Tag Archives: Exciting

Feb10

Hamra and the Jungle of Memories by Hanna Alkaf

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Hamra and the Jungle of Memories by Hanna Alkaf

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This 400 page middle grade retelling of Little Red Riding Hood bursts with Malaysian culture, magic, action, and adventure.  The main character and her family are Muslim and hijab, duas, zikr, halal, Qur’an and salat are included throughout.  The mix of legends and characters from Malaysian culture in building the fae world is not contrasted with religious faith, but assumed to both coexist without issue.  The book is clean for ages nine and up and the only concepts worth noting are some intense life and death situations, close male and female friendships, dementia, and the element of fantasy.  The book is set during the Covid-19 pandemic which will ultimately date the book as it doesn’t convey the tone for readers unfamiliar with the curfews, social distancing, controversies, and masking.  Those who have just lived through it, will not need the framing, but in a few years I do fear that the book will be lacking in fully understanding why the tourists, parents, and markets are so absent.  As with all of the author’s books there are also dated pop culture references, that slow the narrative down for today’s readers.  The book grabs you from the start and the second half flies by smoothly, but the middle quarter is a bit slow as the world building is not robust, and the reader is thrust into a magical world that is just accepted without pause, and the reader is asked to accept it at face value as well.

SYNOPSIS:

It is Hamra’s birthday, but the independent 13 year old is not being celebrated- everyone has forgotten: her mother is a front line worker, her father helping those with limited resources, and her aging grandfather and her are left to care for her memory slipping grandmother.  When Hamra, Little Red, storms off to the jungle to collect some herbs, in an act of spite, she defies the rules drilled in to her 1- Always ask permission before you enter.  2- Don’t challenge what you can’t even see. 3- Never use your true name. 4-Never take what isn’t yours. 5-If you hear someone calling your name, never, ever look behind you. She also doesn’t listen to the regular reminders to tie her shoes.  Simple rules, that when broken set the story in to motion.  Along with her best friend Ilyas, the two will strike a deal with a weretiger for their transgressions that takes them on a journey to try and save Opah, themselves, and prove their quest a success.  The characters they meet, the clues they unravel, the legends they understand, and the scenic islands they explore are as lush as the love Hamra has for her family and the drive she has to return home safely.

WHY I LIKE IT:

I love the way Islam is truly part of the characters, and a natural extension of how they see the world and act within it.  I wish there was stronger world building blending the world of the known and the fantasy for the reader.  The writing of the Malaysian setting is beautifully unapologetic and I love that there is not a glossary or overly explained descriptions, it is immersive and I appreciate that, but the framing of the two worlds I felt was a bit disjointed and needed some fleshing out.  At times it feels more telling than showing in detailing the depths of the legends or the superstitions that are true for the story.  I did enjoy the characters’ quirks and stubbornness, there is not a lot of arc and growth, but with the intensity of the adventure and culture, I didn’t feel it lacking in development.  For much of the book I didn’t quite appreciate the Covid-19 framing, but by the end I understood that it was a way to have the tourist spots void of people, the parent’s out of the way; a little more development though would have had the uncertainty of so much more fully realized.

FLAGS:

Fear, trickery, danger, loss, death, music, musical references, dammit is said.  There is some violence, close male and female friendships, and a possible trigger of dementia in a loved one.  There is myth, legend, magic, fairies, fae, and fantasy, if you are ok with the concepts in general the presentation is clean even with mixing religion and these concepts.  If you are uncomfortable of fantasy and Islam coexisting, this book draws the two worlds very close.

TOOLS FOR LEADING THE DISCUSSION:

I have taught two of her books in middle school book club discussions, and I would teach this one as well.  It is enjoyable to see Malaysian Muslim characters so confident in their identity and having adventures that are enhanced by their faith and culture while focusing on larger themes of friendship, family, forgiveness, and adventure.

The book comes out in March of 2023, I’ve preorderd mine HERE and I hope you will as well.

