Category Archives: strong women

Mar27

Tasting the Sky: A Palestinian Childhood by Ibtisam Barakat

Posted on March 27, 2020 by islamicschoollibrarian

This memoir may qualify as non fiction, but the majority of this 176 page book is told from the perspective of the author when she was three years old, so much of it reads to me as somewhere between historical fiction and autobiography. No matter how you categorize it though, this AR 5.8 book is better suited for middle school and up. I love that this is is a Palestinian perspective of the Six-Day War and the immediate aftermath, but after reading it, I’m not haunted by the atrocities of the Israeli occupation so much as, some of the choices her family made. I got my copy through Scholastic and in excitement, purchased multiple copies that I sadly think will sit in a box as I doubt I’ll find many students that will enjoy this book.

SYNOPSIS:

The book is divided into three parts with the first and third being short letters written in 1981, and the second part being the majority of the story taking place between 1967-1971.

The first part is a high school Ibtisam getting detained at a checkpoint after heading out to check a PO Box that she uses to keep in touch with her pen pals from around the world. She reveals what life is like and shares the joy of learning about the outside world from her correspondence, but that she rarely talks about her childhood and her life during the war. Part two is her sharing that.

The Barakat family lives removed from neighbors and a city, but Ibtisam loves her two older brothers and younger sister and at three years old is happy. When war comes, the family decides to run, in the process Ibtisam doesn’t have time to find a shoe, and then she gets separated from her family and swept up with the people running for the caves to escape the bombings. Once reunited with her family, they along with numerous other Palestinians make their way to Jordan and some safety. Safety comes at a cost though and the family is separated as her father leaves to find work. When the war ends, the family moves from the shelter and finds a small room to rent until they can return home.

Once the family returns home, things do not return to normal as the Israeli army begins training near their house causing Ibtisam’s mom to worry constantly in her attempts to keep the children inside and away from the windows. Eventually, the mom takes the children and herself to an orphanage in Jerusalem saying that their father cannot keep them safe. Ibtisam is close to her father and this dramatic change does not sit well with her.

In the orphanage, the boys get separated from the girls and eventually their father promises the mother to build a wall and make repairs to the home and purchase a goat if they come home. They do, and the kids are grateful to be together again. The boys then start school and the goat has a baby and life carries on. Ibtisam grows close to the baby goat and their father promises that he will remain the children’s pet and will not be slaughtered. But, when the boys are 8 and 9 they get circumcised and the feast involves the goat.

The next major event in young Ibtisam’s life is when she finally gets to go to school. Incredibly smart, her mother essentially equates her love for her daughter with her success in school and with that motivation and predisposition to learn and excel, she does very well. One day on the way home, she is sexually assaulted by an older boy, and makes arrangements to always have her brothers with her when walking. Her parents are not made aware of the offense, and don’t seem to investigate Ibtisam’s change in attitude toward school. When an Israeli soldier attempts to assault her mother, the family moves once again and part three is a teenage Ibtisam quarreling with her parents and once again excelling at school.

WHY I LIKE IT:

I like that tidbits of memories are woven together to give an overall impression of the author’s childhood. The book is a quick read and is compelling enough to hold one’s attention. The family is culturally religious, but the book makes a point that the father prays, not indicating that the rest of them do or even know how. I love how the freedom and hope that Ibtisam has comes from learning the first letter of the Arabic alphabet, alef. The love of language and the power found in reading and writing, is celebrated in its reverence to the learning of the letters.

I don’t get the mother, and while I get that war is a horrific time, and she is 24 when Ibtisam is 3 and has like four kids, so her life is definitely not easy, I still find it disturbing to me that she would lose a one shoe-ed daughter, take her kids to an orphanage to live while both parents are alive and well, and be so cold to her daughter. The father seems to be loving to the kids, but he still slaughtered their pet, and I’m guessing culturally circumcisions are done at that age, because that seems incredibly cruel.

FLAGS:

War, loss, sexual assault, details about the circumcisions.

TOOLS FOR LEADING THE DISCUSSION:

I won’t do the book as a book club selection and while I know the book is in many libraries and classrooms I doubt many kids would be compelled to pick it up and read it based on the cover and synopsis on the back. I have a few Palestinian friends that I will ask to read the book to see if they find it an accurate representative of life during the six-day war and even today as it could definitely be used to teach about the region, the conflict, and writing a biography about life for others to learn from.

Mar23

My Great-Grandmother’s Gourd by Cristina Kessler illustrated by Walter Lyon Krudop

Posted on March 23, 2020 by islamicschoollibrarian

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My Great-Grandmother’s Gourd by Cristina Kessler illustrated by Walter Lyon Krudop

A beautiful story based on a true event in Sudan, this 32 page AR 4.2 book contains lessons about tradition, new technology, village life, culture, family, love, and community. Unfortunately it is one of those books that I doubt any child would pick up and want to read. Meant for fourth graders, there is a lot of text on each page, and the story is not quick and light, it is thoughtful and memorable. The book is a powerful one in opening one’s eyes to a different culture, environmental challenges, and innovations making it an important one for parents and teachers to share with younger children and encourage older ones to spend some time with.

