Category Archives: OWN Voice

I Can Help by Reem Faruqi illustrated by Mikela Prevost

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I Can Help by Reem Faruqi illustrated by Mikela Prevost

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This 44 page early elementary book is absolutely beautiful: the message, the relatability, the representation, the heartfelt author note.  Reem Faruqi is brilliant.  Once again she takes something so personal to her and allows the readers to see pieces of themselves in her OWN voice narrative.  This book at it’s core is about peer pressure, but the way it stays with the reader will resonates deeply and powerfully.  Readers will remember the choice Zahra made and the way it changed not only her relationship with Kyle, but also her own view of herself, while forgetting the names of the classmates that teased her and made her question herself.  It is not the outside reprimanding that gives this book it’s strength, but the guilty conscious that such a young character has to come to terms with as she moves forward.

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There are 18 kids in Zahra’s class in early fall, when the leaves are about to be the color of Nana’s spices.  One of the kids is Kyle.  Kyle often needs a helper, and Zahra is happy to help him with his cutting and gluing and writing.  The two have become friends.  Kyle is funny and nice and shares his cookies.

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Zahra also likes the praise she gets for being such a good helper.  One day when the leaves have darkened, Zahra is climbing a tree and hears some of the girls making fun of Kyle.  She doesn’t want to listen, but her ears want to hear.  When she comes down, they ask her why she helps him.  She doesn’t really know.

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When she is helping him later, she sees the girls staring at her, and she snaps at Kyle.  The next day Ahmed helps Kyle instead.  Zahra misses being around Kyle, but he says that she is mean and he doesn’t know her any more.  Zahra doesn’t know herself any more either.

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The next year finds Zahra at a new school, and when the opportunity presents itself for her to help someone, she jumps to offer herself as a helper remembering Kyle and finding her voice, one that she recognizes.

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The book is inspired by the author’s own experience, and the rawness and relatability shines through.  The illustrator also relates to the book and needing help with physical limitations.  There is nothing overtly religious or cultural other than the mention of the spices, Zahra’s and Ahmed’s names, and the term for Zahra’s grandfather.  The diverse kids in the classroom and the universal messaging make this book a must read for every kid and big person.  Be kind, always be kind.

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Silverworld by Diana Abu-Jaber

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Silverworld by Diana Abu-Jaber

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At 304 pages this middle grades fantasy OWN voice book attempts to weave together a granddaughters love for her Teta, with her adventures in a mythical world that only she can save.  In much the same way of Narnia, or Gregor the Overlander, or even Alice in Wonderland, the book takes a realistic character and pushes them, in this case Samara aka Sami, just beyond, into a world filled with mystery, adventure, and lessons.  The Lebanese flavor sprinkled in adds a little depth and uniqueness to the story, and aids a bit in the world building, but it isn’t a strong presence outside of ifrits and character’s names.  Teta is a Beduin that has a prayer rug and tarot cards and a painting of the Virgin Mary that she calls Fatima, and Sami’s deceased dad was American and the house has Christmas lights.  At one point the book remarks that Teta “likes to pick and choose her beliefs.”  The premise starts with Teta showing signs of dementia: speaking in a language no one but Sami can understand, and not eating and seeming present, the resolution as a result could give children the wrong idea about treatments for such real conditions, and adults might want to make sure their middle graders wont be triggered by the decline of a loved one.  The book is written well and holds reader’s interest, the world building is decent and the character’s relatable, I don’t know that it is overly memorable, but it is a fun light magical read with culture and family and friendship at its core that readers will enjoy.

SYNOPSIS:

Sami and her brother Tony, along with their attorney mom Alia and maternal grandmother, Serafina, have just moved to Florida from Ithaca, New York.  The children’s father was killed and the family has moved a few blocks away from his sister to start anew.  Sami is not settling in, and to make matters worse, Teta has stopped talking coherently, and Aunt Ivory and Alia are looking for a nursing home to place her in.  For some reason though, when it is just Sami and her grandma, she can communicate just fine, and Teta tells stories of her adventures with her flicker Ashrafieh in Silverworld.  Sami doesn’t necessarily believe the stories are true, but she gets the idea to use her Teta’s fairy stories to try and save her grandma, but when she finds her Teta’s spell book and peers into an old beloved mirror, Sami is taken to Silverworld and realizes that it is not just her grandmother’s future at risk.

In a world of flickers and shadows, Sami finds two balancers that taker her in and guide her: Dorsom and Natala.  The world is a reflection of the Actual world, but the Shadow Nixie is consuming the land and taking prisoners.  The balance is off, and Sami is convinced that this darkness is what is also harming Teta.  Between shadow spies and giant rotifers, magic and prophesied destinies, Sami must push her fear away and accept that she can be the one to set things right.