Sep23

The Girl Who Lost a Leopard by Nizrani Farook

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The Girl Who Lost a Leopard by Nizrani Farook

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This stand alone middle grade read by Muslim author Nizrana Farook is similar to her first two books about an elephant and a whale in that it is set in Serendib a long time ago and revolves around a beautiful wild animal and clever, endearing, determined young children. This actual story is an easy read at 203 pages (the end of the book is the first four chapters of one of her previously published books).  I think seven and eight year olds will enjoy getting to know Selvi and the beautiful leopard Lakka that she considers a friend.  For me the ending took an odd turn that seemed out of place, but up until then I was enchanted by the lush imagery, sheer determination, and sweet friendship shared within the pages.  The main character is not Muslim, but presumably some of the side characters are with names such as, Amir and Salma.

SYNOPSIS:
Selvi and her mother live in a small home on the mountain.  Most days she runs wild with a golden leopard she has named Lakka.  She keeps her distance, but there is a pattern to their interactions, and when Selvi’s mother finally allows her to go to school, and she finds the other children unkind, Lakka becomes her only friend.  One day poachers are on the mountain hunting not just any leopards, which are protected by the queen, but the rare golden one that is often seen in the area, Selvi tries to interfere.  And before she knows it, they are after her.  She hides near a home, and when the poacher’s come looking for her, she is at the mercy of Amir to lie and say he hasn’t seen her.  Amir is a classmate, a mean one, but he has seen her before with the leopard, and suddenly Lakka is not so alone.

Between making friends at school, battling her uncle’s rules to start behaving more ladylike, and keeping a leopard safe, the adventure is fast paced and the story entertaining.

WHY I LIKE IT:

I love kids outsmarting adults and saving the day, it makes for good story telling.  I don’t want to spoil the ending, but I really felt like it was forced.  I truly do not understand why the children needed to take a drugged Lakka to the port and back.  Why not leave him with the new friends and go to the port without him? He is a wild animal, we have been given reasoning for so much of the human animal interactions to be believable, that this seems to be negligent.  So much could have gone wrong and for what? There was no need.  The kids wanting to see punishment handed out is motivation enough for them to make the journey in my opinion.  Sigh, I don’t know that younger kids will be as bothered as I am, but I think fourth graders and up will definitely question it and be confused.  I also don’t know that I have ever seen the sneak peak of another book included at the end, being for a book previously published.  Aren’t they usually for upcoming releases? Either way, it seemed to make the last portion of the book deflate a bit for a story that was engaging, entertaining, and hard to put down until then.

FLAGS:

Lying, poaching, abuse, threats, killing, animal cruelty, bullying.

TOOLS FOR LEADING THE DISCUSSION:

This would be a fun read aloud in a classroom or at bedtime.  The short chapters have little illustrations above the headings that hint at what is to come, and the writing style is perfect for short blocks of time.

The book is available on Amazon

Aug30

Huda and Me by H. Hayek

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Huda and Me by H. Hayek

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At 194 pages, this book just became required reading for all my children save the two year old.  Meant for middle graders, I absolutely loved this book.  Sure literary siblings often run away and have adventures, think Claudia and Jamie Kincaid from Mixed Up Files, or the sisters in Ticket to India, but this Australian Muslim duo adore each other and are doing it to reach their parents and save their other five siblings from an evil Aunty babysitter.  In some ways the book couldn’t and hopefully wouldn’t really happen, it is plausible however, and the way it is written bouncing back and forth in time until the resolution, and the absolute authenticity of the characters make the book hard to put down and had me laughing out loud.  The book is for everyone, Muslim kids specifically though, will feel an incredible kinship to the Muslim family and relate to the anxiety of making wudu in a public restroom, the shock of having the athan clock tossed in the freezer, the nervous looks between siblings hoping someone else will speak up about what Muslims can’t eat, mistaking a nun for a hijabi, amongst so many other little sprinkled in examples.  The power of OWN voice writing is exemplified and celebrated, and provides a mirror that a large swath of Muslims children, not just Lebanese Australians will benefit from and enjoy.

