Tag Archives: teen

Hungry Hearts: 13 Tales of Food and Love edited by Elsie Chapman and Caroline Tung Richmond

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Hungry Hearts: 13 Tales of Food and Love edited by Elsie Chapman and Caroline Tung Richmond

hungry hearts

Occasionally I get asked about short story and/or essay from a collection that a college or high school student is hoping to share with a class that doesn’t take long to read, but shows Islamic representation.  And I never have a suggestion.  The middle grade collection Once Upon an Eid is amazing, but for younger readers.  When I learned about this collection that features two known Muslim authors, Karuna Riazi (The Gauntlet series) and S.K. Ali (Saints and Misfits, Love from A to Z), and involves food, I thought to take a look and see if I might finally have a suggestion.  Sadly, no.  None of the 13 stories wowed me, or really impressed.  A few I started then skipped, and none were really memorable.  The premise is unique: all the stories take place in the same neighborhood, feature food, and crossover characters, but some are love stories, others redemption, some have super heroes, others murder and gang violence, some really keep the food central, and others just mention it as being present.  There is familial love, romantic straight, lesbian, and trans love, there is friendship and food from many cultures served up to varying effects.  I admittedly read few short story collections, but even with that taken in to consideration, I think skipping this 353 page YA/Teen book is probably the best option.

SYNOPSIS:

I’ll only summarize the two Muslim authored stories.  A few of the others are culturally Indian, but they eat pork, so I’m assuming they are not Muslim, and the Persian one by Sara Farizan features alcohol and a lesbian romance, so since in a past book of hers I noted that I didn’t know if she or her characters identify as Muslim, I will skip reviewing hers as well.

Hearts a’ la Carte by Karuna Riazi:   Munira works at her families food cart, King of Kuisine and serves up Egyptian food to the people on Hungry Heart Row.  When a guy falls from the sky, she finds her self also falling hard for Hasan, as he regularly starts coming to eat and visit, but when it is revealed that he is a super hero (the Comet) and the reason her families cart is destroyed, Munira is not willing to pursue things further.

A Bountiful Film by S.K. Ali: Hania and her family have recently moved to Hungry Heart Row, where her father grew up and grandma Valimma lives.  Irritated that she had to leave her school, her job at Daily Harvest and friends behind, Hania is hoping to lose herself in putting together her film for the upcoming competition and beating her long time rival Gabrielle Rose.  With no clear idea of what her film should be about she starts with interviewing Valimma and her friends, which turns up a bit of an unsolved mystery involving a missing boy that keeps showing up on the security footage from local businesses.  Hania decides to pursue it, but finds herself being watched, and filmed in the process.

WHY I LIKE IT:

I like that the stories are interconnected, I don’t know that it works, but I like the idea of it.  As for the two Muslim authored stories, I like that Islam and culture are included slightly, but that the story is much more than that, and the characters have more pressing issues to figure out.  I wish in both of these two stories, food was more fleshed out.  They seemed to be lacking the magical food premise that many other stories in the collection had.

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FLAGS:

See above paragraph for some collection flags.  Riazi’s story has crushes and a budding romance, but nothing overtly “haram.” Ali’s story is clean.

TOOLS FOR LEADING THE DISCUSSION:
I wouldn’t probably even shelve the book in our Islamic school library, it doesn’t offer much in my opinion.

A Show for Two by Tashie Bhuiyan

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A Show for Two by Tashie Bhuiyan

a show for two

I didn’t love the author’s debut novel, but wanted to see what a second novel would offer, and sadly it really is a lot of the same: light funny romcom surface story featuring a Bangladeshi Muslim character lead mixed in with layers of mental health, a toxic family, high school stress, and cultural expectations driving the plot.  There is crude language, hetero, lesbian, bi, and pansexual relationships discussed, but nothing more than kissing is detailed in any of the scenes.  There is a lot of cultural trauma from the parents and to the book’s credit, it does establish pretty early on that the main character is not religious, but that she does believe in Allah swt.  Similarly, there is a Bangladeshi loving family in the story, so it is not making a critique on the entire culture, it is just the character’s family that is cruel.  Ultimately, at 416 pages I was surprised that there were gaps in character arcs and plot.  I never really liked the protagonist, Mina, but because of how underdeveloped and pivotal the best friend and younger sister were, when it all came to a climax, I found myself rooting for her, which is a very shallow reasoning in an OWN voice book. Additionally, the parents are terrible, and had I dnf-ed it (I was tempted until about 30% through it) I doubt I would have ever known that there was a time that they weren’t terrors.  The peeling back of the layers of the family came too late, too slow, and the progression was muddled.  I probably will not actively seek out further books from this author if the same themes and tropes are present, if she changes it up, I probably could be persuaded.  The book is marketed 7th grade and up, but with the triggers, hate, language, content, genre, language, length I would say 17 and up, if at all.

SYNOPSIS:
Samina “Mina” Rahman is waiting to leave New York and her hateful parents, and start her life at USC as a film student.  All she needs to do is win the Golden Ivy Film Competition, and get excepted to USC.  Her parents dismissing her dreams, passions, and abilities agree to only let her leave if she wins the competition, doubting that it would ever happen, they even put it in writing.  Co-president of the high school film club and best friend, Rosie is equally determined to win, there is just one big problem, every year the winning film has a cameo by a famous actor.  Cue accidental meeting of Mina and Emmitt Ramos, up and coming indie movie heart throb that is cast in the new Firebrand blockbuster.  Sent to Mina’s high school to research for his upcoming role, Mina is tasked with convincing him to make an appearance in their film.  It is a romance story, so you can see where it is headed in this enemies to lovers book.

