Tag Archives: contemporary

All My Rage by Sabaa Tahir

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All My Rage by Sabaa Tahir

rage

The hype is correct: this book is moving, impactful, powerful, reflective, all the feels.  The writing superb, the plot gritty, the characters seem real, so real.  One of my all time favorite authors is John Irving because every word seems deliberate in his books, not every plot point or every paragraph, every. single. word.  And it has been a long time since I’ve read a book that strikes me in that same vein of the author being so in control of the story, and my (the reader’s) emotions being so completely at the mercy of the words to come.  I think I could read this book five more times and each time peel back a new layer and see something I hadn’t seen, or understood, or felt before.  I cried, I cheered, I sighed and unclenched my jaw, and I am still haunted by the lives of the characters.  Not just the “main” ones.  All of them, they all are real and fleshed out and have character arcs and live in shades of gray.  There are no checkboxes for skin tone or religion or sexual preference they each are more than a label, they are complex and real.  I could easily be convinced that they are in fact real people and that their world and stories are not fiction at all.  That is how well it reads, that is how hard it is to close the window on the world they let us see.  The book is YA (374 pages) and with the drugs, abuse, alcohol, relationship, complexities of it all, I would think 16 year old’s and up can, strike that, should, read this book.  The characters are Muslim, but it never even goes near being preachy, these are complex characters and stories, and remarkably there is no internalized Islamophobia or watering anything down, each character deals with faith, like everything else, in their own way.

SYNOPSIS:

The story bounces between the past in Lahore, Pakistan and the present in Juniper, California.  In Lahore it is Misbah’s story and in the desert it is her son’s, Salahudin and a girl she has taken under her wing, Noor’s.  When the book starts we see Sal with a drunk father dropping him off at school where his girlfriend is waiting, and his best friend, Noor, not speaking to him for the last few months after she confessed to bein in love with him.  Noor lives with her uncle after her entire village in Pakistan was destroyed when she was 6, and he wants nothing to do with Pakistan, Islam, or Noor going to college.  He owns a liquor store and makes Noor work there.  Sal’s mom is sick and has always been their for Noor, so when she takes a turn for the worse, Noor and Sal are brought back together, Noor’s uncle is enraged that she is missing shifts, and Sal’s father is constantly searching for the bottom of a bottle.  Things are bad, but they are about to get a whole lot worse.  Sal’s mom dies, the motel Sal’s family owns is in severe debt and the options for saving it are less than ideal.  The small town starts to feel familiar as everyone’s stories are fleshed out in Juniper and Lahore and two star-crossed narrators are forced to confront both the stresses of high school and impending adulthood, and deep, dark realities of abuse, loss, and generational trauma.

WHY I LIKE IT:

The book could have been a thousand pages, and it still would have felt too short.  Much like her fantasy writing, the book seems to start with world building and roping the reader in to thinking that they can handle what is about to come, then much like a band-aid being pulled off, the pain hits, and the wound starts bleeding again.  Somehow despite it all, you can’t look away, you can’t stop reading, there is hope.  Hope for the characters, hope for happy endings, hope for survival and peace.

I absolutely love the quality of writing, things dangled early on, come back, often with subtly and restraint that you could easily miss them.  When discussing the book with @muslimmommyblog, I felt like we both were finding threads we had possibly not considered and connections that added nuance and staying power to the plot.

So often, the more religious a character in literature is, the stricter they are presented, the less kind they are seen, but in this book it was the opposite, the loving couple were the imam and his defense attorney wife, the glue that radiated kindness to Sal, Noor, and so much of the town is a hijab wearing strong woman.  So many tropes and stereotypes were uprooted, tossed aside, and reimagined.  There is compassion for a Muslim alcoholic, a liquor store being the employment of a Muslim, consequences for dealing drugs, yet nothing “haram” is really ever glorified, it is gritty and repulsive, but there is no judgement, there is only understanding and sadness.  Palpable despair that rattles your bones and makes you wish the world was different.

I don’t want to spoil the book, I was able to read it largely not knowing what the plot would delve in to. In many ways the trigger warning at the beginning was the only thing that braced me for what was to come. The level of religion and how it was woven is through the gentleness of some of the characters and hatred of others, was expertly done.  There are not ayats in the Quran quoted or speeches given, there is love, and faith and hope that manifest as duas and longing and finding ways to be Muslim in action, not just in appearance. When the characters start to make-out their Islamic conscious is drawn in, when they grapple with their hope and future- trust in something bigger is considered. It is not a Muslim book, not even an Islam centered book, perhaps Muslamic, but really about characters who are Muslim and dealing with the cards they have been dealt.

