Tag Archives: Cooking

Balti Kings by Sudha Bhuchar and Shaheen Khan

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Balti Kings by Sudha Bhuchar and Shaheen Khan

I don’t recall ever reviewing the script of a proper adult play before, and probably last read a play in college, needless to say it has been a while, and this 112 page script of a play performed 25 years ago, has me itching to dive back in to regularly attending live theater. Literary wise I love seeing the characters and plot develop with dialogue alone, and the power that every word on the page has. The play takes place in one day, in a Pakistani restaurant in Birmingham, England, and the stresses of an event happening that night is the catalyst that brings together the characters own lives, the chaos of the kitchen, the stresses of the times, and an inside view on immigrant life.

Set on Jummah, everyone seems to be religious when bosses come looking for their employees, but duas, and boundaries, and justifications also stem from Islamic practices. The owners of Balti Kings are trying to compete with Karachi Karahi in the neighborhood, their father has had a heart attack and the brothers are trying to relaunch the business with a Bollywood star studded Curryoke night and the start of their cheaper buffet. The attitudes and social hierarchy of immigrants is highlighted with the contrasting kitchen crew downstairs. A mix of ages and genders and skills, legal and soon to be illegal desi workers along with a Bosnian brother sister team, show racism and stereotypes in action.

Their personal lives spill in to the kitchen as the young Mariam finds herself expecting and coworker Nadeem denying it is his, while she is left warding off advances from her boss. The head cook is again threatening to leave for Karachi Karahi, the biriyani is burned, the stars are imposters, and the brothers have to accept the outcome of their choices.

I found myself smiling, getting irritated at characters, and appreciating the found family that the restaurant provides. I love the Foreword and Authors’ note that set the place in a time not that long ago, and show how perhaps very little has changed. The end features pictures of the play performances, as well as a glossary.

Ramadan on Rahma Road: A Recipe Storybook by Razeena Omar Gutta recipes by Faaiza Osman illustrated by Atieh Sohrabi

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Ramadan on Rahma Road: A Recipe Storybook by Razeena Omar Gutta recipes by Faaiza Osman illustrated by Atieh Sohrabi

 

I would not know where to shelve this 40 page in a library, it has beautiful pictures, it is informative, resourceful, useful, and interesting- I’ve only delayed sharing it because I really have had to think, how best to use this book to its maximum potential, to make it truly effective. It is formatted externally as a picture book, but it reads much like an chapter book anthology with the stories connected by the road the diverse folks live on, Rahma Road, all coming together for a communal iftar, with some fasting and some not.  The spreads feature vignettes on the left of what each house is making, including tidbits of culture, facts about Ramadan, insights about method or ingredients, with the facing page being the recipe.  The book is incredibly meticulous and intentional in appealing to Muslims and non Muslims alike, as well as a variety of ages.  It works as a book for Muslims to see themselves in, non Muslims to get a peek at iftaar excitement through, messages about community and diversity celebrated, foodies to see new recipes that they can try, cultures to explore through food and native words, a story framing to feel connection, I really could go on and on with the layers and inclusions this book provides, alhumdulillah.  I think the best way to use and share the book is going to be for me to read it with my 5 and 9 year old children a week or so before Ramadan.  Where I can read the story portion, getting us excited for Ramadan, slipping in some reminders, appreciating Islam’s global presence, and then talking about the recipes so that they can pick dishes to try in Ramadan and add needed ingredients to the shopping list (I wish I made the effort to be this organized all year long).  I then will plan to leave the book out and have my teens flip through to find any recipes that they think sound good and will commit to making.  The book would work all year long, but as a new release, I’m sharing my plan with hopes that it can help your family as well. 

The book contains 25 globally inspired recipes, featuring 11 with accompanying stories.  I absolutely love that at the bottom of the recipes are page numbers for additional items that would pair nicely, or be condiments or beverages or desserts for the dish.  This allows easy personalization, fusion meals, and more importantly a way for different age groups to be able to help each other in the preparation.  Maybe koshari is a bit advanced for your kid, but the mint lemonade paired with it might be something they can tackle a bit more independently. 

