Tag Archives: Samira Ahmed

May20

Hollow Fires by Samira Ahmed

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Hollow Fires by Samira Ahmed

hollow fires

Every YA Samira Ahmed review I have written I remark at how amazing the premise is, how flat the characters are, and how forced the romance feels.  I am so happy that I did not dismiss this book, and when I return this copy to the library, I will be eagerly awaiting the purchased one to arrive so as to be placed on my book shelf.  There is connection to the protagonist, she is even likeable, the brief flirty romance is natural and not heavy handed, and the only thing better than the premise is the contemporary commentary.  The multiple writing styles, lyrical voices, and thriller/mystery elements make this 404 page teen book hard to put down.  Islam is present in different forms in different characters. There are very gentle elements of faith that really contrast the chaos of the plot and radiate peace: fajr salat, wanting a janazah, identifying as Muslim.  And while the book says 7th grade and up, I think it is more suited for high school readers.  There are strong themes of islamophobia, media, and privilege, there is killing, murder, a gay Muslim, a ghost, assault, language, planning to go to a school dance, racism, vandalism, misogyny, Halloween, relationships, hate crimes, and abuse of power, to name a few reasons that I think older readers (and adults) will appreciate and understand more deeply than most middle schoolers, how remarkable this book truly is.

SYNOPSIS:

Safiya is in her senior year at her elite private school, she’s a scholarship kid, and her passion is journalism.  As the editor of the paper she is unafraid to challenge the principal and spur others to action.  When a fellow Muslim kid, Jawad, at a nearby local school gets arrested for bringing a makerspace jetpack to school, it bothers her.  When Jawad goes missing, and events at school and in the community start putting Muslims and other minorities on edge, Safiya finds herself collecting bread crumbs and getting closer to the truth.  Throw in vandalism to her parents Desi store, smoke bombs in the bathrooms, swastikas graffitied at school, and a dead boy whispering to her and you have yourself an action packed thriller that hits close to home.  When the circumstances of how Jawad’s body are found and the clues start to fall in place, Safiya and readers will find themselves rushing against the clock.  Her to safety, and readers to see if their suspensions are correct.

WHY I LIKE IT:

I love, love, love how each chapter starts with a fact, or a lie, or an alternate fact, or truth, I keep rereading them. They are so clever, and thought provoking as the short lines stare at you in black and white and get under your skin.

I don’t think the book explains if a ghost in Islamic doctrine would be possible, but I do like that the book on more than one occasions tries to explore it.  I think for me acknowledging that it doesn’t fit, but that jinn exist and that maybe it just is what it is allowed me to overlook it and read the story for what it is.  I appreciate that the author gave the characters presence of mind to try and view it through an Islamic perspective and see answers that way, even if it did come up short.

I love the parents in the book, all of them. There is no oppression or force or lack of understanding, from the parents which was a nice break from the normal YA Muslim family dynamic presentation.  As a result perhaps, Safiya has never gone to a school dance, but when asked to Winter Formal she doesn’t have any religious or cultural hesitation in agreeing to go.  Part of me wishes it would have crossed her mind, but I think the other part wins out- that for her it is a non issue and that her view and practice of Islam is just different than mine and that is ok.  I think part of the reason I am ok with it is because there is no overly forced make-out sessions or drawn out angsty scenes.  There is a kiss on the cheek and one on the forehead, a tiny bit of snuggling, and maybe a handhold.  Suffice it to say it isn’t overboard and extreme, it never says that Safiya prays, she notes her parents do, but it seems she goes to the mosque, she identifies as Muslim and she is unapologetic, so by moving the choice to her to go or not go to a dance allows Islam to stay Islam and her actions to stay her actions.  A subtle difference I’m sure for most, but for me a very powerful one in a book that is about more than Islam’s view of premarital relationships.  I think it is also promising in that it shows how far literature has come that these nuances can exist without being overly explained or made into black and white issues.

In a similar vein is how the three Muslim characters are presented.  At one point it says they all go to different mosques because of geography or ethnicity, but to them they are just Muslim.  This includes Usman a kufi wearing Shia Hazara from Afghanistan who is always crushing on his tennis partner, or some other guy.  There is nothing more said about it, and the book carries on.

The style of the writing between the alternating voices of Safiya and Jawad are nice, but I particularly liked the inclusion of the interviews, articles, excerpts, and court transcripts.  The change of pace made it feel like it was more than a fictionalized story about the characters at hand, and a societal trend that is impactful to us all.  Which of course is a theme of the book, and was a nice way to show and convey that sentiment without having to say it over and over again to be heard.