WHY I LIKE IT:

I like that Sami has to step in to her own and fight for what she wants, even when she is afraid.  I love the relationship she has with her Teta it is very warm and palpable.  I feel like the “saving Silverworld will save her Teta thread,” however, is lost in the middle of the book, it might be the catalyst and might have worked out that way in the end, but I don’t know that the middle makes the case that the two efforts are one and the same.  I appreciate that there are glimpses of Lebanon in the story with the athan in the background and spinning dervishes, but outside of Teta and a bit of the food, the cultural elements seemed a bit forced and deliberate instead of stemming from a natural flowing place.  A bit odd since it is an OWN voice novel, but maybe I was just wanting more. I would have liked more information about how Teta settled in America, learned English etc., or about her tattoos and Beduin upbringing. Another thing that seemed off to me was the close relationship of Dorsom and Sami at the end.  I hadn’t over nearly 300 pages realized that they were that much closer than Sami and Natala.  I even went back to see if I had missed something, but I couldn’t find that I had.  I wasn’t entirely sure why they were going to see Nixie either, I mean yes it was logical for they type of book it is, but I don’t know that Sami really had a plan for Silverworld or her Teta, she was just going to Nixie’s castle to get there.  There were also a few inconsistencies such as Sami wishing her and Tony could go fishing or surfing, when the book has made it clear that Sami is afraid of the water, particularly the ocean.

FLAGS:

There is magic, killing, death. There is talk of goddesses, there is a female character, a shadow, that has two flicker husbands and children with them both.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think this would appeal to middle school readers, it is a solid middle grade book.  I do think fourth and fifth grade shelves would benefit from having this book available to be picked up and enjoyed.

The Magical Reality of Nadia by Bassem Youssef and Catherine R. Daly illustrated by Douglas Holgate

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The Magical Reality of Nadia by Bassem Youssef and Catherine R. Daly illustrated by Douglas Holgate

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This middle grades AR 4.5 OWN voice book by Muslim author/comedian/surgeon/activists Bassem Youssef mixes text, comic strips, and illustrations over 166 pages to tell a story about ancient Egypt, friendship, leadership, xenophobia, and life sprinkled with magic.  It has a lot of potential, and I liked the lessons that Egyptian-American Nadia learns, but it just seemed lacking to me.  It seems to be book one in a series, and in many ways it reads like an introduction.  The magical element is underdeveloped to me and often just annoying.  The micro aggressions,  racism, and character’s ages would suggest upper middle grader readers would gravitate toward the book, but the overall writing style and length would more appeal to younger readers.  This disconnect makes the book hard to pin down and hard to connect with.  I’ll definitely check out future books in the series even though no religion is mentioned, because this brown girl has a lot of potential to break down Arab-American stereotypes and empower readers to be proud of where they and their families are from as universal obstacles are worked through.

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SYNOPSIS:

Nadia has just come back from a summer vacation visiting family and friends in Egypt and can’t wait to get ice cream with her best friend Adam.  She picked up an Egyptian comic book for him and is anxious to see if he likes it.  Except the comic book seems to have disappeared and when she asks her many bobble heads to help her find it, her necklace with a hippo amulet starts to glow and an ancient Egyptian teacher, Titi, starts talking to her from the now found comic book pages.  As Nadia figures out how to control this ancient man who lives around her neck and in papers around her, she also has to deal with a new kid that acts like a bully and has the admiration of her best friend Adam.  Nadia loves facts and her and her friends call themselves the Nerd Patrol.  Nadia can be a bit bossy though, and while usually her friends let it go, she seems to be stepping on toes lately, especially with Adam.  When a competition at school is announced that will result in an exhibit at the Museum of American History, Nadia will have to use her “genie” to get help coming up with ideas for her display, coping with a bully, restoring friendships, and learning how to be a leader before her friendships fall apart.

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WHY I LIKE IT:

I love that Nadia is so proud of her culture and doesn’t feel like she has to pick one of her hyphens over another.  She brings Egyptian food for lunch, wears Egyptian inspired clothing, and is still very “American” as well.  Ancient Egyptian tidbits as well as modern day Egyptian information seeps through and weaves into the story smoothly.  The  diverse side characters are also a plus.  I think her trying to handle the bully in multiple ways makes the story resonate with other kids and gives readers something to ponder over.  I worry that most readers, however, won’t know who Elvis Presley is, or get if Titi is really helping or not and how it all comes together for him.  I am curious to see if he is a major character in future books, because I still have a lot of questions about his knowledge and understanding of the world after being trapped in an amulet for so long. Really, she could have learned so much from him, she just scratched the surface.

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FLAGS:

There is teasing and bullying and racism, subtle and overt.

TOOLS FOR LEADING THE DISCUSSION:

This book is too short and superficial for a middle school book club selection, but it could be a fun read aloud in a 3rd or 4th grade class.

