Tag Archives: salat

Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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It is quite remarkable in the course of 40 pages that so many themes, layers, emotions, windows, mirrors, and relevance can radiate with ease and entertainment for children four and up.  The authenticity of the text and illustrations create tangible feels in this book, that months after reading it for the first time, I am still moved to tears, both inspired by joy and as a cathartic release of being seen.  The true mastery is that even if you are not Muslim and cannot relate to the nervousness of praying publicly, you understand Muhammad’s hesitancy and feel for him as he battles not just finding a place, but watching onlookers reactions to his father, police proximity, and being brave enough to push yourself even when you are scared.  Usually when asked what my favorite book is, I stumble to narrow it down to just one, but truly this book has raised the bar of not just traditional publishing representation, but Islamic/Muslim literature across the board.  It is a gift to read, to share, to enjoy, and a blessing that such an unapologetic book is available so widely for our children to connect with, and our non Muslim friends to see us through.  Please spend time with this book and make it available to your children, your students, your community, it really is that good, alhumdulillah.

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It is Muhammad’s birthday and he is seven, “Old enough to pray five times a day,” his father gifts him a prayer rug, and  Muhammad is ecstatic.  He makes wudu that night and offers salat with full attention.  He says the Sunday school words and shares his most wished for wishes to Allah swt, not even letting little sister, Maryama distract him.

After Fajr the next morning, he is determined to find a secret place at school to pray Dhuhr. Daddy doesn’t need secret places, if prayer time comes he pulls his ice cream truck over and prays on the sidewalk, “never delay salat.”  At school, Muhammad heads to Mrs. Baker to ask for a place to pray, but his confidence waivers and he returns to his seat.

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Anxiety about where to pray has him looking for spots throughout the morning, but when recess comes he finds he can’t take the prayer rug out from under his jacket.  He lingers when everyone returns to class and rushes through the words and motions in the coat closet.

That evening he is with his daddy in the ice cream truck and the sunshine and smiles pour out of the two.  When the sun sets it is Maghrib time and Daddy heads to the sidewalk to pray, reassuring Muhammad that he can pray at home.  Muhammad watches his dad and various events spur him to make his decision.

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I love love love the way salat is approached with love and excitement and that the dad embodies safety and joy and does not pressure or force Muhammad.  The relationship is beautiful and allows for worship to be seen as both personal, as well as obligatory and merciful.  The duo also show a great parent child dynamic that warms the heart.

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I like that there really isn’t any “hate” given to anyone praying, it is hinted at, people do not understood, but the focus is not on the outside bystanders- it is what Muhammad thinks and feels.  I’m fairly certain every Muslim who has prayed in public has encountered a wide variety of responses, and this book keeps the gray to reflect and spark conversation.  It is often met with ignorance, with hate, with aggression, but it is also met with respect, apathy, and curiosity which the text and illustrations allow for.

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There is so much love and joy in the book as well as identity, that I don’t mind one bit that my littles ask me to read it over and over.  It is perfect for groups, one-on-one, and I cannot wait to share it in a story time, there is also an incredibly informative and heartfelt Author’s Note at the end.  If you haven’t preordered it yet, the book releases on June 6, 2023, please pre order it and signal the support for this book and future books that center authentic Muslim joy, Black Muslim representation, and OWN voice author and illustrator accuracy.  Request it at your library, put it on hold at your library, check it out, read it.  If you cannot preorder it, still purchase it when you can, inshaAllah it will be a beloved book in your home as well.

The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

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The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

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I don’t normally post about upcoming releases this far in advance (2.5 months), but I am hoping that if I share the link for preorders, I just might help in signaling to the traditional publishing world that books like this are so so so important and that we will support unapologetic, well written, Muslim centered, Muslim and Black joy featured books with our purchasing power.  This book is incredible for toddlers to early elementary in its “This is the House that Jack Built” format.  Muslim kids will giggle with excitement as they see themselves happy to see their friends at Jumu’ah, flinging shoes a little too hard before entering the musallah, splashing a bit when making wudu, playing while helping put out the prayer rugs, and getting a little wiggly or tired during the khutbah.  The happiness and love radiates off the pictures and through the text that even non Muslim readers will feel our connection to our Masjids and the prayers that occur within.  Muslim authored, Muslim illustrated, masjid not mosque, and a beautiful Author’s Note, makes this book a must have on every shelf where young children need books that mirror their experiences and provide windows into the beauty of Islam.

