Tag Archives: 2023

The Night Before Eid: A Muslim Family Story by Aya Khalil illustrated by Rashin Kheiriyeh

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The Night Before Eid: A Muslim Family Story by Aya Khalil illustrated by Rashin Kheiriyeh

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This 40 page early elementary picture book is set the night before Eid and radiates with love from a boy to his Teita, traditional ka’ak, and the family’s Egyptian culture.  The robust and personal backmatter shares a glimpse into the threads from the author’s real life that the story touches upon, and makes the book extend beyond the pages.  It is worth noting that this book does not articulate if it is for Eid al Fitr or Eid al Adha and thus works for both.   There is nothing religious in the book except a reference to something happening after Eid prayer in a memory, and the shape of the cookie being round like the Ramadan moon, Eid day is not mentioned, it is simply the catalyst for this warm family story about a boy and his grandma making a special treat for the first time and sharing it at school.  The large hardback book with fun illustrations is ideal for both story time and bedtime readings alike.

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It is the night before Eid and Teita has arrived from Egypt.  Zain can’t wait to make ka’ak to take to school and share with his friends.  The beloved powdered sugar cookies are steeped in tradition, both in Zain’s family and in Egyptian history.  Once the suitcases is unpacked and the special ingredients found, Teita and Mama share memories of baking with cousins, painting henna designs on hands and putting eidiya in envelopes.  The family recalls singing together on the balcony while Geddo played the tabla and lights and lanterns filled the streets below, after Eid prayer they would hand out the ka’ak.

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Zain wants the ka’ak to turn out perfectly so his teacher and friends will like them.  Teita tells him that ka’ak is as old as the ancient pharaohs, and that recipes were found in the pyramids.  At one time rulers would even put gold coins in the cookies.  Zain and his Teita mix and add the required ingredients, and drink iced apricot juice as they wait for the dough to be just right.  Getting the cookies pressed with the molds though is harder than it looks, and Zain gets frustrated. Teita’s love and patience and Zain’s clever thinking get the treat making back on track.  The ka’ak doesn’t have a gold coin filling, but they are filled with tradition.

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The timeline is a bit off for me with the grandma coming before Eid and then the cookies going to school on Monday, and then Monday evening when Zain is writing down the recipe with Teita he is telling her Eid Mubarak and that it is the best Eid ever.  So, it seems that he went to school on Eid, not to Eid prayers, which is fine, just a little sad that there was no Eid celebration or prayers.  I don’t know that kids will be bothered by it, but the lack of mirroring and stressing how joyous Eid is does somehow get lost and mitigated, in my opinion, by skipping acknowledgement of the religious holiday.   In the backmatter the author remarks that she has “outgrown the magic of Eid,” so perhaps it is intentional that the day is not included in the text.

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The last six pages of the book are filled with informative and engaging information about What is Eid, Ka’ak Time Line, A Note from the Author with photographs of her and her family celebrating Eid, a Simple Ka’ak Recipe and Additional Resources.

I purchased my copy from Crescent Moon Store where if you put my initials ISL (Islamic School Librarian) in at checkout you will save 10% or is available here on Amazon where the book currently has a coupon for $3.80 off.

The Ramadan Shield by Fadelah Mahmood illustrated by Ayun Sekar

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The Ramadan Shield by Fadelah Mahmood illustrated by Ayun Sekar

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This new 32 page rhyming book focuses on a boy who gets frustrated and often loses his temper and how the onset of Ramadan has his father imparting the lesson that fasting isn’t just staying away from food and drink, but also about behavior and controlling your anger.  He shares the hadith of saying “…I’m fasting, I’m fasting,” which is shared in its entirety and sourced at the end.  The book has a lot of text and scenarios in its moral framed telling that creates a bit of a disconnect between the presentation and the target audience.  The characters are fasting, there is no discussion about why they are fasting or that it is a first time fasting (thank you). the child’s art assignment is pretty advanced, and friends are seen independently out and about, but the rhyming lines and illustrations at the end of the kids on the rug seems aimed at a much younger reader/listener.  For my purpose of story times to children 4-9 it is a great choice, because it can appeal to the large range of relatability and attention spans, but for repeated readings in a home, it might need some shortening or additional explaining to connect as intended.

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The story starts with Nuh working on an assignment to draw and paint a picture of the Kaba, but it keeps coming out tilted and he crumples and throws page after page.  His dad snuggles him close and explains that Shabaan is over and Ramadan is about to start which means that he needs to go without food and water, but also work on his behavior.  He explains, how to use the advice of saying, “Fasting is my shield; I will not be defeated! I am fasting, I am fasting.”