FLAGS:

Copy and pasted from above:  There are strong themes of islamophobia, media, and privilege, there is killing, murder, attempted murder, a gay Muslim, a ghost, assault, language, planning to go to a school dance, racism, vandalism, misogyny, Halloween, relationships, hate crimes, and abuse of power. The hand of Fatima symbol is apparent in the marketing of the book, it isn’t a huge part of the story itself.  It is a key chain that was given to a character and then passed on with a message that it will keep you safe.  Clearly it doesn’t keep you safe and the irony and the passing of it from one character to another (I’m really trying not to spoil anything, can you tell) is the only significance it has on the story.

TOOLS FOR LEADING THE DISCUSSION:

I have already told my daughter she needs to read the book this summer after finals (she is 15), and while I would love to do this as a high school book club book, I don’t know that the ease of going to a dance, the normative presentation of a gay Muslim, and the ghost as a main character would be widely accepted at an Islamic school.  I think I will suggest it to high schoolers that I know, and would do so confidently as the writing, overall messaging, and critique on the media and privilege are so well executed in a compelling story, but I think the flags might keep me from “teaching” the book or shelving it in the school library.

Sep17

Amira & Hamza: The War to Save the Worlds by Samira Ahmed

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Amira & Hamza: The War to Save the Worlds by Samira Ahmed

amira and hamza

Make sure you are sitting in a comfy spot when you crack open this middle grades fantasy adventure, because it hits the ground running from the very beginning and doesn’t let up over 368 pages.  The like-able and relatable brother sister duo snarkily banter and bicker about everything from cultural Indian (Desi) folklore, religious stories, Marvel, Lord of the Rings, He-Man, Arabic Sesame Street, Star Wars, hygiene, fears, potential science fair projects, and food, all while battling jinn, devs, peris, and reality as they work to save the worlds.  The book is chalked full of STEM concepts, cultural touchstone, Islamic footholds, pop culture, and fun, as one character remarks, it is the ultimate fan fiction. I regularly Googled people, references, and concepts, and ended up learning quite a bit.  And don’t fret if you ever get lost or confused, or something doesn’t make sense, you don’t have to worry that you missed something or that the author left a gap in the narrative, the book moves quick and Amira’s constant dialogue and commentary points out all the ridiculousness of what they are experiencing and the questions that she wishes she had time to ask, explore, and discover.  The author never loses control of the narrative, and keeps the world building on level without skimping on details and understanding.  I have not loved any of the author’s previous books in their entirety, I think this one, however, is her best one yet, and the switch to middle grades is a good fit.  

SYNOPSIS:

Twelve-year-old Amira and her 10-year-old brother Hamza are heading to the Shriner’s Madinah Temple in their hometown of Chicago to explore the exhibit of Ancient Astronomy artifacts, or as Hamza calls it “tools that belonged to dead Muslim Astrologers.”  Hosted by the Islamic Society of Ancient Astronomy corresponds with the eclipse viewing party of the incredibly rare super blood blue moon.  In typical Hamza fashion however, a Nerf gun is brought and things are touched.  When Amira is tasked with bringing her brother up to the roof to learn how to use the telescopes, the two scuffle over a small box with a tiny moon inside, a series of snatching and tussling between the siblings cause the Box of the Moon to break, or rather start working.  As day turns to night, the moon seems to be breaking a part, and everyone in the world is suspended in sleep except for Amira and Hamza, and an entire jinn army is heading their way.

When jinn leaders Abdul Rahman and Maqbool reach the children they must convince them that they are not there to harm them, but rather to recruit them as the chosen ones to save the worlds: Qaf and Earth and the barrier, the moon, that keeps the realms separate from destruction at the hands of Ifrit.  The confusion over there being two of them creeps up, but is squashed as Suleiman the Wise left tests to prove that the chosen one is properly equipped to battle Iftrit as it has been prophesized.  The children must work together to prove themselves they must then actually seek out and defeat Ifrit.  As tests and challenges arise, it becomes clear (pun intended) that the two are not the chosen ones, but with no option of turning back they must forge ahead none-the-less.

“What? We’re Indian, dude, we were basically born half doctor.”