World in Between: Based on a True Refugee Story by Kenan Trebinčević and Susan Shapiro

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I’ve read a lot of refugee stories over the years about people leaving a variety of countries, and while each one, no matter the quality of writing, is heartbreaking and important, this middle grades 384 page historical fiction/ fictionalized biography account stands out because it is written so incredibly well.  The story shows young Kenan’s life before the Balkan War in Bosnia, a year of the war, life in Vienna, and then in the USA.  The book is personable, relatable, and informative.  I had a very hard time putting it down despite knowing that the main character, the author, obviously survived; as the story is engaging and powerful and doesn’t rely on the horrific war to carry the character building and story arcs alone.  The character identifies as Muslim, but doesn’t actively practice or know much about Islam, sports and art are highlighted as universal activities that bridge cultures, language, and foster respect.  The book mentions drinking, kissing, hints at a crush, and features bullying, death, killing, and torture.  Suitable for mature fourth graders and up.

SYNOPSIS:

Kenan has a good life in Brčko, Yugoslavia, he is good at soccer, is an amazing artist, has a bunch of friends, a teacher he likes, loving extended family, his father owns a popular gym, and his mom is an office manager, sure his older brother picks on him sometimes and he gets called, “Bugs Bunny” because of his large protruding teeth, but when it all comes crashing down because of his religion, he is at a loss as to why it suddenly matters.  While neighbors and classmates start sneaking off in the night fearing that the Serbs are going to kill all the Muslims and Catholics, Kenan’s dad holds out hope that he is well loved by everyone at his gym, no matter their religion.  But the family waits too long to leave, and friends, neighbors, classmates, and teachers quickly turn in to enemies.  Kenan’s buddies threaten and abuse him, his favorite teacher holds him at gun point, and neighbors shoot holes in their water cans.  The family ultimately has to hunker down in their apartment without much water, food, and electricity.  They get to Kenan’s aunt’s house in a safe zone, but the men have to register and his father and brother are taken to a concentration camp.  Somehow they get released, but the family’s troubles are just beginning.  Along the way they will be betrayed by people they thought they could trust and helped by people that they thought hated them- no matter the country, no matter people’s religion.  The family will get to Austria and to Kenan’s uncle, but even being away from war doesn’t give them peace.  They don’t speak the language, they can’t work, they must take charity.  Eventually they find themselves in Connecticut, and while some American’s make their difficult lives even worse, some prove to be absolute angels to a family that is trying to make a life in a new country while the war wages on back home.

WHY I LIKE IT:

I love that stories about the Balkan War are becoming more and more available, it is long overdue, and I’m glad that through literature, authentic voices are keeping the memory of the horrific acts from being forgotten.  The story is compelling, a few threads I wanted resolved that weren’t (more information on his grandma, his uncle in Vienna, his aunt that they left behind), but the narrative is rich and does a great job staying relevant to its target audience and not overwhelming the reader with politics or sensationalized emotions.  The rawness of the experience being processed by the 11 year old protagonist is impactful enough and doesn’t need to be exaggerated.  The book is not depressing, in fact there is a lot of joy and hope and kindness.  

I love that Kenan acknowledges that he has been to the mosque once with his uncle, that they don’t fast in Ramadan, but they do celebrate Eid.  It hints that at times they may drink, but they are good about not eating pork, although they eat jell-o. In shop class in the United States his first project is a replica of the mosque in their neighborhood.  Their names are known to be Muslim in Bosnia, and that is enough for them to endure the ethnic cleansing, belief or adherence, is not a factor.

I love that sports and art are universal.  Math is too, but Kenan isn’t good at math.  He wins accolades in each country for his drawings, and gets respect from classmates for his athletic ability.  Not speaking the language is hard, but being able to prove yourself in other ways is a salvation for Kenan.  He is on teams, he goes to the World Cup, he gets in fights, he is honored in the newspaper.  Life in general grounds him, yet soccer and drawing give him a release to excel in.

I love the diversity of everyone in each country.  Heroes are seen in immigrants, minorities, Americans, a Methodist preacher, an Israeli bus driver, a Serb bus driver, a Serb soldier and his family, a .  There are awful immigrants, and white Americans, and Serbs- it really shows that some people are just good and kind, and some people are not, it isn’t linked to any faith or country or culture or neighborhood or skin tone.  I was surprised that at no point were their other Muslims.   We got to know so many wonderful Bosnians in the 90s as our family helped them get settled, that I was really hoping there would be some in Connecticut working with the churches that helped settle Kenan and his family.  That isn’t a critique of the book, though, just my disappointment in my fellow Muslim-Americans for not stepping up enough in real life to make the literary cut, I suppose.

FLAGS:

Violence, torture, death, bullying, killing, shooting, hints at sexual assault, physical assault, ethnic cleansing, genocide, war.  It mentions that Kenan’s brother got to kiss a girl and have a drink, but nothing more detailed than that.  Kenan has a crush on a girl, but it manifests periodically as him just wondering if she survived and is ok.

