caught and complaints to the school board mount. The ultimate climax involves the kids speaking up about what the space means to them, and waiting to see what the final school board vote is. Along the way there are smaller victories, such as Jordyn teaching Noura to swim, Ammar speaking about the white helmets saving him, and Jordyn and her mother working together to heal.

WHY I LIKE IT:

I love that the Muslim Ban is discussed in a way that it is personal, not political. By highlighting a fictional manifestation of refugees affected by such policy, even people that don’t know anyone affected, I’m certain would feel a connection to a concept and its affects in a very real way. I love that N.H. Senzai was brought on to make the story’s Islamic elements ring true and that the prayer room, a very American Muslim construct ends up being at the center of the story. Noura and her family eat halal, wear hijab, and pray. I enjoyed that other diversity and acceptance issues were carried in to the story by the supporting cast including a Jewish boy, a Cuban girl, a Hindu and more. Overall the book is well written and solid, the mental health and coping skills are so beautifully normalized. Both girls have sought help and found success with it, and both are brave in addressing their fears and opening up about them to those around them. It really is empowering.

The end of the book features more information about the real Syrian children heroes mentioned in the book: the ten year old model builder Muhammad Qutaish, the Olympic swimmer Yusra Mardini, and education activist Muzoon Almellehan. There is also information about the two authors and how their collaboration came to be.

I would love to not compare this book to A Galaxy of Sea Stars, but just to highlight a few of the near exact similarities would prove my point that had these two books not been published the same year, one would definitely be accused of copying the other. Both feature middle school girls, both have a refugee arriving to a coastal town with their families (one Afghan one Syrian), both have the American born protagonist loving water, being an only child, and have mothers going through their own life changing crisis. Both have two side kick friends, one that is very anti Muslim and one that is on the fence. Neither have a completely resolving happy ending with the three girls’ friendship and there is doubt in both books of friend’s possible involvement of hate motivated actions. Both feature a side character’s brother being killed in conflict in a Muslim majority country. Both feature an amazing teacher that is very involved in opening minds and facilitating growth regarding prejudice. Both feature PTSD issues, and fear of water issues as well as a major hobby being destroyed by an angry classmate character. The ‘ethnic mom’ in both stories is rather one dimensional but loves to cook and feed everyone. Sure they also have their differences, one alternates point of view and is tied closely to current real events, but both have remarkably similar themes of friendship, overcoming fear, and finding similarities over differences.

FLAGS:

Some mention of violence as the Alwans recall the destruction and fear of war in Syria. Mention of a cartoon drawn by a classmate mocking Jordyn getting her first bra, but it isn’t detailed. The swimming coach is a lesbian and she mentions her wife at one point.

TOOLS FOR LEADING THE DISCUSSION:

I would definitely encourage elementary teachers to have this book on their shelves and encourage students to read it and respond. I think it would be too predictable for middle schoolers to read in a critical manner, however, they would probably enjoy it as a light read. With Covid 19 still keeping me from starting up book clubs again, I have been asked to consider helping put together some side reading lists/suggestions, and this book would definitely find its way on that.

Happy Reading!