Tag Archives: Muslim Family

Our Neighborhood: Excited for Eid by Marzieh Abbas illustrated by Anoosha Syed

Standard
Our Neighborhood: Excited for Eid by Marzieh Abbas illustrated by Anoosha Syed

img_8357-1

Like the first book in the Celebrating Islam from the Our Neighborhood series, Friday Fun, this 26 page 7 x 7 board book is delightfully done in capturing the joy, sentiments, and traditions of the day. The mix of specifics and generalized parts of an Eid day experience offer both a window and mirror for toddler to early preschool kids. My concerns is that while maybe families will sense that henna/mendhi is cultural fun, and balloons and ice cream are not a religious requirement of the holiday, the two page spread dedicated to gathering at graves is a lot of space given to a cultural practice, not an Islamic one. I’m not a scholar and the book with its minimal words does not indicate if these families are visiting all graves, if they visit on days other than Eid, if they are grieving recent deaths and acknowledging that holidays can be hard. It shows multiple families at multiple graves some with flowers, some bare, some placing flowers, under the words, “gather together” and “love forever.” It is uncomfortable to me because of the space it takes up and the implication that it is a major part, or perhaps that it is a requirement of the religious holiday, when it is not.

img_8360-1

Similarly, the absence of going to the masjid or even praying is also glaringly missing. The family goes past the “lit up mosque” to get to the “fun kiosk” later at night for fun and games, but again no Eid prayers, five daily prayers, or really any worship is shown to take place on Eid other than in the illustrations reading Quran and making dua at graves. Hijab is shown on numerous women and mentioned in the text. For a book about a religious holiday, positioned to celebrate Islam, I would have hoped for some clear religious acts to be shown and articulated as being joyous parts shared by a global faith.

I enjoyed the little baby’s desire for ice cream that stretches through the story. It will add a layer of joy to even the youngest audience members. The gathering to eat and share and have fun is beautifully illustrated under the simple rhyming text, but Eid is a religious holiday, and that point seemed unfortunately absent.

The Djinn Waits A Hundred Years by Shubnum Khan

Standard
The Djinn Waits A Hundred Years by Shubnum Khan

img_8259-1

I didn’t realize how many characters this 308 page adult book has until I sat down to write this review.  The slow peeling back of layers into their backstories, motivations, perspectives, and insecurities, makes you get to know them in a way that feels real and deep, but in no way can be succinctly explained in a review.  First off to clarify, I feel the title is a bit of click bait, the djinn is there, but not a big part of the book, there is also a ghost, who is a more impactful character, so the vibe is more haunting than Islamic lens.  In fact, a few characters are Muslim, but that is about it.  The writing though, oh the writing is quite lovely and immersive.  The culture of desi characters in South Africa, the slivers of colonization and caste that get commentary, and the heartache of all those who have called, and do call Akbar Manzil home, will linger even if the details fade over time.  I listened to the audio book, so it is possible that triggers or flags might have been missed, for the most part the book is relatively clean, death, murder, attempted murder, and supernatural beings being the most obvious.

SYNOPSIS:

The main character is very much the grand estate of Akbar Manzil, a palatial home off the coast of South Africa that shaped lives and futures and hid horrors and loss.  In modern times it has been subdivided into apartments where lives and futures are still shaped and horrors and loss are also hid, and hid from.  When Sana and her father arrive to take up residence, the past and the present begin to unite, a djinn that has never left the house is stirred, and the more Sana pokes and prods, and the more she understands about the original inhabitants of the home, the more the house pushes back.

I don’t know how much to tell, as spoilers aren’t so easily defined in this book.  The family in the past is a man from India, Akbar, who falls in love with the area, builds a house despite his wife hating it all and desperate to leave, opens a sugar factory, his mother comes to live with them, they have two children, servants, friends, he stocks the gardens with monkeys, giraffes, a lion, and then one day he is enamored by a Hindu worker, Meena, at the factory and takes her as his second wife.  The jealously and family drama reaches a crescendo when she is pregnant and has a little boy.  Beyond the family storyline is a djinn also enamored by Meena, who takes up residence in the house to be close to her.

In present times, the other tenants in the house have their own baggage, loss, regret, and fears that cause daily squabbles and plottings.  Sana deals with the loss of her mother who hated her, and a dead sister who haunts her.  There is also Pinky in love with Shah Rukh Khan, Zuleikha a former famous pianist who has lost her edge, the Doctor who owns the home, a mother waiting for her son to visit, a parrot named Mr. Patel, Fancy, Razia Bibi, and so on. The house is occupied, but hollow, not full, and the the lingering djinn seems to always lurk just beyond the surface, in the corners and shadows that haunt them all.