WHY I LIKE IT:

I love Amira and Hamza’s banter.  The references are at times laugh out loud funny.  Similarly, I was impressed by all the historical and STEM concepts intertwined in the story, there is even a tiny bit about mental health.  I learned about parts of the moon, historical figures, folklore, and more.  The characters are Muslim, Amira wears Ayatul Kursi around her neck and they talk of Sunday school.  The book isn’t religious though, in they aren’t saying Bismillah before they embark on things, or supplicating when in danger, but they greet different beings with peace, and the framing is clearly from an Islamic paradigm.  I think the high speed pacing works for most of the book, and somehow you still get to know and connect with the characters, but at times a slight pause to clarify a point would have been nice.  I would have liked to have the kids proving they were the chosen ones a bit more articulate and dramatic before hand rather than in retrospect.  I feel like the jinn transportation of cauldrons could have used a bit of backstory as well.  And a little fleshing out of the scroll, the government structure and communication methods of Qaf, would have helped some of the transitions between the action.  I read a digital ARC and it had a page reserved for a map, and I think when the physical book comes out that will be really helpful, as I didn’t quite fully understand the 18 realms and their locations  in comparison to the locations the children encounter.  

FLAGS:

UPDATE:  I TOOK THIS BOOK AS COMPLETE FICTION. THAT THE ISLAMIC PREMISE WAS A STARTING OFF POINT, AND DIDN’T DWELL TOO MUCH ON THE ACCURACY.  I READ AN ADVANCED READER COPY OF THE BOOK THAT DID NOT HAVE ALL THE SUPPLEMENTAL AUTHOR’S NOTES AND RESOURCES AT THE END.  I WAS UNAWARE THAT THE AUTHOR FELT SHE WAS INCOPERATING FACT AND ACCURACY IN THIS INCREDIBLY FICTIONALIZED BOOK. AND AS A RESULT I AM NERVOUS TO SUGGEST THIS BOOK TO THE MIDDLE GRADE INTENDED AUDIENCE.  IF YOU HAVE A MUSLIM CHILD THAT IS WELL VERSED ON PROPHET SULAIMAN, THE CONCEPT OF FICTION, AND IS OLDER THAN THE IMPRESSIONABLE EIGHT OR NINE YEAR OLD INTENDED AUDIENCE, ONLY THEN PERHAPS WOULD THIS BOOK WORK FOR YOU.  IT WOULD BE VERY MISLEADING IF YOUR CHILD TAKES THE TWISTED STORY AS FACTUAL AND BASED ON THE NOTES AND RESOURCES AT THE END, THIS VERY WELL COULD HAPPEN. To read more about the concerns you can click here and head over to Muslim Mommy Blogs take on the book.

There is magic and magical beings. A transgendered jinn.  It mentions Amira and Hamza celebrating Halloween. Death and fighting.

TOOLS FOR LEADING THE DISCUSSION:

I think this would be a great audio book to listen to with the family or a read aloud in a middle grades classroom.  It is too young for middle school readers to not find it slightly predictable, but if you had it on a classroom or home shelf I am sure it would be picked up, read, enjoyed by middle grades and middle schoolers alike.  It reads much like the Rick Riordan Presents series and I hope that there are more books featuring Amira and Hamza in the future.

 

Jun5

Mad, Bad, and Dangerous to Know by Samira Ahmed

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Mad, Bad, and Dangerous to Know by Samira Ahmed

mad bad

I really should give up reading Samira Ahmed books.  This is the third one I’ve read, and while she is definitely getting better, I still don’t know why her editors don’t fix her flat notes.  Like in Internment, the premise in this book is amazing, but other parts are just cringe-y and painful and really, really unnecessary.  My guess is, she would identify herself as a romance YA author, and yet consistently in her works, that is the most lacking part: the character building and forced romances.  The art history mystery, the inspiration and “real” life of the characters from the past, the setting of Paris in the summer, the fight for woman to be heard are all so well done and compelling and interesting that this romp that blurs fact and fiction might deserve a read, but you have to overlook the forced love triangle, excessive kissing, be willing to suspend reality regarding Alexandre Dumas, Eugène Delacroix, and Lord Byron, artifacts and sleuthing, but if you can do all that, this 337 page book for 9th grade and up, is definitely fun and hard to put down.