As family, friends, and college admission stresses mount, the simplicity of what Mina wants and how to go about getting it will be called in to question as her walls crumble and she will have to evaluate people in her life and how they will be affected by her actions.

WHY I LIKE IT:

I like that the story is based on real events in the author’s life, not just the religion, culture, mental health threads, but that an actor came to her high school in preparation for a part: Tom Holland.  I also like that while her parents don’t value her, she has found a support group of sorts that do.  At times Mina reads a lot older than she is, particularly when she is admonishing the freshman, but at other times she storms off pouting and seems to be very childish.  I vacillate between this being intentional and it being an inconsistency in the writing. The younger sister Anam is painfully written.  She is bold and confrontational, yet at the same time so clingy and needy and all over the place.  At one point I thought she perhaps was suicidal and was braced for a really dark twist in the story, but no it was just Anam being Anam, I suppose, and the stress was never revisited let alone resolved.

I truly dreaded the passages about Mina’s home life and her family, they all were just awful to each other and rather than taking Mina’s side because I was shown, I found myself questioning what I was missing in the before and after dynamic.  It is clear they are wretched, the victim doesn’t need to justify the abuse. The transformation of the family dynamic just felt lacking and in fiction when parts are explored it could have really showed some of the micro aggressions and changes that existed and made the relationship salvageable so that the reader would understand why saving and fixing the family were no longer options.  Generational trauma is real and serious and a little more attention I think could have provided an amazing mirror to readers dealing with similar elements.

If the book was half the length I would assume that details would be glossed over, but this book had room, and I don’t understand why so few photography and director references seem to find their way into the text to show that these characters truly are passionate about what they are claiming to desire.  I know the story isn’t a film story or a culture story, but they don’t spend hours editing the film or working on props? Emmitt is regularly pulled away from shoots, but always seems to have enough photos to choose from?  Mina talks of her dad cooking, but foods aren’t detailed, the connection of food to love to family and that being severed seemed like a gaping hole in the crumbling home scenes.  If halal food and no pork can make it into a love relationship, that much cultural/religious depth should have made it inside a families home.

As mentioned in the intro, it didn’t bother me from a religious perspective that Mina was off kissing a boy, that Anam had boyfriends, etc. because Islam was accounted for and the characters are not practicing, so I do appreciate that it didn’t become a stereotypical rebelling against religion book.  Truly, thank you.

FLAGS:

Language, relationships (straight, bi, lesbian, pan), kissing, making out, hand holding, lying, mental health, hate, deception, cruelty, emotional abuse, angry ex boyfriend, triggers.

TOOLS FOR LEADING THE DISCUSSION:
Would not shelve or encourage young readers at our Islamic school to read this.

All My Rage by Sabaa Tahir

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All My Rage by Sabaa Tahir

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The hype is correct: this book is moving, impactful, powerful, reflective, all the feels.  The writing superb, the plot gritty, the characters seem real, so real.  One of my all time favorite authors is John Irving because every word seems deliberate in his books, not every plot point or every paragraph, every. single. word.  And it has been a long time since I’ve read a book that strikes me in that same vein of the author being so in control of the story, and my (the reader’s) emotions being so completely at the mercy of the words to come.  I think I could read this book five more times and each time peel back a new layer and see something I hadn’t seen, or understood, or felt before.  I cried, I cheered, I sighed and unclenched my jaw, and I am still haunted by the lives of the characters.  Not just the “main” ones.  All of them, they all are real and fleshed out and have character arcs and live in shades of gray.  There are no checkboxes for skin tone or religion or sexual preference they each are more than a label, they are complex and real.  I could easily be convinced that they are in fact real people and that their world and stories are not fiction at all.  That is how well it reads, that is how hard it is to close the window on the world they let us see.  The book is YA (374 pages) and with the drugs, abuse, alcohol, relationship, complexities of it all, I would think 16 year old’s and up can, strike that, should, read this book.  The characters are Muslim, but it never even goes near being preachy, these are complex characters and stories, and remarkably there is no internalized Islamophobia or watering anything down, each character deals with faith, like everything else, in their own way.

SYNOPSIS:

The story bounces between the past in Lahore, Pakistan and the present in Juniper, California.  In Lahore it is Misbah’s story and in the desert it is her son’s, Salahudin and a girl she has taken under her wing, Noor’s.  When the book starts we see Sal with a drunk father dropping him off at school where his girlfriend is waiting, and his best friend, Noor, not speaking to him for the last few months after she confessed to bein in love with him.  Noor lives with her uncle after her entire village in Pakistan was destroyed when she was 6, and he wants nothing to do with Pakistan, Islam, or Noor going to college.  He owns a liquor store and makes Noor work there.  Sal’s mom is sick and has always been their for Noor, so when she takes a turn for the worse, Noor and Sal are brought back together, Noor’s uncle is enraged that she is missing shifts, and Sal’s father is constantly searching for the bottom of a bottle.  Things are bad, but they are about to get a whole lot worse.  Sal’s mom dies, the motel Sal’s family owns is in severe debt and the options for saving it are less than ideal.  The small town starts to feel familiar as everyone’s stories are fleshed out in Juniper and Lahore and two star-crossed narrators are forced to confront both the stresses of high school and impending adulthood, and deep, dark realities of abuse, loss, and generational trauma.