TOOLS FOR LEADING THE DISCUSSION:

This book is on a short list for me to use next year for middle school book club.  It is a little below grade level for my group, but book club is supposed to be fun and not a burden, so I think it will be perfect.  The kids are going to absolutely love Kenan.  He is so relatable and personable, that I don’t think any supplemental questions or discussion points will be needed.  Kids will have lots of thoughts about Islam in Bosnia, friends turn enemies, restarting in new countries again and again, anger at people that didn’t step up, glee when people did, jealousy when he gets to go to a World Cup game, and hopefully empathy for so many who’s world changed so quickly.  The biggest takeaways will be how it didn’t take much to help, and I hope all readers will recognize that we can be kind and we can help and we can respect and care enough to truly help others.  

Laith the Lion Goes to Palestine by Jameeleh Shelo illustrated by Sara Mcmullin

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Laith the Lion Goes to Palestine by Jameeleh Shelo illustrated by Sara Mcmullin

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This 36 page toddler to kindergarten book features a little lion that doesn’t like to sleep.  One night he wishes for friends to play with and his crib starts shaking and moving and a magical adventure begins to unfold. The story highlights and celebrates Palestine, as that is where the crib takes him, but the story is also about not wanting to go to sleep, not wanting to miss anything fun, and seeing nighttime and daytime routines.  I love that it shows tatreez (embroidery), and mentions olives, and the friends he makes on the beach playing soccer are so welcoming, even gifting him a keffiyeh to keep warm with, but I really wanted more sites of Palestine, and more childish adventure and wonder about the beloved country.  The book mentions wishing and uses the word “hate” in describing how Laith feels about bedtime.  The taytas wear hijab, but there is no mention of religion.  The book is a great introduction to Palestine or a mirror for Palestinian children to see themselves in a fun animal led universal story.

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Laith is a lion, his mom is a giraffe and his father a bird (perhaps a hawk or falcon), he loves bath time and story time, but not bedtime, he doesn’t want to miss anything.  So when he makes a wish and finds himself flying outside in his crib, he is disappointed to see mama and baba asleep. his taytas asleep, and all of his friends sleeping too.  He wishes for someone to play with, and roar he is off to Palestine, where his night is their daytime. 

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In his world every character is an animal, but in his adventure, the characters are human.  He sees a grandma and eats an olive before asking some kids playing soccer on the beach if he can join.  As they play and cheer he gets cold and wants to go home.  He invites his friends, but they have to stay.  They gift him a keffiyah, and he leaves. 

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On his way back to his room, he looks in on his friends. Daliyah is getting dressed for school.  Zain and Idris are brushing their teeth, and his taytas are making breakfast. When he wakes up he tells his parents he wants to go back to Palestine, and they remark on him having a beautiful dream. 

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I love that there are diverse kids depicted in Palestine, that Laith’s grandmas are involved in his daily life, that the concept of day and night on different sides of the world is accounted for.  I don’t know how I feel about the voyeurism, sure it is innocent enough, but maybe Daliyah could have been getting ready for school, rather than getting dressed.  I like that the keffiyah came back with him and the illustrations show the Dome of the Rock.  

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I bought this as an ebook, because I was impatient and didn’t want to wait for shipping to show support to Palestinian books and authors.  It came with a coloring sheet as well, and is $2.99 on the website https://www.laiththelion.com/ it is also available as a hardback book on the website (heavily discounted) or on Amazon at its regular price.

Enduring Freedom by Jawad Arash and Trent Reedy

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Enduring Freedom by Jawad Arash and Trent Reedy

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This isn’t the type of book I am naturally drawn to, and had it not been offered to me as an arc, I didn’t even request it, I probably would not have read it.  So, to say that this young adult OWN voice 246 page post 9/11 war story had a lot to overcome for me personally, is putting it mildly.  I gave in and decided to read it for the simple fact that I was curious to see what the narrative is in today’s literature, as we approach the 20 year anniversary of the attacks on US soil.  The afterward is very clear that the agenda of the two authors, one an Afghan and the other a US veteran, was to show a personal view of growth and assumptions on both sides and how the future of Afghanistan needs to be rooted in education and stability.  I think the book accomplished its goals, and made very clear how the terrorists first victims were their own people, and that extreme ideologies of the Taliban were and are still not reflective of the larger population.  The pacing of the dual narratives, however, was a bit off to me, and I really felt that some of the major plot points didn’t get explored in a meaningful way, that they were simply glossed over and brushed aside to keep the book inline with the authors’ objectives.  The book is not overly political, and the Muslim characters are religious and knowledgeable, but for a book that talked about how even in war the people, the soldiers, are the story, I wanted to see more internal wresting with choices and their outcomes, then what was offered.

