Tag Archives: 2022

Crescent Moon Friends by Wadia Samadi & Mo Duffy Cobb illustrated by Lisa Lypowy

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Crescent Moon Friends by Wadia Samadi & Mo Duffy Cobb illustrated by Lisa Lypowy

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This 32 page book does not read like a new release, it looks like something you would have found in the early 2000s when the recent war in Afghanistan started and books about refugees from the region were popping up.  Admittedly back then, I probably would have been more forgiving that the smiling illustrations showed Islam in action and two characters from different cultures coming together through dialogue, respect, acceptance, and fun, but for reasons I’ll articulate, this book reads very superficial, dismissive and erroneous at times.  I am not Canadian or Afghani, I am a neighbor to both as a Pakistani American, and the book is OWN voice, so if I am just being overly picky, or sensitive, and am wrong, I am happy to acknowledge it, but before you push back, please read the entire review.

The description of the book says:

Crescent Moon Friends introduces the reader to two best friends Amelia and Aisha. While the pair is from Canada and Afghanistan, the girls reconcile their differences through exploration of the values they share. This book initiates a family conversation about Islam, explores tradition and language, and brings the girls closer together as a result. It is our hope that the book will be used as a teaching tool to help children understand the cultural backgrounds of others, and to create a warm environment for refugees resettling in Atlantic Canada from the Middle East.

This picture book is for both non- Muslims who are living in the West, and Muslims who are living outside their home countries. The focus of the book is on tradition, not religion, it also captures the significance of Islam. This is a valuable title for library and classroom use.

So first of all, I feel like the foundation of the book is othering Islam in making it seem that this book is an introduction of Islam to non Muslim with the premise being that Islam is what, a foreign religion? Numerous Canadians are both Afghani and Muslim in 2022, before I even began the book I was already fearing the framing.  Then it identifies Afghanistan as the Middle East, which just made me really question the accuracy.  Somehow after that first paragraph, the book then tries to say that the book is not about religion, but traditions.  While part of me appreciates that distinction, the second part of the sentence saying that it wants to capture the significance of Islam really shows the poor focus of the book.

Let me pause here though and answer a question I’m sure many of you are wondering, “why review a book that is not well written, and is not widely promoted or known about.” The answer is simple, a book such as this may not sell in big numbers and be regularly seen online and in stores, but they often do find their way into libraries and classrooms.  They are often shelved to fill “diversity” or “inclusion” quotas and thus their messaging does often reach our children.  I also highlight books like this, not just to pick on this particular book, but to show that OWN voices doesn’t make something automatically correct.  If this is the author’s own experience or is a memoir, there is some leeway, but saying that Afghanistan is in the Middle East or that Salam is Dari, not Arabic, or that it is “naan tandori” instead of “tandoori naan,” just makes the book seem inauthentic.  Often publishers, editors, agents perhaps don’t want to push back and appear uncultured or racist, so they don’t question details, is the only thing I can think of as to why this trend continues to perpetuate.  Which is also why the importance of having a piece sensitivity read cannot be overlooked, even when the author is writing about their own religion or culture. Yes, I too am only one person saying I have issues, but beta and sensitivity readers such as @muslimbookreviewers are four people and we discuss based on what we know and between the four of us there are a lot of singular specialties and a lot of  overlapping expertise that really help books get it right. Sorry for my rant, back to the book at hand…

The book starts with the white Canadian girl camping with her family and wondering what the upcoming school year will bring.  The text says. “she loved to look at the crescent moon.”  Already the writing is clearly weak, who loves to look at a particular phase of the moon, does she not like the waxing gibbous or whole moon? The next spread introduces Aisha, she is standing in the foreground with a mosque behind her and the text says she loves the moon too.  “There was a crescent moon on top of the mosque where her family went to pray.” Aisha has her hair loosely covered, and immediately we are connecting Aisha to her faith and to Amelia through their love of the crescent moon.  Interestingly, Aisha who would presumably love the crescent as it symbols holidays and month changes in the lunar calendar is presented as liking the moon because of it decoration aesthetic. It is where her family went to pray, sure it reminds her of home, but chances are she didn’t often go to the masjid as culturally most women don’t, so I’m not sure that this spread really has any accuracy or value, it just sounds good…if that.

