Tag Archives: Muslim Family

Prince Among Slaves by N.H. Senzai illustrated by Anna Rich

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Prince Among Slaves by N.H. Senzai illustrated by Anna Rich

 

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This 48 page biography tells a story that we all should know, yet are probably hearing for the first time.  The story of how West African Prince, Abdulrahman Ibrahim Ibn Sori, was forcefully taken and sent to America to be a slave on a plantation, what he endured for decades, and how he made his way back to the African continent.  The large emotional illustrations and poignant text tell of his his life in Fouta Djallon, the painful journey to Mississippi, the trials as a slave, the joy of being a husband and father, and his attempts to return home a free man.  With each challenge and at each stage, him additionally showing amazing strength and trust in Allah swt.  The heartbreaking tale unearths so much evil, ignorance, and faith, that the story is not meant to be read once, it begs to be reflected on, pondered over, and shared far and wide. The treatment of Prince Abdulrahman shown in some of the illustrations are difficult to look at, as they should be, there is also a very passionate kiss shown up close between him and his wife.  I think the story’s words and illustrations emphasize the anguish, the strength and the humanity, but I mention the illustrations for each to decide on their own.  There is not a biography or sources in the book, but rather mentions in the Author’s Note the source matter being a film by Unity Production Foundation.  It is not unusual to adapt a biography from a film, and I read an ARC, but I do hope the final copy will be sourced.  The book is for middle grade readers, and I cannot wait to add a physical copy on my own bookshelves, and gift numerous ones to teachers to share in their classrooms.

WARNING: SPOILERS: THE SYNOPSIS CONTAINS A FULL RETELLING, as it is historical, I hope that is ok, but in no way shape or form is my summary taking away from the details, emotion, and writing the actual book contains. 


In 1762, the Fulbe enjoyed prosperity and peace under the king, and when Abdulrahman was seven he started school in Timbo. He loved learning about the Prophets in the Qur’an, and excelled at his studies.  So much so that his father sent him to Timbuktu to continue his studies at age 12. Five years later he returned to train as a warrior, when the first white man, a surgeon, Dr. John Cox appeared injured and lost, they helped heal him and sent him back home to Ireland.

By age 26, Prince Abdurrahman was a warrior, a scholar, soon to be king, a husband and a father of a son.  One day while on patrol, he was captured. He and 170 others were loaded on a ship, for eight months, and sent over 3,000 miles across the Atlantic Ocean.

On August 16, 1788 he arrived starved in Natchez, Mississippi, for $930 he and another man became the property of Colonel Foster.  Resigned that this was his fate, he helped share his knowledge of cotton, and the plantation prospered. In 1975 he married, Isabella.  They had nine children and eight grandchildren.  

In 1807 while selling goods in the market, Abdurrahman sees Dr Cox (subhanAllah), and the doctor pleads with Colonel Foster to free the Prince.  Foster could not be moved and when the doctor died, Abdurrahman once again accepted his fate. 

His story though had started to spread, and a printer, felt a softness to the Prince turned slave and printed often embellished stories trying to help his cause.  He asked the Prince to write a letter, the Prince wrote an ayah from the Quran and the printer passed it to Mississippi senator Thomas Reed explaining the Prince’s desire to return to Africa.  Senator Reed got the letter to Henry Clay, the Secretary of State under John Quincy Adams, who then got the message to the President of the United States.

The letter was written in Arabic, and they assumed Prince Abdurrahman was thus from Morocco.  The Sultan of Morocco was touched by his plight and petitioned for his release, and the Prince kept quiet not wanting the truth of where he was from to remove the help he was receiving.

He was finally freed and able to purchase the freedom of his wife Isabella with the help of those who had heard his story, but the efforts to free his children were not as successful.  The truth about him not being Moroccan became known, and despite extensive travels and pleas, his declining health forced him to leave America with out his children.  He arrived in Monrovia, Liberia, but would die before he could reach his home of Fouta Djallon.