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Empowered by the words, Nuh starts his next morning remembering his father’s advice.  When he spills water on his painting he remembers the advice. When a grocery cart collision at the store with his nemesis gets his fist clenching, he remembers his father’s advice.  He even gets a chance to share his knowledge with his friends.

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When the day is over he is eating iftar with his family and determined to keep his temper at bay throughout he whole month and beyond, inshaAllah, starting with him trying his drawing of the Kaba again.

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I like that the focus is on behavior, I think that is a good reminder for older kids, and something younger kids that may or may not be fasting need to implement in Ramadan.  I also like that the parents are encouraging and invested, but not controlling the individual situations.  The book is preachy, and when the kid takes the lesson and starts preaching it to him, it is a little heavy handed, but I think it fits with the nature of the book.  I appreciate that the kid knows what Ramadan and fasting is, so that the lesson can go a bit deeper in this Islamic fiction story.

I got my copy from Crescent Moon store, and you can get yours there as well by clicking this link here.  If you use code ISL (Islamic School Librain initials) at checkout you will save 10%,

Moon’s Ramadan by Natasha Khan Kazi

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Moon’s Ramadan by Natasha Khan Kazi

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This beautiful lyrical book has a simple premise of the moon looking down on people celebrating Ramadan as it circles the Earth, but stands out as being unique thanks to the poetic language and engaging illustrations.  Each spread shows moon in a different phase over a different country, and the joy, activities and worship that Muslims are partaking in during the blessed month.  I’m embarrassed to say, I didn’t realize that the author is also the illustrator until I sat down to write this review, and honestly it makes sense, as the story text and illustrations work seamlessly together.  The tone of the book, the details in the pictures, and the rich language make this a good read for a large audience.  Little ones probably won’t fully understand the poetry, but they will be mesmerized none-the-less and feel the excitement.  My three year old calls the moon all year round, the “Ramadan Moon” and he understood that the Moon in the story is excited seeing us celebrate and worship.  He consistently would still be peeking in windows or searching the scenes, not quite ready for me to turn the page long after the text was done being read.  Older kids will appreciate the shared global bonds of Muslims and the cultural specifics too.  They will grasp the information shared and beliefs touched upon in the flowing words that do not preach.  My only criticism is that the book starts with Moon saying, “Hello.”  In an Islamic centered book I would have expected to see Assalamualaikum, especially since it appears on the page where moon is above Egypt, so I’m not sure why the English greetings is used.  The book has a glossary and notes at the end making it a great addition to Muslim and non Muslim spaces alike.  I plan to read the book for a Masjid story time as the large hardback book will work just as well for a group of kids as it does at bed time.

Told from a personified Moon’s perspective, the book begins with Moon smiling at Earth as people all over the world excitedly point and look up at her, but once they see her, they rush off to prepare for the month. Over Turkey, the Ramadan Drummer awakens sleepy people for suhoor and over Indonesia he sees families gathering for iftar. As each day passes Moon grows fuller watching the children do good deeds and people sharing their wealth.

Nights of Taraweeh and listening to the Quran over Somalia, sharing treats in the United Kingdom, and  interfaith among neighbors in the United States bring joy to Moon.  And as the waning crescent sees henna being put on hands in Dubai the month is coming to an end.  People once again look to the sky, but they cannot see Moon in Argentina, Moon is new.  It is Chaand Raat and then it is Eid.  Moon is back in Egypt watching people celebrate and then the world returns to looking up at Moon and she beams with love and gratitude.

There are diverse characters of a variety of skin tones, mobilities, ages, body size and abilities featured all throughout the book in a positive and inclusive normalizing manner.  The backmatter makes the concepts more accessible and the book work on different layers.  I really enjoyed the book and am excited to share it.  I purchased mine at Crescent Moon Store where using my initials ISL (Islamic School Librarian)  will save you 10% it is also available here at Amazon Even my local public library has it on the shelves already! Happy Ramadan!