Fatima’s Sudanese village has just installed a new pump, and to show how easy it is to use, Fatima is chosen to try it out first. With all the excitement over new technology, life for the village is about to get easier. No more hauling the water with camels and filling the baobab trees to store the water in for the dry season.

Easier for everyone except Fatima’s grandmother. She refuses to abandon the methods of the past so easily, and independently begins to prepare her tree, her great-grandmother’s gourd. Fatima tries to talk her out of it, and the other villagers mock her refusal to accept technology.

When Fatima hears the neighbor louder than the call to prayer calling her grandmother a fool and laughing at her, Fatima boldly and defiantly joins her grandmother in preparing the tree for when the rains come.

The two dig a circle, a necklace, around the old tree to catch the water in the hard red clay, when the rains come, it catches the water, and when it stops, the two move the water to the inside of the tree with buckets. All the while, the villagers shake their heads at the two hard at work.

When, in the middle of the dry season, the pump breaks and it will be days before it can be repaired, the chief, Ibrahim, declares they must resort back to the old ways and Fatima and her grandma offer to share their water to hold everyone over. “Maybe it’s wise to mix old with the new,” Grandma poignantly notes. The following year the village works together to prepare the trees, just in case the pump breaks.

There is a glossary of Arabic Words at the beginning of the book and an Author’s note about the “Thirst Triangle” and the use of the baobabs or tabaldi trees used to store water.

There is nothing overtly religious in this culturally rich story. The women cover their head, they say “inshaAllah,” the call to prayer is mentioned and they have Islamic names: Fatima, Ibrahim, Musa, Ahmed, Ali, Osman etc..

Mar20

The Candle and the Flame by Nafiza Azad

Posted on March 20, 2020 by islamicschoollibrarian

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It takes about 124 pages to be swept away to the city of Noor, but once it happens, it is hard to come back. The 391 page fantasy story takes a while to get going, but the character driven plot filled with amazingly strong and diverse women is worth the slow start. Middle school readers and up (AR 5.8) will enjoy the blend of Islamic imagery, sub-continent Asian culture, fire, Ifrits, Djinn, family, relate-ablity and good quality story telling. The fact that it is a main stream book, with so much religion and culture makes it all the more remarkable in its universal appeal.

SYNOPSIS:

Fatima is a Muslim girl adopted by a Hindu family, only everyone in the entire city was killed eight years ago except for Fatima, her adopted sister, and an elderly lady, when the Shayateen attacked. The orderly Ifrit were asked to defeat the Shayateen and protect the city, and when they did, the wealthy returned along with people from other cities. Thus Noor is now a vibrant city of different backgrounds, cultures, religions, and languages repopulated and ruled in halves by the Maharaja, Aarush and Ifrit Emir, Zulfikar.

Fatima works as a messenger and her favorite place to deliver packages to is an old book shop owned by Firdaus, an Ifrit she regards as a fatherly figure. He has taught her languages and provides her a place to learn and grow. When he dies in front of Fatima, she is forever changed, literally, he transfers his powers to her, and she is now not only part human, part Ifrit, but also the Name Giver, an incredibly powerful and important being in bringing the smokeless Djinn from their wold to her hers.

With rebel forces threatening the Maharaja’s rule, Ghul and Shayateen entering the city, a taint threatening the leader of the Ifrit, a traitor in each palace, and a budding romance between Fatima and Zulfiqar, the characters pull you in and create an enjoyable story that is vivid, fantastic, and hard to put down.

WHY I LIKE IT:

The story doesn’t have a neat and tidy plot culminating in a climax, but the character arcs and vivid world building pull you in and keep you interested. I love that the characters are different and complex and unique, and that women are so so strong and celebrated for their strength in all spheres, not at the expense of the males, but solidly in their own right. It is refreshing and glorious to see the matriarchal Ifrit world contrasted with the human world, and the strong females that emerge in both.

I love that there is so much diversity and tolerance and the book doesn’t shy away from presenting faith practices and acceptance in such an honest manner. There is a four page glossary and it is needed, yet not overwhelming at the same time. The most read page in the book for me however, was the Dramatis Personae page listing the characters. Until that 124 page mark, I was constantly flipping back trying to keep everyone straight, not so much because the characters are confusing, but “what” they are took a little while to stick.

I got sucked in by this book truly, I ignored my children during our Corona virus quarantine one day to read the second half, and I don’t regret it one bit. The romance, was a bit cheesy at the end, but it was clean, and sweet and presented as a way forward, not as a settling or sacrificing choice for either character which was greatly appreciated.

FLAGS:

There are a few kisses once the two main characters are married. There is stalking and attempted sexual assault by a character, but Fatima more than took care of that with the support of many strong females. There is mention of a homosexual relationship, but not dwelled on, and I think one could argue that there is possibly something more going on between two of the females, but it isn’t explored. There is death and killing and violence, but nothing extreme.