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Mama Wears a Hijab by Fifi Abu

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Mama Wears a Hijab by Fifi Abu

I don’t understand this 24 page 10 x 10 board book. I don’t get it literary wise, or Islamic rep value wise, and if someone can explain it to me, I will be happy to listen.  I’m figuring it is a “me” problem because the author has multiple masters, one in children’s literature and has even been on the Caldecott committee, so I don’t know why I can’t make heads or tales of the metaphors.  At times it seems they are describing the hijab, but maybe the parent child relationship, on one spread the pregnancy, possibly motherhood in general.  A few pages are beautiful, and I like the illustrations, but the continuity is lacking and makes me a little uncomfortable.  Islamically, I understand that women who cover their head often do wear makeup and perfume, but they are not part of hijab, so to have that be articulated is both erroneous and odd.

The illustrations show hijab, niqab, a duputta style, and everything in between.  The characters shown are families in a variety of skin tones, clothing styles, body shapes, and cultural settings.

The book is not a story, it functions in two page spreads of rhyme that take an abstract concept and ground it so to speak, but what the connection is, is by and large lost on me.  I know I have included more inside pages than normal, but I feel that I can’t really review it, so perhaps the least I can do is provide enough peeks for people to come to their own conclusions.

Bilal’s Bad Day by Neelum Khan illustrated by Alice Larsson

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Bilal’s Bad Day by Neelum Khan illustrated by Alice Larsson

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I like the concept and presentation of this picture book that involves spinning a spinner at the midway point to determine what page you should “jump” to, to continue the story. I can see this being a great tool to introduce and practice different calming strategies to use when times are tough.  I love that some of the ideas of faith based, and some are not, and that a thorough introduction of how to use the book and strategies precedes the fictional story.  BUT, oh come on you knew it was coming, I don’t know if the information is sound.  Translation, I don’t have to use calming strategies, and the book does not disclose if the author is qualified to be giving them.  I can’t imagine the strategies would cause harm, and we can always benefit for de-escalating and centering, and truth be told I don’t even know if one would have to be “qualified” to give this advice.  I simply put it out there for you all to decide for you and your little ones.

The book starts with Bilal opening his eyes to the sounds of his siblings squabbling, breakfast disappoints when they are out of his favorite cereal, and dad’s joke about his hair is not appreciated.  Top it all off with news that guests with a baby were coming over for lunch, and Bilal knows it isn’t going to be a good day.  With cleaning, itchy clothes, and the smell of food building as the day passes, the doorbell ringing sends him over the edge and mum and dad need to find a calming strategy to help him.  This is when the reader gets to spin the arrow and jump to the page to see what and how to use the different options.

The book has whatever option picked work to calm Bilal down, but notes at the beginning that multiple options and repeats are often more the reality.  The story then has Bilal later that evening reflect on the day before asking the reader to reflect on their own similar experiences as well through six bulleted considerations. The 40 page book concludes with hadiths.

This book needs to be read and discussed before the moment of need arises, and be aware the spinner at bedtime is too much of a distraction.  The book is best with dialogue, understanding, and practice.

Eliyas Explains Phenomenal Women in Islam by Zanib Mian illustrated by Daniel Hills

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Eliyas Explains Phenomenal Women in Islam by Zanib Mian illustrated by Daniel Hills

Another wonderful Eliyas Explains book that targets elementary readers with a relatable, funny, likeable voice that weaves in information, heart, faith, and humor in a way that makes them favorites at my house, even after my children have aged out of the target demographic. I particularly enjoyed this 106 page focus on women in Islam, because like the others in the series it is sourced, illustrated, and engaging, but I felt the cover story linking the facts was also compelling. I genuinely didn’t know what the family was going to do about the expo mix-up, and was invested in not just the Islamic role-modeling of how the family would handle the set back, and what historical woman it would be connected to, but also what they were going to do with all the Qur’an Match games, and I assure you, I didn’t see the resolution coming, or the twists that followed.  I always appreciate that the author’s books don’t talk down to the readers and with the information contained, I think both children hearing the stories for the first time or those that know them well, benefit.  The way they are presented serves as a reminder for some or a tease for others to go learn more.  Alhumdulillah for this series and this book that highlights Khadija (ra), Fatima (ra), Aisha (ra), Maryam (as), Hajar (as), and Aasiya. As prices for goods continue to soar, this reasonably priced book should be an auto buy for us all.

