Tag Archives: past

Dec16

Salim’s Soccer Ball: A Story of Palestinian Resilience by Tala El-fahmawi illustrated by Naveen Abu Saleem

Posted on December 16, 2022 by islamicschoollibrarian

This 58 page rhyming picture book weaves together a tale of a little boy and his lost soccer ball, with larger issues of community, oppression, and perspective for the youngest of readers to older children too. I am noted to be skeptical of rhyming books, but the large font, the sweeping pictures, and the dropping of occupation, struggle, and resilience really make this book a treat. Add in discussion questions and an author’s note and you have a solid book that deserves space on home, library, and classroom shelves. My only wish, was that the book was hardback. The horizontal layout with a soft cover make the book difficult to read during story times as the pages flop back. The book is long, but the text on most spreads is minimal and while I could not identify the author’s religious identity, their are numerous hijab wearing #muslimsintheillustrations as Salim journey’s around his neighborhood and into his grand father’s memories.

Salim wakes up, brushes his teeth, and is out the door to play soccer with his best friend Qusai, but the ball goes flying and Salim can’t find it. He starts walking down the hill and it seems to have disappeared.

He asks the fisherman, Abu Zaid, if he has seen it, and he hasn’t, but he offers to help. They then go and ask the seamstress, she hasn’t either, but she puts down her tatreez, offers reassurance, and offers to help. As they head out they bump in to Dr. Bassam. “‘I will help you look,’ the kindly man said. “I can fix broken bones with very few supplies. A lack of resources has made me clever and wise. Resilience and courage are plentiful here. We will find your ball. Salim, no need to fear.'”

The searching continues, with a small break for khanfeh, and then Qusai is found, and so is the ball. Like so many joyful items, the barbed wire of the apartheid wall has destroyed the soccer ball. Upset, Abu Omar, calls out to Salim, and his grandpa embraces and consoles the young boy recalling a donkey with wonky ears and life on the farm. With resilience and joy Salim heads home to a community surprise and a hopeful future inshaAllah.

The book concludes with five discussion questions that connect Salim’s experience to universal experiences of people everywhere. It is followed by factual and personal author’s note about Palestine and the book.

There is nothing religious aside from the hijabs worn, Dome of the Rock, Masjid al Aqsa, and Church of The Holy Sepulcher in the backgrounds of a few images. I purchased my copy from Amazon HERE and can also be purchased through Shop Palestine HERE.

Jun19

More Than Just a Pretty Face by Syed M. Masood

Posted on June 19, 2020 by islamicschoollibrarian

Standard

More Than Just a Pretty Face by Syed M. Masood

This book is a Muslim YA romcom OWN voice written by a Muslim male. Woah, right? And the actual story, sigh (blush) I enjoyed it, and part of me is disappointed in myself for how much I enjoyed it. Most of the characters are Muslim and all over the spectrum in their religiosity so to speak, there are a lot of jokes at the expense of tenants in Islam and trivializing of certain concepts which really isn’t something to celebrate, but it reads real and there is a lot of Islam that is front and center and deep and though provoking. For most non Muslim readers, I’m sure 15 or 16 and up would be fine with the content and 353 page length, but as a former Islamic School Librarian, I’d have to reserve recommendations to college age. The protagonist is 19, there is talk of sex, but not crass, the main female character has a past that includes a sex tape, and there is a lot of language, but its also really funny and really relatable and really sweet and takes place in high school.

SYNOPSIS:

Danyal is a pretty face, but he isn’t very bright. He goes to an elite private school though somehow, and while he is admittedly dingy, he is also very kind, innocent and generous. He was held back at some point in school and is 19 as a senior in high school. He works in a French restaurant and dreams of being a chef. He has no desire to go to college and as the only son of Pakistani immigrants, they are not thrilled with their son’t future plans. Danyal is pretty chill about it though and his mom wants to arrange his marriage, and he is willing, although he is crazy in love with his friend’s twin sister. He is religious and hasn’t really broken any of the Islamic relationship rules, he prays fajr, and just kinda floats through life doing the best he can and forgiving himself and others when they mess up.