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The book starts out describing Kamal’s smile and offering the reason for such joy as being Jumu’ah at the masjid. It then starts with describing the masjid and all that is contained with the lines adding on the refrain of “the masjid Kamal loves.”  The friends, the shoes, the feet, the rugs, etc.. Terms such as imam, ummah, salaam are in the text and the illustrations show wudu, salat, khutbah, conveying a Jumu’ah experience.

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Each page is brightly illustrated across horizontal orientated scenes.  The expressions on the kids faces, are engaging and smile inducing and the lyrical text has a rhythm and strength that makes you feel proud to also have a masjid to love like Kamal.

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I have an arc, but have preordered a copy for myself here and hope you will do the same. Please also request your public libraries to order it, and if they have already you can place the book on hold, inshaAllah little steps to show support.

Sajjadati and the Power of Dua by Ayesha N. Rahmaan illustrated by Laila Ramadhani Ritonga

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Sajjadati and the Power of Dua by Ayesha N. Rahmaan illustrated by Laila Ramadhani Ritonga

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This 38 page large hard back picture book is absolutely beautiful: the illustrations, the tone, the thickness of the pages, all come together to create a child’s wonderment about the power of salah and dua with grounding in the actual parts of prayer.  On my first reading the imaginative “magical” aspects of the prayer rug, “Sajjadati,” was sweet and endearing, but as I thought about the story and then reread it, I had some concerns.  I know the book is meant for children, I know I am a reviewer and thus am over analyzing it, so I point the following out as a “heads up” so to speak, and for you to make your own decisions if the literal text will be misleading or if the overall mood of the book will be taken as loving dua and the closeness prayer brings one to Allah swt.

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The book starts with a little boy recalling when he got his green prayer rug from his grandma, that has his name on the corner (in the illustration it is centered on the top, not in the corner) and him naming the prayer rug, “Sajjadati.” The following page, same spread, then says,  “When I have Sajjadati with me, I can pray anywhere.  And when I pray on Sajjadati, I can go anywhere.” These lines give me pause, because even if the prayer rug is lost or not with him as he grows up, he is still going to need to pray. The importance of the prayer rug seems over elevated, albeit sweet, religiously a little unsettling.  The second of the two lines, about going anywhere, is also a bit of a gateway to the rest of the book and almost encouraging one’s mind to wander during salah.

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The next page gets back on track saying that starting to pray and saying “Allahu Akbar” leaves this world behind, the little boy says surahs he has memorized, and knows Allah swt is watching him.  He asks Allah for what he wants, and his imagination takes him on adventures after each salah. He imagines flying, and being a superhero.

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The story then returns to being in prayer, not after, and going in to ruku.  The text has him imagining he is in the “biggest candy store in the universe” wondering if Jannah has rivers of chocolate before standing up straight again saying “Sami Allahu liman hamidah,” and contemplating if there is a place where his prayers would be worth more and Sajjadati taking him to al-Aqsa.

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In sujud Sajjadati tickles his nose, but he doesn’t mind because he is closest to Allah swt in this position, and while he won’t let his “annoying little sister,” bother him, his mind does drift to being on a boat in the sea with seagulls squawking, “salaam.”

Hamza is then making dua for those suffering.  Since nothing is impossible when making dua, he is also asking for pets from the savanna, but knowing that Allah swt will provide what is best.  He makes duas to go for hajj and concludes his salah by folding up Sajjadati and finding peace in Allah swt being al-Mujeeb.

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I love the heartfelt framing of salah and the interweaving of both real and whimsical wants, as well as the sprinkling of facts about prayer into the story, but I honestly struggled a bit with the juxtaposition of the parts of prayer with the day dreaming elements.  I also struggled with the tenses, and find myself constantly rewording this review to reflect the book’s timeline.  Hamza is with his family, for example, hearing the current event news, while the next set of pages has him back making dua at the end of the prayer he started at the beginning of the book.  And the hearing the news and the praying for people is all being conveyed in the present tense, not clear if he recalled hearing about strife in the world and then made dua, or paused heard and resumed his prayer, it all seemingly happening at once, but that doesn’t really make sense. The title also says dua, not salah, and so much of the book is about prayer, that I feel like the two get conflated erroneously, and dreaming big during dua is different than having your mind wander during your salah.