SYNOPSIS:

Eliyas and his family are heading to an expo to set up their booth and help their Mum sell her Qur’an Match game.  Mum is a little nervous and the road trip is the perfect setting to talk about phenomenal women in Islam to give her confidence and the kids some teachable moments.  The kids are wowed by the business savvy and status of Khadija bint Khuwaylid (ra), and they want to hear about the other  women promised jannah.  Little sister Aasiya is particularly interested in who she was named after.  Once they get to the expo though, things are not as expected.  The organizers have no record of the stall reservation, tickets are sold out, and Yusuf goes missing.  Alhumdulillah, Mum stays level headed and the family trusts Allah swt to provide them with something better.  The remainder of the book is the family taking what comes at them and making the best of each situation as they make their way home, share more stories, and enjoy each adventure as it comes.

WHY I LIKE IT:
I love the subject and how it is presented.  I always appreciate the sourcing given at the beginning so that the stress of accuracy is abated. The writing quality allows you to be sitting right there with Eliyas in the car taking it all in.  I know that many Eliyas books have workbook style prompts at the end, but I was glad this particular one is just a straight story read.  The illustrations as always are comical, and I can’t wait to see what is up next in the series.

FLAGS:

None

TOOLS FOR LEADING THE DISUSSION:

My kids read it and we talked and laughed, and I recommend it and the whole series for 2nd-4th grade classrooms to have for kids to read, enjoy and learn from, alhumdulillah.

The Thirty Before Thirty List by Tasneem Abdur-Rashid

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The Thirty Before Thirty List by Tasneem Abdur-Rashid

This is the second book I’ve read by the author and while I didn’t do a full review of the first (Finding Mr Perfectly Fine), I am going to do a full review of this one, because the book might not be “halal, halal” or intentionally Islam centered, but with a robust Muslim cast it stays impressively clean and there is a lot of Islam present.  I’m glad I bought a physical copy so my nieces or my daughter can pick it up and enjoy Rana’s growth and antics.  The book is nearly 400 pages long, but they fly by, and if you are 16 and up looking for a rom com style escape book this will fit the bill.  The only thing that really gave me pause is an early label the protagonist slaps on her self as “not being a devout Muslim.”  I get the point is to not let the stereotype of an arranged marriage and strict brown parents overshadow the initial impression of the book, but the author is a better writer than that early statement indicates.  As the story progresses you see her Islam IS very much part of her identity, her environment, her outlook, and the author shows it in relatable nuanced ways that the early “telling” was not needed.  Yes, the book has the protagonist and a different boy or two alone at times, and there is some hand holding and a few hugs, but the intention is always to find a spouse, and religious lines are usually clearly on the character’s radar.  There is some talk about mortgages, and a side Muslim character that has a girlfriend he keeps secret as they go on holiday together, but again, nothing obscene, or defensive, just realistic actions from contemporary characters viewing things their own way and doing the best they can.

SYNOPSIS:

Maya’s life is pretty predictable, she lives at home, goes to work, hangs out with her childhood friend on the weekend, and dodges any attempts to be set up for marriage.  Then one day on the tube a mysterious stranger, Noah, his leather bound notebook, and everyone else in her life moving forward, prompts her to open the notebook and copy his 30 before 30 list.  Adapting what doesn’t make sense at all for her life, she never peeks ahead, but rather takes one adventure at a time.  When people from different circles in her life start interacting, and Noah reenters her life, Maya will have decisions to make and a new list to commit to, her own.

