Category Archives: OWN Voice

May1

The Together Tree by Aisha Saeed illustrated by LeUyen Pham

Posted on May 1, 2023 by islamicschoollibrarian

Being the new kid, not having friends, and being teased are not new themes in literature (or life), so if you are going to write a book about them, take a lesson from Muslim author Aisha Saeed and make sure the story is heartfelt, emotional, and well-told. There is no Islam in the book, no foreign culture, or teasing because of skin color, it is a boy named Rumi who has moved from San Francisco to the other side of America and his shoes, with their drawings and colorings, that cause the kids to stare and start bullying. Rumi seeks solace under a willow tree and fellow classmate Han has to be brave to put a stop to the mistreatment by finding his voice and not simply staying silent. The text and illustrations provide a lot of opportunities for children to see themselves in the story, in the various characters, and ruminate over the actions and feelings from different points of view. The book is lyrical, it is not heavy handed or preachy, and the Author’s Note at the end is equally touching and hopeful.

Rumi is quiet, and on his first day in Ms. Garza’s class the kids stare at him as he stares out the window. At recess he wanders off to sit beneath the willow tree when Asher, Ella and Han leave the swings to see what he is up to. Asher and Ella start to make fun of Rumi, Han is uncomfortable, but stays quiet.

Rumi recalls coloring his shoes with his friends, and how different it was to where he is now, he picks up a twig to twirl as the hurt grows. In music class when the giggling starts, he tries not to cry. At recess he retreats to his refuge under the tree.

When the bullying escalates, and tears fall, Han speaks up and breaks the cycle. Others follow and see the world Rumi has created with his twig and are drawn to it and to Rumi. Forgiveness is asked for, and granted and the tree becomes a place of friendship and togetherness.

The Author’s Note shares the real life observations of the author about her son in kindergarten and how while heartbreaking, there was also hope in the concern shown by other kids that simply weren’t sure what to do. I love that even though Rumi is being teased for his shoes and being different, he doesn’t stop wearing his shoes or try and clean the drawings off.

I think this book is a must read in classrooms and homes were kids can slowly peel back the pieces and see where they can relate, how they can plan to act, and what parts they identify with. The book is deliberate and slow, and while a child could read it on their own and enjoy the story and illustrations at hand, the real power it has, is being a catalyst for discussion and empathy and speaking up.

Pre order/order here on Amazon

Apr28

The Kingdom Over the Sea by Zohra Nabi

Posted on April 28, 2023 by islamicschoollibrarian

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This 336 page middle grade fantasy book had a lot of promise for me, but ultimately fell a little flat. The protagonist was likeable, there was emotion, the story was compelling, and I know it is widely said that debut novels tend to be a little weak or be underdeveloped or having pacing problems, yet I hesitate these days to use this as an excuse. I’ve been around the industry a few years and it seems many author’s debut novel, is not, in fact, the first book they’ve written or even the first book they’ve “sold.” Books are written and finalized years before they are released for some genres particularly of late, so I’m trying not to let myself get caught up in the author’s writing journey (I’m sure I’m all sorts of wrong about what I think it would be anyway), and just review the book in front of me. This book has no religion, and I don’t know if the author identifies as Muslim. There are a hodgepodge of Arab and Desi cultural references in the characters’ names, and in the sprinkling in of salwar qamis, abaya, head scarf, sambusak, and there is a ma’a salama at one point along with the presence of jinn (not religiously referenced). There is also mention of medicinal wine, magic, a lady who has a crush on another lady in her youth, music, and dancing. The book held my interest as I wanted to see how it unraveled, and I recognize that there is a book two, so some of my thoughts might be premature, but I struggled with the premise of the protagonist trying to understand the journey her deceased mother has sent her on, and how the person she was supposed to find for the answers simply won’t talk, even though the two are living together. It made the story really drag in places and seem underdeveloped. The world building, the backstories, the adventure at hand, really is imaginative, but the development of the relationships in the story are absolutely non existent, and the book overall suffers because of it. Also the ease in which rising action is resolved is often the kids just throwing an idea out and it being right. I read and review through a critical lens and many recent middle grade fantasy books have been absolutely incredible, perhaps it isn’t fair to compare, but this book just came up short for me in developing memorable characters and plot, even though all the elements were present, capitalizing on bringing it all together stayed just out of reach unfortunately.

