Category Archives: Muslim Author

Grandpa Ali and Friends Volume 1 By Yasin Osman

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Grandpa Ali and Friends Volume 1 By Yasin Osman

grandpa Ali

This 46 page comic strip compilation follows the intergenerational Somali-Canadian members of a family. With crossword puzzles, word searches, advice, and graphs sprinkled in-the book at times was laugh-out-loud funny, heartwarming, ironic, and honestly, there were things that I didn’t quite understand-and those perhaps were my favorite parts.  The book features Muslims and immigrants and life in the west, and those I could relate to, but I am not Somali, and there aren’t a lot of Somali books available, so I loved the opportunity to see the culture and humor and themes that a book written authentically chose to highlight.  The book is not a graphic novel, the characters and their situations are not a cohesive narrative, so if I didn’t understand a particular joke, it didn’t linger or carry over.  By the time the book was done a sense of love, community, and joy left me waiting for the next installment and a desire to read more voices that are not easily found in Muslamic YA literature.

The humor is at times culture and experience specific, and I feel honored almost to witness a book for a particular group by a member of that group and thus don’t feel a need to “review” the book in my typical fashion.  I simply wish to highlight that it exists, share some inside pictures, and hopefully send some support its way. You can purchase it on Amazon.

Happy Reading y’all.

Hollow Fires by Samira Ahmed

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Hollow Fires by Samira Ahmed

hollow fires

Every YA Samira Ahmed review I have written I remark at how amazing the premise is, how flat the characters are, and how forced the romance feels.  I am so happy that I did not dismiss this book, and when I return this copy to the library, I will be eagerly awaiting the purchased one to arrive so as to be placed on my book shelf.  There is connection to the protagonist, she is even likeable, the brief flirty romance is natural and not heavy handed, and the only thing better than the premise is the contemporary commentary.  The multiple writing styles, lyrical voices, and thriller/mystery elements make this 404 page teen book hard to put down.  Islam is present in different forms in different characters. There are very gentle elements of faith that really contrast the chaos of the plot and radiate peace: fajr salat, wanting a janazah, identifying as Muslim.  And while the book says 7th grade and up, I think it is more suited for high school readers.  There are strong themes of islamophobia, media, and privilege, there is killing, murder, a gay Muslim, a ghost, assault, language, planning to go to a school dance, racism, vandalism, misogyny, Halloween, relationships, hate crimes, and abuse of power, to name a few reasons that I think older readers (and adults) will appreciate and understand more deeply than most middle schoolers, how remarkable this book truly is.

SYNOPSIS:

Safiya is in her senior year at her elite private school, she’s a scholarship kid, and her passion is journalism.  As the editor of the paper she is unafraid to challenge the principal and spur others to action.  When a fellow Muslim kid, Jawad, at a nearby local school gets arrested for bringing a makerspace jetpack to school, it bothers her.  When Jawad goes missing, and events at school and in the community start putting Muslims and other minorities on edge, Safiya finds herself collecting bread crumbs and getting closer to the truth.  Throw in vandalism to her parents Desi store, smoke bombs in the bathrooms, swastikas graffitied at school, and a dead boy whispering to her and you have yourself an action packed thriller that hits close to home.  When the circumstances of how Jawad’s body are found and the clues start to fall in place, Safiya and readers will find themselves rushing against the clock.  Her to safety, and readers to see if their suspensions are correct.

WHY I LIKE IT:

I love, love, love how each chapter starts with a fact, or a lie, or an alternate fact, or truth, I keep rereading them. They are so clever, and thought provoking as the short lines stare at you in black and white and get under your skin.

I don’t think the book explains if a ghost in Islamic doctrine would be possible, but I do like that the book on more than one occasions tries to explore it.  I think for me acknowledging that it doesn’t fit, but that jinn exist and that maybe it just is what it is allowed me to overlook it and read the story for what it is.  I appreciate that the author gave the characters presence of mind to try and view it through an Islamic perspective and see answers that way, even if it did come up short.