When his mom arranges a meeting with Bisma he is willing to get to know if they are a match. She however, fully discloses her past to him when they head out for coffee, which involves her rebelling, once a few years earlier, against her father and going to a party, further rebelling and getting drunk and then making the poor and regrettable choice to sleep with someone. To make matters worse, the event was video taped and spread around the community forcing the family to move. Bisma is pretty religious and really studious and really sorry, but her father and most community people don’t let it go. Danyal thinks that is stupid, one mistake shouldn’t haunt her forever, unfortunately he doesn’t think chivalry and pity are enough of a reason to marry her as he doesn’t think they are meant for each other. Basically, he is still really crushing on Kaval. So he and Bisma decide to be friends.

When Danyal’s history teacher in a fit of spite nominates Danyal for a prestigious Renaissance Man competition, Danyal calls on Bisma for help. The topic is Winston Churchill, the beloved British leader, but Danyal quickly learns he is not beloved by most Indian subcontinent people. Kaval offers to help so that Danyal can win the competition, impress her parents and then maybe give them a chance. But, suddenly Danyal doesn’t know if that is what he wants. He wants to be himself, he wants to be accepted, he wants Bisma.

WHY I LIKE IT:

You know how it is going to end, you don’t know entirely how it is going to get there, but you know where it is headed, yet the book is still compelling and fun. Between the banter of the religious friend, and the no longer religious friend, the advice the French Chef bestows on Danyal and Danyal’s complete and utter cluelessness to everything, the book is really warm and the characters really like-able. I dislike the stereotype of the “religious” character, but the other side characters are better developed.

On occasion I think Danyal’s stupidity is over done, he isn’t an idiot, he just isn’t book smart. So when he doesn’t know what “break a leg” implies for example, it seems a tiny bit off. I know his friends say he isn’t funny, but I think he is hilarious, especially with his commentary on the Desi community. “It is the curse of brown boys everywhere. We either die young or we live long enough to see ourselves become uncles.”

The role of Islam is incredibly prominent, and the characters understand what it means to be Muslim differently. Sometime I agreed with them, sometimes I didn’t, sometimes the characters didn’t agree with each other, sometimes they did. There is a lot to think about: destiny, Allah’s mercy, Qalb-e-saleem (a pure heart), caring for the less fortunate. Even politically there is a strong thread of colonialism, which the characters wrestle with and with being immigrant’s children. There is a lot packed in, but it flows so smooth and the writing rich with authenticity, that quite often I would laugh out loud and read various lines to my young children.

FLAGS:

Talk of sex and losing virginity, but not detailed, just stated. The chef is a lesbian. There is lots of language including the F word, not thrown in effortlessly, usually for a reason, and often reprimanded. There are a few kisses on the cheek and lips between Danyal and Bisma, but in a Disney princess movie sort of way.

TOOLS FOR LEADING THE DISCUSSION:

Not for middle or even high school book club. I don’t think that it is a completely “halal” romance story, but I think I wouldn’t be concerned if juniors and seniors were reading it, I think they would love it, and I might just have a few that I want to suggest it to…

Jun5

Mad, Bad, and Dangerous to Know by Samira Ahmed

Posted on June 5, 2020 by islamicschoollibrarian

Standard

Mad, Bad, and Dangerous to Know by Samira Ahmed

I really should give up reading Samira Ahmed books. This is the third one I’ve read, and while she is definitely getting better, I still don’t know why her editors don’t fix her flat notes. Like in Internment, the premise in this book is amazing, but other parts are just cringe-y and painful and really, really unnecessary. My guess is, she would identify herself as a romance YA author, and yet consistently in her works, that is the most lacking part: the character building and forced romances. The art history mystery, the inspiration and “real” life of the characters from the past, the setting of Paris in the summer, the fight for woman to be heard are all so well done and compelling and interesting that this romp that blurs fact and fiction might deserve a read, but you have to overlook the forced love triangle, excessive kissing, be willing to suspend reality regarding Alexandre Dumas, Eugène Delacroix, and Lord Byron, artifacts and sleuthing, but if you can do all that, this 337 page book for 9th grade and up, is definitely fun and hard to put down.