The next spread is the first day of 6th grade with the teacher introducing a new friend to the class.  If it is the first day of school, aren’t they all new to the class? Aisha recalls that she left Afghanistan because there was a war in her country and school wasn’t safe, if she is twelve or thirteen, I’m not sure what caused the change in real life for the war timeline being referenced.  On a more relatable note it mentions that she missed swinging in her grandfather’s garden with cousins as well.

The next page showing the girls being silly with pencils to look like a bunny and walrus is sweet.  It shows language isn’t necessary, that silliness is universal and it is cute.  The girls then show how they share things unique to their culture with one another.  Aisha teaches her how to say Salam, hello in Dari, how to dance the Attan, about Eid, the most important Muslim holiday, and about a game with stones called anjaaq panjaaq.  But this is wrong, Salam is Arabic, Eid is Arabic for festival or holiday so what Eid is the book referring to? Also why not tell how to play the game, or how to do the dance or how Eid is celebrated? If the book is to build cultural (or religious) bridges, thus far I’ve only learned how to stick pencils in my mouth to look like a walrus or behind my head to look like a rabbit.

It is then Amelia’s turn to share Canadian culture and the book picks: ghosts, goblins, Santa Clause and the Easter Bunny.  I find this a bit offensive on Canadians’ behalf, really their holidays are what make them who they are?  Later we will learn that Amelia is not religious, yet the symbols for religious holidays of Easter and Christmas are what are being presented.  Additionally, the holidays mentioned are not even unique to Canada: Christmas, Halloween, and Easter, are the same in America at the very least.

The next spread shows their moms becoming friends and the girls playing in Aisha’s mom’s scarves, hijabs, shoes and make-up.  I find the joy sweet, but I wonder if the book as stated in the details by the author/publisher is to help refugees- is this a bit misleading- that they are settled and have an abundance of clothing accurate?  Often refugees need assistance, will a book like this send the wrong message about helping those fleeing war get established, by not just avoiding talking about need, but celebrating surplus?

Aisha is then shown helping Amelia with math and when Aisha needs help with a Halloween costume, Amelia is there.  The book really is doubling down on the importance of Halloween to Canadian culture, which again feels off.  But also most Muslims don’t celebrate pagan holidays, so I’m not sure I like the positioning that it is cultural to celebrate and that to be Canadian one must engage in the rituals.  Whether you see it as pagan or just assimilation, either way it doesn’t sit right for a book aimed at finding common ground between diverse individuals.  Math is neutral and universal, why not have Amelia help Aisha with something also less controversial?

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The next spread shows Aisha missing Afghanistan, and Amelia being a supportive friend and wanting to visit Afghanistan too.  Unfortunately, once again the weak writing has her sounding like an adult missing the laughter in the air and hope and flowers, not a kid talking.  When Amelia joins in, naan tandori is mentioned, which is backward, if it is the same as in Urdu it should be tandoori naan.  She also wishes they could wear colorful Afghani clothes and dance the Attan, which are two acts not limited to Afghanistan.  They can put on traditionally clothing and dance in Canada.

The story then takes a huge pivot and shows Aisha and her mom praying with the very vague text of her mom “described her way of life, Islam as the peace in her heart, and said turning to Allah in prayer would keep Aisha happy.”  The text seems misplaced and the messaging completely pointless, why not frame it as what Aisha believes or what her faith teaches her? It almost comes across as her mom forcing the belief on her and this being the first Aisha has heard about it.  The next page is set up the same, but shows Amelia’s faith to be kindness and compassion while they sit in nature.  I think the intent was to be positive, but when you have two people representing entire populations, all sorts of stereotypes come in to play that either have to be so general as to be accurate or more specific to the two characters at hand.  In this case I feel the takeaway is that holidays define Canadians, even religious holidays, but they are fine to participate in because Amelia is not part of organized religion.