I love the parents in the book, all of them. There is no oppression or force or lack of understanding, from the parents which was a nice break from the normal YA Muslim family dynamic presentation.  As a result perhaps, Safiya has never gone to a school dance, but when asked to Winter Formal she doesn’t have any religious or cultural hesitation in agreeing to go.  Part of me wishes it would have crossed her mind, but I think the other part wins out- that for her it is a non issue and that her view and practice of Islam is just different than mine and that is ok.  I think part of the reason I am ok with it is because there is no overly forced make-out sessions or drawn out angsty scenes.  There is a kiss on the cheek and one on the forehead, a tiny bit of snuggling, and maybe a handhold.  Suffice it to say it isn’t overboard and extreme, it never says that Safiya prays, she notes her parents do, but it seems she goes to the mosque, she identifies as Muslim and she is unapologetic, so by moving the choice to her to go or not go to a dance allows Islam to stay Islam and her actions to stay her actions.  A subtle difference I’m sure for most, but for me a very powerful one in a book that is about more than Islam’s view of premarital relationships.  I think it is also promising in that it shows how far literature has come that these nuances can exist without being overly explained or made into black and white issues.

In a similar vein is how the three Muslim characters are presented.  At one point it says they all go to different mosques because of geography or ethnicity, but to them they are just Muslim.  This includes Usman a kufi wearing Shia Hazara from Afghanistan who is always crushing on his tennis partner, or some other guy.  There is nothing more said about it, and the book carries on.

The style of the writing between the alternating voices of Safiya and Jawad are nice, but I particularly liked the inclusion of the interviews, articles, excerpts, and court transcripts.  The change of pace made it feel like it was more than a fictionalized story about the characters at hand, and a societal trend that is impactful to us all.  Which of course is a theme of the book, and was a nice way to show and convey that sentiment without having to say it over and over again to be heard.

FLAGS:

Copy and pasted from above:  There are strong themes of islamophobia, media, and privilege, there is killing, murder, attempted murder, a gay Muslim, a ghost, assault, language, planning to go to a school dance, racism, vandalism, misogyny, Halloween, relationships, hate crimes, and abuse of power. The hand of Fatima symbol is apparent in the marketing of the book, it isn’t a huge part of the story itself.  It is a key chain that was given to a character and then passed on with a message that it will keep you safe.  Clearly it doesn’t keep you safe and the irony and the passing of it from one character to another (I’m really trying not to spoil anything, can you tell) is the only significance it has on the story.

TOOLS FOR LEADING THE DISCUSSION:

I have already told my daughter she needs to read the book this summer after finals (she is 15), and while I would love to do this as a high school book club book, I don’t know that the ease of going to a dance, the normative presentation of a gay Muslim, and the ghost as a main character would be widely accepted at an Islamic school.  I think I will suggest it to high schoolers that I know, and would do so confidently as the writing, overall messaging, and critique on the media and privilege are so well executed in a compelling story, but I think the flags might keep me from “teaching” the book or shelving it in the school library.

Hassan and Aneesa Go To a Nikaah by Yasmeen Rahim illustrated by Rakaiya Azzouz

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Hassan and Aneesa Go To a Nikaah by Yasmeen Rahim illustrated by Rakaiya Azzouz

hassan and aneesa

The latest installment in the Hassan and Aneesa series caught my attention because there just aren’t a lot of books about an Islamic marriage process (it is Desi tinged).  Cultural weddings you often see, but despite the misleading title of them just attending a Nikaah, they actually walk the reader through the steps from wanting to get married, to getting to know someone, praying Salatul-Istikhara,  agreeing on a mahr, signing contracts, and a walima.  The idea and premise is brilliant and greatly needed, the finished product, not so much.  Somehow I had forgotten how tiny in size the books in the series are (6.5×7.5), making it all visually cluttered and the text often hard to see over the illustrations.  And while I love how the concepts and terms are defined, the point of view of having it witnessed and detailed by the brother sister duo is often awkward and wordy.  I wish the author would have ditched the familiar characters, and just written a book about the marriage process for kids.  The vacillating between a fictionalized story, factual requirements, kids witnessing their parents helping their cousin get married, makes for a tangled book that fails to connect to readers seven and up, let alone two and up like the book claims. If you’re kids are asking about how Muslims marry or seem curious about a halal way it can be done, I suppose this book would provide a way to understand some of the key facets in broad strokes, but it needs editing, and more space to show joy and excitement in a book about families and a couple coming together.