Ramadan Nights by Jenny Molendyk Divleli illustrated by Halime Nur Sevim

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Ramadan Nights by Jenny Molendyk Divleli illustrated by Halime Nur Sevim

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This rhyming softcover picture book sets the tone of the month with its large heartfelt images on cardstock thick pages.  The book mentions tarawih, reading Quran, suhoor, iftar, compassion, Laylatul Qadr, eid, but does so in a way that reflects what Muslim kids know and love about the month.  It is not overly descriptive, nor does it define the terms. It shows Muslim kids in Ramadan living their lives and draws out the emotional joy felt in acts of ibadah, not in the gifts and parties alone.  The rhyme works and isn’t terribly forced and the 8.5 by 11 size and the introductory framing of major Ramadan activities makes the book a good addition for toddlers and up. I plan to use this for a masjid story time for Muslim kids ages 4-9, but it can be used in non Muslim settings easily as well.

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The book starts out with decorating the home for Ramadan, as the city decorates outside too.  Ramadan has arrived, the moon has been seen with binoculars, and Tarawih at the mosque is where everyone is praying, and kids are playing.  Mornings start with the Ramadan drummer waking people up for suhoor, but mom is already up cooking.  The first few days of fasting are hard waiting for iftar, implying it gets easier.

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The kids and their parents make duas and thank Allah for their blessings as well as share their blessings with neighbors as they learn compassion.  The kids practice reading Qur’an every day with Grandma and before you know it, it is the last ten nights and Laylatul Qadr and then eid, alhumdulillah.  The 32 page book ends with prayers of gratitude and hope that Ramadan will be seen again.

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The book really is well done, there is no plot or story, but it introduces the month to little ones, reminds older ones what to expect and does so with accuracy and mirroring.  The book will lend itself to spark discussions about what a readers’ family can look forward to in the month, how one should behave in a masjid, perhaps some Quran goals and some appreciation for parents.  The poor mom helps decorate, stays up early to cook suhoor, cooks yummy iftar, and lays out Eid clothes all while wearing hijab.  InshaAllah a point to mention when reading how amazing moms (and dads) are in making Ramadan memories while fasting themselves.

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I purchased mine from https://crescentmoonstore.com/ if you use my initials at checkout ISL (Islamic School Librarian) you can save 10% or click this link directly to go to the book.

Ramadan Mubarak!

The Adventures of Amina Al-Sirafi by Shannon Chakraborty

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The Adventures of Amina Al-Sirafi by Shannon Chakraborty

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It has been a long time since I have stopped reading a book because I simply do not want it to end.  Clearly I have no self control, so a day later I picked it back up and finished the 496 pages, but oh what a treat to be swept away aboard a magnificent tale with rich history, Muslim characters, Islamic references, developed fantasy world building, complex side characters, excitement, plot, adventure, and everything else you would expect from the author of the Daevabad series.  The book is an adult read, and I really can’t suggest it to YA readers, the protagonist is a middle aged mom with a foul mouth and a bad knee, there is cursing, and killing,  hetero, gay and demon love interests among the main characters, a transgendered character, sex mentioned, drinking, and magic, it is all part of the story, but it isn’t so in your face that older mature Muslim readers will be uncomfortable.  So why am I reviewing it here, I honestly don’t know.  Clearly it is not to be shelved in the Islamic School Library, but there is so much authentic Islamic centering on every single page, that I want to give it space to remind/encourage us all that we don’t have to hide or water down our faith in mainstream books- not if the writing, story, and characters are so incredible.  I really thought a historically set pirate fantasy would be hard to read, that the vocabulary and references would leave me lost and confused, but it is written so beautifully that the pages fly by and you forget you are reading; it is as if you are watching the story unfold in front of you.  Please consider preordering this book so that publishers know support exists for authentic OWN voice Muslim character led books, I have an e-version, but have also preordered a physical hard back copy here.

SYNOPSIS:

It has been a decade since the infamous nakhuda Amina al Sirafi has taken to the Indian Ocean to plunder and sail. The stories of her have grown and traveled in her retirement, but life is now more about protecting her daughter and fixing her leaking roof.  When her previous life finds her and threatens her, however, she must return to her Marawati, call on her old friends, and put together a crew.  Told through a storyteller, with banter between Jamal and Amina, the fourth wall is broken and the reader knows that the hero will survive, yet the adventures of outsmarting Aden’s defenses, peris, demons, Franks, pirates, and marids to prevent the Moon of Saba from being manipulated is a fast paced chaotic adventure that pulls you in from the first page.  The fairly linear story from one point of view (mostly), connects the haunting past to the trials at hand, as the crew and characters are understood through their captain.  I don’t want to give anything away, but the side characters are nuanced and developed in a way that you feel just as close to them as Amina does, and as she becomes frantic to save them, the reader too is invested in their choices and actions.  Pirate adventure, saving the day, a mom as a hero and a missing demon husband refound, yeah, don’t read summaries of this book, just read the book.