Thus the next spread of Aisha’s family celebrating Christmas with Amelia makes sense in the story, but I find alarming because it normalizes abandoning your own religious convictions and adopting another faiths in order to fit in and assimilate.  Imagine a teacher reading this book to a first grade class and little Muslim children who demand that Christmas and Easter stay out of public schools are hearing messaging normalizing the holidays for people of all faiths.  Imagine a recent immigrant or refugee further feeling pressured to adopt these practices because they want to be seen as “good citizens” or be accepted by the larger community.  The contrast of Aisha’s family celebrating Christmas is Amelia helping make star and moon shaped cookies for Eid.

The story comes back to the girls love of the moon, one as a dreamer, the other as a scientist.  It tells of other firsts Aisha experiences and Amelia learning about Aisha and her faith.  I’m not sure what a genie lamp has to do with Islam, but it is in the illustration with a hamsa hand, a book, a tasbih, and a crescent with a minaret coming out.

Aisha then starts to wear hijab and Amelia learns how to wear one too. No details about what or why hijab is worn or given, and in the illustrations it doesn’t completely cover anyone’s hair. The girls ski together and drink hot chocolate and living in Canada allows Aisha “to be the girl she was meant to be.”  I’m not sure what that means, but that seems to be the resolution to the book before it circle backs to the mom and concludes.

I think on the very surface the book is a nice idea, but the conflation of what it means to be Canadian with observance of holidays and the lacking details of what it means to be Muslim Afghani make the book miss so much and ultimately do more harm than good if shared.

Animals in the Qur’an Search & Find by Jenny Molendyk Divleli illustrated by Guliz Gerdan

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Animals in the Qur’an Search & Find by Jenny Molendyk Divleli illustrated by Guliz Gerdan

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This book is targeted to preschoolers, but with the minor details the book sends readers looking for, I think children up to third grade will enjoy the mix of fun and learning that this book offers.  The book uses animals in the Qur’an as the theme for each two page spread, tells what surah the animal is mentioned in, and some Islamic context, as well as some basic facts about the animal.  Over 45 pages kids will learn about bees and snakes, donkeys and wolves, and dive in to the challenge of finding a spider with spots looking to the left or a fish with strips swimming to the right.  My three year old can not differentiate between some of the more specific markings of this cow or that, but he still loves the illustrations and benefits from the brief factual text. This book is a great addition to school, masjid, and home libraries with its Islamic foundation, beautiful large execution, and wide audience appeal.

The book starts with the Arabic ayat of verse 45 in Surah Nur and the English meaning of the translation.  It then establishes the format of the book, and then lists the 20 animals featured, where they are found in the Qur’an and on what page number, in the table of contents.

Each page offers the animals and some nature elements to be found on the large 10 x 10 pages.  The pictures are playful and colorful with the print quality glossy and a sturdy thickness.

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I enjoy the book and think most families with young elementary aged children will as well.  You can purchase a copy here from Crescent Moon Store and if you use my initials “ISL” at checkout, you will save 10%

Ahmed Goes to Friday Prayer: Ahmed se va a la oración del viernes by Wendy Díaz illustrated by Muhammad & Mariam Suhaila Guadalupe

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Ahmed Goes to Friday Prayer: Ahmed se va a la oración del viernes by Wendy Díaz illustrated by Muhammad & Mariam Suhaila Guadalupe

 

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This dual lingo: English and Spanish is a linear story of Ahmed going for Jummah prayers.  The rhyming text in both languages is fairly consistent and the information framed in an upbeat, fun, positive way.  From waking up early and taking ghusl to reading Surah al-Kahf, the book shows some spiritual aspects, some sunnah reminders, and social Jummah interactions with friends as well.  The 48 pages are good for preschool to early elementary aged readers and with the minimal text on the pages, even younger listeners will enjoy the book.  I wish the religious statements were sourced, and while I didn’t initially love the aesthetics of the puppets when I first saw the cover, I definitely warmed up to Ahmed and absolutely cooed at the adorable (puppet) Imam.  The book starts with a sourced hadith and ayat from the Quran and ends with questions to test your knowledge.