The framing of everyone on the road coming together book ends with the neighbors sharing a meal at the end,  I love the backmatter explaining Ramdan, about the recipes, even about Rahma Road.  The message to the reader and the naming of consultants really is a credit to the time and effort put into this book.

A few of the dishes and countries featured are: Atayef from Palestine, African American Sweet Potato Pie, Nigerian Puff Puff, Japanese Temaki Sushi, Morrocan Harira, Uyghur Lamp Stir-Fry, Guatemalan Dobiadas, Turkish Chicken Gozleme, Malaysian Teh Tarik, Australian Mini Strawberry Pavlovas, South African Bunny Chow, Mexican Elotes  .I can’t wait to report back if my plan was successful, if the dishes prepared were a hit, and ideas for further maximizing the use of the contents it contains.

More Hands by Jenny Molendyk Divleli illustrated by Ekinsu Kocaturk

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More Hands by Jenny Molendyk Divleli illustrated by Ekinsu Kocaturk
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This 32 page picture book blends food and the concept that teamwork makes things better, when a young boy asks his grandfather why his pishmaniyah is so delicious, and Grandpa Yahya offers to share his secret ingredient. The book is a fun bedtime or story time read as the more hands needed builds and builds. As someone though who has now read the book over a dozen times, I do wish there was more backmatter. I would love a recipe for the cotton candy type sweet, maybe some history of what pishmaniyah is (I had to Google it), and how it is traditionally prepared. The text dances around the pages, and the fun illustrations will appeal to children and help explain the process. There is a “bismillah” in the book and it mentions “baraqah” on the back cover, athere are also a few hijabis in the illustrations, but the book is universal for all readers toddler and up.


The book jumps right in with Sami asking his grandfather about his pishmaniyah. It is unclear if grandpa was planning to make it, or if it was a question out of the blue, but either way, Grandpa Yahya offers to share the secret ingredient. The ingredients are pulled out, and then more hands are needed, and then more and more and more. Once the whole family, and neighbors, and their kids are all involved it is time to eat and enjoy the dessert together.



As an adult I wonder what would have happened if so many people were not available to help, and did they wash their hands, and how big is their house, but kids won’t care, kids will just think it is funny. And that is ok too, books that show family, community, and teamwork with humor are always great additions to share with our littles.

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Sam(ira)’s (Worst) Best Summer by Nina Hamza

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Sam(ira)’s (Worst) Best Summer by Nina Hamza

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The first 15% of this 336 page book were rough, the internalized Islamophobia/othering, the excessive discussion of Halloween and being toilet papered, but then I don’t know, something suddenly changed, and I was hooked.  There really is no plot, the reader just spends the summer with Samira, the highs the lows, you see it all through her tween eyes, which worked great for me because I truly loved her voice.  Her dry witty humor, the short choppy chapters, once the forced Islamic rep faded (I know, the irony is not lost on me), the book was hard to put down.  It has Muslamic flags: music is a HUGE part of the book, there is lying, mention of beer, parties with boys, Halloween, dancing, bullying, racism, ageism, Islamophobia, stereotypes, but it also has a lot of heart, finding yourself and voice, amazing sibling support, community, a super grandma, a little brother who is on the spectrum and absolutely a star who holds his own. It is very idyllic even for middle grade, but I think if you are ok with the aforementioned flags and have a middle grader trying to find their place or has had some friend trouble, this book will resonate and be well loved.

SYNOPSIS:
Sam/Sammy/Samira is wrapping up a school year that did not go as planned even though she found she loved being a photographer for the yearbook. She had a huge falling out with her best friend Keira, and she cannot wait for a summer of never leaving her room.  Her parents and older sister are heading to India, leaving her with her little brother Imran, and Umma, their Grandma who came from India to watch them. The end of school culminates with the yearbooks being delayed, her house being toilet papered, the talent show performance that she quit- being completely changed and incredibly racist, Keira spreading lies, and a new girl moving in to the neighborhood.  It is a lot for Samira, and summer is just getting started.  Umma knows the whole neighborhood before the week is out, and starts building a community that rallies around the three of them.  Samira becomes a roadie for a band, Imran gets an old artist to teach him to paint, parties are planned, voices are found, friendships are established, and videos are made celebrating the success and obstacles of it all.  Every time they call the rest of the family in India, even the reader realizes just how much they all have grown.