SYNOPSIS:

The book is told in alternating view points, one is that of Baheer an Afghan boy living with his large extended family in Kabul next to a Taliban compound.  The family is religious, Baheer’s grandfather, Baba Jan, is well read in poetry and religious text and often quotes the Quran by ayat and surah number.  The family sells carpets, and often hides the latest movies or news recordings in the rolls, so that they can be brought home, the blackout shades pulled and the tapes enjoyed.  They are fearful of being harassed for not having long enough beards, shaved heads, turbans and the like. Baheer and his brother Rahim do not enjoy school with the strict and abusive teachers.  The talibs seem to touch them inappropriately and scold them harshly.  Their older sister is not allowed to attend school and never has even though the family used to live in Pakistan where the boys enjoyed school. It doesn’t explain why they were there or why they returned.  One uncle is assaulted by the Taliban and soon after, a news clip showing the attacks on 9/11 is secretly watched by the family.  As a result they decide to move to Farah, in Western Afghanistan where Baba Jan has family and property, to be away from the impending US attacks and Taliban assaults.

Joe Killian is the other voice.  When the book starts he is sitting in class, his senior year, when news about the attacks on the World Trade Center starts to break.  He had joined the national guard that summer for the college money, and as his classmates sit glued to the televisions in Iowa, he is nervous that he is about to be called up to war.  He doesn’t get called up that day, he graduates, and is studying journalism in college when the call finally comes.  He is preparing for combat, but when he is deployed and discovers it is a reconstruction mission he is angry and annoyed.  A year of helping what he terms barbarians, is not what he signed up for.

The majority of the book reads like a ‘day in the life’ of each of these two voices, as they adapt to life in Farah, as they deal with each other’s presence and as their friendship forces their assumptions to change.  The interactions between Joe and Baheer show the power in getting to know someone to alter perceptions, and the threat of the Taliban on both the average citizen and the US forces on the ground as a unifying enemy to allow the friendship to grow.

The book concludes when Joe’s year of deployment is up, but really the authors’ notes at the end are a better conclusion to the real life friendship and growth of the two authors that resulted in the writing of the book

WHY I LIKE IT:

I love that the family sees the planes hitting the towers and is mortified at the brazen destruction and loss of life.  They immediately start praying for the victims even as they realize they will be the recipients of the backlash. I like that it highlights where practicing Muslims and extremists differ, by having the Quran quoted and explained as opposed to the rhetoric the Taliban is spouting.  Baba Jan’s manner for speaking the ayats is a bit awkward in that most people don’t in daily conversation source and reference their dialogues, but it does grow on you.  I think the book is very simplistic in making the Taliban to unequivocally be the ‘bad guys’ without any context of how they gained traction. It talks about the Soviets, but I think it will leave the readers wondering where this group came from and why the Afghan people allowed it. Unfortunately, there are a lot of nuances and complexities that are overlooked by such a simple narrative, and allow for an inaccurate picture to be formed.

I like that Baheer pushes back on Joe who thinks America is perfect and that Afghanistan is less than, by pointing out the flaws in American society as well as his own.  I was ok with Baheer pushing the cultural limits to talk to a girl, it was innocent and I think understandable. My biggest concern is that I really felt that there needed to be more space on the page dedicated to understanding the repercussions of him being an informant to the Americans, and his brother passing on information to the Talibs.  People were taken in to custody and injured and killed as a result of these boys’ actions and to just chalk it up to something to be forgiven, was not enough for me.  I wanted them to hash it out and wallow in their choices, not forgive and move on so quickly.  I also wanted to know more about their reconstruction efforts.  It seemed rather minimal: relocating explosives, helping a burn victim, sending supplies to a school, I think in a year, that there would be more mixing with the people than the book would suggest.  And finally, I felt like the sister not getting to go to school was handled as an obligation to address, not that any insight or understanding was really given to such a hot button issue.

The book is really slow and dragging at parts, I couldn’t tell you about any of the dozen or so soldiers that are mentioned, I don’t even recall any of their names. I think the book has a lot of potential, and perhaps it does shine in showing the effects of war and terrorism on the Afghan people.  It held my attention while actively reading it, but I just as easily could have put it down and forgotten about it if I wasn’t under obligation to offer an opinion in exchange for an early copy.

FLAGS:

There is language, stereotypes, physical abuse, sexual misconduct, death, killing, violence, acts of war, bloodshed, a crush. Upper middle school and high school can handle it.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I’d select this book as a book club selection because I’m not sure what would be gained from the book.  The characters assumptions are challenged and evolve, but I think most minorities know that, getting to know someone is often the best way to have their image changed.  I think the book still functions to make Americans feel better about  invading Afghanistan, rather than have us question what the long term affects of our involvement have been.