TOOLS FOR LEADING THE DISCUSSION:

I had hoped to sneak this in for book club next month, but with school closed indefinitely, it might have to wait until next year. I think girls will gravitate more to it than boys, but I think that is ok, because often girls need more of a nudge, in my experience, to give fantasy a try. I am trying to convince my daughter to read it, but the first 100 pages are pretty slow, so if I can’t force her through it, I don’t know what chance I’ll have, here’s hoping.

NPR Review: https://www.npr.org/2019/05/18/724120066/language-has-magic-in-the-candle-and-the-flame

Interview with Nafiza Azad and Hafsah Faizal (We Hunt the Flame) https://www.slj.com/?detailStory=hafsah-faizal-and-nafiza-azad-interview

Mar13

Neither This Nor That by Aliya Husain

Posted on March 13, 2020 by islamicschoollibrarian

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This 251 page novel reads like a biography that has no climax or real conflict in its linear retelling of the protagonist from 3rd grade to a junior in college. If you are part or all Desi, raised in America in the ’80s and ’90s and have fond memories of NBC’s Must See TV, rolling your pants up, your family packing Corning Ware sets to take to the homeland, and the joys of TJ Maxx, you might enjoy the nostalgic similarities you too experienced, but even at that, with no plot or character arcs, the book is easily forgettable and you might forget to finish it. For all my critiques of Muslim stories that don’t read authentic, this one definitely does, she doesn’t rebel, she doesn’t ever go against Islam, but because she is similarly not ever tempted to, I think most readers won’t relate to this fictional girl, who’s biggest worry is smelling like her mother’s cooking. The book seems to just want to tell her life story, and getting through it is the point of the book, not making emotional connections, giving the reader something to think about or even inspiring others, which is ultimately a missed opportunity that this book could and should have capitalized on.

SYNOPSIS:

It is the first day of school for Fatima Husein the eldest of many daughters in her Indian American suburban home. With a mother who doesn’t speak much English and parents that don’t seem to understand Fatima’s desire to fit in, the stage is set that will carry through the entire book of Fatima loving to study and separating herself as the girl at school pretending to be more American than she really is, and the girl at home pretending to be more Indian than she feels. As the book follows the character through college, along the way Fatima and her family have extended maternal family move to America from India and then move back, they take a trip to India which is not enjoyed at all, her dad’s family then moves from India and settles near them, they move to be closer to the masjid, and they go for Hajj. Characters bounce in and out: school friends, community friends, cousins, etc.. The only real constant is Fatima’s love of school and her paternal grandmother grumbling about her getting married. There are the ups and downs of life that are shared, most very specific to a ABCD (American Born Confused Desi) living in the ’90s. Fatima is religious and Islam is important to her and she never waivers in her black and white view of things. It does take her a little while to wear hijab, but there is no real self reflection and catharsis, it is just states she wants to fit in and isn’t ready. The conclusion is she finally accepts a proposal from the son of an old family friend who lives in Chicago. Not so much because she likes him, but more because she has no reason not to say yes and her parents are in favor it.

WHY I LIKE IT:

If this were a biography and it was someone famous, the minutia of day to day living might be compelling, but as it is fiction and you have no idea where the story is going, it just seems to tell a story about a typical girl doing typical things. It has value in that it shows how normal and boring even, a normal Muslim family is, but it gets really preachy at times and really dry. None of the side characters are memorable. I have no idea how many sisters Fatima has, when her grandfather passed away I felt nothing, when two who families died in a car accident Eid morning on their way to prayers, I had to flip back to see if the characters had ever been mentioned before. It seems like the whole point is to get to the end, and more heart and less tedium would have made this book an amazing example of American Muslims in America. The first page mentions friends and there is no follow up to where they are or what happened to them, and this happens all through out the book, there are no emotional connections, nor attachments among the characters to include the reader into their plight as well. The protagonist one must assume gains her voice from the author’s experiences herself, but it just lacks internal dialogue and conviction.

Fatima lives through the Gulf War and makes big changes and has to find her place, yet the book just tells us all this, it doesn’t show us how she internalizes and processes and emerges from the experiences shared, it just gives an example and then comments on it. The font and layout visually looks like a text book, and at times, the internal structure reads like an essay, sharing an anecdote, backing it up, and moving on to the next event on the time line.

I feel like I know the character, it definitely comes from a place of shared experience and credibility, but you have no idea where it is going, and just like I doubt anyone would want to read my life story, the book needs a little direction and editing. In the author interview posted below in the “Tools to Lead the Discussion” she mentions that mainstream publishers wanted more rebelling and she wouldn’t compromise. I agree with her, we need books that don’t follow that assumed track, I think that the presentation of the story, however, as it is, is lacking. The integrity is there, but the character is really flat, and there are plenty of literary tools that could enhance the story without compromising Fatima’s character to drugs and alcohol and boys. The book was self published in 2010 and I really hope at some point the author will re-edit it, to make it relevant to preteens and teens today and more personable. Ultimately making it so that the successes Fatima has are cheered on by the reader, who are also inspired by her accomplishments while staying true to her beliefs.