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The book starts with an ayat from the Quran in Arabic text and meaning of the translation in English and concludes with a glossary and space to complete a Dua List.

If this book seems like a good fit for your young child, I ordered mine from Crescent Moon Store and you if you use my initials ISL (Islamic School Librarian) at checkout you’ll save 10%.

The Month that Makes the Year: A Joyful Celebration of the Spiritual Practices of Ramadan by Inda Ahmad Zahri

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The Month that Makes the Year: A Joyful Celebration of the Spiritual Practices of Ramadan by Inda Ahmad Zahri

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This book was definitely worth the wait, alhumdulillah.  For all the complaining I do about books regurgitating facts, or Ramadan joy books leaving out the religion, and presentation feeling like it is more for non Muslims than for our own little children; this book does a great job of sharing key points about Ramadan with authenticity and heart that Muslims and non Muslims alike will benefit from the light story, engaging and adorable illustrations, and Muslim child centering.  This 32 page book works well for preschool to early elementary readers and listeners at bedtime, at story time, and in settings were introductions to Ramadan are shared.

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I was a little nervous that this book was framed as a child’s first fast, but a few pages in my concerns disappeared.  Little Deenie knows what Ramadan is, her family is encouraging her to try and fast for a few hours, and she knows that she can’t hide in a cave and sleep like a hibernating bear because Ramadan is so much more than going without food and drink.

I love the shelving of tempting snacks and bad habits of unkind words, waste, impatience, and that little changes lead to big changes one at a time: kindness, love, attention, gratitude.

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Deenie goes a little longer each day, and her tummy rumbles, but where she once felt lonely in the quite spaces, she is finding new things that otherwise would have been missed.  She helps the coach off the pitch at soccer, the family connects without screens, the “ordinary feels extra-ordinary.”

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The mosque opens its arms for tarawih, and extra prayers are “a chance to look inwards and upwards.” A chance to belong.  There is sadaqah and Zakat, and being thankful, learning about traditions and connecting with others.  There are non Muslim friends changing a lunch date to a gallery stroll, and realizing the kindness is not required, but appreciated none-the-less.  The human body is amazing, and Deenie is growing stronger with each Ramadan day.  Eid is a time of celebration, but Ramadan is missed, and we are not the same people we were before the blessed month..

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The book starts with an Author’s Note and ends with a Glossary.  The hardback 11 x 9 book is a great size to allow kids to truly enjoy the sweet illustrations that add to the text and bring the feelings to life.  There are a variety of skin tones, mobilities, clothing styles and head coverings, or not covered characters shown.  There are so many smiling faces, and relatable scenes.  This book is really well done and an absolute joy to read and share.

I personally needed to see that my expectations for a Ramadan read were not unrealistic, and this book alhumdulillah, not only proved that good representation can be beautiful and heartfelt and unapologetic, but raised the bar.  I can’t wait to share this for our Masjid Ramadan story time, I only wish it was easier to obtain in the USA.  I preordered mine from Book Depository, but since publication the price has gone up, inshaAllah if we all show our support, local stockists will find a way (www.allenandunwin.com).

Nadia and Nadir Eid Surprise by Marzieh A. Ali illustrated by Lala Stellune

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Nadia and Nadir Eid Surprise by Marzieh A. Ali illustrated by Lala Stellune

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This is another holiday book in the Nadia and Nadir series for early readers, this one focusing on Eid al Fitr, but also celebrating Muslim American athletes Ibtijaj Muhammad and Muhammad Ali, sadqa, and the love of grandparents.  The 32 page book with four chapters shows Desi American siblings enjoying both their Pakistani and American cultures while consistently embodying their Islamic faith.  They pray salat, wear hijab, discuss sadqa, and say Salam and Eid Mubarak.  I am not sure why they pray Eid prayers at home, and not in a community congregation, no it is not a Covid set book, they then go to the mall, but the pride in their faith, culture, and family is enjoyable.  Early readers will enjoy the colorful pages, large illustrations, and relatable story situations.

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The book starts with the siblings hearing laughing downstairs, then seeing suitcases, and being surprised by their Nani and Nana coming from Pakistan to surprise them on Eid.  The family eats paratha and chai together before praying and making duas.