WHY I LIKE IT:

I just love Samira, she is relatable, funny, and you just cheer for her. I wish her lens though was Islamic.  She doesn’t wear a swimsuit because she misread the dress code, but had no Islamic perspective hesitation of going to a swimming party with boys.  She gets blamed for sneaking beer to a gathering and it says she doesn’t drink, but doesn’t stress, that it would be a huge, huge deal Islamically, not just because she is underage.  Music and dancing aren’t even blips on the radar. Umma prays, Sammy finds it annoying that her prayers seem to take longer when Sammy is waiting for her.  Once it mentions that Sammy was told to pray, but it never shows her praying.  Islam seems very forced, just enough for the character to mention Islamophobia in other instances where the label creates stress for the family.

The character development of Imran and Umma, even though they don’t change at all, has depth and grounds the story. I read a digital copy that doesn’t have any backmatter, but I do hope that the autistic rep is accurate.  Imran’s perspective and heart are so engaging and his and Samira’s relationship is very tender.  There is no pity, or looking down, he legit is fully fleshed out and awesome.  Umma is incredible too, her magic network of getting things done really is a super power.  She connects with people, has a huge heart, and picks her battles.  I wish I could take an internship from Umma.

I can’t figure out if the resolution to the “climax” is intentionally understated because Samira has moved on and grown, and having a big explosion doesn’t fit her character, or if it was just not written strong enough.  That is why I put climax in quotations, because there really isn’t a lead up, or rising action, it is a progression, but it is like the rest of the smaller ups and downs, it is just a stress of the day-to-day living of the protagonist.  The other thread of the “climax” being Alice’s grandma coming home from the hospital, really just seemed weak.  She should have come to the party in her wheelchair, I really didn’t get why it centered the party for being for her, but then let her leave.

I like that Keira wasn’t given redeeming qualities, and her treatment of Samira was never justified.  Often the bullies are shown to have hard lives, which is fine, but sometimes they are just mean.  Samira really takes the high road in handling Keira and what she wants their interactions to look like in the future, which is much better messaging than most books about bullies contain, and I really appreciate that.  

FLAGS:

Bullying, racism, stereotypes, lying, Islamophobia, agism, mocking, teasing, music, dancing, vandalism, mention of Halloween and beer.

TOOLS FOR LEADING THE DISCUSSION: It wouldn’t be possible to do this as a book club selection in an Islamic school because of the music element, but depending on the school, it might still be ok to shelve in classrooms and the library.

Fatima Tate Takes the Cake by Khadijah VanBrakle 

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Fatima Tate Takes the Cake by Khadijah VanBrakle 

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I really want to be raging furious and upset by the lying, premarital hetero sex, normalized/celebrated lesbian Muslim, internalized Islamophobia, gaslighting, abuse, and labeling of Muslims as “conservative” and Islamic principles as “ancient and ridiculous” (keep in mind the characters and author are all Muslim). But honestly, the writing is so terrible that to feel that much emotion is just not that warranted for what the story is. I’m so disappointed in the entire writing quality of the book, that I couldn’t appreciate the characters or story as written.  I know elements of the story probably ring true, my privilege and arrogance don’t blind me to recognizing that, and whether I agree or relate or identify with the Islamic representation is subjective, but it is not a good sign when reading- that screen shots are not enough, and I have to break out paper and pens to note the contradictions, plot holes, and inconsistencies.  The cover is the best part, with its beautiful Black Muslim inviting YA readers to crack open the book and spend time with Fatima who dreams of following her culinary dreams despite family and toxic relationship obstacles.  Sadly though, the text does not live up to the expectations the cover sets forth.  It reads like a very early draft where the plot points, the climax, and the conclusion are laid out, but the dialogue, backstories, and relationships are yet to come in this very mature 304 page book.