Sitti’s Olive Tree by Ndaa Hassan illustrated by Soumbal Qureshi

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Sitti’s Olive Tree by Ndaa Hassan illustrated by Soumbal Qureshi

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This lovely 27 page book is a story infused with love, culture, and olive oil.  The hardbound, large thick pages are richly illustrated as the text, perfect for ages preschool to second grade, tell of the olive harvesting season in Palestine.  The story is framed between a young girl learning about the past from her grandma’s memories and enjoying the olive oil sent by her uncles from their homeland.  The story is warm and informative and does not discuss politics or conflict. There is a key hanging on a map of Palestine in the illustrations, but nothing in the text.

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Young Reema watches her Sitti make hummus. When a drop of olive oil slips down the side of the bottle and Sitti wipes it up and rubs it in Reema’s hair.  Reema wants to know how olive oil, zeit zaytoun, can be used in such different ways. As Reema is reminded of how far the oil has traveled and recalls that her Sitti never buys olive oil at the store, the two settle in for Sitti to tell Reema some of her memories about the harvest on her ancestral land.

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Olive harvesting season comes at the end of the year and the families gather to pick the olives and fill the buckets before climbing ladders and catch the falling olives on blankets.  The elders sort them, and at the end of the day they eat and drink tea and coffee and laugh and enjoy each other’s company.

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They tell stories to pass on to the next generation just like Sitti is doing to Reema, because the olives keep the families together.  Sitti hopes one day Reema will go to Palestine and play among her family’s trees.

I wish there was a bit more detail about the hummus, it seems to imply that the garbanzo beans are whole and not smooshed or blended, also when it lists the other things Sitti’s grandparents would do with the olives, the list is olive oil, olive soap and olives for eating.  I would imagine there are more things to do with the olives, even perhaps detailing the way the olives for eating are pickled, or preserved, or prepared would have been nice.

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There is a glossary of a few terms at the end.  There is nothing religious in the text, but many of the women wear hijab in the illustrations.

Overall this book is well done and serves an important point in showing a culture that is rich and full, aside from conflict and politics.  It is a sweet story between a grandmother and her granddaughter and shows how stories, traditions, and food help pass on culture and heritage.

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The Girl Who Stole an Elephant by Nizrana Farook

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The Girl Who Stole an Elephant by Nizrana Farook

elephantI have to admit this 240 page middle grade OWN voice book had me invested and glued to the pages.  I was swept away to Sri Lanka and in disbelief at the boldness, cleverness, and spunkiness of the Robin Hood-esque 12-year-old protagonist.  I could not put it down as my head worked over time to figure out how this trio of children, one being a Muslim girl, was going to get out of the heap of trouble they had caused.  Yes, admittedly it wraps up a bit too quickly and simply, the main character Chaya doesn’t learn her lesson and is a terrible friend, and there isn’t a good moral of lying and stealing being bad.  But all that aside, the book is a fun adventure that while written pretty straightforward and clearly, is rich in adventure, culture, and excitement for second to fourth grade readers (and 40 year old moms that love strong girls).

SYNOPSIS:

Chaya is the daughter of a tribal representative, whose mother has passed away.  She goes to school, attends the temple once a week to learn Sanskrit, and at dawn is known to steal things to give to those in need.  At night time, people are on guard, expecting trouble, but dawn seems to be the perfect time to take what she needs from people that won’t even notice.  The book starts out with her stealing jewels from the Queen with the hopes of helping a friend who was bitten by a crocodile get medical help in the next town over.  The people in Sarendib have an unjust king, and stealing from his wife to help take care of people that need assistant is a job Chaya takes seriously.  Her heart is in the right place, but when a guard sees her she stops to visit a friend who works in a wood shop to hide the jewels until the heat dies down.  The box they hide the stolen goods in is purchased by a young Muslim girl, and now Chaya has to steal them back from her to get them to people that are in need.

The chain of events is just getting started, and when the jewels are discovered the wood working Neel takes the blame and is imprisoned, and the new girl in town, Nour, is determined to help free Neel from prison and save the villagers from being tormented by the royal guards.  Chaya devises a plan to free Neel from the palace dungeons, but nothing ever quite goes to plan and all the prisoners are freed.   As she runs to escape her own doom, she steals an elephant to get away, the king’s elephant.

The entire story is a series of follies and at each turn the children have really good intentions, they just keep snowballing into situations beyond their control with the stakes constantly multiplying.  I really don’t want to give it away, but they might just bring down a monarchy as they tromp through the jungle on an elephant, accidentally burn down villages, and find that even though Nour is a wealthy meat eater, they can in fact be friends.

WHY I LIKE IT:

I love that the story is outrageous, yet grounded.  I was sucked in from the first few short chapters and didn’t look back.  Chaya is oh so plucky and her fallibility and flaws make her so endearing.  She is a bit of a mean girl to Nour, but I think she shows growth.  The slight raised eyebrow regarding her, is that she didn’t learn some grand lesson, and in fact is possibly emboldened by her thieving and getting away with it.  There probably should have been some humbling at the end, but she is bold and outspoken, and not one for regrets.  I absolutely love the letter she left her father owning up to her role in the whole hullaballoo, and as an afterthought acknowledging that she skipped two days of school.  She is a cheeky one, but her heart is huge and she has her own sense of integrity that is unwavering.