The story begins in a bit of an awkward fashion with Ahmed breaking down the fourth wall, and addressing the reader, and then on the next page, the “narrator” reaching out to the readers to have them pay attention to Ahmed.  Then the story starts with asking if the reader knows what the special day of the week is called.  It then tells us that it is called Friday in English, Jummah in Arabic and that I, Ahmed, is going to tell us about it.  With all the introductions and signposting it makes the book actually start 11 pages in.  I read the first few spreads numerous times trying to see what was going on, and finally just realized it has a lot of framing and set up before diving in.  Alhumdulillah, after the repetitive first few pages, the book reads smooth and clearly.  

Ahmed wakes up, does ghusl, puts on nice clothes, and then waits until midday to go to salatul Jummah.  Muslims read Surah al-Kahf, and then get to the mosque early.  It is noted that we get rewards for every step we take, we are encouraged to praise our Lord, we greet friends with Salam, and after athan we sit calmly and quietly listening to the Imam.  The khutbah talks about our faith and then we pray foot to foot closing the gaps. The last few spreads are about the importance of Jummah.

The illustrations show Ahmed the puppet in different places with other Wendy Diaz books displayed in poster form, books on side tables, and graffitied on a wall. The only other character beside Ahmed and the Imam is Ahmed’s un named friend.  The simple illustrated backgrounds with puppets in the foreground, the minimal rhyming text and the content presentation make this book a great addition to home and school libraries as well as ideal at story time or bedtime where early elementary aged children are able to understand both the excitement and protocols of the blessed day.

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Over the years I’ve done a few Jummah themed readings and this book would be a great addition at story time.  You can purchase the book here.

Baby’s First Series: Bismillah by Marwa Ahmed illustrated by Natalia Scabuso

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Baby’s First Series: Bismillah by Marwa Ahmed illustrated by Natalia Scabuso

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Every few years a new Bismillah board book comes out and while after a while they all blur together, this new 2022 version is bright and colorful and at 24 pages a good length to show and teach toddlers when to say Bismillah without boring them.  At this age repetition is key, so while there is no real story, the book highlights familiar activities through the character Maryam and stresses saying Bismillah before you begin them. The book concludes with sourced duas to say when leaving the house, starting a meal, entering a bathroom, and before sleeping, and every morning and evening. I do wish the book would have clearly established that you say Bismillah, before starting anything and everything.  It hints at it at the end saying, “throughout the day, remember to say Bismillah,” but I worry that some kids would take it more literal, that you only say it at the times mentioned in the book, and not that the featured scenarios are just examples.  

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The book begins with Bismillah in Arabic text and the translation before starting the format of Maryam doing something on the left page spread and the saying of Bismillah on the right. So, “Maryam likes taking walks with her day,  When they leave, they say Bismillah.” In this manner Maryam takes the readers to play at the park, eat a meal with vegetables, drink a drink after her meal, read a book, wash before prayer, and get ready for bed.

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The faces of Maryam and other people are never shown, the stuffed animals in her room do not have eyes, although the duck bouncy seat at the park does.  The illustrations are blocky and colorful with the text clear and large.  The duas at the end tell when to say the dua, the dua in Arabic, the translation in English, and the source.