SYNOPSIS:

Fatima Tate dreams of culinary school, but her mother demands a more practical degree of nursing.  The only child of a nurse and mechanic, Fatima goes to a virtual charter school and has a best friend since 5th grade, Zaynab. who goes to a private school, yet constantly chauffeurs her around, covers for her, and whose relationship with Amber is a major thread in the story.  One day, when Zaynab fails to pick Fatima up from her shift at the soup kitchen, Raheem, her crush who she has never really spoken to, offers to drop her off, he uses the excuse of not wanting to miss Asr salat to get in her house, and by the time the prayer rug is put away the two are kissing and holding hands.  It has been a busy day for Fatima, she was also invited to join a teen cooking competition, and with that, all in the first chapter, the direction of the story is set.  Add in the twist that her parents don’t know about her joining the cooking competition, Raheem being revealed as a narcissistic, controlling, wealthy, manipulator who has his mom properly meet Fatima’s parents resulting in the two quickly become engaged, and Fatima at some point having to finalize her college plans and you have most of the plot and spoilers of the book.

WHY I LIKE IT:

I wish there was more OWN voice Black Muslim culture inclusions.  As with all the potential themes of the book, the writing just feels so superficial.  The only thing quicker than the instant romance, is the reader’s (my) instant disdain for the creep that Raheem is: from his arrogance to his ghosting, his hypocrisy to his gaslighting.  There is no angst, attraction, sympathy, intrigue, nothing in his character makeup or in the relationship he and Fatima have.

The cooking thread is equally lackluster, I think most bakers have heard of refrigerating cookie dough, and where I should have been hungry or had my senses tingling, I found myself annoyed by the almost childish portrayal of the food scenes.  If it was meant to show passion or a divide with her parents, it was all talk and no show.  At times the text says how close Fatima is with her parents, how much she respects her mother’s strength and her father’s kindness, but lie after lie to them and their distance from the heart of the book, definitely do not show a complicated relationship, it once again, yep you guessed it, reads really flat and one dimensional.

Islamically there are concerns with the premarital relations, but even before that with the male and female being alone, the lying, the lgbtq+ relationships.  I never understood why Fatima refuses to pray in congregation and attend Jummah it just says she doesn’t join the community prayer, but she also doesn’t pray with Raheem, which might have actually been sweet.  She is noted to pray fajr late and it is a point of contention, she wears hijab, and says a lot of inshaAllahs, but while the text sprinkles in these touchstones, they don’t seem to shape her identity, it feels like it is just the paradigm that she knows.  She finds the mahr concept to be “ancient” and “ridiculous.” The one character that speaks out against same sex relationships wears abayas, black abayas to be exact. She is also labeled the “haram police.”  Zaynab doesn’t pray, doesn’t cover, but presumably identifies as Muslim.  Raheem says he is fine with her lesbian identity, but fears Fatima’s relationship with her will ruin his future political career.  The book never has any substantial commentary on the Islamic view of queer relationships and labels any one that has a problem with them as being “strict” and “conservative.”  The book says “love is love” and leaves it at that.

Constantly the reader is told that Fatima and Zaynab are best friends since 5th grade, no backstory as to why Fatima left for virtual school and Zaynab for private.  We never see Fatima add anything to the friendship, Zaynab drives Fatima, feeds Fatima, consoles Fatima, it is all very one sided.  So many story lines just fall off the page without resolution or insight.  At one point Fatima is angry at Zaynab and doesn’t want to share her with Amber, but then is mad that Raheem is wanting to take her away but nothing is ever done or explained or internally pondered over, it is just forgotten.  I really despise how we are also told that Zaynab and Amber are the ideal couple, but nothing ever shows it. NOTHING. They are always fighting, Fatima is always on edge to even ask Zaynab about Amber.  Zaynab and Amber fight about their graduation party and it magically all works out.  Amber is shocked to know that Muslims won’t accept them, and they seem to break up, but then they are together at the end so how did that get resolved?