FLAGS:

Alcohol use, drug use, relationships, kissing, touching, longing, language, physical assault, physical violence, domestic violence, hate, racism, stereotyping, Islamophobia, there are mentions of a lesbian relationship and a bi relationship, a child out of wedlock, death, addiction, sexual assault, repressed trauma, bullying, teasing, lying, music,

TOOLS FOR LEADING THE DISCUSSION:

I have a 15 year old daughter, and I probably will have her read the book this summer, I think there is a lot to discuss and I think in the right hands the book could be used for a high school book club.

It All Comes Back to You by Farah Naz Rishi

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It All Comes Back to You by Farah Naz Rishi

it all comes back to you

Sometimes you just want a light fun, empty-calorie read, and in that regard I feel like this book really delivered.  The characters are in college, and yet it is published by HarperCollins Children, so I wasn’t entirely sure what to expect, which perhaps added to the lack of expectation and increased forgiveness.  It reads very much like a Bollywood movie, there is dancing, angst, romance, redemption, culture, religion, and a sense that a certain arbitrary line of it all won’t be crossed to earn the book an R rating, and will keep it safe for Muslim high school teens.   I think the book is fine for Muslim’s in 10th/11th grade and will be enjoyed by those in college (and up) as well.  Over 429 pages the highly predictable tropes find their footing in their unique religious and cultural framing.  The plot is perhaps a bit on the nose and overly serendipitous, but individually the characters show range and complexities that will resonate with readers.  They have all made good and bad choices and continue to do so, but the big ones are largely in the past, and what we, the readers, get to see in many ways is them reaching for forgiveness in a contemporary whirlwind culmination of a wedding, overcoming addiction, a past felony, secrets, ex-significant others, familial expectations, loss, change, and school.  The book is not preachy, although there is a like-able imam as a side character and he gets some advice in.  The Muslim characters grapple with their faith as they would their culture; picking and choosing what to practice, but never really escaping it or wanting to completely abandon it either, it is just who they are and part of their identity. I enjoyed the book, reading it in two sittings and not feeling guilty that I lost sleep doing so, but like most rom-coms, the specifics and characters will blur over time.  It has a lot of similarities with Hana Khan Carries On, while not having quite the religious adherance of S.K. Ali’s characters or rawness of Tahira Mafi’s.  One thing that is uniquely it’s own, however, is the author’s beginning dedication, I don’t think I have ever read one quite so perfect, memorable, and possibly guilt causing.  I laughed out loud!

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SYNOPSIS:

Kiran’s mom passed away a year ago from ALS, and with her older sister Amira in law school at the time, she dealt with her mother’s illness and passing, largely alone as she additionally had just been ghosted by her first and only boyfriend, Deen.  Now that her sister is about to graduate, and Kiran is about to start university, they can finally be roommates and reunite the family.  Except, Amira has met someone, Faisal.  Someone who was there for her when her mom died, and they are planning to move across the country to California in a few months.  Devastated Kiran forces herself to be happy for her beloved older sister, until she finds out that Faisal is Deen’s older brother, and there are some gaping holes in his past.  With her sisters future on the line, promises to her deceased mother haunting her, and a serious lack of communication abilities (more on that later), she is determined to uncover the truth about Faisal and maybe even Deen in the process.

Alternating point-of-view chapters give Deen a chance to provide his side to the story: the reason he had to disappear from Kiran’s life, what happened to his brother, and the unreasonableness of his family.  As he struggles with his own conscious and stumbles around unsure of his own potential and worth, Deen comes across as selfish and arrogant, but ultimately only cares about his brother and making things up to him.  He is determined that Deen deserves to be happy and he is committed to keeping Kiran from destroying it.

In typical desi fashion, appearances matter and while all the behind the scenes sleuthing, plotting, and fighting is taking place, on the surface, wedding plans are being made and dances choreographed.

The book includes pages of texts from three years ago between Deen and Kiran as they meet at Sunday school and sneak behind the mosque.  There are also gaming dialogues between two anonymous fantasy characters that it is pretty obvious are Kiran and Deen.  The reveal isn’t a shock to the readers, only the characters, and proves a nice way to see redeeming traits in characters who’s present real actions aren’t exactly endearing.