SYNOPSIS:
The protagonist is 17-year-old French-Indian-Muslim-American Khayyam, who is spending her summer in Paris with her professor parents like they do every year. But this year is different as she is being ghosted by her boyfriend Zaid back in Chicago and has just been humiliated by her poor research attempts to link a missing painting from artist Delacroix to author Dumas in an entrance essay competition to her dream school. Khayyam’s story is really just beginning though as she steps in dog crap and bumps into a descendent of Alexandre Dumas as she wipes it off. A cute descendant, who shares the name with his distant grandfather, and viola’ the two of them are off on a whirlwind adventure of clues and attraction and mystery solving.

Khayyam’s story is interwoven and told between small glimpses of Leila’s story. Leila is a Haseki, a chosen concubine of the Pasha in Ottoman Turkey, but the lover of Giaour and friend of the jin. As we learn her story from 200 years earlier and her struggle to break free of her gilded cage in the harem, only to be defined by the artist and poets and author men around her, her story and Khayyams collide.

WHY I LIKE IT:

I know precious little of art history, I can name drop a few artists and paintings, but that is being generous, so the fact that I have no clue what is real and what is fake and what is possible, made this story all the more fun and engaging. Yes, I researched, aka Googled, stuff as I read and am perfectly content to accept the fictional what ifs that the book offers. I love how the art world and literary world are one in the book and that they inspired each other. The way the sleuthing, the finding of artifacts, and unraveling of it all is presented is indeed a romp. Realistic? Not a chance, but fun. I also love how both Khayyam and Leila had to define themselves and ultimately not do it in the reflection of a male.

The rest of the book, is a bit of a stretch. Leila’s story naturally has holes in it as it is told in broken pieces, but Khayyam’s story does too. I just didn’t care about her past boyfriend/ex-boyfriend/friend, whatever Zaid is or was, and clearly after moping about him for 300 pages and then not even giving him a proper goodbye, means that the author and character didn’t really care either, which made the already forced, cringe-y annoyingness all the more grating. As for the relationship, the other piece in the triangle, with Alexandre, was fine in that there was angst, but they put it aside to solve the mystery, so it didn’t bother me too much. Of course the fact that Khayyam is a practicing Muslim who seems to have no problems with boyfriends, and making out and that her parents don’t mind either, makes the faith aspect all the more befuddling. I guess practicing might be a stretch, her mom and her go to Jummah prayer on Friday, thats about the extent, and she mentions she doesn’t drink. Zaid, sets up a tutoring program at the masjid, but his instagram has him hanging all over girls too, so not sure why the characters are even Muslim. I suppose it is good to have that diverse representation, but it doesn’t seem to make much necessary sense to the overall story.

FLAGS:

Implied concubine activities, with the Pasha and the lover. Lots and lots and lots of kissing, nothing graphic, but annoying amounts of it being mentioned.

TOOLS FOR LEADING THE DISCUSSION:

I want someone to discuss it with me and point out where the facts end and the speculation starts and when the full on fiction takes over. I don’t think I could use this book as a book club book because of the center stage of the haram romances in both Khayyam’s time and Leila’s. But if you have read it, talk to me about it, I’m curious!

NPR’s Review: https://www.npr.org/2020/04/11/831873365/in-mad-bad-dangerous-romantic-sleuths-uncover-a-byronic-secret

Jun28

We Hunt the Flame by Hafsah Faizal

Posted on June 28, 2019 by islamicschoollibrarian

Standard

A mature upper middle school/high school aged fantasy romance, written by a nikabi and filled with ancient Arab imagery and Arabic words. Story-wise it read to me like a mashup of Hunger Games and Ember in the Ashes, and while the overall story is good, the first 60 pages of world building were utterly confusing to me. I told myself I would read at least 100 pages and then decide if I wanted to continue, luckily before I hit 100 pages I found a glossary of terms, characters, and places online, and the story moved from world building to character development and I enjoyed the rest of the ride.

