Tag Archives: library

The Magical Moroccan Rug by Naveed Mir illustrated by Anisa Mohammad

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The Magical Moroccan Rug by Naveed Mir illustrated by Anisa Mohammad

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I really like the premise of the book, a Muslim Magic Tree House so to speak, two kids that magically go back in time, in this case to Andalucía. At times the book did make me smile, but really it feels like a missed opportunity.  The writing needs tightening, it feels early reader at 94 pages long with a few full page illustrations, but the vocabulary and text filled pages support the suggested reading level of middle grade.  It takes way too long to build up to the “action,” and when it gets to the plot it doesn’t seem to know what to do with itself.  It is a lot of walking this way only to turn around and walk back for no development, character growth, or enriching reason.  As an adult I had to force myself to keep reading, my eight year old who loves Magic Tree House books had basic foundational questions and couldn’t’ get past page 24.  Honestly it just needed some proof reading and some trimming, which is why I found it so frustrating; it really had so much potential.  Example, if the little boy is so excited to see his grandfather after 8 years, why didn’t he go with his dad to the airport, why did his elderly tired grandfather immediately go to a community event after arriving in the UK from Morocco, why wouldn’t Yusuf go with his beloved grandfather to the masjid.  And this is all within the first few pages.  If the logic isn’t there for the mundane set-up, it is hard to get on board for the fantasy aspect of a flying carpet going back in time.  The historical figures are introduced in passing and don’t leave much of an impression, so yes it is good to give readers a bit of information on people they may not have heard of before, but it doesn’t give them enough connection to make them memorable.  The backmatter sadly is not more information about the three historical figures presented: Abdur Rahman (The Falcon of Andalus), Lubna of Cordoba, and Abbas Ibn Firnas, it is a glossary and a Quick Quiz.  The answers to the quiz are not provided, there are additional facts shared but no sources given, and there is urging to find out more about Muslim Spain, but no directions, links, or book suggestions are provided.  The publisher should have proofed the book, it reads like a pitch, maybe a first draft, and our children and their purchasing adults deserve better.  We have growing options of stories with historical Islamic OWN voice framing, and unfortunately this book had a lot of potential, a few pages of interest, but not ultimately enough intrigue to win me, or my kids over.

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SYNOPSIS:

Yusuf and his friend Jack live in the same neighborhood, but don’t go to the same school.  They spend a lot of time together though, and have known each other since they were babies.  When Yusuf’s grandfather comes to visit from Morocco, he brings an old carpet and gifts it to his 10 year old grandson.  Unsure what to do with it, Yusuf puts it in his room, and feigns gratitude.  With a history project looming, and a dislike for historical study, Yusuf and Jack find themselves heading on a magic carpet ride into the past.

They arrive in Cordoba in 856 CE, disoriented and dizzy, Omar, their guide, greets them, walks them through the mosque answers one question then walks them back to the carpet to take them to a different time, 786 CE and they see diverse people living together peacefully.  They first observe “one of the greatest rulers that Andalus ever had,” The Falcon of Andalus, aka Abdur Rahman.  He is a humble leader that freely interacts with his subjects.  They then head to the 10th century to see Lubna with a crowd of scholars in Cordoba  learning from her in the library.

When Yusuf remembers his history project about flight, Umar guides them to 875 CE with a pit stop in CE 852 to see Abbas Ibn Firnas take flight, well fail and then eventually take flight in 875.  The boys then say their goodbyes and are whisked away home. Where they can’t believe what transpired, and are determined to figure out how to make it happen again.

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WHY I LIKE IT:

I like the concept, and that Jack is not Muslim, and Yusuf is unapologetically Muslim.  Seeing the two interact is enjoyable and both good modeling, and mirroring.  The heart of the book is truly not bad, it is the tangents that get long winded for no advancement of the story that take away from the flow.  As stated above the relationship between Yusuf and his grandfather doesn’t align with what is said and what is shown.  The end suffers the same lack of editing.  How can grandpa and Yusuf live in the same home, but they can never find a moment to talk.  Nothing is gained by delaying their conversation, so why delay it, and go on and on about delaying it?