WHY I LIKE IT:

I was surprised at the religious redemption arcs and details that were included on truly every page, from the meaning of the translation of Ayat ul Kursi, to acknowledging past sins and striving to not repeat them, Amina al Sirafi practices her Islam in her five daily prayers, regular supplications, regular repentance, and view of the world and her place in it.  She isn’t preachy, and much of what she faces tempts her to drink wine and fornicate again, but her struggles are really refreshing to see.  It isn’t that she is Muslim and that is the framing for the al-ghayb elements alone, it is so part of her and thus of the book, that you can’t help but feel seen.

The gay character’s lover is mentioned, neither are Muslim, but it is only a few lines in the entire book.  The transgendered character starts off uncomfortable with being forced to marry and hints that she doesn’t feel feminine, Amina pieces together what she is saying and then at the end it shows that she is now identifying and carrying herself as a man.  It isn’t a big part of the text, it has a strong effect on the story and it does touch on God’s view of such things, as the character is Muslim.  The demon love interest SLIGHT SPOILER is Amina’s husband that she thought she had killed, she has had a lot of husbands, but when he turns up alive, she realizes technically they are still married.  He asks her quite often to have sex.  It is usually is just that blunt with no romance or longing, and when they do partake in the act, it isn’t overly graphic, it is “closed door.”  There is killing and murder and deceit and lying and drinking, all things assumed would be in a pirate story.  None of it is overly glorified, but it is normalized.

I really just love the characters and the fast paced action, the book leaves off implying there will be more tales to come and I hope there are.  (I keep writing what I love about the book and deleting it, because you know….spoilers, ahh).

FLAGS:

As previously mentioned: cursing, sex, hetero and gay relationships, magic, fantasy, killing, murder, lying, drinking, drugs, jinn, peris, marids, fantasy, occult, demons, death, loss.

TOOLS FOR LEADING THE DISCUSSION:

I would never do this for a school book club, but would do it in a heartbeat for an adult book club!

 

 

Babajoon’s Treasure by Farnaz Esnaashari illustrated by Nabi H. Ali

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Babajoon’s Treasure by Farnaz Esnaashari illustrated by Nabi H. Ali

This beautifully illustrated imaginative story focuses on Persian culture and a grandfather-granddaughter relationship.  I have no idea if the characters, author, or illustrator identify as Muslim, the scarf on the grandma and the salaam greetings might just be cultural, but Muslim kids will see themselves in those words and images and thus I am reviewing the book.  Young Miriam spends a week with her grandparents, Babajoon and Mamanjoon, every summer, and on this trip, she has reason to believe her grandpa is a pirate.  The progression of Babajoon sharing his culture with his granddaughter who has misread the signs is silly, but honestly also a little sad.  It seems she is very unaware of her family’s culture, not just generational details, but basics.  The story itself is for kids, but I think parents will find a deeper message in the importance of maintaining cultural ties and familiarity no matter where our children are raised.

Miriam loves her week every summer with her grandparents, it is a magical adventure spending time with them at their tea shop.  One day Miriam and her Babajoon head out for rocket pops and a mysterious gold coin falls out of her grandpa’s pocket.  As they enjoy their popsicles, Babajoon starts singing with a parrot, and he has a secret language with an old friend before crystals are revealed, the only possible connection for the young girl, is that her grandfather is a pirate.

Babajoon reveals the cultural context of all the days adventures tying them back to his childhood in Iran.  He encourages her to ask questions, and Miriam worries that she isn’t like her beloved Babajoon.  His reassures her that they are alike and that they will teach each other, leaves the book with both appreciation and hope and a whole lot of love from a little girl to her family and culture.

There is a bit of a continuity issue for me as the little girl is excited her grandfather is a pirate, and then at the end, glad he isn’t.  Also that she doesn’t know what Farsi sounds like or where her grandfather is from seems a little bit of a stretch as she herself calls them Babajoon and Mamajoon and says salaam to them.  They also own a Persian tea shop called Aziz and the sign board is written in English and Farsi.  If the little girl is aware enough and old enough to piece together the clues to discern that he is a pirate, clearly she recognizes the difference in the titles, foods, and clothing her grandparents wear to the larger society.  I know, I’m being picky, but it took me a few readings to get past all that, and appreciate the story for what it is, and how beneficial it really can be to encourage children to ask about their family heritage and traditions.