SYNOPSIS:

In a world that is slowly being taken over by the dark magic that is the Arz, a deadly forest that surrounds the country of Arawiya, one girl in one of the five Caliphates, Zafira, dares to venture into the darkness to hunt game and prevent her people from starving. Unfortunately the Caliph of her state looks down upon women and this regular heroic act must be done with her impersonating a man and keeping her efforts as covert as possible. Life for Zafira is hard as she not only juggles this masquerade, but her father has recently been killed, her mother is mentally absent, her best friend is getting married, the Arz is growing, and the people around her are starving.

In more or less alternating chapters we also learn of Nasir, the ‘Prince of Death’ who is an assassin for the Sultan who has also now taken over as Caliph of Sarasin. Forced to kill innocent people by his heartless father, Nasir also is mourning the loss of his mother, as he tries to earn his father’s approval and find some validation for his current life.

The two characters come together when an immortal witch summons Zafira to retrieve a magic book from a cursed island beyond the Arz and Naisr’s father sends him to intercept her. The majority of the book takes place on the island of Sharr, an island that is not only a location, but a living consuming character, and involves a variety of other enchanted beings from the various states. An immortal Safin, Benyamin, one of nine elites, Kafirah, and Altair, a general from Sarasin that weaves them altogether and complicates everything. This group, the zumra, must work together to save Arawiya, while constantly evaluating how much they can trust one another, as well as themselves.

WHY I LIKE IT:

I love the detail and was pleasantly surprised with the pacing. The chapters are short and kept the plot from dragging for 471 pages. Having read it and enjoyed it, I don’t know that I can properly discuss it though. There are things that I just accepted and moved on with without pondering over, because I don’t know if I understood it well enough to even ask the question aloud. That being said, I feel like I got the story and I understood where the characters were coming from and I closed the book feeling satisfied and willing to read the next one in the series. The characters grow and develop and they have a satisfying arc without being overly cliche or predictable. I think Nasir grows much more than Zafira and knowing that the next book is more focused on him, intrigues me. Altair is by far the most fascinating character and I hope to see more of him as well.

There is a map at the beginning of the book that I referenced A LOT, and truly I have no idea why the glossary and character list was not included in the book, as it is desperately needed. There are a lot of Arabic words and I would like to get an Arabic speaker’s perspective on how knowing what the terms meant affected the story comprehension.

I like that Zafira has to find confidence in shedding her cloak and stepping in to herself, but I felt it told it more than it showed. Some of the states are governed by women, the founders are women, that I didn’t feel her fear in hiding her gender. Similarly, I wanted more information on who/what exactly the Lion of the Night was/is and where the affinities come from. Perhaps minor points, but details that kept me from immersing myself in this fantastical land and kept me feeling like an outsider peering in and trying to connect with events just out of reach.

FLAGS:

There is a lot of killing, and some of it gruesome. There is abuse and details of branding and a tongue being cut out. There is alluding of sexual acts but nothing defined, random comments between characters and implications of girls in a room in the morning. There is kissing and an intense makeout session that is used to achieve a battle goal, but it is detailed and the characters reflect on how it made them feel in terms of desire, longing, wanting, etc. So, while it is there, it is there for a purpose other than titillation, that is why I think mature middle school could handle it. There is a scene in a bar, but none of the main characters drink. There is some language, albeit not in English.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I could do this with 6th graders in my middle school book club, but I will definitely suggest it for the high school one. I think there are a lot of ways things can be interpreted and because it is a fantasy there is no right or wrong which would make the discussion fascinating. The romance I think makes the book lean to being more female oriented, but I think there is enough action that boys will also enjoy it overall as well.

Book Website: https://www.wehunttheflame.com/

The book just came out, so I’m sure in the next few weeks and months there will be more tools, more interviews, and more details of what is to come in the series.