If the point is to share not just with Yusuf and Jack about key historical figures, but with also the reader.  Then there needs to be more interaction with the characters, not just watching them from afar.  Interact with other observers or students or colleagues, convey information from a “personal level” not just drop a snippet here or there from what feels like a vague Wikipedia page.  If the book is not sourced, why not take some fictional liberties and flesh out Abbas, Lubna and Abdur Rahman, so that they are remembered. Include more information about the three real characters in the backmatter, reinforce the idea that a magic carpet is not real, but these remarkable people were, and they changed the world.

I don’t know that kids will have issues with how the carpet worked, but because the set up was so weak, I had a hard time going along with any of it.  I wanted to know why it had to be a grandson, not a son or daughter, how grandpa or his grandpa figured that out when it wasn’t a relative that gave the first Yusuf the carpet, but a storyteller.  How Umar knew to look for them at that moment.  Why did they go to 856 CE and then go to 786 CE why couldn’t they just meet Umar on the first stop? Seems unnecessarily dragged out, for no reason.  When was grandpa’s last trip? Could you get stuck out of your time? If no one can see or feel the rug, why do they keep hiding it? Can people see and hear them, or only their guide?

I like that Yusuf prays and Jack knows that Yusuf prays, and what a mosque is.   I didn’t like that they hear the athan, and went with everyone to pray, but then just left without praying.  The book seemed to do that a few times.  Have the kids walk through a crowd presumably toward something or for some purpose only to turn around and return to the place of origin having gained nothing, learned nothing, or seen anything, again just drags the book out and frustrates readers.

There really is not conflict in the book, no climax either, there is no really stress about getting back, stress about figuring out how to go on the next adventure, it is there, but not heightened, and it is unfortunate, because the book really could be adventure filled, and it just isn’t.

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FLAGS:
None

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TOOLS FOR LEADING THE DISCUSSION:
If you are learning about Abbas Ibn Firnas, or Lubna, or The Falcon of Andalus or Spain, and have access to supplemental material, the book has value.  I don’t know that if a kid picked it up off the shelf even with interest in history, that they would finish reading the book.  It doesn’t provide a solid feeling of learning or understanding about the time and place and people seen in the time travels, nor is it action packed on its own.  So if you can motivate a child to read it and then look further into it, the book would help connect the past as being interesting and engaging, but on its own, the book does not achieve that.

Behind My Doors: The Story of the World’s Oldest Library by Hena Khan illustrated by Nabila Adani

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Behind My Doors: The Story of the World’s Oldest Library by Hena Khan illustrated by Nabila Adani

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The world’s oldest library proudly stands in Fez, Morocco: started by a Muslim woman, restored by a Muslim woman, and in this 40 page book the library itself tells its own story in a book authored by a Muslim woman.  The personified library shares a few highlights from its early start as a corner in Fatima Al-Fihri’s masjid and university to collections spanning multiple buildings, from a bustling center of learning and knowledge to a place of disrepair and neglect.  Staying on an early elementary level, the informative author’s note and references make the book engaging for older readers as well, and an incredible addition to bookshelves everywhere.

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The book starts with the library introducing itself and welcoming the reader. “Merhaba! I am Al-Qarawiyyin Library–the oldest library in the world.” At over a thousand years old, the library begins at the hands of Fatima Al-Fihri in 859 who dared to dream big and created a space of learning and worship in Morocco.

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As the courtyards and collections grew, seekers of knowledge, from all backgrounds, gathered to discuss, debate, and learn.  Special rooms with special locks kept books safe: a Quran written on camel-leather, a philosophers drawings in gold ink.

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Nearly destroyed once by a fire, the library endured, but over time the rooms were no longer filled with the bustle of people.  One day a small girl, Aziza, paused at the door, but did not enter for many years.  When she did return, she came as an architect with a team to restore the library and invite people back in to read, learn, and dream.

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It delights me that such an important story is available to be widely learned from and appreciated.  You can preorder a copy here from Amazon.