SYNOPSIS:

There are seven children in the family and when Mum and Dad announce that they have to make an emergency trip to Lebanon, the kids don’t understand why they need Mum’s friend Aunt Amel to stay with them in Australia.  They don’t really even like Aunt Amel, but they don’t really know her either and as their parents leave, they have no choice but to endure until their parents return.  When Aunt Amel assigns them all duties: 17 year old Omar is the 24/7 chauffeur, Kholoud becomes her personal stylist, twins Suha and Layla must keep her supplied with baked goods and tea, Akeal is the butler, Huda is the maid and little Raheed will be glued to her, some of the kids think it could be fun until they realize they are being used to provide Aunt Amel with a holiday in exchange for her staying with them. The kids are required to be up by five in the morning, are not allowed to talk to their parents, and some are even kept from school to provide the services Aunt Amel demands.  The kids grudgingly try to endure, but spunky Huda is pushing back, and with the help of the retired Polish Sleep Doctor next door, a plan is hatched, tickets are booked, and Akeal and Huda are making a run for Beirut. Along the way they will be met with an Islamaphobic teen pulling off Huda’s scarf, a variety of minders keeping track of the unaccompanied minors through airports and plane rides, and baited breath as they have obstacles at every step to find their parents in a country they have never even been to before.

WHY I LIKE IT:

The book is incredibly well written, I sometimes stumble a bit with Australian authored books, but this one was easy and universal in most of the dialogue and vocabulary. I enjoyed what was sprinkled in, and as a privileged American didn’t get lost at any point.  The shifts in the timeline to keep the story fast paced and moving also made the stress of “if they could pull off the escape” a little bit subdued allowing the experience and dialogue and connections along the way to really be enjoyed.  I think it was a smart move to not have it be full steam ahead, gritting your teeth, but more in the moment seeing why they had to do what they did, and how it was panning out for them.

I absolutely love that the family is unapologetically Muslim living in a western environment.  They don’t celebrate birthdays, but they seem ok with make-up, they pray, the mom wears hijab I believe, but I don’t think the sisters do, it really is such a relatable family with their own quirks and tests and they are active and doing their best.  It could be my family or most families I know, well lately my kids bicker a lot, that’s why it is required reading for them, but that is off track.  Back to the book, I was so proud of Akeal sticking up for his little sister wearing a scarf to be dressed up and not backing down from confronting her harasser.  I love the spunkiness but maturity of Huda.  From page one you are cheering them on, and it doesn’t let up.

FLAGS:

Kids scheming and lying and running away, all for good cause mind you.

TOOLS FOR LEADING THE DISCUSSION:

This would be super fun to read aloud to a 3rd or 4th grade class, but I don’t think it would work for a middle school book club, it is just too quick of a read.

May21

The Girl Who Stole an Elephant by Nizrana Farook

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The Girl Who Stole an Elephant by Nizrana Farook

elephantI have to admit this 240 page middle grade OWN voice book had me invested and glued to the pages.  I was swept away to Sri Lanka and in disbelief at the boldness, cleverness, and spunkiness of the Robin Hood-esque 12-year-old protagonist.  I could not put it down as my head worked over time to figure out how this trio of children, one being a Muslim girl, was going to get out of the heap of trouble they had caused.  Yes, admittedly it wraps up a bit too quickly and simply, the main character Chaya doesn’t learn her lesson and is a terrible friend, and there isn’t a good moral of lying and stealing being bad.  But all that aside, the book is a fun adventure that while written pretty straightforward and clearly, is rich in adventure, culture, and excitement for second to fourth grade readers (and 40 year old moms that love strong girls).

SYNOPSIS:

Chaya is the daughter of a tribal representative, whose mother has passed away.  She goes to school, attends the temple once a week to learn Sanskrit, and at dawn is known to steal things to give to those in need.  At night time, people are on guard, expecting trouble, but dawn seems to be the perfect time to take what she needs from people that won’t even notice.  The book starts out with her stealing jewels from the Queen with the hopes of helping a friend who was bitten by a crocodile get medical help in the next town over.  The people in Sarendib have an unjust king, and stealing from his wife to help take care of people that need assistant is a job Chaya takes seriously.  Her heart is in the right place, but when a guard sees her she stops to visit a friend who works in a wood shop to hide the jewels until the heat dies down.  The box they hide the stolen goods in is purchased by a young Muslim girl, and now Chaya has to steal them back from her to get them to people that are in need.