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For where to purchase the book you can visit the publisher’s website: www.litfancyhouse.com

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We’re in this Together (Young Reader’s Edition of We Are Not Here to be Bystanders) by Linda Sarsour

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We’re in this Together (Young Reader’s Edition of We Are Not Here to be Bystanders) by Linda Sarsour

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I don’t have strong feelings one way or another about Linda Sarsour, so I read the book primarily to see what the messaging would be from a well-known Muslim activist to a mainstream audience, and I must say I was pleasantly surprised.  This YA adaptation of her adult book weaves together personal experiences with larger pushes for justice reform. It is not all memoir, there are historical blurbs, educational backstories, and centering of Palestinian occupation and Islamic tenants.  I feared that the book would be entirely self-promoting and it wasn’t, it shows her as a person, and her struggles, but the spotlight is bigger than her, as she talks about the efforts and accomplishments of others in promoting police reform, social change, elevating women’s voices, and working with Black Lives Matter.  The 229 page book is sourced and reads easily.  I think ages 13 and up will benefit from seeing the intersectionality of many current social struggles sprinkled in with historical landmarks that they have learned about in school, told through the lens of a personal, relatable Muslim, Palestinian, American voice.

SYNOPSIS:

The book starts with the Women’s March as the culmination of her status and then takes the reader back to show the pivotal moments that got her to that stage: the immigration of her parents to America, her childhood, her family’s bodega, trips to Palestine and finding her voice.  The book shows her in various stages of her life while showing what is currently happening regarding police brutality, national politics, and relatable historical movements.  It shares close relationships she has had professionally, as well as mentions her getting married, becoming a mother, and the loss of a close family member and mentor.

WHY I LIKE IT:

I was happy to see how much Islam and culture shaped her activism and identity, as both are generously sprinkled in, and are unapologetically presented.  The book is a memoir and many characters are introduced and shown to enhance her understanding or presenting her with opportunities,  yet I don’t feel I really got to “know” her or any of them.  The book is centered more on events and how she lent her voice in this arena or that.  I still don’t know that I have much of an opinion on her personally or on her work, or even felt motivated to take action because of her enthusiasm, but the book was an easy read, it was informative and reflective.

FLAGS:

Racism, oppression, murder, police brutality, car accidents, hate crimes, death, assault, systemic racism, slurs, misogyny, occupation, hate.

TOOLS FOR LEADING THE DISCUSSION:

I probably wouldn’t read this book in a book club setting, but I think it would be a good addition to a school or library shelf.  I think you could require it in a history or civics or current events class and readers would find it compelling and relatable and be able to add their own life experiences to any discussions that would follow. It shows that the struggle in history books for justice and equality is not over, it is still ongoing and still very very real with horrific consequences.

Hamza Attends a Janaza by Shabana Hussain illustrated by Atefeh Mohammadzadeh

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Hamza Attends a Janaza by Shabana Hussain illustrated by Atefeh Mohammadzadeh

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For years it has been noted how few children’s Islamic books about grief and loss are available, and while numerous titles have come out in the last few years, it wasn’t until I saw this new book, did I realize how desperately we were in need of a book on janaza.  I love that the author establishes on the first page that this book is not focused on grief, but rather about death, the burial, and preparing to meet Allah (saw) in the hereafter with our deeds.  The beauty is that while the topic is critical and needed, the story is also well done.  It may not focus on emotion, but it has a lot of heart and tenderness, thus making it a wonderful addition to all book shelves for children preschool and up as a brief introduction to how Islam views death, the rituals of burial, and the worship that surrounds it. Packaged with clear text, robust backmatter and absolutely adorable illustrations, I am very happily impressed with this book.

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The book starts with Hamza telling about his favorite day of the week, Saturday, the day he spends with his Nano-ji and cousins, but one day all that changes when his mom gets a phone call about the loss of a community Uncle.  Mom says, inna lillahi wa inna illahi rajioon quietly in to the phone and Hamza knows something is wrong, but doesn’t quite understand why the passing of Uncle Sameer, the owner of the local sweet shop, means he has to attend a janaza instead of going to his grandfather’s house.

Hamza’s parents explain the reward of going, and remind him that we all have to leave this world one day. They recall Uncle Sameer helping bandage his knee when he got hurt and gave him a lollipop.  Once in the car, Hamza wants to know what is going to happen.  His parents explain the ghusl and the body being wrapped in the kafan and the body being put in the ground.