The 40 page horizontal hardback book is beautiful to share in groups or one-on-one.  The illustrations are enjoyable, and the pirate aspect will make this book a frequently requested read.  You can preorder your copy here, after March 28, 2023 you can still purchase through that link.

Free Radicals by Lila Riesen

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Free Radicals by Lila Riesen

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This contemporary 400 page YA book about an American Afghan girl dealing with life and boys and worrying about family in Afghanistan since America’s withdrawal from the country, is written by an Afghan Australian, raised in America, and thus it seemed like a book I should review from an Islamic lens even if the blurb on the back seemed a little stereotypical with the oppressed-can’t-meet-with-boys theme.  Well, suffice it to say the blurb on the back is terribly misleading and this OWN voice book lightly sprinkles in Islam as cultural adoptions and there are flags, oh so many flags.  In the first 20 pages alone there is normalizing and discussion of sex, watching pornography, voyeurism, a females breast being exposed, drinking alcohol, a trans character changing, cheating, gossip of the main character circle jerking three guys, partying, a boy sneaking over, parents vacuuming to cover the sounds of their son and his girlfriend in the bedroom, attempted sexual assault, and the book doesn’t just say it is young adult, it specifies, 7th grade, ages 12 and up! I’m reviewing it as an Islamic School Librarian, but I am not ok with any 12 year olds reading this, and worry the American flag on top, the masjid on the bottom and the young girl on the side, just might entice a young reader to start reading, and that is alarming. The characters do not identify as Muslim, the grandpa known as Baba is a “conditional Muslim” he skips Ramadan, celebrates Christmas, and only prays a few times a week, so the drinking and the dating are really not concerns for the characters. I kept reading to see if there was some religious arc with the family in Afghanistan possibly coming, but SPOILER, I’ll save you the read, there is no Islam, a Quran is mentioned to be stored in a box with old shoes, the dad starts reading the Bible and considers “converting” and there are make-out scenes, a pan sexual character, vandalism, sexual assault rumors, just to name a few.  The writing is entertaining if not chaotic at times, but I cannot recommend this book for Muslim readers, and have reservations about some of the stereotypes for non Muslims, I will stay focused on the Muslim reader in this review, however, since the book is OWN voice, and just because I don’t like or agree with various aspects, does not mean that they are not accurate or real.

SYNOPSIS:

Mafi is 16 and since rumors about what she did at a party with three guys started circulating she finds herself friendless and unseen.  She has become the dealer of vengeance, working to ensure people get what is coming to them when the notes left in a tree are verified.  Living each day in sweats and hoodies she dreams of  Jalen, a basketball player, being more than just her brother’s friend.  When she starts to get sloppy in her justice “ghost” dealings she finds herself emotionally involved and her world changing as a result.  There are numerous side characters and side stories that keep this book buzzing: her parents relationship falling a part, her sister away at college, her grandfather’s dementia, her brother Rafi and his girl friend Bian, Rafi getting signed by a college for basketball that wants to make public his Afghan roots, a father who wants them to always deny their Afghan roots, Jalen’s own drive to be signed with a college, Jalen’s dad’s PTSD, motocross, driver’s license, the kid next door that smells of smoke, piercing noses, Brit, a popular trans activist with no sex drive who befriends Mafi, and rumors and gossip that poke and complicate every aforementioned character and relationship.

WHY I LIKE IT:

I have issues with the blurb on the back, the cultural/religious restraints are really non existent in the book, the SOL tree is only brought in for two acts of vengeance, and the age demographic is just too young to read about the sexual exploits, that are not detailed but are very present and normalized.  I have issues with the religious references that are present anecdotally for the dismissiveness it implies, but it is not an issue for the characters- because religion is not a part of their lives, and honestly- ultimately, I’m glad it was kept at arms length, because with so many “haram” story lines, it would be problematic to see the characters identifying as Muslim.  The writing at times was really engaging and smooth and I was shocked at how fast the pages were flying by.  At other times it seemed too chaotic and underdeveloped.  Keying a car seems such a sad planned act of vengeance, I wanted to know what acts she had done in the past other than the two mentioned in the book, there was a lot of set up to go deep on Bian, or Jalen’s dad or Mafi’s loss of friends, but it all just fizzled.  I never felt emotionally tied to the family in Afghanistan, or the dad on the deck.  I wanted to understand some of the walls the family established so that I could feel what the characters were feeling- and so often it just wasn’t there.  I absolutely loved the grandfather and his quirks and the sibling relationship of Rafi and Mafi as the story progressed.  After the initial shock value, the book really did settle down and have a lot of heart, but those first 20 pages were aggressive, and the last twenty seemed to just unravel.  I would have loved to see some commentary about the hypocrisy or ironies of Mafi’s life, she has insights, they just seemed missing when reflecting on her own family quirks: her family doesn’t want to identify as Afghan, yet all their nicknames are Afghani, she claims she can’t hang out with boys, but she seems to all the time with no problem, they have no Afghan friends and yet there is no acknowledgement of this when the man on the moped shows up, how long Baba has lived with them seems inconsistent, they eat dinner together most nights but seem like strangers.