WHY I LIKE IT:

I needed a diversion, I was going to be spending a few consecutive days in waiting rooms at hospitals and knew I’d need something light, easy to read, pause, and return to, and something to make me smile.  Maya is likeable, and her family and friends relatable.  Her Bangladeshi and British culture add depth and I was genuinely surprised and appreciative with how much Islam managed to find its way in to the plot and character arcs.

FLAGS:

Relationships outside of marriage, nude model, lying, hugs, hand holding.

TOOLS FOR LEADING THE DISCUSSION:

This would make a great adult, college, or even 12th grade book club selection, for just a fun book to laugh about and enjoy with friends.  It isn’t that deep, but there are threads that will hit, and to chat about it will bring friends closer together.

The Boldest White: A Story of Hijab and Community by Ibtikhaj Muhammad and S.K. Ali illustrated by Hatem Aly

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The Boldest White: A Story of Hijab and Community by Ibtikhaj Muhammad and S.K. Ali illustrated by Hatem Aly

The third and final book in the standalone series is finally out and I absolutely love that Islam, salat, and the masjid are front and center. Faizah is once again brought to life through the incredible illustrations that provide all the emotional beats and make the book memorable.  The story though is only just ok, to be honest, it is clunky and disjointed.  I have read the book a half a dozen times to myself and twice aloud and I do not understand the Eid story line.  I doesn’t fit the themes of fitting in, being a leader, being bold, it just seemed to be there to motivate a white hijab being purchased, and it was very distracting to the cadence and continuity of the story. Every time Faizah is self reflecting on her fear, suddenly a conversation about Eid with a friend named Sophie disrupts the story. Even the refrain that “Bravery grows in your mind.  But its roots are in your heart,” sounds lovely, but is never explained or developed, so what are you to water it with? What are the right reasons?  I’m sure most will be fine with the concepts and presentation and not be bothered, but this book is an auto buy for Muslims and non Muslims alike, and while I appreciate the packaging, I wish the story itself was more, well “Bold.”

The book starts with Faizah going to Jummah with her mom and sister, and loving being part of the crowd, she then goes to fencing and loves being part of the crowd, “it feels right.  I feel right,” she says.  But then the coach calls her name and she starts to worry.  She doesn’t like when people stare at her, she worries she did something wrong. The coach has already reminded her to “saber first, then move forward,” so I’m not sure why she worries after if she did something wrong, it is a class, reminders and corrections are what happen in a class.

Then on Sunday, the trio is back at the masjid for salat before Asiya’s fencing lesson.  The coach asks Faizah if she wants to come in for extra practice before the tournament.  Faizah isn’t planning on participating in the tournament though and would rather think about Eid.  Thinking about getting together in the future with Sophie to pick out Eid clothes, is more fun than fencing.  The reader doesn’t know when Eid is, or why Faizah seemed to break into a day dream when asked about fencing.  Furthermore the reader doesn’t feel the worry of being in a competition because Faizah is not shown to be worried.

Later that night Asiya teaches Faizah the moves she learned and Faizah practices alone.  There is then a two page spread that I do not understand, on one page she is saying, “When no one is watching, I ‘m the best fencer in the world,” three lines later it says Even when others are watching, I can do it.  I can be the best.”  What happened in between? I get the following line, “but it’s hard to be my best when I have to stand out to do it,” but the the line in the middle makes no sense.  What is the point of the book if she can do it and knows it at the mid point?  And no, I’m not reading an arc, I checked out this copy from the library.

The family is back at the masjid on Friday and reassuring Faizah as they head to fencing, that she can do it even when people are watching, that bravery will come.  She hasn’t been nervous at class before, and hasn’t signed up for the tournament, so why is she suddenly uncomfortable, when at the start she loved fencing class as she felt she fit in.