I like that Nour is acknowledged as being Muslim, eating meat, and going to mosques before she moved.  It doesn’t articulate that Chaya doesn’t like her for her faith, but it isn’t helping the two girls befriend each other either.  I love the elephant, and the plants, and fruits, and animals that bring the story to life.

FLAGS:

Lying and stealing. Some destruction of property.

TOOLS FOR LEADING THE DISCUSSION:

I can’t see me doing this as a book club selection, it is just too young of a target audience, but it would be a blast to read aloud to a second or third grade class, or to assign in a classroom setting.  The chapters are really short that early chapter readers will feel accomplished when they complete the book, and the subject matter will compel them to keep turning the pages to find out what happens next.

City of the Plague Gods (Rick Riordan Presents) by Sarwat Chadda

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City of the Plague Gods (Rick Riordan Presents) by Sarwat Chadda

I was excited to hear that another Rick Riordan/ Rick Riordan Presents books featured a Muslim character and was anxious to see how the multi god genre would account for Islamic tenants.  But I was completely giddy (that’s putting it mildly), when I found out that Sarwat Chadda is aka Joshua Khan, author of the Shadow Magic Series and that this book has practicing Muslim Characters front and center.  In his own words, “it has taken be twelve years and eleven books to get around to writing a Muslim tale.” That isn’t to say that it is Islamic fiction, there is gay romance that is there if you want to see it and has been confirmed by the author outside of the book, there are  numerous fake gods in Mesopotamian mythologies, there is death and violence, but it is fun, oh so fun.  It has salat, and going to the mosque, and an imam, and saying surahs and discussing jihad an nafs, and sadaqa and it says the shahada in Arabic and English, it presents Muslims authentically in their words and actions, and it isn’t just the characters’ backstories it is who they are and how they see the world.  The book is an AR 4.5 with 383 pages and like all Rick Riordan books, full of humor, sentiment, family, growth, and ancient mythology.

SYNOPSIS:

Sikander “Sik” Aziz is 13 and when not at school is at his family’s NYC deli working away.  The son of Iraqi immigrants, he is dedicated to helping his family especially since his older brother Muhammed, Mo, has passed away.  Mo’s lifelong friend Daoud has moved in to Mo’s old room and helps out in the deli, but is really an aspiring actor who does anything to get out of work.  When the book opens, Sik and Mo are closing up when the deli is attacked by rat faced men demanding to know where it is.  Sik has no idea what they are talking about and the two demons tear apart the family restaurant until a mysterious girl appears and sends them and their stream of insects, disease and destruction from the deli.

The next day at school Sik’s injuries are healing remarkably quick and he and the new girl, Belet, find themselves getting sent to the principal’s office together.  When he learns that Belet’s mom is Ishtar, goddess of love and war, or rather passion, and was the girl at the deli, he can no longer deny that the tales Mo used to tell him about Gilgamesh, Enkido, Nergal, Kasusu, and Mesopotamian mythology are very real.  

As Sik, Belet, Ishtar, Daoud, and an army of cats, Lamassu, learn that the plague god Nergal is behind what is going on and that he plans to destroy Manhattan, it is up to them to stop the destruction, save Sik’s parents who are in the hospital, and ultimately the world.

WHY I LIKE IT:

The book was written before Covid 19 and the idea of a plague or pandemic was not yet on everyone’s mind, but when it was published in 2021 it sure become that much more relatable and close to home.  I love that some of the reactions of the characters and community to being around infected people and the backlash was so accurate to what we have all seen since 2020.  

The way that the oneness of Allah swt and the multi fake gods is reconciled is that the Mesopotamian cast are old and powerful, but not ALL-powerful, as Ishtar tells Sik, someone had to create us.  She also says that today people might call them something else.  It seems to leave open the idea that they have abilities and because of their abilities people worshipped them and the name stuck, not that they are creators or even claim to be. The concept of being between alive and dead is explored when Sik visits Kurnugi, he asks where Muhammad Ali is and Mo tells him he isn’t there, he went straight to Jannah.  It might not be a clear explanation, but it at least hints that Muslims in real life have a different view than the mythological one being explored.

I love the snark, and the humor, it flows so well and incorporates pop culture with ancient references very smoothly. I love that they say InshaAllah and AllahuAkbar and when Sik is presumed dead at one point and awakens he can’t go to the mosque because they are having his janaza and it would be awkward.  I love that there is a glossary that denotes if words are Arabic, Islamic, or Mesopotamian.  Muslim kids reading this will feel so seen and proud to be openly Muslim and inspired that they too can be heroes.