Politically, the author has her views and thus the characters theirs.  For those not familiar there is enough information about Hazaras, and the Taliban, to understand her point of view, but I don’t know that the books really conveys a lot of the nuance or accounts for why the family would be heading to Pakistan while dropping jabs at Pakistan’s view of the Taliban. There is a bit of othering and we are the good ones not the terrorist ones that seems stereotypical, but the remarks are said in passing and not often.

FLAGS:

Sex, kissing, making out, voyeurism, porn, female breasts exposed, trans character changing, Islamophobic remarks, misogyny, bullying, language, loss, dementia, discrimination, drugs, mental health, rumors, gossip, lying, sexual assault, violence, ptsd, relationships, pan sexual, racism, theft, hate speech, death, fear, threats, sneaking out, Halloween, alcohol, hung over, violence, mention of murder, masturbation word play, a child using a dildo as a sword, pretty much every flag you can think of is present in some form.

TOOLS FOR LEADING THE DISCUSSION:
I would not shelve this book in an Islamic school library or classroom. I would hope that public libraries would not be displaying it near the books for younger YA as well.  It isn’t that I am holding it to a higher standard than other YA books, but it would be naive to think that the Afghan architecture on the bottom right of the cover that looks like a mosque and the light hearted blurb on the back, might excite young Muslim readers, and thus I’ve posted this review as much for my own conscious in making sure parents don’t pick this up for their kids as for warning Muslims that there isn’t Islamic rep in the book.

Hamra and the Jungle of Memories by Hanna Alkaf

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Hamra and the Jungle of Memories by Hanna Alkaf

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This 400 page middle grade retelling of Little Red Riding Hood bursts with Malaysian culture, magic, action, and adventure.  The main character and her family are Muslim and hijab, duas, zikr, halal, Qur’an and salat are included throughout.  The mix of legends and characters from Malaysian culture in building the fae world is not contrasted with religious faith, but assumed to both coexist without issue.  The book is clean for ages nine and up and the only concepts worth noting are some intense life and death situations, close male and female friendships, dementia, and the element of fantasy.  The book is set during the Covid-19 pandemic which will ultimately date the book as it doesn’t convey the tone for readers unfamiliar with the curfews, social distancing, controversies, and masking.  Those who have just lived through it, will not need the framing, but in a few years I do fear that the book will be lacking in fully understanding why the tourists, parents, and markets are so absent.  As with all of the author’s books there are also dated pop culture references, that slow the narrative down for today’s readers.  The book grabs you from the start and the second half flies by smoothly, but the middle quarter is a bit slow as the world building is not robust, and the reader is thrust into a magical world that is just accepted without pause, and the reader is asked to accept it at face value as well.

SYNOPSIS:

It is Hamra’s birthday, but the independent 13 year old is not being celebrated- everyone has forgotten: her mother is a front line worker, her father helping those with limited resources, and her aging grandfather and her are left to care for her memory slipping grandmother.  When Hamra, Little Red, storms off to the jungle to collect some herbs, in an act of spite, she defies the rules drilled in to her 1- Always ask permission before you enter.  2- Don’t challenge what you can’t even see. 3- Never use your true name. 4-Never take what isn’t yours. 5-If you hear someone calling your name, never, ever look behind you. She also doesn’t listen to the regular reminders to tie her shoes.  Simple rules, that when broken set the story in to motion.  Along with her best friend Ilyas, the two will strike a deal with a weretiger for their transgressions that takes them on a journey to try and save Opah, themselves, and prove their quest a success.  The characters they meet, the clues they unravel, the legends they understand, and the scenic islands they explore are as lush as the love Hamra has for her family and the drive she has to return home safely.