WHY I LIKE IT:

The book could have been a thousand pages, and it still would have felt too short.  Much like her fantasy writing, the book seems to start with world building and roping the reader in to thinking that they can handle what is about to come, then much like a band-aid being pulled off, the pain hits, and the wound starts bleeding again.  Somehow despite it all, you can’t look away, you can’t stop reading, there is hope.  Hope for the characters, hope for happy endings, hope for survival and peace.

I absolutely love the quality of writing, things dangled early on, come back, often with subtly and restraint that you could easily miss them.  When discussing the book with @muslimmommyblog, I felt like we both were finding threads we had possibly not considered and connections that added nuance and staying power to the plot.

So often, the more religious a character in literature is, the stricter they are presented, the less kind they are seen, but in this book it was the opposite, the loving couple were the imam and his defense attorney wife, the glue that radiated kindness to Sal, Noor, and so much of the town is a hijab wearing strong woman.  So many tropes and stereotypes were uprooted, tossed aside, and reimagined.  There is compassion for a Muslim alcoholic, a liquor store being the employment of a Muslim, consequences for dealing drugs, yet nothing “haram” is really ever glorified, it is gritty and repulsive, but there is no judgement, there is only understanding and sadness.  Palpable despair that rattles your bones and makes you wish the world was different.

I don’t want to spoil the book, I was able to read it largely not knowing what the plot would delve in to. In many ways the trigger warning at the beginning was the only thing that braced me for what was to come. The level of religion and how it was woven is through the gentleness of some of the characters and hatred of others, was expertly done.  There are not ayats in the Quran quoted or speeches given, there is love, and faith and hope that manifest as duas and longing and finding ways to be Muslim in action, not just in appearance. When the characters start to make-out their Islamic conscious is drawn in, when they grapple with their hope and future- trust in something bigger is considered. It is not a Muslim book, not even an Islam centered book, perhaps Muslamic, but really about characters who are Muslim and dealing with the cards they have been dealt.

FLAGS:

Alcohol use, drug use, relationships, kissing, touching, longing, language, physical assault, physical violence, domestic violence, hate, racism, stereotyping, Islamophobia, there are mentions of a lesbian relationship and a bi relationship, a child out of wedlock, death, addiction, sexual assault, repressed trauma, bullying, teasing, lying, music,

TOOLS FOR LEADING THE DISCUSSION:

I have a 15 year old daughter, and I probably will have her read the book this summer, I think there is a lot to discuss and I think in the right hands the book could be used for a high school book club.

Compass, Vol. 1: The Cauldron of Eternal Life by Robert MacKenzie & Dave Walker illustrated by Justin Greenwood 

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Compass, Vol. 1: The Cauldron of Eternal Life by Robert MacKenzie & Dave Walker illustrated by Justin Greenwood 

compasscoverDo you ever find yourself in the middle of an amazing historical fiction fantasy adventure graphic novel, reading as fast as you can to find out what happens next, while simultaneously having absolutely no clue what is going on? Yeah, I am was confused often in this upper YA/Teen (16+) 136 page book set in Europe during the Islamic Golden Age and starring a female from the renown House of Wisdom.  I’m fairly positive it is my own limitations that made the book confusing, but for those wiser and more versed in graphic novels, I would recommend this book.  It has action, adventure, science, history, philosophy, a strong Muslim character, friendship, wisdom, ingenuity, a bibliography, Mongols, Druids, and a dragon.

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SYNOPSIS:
Shahidah El-Amin is a Compass from the House of Wisdom, she is not a thief, she seeks knowledge which means that she is incredibly educated, fierce, and scrappy: part Indiana Jones, part Tomb Raider perhaps.  She is a hijab wearing, dua invoking, Qur’an quoting, don’t give me alcohol even as you are about to kill me, strong confident Muslim. 

The book opens with her finding an artifact and being betrayed by a fellow scholar and friend, Ling Hua, a Chinese scholar.  The two race to Wales to get to the possibly rumored Calderon of Eternal Life for different reasons and using different methods.  Along the way Shahidah shows her skills in surviving, understanding what her priorities are, and learning about friendship.  She will battle Master Hua, the Khan, a dragon, a bear, the Druids, a leper just to name a few as the fantasy world is developed and built up with historical accuracies thrown in.

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WHY I LIKED IT:

I love that the lead is a fierce female Abbasid Muslim from Baghdad and that there are a variety of religions and cultures mentioned and depicted.  It refers to Shahidah as an Arab witch by the enemy and calls Muslims “Mohammedans” which takes a bit of getting used to and I never got comfortable with.  I love the inclusion of ayats in transliterated text of the Arabic, and the concept is wonderful.  I got lost though in some of the world building and plot.  I think the action and illustrations are clear, but the text needed a little clarity in my opinion.  Again, I acknowledge my lack of familiarity with the concepts and format of the book.

I loved the bibliography and the notes included at the beginning and end.  I actually would have liked more information on the House of Wisdom and as always, a map.

FLAGS:

The concept and references make it for more mature readers.  There is also violence, a mention to love making, and depicted death, gore, killing, etc..

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TOOLS FOR LEADING THE DISCUSSION:

Even though it is for older readers, I think it would be great on a library shelf for middle grades and up.  It probably isn’t for everyone, and many wouldn’t be tempted by it even, but the few kids that like this kind of content, will absolutely love the book.