WHY I LIKE IT:
I like that the writing keeps you hooked, even at times when there is no rising action, or conflict, you are genuinely drawn in and invested in just learning about the characters and how their lives, both those in the past and the present, intersect.  I didn’t like the fact that there is a djinn and a ghost, I feel like the ghost negates the realness that djinn.  It is possible that the ghost was a metaphor, or symbolism, but it was a little off to me, to have both as I understood it.  I don’t know how I feel about the vagueness of the final climax, yes I’m trying not to give anything away, but SPOILER: who set the fire?

FLAGS:

Loss, death, ghosts, djinn, murder, attempted murder, lying plotting, manipulation, music.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that this would work for an Islamic school book club, that doesn’t mean it wouldn’t work, but rather I need someone to discuss with me, so that I feel like I understood some of the lingering threads that are unresolved.  Basically, I would need to have someone explain parts to me, before I could help 15-16 year olds and up make sense of it all.

Our Neighborhood: Friday Fun by Marzieh Abbas illustrated by Anoosha Syed

Standard
Our Neighborhood: Friday Fun by Marzieh Abbas illustrated by Anoosha Syed

img_8215-1

At 26 pages and 55 words, this adorable board book conveys Jumu’ah sunnahs, joy, Islam, and community.  The simple rhyming words and bright engaging illustrations are meant for babies to three year olds, but I have a house full of older kids and this book made them all smile.  The book is part of a larger non fiction series, “Our Neighborhood,” that focuses on different communities, and the first of two that celebrate Islam.  “Excited for Eid” will be released before the end of the year.  The 7 x 7 size and thick pages can work in small groups in addition to bedtime.  Whether your audience is Muslim kids learning about Jumu’ah, or non Muslims learning about what Muslims do on Fridays, the book will have a large appeal and be a joy to read over and over.

The book establishes it is Friday and then the characters get ready for Jumu’ah at the masjid.  They shower and groom, and trim, and head to the mosque for a talk before the adhan signals the time to pray.  After duas they give charity, hug their friends, and share a meal.

The little kids, male and female, pray together, but I took it to be realistic as often little kids are with one parent and are not segregated like the adults.  The illustrations show some of the kids in hijabs, others not, some of the adults in duputta style head coverings, others in hijab, and some in niqab.  “Allah” is written in Arabic above the mimbar, and the word “sadaqah” is on a box under donations and above mosque.  All the other words are the English versions of the word, except Adhan is in the text and not defined as the call to prayer.  There is no glossary.  The book really is for Muslims, by Muslim, but as a mainstream published book, it also is an easy window to open for non Muslims to see us in our element on Jumu’ah, alhumdulillah.

img_8222-1

How to Free a Jinn by Raidah Shah Idil

Standard
How to Free a Jinn by Raidah Shah Idil

This 276 page book drew me in from the first page and held my attention until the last. I can’t recall ever reading a fantasy book in a single sitting.  The Islam, heart, Malay culture, and family dynamics have me hoping that maybe there will be a sequel, and that hopefully this debut novel is a first of many from the author. Of course I have minor critiques, the book definitely in the middle had some repetition and pacing hiccups, the rising action and climax could have been stronger, and there are a few noticeable loose threads, but Insyirah is a loveable protagonist that you really hope can sort through her family secrets, save the day, and be at peace with her decisions.  There is a lot of Islam, and it is well woven into the characters’ identities, the plot, and the lens of the book.  If you are Muslim reading it, you will see the fasting on Monday and Thursday, and staying in wudu a little different than non Muslim readers, but no matter who you are, you will enjoy the plot, the adventure and fun ride that will undoubtedly become a beloved favorite.

SYNOPSIS:

Twelve year old Insyirah and her mom are moving back to Malaysia to care for her elderly grandma.  Insyirah is anxious and not thrilled to be leaving Australia.  She hardly has time to miss her old life though as family secrets, discovering she can see and interact with jinn, and learning that an old jinn with a big grudge is after her.  Navigating the seen and unseen words, the rules of her mother opposed to those of her grandmother, and figuring out what she wants will take time to ponder, learn, and reflect upon.  Unfortunately, Syirah doesn’t have that kind of time, as she keeps falling into the unseen world, realizing that a jinn bound to her blood line will soon be under her control, and that pesky jinn haunting her school is trying to get her to leave Malaysia.