WHY I LIKE IT:

I love the way Islam is truly part of the characters, and a natural extension of how they see the world and act within it.  I wish there was stronger world building blending the world of the known and the fantasy for the reader.  The writing of the Malaysian setting is beautifully unapologetic and I love that there is not a glossary or overly explained descriptions, it is immersive and I appreciate that, but the framing of the two worlds I felt was a bit disjointed and needed some fleshing out.  At times it feels more telling than showing in detailing the depths of the legends or the superstitions that are true for the story.  I did enjoy the characters’ quirks and stubbornness, there is not a lot of arc and growth, but with the intensity of the adventure and culture, I didn’t feel it lacking in development.  For much of the book I didn’t quite appreciate the Covid-19 framing, but by the end I understood that it was a way to have the tourist spots void of people, the parent’s out of the way; a little more development though would have had the uncertainty of so much more fully realized.

FLAGS:

Fear, trickery, danger, loss, death, music, musical references, dammit is said.  There is some violence, close male and female friendships, and a possible trigger of dementia in a loved one.  There is myth, legend, magic, fairies, fae, and fantasy, if you are ok with the concepts in general the presentation is clean even with mixing religion and these concepts.  If you are uncomfortable of fantasy and Islam coexisting, this book draws the two worlds very close.

TOOLS FOR LEADING THE DISCUSSION:

I have taught two of her books in middle school book club discussions, and I would teach this one as well.  It is enjoyable to see Malaysian Muslim characters so confident in their identity and having adventures that are enhanced by their faith and culture while focusing on larger themes of friendship, family, forgiveness, and adventure.

The book comes out in March of 2023, I’ve preorderd mine HERE and I hope you will as well.

A Bit of Earth by Karuna Riazi

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A Bit of Earth by Karuna Riazi

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This Secret Garden retelling mixes the heart of the original with a dash of modernity, the flavor of desi culture, and the lyricism of a good writer.  Over 368 pages the slow plot but rich imagery will draw readers in, hold their attention, and leave them thinking about the characters they have been fortunate to spend time with on Long Island.  Islam is practiced and normalized and naturally woven into the Muslim characters’ daily lives without othering or over explaining.  I did struggle a bit trying to keep the relationships of who was supposed to be caring for the protagonist at various points since her parent’s died clear, but once I abandoned stressing about it I was able to be swept away.  I recently reread The Secret Garden with my own children and the original is not plot heavy, nor action packed, but I watched as my own children were drawn to the slower, more grounded (pun intended) nuanced tale, and I think this book, in the same vein, will find its way in to the hearts of middle grade readers.  The book is clean, there is a possible crush hinted very slightly at the end, periods are also endured, and I do have reservations of the terrible marital relationship between Mr. and Mrs. Clayborne, but it establishes that change will occur, so at least it isn’t normalized.  There are sprinkles of magic implied regarding the house, but it is always framed without clarity and in a subtle way to set the tone and the emotions the characters are feeling more than centralizing something rooted (see I did it again) in fantasy.

SYNOPSIS:

The book updates and mirrors the original fairly well with an obstinate orphan arriving at a sprawling house, finding a prickly boy, and setting off to form a tentative toleration of one another with friendly neighbor kids in a garden that is unquestionably off limits.

Maria Latif arrives from Pakistan against her will to be taken in by a distant relative (I’m not sure how she is related), but Asra has been called away and she is forced to stay with Lyndsay, the new wife of Mr. Clayborne.  The first wife was a friend of Maria’s family, but Lyndsay is just as emotionally overwhelmed and lost as the child in her charge.  With Mr. Clayborne away on businesses, his mother Charlotte keeps them all on edge.  When Colin Clayborne is expelled and returns home, more tension erupts and the two children find themselves in an off limits garden trying to make the most of a difficult situation.

WHY I LIKE IT:

I love the mix of poetry and standard novel format.  It is beautifully written and clearly the author does a remarkable job of making her very unlikeable characters worm their way in to the reader’s heart.  Both Maria and Colin are thorny and difficult, stubborn and rude, but you seriously cheer for them, and I did shed a few tears at the end.  With the author’s writing ability apparent, I’m still not sure why the foundation of the relationships and getting Maria to the Clayborne home is so cumbersome.  It is too muddled and it drags the book down every time it is revisited.  The Dadi having the aunt’s phone number was too easy, the inconsistency of the neighbors having no relationship to the Clayborne’s for so long and Lyndsay not even pausing to think another Bangladeshi family living a few houses down might be my husband’s first wife’s friends, seems inconsistent.  Honestly Lyndsey in general needed to read like a competent woman struggling, not a teenager in over her head. I disliked her and Mr. Clayborne’s relationship and I would hate to think any reader would find it ok or normal.