SYNOPSIS:

Yara’s mother has died and when she finds a letter with instructions of what to do and where to go should this moment arrive, she decides to dodge her social worker and journey to a world of magic across the sea. Unsure of her own background, she thinks she might be Iraqi, but doesn’t speak Arabic, she longs to find a place to belong, and when she arrives in Zehaira and hears the language of her mother, she is hopeful that this Leyla Khatoun, who lives in the third to last house on Istehar Way, will provide her with answers. But alas Leyla is not there, the Sultan’s alchemists are, and Yara is now on the run in a foreign land. Help finds her and with a little magic she finds Leyla. Leyla begrudgingly takes her in, but refuses her any insight into her past, her relationship with her mother, or why the letter directed Yara to her. As the alchemists poison the sorcerers, Leyla and some other kids (friends?) have to find a way to save the settlement and magic in the land.

WHY I LIKE IT:

Yara as a character is likeable, she is plucky, resourceful, determined, and despite her circumstance does not want or need pity or handouts. She advocates for animals, the poor, is a grassroots organizer, and unapologetic in how she carries herself. I love that she isn’t whiney or helpless, and that she trusts herself to problem solve and isn’t afraid to think outside the box, while maintaining her kindness and appreciation for those around her.

As someone who doesn’t like Alice in Wonderland type stories, this book grounded the world building in an easily consumable way, so even though it is Yara leaving the UK and stepping into a new world, the functioning of the new world didn’t feel random or surprising. While this was beneficial for someone like me, it made the focus of the story more on the characters’ relationships in enhancing the plot, and the book wasn’t strong in showing those connections. Yara meets a map maker for a moment and a cat, and months later recalls the cat and the map maker by name and face. A boy, Rafi, who is also studying magic and Yara don’t get along, yet are friends because it says so, the book doesn’t show us their bond. Rafi meets some great uncle and the great uncle is painfully underdeveloped (along with his “friend”) and the tangent weak in reinforcing the major climax. The relationship between Yara and Leyla is the center of the story and so glossed over, there is no tangible connection, or cathartic release when details emerge, it was very disappointing to say the least. Yara and Ajal, the jinn, what is that relationship even, she frees him à la Aladdin freeing the Genie, but they are friends, not friends, he looks out for her, but doesn’t like her, the telling and the showing don’t align. Even Yara’s relationship with the settlement and the inhabitants is disconnected from the plot of saving magic. The climax is weak because we, the reader, don’t feel any connection to any magical folk. The emotion of the mother dying at the beginning and the slight retrospection (I’m not going to spoil it) of the mother’s love at the end, was developed and made me invested in Yara, that same energy did not present itself, sadly, in any other relationships in the book.

FLAGS:

Death, loss, poison, imprisonment, magic, mention of medicinal wine, one line mention of a female character liking another female character as more than a friend, dancing, singing, jinn, torture, male and female friendships, destruction, lying, sneaking.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use this as a book club selection and wouldn’t go out of my way to shelve it in the school library or classroom library. I will probably read the second book though and see where the series goes and reevaluate. I will also probably read future works from the author as the sparks of good story telling and writing definitely show promise for the author even though this particularly book wasn’t “magical” for me.

Apr24

Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

Posted on April 24, 2023 by islamicschoollibrarian

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Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

There was a time in college when my friends and I would gift each other Cinderella retellings and versions from all over the world, that was nearly 20 years ago, and I haven’t thought much of it, until this book reminded again of “This is the House that Jack Built.” Having just read and reviewed “The Masjid that Kamal Loves” which is structed similarly, I can confidently say forget Cinderella, I’m loving this new trend, of a repetitive layered story conveying love and excitement and joy to little readers in such an engaging way. This book has more of a story than the original and shows relationships and longing, even though it is primarily a love letter to Cairo. The swapping out in some verses for Arabic words and English translations, the sound affects and the connections really elevate the OWN voice details in the text and make the book an absolute treat to read and share even for those of us who are not Egyptian and have never visited. The Auntie who visits wears hijab, the muezzin calling Allah u Akbar is a repeated refrain, their are numerous illustrations of women in hijab and a masjid is shown repeatedly throughout allowing Muslims everywhere to feel seen with this culturally specific story. The Glossary with the Arabic script and pronunciation guides and Notes from the Author and Illustrator really radiate with love and invite the reader to participate in the celebration on the pages. I have no doubt children (and their parents) three and up everywhere will fall in love with the 40 page story and delightful illustrations.