FLAGS:

Considering how many pages are dedicated to how she and her sister are to behave in India as to not seem naughty or as arrogant Americans, the curse words flow pretty regularly in the book, and the way she speaks to her elders and in front of her elders is not always kind. There are side comments about hooking up, STDs, and drinking, nothing any of the characters engage in, but judgments regarding these topics for those that do is present. She also talks about her mom’s failure to discuss menstruation before hand, to exemplify how things are only discussed once they need to be dealt with.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that as a book club selection today’s youth would voluntarily pick up and read this book. There might be some ability for a teacher to assign it and then turn around and make the students write something similar about their experiences in a fictionalized form. I think students would struggle to relate to Fatima with the outdated references and the lack of conflicts and climaxes in the narrative.

Feb28

The Arabic Quilt: An Immigrant Story by Aya Khalil illustrated by Anait Semirdzhyan

Posted on February 28, 2020 by islamicschoollibrarian

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The Arabic Quilt: An Immigrant Story by Aya Khalil illustrated by Anait Semirdzhyan

This 36 page picture book tells a beautifully presented story that incorporates events from the author’s real life that convey a story of loving your culture, finding similarities and giving people a second chance. Ideal for students between 2nd and 4th grade, younger children will enjoy having the story read to them, and older kids will benefit from the message as well.

Kanzi is about to start her first day of 3rd grade in a new school. It doesn’t specify if she has just come from Egypt, but being she seems to speak English well, knows that she’d rather have peanut butter and jelly instead of a kofta sandwich and mentions that she got a quilt when she visited her grandmother, in Egypt, she possibly is just starting a new school, not her first in America, but it is considered an immigrant story, so I’m not certain.

When she arrives in class and introduces herself she bravely says that she is Egyptian-American, but on the way to school she turns down the Arabic music in the car, so the reader sees that she is a little nervous about being seen as “different.” When her hijab wearing mom brings her forgotten kofta sandwich and calls Kanzi ‘Habibti,’ classmate Molly teases her that she is being called a hobbit.

A crying Kanzi tells her teacher and Mrs. Haugen reassures her that “being bilingual is beautiful.” That night Kanzi asks her mom to send her a turkey sandwich for lunch the next day, and before beds she writes a poem as she snuggles in her beloved quilt.

At school Molly apologizes to her and says that it just sounded funny. Kanzi tells Molly it is because she doesn’t speak Arabic and that her mom says that “learning different languages makes a person smarter and kinder.” Molly dismisses the comment and smugly walks off.

Mrs. Haugen sees Kanzi’s poem about her quilt from her grandma in Egypt and asks her to bring her quilt to school. The kids love it, and Friday Kanzi’s mom shows up to help with a special project: an Arabic quilt with the kids names.

Molly is not enthusiastic and Mrs. Haugen writes English words that come from Arabic on the board: coffee, lemon, sugar, algebra. Telling the kids that “we can speak non-English languages and still be American.”

Kanzi and her mom write the kids names down and the children copy them. The teacher cuts them out and makes a quilt to hang in the hall. On Monday when everyone sees the quilt, they love the beautiful letters and colors. Even Molly sincerely apologizes and asks Kanzi to write her mom’s name in Arabic as a gift. The two hug and seemingly will become friends.

Across the hall another quilt is hung with names in Japanese, as another student and teacher were inspired by Kanzi and her quilt. The last page of the story is a letter Kanzi has written to her parents telling them how grateful she is that she has two languages and that she will speak them without guilt.

The story is beautifully told and exquisitely illustrated on well-sized 9.5 x 10.5 pages in a hardback binding. The mom wears hijab and it mentions it, but there is nothing religious about the text. It is a universal story of coming to be proud of your roots and inviting those around you to learn and grow. There is a Glossary of Arabic Words at the end and a bit about the author and illustrator.

My kids favorite page by far was reading the names written in Arabic and they all enjoyed the story (ages 13, 10, 9, 4). I actually had an issue when Molly apologized the first time, feeling that Kanzi’s response was a bit pretentious to what seemed like an 8 year old being told to go say she was sorry, but my older three unanimously and fervently disagreed with me, saying that she was obviously insincere and Kanzi knew it. I’d love to hear from other readers if they felt like Molly was sufficient in saying sorry and admitting that it sounded funny and that Kanzi was arrogant in saying that people that know two languages are smarter and kinder, or if Molly was being rude and racist and Kanzi was sticking up for herself.

Irregardless, the book is well done, enjoyable, and will get repeated reads by a large range of readers. My children keep pulling it off the book shelf, and for that I need to thank Gayatri Sethi (@desibookaunty) who generously sent me the book the same day I checked it out from the public library. Her generosity once again is a gift that I hope to pay forward in the future. This book also highlights how amazing teachers can be and often are in facilitating inclusion, understanding, and respect.

Feb10

Muslim Girls Rise: Inspirational Champions of Our Time by Saira Mir illustrated by Aaliya Jaleel

Posted on February 10, 2020 by islamicschoollibrarian

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Muslim Girls Rise: Inspirational Champions of Our Time by Saira Mir illustrated by Aaliya Jaleel

Women you have heard of, some you are meeting for the first time. Some you like, some you disagree with, women that cover, women that don’t, some young, others older, some athletic, some academic, some a little bit of both. One fictional, a few political, but in the end, all strong women of today, all Muslim, all unique, from all over the world, all known for paving the way for others to follow.