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When they get to the masjid there are a lot of aunties on the women’s side, including Auntie Salma who everyone is hugging and reassuring.  After dhuhr the janaza begins, but it is a standing up namaz, and is very short, and Hamza is confused. Later outside the long box is loaded into the car, duas are made, and the body taken to the cemetery.

At the graveside, more duas are made, and Hamza worries that Uncle will be lonely.  When his father explains that his good deeds will keep him company, Hamza remembers the kindness Uncle Sameer has shown him and makes duas.

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The backmatter contains hadith about what still benefits those that have died, reward for attending a janaza, a glossary, discussion points, suggested activities, and duas.  The book is a great starting point to introducing death, rituals, and answering questions any child might have in a gentle manner.  

I bought the book from Crescent Moon Store 

 

What Colour is your Mosque? By Jenny Molendyk Divleli illustrated by Aybüke B. Mumcu, Damla Koçak,  Fatma Betül Akbal, Gökhan Özdemir, Gülşah Irmak, Hümeyra Yorgancı, M. Ahmet Demir, Menekşe Özdemir, Özlem Güneş, Şüheda Başer Yılgör, Zeynep Alptekin, Zeynep Begüm Şen  

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What Colour is your Mosque? By Jenny Molendyk Divleli illustrated by Aybüke B. Mumcu, Damla Koçak,  Fatma Betül Akbal, Gökhan Özdemir, Gülşah Irmak, Hümeyra Yorgancı, M. Ahmet Demir, Menekşe Özdemir, Özlem Güneş, Şüheda Başer Yılgör, Zeynep Alptekin, Zeynep Begüm Şen  

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Sometimes the idea and presentation of a book make it stand out even if the writing is a bit bland and erroneous.  This book with bright colorful illustrations from 12 different illustrators highlighting the bold colors and designs of 12 masjids around the world is one such book for me.  I think young children will delight in seeing such beautiful masjids and appreciate that Muslims are found all over the world.  Adults and older children will also learn about mosques I’m sure they had never heard of before.  I kind of wish the book was a board book for little hands learning colors to enjoy, but the 8.5 x 8.5 style does suffice for story time and bedtime. 

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The book starts with an introduction to the author, Jenny and her sharing her favorite mosque in Turkey, Hagia Sophia. Each two page spread after that is a child introducing themselves, telling where they are from, and sharing their favorite mosque in their home country.  From Sri Lanka’s Jami Ul Alfar that looks like candy to the purple lights of Mohammed Al Ameen Mosque in Oman.  Some masjids stand out for their colors, others for their 99 domes, and some look like castles or are built out of mud.

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The illustrations reflect the beautiful buildings and radiate with joy from the smiling children introducing them.  I think the text is translated from Turkish to English which might account for some of the errors, but spelling Kabbah with two b’s doesn’t seem right in any language. 

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Despite it all, I’m happy with the book, I think we need to make a more intentional point to instill a sense of global community in our children and celebrate the beauty that our architecture and culture can result in for the worship of Allah swt.

The book is available from here from Crescent Moon Store.

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Salim’s Soccer Ball: A Story of Palestinian Resilience by Tala El-fahmawi illustrated by Naveen Abu Saleem

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Salim’s Soccer Ball: A Story of Palestinian Resilience by Tala El-fahmawi illustrated by Naveen Abu Saleem

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This 58 page rhyming picture book weaves together a tale of a little boy and his lost soccer ball, with larger issues of community, oppression, and perspective for the youngest of readers to older children too.  I am noted to be skeptical of rhyming books, but the large font, the sweeping pictures, and the dropping of occupation, struggle, and resilience really make this book a treat. Add in discussion questions and an author’s note and you have a solid book that deserves space on home, library, and classroom shelves.  My only wish, was that the book was hardback.  The horizontal layout with a soft cover make the book difficult to read during story times as the pages flop back.  The book is long, but the text on most spreads is minimal and while I could not identify the author’s religious identity, their are numerous hijab wearing #muslimsintheillustrations as Salim journey’s around his neighborhood and into his grand father’s memories.