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After presents are passed out, the kids receive eidee and are off to the mall to pick out a toy.  Nadia sees an Ibtihaj doll, and Nadir points out that she is wearing a hijab just like his sister.  Nadia recognizes her and shares some facts since she has read her books.  Nadir wonders if Ibtihaj knows it is Eid and the family reassures him that Muslims everywhere in the world are celebrating.

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When it is Nadir’s turn to choose what to buy, he picks some boxing equipment with marketing images by Muhammad Ali.  Nana fills him in on the activism and accomplishments of Ali and how impressive his fearlessness really was.  When the change is given after paying, the kids and their grandparents discuss sadqa, charity, and this gives Nadia an idea.

The book concludes with a glossary of new words and information about the illustrator and author.  You can purchase your copy at all major retails such as here at Amazon, or you can support small business owners like Crescent Moon store and purchase your here.

Nayra and the Djinn by Iasmin Omar Ata

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Nayra and the Djinn by Iasmin Omar Ata

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Set in Ramadan this graphic novel for middle grades has a coming of age theme brought to life with fantasy, religious practices, and storylines of bullying, acceptance, and folklore.  Nayra is fasting, she prays, she says bismillah and Assalamualaikum, her  practice of her deen is never in question and by and large I don’t know that anything is “haram” in the Islamic representation.  Yes, she says bismillah in julus, the sitting position of salat, there is sihr, magic. done by the djinn, and a lot of liberties about the ghayb (you can’t really disprove them), but honestly my biggest problem with this book is that somehow even though it is a graphic novel, more visual than text, there is way too much telling and not enough showing.  The reader is told that there is bullying, but only shown that one girl calls her “baba ghanoush,” we are told over and over that she is friends with Rami and that she needs to fix the relationship, but we never see what the friendship was before, only the forced awkwardness that it is now. The inside flap of the book stereotypes the “strict family,” but we never really see them being overly demanding or difficult, and the conclusion is very naïve with both the two girls and the two djinn resolving everything on Eid. I wanted to care about the characters, but never felt a connection to their stresses, traumas, and relationships, and many mirror my own life.  In full transparency though, I must acknowledge to you all, that I do not read a lot of fantasy graphic novels or even comic books, if the choppiness, and lack of depth is what makes the genre work for others, then this book will be fun with its pink and purple pallet and tracking of the Ramadan moon.  I really might just be the wrong person to review this OWN voice djinn fantasy authored by a Palestinian Muslim who like her fictitious djinn goes by they/them pronouns.

SYNOPSIS:

Nayra is being picked on by Tanya for messing up in volleyball in PE, and gets to calling Nayra “baba ganoush.”  When the book opens Nayra fasting for Ramadan is what Tanya chooses to attribute Nayra’s lacking skill too, and Nayra is ready to find a new school.  Her family offers no support, her older siblings set the bar high and got through by ignoring the bullies, and expect her to do the same.  The one other Muslim at school is Rami, and Nayra needs a break from her, they meet to break fast every evening, but Rami is exhausting.  When an online forum somehow gets a visit from a djinn, Nayra offers to be the anchor that Marjan needs to escape the ghayb and exist in the human world.  Marjan’s past comes back to haunt them, and when Zirkouniya arrives, there is only so much protection the month of Ramadan can offer as Eid arrives and the djinn are returned to full strength.  Djinn and human alike will have to own up to their mistakes, forgive others, and rebuild the relationships that matter.

WHY I LIKE IT:

I like the Ramadan centering, and appreciate that the coming of age story line was not an identity crisis about Nayra’s faith.  I  finished the book feeling like I didn’t understand much.  There was a lot of build up for a strict family, and djinn wisdom, that just didn’t exist.  The conflict with the friends was superficial and the resolution the same.  Maybe I missed the visual resonance as I tend to enjoy lyrical writing and relatable text, but the story seemed really simplistic, and the characters flat.

I honestly don’t know if the liberties of the djinn world and djinn themselves goes too far or if folklore, mythology, and fantasy give it fictional protection.  There are details that perhaps come from culture, or are completely made up, I don’t know.  Djinn in Islam are real, they are made of smokeless fire, some are good, some are bad, they have genders, and families, and feelings, and communities.  Outside of that, I don’t know much, and do not presume to, when I sent @bintyounus some of the pictures from the book, she remarked, “Djinn are part of the Ghayb/unseen, So it’s not like we say oh none of it is true, but we also don’t take it as 100% true.”

The magic is minor just a fixing of a flower and flower pot, so in reality the only fantasy are the details about the djinn and the journey to the djinn world.