Auntie Fatma comes to visit a little girl’s family from Egypt and brings sahlab and changes for two weeks to the home. Arabic is spoken, and a nightly lullaby of the sounds of Cairo are among the beloved additions to connect the little girl to her Auntie and her culture.

The lullaby begins with the sound of the Nile, the boats floating through the city, the athan calling to prayer, the carts on the streets, the traffic. The halawa ya battekh, swish, swoosh, swish, Allah u Akbar, beep honk toot, all add layers to the bustle of the city as the little girls memories of the sights and sounds of Egypt soothe her to sleep. When it is time for Auntie to return the little girl’s sadness is palpable, but Auntie finds a way to reassure her and all those that have drunk from the Nile and long to return.

It is hard to say if the text adds to the illustrations or the illustrations to the story, both combine to make this book impossible to read without smiling. I love that the mosque is shown in the daytime and at night implying that the call to prayer is not a one time thing without articulating that Muslims pray five times a day. I don’t know if the author identifies as Muslim or if the inclusion of the athan and Allah u Akbar is just an environmental reality of Egyptian daily life and thus featured. The illustrator could have very well added the hijabs on his own as there is nothing religious or explanatory in the text. Perhaps it is worth noting that there is a dog in the family’s home that seems to sleep with the little girl. The book is a cultural heartfelt portrayal, and that Islam is prominently featured so beautifully made for a lovely surprise.

I hope you will consider preordering the book here, requesting it at your library, and sharing it on classroom and home bookshelves. Happy Reading!

Apr19

Eliyas Explains Why Should I Pray My Salah? Bite Size Journal by Zanib Mian illustrated by Daniel Hills

Posted on April 19, 2023 by islamicschoollibrarian

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Eliyas Explains Why Should I Pray My Salah? Bite Size Journal by Zanib Mian illustrated by Daniel Hills

I love the Eliyas Explains books, but was a little curious what a “Bite-Size Journal” version would be, and Alhumdulillah, the silly relatable voice is the same, there just isn’t as much fictional story weaving together as the Angels and Miracles books had. Instead it has activities and guided prompts for the reader to engage with and space for them to write. The first 15 pages or so are Eliyas explaining about salah and what he has learned and how he has improved, and some parables through his point of view. Then the journal pages begin, and while the first few are truly “journalistic” as it progresses to the last of the 60 pages you realize along the way there was a lot of “story” included on the activity pages as well. The book isn’t blank pages and bound together as a book, it has text, it has hadith, it has games, it has questions, and trackers, and a lot of information. I love that it states that it has been checked and the Shaykh’s name is included, the positive child framing, and the reasonable price point. For first through third graders learning about salah, wudu, athan, and inshaAllah becoming more mindful of their actions and behavior, this book will be relatable, funny, and informative.

SYNOPSIS:

The book starts with Eliyas remembering when he was too lazy to make wudu and pray his salah, he then offers a story of an orphan and a muffin and a lady who makes the muffin to try and show readers that salah benefits and nourishes us and the maker of the muffin truly loves us. It is a little random, but it somehow all works and kids will go along with the allegory, it isn’t drawn out. He then moves to talking about how Allah swt loves him and what his parents told him that helped him to love praying. There are hadith and Eliyas’s explanation attempts, drawings, and some really powerful points about angels and being accountable on the day of judgement to Allah swt. The journal pages involve decoding, timing your prayers, writing down all the places you’ve prayed, latitude and longitude decoding and a lot more. The book also discusses the athan and Surah Fatiha.

WHY I LIKE IT:

I love the voice of Eliyas. It isn’t fear driven, or punishment framed, it stays positive and motivates from a place of love, but the conscience and priorities are highlighted too. It is such a crucial part of raising young Muslims, to lead with Allah’s love, but as kids get older you want to introduce consequences, and choices, and being accountable, and this book does it seamlessly with out it being overwhelming.

I honestly don’t know if I like the journal format or the other Eliya’s Explains books more, I do like the storytelling of Miracles and Angels and the way the facts are woven in, but I think for the topic of Salah this format works. I am happy with mine, and you can purchase yours here from Crescent Moon Store.

FLAGS:
None

TOOLS FOR LEADING THE DISCUSSION:

I don’t think the book would work for a book club, but in small groups at an Islamic School or Weekend School the teacher could very easily and affordably have a book for each student, or read aloud the story parts and engage the students in the activities without any difficulty at all.