FLAGS:

Mythology, fighting, death, the use of the term badass.  Daoud and Mo’s relationship.  Daoud and Mo became friends in 5th grade and when Sik sees some photos of his brother that Daoud had taken, he says that he sees love.  When Sik and Mo are reunited in Kurnugi, Mo hints that there is more to the friendship, it is subtle.  In online interviews Chadda says they were in a romantic relationship.  It is not explored or heavily detailed.  The only other romance mentioned is that Gilgamesh in his prime refused Ishtar.

I think fans of Rick Riordan already know that there is going to mythological characters, creatures, battles and violence and a character or two that are LGBTQ+, some possible romantic angst between main characters, death, and unfaithful flirty gods.  This book is much “cleaner” than most, so 4th graders and up that are fans, will be fine reading this.  

TOOLS FOR LEADING THE DISCUSSION:

I don’t know if I could do this as a book club selection.  The romance is minor, but once you sense it and know it is there, it is a factor.  I don’t know if it would have to be discussed and how an Islamic school would want me to handle it, because both Mo and Daoud are practicing Muslims.  I think the book does a sufficient job of not committing shirk and shirk like messages with the mythology, but as always with these types of books it is a judgement call if the children (and their parents) can understand where the lines of fiction are and where they stand.

Fandom: https://riordan.fandom.com/wiki/City_of_the_Plague_God

The Unicorn Rescue Society: The Secret of the Himalayas by Adam Gidwitz and Hena Khan illustrated by Hatem Aly

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The Unicorn Rescue Society: The Secret of the Himalayas by Adam Gidwitz and Hena Khan illustrated by Hatem Aly

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This middle grades 208 page book is part of a series, but this particular installment is co-authored by Hena Khan, takes place in Pakistan, and features Muslim side characters in the quest to find and protect the mythical, magical, and illusive unicorns.  The adventure is quick, the cultural and religious references sincere and appreciated, the characters quirky and fun, and the writing smooth and enjoyable.  I can’t speak for the whole series, but I think second to fourth grade readers will enjoy the eccentric teacher, the clever kids, and the knowledge about animals, culture, and geography that is woven in to the story to keep it engaging.  I don’t think you need to read the books in order, but I would encourage it.

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SYNOPSIS:

Elliot and Uchenna are elementary aged students and also members of the secret, Unicorn Rescue Society.  When a classmate starts a newspaper and interviews local businessman, the kids teacher, Professor Mito Fauna spots what he thinks is a unicorn horn in an accompanying picture and is determined to go and protect, once found, the imaginative creatures.  He enlists the kids and Jersey, a creature with a blue body, red wings, a goat face, clawed front legs and hooved hindlegs, to set off in his single propeller plane for the Himalaya mountains of Pakistan.

They arrive in Torghar, Pakistan and make a rough landing that nearly kills a local boy.  Alhumdulillah, Waleed is fine, and in true Pakistani and Islamic tradition the boy takes the visitors to his grandmothers home to be fed and welcomed.  Waleed agrees to help the Americans find a man known only as the “Watcher,” to see what he knows about unicorns and the hunters that come to poach for sport.

Hiking the mountains and getting short of breath makes each act that much more difficult, but alas the kids find the Watcher, aka Asim Sahib, but sadly *SPOILER* don’t find unicorns.  Rather a species of mountain goats, markhors, that have two long twisted magical looking horns. The wealthy businessman brothers also show up in their helicopter to capture, not kill the markhors.

The rescue society follows them and learn that the sinister brother are testing out the magical properties of a bezoar on pit viper bites.  Needless to say it doesn’t work and the rescue society must rescue the dying butler, and captured markhors.  All is not lost, even if they didn’t find any unicorns, at least they made new friends, and know that if they haven’t found the unicorns yet, hopefully no one else has either.

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WHY I LIKE IT:

I love that there is praying, and thikr, and ayats from the Quran quoted and explained in the book regarding saving animals, caring for each other and trusting Allah swt.  There is culture regarding taking gifts, welcoming guests, drinking tea and even breaking stereotypes of what a boy from Lahore visiting his family in the mountains knows and doesn’t know.  It isn’t preachy on any accounts, but the messages relayed in their silly way are very well woven in and leave a wonderfully represented impression of Islam, Muslims, and Pakistan.

The diversity featured in the book is nice, even within the main characters: one is an African American girl, one a Jewish boy, and the teacher is Hispanic.  The story at the end, A History of The Secret Order of the Unicorns, takes place during the reign of Charlemagne at a monastery, and features a boy named Khaled and his little sister Lubna. It is clearly intentional and a reflection of the author and illustrator.

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FLAGS:

There are some possibly gross moments featuring the goats licking urine, tea being made from the markhors’ saliva and the near death of a man requiring venom to be sucked from his leg.

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TOOLS FOR LEADING THE DISCUSSION:

The book is definitely below a middle school book club level, but I think younger elementary teachers and parents would see students get hooked on the series and would benefit from having the books around.

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