Salim wakes up, brushes his teeth, and is out the door to play soccer with his best friend Qusai, but the ball goes flying and Salim can’t find it. He starts walking down the hill and it seems to have disappeared.

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He asks the fisherman, Abu Zaid, if he has seen it, and he hasn’t, but he offers to help.  They then go and ask the seamstress, she hasn’t either, but she puts down her tatreez, offers reassurance, and offers to help.  As they head out they bump in to Dr. Bassam.  “‘I will help you look,’ the kindly man said. “I can fix broken bones with very few supplies.  A lack of resources has made me clever and wise. Resilience and courage are plentiful here. We will find your ball. Salim, no need to fear.'”

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The searching continues, with a small break for khanfeh, and then Qusai is found, and so is the ball.  Like so many joyful items, the barbed wire of the apartheid wall has destroyed the soccer ball. Upset, Abu Omar, calls out to Salim, and his grandpa embraces and consoles the young boy recalling a donkey with wonky ears and life on the farm.  With resilience and joy Salim heads home to a community surprise and a hopeful future inshaAllah.

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The book concludes with five discussion questions that connect Salim’s experience to universal experiences of people everywhere.  It is followed by factual and personal author’s note about Palestine and the book.  

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There is nothing religious aside from the hijabs worn, Dome of the Rock, Masjid al Aqsa, and Church of The Holy Sepulcher in the backgrounds of a few images.  I purchased my copy from Amazon HERE and can also be purchased through Shop Palestine HERE.

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A Sense of Gratitude: Exploring the Five Senses by Halimah Bashir illustrated by Laila Ramadhani

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A Sense of Gratitude: Exploring the Five Senses by Halimah Bashir illustrated by Laila Ramadhani

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As a story time host for littles, you always need books about the five senses.  Additionally as a story reader at an Islamic school, thanking Allah swt while talking about your senses and the world around us is a staple year after year.  So purchasing this book with large adorable pictures and claims of rhyme was an easy decision to make, and while it will get used, sigh, the rhyme and lacking rhythm is terrible.  There’s also frequent illogical sentence structures and a bizarre tangent- two pages on wafting.  The book is for toddlers through kindergarteners, not kids learning experiment safety protocols.  @muslimkidsbooknook did a wonderful Instagram post regarding rhyme in kid’s books, and this book really would have benefitted from some additional editing and outside eyes reading the book aloud repeatedly.  That being said, the book will still be used and will be enjoyed with real time editing.  A positive about the book, in addition to the illustrations, is Allah (swt) in Arabic script.  But overall, it really could have, and should have been so much better.

The book starts with a note to grown ups reminding them to stress the importance of being grateful and exploring God’s creation.  It starts with what eyes can be used for, stressing the beauty in nature. and moves to the nose, and has the pages on wafting chemicals, enjoying baked goods, and saying please pardon when passing bad smells.

Tongue is next and stresses that sweets are not nutritious, and then assumes that veggies and fruits are unliked by children, but the narrator admits that they enjoy consuming them.  Hands and skin- touch and feel, and also convey love.  As an FYI- the text states and illustrations show kids petting a dog. The final sense of ears and the gift of hearing wraps up the book.

I’m terrible at grammar, really bad, but even I know not to say “colors like purple,” it should be colors “such as” purple, not “smells like Teta’s baked cookies,” but smells “such as” Teta’s baked cookies.  The formatting on a spread seems off as well with “Like slimy frogs” being under a a two line refrain and the rest of the sentence, “and hairy dogs…” being on the next page with another line and a half, it throws you off when reading aloud to keep some rhyme and rhythm going, every. single. time. On some pages the chopping of normal speech structure to make the “rhyme” is difficult to understand, and I don’t think the glossary, nor putting (God) in English was particularly necessary.