In 42 pages, 19 females are highlighted and illustrated to inspire Muslim and non Muslim boys and girls alike, but really Muslim girls will get the most out of it. Sure a female gets mentioned here or there in other compilations of influential people of our time, but this one, well, this one seems mostly for us.

There are famous females in science, activism, fashion, film, sport, education, media influencers, make-up artists, you name it, and Muslim’s participate, so finally a book shining a light on the best of the best. With each person getting a full two page spread, a few tidbits about who they are and what they are “famous” for are detailed in easy to read sentences that inspire, and if you haven’t heard of them before, enough general knowledge to get acquainted. A few felt a little generic, but once you have a name, Googling them or researching them, is obviously, not difficult.

I wish there was a bit more information detailing who was chosen and why. At first I thought it was US or “western” movers and shakers, but then you have Maria Toorpakai Wazir, the tennis player in Pakistan, and Shirin Ebadi from Iran. So then I thought ok, they are all contemporary, but Maryam Mirzakhani passed away in 2017. Needless to say, one could argue that the list is arbitrary, and I think I would agree.

One could also argue, that these women may make history for notable things, but that they might say or do things that you might take issue with, and again, I agree. They are people, they are fallible, and diverse, and have different perspectives and life experiences, but that’s ok, infact I think that might even be the point. We all have different passions, and paths, and views and yet at the end of the day we should be able to lift each other up and inspire. I think every person who reads this book will find someone that sounds or feels or looks like them, and that is a good thing, no, a great thing!

My favorite was the Kamala Khan entry, because I didn’t realize the G. Willow Wilson was Muslim. I erroneously assumed the other co-creator, Sana Amanat gave Kamala’s back story and home life its sense of OWN Voice, and I love that I learned I was wrong from a book.

The illustrations are right on and do an amazing job of conveying the character and the inspiration of the collection. The book is much needed and I hope they do a similar style book for Muslim women in other time periods.

Special gratitude and appreciation to Gayartri Sethi (IG @desibookaunty) for gifting me this book for no other reason than to share the power and strength of women, and being a leader in that, by sending me a beautiful book. May I learn from your generosity and pay it forward! Thank you.

Jan27

Teach Us Your Name by Huda Essa illustrated by Diana Cojocaru

Posted on January 27, 2020 by islamicschoollibrarian

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Teach Us Your Name by Huda Essa illustrated by Diana Cojocaru

This book will resonate and empower anyone who has a “different” name, and hopefully provide insight and awareness for us all. This 32 page picture book for grades 1st and up has a self empowering message, a confidence building approach, and problem solving tips to achieve a desired goal in a respectful way. Written by a Muslim author, the book’s text is well done, unfortunately the pictures are inconsistent to me, some are beautiful and detailed, others seem rushed and unfinished.

There are 20 letters in Kareemalayaseenadeen’s name, and the first day of school is such a stress for her. She fears the teacher stumbling over her name, the other children laughing, and her unable to tell them how to pronounce her name correctly. Her mom tries to explain that for some people the kids at school have hard names, and that for some people her name is easy.

She reflects that in fact no one has ever made fun of her for her name, but that in history class she never sees her name, or on TV or in movies or on key chains. She can hardly fit her name on her worksheets, and fitting it on banners is impossible too. Eventually the kids kust call her Karma-Deen and even though she dislikes it, she is too shy to speak up.

Over the summer, Kareemalayaseenadeen goes on vacation to visit family. She doesn’t even think much about her name where everyone can pronounce it and say it with ease. Her Sittee though, has heard about her anxiety and sits with her to help her work through it.

Sittee asks Kareemalayaseenadeen if she knows that her name means “excellent guidance” and that her name is a big part of her. If she doesn’t like her name she isn’t liking an important part of herself. She then urges her grandaughter to guide others on the proper way to pronounce her name.

On the flight home, she ponders her grandma’s words and how to guide others to proper pronouncation, without being rude or settling on them shortening her name. When she gets home she puts her plan in to action. And it works!

When Kareemalayaseenadeen grows up, she becomes a teacher and each year she reads this book she has written (the one I’m reviewing) and asks her students to teach her how to say their names.

The importance of how valuing someones name values the person and their family and culture is really one that as a society we have to keep working on. We can say names from Lord of the Rings, and Star Wars and Game of Thrones with no problem, so why can’t we try and pronounce someone’s name who is real and next to us and important to us? We have become lazy, and we need to do better, this book is sweet and kind and should really be read regularly as a reminder to us all, that names are beautiful.

There is nothing religious about the book or even culture specific. There is a hijabi in the illustration of the market place in the unspecified “overseas country” and the name Kareemalayaseenadeen has Arabic bits, but a lot of names do as well, grandma is refereed to as Sitti, but isn’t defined, so the book is definitely meant for eveyone, especially those who will never find their name on a mug at a gift shop!