The chain of events is just getting started, and when the jewels are discovered the wood working Neel takes the blame and is imprisoned, and the new girl in town, Nour, is determined to help free Neel from prison and save the villagers from being tormented by the royal guards.  Chaya devises a plan to free Neel from the palace dungeons, but nothing ever quite goes to plan and all the prisoners are freed.   As she runs to escape her own doom, she steals an elephant to get away, the king’s elephant.

The entire story is a series of follies and at each turn the children have really good intentions, they just keep snowballing into situations beyond their control with the stakes constantly multiplying.  I really don’t want to give it away, but they might just bring down a monarchy as they tromp through the jungle on an elephant, accidentally burn down villages, and find that even though Nour is a wealthy meat eater, they can in fact be friends.

WHY I LIKE IT:

I love that the story is outrageous, yet grounded.  I was sucked in from the first few short chapters and didn’t look back.  Chaya is oh so plucky and her fallibility and flaws make her so endearing.  She is a bit of a mean girl to Nour, but I think she shows growth.  The slight raised eyebrow regarding her, is that she didn’t learn some grand lesson, and in fact is possibly emboldened by her thieving and getting away with it.  There probably should have been some humbling at the end, but she is bold and outspoken, and not one for regrets.  I absolutely love the letter she left her father owning up to her role in the whole hullaballoo, and as an afterthought acknowledging that she skipped two days of school.  She is a cheeky one, but her heart is huge and she has her own sense of integrity that is unwavering.

I like that Nour is acknowledged as being Muslim, eating meat, and going to mosques before she moved.  It doesn’t articulate that Chaya doesn’t like her for her faith, but it isn’t helping the two girls befriend each other either.  I love the elephant, and the plants, and fruits, and animals that bring the story to life.

FLAGS:

Lying and stealing. Some destruction of property.

TOOLS FOR LEADING THE DISCUSSION:

I can’t see me doing this as a book club selection, it is just too young of a target audience, but it would be a blast to read aloud to a second or third grade class, or to assign in a classroom setting.  The chapters are really short that early chapter readers will feel accomplished when they complete the book, and the subject matter will compel them to keep turning the pages to find out what happens next.

Oct28

Islamic History for Kids: Story of Badr by Qasim Riaz

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Islamic History for Kids: Story of Badr by Qasim Riaz

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This fictional story of a non-fiction-historical event over 37 large, 12×12, pages really brings the battle of Badr to life for readers ages seven and up.  The book is engaging and keeps chidden focused, excited, and clear as to what is unfolding, why the battle was important for Muslims, and why it still has lessons today.  Unfortunately, there are no source notes, bibliography, or references in the book, so I’m not sure how accurate the details are, and I haven’t yet had a chance to have someone more knowledgeable than I check it for accuracy.  The ayats from the Quran quoted are identified in text and yes, I understand it isn’t a reference book, but even having some imam or scholar give their approval would reassure people considering purchasing the book.  Additionally, fairly prominently there is a disclaimer at the beginning of the book that says, “The characters in this book are entirely fictional.  Any resemblance to actual persons living or dead is entirely coincidental,” which is a common disclaimer, but in a book of this nature, it did strike me as odd.  So, you may want to read it first yourself before presenting it to your child as fact.

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There is also a typo that my children discovered rather quickly and pointed out to me, I was a little disheartened when I asked about it, to discover the author knew about it before mailing it out, but for some reason didn’t find it necessary to put a note or let the customer be aware of it. I put a post-it note in mine to show all of you, and will be taking a black marker to it shortly.  Mistakes and typos happen, but I felt that they should have let the consumer know, once they knew that it was there, for accuracy sake.

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The book starts off with a brother and sister fighting, Zain and Zahrah.  When the father goes to stop them, Zain tells him that Prophet Muhammad (SAW) used to fight, and the father concedes the point, but points out it was not something he wanted to do.  He tells them that for the first 13 years he didn’t fight back even when the Quraysh made fun of him.

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The kids ask who the Quraysh are and why they didn’t believe the Prophet, to which the father lovingly answers their questions before telling him about the verses revealed allowing them to fight from Surah Al-Baqarah.