FLAGS:

Lying, bullying, magic, sneaking out.

TOOLS FOR LEADING THE DISCUSSION:

There is not enough in the book to discuss in a book club, and because of the lacking resonance, I don’t know that most kids would read the book or be interested in it. I can see it being thumbed through, but I don’t think it would be finished by Muslim kids at the Islamic school, or by my own children.  Those that know the Islamic view of djinns won’t find that enough of a hook when the story inside is about a friendship, and not a particularly deep or fleshed out one.  They might see the bullying as relatable, but being called baba ganoush doesn’t really seem that bad compared to what many endure and pining for friends, when you have a very loyal friend, also will probably be met with some confusion.

Moon’s Ramadan by Natasha Khan Kazi

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Moon’s Ramadan by Natasha Khan Kazi

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This beautiful lyrical book has a simple premise of the moon looking down on people celebrating Ramadan as it circles the Earth, but stands out as being unique thanks to the poetic language and engaging illustrations.  Each spread shows moon in a different phase over a different country, and the joy, activities and worship that Muslims are partaking in during the blessed month.  I’m embarrassed to say, I didn’t realize that the author is also the illustrator until I sat down to write this review, and honestly it makes sense, as the story text and illustrations work seamlessly together.  The tone of the book, the details in the pictures, and the rich language make this a good read for a large audience.  Little ones probably won’t fully understand the poetry, but they will be mesmerized none-the-less and feel the excitement.  My three year old calls the moon all year round, the “Ramadan Moon” and he understood that the Moon in the story is excited seeing us celebrate and worship.  He consistently would still be peeking in windows or searching the scenes, not quite ready for me to turn the page long after the text was done being read.  Older kids will appreciate the shared global bonds of Muslims and the cultural specifics too.  They will grasp the information shared and beliefs touched upon in the flowing words that do not preach.  My only criticism is that the book starts with Moon saying, “Hello.”  In an Islamic centered book I would have expected to see Assalamualaikum, especially since it appears on the page where moon is above Egypt, so I’m not sure why the English greetings is used.  The book has a glossary and notes at the end making it a great addition to Muslim and non Muslim spaces alike.  I plan to read the book for a Masjid story time as the large hardback book will work just as well for a group of kids as it does at bed time.

Told from a personified Moon’s perspective, the book begins with Moon smiling at Earth as people all over the world excitedly point and look up at her, but once they see her, they rush off to prepare for the month. Over Turkey, the Ramadan Drummer awakens sleepy people for suhoor and over Indonesia he sees families gathering for iftar. As each day passes Moon grows fuller watching the children do good deeds and people sharing their wealth.

Nights of Taraweeh and listening to the Quran over Somalia, sharing treats in the United Kingdom, and  interfaith among neighbors in the United States bring joy to Moon.  And as the waning crescent sees henna being put on hands in Dubai the month is coming to an end.  People once again look to the sky, but they cannot see Moon in Argentina, Moon is new.  It is Chaand Raat and then it is Eid.  Moon is back in Egypt watching people celebrate and then the world returns to looking up at Moon and she beams with love and gratitude.

There are diverse characters of a variety of skin tones, mobilities, ages, body size and abilities featured all throughout the book in a positive and inclusive normalizing manner.  The backmatter makes the concepts more accessible and the book work on different layers.  I really enjoyed the book and am excited to share it.  I purchased mine at Crescent Moon Store where using my initials ISL (Islamic School Librarian)  will save you 10% it is also available here at Amazon Even my local public library has it on the shelves already! Happy Ramadan!

The World is Your Masjid written and illustrated by Kate Rafiq illustrated by

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The World is Your Masjid written and illustrated by Kate Rafiq illustrated by

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This 30 page preschool to early elementary aged book is a simple rhyming book that reaffirms all the places we can pray and touches on those that we shouldn’t.  The engaging illustrations and relatable scenarios make the book a great choice for bedtime stories and small group readings.  

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The book starts out with a hadith, “The entire earth is a masjid (place for prayer), except the graveyard and the washroom” (Tirmidhi-317) and points out that one must pray five times a day. Screen Shot 2021-11-17 at 11.37.00 AM

It establishes that if you pray it a mosque you can follow the imam, but not to worry if you cannot, because you can pray (nearly) anywhere: a field in the rain, school, a train, a garden, a shed, even when sick you can pray in your bed.