WHY I LIKE IT:

The OWN voice representation of Desi culture and Islam is not in addition to the story, it is woven in to the characters and the plot.  The characters are largely liberal as the families are chill with dating, mixed gender hand shaking and dancing, and what not, but their Muslim upbringing is almost always close by.  The characters say “astagfirulllah” after kissing, they acknowledge that some of the Muslims drink and some have left that lifestyle, they miss visiting the mosque, they recognize that they aren’t praying, etc., while many flags are present, they really aren’t sensationalized or given more than a single word in print.  It strikes a pretty solid balance of showing where some thoughts or values come from, and where personal individuality takes over.  I don’t think Muslims will be offended, nor non Muslims confused.

The biggest issue I had with the characters is that it really could have been resolved, all of it, with a few decent sit down conversations.  Kiran and Amira, for example, are terrible at communicating and it blows this whole thing into a ginormous mess.  Sure, there is no book if there is no drama, but they never fix this.  So many lessons are acknowledged and the character arcs are shown or hinted at, this one, not so much, if at all.  They didn’t talk when their mom was sick, when she died, about what they were going through, about their dad, about their future plans, about the wedding, about the concerns with Faisal, about Kiran and Deen having a past, about moving to California,…the list really is exhaustive, and it doesn’t seem to show that they acknowledge their role in escalating everything and vowing to be better.  Sigh.

I read a digital ARC and it had a few spelling errors, it broke down the fourth wall in one paragraph, and I’m hoping the final copy will have resolved these issues.  It mentions that typically the bride and/or her family pay for the wedding in Islam, and this is erroneous, culturally possibly: the brides family would cover the nikkah and ruhksuti, with the groom covering the walima, but to put it on religion is just incorrect.

FLAGS:

Deen talks about “knowing women,” but it isn’t explored, and the groom is teased that he will be loosing his virginity card.   The kisses aren’t usually described, it is just conveyed as something that happened.  There is a bit of detail in the chemistry felt in the dances, but in true Bollywood fashion, they stop short of kissing. There is a stripper called to the bachelor party, but the characters are appalled and she is immediately escorted out. A religious character accidentally drinks alcohol and blacks out.  There is profanity, not excessive, but conversationally.  There is talk and repercussions of addiction to prescription drugs, a felony crime committed and punished for, deceit, lying, bullying, and physical altercations briefly recalled.  There are parties attended, alcohol consumed,and  at one point a female forcefully kisses an unconsenting male.

TOOLS FOR LEADING THE DISCUSSION:

I’ve gone back and forth with suggesting to the high school book club advisor to consider this book.  I think the right group of readers could really opine on the characters actions from the shy Faisal with a huge forgiving enduring heart to the nosey obnoxious Mona Khala, but there are some potential flags that might ultimately keep this book from being entirely Islamic School appropriate even for the highest grades.  Ahh, I’ll keep you posted on what I decide.

You’re Not Proper by Tariq Mehmood

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your not proper

This highly praised British young adult novel is intense.  If I was trying to sell you the book I would say that it is relevant, gritty, raw, and real, but as a reviewer, it is definitely more rough, all over the place, and random.  There is so much going on in the book that it should be well over 400 pages to resolve it all, but almost as if the publisher required that the book be less than 200 to fit the demographic, it all gets tied up way too simplistically and leaves dozens of tangents unresolved, unexplored, and hanging.  The main characters are 14 years old, but I think it is a bit too harsh for that age group and should probably not be read by them.

SYONPSIS:

Karen’s mom doesn’t believe in God but takes her to church.  Karen’s dad is a Pakistani Muslim who loves bacon and beer.  The book opens with Karen’s gang marking her forehead with a cross against her will, and her soon after deciding that she doesn’t fit in with her friends and will now be Muslim.  Part of this transformation involves her wanting her name pronounced properly, as Kiran and her wearing a hijab.  Her parents are pretty ok with the decision, but the author foreshadows that this will be the undoing of her family.  

The book gets crazy, like all over the place crazy, but because of the little hints that all this craziness is leading up to something, I kept reading thinking that the author had it under control.  But no, I don’t think he does or did. 