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The Ramadan Cookbook: 80 Delicious Recipes Perfect for Ramadan, Eid, and Celebrating throughout the Year by Anisa Karolia

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The Ramadan Cookbook: 80 Delicious Recipes Perfect for Ramadan, Eid, and Celebrating throughout the Year by Anisa Karolia

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Another surprising library find, this 2023 published cookbook shares meals for all the time, but organizes them with Ramadan in mind.  Unlike many online recipe pages, there is not a lot of backstory about the culture behind the recipes, or how the author has made them her own, it really is pretty direct and to the point.  The author is Desi, and the bulk of the recipes Indian, but it isn’t all of them.  I found myself flipping through the pages hoping to be inspired, but sadly most of the recipes were fairly basic.  That isn’t too say they are not good, I have not tried them, but being of Pakistani decent and that I have been cooking multiple meals a day for too many years to count, I didn’t feel compelled to check the kitchen for ingredients.  I think a big part of it is, I need pictures of the food to spark interest, and not every page had images of the food.  I think the book is fun to look through, maybe remind you of something you tried once and enjoyed, or give you ideas of something you and your family might like to try.  I would say it is for beginner cooks, but without step-by-step directions, you have to have some basic skills, perhaps it is more a family friendly cook book as she makes comments of what her children like, or dishes them come together quickly and easily.

Clearly I am not a foodie, or a cookbook reviewer, I was just excited to see a Ramadan cookbook available at the library and wanted to share.  The author shares her thoughts on Ramadan, and interjects some thoughts on the section pages. Apparently she is a famous blogger, so if you follow the author and there is something I should try, please let me know.

Craft it Up This Ramadan and Eid by Zayneb Abdullatif photography by Sidoie Djunaedi

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Craft it Up This Ramadan and Eid by Zayneb Abdullatif photography by Sidoie Djunaedi

This book is not new, but I saw it at my library and thoroughly enjoyed looking through it.  I’ve hosted, helped, and attended numerous Ramadan craft fairs and story and craft times over the years, and I know everything can be found online.  Yet somehow this 79 page, 2015 published book was kind of fun to look at with my toddler.  It wasn’t overwhelming or super complicated, it was just a nice roundup of simple crafts that you could easily do with items around your home, while dropping little informative bits about Islam, Muslims, Ramadan, and Eid.  I doubt young parents today would even think to look in a library book for Ramadan craft ideas, it is a bit of an antiquated concept in todays day and age.  I highlight it today to remind us that so many have worked very hard to advance Muslim representation in books in all its forms, alhumdulillah, so that we can continue to see ourselves, make strides, and raise the bar.

The book starts with tips for parents and guardians, followed by the basics, crafts for the joyous month, crafts for Eid, a special festival, and concludes with templates, good deeds activity list, and a glossary.

It erroneously says we fast from sunrise to sunset, but does get right that we increase our worship and that fasting was ordered for us by Allah swt.  On the Eid section it discusses the takbirat and gives Eid al Adha a paragraph explanation as well.

A fun library find, that kept us off a screen and able to plan some little activities to do this Ramadan.

Little Leena Learns about Ramadan by Zainab Fadlallah

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Little Leena Learns about Ramadan by Zainab Fadlallah

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I was excited to see this 20 page book in my public library, and then once I started reading it I was equal parts frustrated, disappointed, and honestly a little upset.  The book is an example of what I posted a reel about a few days ago, about an over used, unrealistic, textbook fact share of Ramadan from a kid’s perspective in a plotless book.  In this book it is Little Leena waking up from a nap smelling something delicious and finds her family eating and wondering why.  She is told by her sister it is the ninth month of the lunar calendar, the new moon has been sighted.  Oh sure there are some mentions of cakes and cupcakes, but seriously, come on, what three year olds have a working knowledge of moon phases but don’t know what Ramadan is, know what “blessed Ramadan” means but have never heard “Ramadan Mubarak.” Ramadan is explained to be special because we try and be extra kind, and not because it is the month we are told to fast, and we get more blessings for being kind, and the month the Quran was revealed.  Yes I appreciate that hijabs are not worn in the house, but are worn outside, and the excitement and joy are visible, but how can you have a book this centered on Ramadan that contains no Islam in it.  You can’t say on the back that it is learning about “what the occasion is all about” if there are no religious inclusions: it does not say that it is an act of worship, that fasting is prescribed by Allah swt in the Quran, that we pray extra, there is nothing, it doesn’t even attribute Ramadan and Eid to a religion, sigh.  My frustration isn’t just in this book, it is in this growing trend that this book is a part of sadly.  Why have an OWN voice adorably illustrated book claiming to be teaching about Ramadan, when the religion is completely absent? If it was a cultural, or family traditional book of joy with or without Ramadan facts blended in, I might see what it was trying to accomplish, but a book for early elementary, from a toddlers perspective that is so formulaic misses the mark in my opinion, both in educating the target audience or in helping young Muslims feel seen.