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It then also turns to places you shouldn’t and can’t pray and sources a hadith about not praying where there are faces and statues that might distract you (Bukhari 374). The bathroom and graveyard are also included.  

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As an after thought, and for added laughs it reminds little readers to not pray in dangerous spots as well.

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Overall, I enjoyed the book and can see it pairing with In My Mosque to help create the foundation of a storytime theme about prayer and mosques.  The fact that it takes it a step further and doesn’t just list all the places serious and crazy that you can pray, elevates the book from being mediocre to being memorable and I appreciate that.  I also appreciate the Islamic sourcing, truly something that is required to show accuracy even in the “simplest” of all books.

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Salaam, with Love by Sara Sharaf Beg

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Salaam, with Love by Sara Sharaf Beg

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This 288 page YA contemporary Islamic romcom is very Islamic centered, and the storyline provides some nice twists along the way.  Unfortunately the writing is terrible.  Not the storytelling or even grammar per se, but the contradictions, errors, underdeveloped characters, and the inconsistencies. Yes I read an uncorrected proof, but this book is a mainstream major publisher presented book coming out in a few weeks, and it is in desperate need of some attention.  I really don’t think it is the author’s fault, it reads as if this was a manuscript that got shopped around and picked up and then never refined, polished, and made to sparkle.  The only saving grace is that as terrible as it is literary wise, once the main character starts to get over her “internalized islamophobia” (thank you @bintyounus for bringing this concept to my attention), the book as a whole presents a lot of unapologetic specific Islamic content on every single page: how Eid salat is different than normal salat,  the beauty of tajweed, the meanings of so many duas and surahs said regularly, the list goes on and on and doesn’t just cover the basics.  The flip side is that the characters are in a band that performs Islamic songs, but with instruments and everyone is fine with it, there are artists in the book drawing faces and portraits hang on walls, it is a romance, but it at most an arm or hand is touched and when tropes about Desi college choices are pushed back on the parents break the stereotype and relent.  There are threads of cultural-ism within Islam, Islamophobia and a violent near death experience, but the book is very clean and  honestly has a lot of potential, I have no idea why it is so sloppy.  SO SLOPPY, and I took notes, so buckle up.

SYNOPSIS:

Seventeen year old Dua is an only child and her doctor father and caterer mom are the only Pakistani and only Muslims in their small Virginia town.  They decide for Ramadan that they are all going to go and stay with family in Queens, New York for the whole month.  They have given Dua less than 48 hours notice to plan to spend the end of her summer with cousins she hasn’t seen in five years.  The parents hope that Dua will benefit from being around family, being closer to other Muslims in the month, and enjoy the cultural environment.  Dua is not excited, but when bear hugs and genuine smiles meet her at the door, she is sucked in to a bustling house and the happiness and drama that is bound to unfold.  Sharing a room with her older, law school bound cousin Mahnoor is by far the hardest relationship to cultivate.  Newly engaged, Mahnoor is quiet, reserved and deeply unhappy.  Dua makes little progress, but with Ramadan starting and her cousins setting goals for the month, Dua is determined to do better in all aspects of her life.  As she gets close to Mahnoor’s best friend, Haya, she also gets closer to Haya’s brother Hassan.   It is Ramadan though, and she isn’t good around boys, but Hassan is a hafiz and is helping her reach her memorization goals for the month, Hassan is also in a band and needs Dua’s help.  When Mahnoor’s engagement is called off to Haya and Hassan’s brother, everything comes to a standstill between the families, but when a cousin is shot, the families come back together to support one another and deal with their decisions and their outcomes.  By the end of Ramadan, every character has changed and grown and is sad the month is over and that Dua and her family are leaving.