WHY I LIKE IT:
I am intrigued by the the way the book holds space for Islam, culture, and fiction, and interweaves the three.  Islam is adhered to, along with the worship, and uncompromising faith in Allah swt, and while the jinn are kept as being real, as understood by Muslims,  their day to day antics cultural and fictional positioning, is richly developed and not put in conflict with deen, seemingly trying to keep everything halal.  I am not a scholar, I would not venture to proclaim that this does or does not cross lines, but the author is very aware of the threads at play, and has a solid awareness of writing craft, so the result is a great story, that feels authentic, without being “shirk-y.”

There are some pop cultural references that might age the book a bit, but I love the shootouts to Hanna Alkaf books.  For me, a Western reader, that really is my only other Malay juvenile literature reference, and the vibes are similar, so it was nice to see the connection.  

FLAGS:

Jinn, loss, death, fear, murder, threats, lies, enslavement, haunting, scaring, secrets, fighting.

TOOLS FOR LEADING THE DISCUSSION:

This book is solid middle grade, but I think older kids will enjoy the story and find plenty to relate to, learn about, and be captivated by.  I think this book will be a great addition to home, school, and library shelves, and while my copy is from Australia, I believe a US version will be available in 2025, inshaAllah.

Prince Among Slaves by N.H. Senzai illustrated by Anna Rich

Standard
Prince Among Slaves by N.H. Senzai illustrated by Anna Rich

 

462575630_1072301494218509_2457799047040333197_n

This 48 page biography tells a story that we all should know, yet are probably hearing for the first time.  The story of how West African Prince, Abdulrahman Ibrahim Ibn Sori, was forcefully taken and sent to America to be a slave on a plantation, what he endured for decades, and how he made his way back to the African continent.  The large emotional illustrations and poignant text tell of his his life in Fouta Djallon, the painful journey to Mississippi, the trials as a slave, the joy of being a husband and father, and his attempts to return home a free man.  With each challenge and at each stage, him additionally showing amazing strength and trust in Allah swt.  The heartbreaking tale unearths so much evil, ignorance, and faith, that the story is not meant to be read once, it begs to be reflected on, pondered over, and shared far and wide. The treatment of Prince Abdulrahman shown in some of the illustrations are difficult to look at, as they should be, there is also a very passionate kiss shown up close between him and his wife.  I think the story’s words and illustrations emphasize the anguish, the strength and the humanity, but I mention the illustrations for each to decide on their own.  There is not a biography or sources in the book, but rather mentions in the Author’s Note the source matter being a film by Unity Production Foundation.  It is not unusual to adapt a biography from a film, and I read an ARC, but I do hope the final copy will be sourced.  The book is for middle grade readers, and I cannot wait to add a physical copy on my own bookshelves, and gift numerous ones to teachers to share in their classrooms.

WARNING: SPOILERS: THE SYNOPSIS CONTAINS A FULL RETELLING, as it is historical, I hope that is ok, but in no way shape or form is my summary taking away from the details, emotion, and writing the actual book contains. 


In 1762, the Fulbe enjoyed prosperity and peace under the king, and when Abdulrahman was seven he started school in Timbo. He loved learning about the Prophets in the Qur’an, and excelled at his studies.  So much so that his father sent him to Timbuktu to continue his studies at age 12. Five years later he returned to train as a warrior, when the first white man, a surgeon, Dr. John Cox appeared injured and lost, they helped heal him and sent him back home to Ireland.

By age 26, Prince Abdurrahman was a warrior, a scholar, soon to be king, a husband and a father of a son.  One day while on patrol, he was captured. He and 170 others were loaded on a ship, for eight months, and sent over 3,000 miles across the Atlantic Ocean.

On August 16, 1788 he arrived starved in Natchez, Mississippi, for $930 he and another man became the property of Colonel Foster.  Resigned that this was his fate, he helped share his knowledge of cotton, and the plantation prospered. In 1975 he married, Isabella.  They had nine children and eight grandchildren.  

In 1807 while selling goods in the market, Abdurrahman sees Dr Cox (subhanAllah), and the doctor pleads with Colonel Foster to free the Prince.  Foster could not be moved and when the doctor died, Abdurrahman once again accepted his fate. 