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The very first page set the tone for me, the overly dressed girl at a barbecue and the way her name seems to be so formally introduced.  Perhaps it is a difference of culture, but the book never bounced back from the heavy handed tone.  Aisha wants to get married and asks her parents to help her find someone.  They ask her what she is looking for and she tells them.  I like what she includes kindness, love of Allah, funny, etc.  I wish it would have suggested that she had given it a lot of thought before answering though.

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Aneesa and Hassan’s mom and their aunt are discussing Aisha’s want to marry at their painting class and a friend over hears and suggests her son Uthman.  The families agree to have the two meet in a cafe with Aneesa and Hassan’s dad and uncle so that her mahram is nearby.  Uthman and Aisha both enjoy sports and Uthman interacts with a baby at another table impressing Aisha.  They both pray istikhara and decide that the families should all meet.

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It is then time to pick out a dress and hand out invitations, which at least involves Hassan and Aneesa, but the pages are so cringe and awkward from the phrasing, to the structure of the concepts.  The spread is disjointed and you’ll catch yourself shaking your head and making a face every time you read it.

Mehndi is next and I’m not sure why it focuses on Aneesa not sitting still and looking sad when her design is ruined.  It seems like an odd inclusion in what should be a joyous book.  Hassan is entrusted with gift to hold on to by Uthman for Aisha, and the Imam gives a khutbah about marriage.

Contracts are then signed with Aisha her wali, uthman and the imam and each party is asked if they agree.  They have already decided on the mahr and then Hassan hands over the gift.  The walima feast is delicious and the reader is encouraged to go back and find the cat in the illustrations.

As for illustrations I do like that the main females are shown out of hijab at home, and in hijab while out.  At the wedding there are different shades of brown, different loves of covering and not covering, there is a guest in a wheel chair and the couple and their families seem happy.  I found it odd that it says they are in love, since there isn’t a lot of emotion mentioned before the last page and I wish the text on numerous pages wasn’t mixed in with the pictures.

The book concludes with a glossary of terms.

The Maliks Ramadan Mayhem by Zanib Mian

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The Maliks Ramadan Mayhem by Zanib Mian

This 93 page Islam centered, action packed, humor filled book was written as a gift by the fabulous Zanib Mian for her readers. The book was to be free, all you had to do was pay shipping. Well, if you lived outside of the UK, that would make the book pretty expensive, so like any entitled book lover, I started annoying the author, my friend Noura the owner of Crescent Moon Store, and any and all connections I could muster to get the book during Ramadan. I wasn’t trying to get it for free, I just really wanted it in my hands. So, when the author did a second printing for purchasing, and my US stockist was on the list, I was giddy. Then I went out of town to be able to spend Eid with family and the lovely book sat on my neighbors dining table until the blessed month and the festivities of Eid, had come and gone. But guess what, it is ok. This book is fun, no matter what time of year you read it. It is as silly and informative and relatable as all the Omar books, and the characters just as delightful, the mystery just as teasing, and the quirkiness just as charming for readers 7 to 100. Thank you for this gift, thank you dear friend for stocking it at an incredibly affordable price and getting it to me with such speed and love. And dear readers, don’t wait until next Ramadan to get your copy, you and your children will enjoy the book now, repeatedly, and as they get excited for Ramadan next year (and the year after, and the one after that too), inshaAllah.

SYNOPSIS:

Maysa Malik is often misunderstood, and crossing lines at school, with friends, and at madrassah that get her in trouble, even while making others laugh. Her twin brother Musa doesn’t have Maysa’s penchant for getting in trouble, and so their parents are letting him go on the school trip, but not her. Maysa is determined to prove to her parents that she isn’t a class clown and can stay out of trouble. With help from Musa and their neighbor Norman, a cookie tower competition might be just the thing to raise money for charity and get in her parents’ good graces. But, a little lie to avoid teasing has big consequences and destroyed cookie towers mean her plan to go on her residential trip is failing. And no, I’m not going to spoil the plan b the kids come up with, or reveal the snowballing implications of the lie, I wouldn’t want to ruin it for you.