WHY I LIKE IT:

Suffice it to say I love how Islam centered it is. I honestly checked the publishing information because of how much Islamic content is included, also for the amount of errors.  The book did not start off well for me with Dua trying to separate herself from her “religious” cousins.  The ones who practice communally and wear hijab.  She was not like “them” and the dichotomy of measuring religiosity as acceptable or not, too much or too little, enrages me.  It sets up that she practices Islam but in a relaxed manner and has been taught by her parents, and it is who she is, but it isn’t a huge part of her life.  As the story progresses, it seems that she just doesn’t know a ton of surahs, she actually is pretty religious, and devout, it is very awkward and not presented clearly, which is why I attributed it more to her being in denial or embarrassed by her identity, not about her level of belief.  Dua is also not like-able, she is incredible privileged and arrogant commenting on the size of houses and rooms, and her shoes.  About half way through she starts to comes across as clumsy, not sure then why is she always wearing heels.  Ultimately she is just not well-developed and often reads like an annoying helpless child.  The framing of Dua being a musician and not being so religious is quickly questioned as she gifts her cousins music paraphernalia, and looks at portraits on their walls.  If most are like me, and both families are praying, fasting, reading Quran, active musicians and artists and ok with hanging pictures, one would assume they are pretty in-syc with one another on their religious views and in practice.

Dua is not the only character that is poorly voiced, fractured, and inconsistent.  Her parents are so unrealistic and awkward in the beginning I physically cringed reading them telling her their reasons for going to New York.  In the car on the way, they even quiz Dua on her cousins names.  She hasn’t seen them in five years, she isn’t a toddler, she should know their names, she has clearly purchased incredibly personalized gifts for them, and is filled with detailed memories of when they all met up in Pakistan together, the whole scene is pointless. One of the cousins, Ibrahim, is blind and Dua says that a few years ago her parents had to explain to her what it meant to be blind.  Seriously?  I get the learning how to let him take the lead and how to interact, but you as a teenager didn’t know what it means to be blind? When you met him in Pakistan you didn’t know he was blind? The four year old cousin is cute and adorable, and has the vocabulary and mannerisms of a seven or eight year old at times, most times.  The 12 year old cousin has the wisdom of an old uncle and why do none of the adults in the book seem to work?  The book probably should have started at chapter five, it seems the book hits a bit of a stride that at least makes it readable.  

A huge plot of the book is the band, Sheikh, Rattle, and Roll, but the details about it are terrible.  Mahnoor is walking out the door and her mom tells her to take Dua.  The reader doesn’t know where they are going, but Mahnoor reluctantly agrees and they head out on the subway.  Mahnoor constantly is telling Dua to hurry so they aren’t late and miss it, when they arrive, the band performs one song and that is when Hassan and Dua and Haya all meet.  But the other two band members are her cousins, she is staying in their house.  What? Rabia is constantly talking, that is her character quirk, how does Dua not know that they are performing? Not know they are in a band?  No way would it not be mentioned.  And why only one song? That is so random.  At the end when they perform again on Eid, it is a concert, it is again only one song.  A concert is not one song.  Do they not practice or load up equipment, how is all this going on in one house and Dua is so clueless? 

The inconsistencies are aplenty.  A few examples: it says her cousin doesn’t wear make-up, a few chapters later has a whole face of make-up, on Eid she even does Dua’s make-up.  When they all are sitting down to write their lists of plans for Ramadan it says they don’t have to share their lists.  Yet a few lines later Dua is singled out in a very creepy way to share hers.  In a single paragraph it says that at home she prays fajr half asleep, or late and in a rush before school, but concludes the description by complaining that praying in congregation is more difficult for her to focus in.  Huh? praying while half asleep or in a rush gives you more focus than praying in jammah?  Even non Muslims are going to be scratching their heads.  At one point as Dua is trying to figure out what she wants to study and if she wants to start an MSA in her high school, since she is the only Muslim, she internally discusses how she wants to prove herself to her parents.  Then when she decides what she wants to do for her, she remarks that she isn’t just doing it to prove to her parents, but because she wants it for her.  The only problem is, no where have we seen or has it been established that her parents are requiring this proof.  

There are odd errors as well.  The athan on a phone goes off, the Uncle reaches in to his pocket for his phone and turns off his iPad.  That is a big pocket indeed.  Dua gifts Hassan a CD, really a CD? What is this 1999? Who gifts CDs in 2021? Dua starts playing a keyboard in someone elses house and no one mentions it other than the two people with her, how big is the house that you can’t hear it? The Uncle gets upset that Dua doesn’t pray Asr right at time, but a lot of people prefer Asr specifically to be prayed later within the time frame.  In a two chapter frame it mentions letting out a breath she didn’t realize she was holding three times, word for word the same.