Apr17

The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

Posted on April 17, 2023 by islamicschoollibrarian

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The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

I don’t normally post about upcoming releases this far in advance (2.5 months), but I am hoping that if I share the link for preorders, I just might help in signaling to the traditional publishing world that books like this are so so so important and that we will support unapologetic, well written, Muslim centered, Muslim and Black joy featured books with our purchasing power. This book is incredible for toddlers to early elementary in its “This is the House that Jack Built” format. Muslim kids will giggle with excitement as they see themselves happy to see their friends at Jumu’ah, flinging shoes a little too hard before entering the musallah, splashing a bit when making wudu, playing while helping put out the prayer rugs, and getting a little wiggly or tired during the khutbah. The happiness and love radiates off the pictures and through the text that even non Muslim readers will feel our connection to our Masjids and the prayers that occur within. Muslim authored, Muslim illustrated, masjid not mosque, and a beautiful Author’s Note, makes this book a must have on every shelf where young children need books that mirror their experiences and provide windows into the beauty of Islam.

The book starts out describing Kamal’s smile and offering the reason for such joy as being Jumu’ah at the masjid. It then starts with describing the masjid and all that is contained with the lines adding on the refrain of “the masjid Kamal loves.” The friends, the shoes, the feet, the rugs, etc.. Terms such as imam, ummah, salaam are in the text and the illustrations show wudu, salat, khutbah, conveying a Jumu’ah experience.

Each page is brightly illustrated across horizontal orientated scenes. The expressions on the kids faces, are engaging and smile inducing and the lyrical text has a rhythm and strength that makes you feel proud to also have a masjid to love like Kamal.

I have an arc, but have preordered a copy for myself here and hope you will do the same. Please also request your public libraries to order it, and if they have already you can place the book on hold, inshaAllah little steps to show support.

Apr14

Grounded: A Novel by Aisha Saeed, Huda Al-Marashi, Jamilah Thompkins Bigelow and S.K. Ali

Posted on April 14, 2023 by islamicschoollibrarian

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Grounded: A Novel by Aisha Saeed, Huda Al-Marashi, Jamilah Thompkins Bigelow and S.K. Ali

Over the years I’ve read to a lot of kids, with a lot of kids, discussed books in classrooms, and in book clubs, so when reviewing I often share what kids think or what I imagine kids will think, and I usually acknowledge when I’m being overly critical as a reviewer, but this book I will tell you, I did not read through the intended middle grade lens, I read it as a 42 year old seasoned reader. I know this because I cried during the entire second half, and the book is not sad. It is fast paced, joyful and adventure filled. I cried at the ownership of identity, the pureness of friendship, the acceptance of the flaws and strengths of those closest to us, the love of family and that this book is written by four incredible Muslim women authors for Muslim kids to be seen and for non Muslims to see Muslim kids in action in a fantastic, non preachy, authentic, powerful engaging story. In short I loved it. I love that the voices are different, but polished and seamless in conveying a fictional story with universal themes through a variety of Muslim characters without talking down or over explaining anything. From the maps to the crossover character Hanna from S.K. Ali books, the poetry from they young lyricist to the representation and discussions of Muslims not being a monolith, and the sprinkling of a Hadith or Quranic ayat here and there (I wish there was more), the book tugged at my heart strings. For kids third grade and up, some of those themes might resonate, or it might just be a book about a lost cat in an airport and a hodgepodge group of strangers, turning friends, stranded in an airport searching for her while dodging security and exasperated parents.

SYNOPSIS:

The end of the MONA (Muslims of North America) Conference has lots of families at the fictional Zora Neale Hurston heading home. Tired parents and restless kids lead Feek’s little sister Ruqi to go missing and Feek to blame. As he searches for his little sister he meets Hanna, a girl looking for a lost cat, not her lost cat, just one she has heard about from her animal activist group that is missing at the airport. As they search for Ruqi, Sami gets dragged along even though he’d rather be mentally keeping his anxiety in check as he prepares for the Karate competition he is heading to. Luckily Nora, Congresswoman Najjar’s daughter, finds Ruqi and the five strangers are brought together. When all flights are grounded because of weather, the group goes in search of the missing cat, Snickerdoodle, finding leads, security, secret corridors, self confidence, friendship, and skills along the way.