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The book starts with Little Leena waking up from a nap and smelling something delicious.  She wonders if mummy has been baking cookies, or cupcakes with sprinkles, or maybe a chocolate cake.  She decides to go have a look and finds colorful lights and decorations and a magnificent chocolate cake.  She also finds her family sharing a meal, she asks what is going on and learns that it is Ramadan.

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Leena’s sister Safiyya explains that “Ramadan is the ninth month of the Lunar calendar” and “it starts as soon as the new moon is sighted.”  She further explains that “Grown ups fast from when the sun rises till the sun sets”  she says brave kids are welcome to try too.  I’m not sure what being brave has to do with fasting, to me determined or even strong would be better words to use as fasting isn’t scary, and kids are encouraged to try, not forced.

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Leena then wants her sister to explain what fasting is, and Leena can’t believe it means no food or drink during the day light hours.  Leena asks what makes Ramadan special, and is told, “Ramadan is special because during the month we try to be extra kind and do as many good deeds as we can.”  It does not say why we try and be extra kind though, before reminding that we also “try to remember to be grateful for all the things we have.” It is worth noting that in the illustration on this spread it has a Ramadan sign, that is spelled Ramadhan, not that one transliteration is write or wrong, but to have both in a children’s book is a little confusing.

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Leena then finds some presents and Saffiya explains that they are for Eid when Ramadan is over and we wear new clothes and get presents.  The two then discusses their love of presents and saying Ramadan Mubarak.

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The 8.5 inch square book is short, but the image quality and hardback binding in this library edition is nice, it just adds nothing in my opinion to the genre, to conveying to Muslim and non Muslims what Ramadan is and why it is important.  I worry that libraries might think this is good as our Ramadan reads are and not budget to get much better, engaging, reflective stories as a result.

Birmingham Boy by Kate Rafiq

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Birmingham Boy by Kate Rafiq

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This 36 page ‘day-in-the-life-of’ book, follows a young boy and his mom on a day out and about in his city of Birmingham, England. Told in rhyme a few Urdu words are sprinkled in as general city observations are made, fun is had, and kindness is shown. The book touches on homelessness and protests, and the illustrations take the story deeper and show support for Black Lives Matter and Palestine, multiple hijab wearing women (#muslimsintheillustrations) throughout the city (including a burkini swimming mama), storefront signs acknowledging a diverse community, street artists, and different races, religions, and cultures everywhere.

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The book starts off with Birmingham Boy waking up, based on the Arabic signage in his room, I’d guess his name is Zakariya, everything is quiet and still- except for a giant that he sees outside his window.   He refers to the homeless man throughout the story as a giant, it doesn’t seem to be a negative description, nor is the boy scared, he shares food with him at one point, it is just what he refers to him as. 

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He then heads downstairs for breakfast of toast and dudhu (milk), before getting in a pram and heading out in the town.  They go past the deli and the flower show, and the giant on his cardboard mat.  They see someone getting their hair cut at the barbershop and they arrive at the swimming pool.

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The mom and son swim and play and Birmingham boy takes a nap in his stroller as his mom and he head off to their next location.  He wakes up to the sounds of the masjid and sees his mom praying.  He plays and then joins her in salat.

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After the masjid it is off to a cafe for cakes and tea, which they share with the giant, before they head off to a rally for justice and peace.  The book carries on in this sweet style of visiting places and interacting with the community until ending with a bath and dinner and getting tucked in to bed for the night.

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Being American and living in Birmingham, Alabama, my kids and I also learned about the sights of a different Birmingham and they got to learn some British words such as pram and wellies.  I loved the inclusion of Islam in their daily life and the joyful illustrations.