The Lady or the Lion by Aamina Qureshi

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The Lady or the Lion by Aamina Qureshi

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I was kind of surprised how well done this YA culture rich 350 page romance story was in holding my attention.  I don’t know that I had any expectations, but I was genuinely engaged in the growth of the protagonist as she began to emerge from her naive political state, and I look forward to some resolution from the cliffhanger conclusion of this the first book in the Marghazar Trials series.  The characters are practicing Muslims who pray and mention Allah swt regularly, they also acknowledge when they make extreme departures from basic Islamic tenants such as drinking, dancing, murdering, exhibiting racist attitudes, and mixing freely with the opposite gender.  It doesn’t stop any of the characters from behaving as they wish, but at least it is noted. The Urdu words and Pakistani setting in this fictional reimagining is filled with warmth and love, and while there are some steamy scenes and outright cruelties, I think 15 year olds and up can handle the contents, and recognize the suspension of reality and moral laxities for the sake of telling a story.

SYNOPSIS:

The book makes clear from the onset that “In the very olden time, there lived a semi-barbaric king. . . This is not his story.” This is the story of 18 year old Durkhanai, an orphaned princess raised by her grandparents, the King and Queen of Marghazar.  Marghazar is a prosperous country that is waging war on two fronts and does not let outsiders in, ever.  When the book begins it is doing so begrudgingly to avoid war with the neighboring districts that are working to unify and have recently been attacked.  With ambassadors arriving to determine the guilt or innocence of the one district unaffected by the terrorist attacks, the foreigners are seeing the inner workings of the kingdom for the first time.  All the ambassadors are females of various ages and experience, save the one from Jardum.  Asfandyar is young, dark, and handsome, and immediately discriminated against by the Badshah for his complexion.  Additionally Shehzadi has been warned by many to stay away from Asfandyar, which naturally makes him a great character for her to be swept away by.  She holds out for a while, but with her people mysteriously getting ill, her betrothed melting in to the background, and cracks in her country making themselves obvious, Durkhanai will find herself struggling to understand her heart, her country, her family, and her future, and with the cliff hanger ending, no simple answers will be given to her, or the reader.

WHY I LIKE IT:
I love that there is a map at the beginning, and lots of supplemental offerings at the end.  There are a lot of Urdu words and phrases and while I am moving away from feeling like all OWN voice books need to include glossaries, I think non Desi readers will be appreciative in this particular book to have one available.  For someone with some knowledge of the language the inclusion of the titles and relations and phrases between the languages is expertly done and delightful. There is also an author Q & A, as well as reader discussion questions.  There is a content warning at the beginning alerting the readers to physical and sexual assault as well as racist behavior and language and makes clear that it is contained to the characters and the story and is not the reflection of the author and publisher.  I like that it is there, and I like that the princess makes a stance against the racism and the sexual assault that she witnesses.

The high school girls at our Islamic School are always wanting “halal” romance books.  Ok so really they just want romance books, but I try and keep their pickings halal, and so I am forever reading these books trying to find new titles to recommend.  The book is very 1990s Bollywood in terms of romance flags.  There is a lot of proximity and caressing of necks and longing, and familiar obligation.  There is some snuggling and kissing, so maybe 2000s Bollywood, but the characters thus far don’t cross “that” line.

I really appreciated that Durkhanai was fleshed out and relatable.  Even though the setting is long ago, and the genre is romance, she didn’t wait to be rescued, even when she was hurting or pining, she was still maintaining her obligations and moving forward.  I also love that it showed some depth to her emotions.  She recognized that Asfandyar would let her speak and would show his support by being there, but he pushed back on her and challenged her too.  Rashid on the other hand would speak for Durkhanai and would fawn over her in a very superficial way almost.  Sure neither relationship was ideal, but from her perspective at least she was able to see how various presentations made her feel.

I was a little lost in some places, but I was reading quick and had distractions so I’m not entirely sure if it is my carelessness or plot holes or if gaps will be filled in future books.  I needed more reasoning though, for why Durkhanai’s cousins, Zarmina and Saifullah, truly hated Asfandyar as much as they did, or what exactly Saifullah was plotting and how it connected to ratting out the princess.  For all that is seemingly going on, the Badshah and Wali always seem available to chat and are often just lounging around.  I know it is not their story, but the negotiations, the plotting, everything seems to be done very slowly and could really use some fleshing out to show some depth to the side characters.  Other than a few voices, the side details are lacking.

FLAGS:
Lying, killing, racism, sexual assault, physical assault, plotting, murder, kissing, manipulation, touching, caressing, sneaking around, theft, cruelty, cursing, romance.

TOOLS FOR LEADING THE DISCUSSION:

The book is not an Islamic story or even a moral one, it is entertainment and it could possibly be used for a book club if the participants relish in these kind of books, but it probably wouldn’t have wide enough appeal and would alienate nearly all the boys from joining.

Squire by Sara Alfageeh and Nadia Shammas

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Squire by Sara Alfageeh and Nadia Shammas

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This 336 page YA graphic novel set in a fictitious world draws on the authors’ Arab culture and creates relatability for universal readers everywhere.  Themes of coming of age, war, family honor, discrimination, classism, deceit, and friendship, all interweaves with rich illustrations and warmth.  With a few unnamed #muslimsintheillustrations the story shows a lot of heart and with some language, violence, death, and oppression would be best suited for 9th grade and up.

SYNOPSIS:

Aiza and her family belong to the Ornu tribe and are treated as second class citizens in the Bayt-Sajji Empire.  With their traditional arm tattoos and seemingly more plentiful food, they are greatly disliked by the larger community and oppressed at every opportunity.  Aiza dreams of joining the army, rising in ranks, earning citizenship for her family and changing their future.  She also dreams of being a hero.  When she finally convinces her family to allow her to enlist, they also encourage her to hide her identity, and just like that, she is off.