WHY I LIKE IT:

I knew the book would be good with the authors’ names on the cover and their ability to tell a good story, but I was still blown away by how real the characters were fleshed out and their “problems” articulated. The emotional connection to each character facing their insecurities and supporting one another’s’ vulnerabilities was reflective and insightful. I love the diverse inclusion of showing Muslims that don’t speak Arabic or don’t know if they are Muslim enough, of Black Muslims and Black culture, of being an only children and struggling with siblings, understanding parental expectation and finding your voice to speak up to those you love. The surface story is paced well and entertaining and sufficient, but the details and the story beneath the surface, really is powerful.

Again with the reviewer lens- I did wish in the middle there was a tiny bit more inclusion of a Bismillah when following a lead or an AstugfirAllah when breaking a rule or a quick prayer when running from authorities, the beginning and end was Islamically rooted, but as an Islamic School Librarian, I must admit I’d like a few more mentions during the “adventure” parts.

FLAGS:

The kids are dishonest, they break rules (possibly laws), they lie, and do some damage, they sneak and kind of talk back to their parents, nothing is normalized or accepted though and they are called to account. There is a birthday that is celebrated with everyone singing, and possible triggers of talking about a deceased parent. The kids are 12/13 and younger, and brought together by circumstance, but by the end the girls and boys have developed close friendships.

TOOLS FOR LEADING THE DISCUSSION:

Even though the book is meant for middle grades, I think younger middle school readers would enjoy the book and find plenty to discuss as they see themselves and others in the characters, imagine what they would do in such a situation, and get swept up in the ride.

Apr10

What Color is My Hijab? by Hudda Ibrahim illustrated by Meenal Patel

Posted on April 10, 2023 by islamicschoollibrarian

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What Color is My Hijab? by Hudda Ibrahim illustrated by Meenal Patel

When this book arrived I flipped through it and loved that it tied hijab colors to careers, when I asked my seven your old to read it to my three year old and I overheard snippets, I was impressed that positive characteristics associated with the professions were articulated and embodied by the main character to inspire young girls everywhere. When I finally sat down to read the book my self, I enjoyed the joy, diversity, and backmatter, but unfortunately felt like a page was missing at the end. Over 32 pages the book introduces a color as seen on someone the narrator knows hijab, and identifies the woman’s job and a couple of characteristics. The facing page highlights that when the girl wants to have strength or show kindness she too will wear that color hijab. The text on the first page and the last page is the same, “Hijab is the crown/I wear every day./It is worn many ways, and it comes in every color.” I absolutely love the premise of the book, but it seems that the conclusion should perhaps broaden that we can be anything and everything no matter the color we wear. The blurb on the back of the book actually uses language of wearing “yellow, ‘like’ my doctor’s hijab, brown ‘like’ my teacher’s hijab,” etc. that allows for a more interpretive and less literal view of I have to wear this color or that to be a leader or athlete or loving. I know I know, I’m probably overthinking it, but I’ve read the book so many times, and each time I just feel like the conclusion tying it together is missing and makes the book primarily a color book and thus preventing it from transcending into being more.

The book text is like a poem with the opening and conclusion reading the same. The patterned body of the book works very well in establishing the links between hijab, color, occupation, empowerment, characteristics and implementation. The pictures also allow the reader/listener to broaden their knowledge about various careers and see what they look like in action and what attributes they draw upon.

At times the wording gets a little loose with “give kindness” and “show wisdom” but the overall tone conveys the sentiment and allows for the stronger, “get results” and “be a leader” to balance out the flow of the book. The illustrations amplify the color being presented, but it is worth pointing out that the hijab’s are all patterned and could be a little confusing to little readers. Similarly, the yellow hijabs appear more orange and the purple more pink.

I love that the book is authored by a Somali woman and that the illustrations show diversity (skin color, mobility, body shape), but focus on strong black women inspiring the young protagonist. The backmatter hints that it is the author’s niece and also explains hijab, and hijab styles.

I purchased mine from Book Depository, but they are going out of business, you can also purchase it on Amazon, here.

Apr7

What Should I Do? By Fadelah Mahmood illustrated by Ayun Sekar

Posted on April 7, 2023 by islamicschoollibrarian

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What Should I Do? By Fadelah Mahmood illustrated by Ayun Sekar

Most rhyming children’s books are absolutely terrible, but this one made me smile as the format compliments the tone of the book. Every child has done something they regret and every parent desperate to raise truthful children; what very easily could have been a heavy handed story, stays positive as little Yousuf breaks something and seeks advice from his siblings about what to do. The book provides a lot of teachable moments and allows discussion and reflective referencing. It also is a reminder to us parents to praise the honesty, and forgive the transgression. The book is 24 pages and while text heavy at times, the fairly smooth rhyme and relatable story will be great for mature toddlers to kindergarteners. Some of the vocabulary will possibly need some explanation, but the cute pictures provide clues and the messaging will come through.