Nour’s Secret Library by Wafa’ Tarnowska illustrated by Vali Mintzi

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Nour’s Secret Library by Wafa’ Tarnowska illustrated by Vali Mintzi

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Set in Daraya, and based on a real events in Syria, as well as the author’s own life in Lebanon, this 32 page elementary and up story does an amazing job of showing relatable childhood adventures and ingenuity shining through even in the most horrific of environments.  The book is inspiring and warm, but the backdrop of war is very much present.  Some young children may be bothered by the images and text, while others will benefit from understanding the humanity that is affected by such violence.  I know the book says the pages are not final, but I wanted to put it out to help drum up interest.  I feel this story would best work in intimate settings where discussion, compassion, and gratitude can all intuitively transpire.

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Nour’s best friend is her cousin Amir, they love to read and imagine adventure and secret societies.  As their dream to create a secret club, complete with a secret password and handshake, for them and their friends starts to come to fruition, war arrives first. 

Families are forced to seek shelter away from the bullets at night in their basements, and only are allowed to venture out when absolutely necessary.  Every time Amir goes out, he collects any books he finds, and encourages his friends to do the same.  

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They begin sorting the books, and trying to decide what to do with them, when Nour has an idea to create a secret library.  Everyone pitches in when an empty, half destroyed basement is located, and the books are moved and set up on discarded planks of wood.  A boy next door is entrusted with the secret handshake and becomes the deputy librarian.

As word spreads, everyone from boys and girls to soldiers and rescuers, collect books to stock the shelves and checkout books to keep their minds busy.  The library, named Fajr, is open every day from morning to evening and closed during Jummah.  It becomes the city’s best kept secret and a source of hope for the community.

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There are references at the back that tell about the true story of the Secret Library in Syria, the author’s memories of hiding in the basement in Lebanon, a glossary of terms, information about Syria, the illustrator’s research, information about the war, and famous libraries in the Middle East.

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The Library Bus by Bahram Rahman illustrated by Gabrielle Grimard

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The Library  Bus by Bahram Rahman illustrated by Gabrielle Grimard

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It seems this polarizing 32 page picture book has instagram reviewers torn, perhaps along racial/cultural lines, as to whether the book is wonderful or simply victim to perpetuating the same old tropes and stereotypes.  Maybe being half brown, I shouldn’t be surprised to find myself in the middle.  I think if you are tired of feeling like the only strong Muslim female from the subcontinent acknowledged by the West is Malala Yousafzai, and seeing her single narrative and experience being repackaged in a new book every other week, then yes, this book is going to grate on a similar nerve and OWN voice or not, you will write it off as Afghanistan being close enough to Pakistan and the story of a girl and education being unoriginal.  I think the flip side is that if you find a female lead taking education in the form of a library bus to the places where formal education is not available and you love the empowerment that women educating women can have in changing a society, then you are going to probably love a female driving a bus, a female teaching, a girl planning to go to school, a grandfather making sure in a previous generation when women couldn’t be educated, that he taught his daughter, and being thankful that it is a person from the society and not a “white savior” coming to help the people in Afghanistan.  Both as far as I can tell have merit.  I think that you see in the book what your paradigm and perspective is before you even start.  I have read it and re read it and then read it again over the span of many weeks. I was alerted to it by @muslimkidsbooknook who sensed that we might disagree before she even posted her review (haha it’s like she knows me!), so my review is going to try really hard to focus on the text, and what it says, not on the 30 books before it that had a similar message or on my views on publishers only accepting manuscripts with reassuring easily palatable narratives, there is enough of that already about this book out there.  I’m going to try and offer my perspective on what the book contains and while it has problems for me, I definitely liked it more than I disliked it. Oh and one more thing: the illustrations, swoon, are gorgeous, like really, really beautiful. Bismillah…

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Pari and her mother are getting ready to set off in their library on wheels.  It is Pari’s first day as her mother’s helper and she is a little nervous. It is dark when Pari’s mom drives the bus to their first stop- a small village tucked in a valley between two gray mountains.  There are a group of girls waiting for the bus and call it over to return books and pick new ones.  This reminds me of my time in New England and hearing about the Book Mobiles and Mobile Book Fairs that would visit the small seaside towns that didn’t have proper libraries.  Even my mom used to tell me stories about waiting for the Book Mobile to stop on her street in Davis County, Utah to get books once a month.  The concept is universal and that it takes place in Afghanistan and is driven by a woman who is educated and independent, is intentional with the hopes of being inspiring.