They learn about Abu Sufyan returning from Syria with a large caravan and how the Prophet wanted to surprise them. Only to learn that Abu Sufyan had arranged a much larger army from Mecca to come and attack the Prophet and his Companions.

There are details about how they determined the size of the army based on how many camels were being eaten, and how the Muslims camped near the wells to control the water.  The story reads smoothly and pulls out when the children have questions seamlessly.

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As the battle is set 1000 soldiers against 313 Muslims, the book explains how the battle starts with three duels and explains how Utbah, Shaiba and Walid battle Hamza (RA), Ali (RA), and Ubaydah (RA).  The Ansar win all three battles and the Quraysh charge.

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Prophet Muhammad (SAW) makes duas, and Allah (SWT) answers sending a thousand angels following one after another to help.

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When the dust settles the Muslims are victorious and the order is given for the prisoners to be treated kindly.  They are given food, rides, and the opportunity to pay a ransom for their freedom or they could teach 10 Muslims to read and write in exchange for their release.

With the story concluded the father then makes sure the children understand some of the many lessons from the battle.  Including having Allah on your side, trusting Allah, putting in your best effort, and being kind and generous even to those against you.

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There is no illustrator listed, but the pictures are done really well showing modern relatable, squabbling kids getting drawn in to a historical story by their father.  The emotion on the characters faces adds depth to the story and engages the readers in seeing and understanding a desert battle so long ago.

The text on some pages varies quite noticeably, with some pages barely having a line to spare and some only being a line or two long.  It does slightly affect the rhythm (and aesthetic) of the book, but it is manageable as long as you remember to give the kids enough time to see the picture on the short pages, as the overall size makes the book perfect for story time to large and small groups.  The book stays on level, which is nice, and there is a glossary of abbreviated terms (AS, RA, SAW, SWT) at the end.

The company: Ghazi Production is planning Uhud to be the next book, and informed me a bibliography will be included in that one.  InshaAllah!

 

Oct5

Mirage by Somaiya Daud

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Mirage by Somaiya Daud

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I don’t read a lot of sci-fi books, ok so maybe I haven’t really ever read one…or maybe a few have snuck through and then been forgotten.  So, I was excited to read this book by a Muslim author with Arabic poetry and Moroccan inspired backdrop sprinkled in, if nothing else it had me intrigued.  The book is a 308 page YA book that came out two months ago and was available in both hardback and on audio at my public library.  I was thinking to listen to the audio version with my kids, but the book was ready first, and the reviews on the back cover by other authors, all mentioned that the book was “romantic” and “sexy,” huh? The synopsis online and even on the inside flap, hinted much more at rebellions and body doubles, and life on a small moon in a distant fictional galaxy.  Needless to say I didn’t check out the audio book and decided I should proof it for my self first.  I started the book, no less than five times.  Like I said, it isn’t a familiar genre and I was a little confused.  I decided to just keep plugging through the fifth time, and sure enough when my eyes started to get sleepy I realized I was more than half way done with the book.  I guess when you are building worlds and culture you have to start somewhere and the confusion worked itself out after that.  I’d say the book is for teens.  The romance isn’t explicit, save some kissing, but a lot is implied and better for kids a little older than middle school.

SYNOPSIS:

Amani is turning 18 and about to attend her majority ceremony, where her cultural daan, facial tattoos will be marked on her face.  Surrounded by her loving family of parents and two older brothers, and close friends, drones from the main planet attack the festivities and kidnap Amani to the palace that the Vathek empire has taken over after conquering the planet and two moons.  The storyline is pretty straightforward, the confusion for me was the world building of establishing the culture, the religion, the symbols and characters all intertwined at the start.  The understanding of what life was like before the occupation and now under Vath rule, about the tribes, the birds, and how so much has changed.  