Once in training she is pushed to excel or risk being sent to the front lines.  As she navigates new friendships, harsh instructors, and the shadowy General Hende, Aiza learns there is so much more to war and politicking than meets the eye.  Her life, her loyalties, her understanding of the world will all be tested, as Aiza must decide which path is for her.

WHY I LIKE IT:

The text and illustrations are seamless in conveying a united story, I was a little nervous with two authors, and I like that the story has twists and multitudes.  I loved seeing strong women in the military, as the authors’ say tough girls with swords.  While reading it I was completely submerged in the story and the characters, but writing this review a few days later, I’ve largely forgotten the characters names and quirks.  I’m not sure if it is because I read a digital version, or because the character building is a little lacking.  I don’t know that I was emotionally invested in some of the major plot points because I was not seeing the struggles it was requiring of the character to endure.  Admittedly I have not read a lot of fantasy graphic novels, so I don’t know that I have a lot to compare it to, but I do plan to read a physical copy when I can, and read follow up books in the series, to see if my impression changes.

FLAGS:

Some language, bullying, oppression, violence, death, killing.

TOOLS FOR LEADING THE DISCUSSION:

There is nothing religious in the text, so I wouldn’t use it as a book club selection, but I would definitely shelve it in a school library, classroom, and keep it in mind for readers that love these kind of books.

Hakim’s Odyssey: Book 2: From Turkey to Greece by Fabien Toulme’

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Hakim’s Odyssey: Book 2: From Turkey to Greece by Fabien Toulme’

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It is easy to assume that refugee stories are all the same, but in my experience, the more I read about the journeys people take in desperation for safety, the more I realize it doesn’t matter if “parts” are similar, the individual experience should never be dismissed or become commonplace.  I try to make a point to read them, and spend time with them, and be affected by them, so as to not grow apathetic.  I have not read the first book in this series, but this book, the second book can stand alone, and I hope that you will keep an eye out for it when it is published, and spend time with Hakim and his son Hadi.  In much of the way the middle grade novel When Stars are Scattered, swept me up and consumed me, this book also enveloped me in the characters’ emotions and left me sobbing and heartbroken more than once.  The framing of the story, gratefully shows that Hakim survives, but the power of the words, illustrations, and experience, still physically move you and make you imagine how truly horrific situations must be that force people to risk it all to leave their homes and start over.  This 264 page book focuses on the part of his story that takes Hakim from Turkey to Greece, but references to Syria and his life there allow for a fleshed out understanding and appreciation for the trials he has faced, and continues to face, subhahAllah.  Suitable for mature teens, at least 16  or 17 and up.

SYNOPSIS:

The book starts out with the author/illustrator heading off with his daughter to interview Hakim.  His young daughter has heard a lot about Hakim and his family, but never met them.  They “recap” the first part of his journey, the first book, and settle in to hear more of his life and the extraordinary circumstances that he has faced to reunite with his family since fleeing the war in Syria.

The birth of his son Hadi is a definite high point in Hakim’s life and the daily struggle of selling enough goods on the streets of Turkey to provide for his son keep Hakim looking forward.  With his wife, Najmeh, and her family around them, they crave stability, but are managing.  As the days stretch on though, Hakim is prevented from selling without the proper permissions, and his father-in-law is still unable to find work. Hakim’s wife and family are granted permission to relocate, but Hakim and Hadi cannot legally join them.  The tearing apart of the family is devastating.  And carrying for his young son alone while trying to earn enough to survive is incredibly challenging.  When Hakim has exhausted all the legal ways to join his family in France, he considers illegal methods.

An Iraqi neighbor offers him the money needed to hire smugglers, so Hakim is faced with deciding what risks he and his young son are willing to take to “start living.”  The step in to the unknown, the crossing of the sea in an inflatable life raft, brings them closer, but with one more book in the series, and not knowing who the children are in the present time scenes, your heart will be made incredibly fragile as you hope that young Hadi survives.

WHY I LIKE IT:

I love that you get to know the characters and can see why they make the decisions they make, or rather why the choose to do what they choose based on the information they have, and the impossible choices before them.  I also love that it shows so much humanity.  You see Hakim’s story brought to life and you see him and his family as whole people, not just numbers or nameless, faceless victims.  You see the joy and devastation, the testament to human strength and mental anguish, it is moving and powerful.  I also love that you see the side characters, see the little mercies, and the horrific injustices, often in the same scene. The graphic novel format allows the subtleties to show without the words, it adds to the connection of emotions and truly putting yourself in the character’s shoes.

I like that it should how happenstance much of the journey was for Hakim, at times he didn’t know who to talk to, where to go, what to expect.  I was a little confused about the payment to the smugglers, and how it had to be handled after he arrived.  I don’t know if my own understanding of how shady the smugglers are based on the media is making it muddled, or if I just missed something in the telling.

There is not a lot of Islam in the book, they don’t stop and make salat or say Bismillah, but they reference thanking Allah swt, and praying to Allah in desperation.  Hakim’s mother in law and wife wear hijab.

FLAGS:

Fear, smoking, cheating, lying, illegal immigration acts.  There is nothing obscene, the older audience recommendation is because of the weight of the subject matter, and the lingering effects of war and escaping.

TOOLS FOR LEADING THE DISCUSSION:

This would be an amazing high school book club read.  The characters, the relatability, the empathy, it would be great to share it with a group of students that might have similar experiences and provide them with a platform to share with those that might not.