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The girls then gather for a lesson, it is hard to know how impromptu it is or if it is a regular organized class.  It is also not made clear if they always practice English or it is something unique to the day, but they sing the alphabet song and count to ten.  After class a girl tries to chat with Pari and see how much she knows.  Pari lies and says she can print, but in reality can’t even read or write in Farsi yet. This shows a gap in the story as earlier Pari said she could barely count all the books in the library, and in the pictures there are a lot of books, but she is trying to keep up as the girls count to ten.  As the mom and daughter team pack up to head to their next location they discuss how Pari’s mama learned.

Pari’s grandpa taught her mom a long time ago, at a time when girls were not allowed to go to school and she had to hide in the basement to learn.  Pari wonders if her mom was afraid of the basement.  It is always dark down there.  It is really one paragraph on one page that mentions that girls could not learn.  It is presented in the past tense, and as the story progresses we learn that next year when Pari is older she will be going to school.

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There is a two page spread about the mom seemingly going off on her mantra that learning makes you free.  And I’m ok with it.  It says when you go to school study hard, period, then the next line says, “Never stop learning. Then you will be free.” Yes! I agree, how many of us pursued a skill or a hobby during this pandemic to feel free from the confines of staying at home.  Learning in any capacity is liberating.  It may not keep you safe in a war, but the freedom of the mind to find peace and pursue passions is critical to mental health and survival.  Am I reading too much in to these basic lines? Absolutely, well probably anyway.

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When the bus gets to a refugee camp with tents everywhere, Pari and her mom start handing out pencils and notebooks before settling in to what seems an organized English lesson of ABC.  I am torn on my thoughts about them stressing English over their own language.  A sense of pride in who they are by learning Farsi or Dari or Pashtu would show readers that Afghan culture is rich and worth learning and valuing.  I worry that by stressing the English, it presents the culture and language erroneously as the opposite.  At the same time, as a child and teen, I went to Pakistan over a dozen times and would beg my (middle class) cousins to teach me Urdu.  I’d make them take me to Urdu Bazaar for dictionaries and text books, and preschool grammar books so that I could learn my father’s language.  And it never happened.  I’d beg in letters before I got there, and they would agree, but when I arrived they all wanted to work on their English.  They wanted to practice it in conversation, they wanted me to read over their assignments, they would introduce me to their coaching center teachers, their principals, the tutors, and I’d find myself teaching them colloquialisms and explaining idioms, and I’d watch my “textbooks” gather dust.  This was before social media, and YouTube and Netflix and I was their link from their studies to the larger world that rewarded knowledge of the English language.  Is it correct or even logical? No.  But it was my experience that they desperately wanted to learn English over Urdu or the required provincial language Sindhi.  Would readers of this book know that? No.  Do critics of them learning English wish that it wasn’t the case more than wishing that the book simply didn’t highlight it? I don’t know.

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As they leave the camp, Pari reads the letters of the refugee organizations off the tents.  I find it off that earlier she called it ACDs instead of ABCs and yet now she knows the alphabet.  Again I’ve read the critiques questioning why the refugee camps are named and have over thought it.  In some ways I think it is a reminder that the country has been at war and that individual organizations are helping care for those displaced by countries that tore the country apart.  The text says that, “there are no schools for the girls in the village or the camps.” If anything I took this to show that while we stereotype Afghan society as not making education of females important, that international relief groups don’t either.  The great saviors aren’t teaching the girls in the camps, a mom and her daughter come once a week.  There is a subtle yet powerful critique of foreign policy there, if you want to really be honest, I think this should be made more clear.  At the end of the day the strong Afghan people are putting their country back together after a never ending illegal conflict has ravaged them further.

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The author says in his note at the end that this book is based on real people he met in refugee camps when he returned to his homeland and that this book is a tribute to the strong Afghan people, particularly the women.  Imagine where any war torn nation would be without the bravery and determination of mothers and teachers, and women who will risk it all for their children and ultimately an entire generation, when politics and power have found other things to value.