Then it is Saturday, and Sophie finally comes, but not to prepare for Eid, just to discuss, how they will prepare for Eid.  At least now we know it will be next week. The next Friday, I know I feel like a calendar should have been included, it is fencing class again and Faizah is called up to demonstrate.  She finds her strength and she is shy, but realizes they are not just looking at her, but looking at what she can do.  She is leading, she is helping, she is being brave.

Finally it is Sunday, and Sophie and Faizah are at the hijab shop, and Faizah picks a white hijab because it matches the fencing clothes, and she is going to the tournament.

Yeah, sorry I spoiled it, I just really am sad that the book wasn’t as great as it could have been.  It connected the dots eventually, but not in a memorable way, and for the team responsible for this book, it really could and should have been amazing.

My Olive Tree by Hazar Elbayya

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My Olive Tree by Hazar Elbayya

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I love that this author illustrator traditionally published book shows the ways that olive trees and their fruit connect people.  The little girl, Salam, can’t wait to grow her very own tree, but it takes a while, and when it finally sprouts, it is trampled by soldiers.  Heartbroken to lose her plant, her community shows her how they are like their beloved olive trees: their roots are deep, and they are a part of the land.  The tender illustrations, the poignant symbolism, and the love and unity that radiates through, makes this book an important read for children and adults of all ages and backgrounds.  There are no countries mentioned in the text (Palestine appears only in the author’s note), nor any religion, there are visible Muslims in the illustrations, even the soldiers are unnamed, but the setting is clear.  Picture books take years to be published and that it released at this point in history, shows how long the struggle for freedom has been taking place, and how strong and resilient Palestinians are.  This book that will be read over and over, shows even in the sadness, the feeling of hope abounds.

The book starts with Salam noting how old her grandpa is, and that only the olive trees are older than Sido.  Sido then explains to his granddaughter how the olive trees connect them all: farmed, picked, pressed, oil used to cook, olives sold to eat, added to dishes, and made into soap.  Salam goes to plant her seed and be part of the connection. She waters it and waits, but it doesn’t seem to be growing.

Finally a spout, and then a little plant, and then the soldiers march into their lands and destroy everything in their path, even Salam’s olive tree.  Sido reassures her that she will plant more olive trees in her lifetime, but Sido also wants to show her that she is not alone.  Friends, family, and neighbors, come together to show her, “just like the olive trees, when they try to break us, we grow back stronger.”

A truly beautiful hopeful book, subhanAllah.

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With All My Heart by Aasia Khan (Book One in the Exciting New Maren Springs Series)

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With All My Heart by Aasia Khan (Book One in the Exciting New Maren Springs Series)

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I would assume this 185 page book sets out primarily to be a wholesome halal romance and to that end it probably meets its goal and gives teen Muslim girls a sweet idyllic fluffy love story within the bounds of Islamic rules. The main couple are hinted at as being alone a few times, but they are aware of it, and there is no touching, the intent is always to marry, it is worth noting there are birthdays celebrated, females singing in front of males, some element of threat, murder, criminal activity and hinted at (not described) obscene images. So for what it is, it is a fine, but for anyone not clamoring for any and all clean halal romance books, the plot is very, very weak, the climax none existent, the lacking rising action incredibly frustrating given the premise and thus potential of the book. Even the plot holes are a bit hard to overcome, even given their propensity in the genre. Written in third person omniscient keeps the book at arms length, and further prevented me from connecting with any of the characters.  The entire path the book will take is established in the first few pages, and with no twists or turns, or emotional connection, the book drags.  The perfect wealthy family of hafizes, that have no flaws, fix and provide everything and make no mistakes, are too unrealistic for me, and I found it off-putting, which isn’t to say your 14 year old dreamy eyed daughter won’t absolutely love it, but for me it is rather forgettable.