Jan24

Shatter Me by Tahereh Mafi

Posted on January 24, 2020 by islamicschoollibrarian

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In many ways this 338 page dystopian YA fiction book focuses more on romance than the super human powers the 17 year old protagonist has and the role she will play in the resistance. That isn’t to say the book is bad, just that it isn’t as high action, or reform-a-broken-world, or even use-my-super-powers-to-save-myself-and-those-around-me as I had hoped. It is more a lot of self loathing, desire, and anger. That being said, I am on the fence about reading the rest of the series, as this is the start of a six book series, with two “half” novellas interjected in and being told from other characters’ perspectives. If this was a show pilot, however, I would let Netflix automatically start the next episode until I had binge watched the entire season, not necessarily because the story is great, or the characters amazing, or the writing stellar, but because it is easy and fun and you really want to suspend belief and know who all these attractive mutated teens running a broken world are, and yes you will roll your eyes at the syrupy sweet lust filled pages, but it is YA so maybe I’m just overly cynical and 15 year olds and up will enjoy it. It is an AR 4.3, but the language, violence, and romantic build ups should not be read by 4th graders.

SYNOPSIS:

The book starts with Juliette counting how many days she has been locked up in a cell, 264, void of human interaction of any sort and hinting at the reason her parents feared her and turned her in. She is then joined by a male cellmate, Adam, one she slowly realizes she remembers from her youth and is in love with. As he asks her questions we learn a bit about her power and the state of the world. Juliette can kill people with her touch and apparently has killed someone, a child. Her parents, along with everyone else, have always feared her, and not being hugged or touched her whole life has definitely been a painful existence for her. Adam is a soldier and can touch her, he is also planted to learn about her as part of his job. Warner, another teen, is in charge of a soldiers in the Reestablishment and has been following Juliette for a long time trying to see how they can weaponize her and use her for their cause. Adam was playing a role, and now Juliette will have to play one in a world where the food is fake, the clouds the wrong color, and artifacts of culture and life before it all fell apart are destroyed and deemed illegal. Along the way she will have to see the world in shades of gray and be willing to forgive and understand that people are not just for or against the way things, are, that sometimes you just have to do things to survive and protect the ones you love.

WHY I LIKE IT:

With all the talk of Iran in the news, I felt compelled to read a book with a Persian character, or at least by a Persian author, so I revisited the works of Iranian-American Muslim Tahereh Mafi. The book reminds me of a Bollywood drama from the 90s where the hero and heroine do everything suggestive, except kiss, in this book they do a lot, but I guess don’t quite cross a line. The scenes with Adam and Juliette are too much at times, where the story building about her understanding herself, her world, and what her powers can be, too little. The stage however, is set for the book and characters to grow in the series and with that optimism of knowing that the story stretches on, I have to hope the twists and turns make for a more interesting ride than this first book presents. Most of the drama is already spelled out on the back cover, she can kill people just by touching them, she wrestles with seeing herself as a monster, or as being more than human. It really doesn’t start getting good until she finds others like her, but then she is bored of them and the book ends. The book has a huge following, so much like perhaps the Twilight series, maybe I’m just too cynical, and not in the target demographic, or maybe I need to keep reading.

FLAGS:

There is violence, *SPOILER* Juliette accidentally kills a child. There is language, there is suggestive talk, there are romantic passages with kissing and touching. For a book about a character who can’t touch, I feel like the majority of the book is about her touching and being touched.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club, because I feel like it really is just a book setting the stage for what more is to come and because it ends so abruptly it feels almost like a teaser, yes a 300+ page teaser. I was hoping that I could at least suggest it to readers of Hunger Games, City of Ember, The Giver, etc., but I don’t think it spends enough time on the crisis of the world at hand, and the adjustments made by a select few to appeal to the same readers. It really is a romance, at least thus far, and the destruction of life and the environment just a back drop for their storyline.

Jan10

Luv Ya Bunches by Lauren Miracle

Posted on January 10, 2020 by islamicschoollibrarian

Standard

A book about 5th grade friendships told from the perspective of four different girls in a variety of styles: instant messages, chatroom conversations, video scripts, and traditional text. The author seems to have a checklist of diverse characters and afflictions that all must make an appearance in the 335 page story. It is written on an AR 4.4, but with one of the main characters having two moms, details of a suicide mentioned, talk of pole dancing, male anatomy joked about, thongs, crushes, and mental illness, four girls coming together to form friendships and take down a bully, might raise more questions for young readers than they are ready to handle. Yasaman the Muslim girl in the group, also borders on perpetuating more stereotypes than she breaks, and while I definitely don’t think this book is a good fit for 4th and 5th graders, I don’t really recommend it for readers of any age, there are just better books out there.

SYNOPSIS:

Asian American Katie-Rose doesn’t have friends, unless you count her neighbor Max, but she doesn’t. She dreams of having blond haired Camilla as a best friend, but the Camilla she went to Pioneer camp with is not the Milla at school who hangs out with Modessa (aka Medussa) and Quin, and is popular. Katie-Rose also dreams about being a cinematographer or director, she isn’t sure yet, but she loves to imagine scenes and scripts and how things ideally should play out, even when in reality they never quite seem to do so.