SYNOPSIS:
The protagonist is 17-year-old French-Indian-Muslim-American Khayyam, who is spending her summer in Paris with her professor parents like they do every year.  But this year is different as she is being ghosted by her boyfriend Zaid back in Chicago and has just been humiliated by her poor research attempts to link a missing painting from artist Delacroix to author Dumas in an entrance essay competition to her dream school.  Khayyam’s story is really just beginning though as she steps in dog crap and bumps into a descendent of Alexandre Dumas as she wipes it off.  A cute descendant, who shares the name with his distant grandfather, and viola’ the two of them are off on a whirlwind adventure of clues and attraction and mystery solving.

Khayyam’s story is interwoven and told between small glimpses of Leila’s story.  Leila is a Haseki, a chosen concubine of the Pasha in Ottoman Turkey, but the lover of Giaour and friend of the jin.  As we learn her story from 200 years earlier and her struggle to break free of her gilded cage in the harem, only to be defined by the artist and poets and author men around her, her story and Khayyams collide.

WHY I LIKE IT:

I know precious little of art history, I can name drop a few artists and paintings, but that is being generous, so the fact that I have no clue what is real and what is fake and what is possible, made this story all the more fun and engaging.  Yes, I researched, aka Googled, stuff as I read and am perfectly content to accept the fictional what ifs that the book offers.  I love how the art world and literary world are one in the book and that they inspired each other. The way the sleuthing, the finding of artifacts, and unraveling of it all is presented is indeed a romp.  Realistic? Not a chance, but fun.  I also love how both Khayyam and Leila had to define themselves and ultimately not do it in the reflection of a male.

The rest of the book, is a bit of a stretch.  Leila’s story naturally has holes in it as it is told in broken pieces, but Khayyam’s story does too.  I just didn’t care about her past boyfriend/ex-boyfriend/friend, whatever Zaid is or was, and clearly after moping about him for 300 pages and then not even giving him a proper goodbye, means that the author and character didn’t really care either, which made the already forced, cringe-y annoyingness all the more grating.  As for the relationship, the other piece in the triangle, with Alexandre, was fine in that there was angst, but they put it aside to solve the mystery, so it didn’t bother me too much.  Of course the fact that Khayyam is a practicing Muslim who seems to have no problems with boyfriends, and making out and that her parents don’t mind either, makes the faith aspect all the more befuddling.  I guess practicing might be a stretch, her mom and her go to Jummah prayer on Friday, thats about the extent, and she mentions she doesn’t drink.  Zaid, sets up a tutoring program at the masjid, but his instagram has him hanging all over girls too, so not sure why the characters are even Muslim.  I suppose it is good to have that diverse representation, but it doesn’t seem to make much necessary sense to the overall story.

FLAGS:

Implied concubine activities, with the Pasha and the lover.   Lots and lots and lots of kissing, nothing graphic, but annoying amounts of it being mentioned.

TOOLS FOR LEADING THE DISCUSSION:

I want someone to discuss it with me and point out where the facts end and the speculation starts and when the full on fiction takes over.  I don’t think I could use this book as a book club book because of the center stage of the haram romances in both Khayyam’s time and Leila’s.  But if you have read it, talk to me about it, I’m curious!

NPR’s Review: https://www.npr.org/2020/04/11/831873365/in-mad-bad-dangerous-romantic-sleuths-uncover-a-byronic-secret

 

Dec27

Internment by Samira Ahmed

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Internment by Samira Ahmed

internment.jpg

The premise of this book is amazing, the writing and execution of it, unfortunately, falls flat.  The failure to set the stage, develop characters the reader cares about, and create a world in the near future that is both riveting and horrifying doesn’t come through in the book’s 387 pages written on an AR 4.7, but meant for high school aged readers grade nine and up.

SYNOPSIS:

Indian-American Layla Amin is 17 and since the census that her family honestly filled out and identified themselves as Muslim, their life under the new president has been shattered to say the least.  Her poet father lost his job as a professor, her chiropractic mother has lost numerous patients, Layla has left high school and they all live in fear.  With curfews and people they’ve known their whole lives turning on them openly, the book opens with Layla chooses to sneak off to see her Yemeni Jewish boyfriend, David after curfew.  The next day suits arrive to take the family to an internment camp in the desert, near the old Manzanar detention camp used to house Japanese Americans during WWII.

