Tag Archives: New Adult

Moonlight Hope: A Muslim American Coming of Age Story by Nora Salam

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Moonlight Hope: A Muslim American Coming of Age Story by Nora Salam

moonlight hope

This 354 page New Adult read is truly Islamic fiction, and as long as you know what you are getting in to, you probably will thoroughly enjoy it.  It is Islamic centered, it is preachy, it is idyllic, it counters many stereotypes about Muslims and various cultures, while simultaneously falling into other tropes that define the genre, it has mature framing that is not suitable for younger readers, but doesn’t detail anything that is super “haram.”  If you are looking for a potentially halal romance between YA and Adult ages with Islamic messaging this book is a solid choice.  If however, you will be annoyed by any of the aforementioned labels, this book will not hold your attention or beg to be finished.  It reminds me a lot of Umm Zakiyyah’s If I Should Speak and A Voice books where the story has its own twists and character arcs but it spends a lot of time preaching and setting itself up to tout an Islamic perspective, or concept as well.  I wanted to read two books in the “New Adult” category and see if I could spread my reviews to include them, and with this being the second,  I think I should resist the temptation, and stick to what my library background familiarized me with.

SYNOPSIS:

Told in alternating voices of Intisar and Majed, two individuals in New York City, at different places in their life, but finding that when they hit rock bottom, Islam is the answer.

Intisar is graduating nursing school when the story opens and has only one goal in mind, get married.  She has strict Sudanese parents and has put all of her dreams on finding freedom in the perfect spouse.  She meets a guy at a friend’s house and they secretly date, kiss, and hold hands.  When he ghosts her, she is devastated and reluctantly finds herself agreeing to marry a much older man of her parent’s choosing.  Loosing herself in the idea of marriage, she finds herself heartbroken, ostracized and falling apart.  She starts to put herself back together slowly by finding Islam, her confidence, and some much needed perspective.

Majed has a famous family: his mother a model, his father and siblings singers, and he manages their careers.  After passing out from drugs and alcohol more than once he really starts to examine his life and the road he is on.  He sneaks away to rehab and in the process stumbles on to Islam.  He is Egyptian, but the family is not religious at all, and infact stop talking to him when he converts.  The trials of being a Muslim in New York with no family are not easy, but he feels it is worth it and his journey to Hajj and through loss brings him closer to Allah (swt).

The two stories are parallel and collide slightly in the periphery, but the book ends with them finally coming together and the ever dreaded words of “to be continued,” leaving the reader hanging.

WHY I LIKE IT:

I do like that the story shows struggles when one comes (back) to Islam, it isn’t always a walk in the park, it has challenges and stresses.  The book starts each chapter with a verse from the Quran and is very open about what it is.  So, while at times, the preachiness did get to me, it was very clear what type of book it was from the beginning and I kept reading.

Some of the side characters I felt needed to be fleshed out a bit.  I didn’t understand many of the random friends, how they affected the main character often seemed off, or completely underdeveloped in what was revealed about them: particularly Izzedine, Parita, the girl that married Mansour, the uncle at the Masjid that thought Majed was a spy, etc..  I also really struggled with the presentation of Uncle Munir and his calling Majed, baby, and how he just happened to bump in to him outside the bar, and the kisses.  I’m guessing it was meant to show him as over the top affectionate, but it just read as odd.

I like that the book addresses hypocrisy, mental health, and expectations.  It doesn’t paint all Muslims as good or bad, nor society at large.  The book reads as a journey, and many characters are given a chance to correct their errors and be seen in a new light.

The majority of the book is written well, but right away the book gave me pause as Intisar and her friends chat all through the Jummah khutbah, I get that it is trying to show her disregard for intentional practice of her faith and her “boy crazy/marriage” obsession, but you cannot speak during the khutbah, it isn’t just dirty looks, you truly cannot talk for it to count, and it isn’t even remarked upon, and it made me skeptical of the book for a while.  There is a word missing from a sentence on page 161 and at one point a brother in the prayer hall aims a shoe to throw.  But you wouldn’t be wearing shoes in the room where you pray, and the mosque has hallways and a glassed off section for women, so this seemed like an obvious oversight that should be fixed.

FLAGS:

Drugs, alcohol, lying, overdose, sneaking out, kissing, hooking up, physical affection, violence, temptation, sexual predatory behavior, it is an adult book, so I’m not going to continue listing everything. Nothing haram is overtly detailed or glorified. Ages 17 and up, could handle it.

TOOLS FOR LEADING THE DISCUSSION:
Too mature for my book club crew, but I wouldn’t mind it on a shelf in the school library.