Milla, isn’t sure if she wants to stay friends with Modessa and Quin, they aren’t nice and she has a lot more fun with Katie-Rose, but somehow she always ends up going back to the popular crowd. She also has a lot of anxiety and needs various totems with her at all time to feel secure. When her little plastic turtle goes missing, she struggles to stay composed, and her and her turtle will end up changing a lot at Rivendell Elementary.

Violet, is the new girl at school and she is not liking her life at home or at school. Her mom is in a mental hospital and she misses her desperately, her dad brings home fast food every night for dinner and life just isn’t the same since she moved to California. Immediately able to tell who the popular kids are at school, she hasn’t decided which group of friends is the best fit for her, but when she stumbles on Tally the turtle, and doesn’t immediately return it to Milla, she has to understand what that says about her, and figure out if she is strong enough to make things right.

Yasaman is the quiet computer wiz, she is also Turkish-American, Muslim, and a hijabi. She designs a platform where kids who are too young to join Facebook can chat, stream videos and send cupcakes. The only problem is, she has no friends to get to join. When Katie-Rose and her strike up a friendship, the first seeds of the four flower named girls are planted, but it will take all four of them to put Modessa in her place, rescue Tally, and deal with stereotypes, emotions, and family along the way.

WHY I LIKE IT:

I love that a Muslim, muhajaba is included in the quartet, and that her religion, her scarf, her culture, and her belief in Allah, actually are sprinkled in. I don’t love how in the book’s efforts to include such diversity, that it also seems to fall for a lot of the stereotypes that it on the surface seems to be dispelling. Katie-Rose asks her if she even knows what YouTube is before being made aware of how computer savvy she is. All this is to subtly show the assumption that Muslims are not aware of technology and whatnot, and set the record straight, but also regularly thrown in are side comments from Yasaman that her father would never let her wear something, or she wouldn’t be allowed to do that because of her dad, definitely reinforcing a male dominated, authoritarian, out-of-touch patriarchal view. Even her mother, an artist, is shown to demand a lot of Yasaman and be incredibly strict. A lot of things aren’t spelled out, they are just dropped in and assumed that the reader get’s it. But only Yasaman’s parents are portrayed this way. Milla’s two mom’s are caring, Violet and her dad seem close, and Katie-Rose’s parents are rarely highlighted. So, I felt like it was noticeable, and not in a positive way.

I’m still completely confused as why pole dancing and male anatomy made appearances in the book. And the pole dancing reference appeared not once, but twice when Yasaman is talking to an older cousin who is talking about a friend who’s aunt is a pole dancer, and then later when Katie-Rose’s babysitter also mentions the same friend. They also discuss people as being slutty and boy crazy and skanky. The male anatomy isn’t spelled out it is hidden with a girl with major orthodontia reading a Wikapedia page on the greek satyrs, discussing their physical pleasures and talents.

There is also a lot of mental health issues that I’m glad are present, but I’m not sure if they are handled seriously enough. I’m glad they are addressed, because awareness is a good thing, but discussing how someone swallowed pills to commit suicide and even though she changed her mind still died, and not giving any context seems to make the concept come across as a bit trivial to me in its presentation. Same goes for Camilla’s anxiety and Violet’s mom being in a mental hospital. These girls have some major stuff going on that their preoccupation with a snotty group of girls, and the obsession of mud being consumed in an ice cream shake, seems a bit off.

Overall, the girls seem incredible perceptive and articulate in their self reflection and understanding of social personas, that I found their banter completely disjointed. I don’t think the author’s voice is consistent, and the heavy stuff is too much coming from 5th graders in my opinion.

FLAGS:

Stereotypes, and discrimination against Yasaman and her younger sister Nigar. Possible triggers with talk of suicide. Milla has two moms, it is never labeled or made an issue, she just refers to them as Mom Abigail and Mom Joyce. Talk of boy private parts and erections, crushes, pole dancing, words such as skanky, and slutty and dingleberry (poop hanging on) used. There is lying and bullying and retaliation and poetic justice.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use this book for a book club or even have it in the classroom. I think it gets a bit crass unnecessarily and the cute flowery cover and inside flap, makes it all the more surprising. You might expect some potty humor in other books, but knowing it is there allows the reader to make a decision to read it or not, I would imagine most Muslim parents would see four diverse girls on the cover, one wearing hijab, get excited and hand the book to their 3rd or 4th or 5th grade daughter and have no idea what the book also includes in passing, with no relevance to the story lines highlighted on the inside flaps and back of the book.

Dec27

Internment by Samira Ahmed

Posted on December 27, 2019 by islamicschoollibrarian

Standard

The premise of this book is amazing, the writing and execution of it, unfortunately, falls flat. The failure to set the stage, develop characters the reader cares about, and create a world in the near future that is both riveting and horrifying doesn’t come through in the book’s 387 pages written on an AR 4.7, but meant for high school aged readers grade nine and up.