Major plot holes: When Fatima’s mom asks Fatima if she knows Raheem, she says no and four pages later her dad asks her what she thinks about Raheem and she answers him.  This inconsistency mitigates the “reveal” at the end that they knew each other at the soup kitchen.  Speaking of soup kitchen, the reader sees she goes once and then stops for finals and never resumes going, so how is it such and important part of her or Raheem’s life? Does he return? Fatima gets driving lessons and a car, and is then driving alone, time line doesn’t work, nor does what she is driving get articulated if she returned the Lexus.  Extravagant gifts aside, it never fully explains where Raheem’s grandfather made his wealth, it seems lacking because he doesn’t want Fatima to work, but his mother does, in managing her father’s inherited wealth.  At the walimah it is very awkward between Zaynab and Fatima’s mom, almost to the point I thought they might not know each other, or might have issues with her lifestyle, but by the end it is clear they know each other well, so I think the scene is just written poorly.  I went back and read it and the familiarity of the families is definitely unclear and not consistent throughout.  For Fatima’s graduation Raheem gets permission to take her to dinner alone, for someone who is constantly watching money and loves cooking, it felt like it would be a big deal to be able to go out alone with her finance, to a fancy restaurant and savor all the flavors and ambiance.  Nope, the scene is skipped, no details, no nothing.  Lots of little details are skipped quite often, for example five people are qualified for the finals, only three names are given, just throw two more names in there, nope we get dot dot dot- it reads unfinished.  At one point when Zaynab once again saves the day and picks up Fatima, they come back to Zaynab’s house with Starbucks and meet at the fridge to get Pepsi’s out, like three sentences later, Starbucks on the table forgotten.

Zaynab does have a slight character arc, but throughout needs someone to constantly side with her, and I don’t know that she is very independent at the end.   I don’t think there is a decent relationship in the book between any of the characters, which is unfortunate, and religion and the masjid (labeled “patriarchal”) are often portrayed in a negative light. The internalized Islamophobia was hard to swallow.  At one point Fatima shakes a man’s hand and says that she isn’t one of those Muslims that has issues with that.  It seems like this book checked a lot of boxes and for whatever reason didn’t get the polishing it needed.  It is unfortunate because OWN voice Black Muslim books with authentic rep and joy and complexities and nuances are so desperately needed, and this one just felt underdeveloped and raw.

FLAGS:

Language, closed door premarital sex, talk of sex, talk of condoms, child out of wedlock, cheating, lying, hetero and same sex couples, dancing, music, physical abuse, verbal abuse, gaslighting, controlling, stereotypes, internalized Islamophobia, male and female friendships, manipulation, blackmail, judging, deceit, hypocrisy.

TOOLS FOR LEADING THE DISCUSSION:

The cover will tempt younger readers to pick up the book, my only hope is the poor writing will cause it to be abandoned before the haram is glorified, normalized, and celebrated.

The Night Before Eid: A Muslim Family Story by Aya Khalil illustrated by Rashin Kheiriyeh

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The Night Before Eid: A Muslim Family Story by Aya Khalil illustrated by Rashin Kheiriyeh

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This 40 page early elementary picture book is set the night before Eid and radiates with love from a boy to his Teita, traditional ka’ak, and the family’s Egyptian culture.  The robust and personal backmatter shares a glimpse into the threads from the author’s real life that the story touches upon, and makes the book extend beyond the pages.  It is worth noting that this book does not articulate if it is for Eid al Fitr or Eid al Adha and thus works for both.   There is nothing religious in the book except a reference to something happening after Eid prayer in a memory, and the shape of the cookie being round like the Ramadan moon, Eid day is not mentioned, it is simply the catalyst for this warm family story about a boy and his grandma making a special treat for the first time and sharing it at school.  The large hardback book with fun illustrations is ideal for both story time and bedtime readings alike.

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It is the night before Eid and Teita has arrived from Egypt.  Zain can’t wait to make ka’ak to take to school and share with his friends.  The beloved powdered sugar cookies are steeped in tradition, both in Zain’s family and in Egyptian history.  Once the suitcases is unpacked and the special ingredients found, Teita and Mama share memories of baking with cousins, painting henna designs on hands and putting eidiya in envelopes.  The family recalls singing together on the balcony while Geddo played the tabla and lights and lanterns filled the streets below, after Eid prayer they would hand out the ka’ak.

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Zain wants the ka’ak to turn out perfectly so his teacher and friends will like them.  Teita tells him that ka’ak is as old as the ancient pharaohs, and that recipes were found in the pyramids.  At one time rulers would even put gold coins in the cookies.  Zain and his Teita mix and add the required ingredients, and drink iced apricot juice as they wait for the dough to be just right.  Getting the cookies pressed with the molds though is harder than it looks, and Zain gets frustrated. Teita’s love and patience and Zain’s clever thinking get the treat making back on track.  The ka’ak doesn’t have a gold coin filling, but they are filled with tradition.