WHY I LIKE IT:

I love that the Islamic tidbits are woven in and made a part of the story. It doesn’t pull out to give facts about Ramadan, salat, and charity, it is all part of the story and works well for both Muslims and non Muslims without compromising or watering down important aspects of our faith. I absolutely love that Norman makes wudu before doing anything and everything related to Islam, and is very aware that farting is a wudu popping act.

There is a “moral” about honesty and self confidence, but it doesn’t come off preachy, and as I’ve grown to expect from the author, her voice reads very genuine and true. The lessons from one character to another and from within internal reflection of a character, feels organic and age appropriate.

The only thing that bothered me initially, but perhaps not so much at the end (I’m going to try not to spoil anything here). Is that the one character that speaks “broken” English is painted as being strict, mean, and short tempered. There is redemption for him, but I wish the characters were more aware of their own impressions of Mr Saleh, and that the stereotype wasn’t perpetuated.

FLAGS:

Lying, accusations, some retaliation against a bully, gossip, gambling is mentioned, butt jokes, fart and bathroom mentions. Nothing offensive, but it is funny.

TOOLS FOR LEADING THE DISCUSSION:

I won’t do this as a book club selection, but I am hoping to read it aloud to 2-4th grade next year before or during Ramadan. It would probably just take a few library sessions and I think the kids will love it.

Zachary Ying and the Dragon Emperor by Xiran Jay Zhao

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Zachary Ying and the Dragon Emperor by Xiran Jay Zhao

zachary ying

It is hard to believe that this book is middle grade- the world building, the social and political commentary, the authenticity, the history, the humor, the writing quality, the richness, really makes me embarrassed that as a child I never gravitated towards books like this.  Everything I love about contemporary fiction seems to be done so well in the handful of fantasy books I’ve read of late, add in layers of adventure, imagination, and nuance, and I don’t know why I took so long to embrace this genre.  Not to say every MG fantasy is written this well, but why settle for only friendship, family, and identity issues when you can have all of it and dragons?  This 352 page book about a Chinese American Hui Muslim kid is action packed, culture rich, unapologetically Muslim, and a gripping good time.  While I think lower MG could handle and enjoy the book, there is nothing explicit, it does in passing mention eunuchs, concubines, and adult entertainment, along with the main character stating that he is not attracted to girls a few times and that he acts like a girl, but presents as a boy, thus making me think middle school aged might be a better fit.  If younger kids read it, they may or may not even pause or notice the aforementioned possible flags, I only highlight them, so that my readers are aware and can be prepared to explain and discuss if needed.  As an adult reading it, I can see clearly that Zach is gay, but I don’t know that most kids will catch it.  The author skillfully hints at it, but doesn’t make it the focus of the story, ultimately making me feel like if you want to see it you will, if you don’t, you probably won’t. Oh and the chapter titles, they are awesome!

SYNOPSIS:

Zachary Ying is twelve and while he isn’t comfortable in his Maine school, he manages.  He dumps the delicious Chinese food his mom makes every day so that no one teases him for the smell it carries.  He tries to impress the other members of the Mythrealm club, a vr video game, without rocking the boat, and he loves his single mom who works hard since his father was killed in China advocating for the rights of Uyghurs.  He knows little about Chinese history, the language, or myths, but that all starts to change when his VR gaming headset becomes the host for the spirit of the First Emperor of China, Qin Shi Huang. 

His mom becomes the target of demons and when her soul is taken, Zachary is off to China to secure the barrier that divides the worlds and keeps the spirits at bay.  To do that though he is going to need to learn Chinese history, the power of artifacts, and the role of myths in keeping stories alive.  With two friends, also possessed by past emperors, joining him, the adventure is non stop.

WHY I LIKE IT:

I love that Ramadan is mentioned on the very first page, that Zach’s mom wears hijab, that he only eats halal, and that details about life in China for Muslims is shared.  It isn’t the main part of the story, but it adds such a powerful layer, that I found myself looking up Hui Muslims and trying to rectify how little I know about Islam in China.  

The social commentary about which individuals from history are remembered and why some are celebrated and others vilified was so impressive to see in a MG fantasy book.  It doesn’t ask you to agree with the narrative, nor does it preach anything, it just presents it in all its beautiful shades of gray glory albeit often shrouded in humor.  I truly feel that most MG authors talk down to their readers, if these themes can be so strongly presented and consumed, what superficial fluff did I waste my time reading as a preteen?  Thankfully I’m an adult that loves juvenile fiction, so there is still hope for me yet.