SYNOPSIS:

Two brothers, married two sisters and each have a son, the boys are raised as brothers.  At some point a family friend’s daughter, Layla, drinks from a bottle that contains the breast milk of Asad’s mom, and thus Layla becomes his “foster” sister, but not Usmans.  The baby the milk was intended for passed away early on, and through it all the families stay in touch, but never again meet.  The children, Usman and Layla have not met since Usman was 5 and Layla 1, yet they think of each other often and don’t know why the families keep apart.   Both can sense each other, identify what they have touched, and where they have been.  When Layla’s parents are killed and Layla turns up at the family’s estate in Maren Springs, Usman knows he will marry Layla, as the family welcomes their missing foster daughter/niece home.

WHY I LIKE IT:

I honestly had to read the prologue five times, and I flipped back to it while reading at least that many more times, and the book is not long.  The term “foster” threw me off which is my own ignorance, but alhumdulillah the book does eventually explain it and my Lit Sisters helped me to understand that in Arabic it is Radhaa’a which translates to “foster” to describe when mother’s milk is shared and the relationships that result.  I don’t know that the family tree is necessary, I suppose it helps since the parents are called by their first names, but it should have been in the front if included, it was a bit odd at the end.  Similarly odd is the book claiming itself “exciting” on the cover.  Blurbs are usually from others describing their thoughts or excitement about the book, not part of the title from the author, I also don’t understand why the fictional location is Maren Springs is in the title, when the four main characters work and live 4 or so hours away in Orkney. They should just live and work in Maren Springs, I didn’t see the benefit of them commuting every other chapter for no reason, and taking up unnecessary page space detailing if they were here or there, coming or going.

I feel like the book would be better in dual point of view, the characters as written don’t stand out, and there is too much telling and not enough showing.  Layla is shown to be helpless, but told to be strong, and the brothers too overly good, there needs to be more backstory of the characters, to ground them, flesh them out, and make them more interesting.  As for the plot, (SPOILERS) had the cause of why Layla was running, the murder of her parents been a looming threat, the blackmail emails with doctored images, the witness protective program been woven in, the book would have had readers intrigued, and on the edge of their seats.  Sadly it is all glaringly absent, and thus it becomes so dry just to read page after page about everything being perfect and then when it isn’t, the brothers just take care of everything in a few sentences to resume it to being, you guessed it, perfect.  The idea of Layla being on the run after her parents’ death and finding refuge in old family friends, is a great set up, but there is absolutely zero follow through. Layla doesn’t even know where the boys work, the name of the company, the reader is never really sure what they do, what anyone’s skill or academic background is, it is very vague.  At times it is downright juvenile that the heads of the company are called “big bosses,” the magical realism connection between the couple, referred to as the “alien” or “Martian” connection. Clearly the premise of the relationships and the positioning of bringing everyone together was thought through by the author, but the execution on the page sadly doesn’t reflect it.

I know in the romance genre the plot holes are always present, but to have them so early before any character development has occurred provides little incentive for the reader to overlook them because they are invested in the story.  A love connection between a 1 and 5 year old is a pretty big leap the reader is expected to be ok with, no backstory showing how close the families were, no phone calls or Facetime sessions, just letter writing, doesn’t convince the reader that there is a foundation to revisit when tragedy strikes.  The ease in which the “climax” is resolved and minimized feels dismissive and will highlight the missed opportunity even to younger readers.

I know this reads as a harsh review, but I wouldn’t have bothered writing my thoughts up if I didn’t think there was some potential for revisions to be made. The book isn’t awful, it just really is close to being a lot better than it currently is, and I hope the author will consider revisiting the story and elevating it (the benefit of Amazon print on demand) to a book that our Muslim teens can fall in love with.

FLAGS:

Some threat, birthday celebrations, singing in the car in mixed company, murder referenced, fear

TOOLS FOR LEADING THE DISCUSSION:

I purchased the book and will get it to the Islamic school library, but it isn’t a candidate for a book club selection as there is nothing really to discuss.