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The timeline is a bit off for me with the grandma coming before Eid and then the cookies going to school on Monday, and then Monday evening when Zain is writing down the recipe with Teita he is telling her Eid Mubarak and that it is the best Eid ever.  So, it seems that he went to school on Eid, not to Eid prayers, which is fine, just a little sad that there was no Eid celebration or prayers.  I don’t know that kids will be bothered by it, but the lack of mirroring and stressing how joyous Eid is does somehow get lost and mitigated, in my opinion, by skipping acknowledgement of the religious holiday.   In the backmatter the author remarks that she has “outgrown the magic of Eid,” so perhaps it is intentional that the day is not included in the text.

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The last six pages of the book are filled with informative and engaging information about What is Eid, Ka’ak Time Line, A Note from the Author with photographs of her and her family celebrating Eid, a Simple Ka’ak Recipe and Additional Resources.

I purchased my copy from Crescent Moon Store where if you put my initials ISL (Islamic School Librarian) in at checkout you will save 10% or is available here on Amazon where the book currently has a coupon for $3.80 off.

Nadia and Nadir: Ramadan Cookies by Marzieh A. Ali illustrated by Lala Stellune

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Nadia and Nadir: Ramadan Cookies by Marzieh A. Ali illustrated by Lala Stellune

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This 32 page early reader is part of the Nadia and Nadir series that can be read and purchased as a standalone.  It shows the sibling duo problem solving, working together, sharing, and getting excited for Ramadan.  With the theme of cookies, the book could work as a read aloud in a small group with an activity of making cookies following it, but the small leveled reader size and text volume would make it a hard selection for larger groups.  The setting is Ramadan, the female characters wear hijab (even in the home with just family), but there is not a lot of religious beliefs or practices included in the story. It does detail the lunar calendar and phases of the moon, but thankfully does a decent job of inserting that knowledge from Nadia who has learned about the moon in science class.  There are a few salams, and it mentions that Nadir isn’t fasting because he is young, Nadia gets up for their predawn meal, and snuggles back in to bed after saying her prayers. There is articulation that Ramadan is a month for Muslims and a time to share blessings when the kids share their cookies with the neighbors.  There is a handful of Urdu words sprinkled in and a glossary at the end.  The book shows a family’s traditions and radiates joy, it is a solid addition to Muslim and non Muslim book shelves in showing Ramadan cookie making and excitement in action, but would not inform a lot about the religious aspects, uniqueness, or basic practices about the month.

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Nadia and Nadir start the book with their binoculars around their necks waiting for Abu to arrive home from work, Ammi is already on the roof and they are determined to spot the Ramadan moon.  The kids are all sorts of confused where to even look in the vast night sky, but once Abu helps them out they find it and declare, “Chand Mubarak.”

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Nadir wants to know why it isn’t a full moon, and his older sister Nadia explains the cycles, they are then off to make cookies as per their families Ramadan tradition.  The dough is ready, the star cookie cutter has been found, but where is the moon cookie cutter? Nadia has an idea, and sure enough her problem solving skills allow crescent moons to be made.

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The next morning Nadia has her predawn meal of cookies and milk and when Nadir wakes up he has the same.  The kids pack up bags of cookies with their Ammi to pass to neighbors and friends, with only one left who will get it Nadia or Nadir?

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The books are available widely at places such as Amazon but for the same price I hope you will support a small Muslim owned bookstore and purchase your copy at Crescent Moon, if you use my initials ISL (Islamic School Librarian) at checkout you will save 10%, link:

Nadia & Nadir Series

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Daring Dreamers Club: Piper Cooks Up a Plan by Erin Sodenburg illustrated by Anoosha Syed

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Daring Dreamers Club: Piper Cooks Up a Plan by Erin Sodenburg illustrated by Anoosha Syed