FLAGS:

Magic, mythical gods, fighting, violence, lying, deceit, killing, crushes, same sex attraction, concubines are mentioned as are eunuchs, but nothing more is said about them.  Affairs and mistresses in context to myths and past emperors are mentioned.  

TOOLS FOR LEADING THE DISCUSSION:

I don’t know if I could teach this.  Once you sense that he is gay it is hard to unsee, and in an Islamic school, that would be problematic.  I will have my own kids read the book, I don’t think there would be any concerns for me there.  A few weeks ago concubines were mentioned in a khutbah, so I’ve already had to explain that to one of my kids. 

PRE-ORDER BEFORE MAY 10, 2022 or PURCHASE AFTER HERE

Hungry Hearts: 13 Tales of Food and Love edited by Elsie Chapman and Caroline Tung Richmond

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Hungry Hearts: 13 Tales of Food and Love edited by Elsie Chapman and Caroline Tung Richmond

hungry hearts

Occasionally I get asked about short story and/or essay from a collection that a college or high school student is hoping to share with a class that doesn’t take long to read, but shows Islamic representation.  And I never have a suggestion.  The middle grade collection Once Upon an Eid is amazing, but for younger readers.  When I learned about this collection that features two known Muslim authors, Karuna Riazi (The Gauntlet series) and S.K. Ali (Saints and Misfits, Love from A to Z), and involves food, I thought to take a look and see if I might finally have a suggestion.  Sadly, no.  None of the 13 stories wowed me, or really impressed.  A few I started then skipped, and none were really memorable.  The premise is unique: all the stories take place in the same neighborhood, feature food, and crossover characters, but some are love stories, others redemption, some have super heroes, others murder and gang violence, some really keep the food central, and others just mention it as being present.  There is familial love, romantic straight, lesbian, and trans love, there is friendship and food from many cultures served up to varying effects.  I admittedly read few short story collections, but even with that taken in to consideration, I think skipping this 353 page YA/Teen book is probably the best option.

SYNOPSIS:

I’ll only summarize the two Muslim authored stories.  A few of the others are culturally Indian, but they eat pork, so I’m assuming they are not Muslim, and the Persian one by Sara Farizan features alcohol and a lesbian romance, so since in a past book of hers I noted that I didn’t know if she or her characters identify as Muslim, I will skip reviewing hers as well.

Hearts a’ la Carte by Karuna Riazi:   Munira works at her families food cart, King of Kuisine and serves up Egyptian food to the people on Hungry Heart Row.  When a guy falls from the sky, she finds her self also falling hard for Hasan, as he regularly starts coming to eat and visit, but when it is revealed that he is a super hero (the Comet) and the reason her families cart is destroyed, Munira is not willing to pursue things further.

A Bountiful Film by S.K. Ali: Hania and her family have recently moved to Hungry Heart Row, where her father grew up and grandma Valimma lives.  Irritated that she had to leave her school, her job at Daily Harvest and friends behind, Hania is hoping to lose herself in putting together her film for the upcoming competition and beating her long time rival Gabrielle Rose.  With no clear idea of what her film should be about she starts with interviewing Valimma and her friends, which turns up a bit of an unsolved mystery involving a missing boy that keeps showing up on the security footage from local businesses.  Hania decides to pursue it, but finds herself being watched, and filmed in the process.

WHY I LIKE IT:

I like that the stories are interconnected, I don’t know that it works, but I like the idea of it.  As for the two Muslim authored stories, I like that Islam and culture are included slightly, but that the story is much more than that, and the characters have more pressing issues to figure out.  I wish in both of these two stories, food was more fleshed out.  They seemed to be lacking the magical food premise that many other stories in the collection had.

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FLAGS:

See above paragraph for some collection flags.  Riazi’s story has crushes and a budding romance, but nothing overtly “haram.” Ali’s story is clean.

TOOLS FOR LEADING THE DISCUSSION:
I wouldn’t probably even shelve the book in our Islamic school library, it doesn’t offer much in my opinion.