Good Intentions by Kasim Ali

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Good Intentions by Kasim Ali

good intentions

There is a reason that I read juvenile fiction: from board books to YA, but lately the “New Adult” category has really been tempting me.  Muslamic romance novels, often really need the protagonist to be looking to get married to make the plot work with some authenticity,  which means the main character usually needs to be a bit older than in their teens.  I decided to start my tiptoeing into the genre with this book, because I was intrigued at the racial and mental health themes that the blurb teased.  Sadly after reading the 288 page story, I still was waiting for more racial and mental health insight or enlightenment or perspective or deeper appreciation or anything really.  I kept reading hoping for more character growth, and to find out if the relationship worked.  I understand after finishing, that the book was intentionally more subtle and nuanced, and part of me appreciates it, but I still felt the book ultimately provided too little in either regard for me to feel satisfied or content that I had spent time with the characters.  The abruptness and harshness of the first few chapters, seemed disjointed from the dialogue filled introspective remainder of the book that showed so much potential, but left me feeling strung along for no real purpose.  The book covers mature themes of sexuality, drug use, racism, co-habitation, relationships, culture, mental health, and more.  The characters’ identify as Muslim, but aside from Eid prayers, iftar, and mentioning once that they should pray more, there is nothing religious practiced, mentioned, or contained in the story.

SYNOPSIS:

Told in a variety of timelines that all follow the relationship of Nur and Yasmina, the story begins with Nur finally after four years getting up the nerve to tell his desi parents that he has a Black girlfriend, and wants to marry her.  He leaves out that they have been living together for years, and the book then flips back to how they met and bounces around filling in the gaps that bring them back to the big reveal.

While in college, Nur had just broken up with Saara, but still goes to her fairly regular house parties.  At one such party he meets Yasmina, as a small group at the party sneak off to smoke pot, and he is immediately crushing.  His hungover broken-hearted gay friend Imran calls him out on it immediately, and his roommate Rahat chastises him for going to his ex’s parties.  Nearly all the main characters are met early on, and the rest of the book focuses on Nur and Yasmina growing closer through college, after school, through their early years of jobs and grad school, and the overshadowing of the fact that Nur has yet to tell his family about Yasmina, while Yasmina’s family is fully aware and fully supportive that they are living together.

All the characters are Muslim, but practice is pretty minimally detailed.  Yasmina tells Nur at their first meeting that she wishes she prayed more, and later it is mentioned that her parents were raised strict so they have raised their own children less so.  It is possible that Nur’s mom wears a scarf, but not clear either way, and they don’t seem to be bothered that she is living with her boyfriend.  Nur on one of his visits home goes for Eid prayers with his father, his mother and sister do not go, and it mentions that they are fasting.  Rahat does not find dating is for him, and wants to have a traditional arranged marriage, but it does not disclose if this is because of religious or cultural views.  Imran discusses his family praying and that he had to square away his sexuality with Allah swt more or less.

Nur and Yasmina’s younger sister have mental health afflictions.  Nur has anxiety attacks, and Hawa severe depression.  It does not label or identify or diagnose, this is my assumption, it does detail their experiences though, and how they affect those around them.

WHY I LIKE IT:

I actually enjoyed the writing style and the ease in which it flowed-save the beginning of the book. The beginning was a little crass, almost like the author was trying too hard to get the characters’ environment to read that they were in college.  The crude talking about sex and them talking about their parents’ intimacy and smoking and drinking and being vulgar, was in such contrast to the very subtle nuanced rest of the book that tried to show the layers of Nur and Yasmina’s relationships and lives.  Once I got through it, I genuinely wanted to know if they could make the relationship work.  No I’m not going to spoil it, but that really is why I kept reading.

I was disappointed that the book didn’t draw mental health out in the open.   I also wanted some religious based push back on racism.  It is a big thing in our communities and the book really could have had the characters argue it and make their points, right or wrong, for the disconnect between faith and culture.  It didn’t have to be preachy, or even mean that anyone changed their opinions, but it mentions numerous times, something to the effect of Nur’s parents being racist, but doesn’t detail why that is the suffocating presence in disclosing his relationship.  In four years I would imagine the opportunity to correct his parents way of thinking would have arisen, and he could have challenged it.  I get that might negate Yasmina’s point that Nur is racist, but I think it should have been made more clear then that he didn’t speak up when opportunities presented, otherwise it just seems unexplored and we, the reader, are expected to just accept the characters on face value, when the book really very easily could have nudged us, to self reflect and look inward.

FLAGS:

There is sex, and drugs, and lying, and racism, and all the other flags that adult books often have.  There is one “steamy scene” between Nur and Yasmina, but the rest of the relationship is very mild.  Nothing else is graphic in detailing their day-to-day living, or the day-to-day relationships of the other characters in the book: gay or straight.

TOOLS FOR LEADING THE DISCUSSION:

No. Would never, could never encourage unmarried Muslims living together, fictionally or otherwise.