The book starts with Mum heading out to run errands and the kids being reminded to be nice, not to fight, not to make a mess, and that dad is in the garden and call if they absolutely need her. Did I say it is relatable? Yeah, I say this at least once a week, but dad isn’t in the garden, and I don’t rhyme.

Yousuf amuses himself and one thing leads to another and a ceramic plate gets broken. Not just any ceramic plate, his Mum’s favorite. He heads to his brother playing playstation for advice, and then to his other brother, and then finally to his sister before his mom comes home.

I’m sure for adults the story is predictable, but the solutions the siblings provide are similarly relatable and mom being grateful that honesty won out are conveyed on a child’s level that makes the book enjoyable at bedtime or in small groups. It provides an entertaining and clear reminder of how important telling the truth is.

There is nothing clearly Islamic in the text except the children’s names and the mother wearing hijab. No hadith or ayats are mentioned in conveying the universal character trait of honesty. The author and illustrator are Muslim and I do wish that there was a tie back to Islam either before or after the story, but alas there is not.

I purchased my copy here at Crescent Moon where my initials ISL (Islamic School Librarian) will save you 10% and it is also available here at Amazon.

Apr5

Not Now Noor! by Farhana Islam illustrated by Nabila Adani

Posted on April 5, 2023 by islamicschoollibrarian

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Not Now Noor! by Farhana Islam illustrated by Nabila Adani

This 32 page book is incredibly adorable and silly, and yet so vague in the answer that is the whole premise of the book, that it really has me wondering why we are so afraid (in children’s books and possibly in our daily lives) to say that we wear hijab because Allah swt commands it? The book articulates that we are Muslim and that hijab defines us, which I love, it just seems that while the rest of the book is incredibly direct and funny, the answer is fuzzy and lyrical. It is by no means wrong, it just at the end presents what hijab means, the benefits of wearing it, and one’s personal feelings toward it, while skirting the answer the girl keeps asking of why? It seems to be a common approach lately, and I wish that more picture books about hijab would clearly articulate that the commandment to cover is in the Quran. It isn’t for any other reasons. It may have perks of keeping your ears warm, fashion, or hiding your earbuds, but that isn’t why Muslim women wear hijab. Perhaps the trend has me more frustrated than this book on its own warrants, it really is sweet and I don’t regret purchasing it and having it sent from the UK. It allows for a serious conversation about hijab to occur after, and it intentionally pushes the humor, which I definitely think we need more of in Muslim centered books.

The book starts with Noor identifying what her Ammu’s hijab is and isn’t, how she wears it and how she doesn’t. The next page shows Noor’s bustling family and she compares how her Ammu’s hijab is not the same as her Nanu’s or Dadu’s or Aunt’s or even her sister’s, but she doesn’t know why any of them wear it. Yes, I’m sure there is some pointed criticism I should make about how can a child her age not know, but I think for the sake of it being a book and being comically done, I am willing to let it slide. I do wish that the spread had the women and their style of wearing a scarf shown. I appreciate that they are in the dining room at home and thus not wearing a scarf, Nanu is because Dada is in the picture, authenticity which I love seeing, but children need a little more hand holding to see which person the text is talking about. Yes I know there is a family tree on the inside cover, but at story time, it is cumbersome to flip back and forth.

Back to the story, Noor starts by asking her sister, the coolest hijabi she knows, if she wears it to hide her snacks in, or hide her big ears, but Affa brushes her off with a, “not now, Noor” and she is off to the next family member to ask. Each time the rationale gets more outrageous: hide the eyes on the back of your head, prevent you from getting nits, etc.. And each time the person she asks sends her on her way with a “not now, Noor.”

When Noor finally gets to her mom it is she who answers with poetic lyricism, “We are Muslim women, my Noor, Unapologetic and true. We are believers. We are dreamers. We are thinkers. We are leaders. We can wear our hijabs on our heads like our hearts on our sleeves. Whether you choose to or not, my Noor,, we are so many things…and we are more than enough.” On the next page it continues, “My hijab is not just a scarf. It means more to me. It is a reminder of who I am, where I’m from, and where I’m going to be. And perhaps one day you’ll understand what I mean. Because, most of all without my hijab, my Noor, I don’t feel like me.”