SYNOPSIS:

Indian-American Layla Amin is 17 and since the census that her family honestly filled out and identified themselves as Muslim, their life under the new president has been shattered to say the least. Her poet father lost his job as a professor, her chiropractic mother has lost numerous patients, Layla has left high school and they all live in fear. With curfews and people they’ve known their whole lives turning on them openly, the book opens with Layla chooses to sneak off to see her Yemeni Jewish boyfriend, David after curfew. The next day suits arrive to take the family to an internment camp in the desert, near the old Manzanar detention camp used to house Japanese Americans during WWII.

The new camp, Mobius, is the first one to house Muslims and the first of many slated to be built. The detainees are divided by ethnic background, Layla’s FEMA trailer is in a block of other Desi families, Arabs a few blocks away, LatinX, converts, etc., all given minders to control them from within their own community. As Layla whines about her cell phone being taken away and how much she misses David, a guard, Jake, takes pity on her and regularly risks his own position and Layla’s, as he sneaks her access to phones, gets her burner cell phones and even sneaks David in so the two can make out. Somewhere along the way it seems Jake and Layla develop feelings for each other, but it really isn’t explored. Layla makes friends and somehow becomes a revolution leader with her writing notes about life on the inside and having Jake and David get them to the media.

Those that speak out against their situation or complain, disappear and never return. The Director of Mobius, ensures it. In their refusal to eat dinner one night, and their protest at the front gate in front of protestors and the media, eventually Layla gets taken, but with her friendly guards, she finds she isn’t completely alone and that she just needs to be brave a little longer, stand up at the right time and get incredibly lucky to be successful in the revolt.

WHY I LIKE IT:

The President in the book is undoubtedly Trump, and I love the passages that reflect how the fictitious America didn’t become racist overnight, but that the leadership allowing it, ignited the ugliness that already existed. It mentions making America great again and really sets the foundation of a simple “what if” that really could happen very easily.

The parts that struggle are the story elements, I really didn’t find myself cheering or even liking Layla, I didn’t find her charismatic or interesting, she was really whiney and flat to me. I didn’t care one bit about her and David’s relationship, it seemed forced and completely not necessary. A friend or concerned neighbor might have been more hope inspiring than a high school boyfriend she is brooding over to save her. Her sneaking out and sneaking him in, all seemed selfish and juvenile for a character who in other arenas seemed pretty mature and level headed. The disconnect is pretty prominent and I really cringed at all of the passages involving the two of them.

There are flash backs to life before the new President, but it isn’t engaging and doesn’t really highlight how horrific life is now, because the lack of character development and world building, everything seems like it has to be said, not shown. Random characters at the camp would show up and then disappear, and we knew nothing about them, so there was no emotional connection or attachment to what happens to them, it really had so much potential to have heart and fear and insanity and it just doesn’t.

Layla identifies as Muslim, and lovingly recalls ayats and duas of her grandmother, but the family firmly believes that “there is no compulsion in religion” and thus doesn’t hide who they are, but don’t visibly display it in their clothing, or actions much either. They don’t have a problem with their daughter having a boyfriend and they support it. Layla and her mom don’t cover, but Layla does show massive respect for the Muslims that do. Layla’s parents seem to pray, Layla doesn’t, but she doesn’t seem against it.

FLAGS:

Lots of kissing between Layla and David, a gay couple that disappears in the camp, flirting between various other characters, violence, oppression, language, death, beatings.

TOOLS FOR LEADING THE DISCUSSION:

I actually feel like this could work as a book club book because the discussion would be so great. Yes, there are flags, but the relationship stuff is so annoying and awkward, I don’t think any kids will find it titilating or compelling at all. The writing is subpar, but the issues brought forth are important, and the students would have infinitely better plot lines for the characters that I think could make the books premise reach closer to its potential.

A letter from the Author: https://www.hachettebookgroup.com/articles/a-letter-from-samira-ahmed-author-of-internment/

Book Club Guide:https://www.hachettebookgroup.com/wp-content/uploads/2018/07/InternmentNovlBookClubGuide.pdf

Review podcast: https://teachnouvelle.com/internment-by-samira-ahmed/

There is a ton online, just google it and Happy Reading

Islamic School Librarian

Reviewing Children & YA Islamic Fiction, Books by Muslim Authors, & Books Featuring Muslim Characters

Category Archives: strong women

Tasting the Sky: A Palestinian Childhood by Ibtisam Barakat

My Great-Grandmother’s Gourd by Cristina Kessler illustrated by Walter Lyon Krudop

The Candle and the Flame by Nafiza Azad

Neither This Nor That by Aliya Husain

The Arabic Quilt: An Immigrant Story by Aya Khalil illustrated by Anait Semirdzhyan

Muslim Girls Rise: Inspirational Champions of Our Time by Saira Mir illustrated by Aaliya Jaleel

Teach Us Your Name by Huda Essa illustrated by Diana Cojocaru

Shatter Me by Tahereh Mafi

Luv Ya Bunches by Lauren Miracle

Internment by Samira Ahmed