The most craziness comes from Kiran’s rival Shamshad who leads another gang and pretends to be really religious, but is a bit of a rebel and bully herself.  The author is told from both Kiran and Shamshad’s perspectives, and while at times the reader sympathizes with Shamshad, as her influential father is abusive, many of her actions are so jarring and awkward, that no, she isn’t really like-able at all.  She wants a computer, her parents are that strict, yet she goes out with a guy, gets drunk, hangs all over him, goes to a Halloween party/dance without seeming to have to sneak about doing it.  She is regularly beating people up, threatening to kill and maim people with scissors, not a nice 14-year-old, nor a believable one either.  

As Kiran tries to learn about Islam and figure out what is tearing her family apart, and Shamshad is trying to find her place, the two storylines come closer together before the big climax of learning what tied the two girls’ families together in Pakistan and then here in the same English neighborhood.  The climax/ point of the story is actually a good one, but the resolution of it, is so simplistic that it cheats the reader of any potential investment they may have skimmed from the crazy build up.  It seems like the author had an idea and just worked backward for his big reveal, which is probably how most books are written, but in good books, you connect with the character and join them in their journey, here there is no character connection.

WHY I LIKE IT:

I like the idea of the book.  That there are good and bad Muslims and Christians, that things are diverse and complicated and that we all have our own baggage either at home, or in our heritage, or in our environment. But the book is not cohesive, the characters are really, really harsh.  And it doesn’t seem the author gets their voices right.  Plenty of males write beautiful complex female characters and vice versa, and plenty of adults get teens right, but I don’t think this author got either.  The girls are not believable and the minor characters are just as bizarre.

I think if you you live in a highly diverse area and you are acquainted with lots of minorities you can handle the way Islam is portrayed, but if you aren’t I think both Muslim and non Muslim readers alike will be shocked and offended by the portrayal of such crude characters.  This isn’t a book of accepting differences and finding a way to get along, it is more of a book showing how awful everyone is in varying degrees.  If it was an adult book perhaps you could argue it is realistic, but as a teen book, I think the lifestyle choices of all the characters will be eye-opening and not necessarily in a good way.  I do like that the book isn’t offering a moral statement or opinion on Islam, but the way Islam is presented isn’t inspiring either.

I’ll admit I’m a sucker for books that are meticulous, not boring, but deliberate.  Authors like John Irving who seem to map their stories with crime solving precision.  Where every sentence serves a purpose and every idea has a reason for being shared.  Most books leave something hanging, but this book, left everything hanging.

For two girls in gangs, the gang members by and large fade away before we even get to know them.  There is a rally being planned but resolved half heartedly.  Kiran has to fight with her parents to learn about herself in a really unrealistic way.  Kiran harasses her dad to learn about Islam, but then all of a sudden her paternal grandpa lives nearby and brings over a marriage proposal, why couldn’t she ask him about Islam, and why would a 14 year old be considering marriage?  The whole scene of Kiran getting a hijab is weird and pointless, why stress underwear and having another customer make a random comment for no reason.  What was the obsession with swimming for Shamshad and her mother, like there is a lot of space dedicated to this topic, and I don’t really get it.  Shamshad’s dad is also creepy, he seems to have a decent relationship with her, but is physically abusive to her mom, and he does a weird inappropriate thing with a pointer stick to Kiran at the masjid, that should be discussed more in my opinion.

Once the big reveal happens really there are more questions than answers.  Like I still don’t get why the families hate each other, if they had to make promises of secrecy in Pakistan, couldn’t they just ignore and be ambivalent to one another in England? Why so much hate and hostility? And what is up Jake? He seems like a good friend that makes some mistakes and Kiran is awful toward him, then all of a sudden she claims him as a brother.  And whats up with him going on and on about his brother in the military, I need closure! And last but not least why when Kiran’s mom is in the hospital after a failed suicide attempt, why does the Curry Club, that no one in the book ever liked, suddenly in the hospital room with them, when it should be a tender mother-daughter moment? Seriously, I was beyond annoyed.  There should have been a message, or a cathartic release, not annoying super side characters coming back for no reason.

FLAGS:

Lots of violence, alcohol, language. There are also romantic relationships and the celebration of Halloween.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that I would recommend this book to anyone.  I am willing to concede that some of it was lost in translation for me, but there is so much going on in the book that there is no way that it can excuse it all.  I would love to discuss some of my concerns with someone who has already read it though. So feel free to reach out, I’m all ears.