My favorite pages are when they tie directly back to ibadah and Islam, hearing the athan, using your hands to make dua and the little rhyme that starts and concludes the book. Truly the concept makes the book important on a shelf and the illustrations make it attractive, the text needs some editing.

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House of Yesterday by Deeba Zargarpur

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House of Yesterday by Deeba Zargarpur

house of yesterday

While reading this 320 page YA supernatural/contemporary book-I couldn’t turn the pages fast enough.  When finished- I was bothered that certain threads weren’t resolved, now that I’ve ruminated a bit- I think the vagueness of the author’s prose in sharing her “fever dream” on paper has lingered and the gaps not as troublesome.  The author’s OWN voice Afghan-Uzbek Muslim identity adds layers to a story that is both haunting in the literal sense and familiar in the immigration inter-generational traumas and secrets shared.  Even deeper though, the book pokes at universal themes of regret, holding on to the past, family, friendships, and grief.   The book’s characters identify as Muslim, but the story is not Islamic, nor is there much religion save a few salams and mentions of Eid.  The supernatural elements in the book, whether you understand it to be ghosts, or personified memories, or jinn, are a large part of the book, but are not framed in a belief or spiritual manner, and while some may find it Islamically off-putting, I felt the book explored what the main character was enduring and what the weight of the past was doing to her, didn’t necessarily cross the haram line.  Her father has a girlfriend he is looking to marry, but it isn’t celebrated, and there are close male/female friendships, but the book is relatively clean for the genre and would be a good fit for high school readers and up.

SYNOPSIS:

Summer on Long Island has Sara retreating into herself.  Surrounded by nearly a dozen aunts and uncles and numerous cousins, it is the separation of her parents and trouble with her best friend that makes getting out of bed every morning a challenge.  As a result, her mother ropes her in to helping with her latest remodeling project.  When she enters an old crumbling house one morning to take “before” pictures, she starts seeing things, and feeling things.  Things about her past.  Things about her beloved grandma, Bibi Jan, who is alive and deteriorating from dementia.  What is the house trying to tell her? Why won’t anyone tell the truth?

WHY I LIKE IT:

I love the mystery and the chills of the story.  As the reader you aren’t entirely sure where the story is headed, what you are to do with the bits of the puzzle you are given, but the intrigue to find out pulls you forward.  That being said, the book does reads debut, a few of the side story lines are not fleshed out enough to feel important, satisfying, or resolved and they come across as being abandoned.  I would have liked to see more of Sara and her father’s relationship, the details don’t seem to fit, and the continuity seems halfhearted.  At times so does the “night” it all changed with Sam.  I like the interpretive vagueness of the supernatural threads and that they are up for interpretation amongst readers not just at the end, but throughout the book.  I also like the family’s closeness even when they are disagreeing. For most of the book Sara and her cousins aren’t portrayed as particularly close and I didn’t invest time to differentiate one from another, but by the end, I felt that they were grounded and different and relatable, and I am not sure when that change occurred.  At times the writing seemed a bit repetitive, but the lyrical style would then catapult the story ahead.  There was one place that the fourth wall was broken though, and I was bothered by that slip.

Overall I loved that the Uzben Afghan culture sprinkles showed immigrant nuances, and that the love between the generations countered the trauma being shared as well.  The messaging is subtle but powerful long after the last page has been read.

FLAGS:

For the most part the book stays clean, the father has moved on and has met someone he would like to marry, the mom and aunts briefly recall sneaking out to attend a prom decades earlier.  There is mention of a child bride, and swimsuits, tank tops, and cocktail dresses being worn with no second thought.  For a YA book, the flags are incredibly minimal, save the “ghosts”(?). There are flags of a death that is detailed, the book is “spooky” at times, there is mental health, divorce, pain, dementia, abandonment, theft, running away, and fear.

TOOLS FOR LEADING THE DISCUSSION:

I would love to read this book with some high schoolers.  It is a quick read that would allow for a lot of self reflection, arguments, and entertainment.  The book is available here and releases in a few days, so if planning to purchase, please consider preordering and showing your support.