You Truly Assummed by Laila Sabreen

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You Truly Assummed by Laila Sabreen

We need more diverse books, especially within Islamic rep stories.  So I was so excited to receive an arc of this 352 page YA/Teen Black Muslim authored and featured OWN voice story.  I was prepared for rawness and grit and insight and all the feels.  Sadly to say, it is not that.  It is surface level plot points that are unexplored, disjointed, emotionless, and overshadowed by poor writing, contradictory details, and errors. Admittedly I saw an early copy and there is hope that the spelling errors, continuity mistakes and numerous contradictions can be fixed, but I highly doubt the narrative, character arcs, and holes, will or can be rewritten.  It is such a shame, because every time I was ready to put the book aside and claim I could not finish it, a powerful beautiful paragraph or sentence would pull me in and give me hope that the book would turn around and be what its own blurb claimed the book set out to do: “shatter assumptions” and “share truth.” In full disclosure, this book centers the intersection of being Black and Muslim, an experience I do not share firsthand nor claim to know in all of its multitudes and complexities.

SYNOPSIS:

Sabriya, Zakat, Farah: three Black female Muslim 17-year-olds in different parts of America, with different passions, different life experiences, and different dreams, take one alternating chapter at a time to tell their stories with occasional blog posts scattered between.  A terrorist attack in the in the D.C. metro, lots of serendipitous technology events, and a need to find community and the girls come together to create a blog that gathers followers and haters alike in the summer before their senior year.

Sabriya “Bri” is a ballet dance, and often one of two black ballerinas in class.  The book opens with her preparing for the summer intensive audition process when news of the nearby metro attack makes time stand still.  Her mom cannot be reached, and multiple people are killed and many more injured.  Bri and her younger sister Nuri identify like their father, as Muslim, but their mother is not.  It doesn’t seem to be much of an issue, except in that Bri’s mother often cannot relate to experiences her daughter is going through.  Bri asks Allah swt to keep her mom safe, but throughout the entirety of the book it does not mention her praying salat or actively showing she is Muslim aside from wearing an Allah swt necklace and her sorting through her desire to prove to others she is a Muslim versus eventually being content to be enough for her own self.  She does at one point refuse to cook bacon, but she does have a love interest, and Islam reads more of a label to her, than a practiced way of life.  Bri journals as a way to let off steam, and her younger sister Nuri encourages her to move to an app to blog.  Reluctantly Bri agrees, after being reassured that she can keep it private, she names her journal/blog ‘You Truly Assumed’ and accidentally sets it to public.

With the city reeling, the family commits to volunteering every day to provide food to those directly affected.  Bri is placed in a group with her father’s new boss and Hayat, a Muslim boy that she thought was a popular showoff, but is quickly falling for.  The micro aggressions from her father’s boss, who is also the volunteer group leader elevate, and the more she learns about him and his connection with an alt right group, the more she writes about in her journal.  By the time she realizes that it has all gone public, she decides based on the comments that she should keep it up, recruit more contributors, and get someone on board that is tech savvy.

Farah Rose lives in California with her mom.  Even though she knows who her father is, she has never had a relationship with him.  When her mom decides that this summer she should go to Boston to meet him and get away from the tensions following the DC attacks, she reluctantly agrees.  With a passion for tech, Tommy, her father persuades her by registering her for an intro computer science college course and a chance to meet her siblings.  Farah is nervous to leave her boyfriend, and worries about being a summer babysitter, but out of love to her mother, agrees to go.  When she learns about the blog, she joins to help with the tech side.

Once in Boston she struggles to connect with her father and his wife, but is immediately drawn to the children.  Her story provides some insight into the concept of privilege within black communities.  Her father and his family are not Muslim, nor did they seem to know that she was. Presumably the only reason it even comes up is when they serve bacon at breakfast and she mentions she is Muslim and a pescaterian  Farah meets a lesbian Muslim girl in her college class and learns that there has a been a hate crime and taken the life of her new friend’s friend.  Farah offers to help with the vigil and her commitment to the blog increases as hate crimes, and Islamophobes seem to be on the rise.

Zakat “Kat” seems to present the more “conservative” Muslim.  She lives in an idyllic town and attends an all girls Islamic school.  There is also an all boys Islamic school and they are big rivals of the public high school.  Kat loves art and often takes art classes in the Islamic school with music pumping through the halls, unfortunately her parents don’t want her majoring in art at school.  They were the victims of predatory college loans and want her to be more pragmatic in her chose of school and direction of study.  She is more sheltered and even has to go behind her parents’ backs to be a part of You Truly Assumed.  She shares her sketches and comics and art work and loves knowing that people are connecting with her work and messages.

When her quaint town becomes the victim of hate crimes, she has to decide if she is going to step up and use her voice, or blend in as she has always done.  Zakat prays regularly, often at the gender neutral mosque behind a female identifying imam, wears hijab, and deals with jealousy as her best friend becomes friends with a girl who years earlier bullied Kat.

The three girls’ stories intertwine as they become friends, share their own personal lives with one another, and thus the reader, and create a space to be seen and heard through the blog.

WHY I LIKE IT:

The book honestly reads sloppy.  I don’t know why it seems the growing trend is to not properly edit these Islamic OWN voice YA novels, but this is another book that indicates a troubling trend.  I love that these voices are emerging, but it sadly feels that editors are nervous or afraid to question things and demand better.  The book is so much telling and so little showing.  I don’t want to be told that the blog posts are powerful, and moving, I want to read them and feel moved.  I don’t want to read that you had to understand that you had to stop proving your religiosity to others and just live for yourself, I want to see the incidents and reflection that brought on that growth. I don’t want to be told that you are becoming friends with the other two bloggers, I want to see that they understand you when no one else does.  The whole premise of the book is to connect with the reader, but the emotion isn’t in the pages, so there is nothing to connect with unfortunately.  Saying there is a terrorist attack, saying that hate crimes are occurring, does not bring forth an investment to the story if details, context, and cathartic releases are not also included.