Once Amani is enslaved in the palace and had her near identical features to the princess, surgically made to match the ruthless half Vathek, half Andalaan ruler, the setting is developed through stories and flashbacks that clear up the confusion and make the book a fast and fairly easy read.  As the princess’ body double Amani must learn to act and carry herself as Princess Maram so as to not be discovered when sent in to complete tasks that would put the real princess in danger.  The job of Amani, however, also develops in to her filling in for Maram, whenever the spoiled princess, doesn’t want to do things.  In the process of these engagements, Amani spends a lot of time with Maram’s fiance, Idris, who is Kushaila and as part of the war truce betrothed to Maram.  Maram and Idris are friends, who understand their roles, but when Idris figures out Amani is playing a role as well, the two of them fall in love, complicating matters considerably.  Throw in some Andalaan cousins, forced to the outskirts under the new rulers, a royal half-sister vying for the crown, and a rebel who looks like a beloved Prophetess recruiting Amani to join them as a spy, and you have a protagonist trying to stay alive while following her conscious as well.

WHY I LIKE IT:

I like that the world created seems plausible and real.  I love that I was engaged and intrigued and able to finish the book (yay!), but ultimately the book reads more like a romance book, than a sci-fi one.  Aside from the planet, droids, holograms, and modes of transport, it could be any culture and religion even here on Earth being fleshed out and established as the back drop for the story.  I love that Amani holds to her culture and the love she feels for her people, their language, poetry, and their history is palpable and descriptive. 

I love that society is focused so much on the strength of women.  Yes Maram’s dad is the evil overlord, but she is the future.  Amani is the protagonist, it is her mom’s strength that she calls on so often in her trials and torture.  The Prophetess that delivers hope is a female, that the poetry comes from women, and is gifted by women.  I love that the leaders of the rebellion are women, that the cousin that has not given up on the true bloodline of rulers is female and that the Dowager is such a strong, yet loving beacon that deserves the truth about Amani’s identity.  At one point, when presenting herself as Maram to Idris’s aunt, the two have a conversation:

“You must eat more,” she says in heavily accented Vathekaar.  “If you are to be any good at bearing daughters.”

“Why daughters?”

“Only your daughters will have the stomach for the future,”  she said.  “It is why your mother had you.”

 

I don’t really like the love story between Amani and Idris, it seems too easy, even though obviously it is plagued with impossibility, there should have been more tension.  Maybe it isn’t even the relationship, but more that Idris isn’t nearly as developed as Amani and Maram, and it shows.  I’m hoping there will be more books in the series and that he will be given some depth, because a lot is told about him, but the authenticity seems lacking.  The disjointedness of the romance could also be the pacing of the book.  I felt like somethings dragged and climaxes seemed rushed. Again, I’m hoping this is more setting the stage for further adventures, and that the next book will delve more in to the political-warring-rebel story line that the author definitely can delve in to and capitalize on along with Amani and Maram’s relationship.

Maram is my favorite character, how delicious that the antagonist is not one, or even two dimensional.  She is cruel, and scared, and vulnerable and everything in between.  I loved the interactions between the two young women.  I wanted to know more from Maram, how she felt about, well, everything, and I’m really hoping holding back on those insights was intentional for a purpose.  While she evokes both hatred and pity from Amani, she evokes so much curiosity and exasperation from the reader it is refreshing.

There is nothing Islamic in the book, the characters have their own fictionalized religion, and religious texts.  The names are familiar to the Muslim world, and arabic words sprinkled in with no definition, definitely will make Arabic aware children feel a connection to the characters and setting of the book.

TOOLS FOR LEADING THE DISCUSSION:

I think one could do this as a book club book for high school aged students.  And while I dislike labeling books for one gender or another and all the stereotypical tropes that that implies, I feel like because of all the romance and the amount of time spent on Amani and Idris the book might appeal more to girls.  The book spends a lot of time on these two as it is their talking that creates understanding of their world for the reader.  It is more telling than showing, and these two snuggled up or caressing each others faces is the manner in which the information seems to be expressed.  I’m holding out hope that the rest of the series will break away from this set up.

author’s website:  http://www.somaiyabooks.com/

article with excerpts: https://ew.com/books/2018/02/19/mirage-somaiya-daud-preview/

FLAGS:

There is kissing and affection.  There is also some violences broadly as the Andalaan’s are tortured and attacked and specifically, as Amani has a bird sent to attack her, and she is regularly hit and beaten. Nothing too extreme for high schoolers.