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This is book two in the series, I couldn’t get the first book from the library, and I wasn’t willing to wait for the one that focuses on Muslim character, Zahra’s story to be published, it could be a few years.  At 224 pages this middle grades book is fairly formulaic with five diverse girls becoming friends, each book featuring one girl’s story with the others serving as supporting characters, and with the tie-in to Disney Princesses, I really didn’t expect much. Imagine my surprise when I found myself enjoying the characters and their lessons and struggles, sigh.  The book is sweet, the characters like-able, and the author really doesn’t try and force all the characters into every scene.  The book focuses on Piper and the other girls add to her story where it helps, they don’t all have equal time and it doesn’t get confusing because of it.  You can even read the books out of order.  Zahra wears hijab and her Islam is mentioned in a journal entry where she discusses the five pillars, the importance of charity, and getting dirty looks.  There is nothing preachy, but none of the other character’s are defined by their faith and I truly don’t know if I’m bothered by the singling out of Islam being her identity or flattered by it.

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SYNOPSIS:

Five girls are grouped together at school in an advisory class to help prepare them for middle school: Milla, Piper, Ruby, Mariana, and Zahra.  Their advisor loves Disney Princesses and in their weekly journal entries has them write about their assigned Princesses as they explore their similarities and how they would tackle challenges, face fears, and the like.  The girls are diverse in family dynamics, race, religion, ability, etc.  Milla is African American with two moms and food allergies.  Zahra is good at art, Muslim, and likes to sew.  Ruby is a twin, her parents are divorced and she is great at sports.  Mariana is hispanic, and is an amazing swimmer.  Piper is Jewish, has dyslexia and loves to cook.  In the book she is struggling with school, while she excels in her food science creations.  She gets accepted to appear in a kids cooking show competition, but will need the help of her Daring Dreamer friends to prepare for the challenges about to be thrown at her during the competition, and to help her from falling behind in school.

Each girl has their journal entry presented in the book which helps to understand more about the different girls, as well as a little bit of introspection to the events happening in the larger story.

WHY I LIKE IT:

I like that the characters are really supportive, and the lessons aren’t so on the nose.  Piper isn’t just told that she doesn’t have to win the competition to have value, you feel it long before she accepts it herself.  Her personality really comes through and it isn’t for attention or for sympathy, she helps a competitor, there is no giant round of applause or moral reflection, she just helps.  I love that even though the story is Piper’s and her dream, there are larger issues woven in and felt, not necessarily preached. Piper is the middle child and feels she has to prove herself, she remarks on how being pulled out of class in early elementary school to get help has made it hard for her to ask for academic help now, the role of confidence and how charity and giving back is important, even while her own family’s financial situation isn’t clear.  I like the role of Piper’s siblings, they are quirky, but loving, and they work through their annoyances to help each other.  It is heartwarming.

I have my own mixed feelings about Disney Princesses, as a child of the 80’s, the 90’s brought all the glory of Jasmine, and Ariel, and Belle, and Mulan, and my friends and I definitely identified with different characters.  I may or may not have tied my hijab up many a days and claimed that I was Mulan in high school, but somehow with my own daughter I didn’t really bring the Princesses in to her day-to-day existence, I don’t think she has even seen all the movies, we read books (we didn’t even have a tv when she was little), she’s 14 now.  It had become too commercialized, I worried about the messaging more.  This book reminded me of what my friends and I as older “kids” channeled the Disney Princesses to be.  It wasn’t all about pink and sparkles, it was battling the bad guy, hanging on to your dreams, and persevering when things were tough.  This book channels those thoughts, it isn’t in your face Disney, it is more muted, and I appreciate that.  It is a solid middle grade read and I think an enjoyable one at that.

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FLAGS:

In this particular installment, there are no crushes, no holidays, no music, one character has two moms, but in this book, I don’t know that a casual reader would pick up on it. It says “Moms” once, it might be a bigger deal in the story that focuses on Milla, but I haven’t read it to comment.  There is lying and Piper tries to justify it, but I think it is clear and has its own resolution.

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TOOLS FOR LEADING THE DISCUSSION:

It is much too young for a middle school book club, but I think because it is such an easy engaging read, that in a home, or classroom, the book would be appealing to 3rd graders and up.