Growing Giddo’s Hair by Sumayyah Hussein illustrated by Milton Bazerque

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Growing Giddo’s Hair by Sumayyah Hussein illustrated by Milton Bazerque

The latest batch of Ruqaya’s Bookshelf books have arrived at my house, and this was the first book my youngest picked to have read to him.  The book is silly, over the top and an easy read. The little boy shows initiative and creativity in trying to surprise his grandfather by sneakily applying hair regrowing serum on his Gido’s bald head.  It, as expected, causes a bit of mayhem, but I think 4-8 year olds will recognize the comedic intent of it all, as the love Nuh has for his Gido comes through the silliness.  I was a little surprised that it centered a birthday, it isn’t just the setting, it is the  main foundation of the book, and I was also a little surprised that the Muslim authored, Muslim published book, contained no Islam in the text.  The only featured Islam was the mom in hijab in the illustrations.

The book starts with Nuh trying to figure out what to get for his grandfather who is turning 70 in a week.  He contemplates a 70 layer cake with candles, 70 pairs of shoes, even a 70 flower bouquet, but nothing seems right until he stumbles on a picture of his grandfather years ago, when he had hair!  Later that night he sees a TV commercial for hair growth gel, and Nuh knows just what to get and can’t wait for the surprise.  Once it arrives, the biggest obstacle is getting it on Gido’s head without him noticing.  But Gido doesn’t stay still and the hair product has unintended results as it doesn’t just grow on one’s head.

The book in all its silliness, does offer a few “teachable moments” if desired: false advertising, lying, sneaking your parent’s credit card, etc..  My kindergartner thought it was silly, and enjoyed the illustrations.  For the most part so did I, although, the page of the razor shaving the hair on the tongue definitely makes me squirm and my tongue itch…yeah, my son found that pretty funny as well.

Crestar and the Knight Stallion: The Legend Begins by Robertson, Ahmad, Jasim, Gastonny, and Robinson

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Crestar and the Knight Stallion: The Legend Begins by Robertson, Ahmad, Jasim, Gastonny, and Robinson

This new comic book series combines a lot of exciting elements.  It is a comic book and soon to be live action movie, it is both action and comedic,  it features Desi (Pakistani) and Arab (Iraqi) representation in the title roles, as it is in part written and created by the “characters” themselves. There are Muslim hijabi side characters, cultural Islamic phrases, and a whole lot of saving the day in a plagued Dearborn, Michigan setting.  I admittedly am still very much an outsider to comic books, what all goes in to them, their target audience, and what norms and expectations they carry.  So, I say what I am about to say from a very non critical, simply informative stance, when I say it has what I would consider mature content for elementary aged kids.  The comedy found in the offhand comments, the profanities that are substituted with symbols, surprised me. I anticipated a level of violence and killing, and appreciate that this book doesn’t have the near naked females being shown as many comics do, but I don’t think it is appropriate for younger audiences, probably more middle school and up.  I have not seen the live action, in a different format it might hit different so to speak, but I’m sharing some pictures of the text so that families can decide if the comic books are a good fit for their readers or not.

I love the idea of Muslim rep superheroes, that one is an Iraqi immigrant having to find himself in American society and accept himself, that Crestar is mysterious and his background and motives not known, the cultural and religious infusions, and matchmaking stresses are all amazing subplots to the evil that is destroying the community.  Theft and killings are the norm, Crestar is fighting back, when he discovers Ali has survived an explosion, he begins testing him with the hopes he will join him as the Knight Stallion. The first book is an introduction to the characters, the setting, and the protagonists meeting, it ends hinting that Crestar and the Knight Stallion will be working together, which isn’t much of a surprise given the title of the series, but it sets the stage.

I am not going to write a full review, because I can’t. I just really don’t know if the superhero parts are new and unique or tired and tropey because I don’t know enough about comics to have a valid opinion.  There are trailers online and the first two comic books available are top industry quality in terms of graphics, binding, length etc.