I love the Islam and how it presents when the character has to pray, she goes and prays, it is part of the story and it is seamless.  I don’t think the culture is handled quite as well.  Lyndsay is a foot writer who is always cooking, yet knows nothing of desi foods? If Colin’s mom is desi, wouldn’t she at some point tried to cook familiar foods for him.  Half the neighborhood is Bangledeshi, so it seems everyone has a parent or step parent or distant relative that is desi and I loved the normalizing, but it seemed a bit assuming.  I don’t think kids will wish it was more clear, but as an adult reading it, I felt like it needed to be interjected more without explanation, or if left as is, adding some context. I also wanted to know what Maria’s parents did and a little introspection from Maria.  Again as an adult I see how her anger and grief changes how she remembers them, but from them always being away, to such soft poignant memories at the end, I think kids will need a little hand holding to understand the grief process and her understanding of them.  As it is, they just seem terrible and then all of the sudden great, and the pacing gets thrown off in the process.

FLAGS:

It seems to hint at the end that Maria might have a bit of a crush on Colin, I honestly thought up until a single line that they were making a chosen family with the people who cared for them, but that line seemed to suggest it might be more of a romantic feeling than friend or brotherly.  I read an early copy, so this is subject to change.

Maria gets her period and it is detailed what she is feeling.  I think boys and girls can and should read it.  It is presented on age and appropriately: cramps, achy, dry about blood leakage, having it start young like her mother, etc..

Implied magic (possibly), music and musical instruments being played, milaad, lying, sneaking, being kicked out of school for physical assault, close male and female friendships, ADHD stigma.

TOOLS FOR LEADING THE DISCUSSION

I think this book would work in a classroom and would appeal to readers in an Islamic or public library.  I would consider it for a middle school book club, I think readers will connect and feel empathy for Maria, Colin, and Lyndsay and be better for it.

I preordered my copy HERE and I hope you will do the same

A Dupatta Is…by Marzieh Abbas illustrated by Anu Chouhan

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A Dupatta Is…by Marzieh Abbas illustrated by Anu Chouhan

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I read this 30 page early elementary book a few times before writing this review and honestly my cheeks hurt because I cannot stop smiling.  The lyrical writing radiates warmth and pride, culture and tradition, legacy and identity, while acknowledging both the playfulness and solemnness of a piece of fabric.  My heart breathed with the clarity and articulation that is felt and contained within the fabric that perhaps all Pakistanis feel, but cannot convey so poetically.  The book may be meant for children four to eight years old, but all readers will appreciate the text and illustrations that seamlessly flow like a favorite dupatta grabbed while running out the door. I struggled with picking only a few images to share, as every page became my new favorite as the book progressed.  Admittedly though, one page did give me pause as it conflated incense burning with getting rid of evil spirits which comes across as a religious belief, but is a cultural practice.

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The book starts out with the actual physical description of what a dupatta is and how it is adorned.  It then moves on to describing the color, the sound, the smell, the place, the function, the art, the beauty, the fun, the faith, the legacy, and the identity.  Each spread ends with the words, “but a dupatta is so much more…” seamlessly weaving so many facets of what a dupatta is together to create a true understanding of it from a tangible, to cultural, to practical perspective.

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I love that there is a page about faith, and praying five times a day with a dupatta being worn, it is a little odd that there is a portrait decorating the wall behind the two characters making dua, but at least it is clearly behind them.  I absolutely loved that so often the wearer of the dupatta was also wearing a hijab, particularly the bride picture- which is absolutely gorgeous.  It signals without words that a dupatta can be worn to cover a Muslim woman’s head, but it is also often not.  The backmatter further details that it was once worn as part of the national dress and as a form of modesty, but now is often worn as an accessory.

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One summer in Pakistan, a friend and some cousins and I started trying to formulate 101 Things to do with a dupatta (wipe noses, pull things out of the oven, catch fish), it was the year of net dupattas so clearly covering your head was not one of them.  Sure we were being silly, but to see the book also highlight wiping sticky hands, and wrapping it up like a sari, and using it as a cradle to rock a baby was very, very accurate and heartwarming.

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Please pre order this book, it signals to publishers that these books are in demand and is a way to show what type of books we want to see.  I preordered  mine here.