A flowery sentiment, but little Noor and the reader never got the answer as to why Muslim women wear hijab, and I think that it is unfortunate. The book is beautifully illustrated, the size is great to be shared, the text funny, the voice playful, the joy contagious but the answer for me, just missed the mark, not by a lot, but by enough that I think an adult would need to supplement the overall takeaway message.

Mar31

Sajjadati and the Power of Dua by Ayesha N. Rahmaan illustrated by Laila Ramadhani Ritonga

Posted on March 31, 2023 by islamicschoollibrarian

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Sajjadati and the Power of Dua by Ayesha N. Rahmaan illustrated by Laila Ramadhani Ritonga

This 38 page large hard back picture book is absolutely beautiful: the illustrations, the tone, the thickness of the pages, all come together to create a child’s wonderment about the power of salah and dua with grounding in the actual parts of prayer. On my first reading the imaginative “magical” aspects of the prayer rug, “Sajjadati,” was sweet and endearing, but as I thought about the story and then reread it, I had some concerns. I know the book is meant for children, I know I am a reviewer and thus am over analyzing it, so I point the following out as a “heads up” so to speak, and for you to make your own decisions if the literal text will be misleading or if the overall mood of the book will be taken as loving dua and the closeness prayer brings one to Allah swt.

The book starts with a little boy recalling when he got his green prayer rug from his grandma, that has his name on the corner (in the illustration it is centered on the top, not in the corner) and him naming the prayer rug, “Sajjadati.” The following page, same spread, then says, “When I have Sajjadati with me, I can pray anywhere. And when I pray on Sajjadati, I can go anywhere.” These lines give me pause, because even if the prayer rug is lost or not with him as he grows up, he is still going to need to pray. The importance of the prayer rug seems over elevated, albeit sweet, religiously a little unsettling. The second of the two lines, about going anywhere, is also a bit of a gateway to the rest of the book and almost encouraging one’s mind to wander during salah.

The next page gets back on track saying that starting to pray and saying “Allahu Akbar” leaves this world behind, the little boy says surahs he has memorized, and knows Allah swt is watching him. He asks Allah for what he wants, and his imagination takes him on adventures after each salah. He imagines flying, and being a superhero.

The story then returns to being in prayer, not after, and going in to ruku. The text has him imagining he is in the “biggest candy store in the universe” wondering if Jannah has rivers of chocolate before standing up straight again saying “Sami Allahu liman hamidah,” and contemplating if there is a place where his prayers would be worth more and Sajjadati taking him to al-Aqsa.

In sujud Sajjadati tickles his nose, but he doesn’t mind because he is closest to Allah swt in this position, and while he won’t let his “annoying little sister,” bother him, his mind does drift to being on a boat in the sea with seagulls squawking, “salaam.”

Hamza is then making dua for those suffering. Since nothing is impossible when making dua, he is also asking for pets from the savanna, but knowing that Allah swt will provide what is best. He makes duas to go for hajj and concludes his salah by folding up Sajjadati and finding peace in Allah swt being al-Mujeeb.

I love the heartfelt framing of salah and the interweaving of both real and whimsical wants, as well as the sprinkling of facts about prayer into the story, but I honestly struggled a bit with the juxtaposition of the parts of prayer with the day dreaming elements. I also struggled with the tenses, and find myself constantly rewording this review to reflect the book’s timeline. Hamza is with his family, for example, hearing the current event news, while the next set of pages has him back making dua at the end of the prayer he started at the beginning of the book. And the hearing the news and the praying for people is all being conveyed in the present tense, not clear if he recalled hearing about strife in the world and then made dua, or paused heard and resumed his prayer, it all seemingly happening at once, but that doesn’t really make sense. The title also says dua, not salah, and so much of the book is about prayer, that I feel like the two get conflated erroneously, and dreaming big during dua is different than having your mind wander during your salah.

The book starts with an ayat from the Quran in Arabic text and meaning of the translation in English and concludes with a glossary and space to complete a Dua List.

If this book seems like a good fit for your young child, I ordered mine from Crescent Moon Store and you if you use my initials ISL (Islamic School Librarian) at checkout you’ll save 10%.