His story though had started to spread, and a printer, felt a softness to the Prince turned slave and printed often embellished stories trying to help his cause.  He asked the Prince to write a letter, the Prince wrote an ayah from the Quran and the printer passed it to Mississippi senator Thomas Reed explaining the Prince’s desire to return to Africa.  Senator Reed got the letter to Henry Clay, the Secretary of State under John Quincy Adams, who then got the message to the President of the United States.

The letter was written in Arabic, and they assumed Prince Abdurrahman was thus from Morocco.  The Sultan of Morocco was touched by his plight and petitioned for his release, and the Prince kept quiet not wanting the truth of where he was from to remove the help he was receiving.

He was finally freed and able to purchase the freedom of his wife Isabella with the help of those who had heard his story, but the efforts to free his children were not as successful.  The truth about him not being Moroccan became known, and despite extensive travels and pleas, his declining health forced him to leave America with out his children.  He arrived in Monrovia, Liberia, but would die before he could reach his home of Fouta Djallon.

462563778_440473032154161_1815006209353878188_n

 

 



 

Mama Wears a Hijab by Fifi Abu

Standard
Mama Wears a Hijab by Fifi Abu

I don’t understand this 24 page 10 x 10 board book. I don’t get it literary wise, or Islamic rep value wise, and if someone can explain it to me, I will be happy to listen.  I’m figuring it is a “me” problem because the author has multiple masters, one in children’s literature and has even been on the Caldecott committee, so I don’t know why I can’t make heads or tales of the metaphors.  At times it seems they are describing the hijab, but maybe the parent child relationship, on one spread the pregnancy, possibly motherhood in general.  A few pages are beautiful, and I like the illustrations, but the continuity is lacking and makes me a little uncomfortable.  Islamically, I understand that women who cover their head often do wear makeup and perfume, but they are not part of hijab, so to have that be articulated is both erroneous and odd.

The illustrations show hijab, niqab, a duputta style, and everything in between.  The characters shown are families in a variety of skin tones, clothing styles, body shapes, and cultural settings.

The book is not a story, it functions in two page spreads of rhyme that take an abstract concept and ground it so to speak, but what the connection is, is by and large lost on me.  I know I have included more inside pages than normal, but I feel that I can’t really review it, so perhaps the least I can do is provide enough peeks for people to come to their own conclusions.

Bilal’s Bad Day by Neelum Khan illustrated by Alice Larsson

Standard
Bilal’s Bad Day by Neelum Khan illustrated by Alice Larsson

img_7727-1

I like the concept and presentation of this picture book that involves spinning a spinner at the midway point to determine what page you should “jump” to, to continue the story. I can see this being a great tool to introduce and practice different calming strategies to use when times are tough.  I love that some of the ideas of faith based, and some are not, and that a thorough introduction of how to use the book and strategies precedes the fictional story.  BUT, oh come on you knew it was coming, I don’t know if the information is sound.  Translation, I don’t have to use calming strategies, and the book does not disclose if the author is qualified to be giving them.  I can’t imagine the strategies would cause harm, and we can always benefit for de-escalating and centering, and truth be told I don’t even know if one would have to be “qualified” to give this advice.  I simply put it out there for you all to decide for you and your little ones.

The book starts with Bilal opening his eyes to the sounds of his siblings squabbling, breakfast disappoints when they are out of his favorite cereal, and dad’s joke about his hair is not appreciated.  Top it all off with news that guests with a baby were coming over for lunch, and Bilal knows it isn’t going to be a good day.  With cleaning, itchy clothes, and the smell of food building as the day passes, the doorbell ringing sends him over the edge and mum and dad need to find a calming strategy to help him.  This is when the reader gets to spin the arrow and jump to the page to see what and how to use the different options.

The book has whatever option picked work to calm Bilal down, but notes at the beginning that multiple options and repeats are often more the reality.  The story then has Bilal later that evening reflect on the day before asking the reader to reflect on their own similar experiences as well through six bulleted considerations. The 40 page book concludes with hadiths.

This book needs to be read and discussed before the moment of need arises, and be aware the spinner at bedtime is too much of a distraction.  The book is best with dialogue, understanding, and practice.