There are some basics errors.  Wudu is described in the wrong order, Zakat talks of living in Georgia in a fictitious town, but the landmarks and colleges are all accurate until she mentions looking out over Lake Erie.  I Google mapped it, there is no Lake Erie in Georgia (just the Great Lakes one on the Canada US border), it is only mentioned once, so presumably an oversight, not a fictitious landmark.  There are some spelling errors and grammar errors as extra words enter a few sentences (3%), dinner replace the word diner.  At one point it mentions the girls meeting on a Zoom call, and then the next line refers to it as a Skype call (54%).  The plushness of the Georgia mosque is often commented on, but they have to put down their prayer rugs to pray, this is pre covid, so a little off.

The book contradicts itself at 11% saying that they can drive to North Carolina or New York for auditions, while the rest of the chapter is convincing Bri to volunteer because they cannot. One of the reasons Farah left California was because of the tensions, but Boston is closer to the place of the attacks and also a large diverse bustling city.  When Farah is wanting to talk to Tommy and his wife about the vigil, she walks in to a room and comments on who is there, in the next line, it mentions that it isn’t a good time to have the conversation since Jess is not there.  Jess was just mentioned as being there and the conversation does end up taking place (84%).  When Bri has a blow up with her dad’s boss, Hayat is worried that she hasn’t been delivering meals all week as a result, later in the chapter it mentions that the conversation happened yesterday (77%).   When Bri introduces her friend to Hayat she doesn’t mention that the two girls know his little sister very well, and it seemed unnecessarily awkward.  Zakat stares off in to space and imagines a sketch and remarks that she has never shared a sketch before and it is something she wants to explore.  This is 81% of the way in to the book, she has been sharing her sketches on the blog since she joined.

In terms of Islamic representation, Zakat’s mosque has one entrance and doesn’t divide based on gender, there is a female imam, the steps of wudu are in the wrong order, the girls all seem to focus on their “Islamic” necklaces or rings as if they are such an integral part of the religion.  The girls never pause or hesitate to have boyfriends, kiss them, bring them around their Muslim family.  Even Zakat who reads really naive and young and goes to an all girls Islamic school decides that a logical event is to have a mixed gender party with music and none of the parents have an issue.  It is even held in a Muslim girl’s basement. There are very few salams or mashaAllahs or inshaAllahs, or bismillahs in the book.  There is music, dancing and dating.  Not naive to say that Muslims don’t participate in all these activities, but to not offer any pause, reflection, or clarification, in a book trying to show the life of some one who identifies as Muslim is a little puzzling.  At the beginning it mentions that Black Muslims are “othered” in Islamic gatherings, and I really wish this thread would have been a larger part of the book.  To see where the larger community is racist and lacking, to see where the engagements occur and where they fall short is a very unique lived experience that the book seemed to tease, but ultimately abandoned completely.

Plot points were not fully developed, a book of secrets was not built up or stressed and then became a huge issue without sufficient understanding as to why offered.  The hate crime in Boston that took the life of a young black Muslim girl was also not given enough weight in the story, or how she helped organize the galvanizing vigil.  The blog aspect was just not believable, so much happening by happenstance and then the material not being shown.  Show us the comics, the sketches, the passages.  Let us read the comments and show us your texts back and forth to see your friendship growing.  I loved the parts about Bri and her dad’s boss, about Farah’s father’s family and her interacting, the parts that mentioned Juneteenth and bean pie.  I wanted more immersion in to these characters lives.  To know their back stories and their struggles.  I wanted to feel like I was seeing something that for too long has not been given the space to be authentic and real, but ultimately I finished the book just glad it was over and I no longer needed to exhaust myself trying to imagine the book that it could have been.

FLAGS:

Domestic terrorism, hate crimes, death.  Relationships mentioned, straight and queer.  Transgendered and ungendered masjids, female imams.  Boyfriends both Muslim and non Muslim.  Mixed parties, dancing, music, art with faces, lying, cursing.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think there is enough content to discuss in a book club setting, neither to relate to nor open ones’ eyes to.  I would like to discuss the book if any one has read it, if I am simply so ignorant of the Black Muslim female experience that I don’t get the book, I am happy to learn and listen and change, inshaAllah.

Huda F Are You? by Huda Fahmy

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Huda F Are You? by Huda Fahmy

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I think everyone has heard about this book by now and how fabulously fun, real, and relevant Huda’s life  is for so many.  I am happy to jump on the praising bandwagon, as this teen/YA 192 page graphic novel really is a great OWN voice unapologetically Islamic mainstream tale.  It does mention periods, relationships, hate crimes, and finding yourself, so probably 14 or 15 year olds and up.  My middle school boys read it, so it isn’t that it is inappropriate, just the target audience is more teen girl.  I know a lot of people, including Huda’s mom according to the inscription, have issues with the title, but I think it is brilliant.  She takes ownership of her name and it isn’t just for shock value, the book is about figuring out who you are, how you feel about Islam, establishing your friend circle, and growing and learning along the way.  My public library has it, as do major outlets, so what are you waiting for, go read, laugh, and feel seen.