The author’s website: https://www.erinsoderberg.com/daring-dreamers-club.html

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Sitti’s Olive Tree by Ndaa Hassan illustrated by Soumbal Qureshi

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Sitti’s Olive Tree by Ndaa Hassan illustrated by Soumbal Qureshi

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This lovely 27 page book is a story infused with love, culture, and olive oil.  The hardbound, large thick pages are richly illustrated as the text, perfect for ages preschool to second grade, tell of the olive harvesting season in Palestine.  The story is framed between a young girl learning about the past from her grandma’s memories and enjoying the olive oil sent by her uncles from their homeland.  The story is warm and informative and does not discuss politics or conflict. There is a key hanging on a map of Palestine in the illustrations, but nothing in the text.

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Young Reema watches her Sitti make hummus. When a drop of olive oil slips down the side of the bottle and Sitti wipes it up and rubs it in Reema’s hair.  Reema wants to know how olive oil, zeit zaytoun, can be used in such different ways. As Reema is reminded of how far the oil has traveled and recalls that her Sitti never buys olive oil at the store, the two settle in for Sitti to tell Reema some of her memories about the harvest on her ancestral land.

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Olive harvesting season comes at the end of the year and the families gather to pick the olives and fill the buckets before climbing ladders and catch the falling olives on blankets.  The elders sort them, and at the end of the day they eat and drink tea and coffee and laugh and enjoy each other’s company.

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They tell stories to pass on to the next generation just like Sitti is doing to Reema, because the olives keep the families together.  Sitti hopes one day Reema will go to Palestine and play among her family’s trees.

I wish there was a bit more detail about the hummus, it seems to imply that the garbanzo beans are whole and not smooshed or blended, also when it lists the other things Sitti’s grandparents would do with the olives, the list is olive oil, olive soap and olives for eating.  I would imagine there are more things to do with the olives, even perhaps detailing the way the olives for eating are pickled, or preserved, or prepared would have been nice.

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There is a glossary of a few terms at the end.  There is nothing religious in the text, but many of the women wear hijab in the illustrations.

Overall this book is well done and serves an important point in showing a culture that is rich and full, aside from conflict and politics.  It is a sweet story between a grandmother and her granddaughter and shows how stories, traditions, and food help pass on culture and heritage.

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Salma the Syrian Chef by Danny Ramadan illustrated by Anna Bron

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Salma the Syrian Chef by Danny Ramadan illustrated by Anna Bron

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This 40 page picture book meant for 4-7 year old children is full of diversity, community and love.  The only thing missing, is a recipe for the dish, foul shami, that Salma recruits everyone at the refugee Welcome Center to help her make to cheer up her mom. Possible flag is there is a gay couple featured in the text and illustrations.

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Salma and her mom are refugees from Syria living in Vancouver, and desperately missing Salma’s dad who still has not been able to join them.  When Salma shares her sadness with Nancy at the Welcome Center, she is encouraged to draw her good memories.  And then Salma has the idea to cook a dish from home for her mom. The other kids at the center mention foods they miss, Ayman from Egypt, Riya from India, Evan from Venezuela.   Then the translator, Jad, from Jordan helps her find a recipe online.

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Convincing herself that she can do this, Salma  draws a picture for each of the ingredients since she doesn’t know the names in English.  She then heads to the market with Ayesha from Somalia, an older girl that helps her cross the street, and get the needed groceries.

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Back at the Welcome Center to cook. Malek and Amir, a gay couple from Lebanon help her chop the vegetables and kiss away each others onion tears.  The spices make Salma sneeze, but she can’t find the sumac.

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Granny Donya from Iran has the missing spice and reassures Salma that she can do this.  That is until the olive oil bottle slips and falls and shatters.  With no more money and feeling discouraged, it takes Nancy and everyone else to convince Salma not to give up as the dish is made with love and Mama will love it.

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Everything is set up to surprise Mama with the dish, but once mama comes home and the door bell rings, it is Salma who is surprised with all her friends coming over to bring her olive oil.

Mama laughs and tells Salma her smile is home, and Salma dreams of riding her bike around the Vancouver seawall laughing with her friends and Mama.

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I love the sense of community that it takes to make the dish and that she finds love and support from so many.  I also like her determination to make her mother smile along with her willingness to accept help when she needs it.

I’m assuming the family is Muslim, the mom appears to remove a scarf when she returns home, Ayesha and Granny Donya also wear hijab.