Eliyas Explains Phenomenal Women in Islam by Zanib Mian illustrated by Daniel Hills

Standard
Eliyas Explains Phenomenal Women in Islam by Zanib Mian illustrated by Daniel Hills

Another wonderful Eliyas Explains book that targets elementary readers with a relatable, funny, likeable voice that weaves in information, heart, faith, and humor in a way that makes them favorites at my house, even after my children have aged out of the target demographic. I particularly enjoyed this 106 page focus on women in Islam, because like the others in the series it is sourced, illustrated, and engaging, but I felt the cover story linking the facts was also compelling. I genuinely didn’t know what the family was going to do about the expo mix-up, and was invested in not just the Islamic role-modeling of how the family would handle the set back, and what historical woman it would be connected to, but also what they were going to do with all the Qur’an Match games, and I assure you, I didn’t see the resolution coming, or the twists that followed.  I always appreciate that the author’s books don’t talk down to the readers and with the information contained, I think both children hearing the stories for the first time or those that know them well, benefit.  The way they are presented serves as a reminder for some or a tease for others to go learn more.  Alhumdulillah for this series and this book that highlights Khadija (ra), Fatima (ra), Aisha (ra), Maryam (as), Hajar (as), and Aasiya. As prices for goods continue to soar, this reasonably priced book should be an auto buy for us all.

SYNOPSIS:

Eliyas and his family are heading to an expo to set up their booth and help their Mum sell her Qur’an Match game.  Mum is a little nervous and the road trip is the perfect setting to talk about phenomenal women in Islam to give her confidence and the kids some teachable moments.  The kids are wowed by the business savvy and status of Khadija bint Khuwaylid (ra), and they want to hear about the other  women promised jannah.  Little sister Aasiya is particularly interested in who she was named after.  Once they get to the expo though, things are not as expected.  The organizers have no record of the stall reservation, tickets are sold out, and Yusuf goes missing.  Alhumdulillah, Mum stays level headed and the family trusts Allah swt to provide them with something better.  The remainder of the book is the family taking what comes at them and making the best of each situation as they make their way home, share more stories, and enjoy each adventure as it comes.

WHY I LIKE IT:
I love the subject and how it is presented.  I always appreciate the sourcing given at the beginning so that the stress of accuracy is abated. The writing quality allows you to be sitting right there with Eliyas in the car taking it all in.  I know that many Eliyas books have workbook style prompts at the end, but I was glad this particular one is just a straight story read.  The illustrations as always are comical, and I can’t wait to see what is up next in the series.

FLAGS:

None

TOOLS FOR LEADING THE DISUSSION:

My kids read it and we talked and laughed, and I recommend it and the whole series for 2nd-4th grade classrooms to have for kids to read, enjoy and learn from, alhumdulillah.

The Thirty Before Thirty List by Tasneem Abdur-Rashid

Standard
The Thirty Before Thirty List by Tasneem Abdur-Rashid

This is the second book I’ve read by the author and while I didn’t do a full review of the first (Finding Mr Perfectly Fine), I am going to do a full review of this one, because the book might not be “halal, halal” or intentionally Islam centered, but with a robust Muslim cast it stays impressively clean and there is a lot of Islam present.  I’m glad I bought a physical copy so my nieces or my daughter can pick it up and enjoy Rana’s growth and antics.  The book is nearly 400 pages long, but they fly by, and if you are 16 and up looking for a rom com style escape book this will fit the bill.  The only thing that really gave me pause is an early label the protagonist slaps on her self as “not being a devout Muslim.”  I get the point is to not let the stereotype of an arranged marriage and strict brown parents overshadow the initial impression of the book, but the author is a better writer than that early statement indicates.  As the story progresses you see her Islam IS very much part of her identity, her environment, her outlook, and the author shows it in relatable nuanced ways that the early “telling” was not needed.  Yes, the book has the protagonist and a different boy or two alone at times, and there is some hand holding and a few hugs, but the intention is always to find a spouse, and religious lines are usually clearly on the character’s radar.  There is some talk about mortgages, and a side Muslim character that has a girlfriend he keeps secret as they go on holiday together, but again, nothing obscene, or defensive, just realistic actions from contemporary characters viewing things their own way and doing the best they can.

SYNOPSIS:

Maya’s life is pretty predictable, she lives at home, goes to work, hangs out with her childhood friend on the weekend, and dodges any attempts to be set up for marriage.  Then one day on the tube a mysterious stranger, Noah, his leather bound notebook, and everyone else in her life moving forward, prompts her to open the notebook and copy his 30 before 30 list.  Adapting what doesn’t make sense at all for her life, she never peeks ahead, but rather takes one adventure at a time.  When people from different circles in her life start interacting, and Noah reenters her life, Maya will have decisions to make and a new list to commit to, her own.