I was genuinely surprised that music being questionable was not brought up at all, two of the bandmates are huffaz.  The author lets her own qualifiers slip in, perhaps her own desire to not take a stand that could seem alienating.  She says, “allegedly” the time right before iftar is the best time to make dua.  As Dua tries to figure out what is going on with Hassan she often remarks how it is hard or confusing “especially because he is Muslim.” Would a relationship with a non Muslim be ok, less hard, more hard? There is no lowering of any gazes, which for as religious as everyone in the book is, should have at least been mentioned even if not adhered to.  The book puts on odd stress on tasbeehs and kufis, not sure why.  

I do like the genuine love the characters have for Islam, Allah, Ramadan, salat.  It is so much a part of every thing they do, and it is lovely.  I also love Dua’s friend in Virginia, Kat, she is fasting in solidarity and wants to join the MSA even though she isn’t Muslim, but a seemingly amazing friend.

FLAGS:

The on-gain-off-again engaged couple do touch hands at Eid prayer.  Hassan touches Duas arm when she is perceived as helpless.  There are anti Islam protests and an angry man shoots Adam.

TOOLS FOR LEADING THE DISCUSSION:

If the sloppiness gets resolved, the book could be used as a high school book club choice.  Those girls love them some halal romance, and this book is incredibly religious and clean. 

Seven is Special! By Shagufta Malik

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Seven is Special! By Shagufta Malik

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I’ve seen this book on and off over the years, but it wasn’t until I saw @muslimkidsbooknook’s post about it, did it register that it is a chapter book, with a plot and story.  I thought it was a journal for seven year olds with prompts perhaps.  Needless to say I judged a book by its cover and hope at some point the author will consider changing the title, redesigning the cover, and tightening up the story, because there is a lot to enjoy in this book, but to get to it, you have to get it in your hands, and open the cover.  The doodles, the author’s voice, and the playful font over 128 pages will appeal to elementary aged girls, but boys will find plenty to relate to as well if you can convince them to give it a try.

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SYNOPSIS:

Seven-year-old Maryam has started taking her salat more seriously, and finally the family, her parents and her, are going on a REAL holiday.  They are going for Umrah.  Maryam is so excited, but then the trip gets canceled and her mom is sick, and Maryam is tired of always feeling different than her classmates.  Will everything work out? Will prayers and duas be answered? Will eight be great?

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WHY I LIKE IT:

I love that the book stays on a seven/eight year old level, but I do question how much stress is on how sick the pregnant mom is, and how kids will understand that.  I was sick, very sick, with all my pregnancies, and my older children saw me and it still affects them, in sometimes surprising ways.  My oldest daughter says she is never having kids.  Granted she is 14, but I would worry that reading a children’s book that mirrors something that was pretty traumatic for her to see will cement her impression about childbearing.  Obviously, I could be the exception, and perhaps like many literary mirrors it would make her relate more to the story.  I know she is above the target audience, but the illness of the mom is a large part of the book, and it is very detailed and specific.  I think if you are a young child reading it, you might ask your mom if that was her experience, and it could be a lovely conversation about heaven being at your mother’s feet, and the tests and blessings of it all, but the book really doubles down on some of the details of the throwing up and vomiting, and I wish her being sick could be shown in more situational ways.  Maybe she tried to do an activity with her daughter, but couldn’t, or she had to ask another mom to help with something she normally did at Maryam’s school, etc..  There are such wonderful tangible little nuggets in the book about salat at the park, and kids duas, and making wudu in public, that I think a little reframing of the illness and symptoms is definitely in the author’s skill set.

I love the unapologetic voice of being Muslim and some of the insecurities that Maryam faces and grows from.  Kids will enjoy seeing their concerns articulated, and inshaAllah benefit from her perspective as they make decisions about their own identity and attitude.  I know some families make a big deal about starting salat at seven, but when the book starts she has been seven for a while, so I’m not entirely sure why that was the focus of the book’s title.  Additionally, the pink cover really screams that it is a girl book, and I think boys will be nervous to be reading a “girl book,” that really isn’t gender specific in the storyline.  Yes, there are all sorts of stereotypes in that assessment, but I think you all get what I’m saying.

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FLAGS:

Illness, a bit of a temper bubbling over, stress.

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TOOLS FOR LEADING THE DISCUSSION:

I think young readers that are handed the book and start it, will finish reading it.  It is a super quick read, and with the drawings and conversational language, they will enjoy the pages as they fly by.  It is an elementary read, and anyone older will probably see the foreshadowing that the mom is expecting, while the second and third grade readers, will probably be genuinely surprised.