The new camp, Mobius, is the first one to house Muslims and the first of many slated to be built.  The detainees are divided by ethnic background, Layla’s FEMA trailer is in a block of other Desi families, Arabs a few blocks away, LatinX, converts, etc., all given minders to control them from within their own community.  As Layla whines about her cell phone being taken away and how much she misses David, a guard, Jake, takes pity on her and regularly risks his own position and Layla’s, as he sneaks her access to phones, gets her burner cell phones and even sneaks David in so the two can make out.  Somewhere along the way it seems Jake and Layla develop feelings for each other, but it really isn’t explored.  Layla makes friends and somehow becomes a revolution leader with her writing notes about life on the inside and having Jake and David get them to the media.

Those that speak out against their situation or complain, disappear and never return.  The Director of Mobius, ensures it.  In their refusal to eat dinner one night, and their protest at the front gate in front of protestors and the media, eventually Layla gets taken, but with her friendly guards, she finds she isn’t completely alone and that she just needs to be brave a little longer, stand up at the right time and get incredibly lucky to be successful in the revolt.

WHY I LIKE IT:

The President in the book is undoubtedly Trump, and I love the passages that reflect how the fictitious America didn’t become racist overnight, but that the leadership allowing it, ignited the ugliness that already existed.  It mentions making America great again and really sets the foundation of a simple “what if” that really could happen very easily.

The parts that struggle are the story elements, I really didn’t find myself cheering or even liking Layla, I didn’t find her charismatic or interesting, she was really whiney and flat to me.  I didn’t care one bit about her and David’s relationship, it seemed forced and completely not necessary.  A friend or concerned neighbor might have been more hope inspiring than a high school boyfriend she is brooding over to save her.  Her sneaking out and sneaking him in, all seemed selfish and juvenile for a character who in other arenas seemed pretty mature and level headed.  The disconnect is pretty prominent and I really cringed at all of the passages involving the two of them.

There are flash backs to life before the new President, but it isn’t engaging and doesn’t really highlight how horrific life is now, because the lack of character development and world building, everything seems like it has to be said, not shown.  Random characters at the camp would show up and then disappear, and we knew nothing about them, so there was no emotional connection or attachment to what happens to them, it really had so much potential to have heart and fear and insanity and it just doesn’t.

Layla identifies as Muslim, and lovingly recalls ayats and duas of her grandmother, but the family firmly believes that “there is no compulsion in religion” and thus doesn’t hide who they are, but don’t visibly display it in their clothing, or actions much either.  They don’t have a problem with their daughter having a boyfriend and they support it.  Layla and her mom don’t cover, but Layla does show massive respect for the Muslims that do.  Layla’s parents seem to pray, Layla doesn’t, but she doesn’t seem against it.

FLAGS:

Lots of kissing between Layla and David, a gay couple that disappears in the camp, flirting between various other characters, violence, oppression, language, death, beatings.

TOOLS FOR LEADING THE DISCUSSION:

I actually feel like this could work as a book club book because the discussion would be so great.  Yes, there are flags, but the relationship stuff is so annoying and awkward, I don’t think any kids will find it titilating or compelling at all. The writing is subpar, but the issues brought forth are important, and the students would have infinitely better plot lines for the characters that I think could make the books premise reach closer to its potential.

A letter from the Author: https://www.hachettebookgroup.com/articles/a-letter-from-samira-ahmed-author-of-internment/

Book Club Guide:https://www.hachettebookgroup.com/wp-content/uploads/2018/07/InternmentNovlBookClubGuide.pdf

Review podcast: https://teachnouvelle.com/internment-by-samira-ahmed/

There is a ton online, just google it and Happy Reading

 

Mar29

Love, Hate & Other Filters by Samira Ahmed

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Love, Hate & Other Filters by Samira Ahmed

love hate and other.jpg

I seriously wish I could get back the few hours I spent reading this 281 page AR 4.8 book.  The blurbs talks about a girl being torn between the world around her and the world her Muslim-Indian-American parents want for her, unfortunately the protagonist is rather unlikeable and her worlds are actual not that different.  Islam is not represented at all, it is just mentioned as a checkpoint almost for the main character to continually justify her identity as “other” and try and illicit sympathy.  It seems to be a part of the story so that the story line of Islamaphobia can be addressed, but the book is cultural at best, and even that is rather lacking.