WHY I LIKE IT:

I needed a diversion, I was going to be spending a few consecutive days in waiting rooms at hospitals and knew I’d need something light, easy to read, pause, and return to, and something to make me smile.  Maya is likeable, and her family and friends relatable.  Her Bangladeshi and British culture add depth and I was genuinely surprised and appreciative with how much Islam managed to find its way in to the plot and character arcs.

FLAGS:

Relationships outside of marriage, nude model, lying, hugs, hand holding.

TOOLS FOR LEADING THE DISCUSSION:

This would make a great adult, college, or even 12th grade book club selection, for just a fun book to laugh about and enjoy with friends.  It isn’t that deep, but there are threads that will hit, and to chat about it will bring friends closer together.

The Boldest White: A Story of Hijab and Community by Ibtikhaj Muhammad and S.K. Ali illustrated by Hatem Aly

Standard
The Boldest White: A Story of Hijab and Community by Ibtikhaj Muhammad and S.K. Ali illustrated by Hatem Aly

The third and final book in the standalone series is finally out and I absolutely love that Islam, salat, and the masjid are front and center. Faizah is once again brought to life through the incredible illustrations that provide all the emotional beats and make the book memorable.  The story though is only just ok, to be honest, it is clunky and disjointed.  I have read the book a half a dozen times to myself and twice aloud and I do not understand the Eid story line.  I doesn’t fit the themes of fitting in, being a leader, being bold, it just seemed to be there to motivate a white hijab being purchased, and it was very distracting to the cadence and continuity of the story. Every time Faizah is self reflecting on her fear, suddenly a conversation about Eid with a friend named Sophie disrupts the story. Even the refrain that “Bravery grows in your mind.  But its roots are in your heart,” sounds lovely, but is never explained or developed, so what are you to water it with? What are the right reasons?  I’m sure most will be fine with the concepts and presentation and not be bothered, but this book is an auto buy for Muslims and non Muslims alike, and while I appreciate the packaging, I wish the story itself was more, well “Bold.”

The book starts with Faizah going to Jummah with her mom and sister, and loving being part of the crowd, she then goes to fencing and loves being part of the crowd, “it feels right.  I feel right,” she says.  But then the coach calls her name and she starts to worry.  She doesn’t like when people stare at her, she worries she did something wrong. The coach has already reminded her to “saber first, then move forward,” so I’m not sure why she worries after if she did something wrong, it is a class, reminders and corrections are what happen in a class.

Then on Sunday, the trio is back at the masjid for salat before Asiya’s fencing lesson.  The coach asks Faizah if she wants to come in for extra practice before the tournament.  Faizah isn’t planning on participating in the tournament though and would rather think about Eid.  Thinking about getting together in the future with Sophie to pick out Eid clothes, is more fun than fencing.  The reader doesn’t know when Eid is, or why Faizah seemed to break into a day dream when asked about fencing.  Furthermore the reader doesn’t feel the worry of being in a competition because Faizah is not shown to be worried.

Later that night Asiya teaches Faizah the moves she learned and Faizah practices alone.  There is then a two page spread that I do not understand, on one page she is saying, “When no one is watching, I ‘m the best fencer in the world,” three lines later it says Even when others are watching, I can do it.  I can be the best.”  What happened in between? I get the following line, “but it’s hard to be my best when I have to stand out to do it,” but the the line in the middle makes no sense.  What is the point of the book if she can do it and knows it at the mid point?  And no, I’m not reading an arc, I checked out this copy from the library.

The family is back at the masjid on Friday and reassuring Faizah as they head to fencing, that she can do it even when people are watching, that bravery will come.  She hasn’t been nervous at class before, and hasn’t signed up for the tournament, so why is she suddenly uncomfortable, when at the start she loved fencing class as she felt she fit in.

Then it is Saturday, and Sophie finally comes, but not to prepare for Eid, just to discuss, how they will prepare for Eid.  At least now we know it will be next week. The next Friday, I know I feel like a calendar should have been included, it is fencing class again and Faizah is called up to demonstrate.  She finds her strength and she is shy, but realizes they are not just looking at her, but looking at what she can do.  She is leading, she is helping, she is being brave.

Finally it is Sunday, and Sophie and Faizah are at the hijab shop, and Faizah picks a white hijab because it matches the fencing clothes, and she is going to the tournament.

Yeah, sorry I spoiled it, I just really am sad that the book wasn’t as great as it could have been.  It connected the dots eventually, but not in a memorable way, and for the team responsible for this book, it really could and should have been amazing.