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SYNOPSIS:

Huda has just moved to a new school and she is no longer the only hijabi.  She has moved to Dearborn, Michigan and there are A LOT of Muslims.  She is no longer defined by the cloth on her head, she has to figure out who she is.  Who she really is.  And sometimes the best way to do that, is to figure out who you are not.  

Huda tries different clubs, and different circles of friends, both at school and at the masjid.  Along the way she learns how much she craves approval and who is always in her corner.  When a kid at school is targeted for being Muslim, Huda will have to see how much internal hate she carries as well.  Her clothes change, her outlook changes, she tries new things, and she grows, all while the laughs help the story bounce from one serious topic to the next without coming across as arrogant or stereotypical.  This is Huda’s story and we are just along for the ride.

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WHY I LIKE IT:

I love that there is nothing to critique, it reads autobiographical even if parts are exaggerated or only based loosely in reality.  By being so real, and so well done, you are excited when you see yourself staring back, but you feel like you’re a friend learning about Huda even when you can’t relate exactly. Her comics online and her previous two books are all amazing, and I love that she is continually creating new material for us all to enjoy and benefit from.

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FLAGS:

She tells a boy she likes him that she doesn’t really like.  Periods are referenced and blood and a pad are shown, not graphic and gross, but the sentiment is there.  Discrimination is present, as is Islamophobia and stereotypes.

TOOLS FOR LEADING THE DISCUSSION:

Just keep the book out and around: it will be picked up, read, and mentioned, no tools needed.

This Woven Kingdom by Tahereh Mafi

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This Woven Kingdom by Tahereh Mafi

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At 512 pages this teen/YA fantasy book immerses you in the lives of two characters pitted against one another that are inevitably, drawn to each other.  The world building is slow, as it seems to spend more time character building and shaping the magical Jinn filled world around the characters, through their eyes, and their interactions, than simply building a world, and then dropping characters in it.  It never seems to drag, but the rising action is not concluded, it in fact ends on a cliff hanger raising the expectation for the next book in the series to take the story toward more action, emotion, and twists.  I absolutely love and applaud the author’s note that articulates and clarifies that this book is not religious in nature and that threads of Islam and Persian culture are just reference points for this completely fictionalized tale.  There is a passionate kiss, and violence, but this book is remarkably clean and an enjoyable read for ages 14 and up.

SYNOPSIS:

The story opens with Alizeh sitting by the fire sewing.  She is freezing, she is always freezing, she is a Jinn, but her veins are ice.  Completely alone, she is working as a maid, but as she is on probation, she lodges in a tiny closet away from the other service members, and is deathly afraid of the dark.  Her loving parents raised her and nourished her, she is educated and strong, but since their deaths she has been on the run, trying simply to survive in a world where Clays forbid Jinn from using their magic.  Alizeh is no ordinary Jinn though, the earth has chosen her to be the future Queen, her ever-changing eyes prove it, but for now, she has no kingdom, no family, no friends, no hope to lead.  Only cryptic riddles given to her by Iblees that she dreads and fears, but warn her of impending dangers.

Kamran is the second storyline that builds the world of Ardunia.  As the crown prince, and future king, he has returned from touring the country and has had his eyes opened to the forces threatening the empire, the inevitable war that is looming, and the shortage of resources that threaten them all.  He is irritable and brooding and acting out of character when he intervenes in an altercation in the streets between a servant girl and a young boy.  This sets off a series of events that will bring Alizeh and Kamran into direct conflict as their worlds intertwine and their passions build.

WHY I LIKE IT:

I love the clarification at the beginning, stating that this is not Islamic and that religious and cultural inspiration was just that, inspiration. It allowed me to get comfortable and enjoy the tale for what it is.  I wasn’t worried about checking things, or worrying about religious impressions and accuracy, it was so freeing, thank you.  I really hope that there is a map in the final physical copy, because I just really like maps.  I liked the Persian numbers and script on the chapters and the references make the book that much richer and fleshed out.

I am admittedly fairly new to fantasy, so I enjoyed the slower pace and character building.  I found it enveloping and smooth, there were small conflicts, but the subtle world building through understanding the characters, and their perspectives, was a nice framing for a story that very easily could have dragged, but in reality flew by.  The only point that I found unrefined, was how much Alizeh knew of her past and the impact it had on her current situation.  There seemed to be a bit of a disconnect in teasing that thread.  The reader knows who she is, so I’m not sure why she seems to not know, and then proves that she does, there is no subtlety in that regard.  And the only character, that seemed underdeveloped was that of Hazan, his banter with the Kamran grated on my nerves, and I didn’t understand the abruptness of his and Alizeh’s relationship, it seemed forced.  Nearly everything else in the book was very organic and gently referenced and established very deliberately, but it almost seemed like I missed a chapter or two, when all of a sudden Hazan emerges as being such a main character in Alizeh’s life.  Undoubtedly it was a surprise for the reader, but some nuance in the revelation through Alizeh’s eyes, would have assisted in the continuity of the character and tone of the book.

FLAGS:
A kiss, and attraction, talk of illegitimate children.  There is killing and violence, attempted assault: physical and sexual, not detailed, but referenced as a fear as she walks alone at night.  There is darkness and talk of the devil, deceit, lying, plotting.  Nothing an early teen could not handle.

TOOLS FOR LEADING THE DISCUSSION:

I would have to delay deciding if I could do this as a book club selection until I read the next book.  There is so much potential, that I truly hope that I can introduce the series to young readers to enjoy, get lost in, and discuss.