SYNOPSIS:

Maya Aziz is 17 and missing a dance her senior year to attend a wedding because she is not allowed to go to such events as the daughter of conservative Indian Muslim (dentist) immigrants living in Illinois.  But, immediately the hypocrisy shows itself as at the wedding, a boy, Kareem, deemed suitable by her parents is presented to try and woo Maya and possibly marry her, and the two of them wander off together, and consider meeting up at an after party.  As the reader gets to know Maya and her circle of characters, we meet her “cool” Aunt who lives alone and wants Maya to have a life of boys and partying and going to school in New York.  Her parents are never really defined except to maintain the stereotype of being controlling, focused on food and appearances, and not understanding their only daughter.  At school Maya has a best friend Violet who loves to flirt and remains loyal to Maya throughout, a cute boy Phil, who she has been crushing on for years, and some side figures that stir up some trouble.  

The premise of the book is that Maya loves film and wants to go to NYU to attend film school, her parents, want her to live at home and go to the University of Chicago.  The idea is that because they are immigrants, and culture and religion dictate all, that she get educated and married.  This conflict is intensified by Kareem, her sudden relationship with Phil, and a terrorist act that is first blamed on Muslims occurring hundreds of miles away in Chicago and giving someone at Maya’s school a reason to take out his anger on her and her family.

WHY I LIKE IT:

I don’t like it.  The book is presented as an own voice minority representation piece, but it isn’t.  I get that Islam is personal and that people identify with it and choose different paths, but this isn’t a case of her looking at Islam and saying it isn’t for me, this is a book that is billed as Islamic fiction, yet the character does nothing Islamic, seems to know nothing of Islam and has no moral conscious for anything about the faith.  She says she doesn’t pray or go to the mosque, the parents lament after hate crimes materialize against them, that maybe they should have gone to the mosque at some point.  She wears shorts, and tank tops and a bikini and doesn’t feel a tinge or reflection.  Even if she were to remark that this is an act of rebellion the reader would know, oh because she was perhaps raised with modesty, but no, she wears whatever.  She constantly mentions that she can’t have a boyfriend because she is Muslim, but then makes out with Kareem on like their second meeting, kisses him in her parents living room before deciding she doesn’t like him, repeatedly kisses Phil, practically spends a night with him, and then in the epilogue is kissing a Hindu guy she kind of just met.  Yes, there are Muslims that do this, I’m not judging, but how exactly is being Muslim then stopping you from doing that you want to be doing?  At one point when out with Kareem, he is drinking wine, Maya remarks she has had it before, and that at least it isn’t eating pork.  Misguided and off the mark, yes  some Muslims do drink, but with all build up that she can’t do things like that, only to find out she has, and it isn’t a big deal, and she doesn’t even see it as a deal breaker or worth mentioning to her parents who have set her up on this whole path to semi arranged marriage, seems so off.

Anyone hoping to pick up a pice of Islamic fiction to identify with, are going to be so completely let down.  The book seems to be written for non Muslims to feel good about having read a book with a minority character.  It’s like a coming of age story, except there is no self reflection or understanding of the world, no lessons learned, or wisdom gained, unfortunately.

I kept reading hoping that if even the Islam was poorly done that the love story would be sweet, or the presentation of hate and Islamaphobia would be on point, but it also was shallow.  Really only one kid had it out for Muslims, and yes he got violent with Maya and threw a brick through her parent’s dental practice, but it could have been used to show light on misguided hate and it didn’t, I don’t really even know what it was used to show.  Maya’s parents got scared and wanted to keep her close, thus forbidding her from going to NYU, but they were already on the fence about it.  Yes, maybe it added to the catalyst of her running away from home an in to the arms of Phil, but even that ended up seeming lame, as she left for NYU and was in someone else’s arms by the end of the book.  So, not sure really, what religion at all had to do with anything, and why the author and publishing team would want to advertise the book with such a strong religious angle, or even cultural one for that matter.  The parents are both successful dentists, who let their daughter do whatever, yes they have an opinion on her future, but Maya reads like a brat, I wish I could like her, and take her side against her tyrant parents, but they don’t actually seem written that bad, and Maya doesn’t make any effort, so she really comes across as whiney, privileged, and entitled.  

FLAGS:

Alcohol, lying, hate crime, terrorism, physical altercation, kissing, hand holding, talk of condoms, sneaking out.  I would not let a 4th grader read this or even a 7th grader, based on content.  Quality, I’d encourage most kids to skip it altogether.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t consider this as a book club, I considered not even reviewing it, with the fear that people wouldn’t read the whole review and would just assume I was throwing my support behind it.  I am a bit disappointed that the book is available through Scholastic as its back flap reads very different than the text within.