The book on its own I think is fine, allbeit written plainly for western readers.  Do I wish stories about life in this part of the world didn’t feature war and refugees and education, absolutely.  We can argue my experience compared to your experience, to the author’s purpose and intent, to the publisher’s vision. That is the beauty of books, we don’t have to agree and we can discuss and we can all be better for it.  There is nothing Islamic in the book other than some of the characters wearing a scarf or chador or hijab.

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Alia’s Mission: Saving the Books of Iraq by Mark Alan Stamaty

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Alia’s Mission: Saving the Books of Iraq by Mark Alan Stamaty

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Based on the true story of Alia Muhammed Baker, the Basra librarian who saved 30,000 books in 2003 from the destruction during the Iraq War, this 32 page graphic novel, is an AR 3.9 and while it isn’t a chapter book and isn’t just a picture book, it works well for 2nd through 4th grade readers that will enjoy a bit of history, a lot of excitement, and detailed panels that make the story come to life.  The story, as it is based on fact, is very similar to The Librarian of Basra, but with it’s different presentation style, might appeal to a larger audience to appreciate and celebrate what she did to save such precious books, naturally, I’m a huge fan!

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SYNOPSIS:

Alia is the Chief Librarian of Basra Central Library and has always loved books and learning.  As war draws closer, she tells her husband she is worried that the library could be bombed or set ablaze.  She goes to the government to voice her concerns and ask that the books are relocated, but her request is denied.  So she takes matters in to her own hands, and starts smuggling books under her shawl and in to her car, and stacks them in her home.  Every day she does this for a week, soon closets are over flowing and she starts stacking the books in her guest room.  Worried that she isn’t making fast enough progress, she gets the restaurant owner next door to help her when looters start taking the pencil sharpeners and furniture from the library.  She has a plan to have everyone possible come together to move the books, and many people come to help.

Eventually the library is set on fire, the news gives Alia a stroke.  When she recovers she learns she saved 30,000 books, and up next for this real life super hero? Building a new library, inshaAllah.

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WHY I LIKE IT:

I love that it shows the value of libraries and books, the determination of one person, and the support of a community.  People are awful during a war, yet, sometimes they are pretty amazing too.  The illustrations are detailed and varied, with inviting text and clear concise language.  It really is well done.

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FLAGS:

Destruction of property, sneaking, looting.

TOOLS FOR LEADING THE DISCUSSION:

I think it would be great to have kids read this story and the librarian of Basra and discuss

 

Muktar and the Camels by Janet Graber illustrated by Scott Mack

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Muktar and the Camels by Janet Graber illustrated by Scott Mack

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On the border of Somalia and Kenya, there isn’t a library, or a book mobile, there is a traveling camel library! While the main character is more excited about the camels, at least his friend is excited about the books in this AR 3.2 story.

Muktar is an orphan who dreams of his life before his parents were killed as a nomad tending to their camels.  Their teacher, Mr. Hassan calls him lazy as he dreams of the camels he misses, but one day, a librarian from Garissa comes on camel to bring books to the orphanage, and while Ismail and the other kids are excited for the books, Muktar is drawn to the desert beasts.  Muktar notices that one of the three camels is injured and recalling the root to help sooth the ailment, he tears his shirt, treats the wound, and covers it.  When seeing his abilities, the librarian, Mr. Mohamed asks him to come with him to tend the camels as they travel with books through the desert.

muktar insideThe story definitely makes readers appreciate the life they have, and realize how simple and harsh others’ lives can be.  I like the mention of the foods, giving insight into the culture, but I didn’t like the harshness of the adults.  The calling the boys lazy, not taking Muktar food as he tends the camels, not being concerned about the injured camel until Muktar insists he notices, all made me a bit sad.  Yes I was glad that Muktar was able to resume a nomadic life with camels, but he wasn’t given a say in it.  And sure I’m glad that his friend Ismail will get books and be able to work toward being a teacher, but somehow it wasn’t a warm book, and I can’t quite identify why.

The pictures, however, are warm and detailed in the present, with Muktar’s memories being more hazy and muted.  There isn’t any mention of religion, but being the characters are Somali and their names being what they are you can assume they are Muslim. There is a short author’s note at the end that tells about the war causing the nomads to become orphans and the library service that works to share books.

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