The Secret Diary of Mona Hasan by Salma Hussain

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The Secret Diary of Mona Hasan by Salma Hussain

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I really don’t know how to review this book. Is it funny and engaging, yes at times, but I am a 41 year old, and I can attribute it (hopefully/possibly) to satire, hubris, character voice, and commentary, except it isn’t written for me, it is written for 10-14 year olds.   There is no way would I put this in the hands of a fourth grader, let alone a high schooler.  The book starts on New Year’s eve with a “Muslim” family drinking alcohol, later the 11 year old drinks to get brave enough to meet up with her boyfriend (he wanted to wait until after Ramadan), after a bad haircut she starts wearing hijab and later takes it off, her period starts and she is baffled at which hole it comes out of, she is no longer allowed to be alone in a room with a boy because that is how babies are made, but it is ok to go to a school dance and kiss them, women are rather useless, old people (31 year olds and up)  should know their place and act their age, dark skin is bad, chests need to be big, slut is both something you are and something you can do,  Aisha (RA)’s age of marriage is criticized as is Khadeeja (RA)’s, no one is as good at her, Ramadan is annoying because she has to hide when she eats in public for a whole month, Friday prayers even though they rush through them limit their fun time, the Tablighi Jamaat have to be lied to and hidden from, her mom is pregnant months after coming out of her bedroom smiling, her father claims he will only ever enter a mosque horizontally, you can see the list goes on and on.  Yet at the same time, there are true moments of strength, such as when she fights back against the creepy sexual assault vibes from “uncle annoying” and then protects her sister when her parents dismiss it, when she sticks up to a bully to protect her gay friend in Canada, the dad getting caught one day praying salat, the love of family felt despite her perceived privilege while visiting Pakistan, her constant reference to Allah swt as she asks Him and tries to understand the world around her, and her terrible, terrible poetry.  The diary style is both brilliant in trying to show the world through Mona’s eyes, and irritating as NONE of the aforementioned concerns are given any context, explanation, reflection, anything.  The thoughts pour out of her head, onto the paper, and the reader is left to figure out if this is how things are, is this her naïve view, is she commenting on society, is the author, is this fact, is it satire, is it someone with an axe to grind on culture and religion, is it showing the ridiculousness of so many stereotypes? And to be honest, I have no idea.  Which is why I can’t say that the book is good or bad, I think it is well written, my problem with it is, I don’t know who it is written for.  I think it would be very damaging to young children, the vulgarity, misogyny, racism, arrogance, will hurt both those that see parts of themselves in Mona and those that read it and assume too much about what Mona represents.

SYNOPSIS:

Mona is an 11 year old girl, and this is her diary.  She is arrogant and opinionated, but she grows and mellows as her view of the world moves from privilege in Dubai to immigrant in Canada with a bit of an awakening in Pakistan in between.  It is her view of her life, her place in the world, and the greater society around her.  It is an easy read on the surface of her living through the war without getting any days off of school, friends, maturation, first loves, hoping for a bigger chest, pulling a fire alarm to get time with a boyfriend, feminism, and the annoyance of being better than everyone else in everything she does.  There are side characters that flit in and out and family members that shape her, but the point of view is uniquely hers in all matters regarding leaving the Middle East as a Pakistani living there, spending time with her mother and father’s families in Pakistan and the rift her parents’ love marriage caused on their acceptance of her, their move to Canada to start a more peaceful life that ends up being grueling and difficult and through it all threads of Islam, fitting in, and growing up.  It is a snapshot of so much that the reader is left to connect the pieces, assign them value, and understand the larger message, if one exists.

WHY I LIKE IT:

I still don’t know if I like it or dislike it.  I dislike it for kids.  I like it for adults as a light over the top snarky read, but I think my opening paragraph is sufficient and the 296 page book doesn’t need my concerns and praises rehashed here.

FLAGS:

Misogyny, anti Islam, sexism, racism, ageism, lying, vulgarity, cursing, crude talk, lying, disrespect, lack of religious respect, kissing, sexual assault (attempt), deceit, pulling a fire alarm, physical fighting/assault, family trauma, arrogance, pettiness, stereotypes, bullying, sexual innuendos,

TOOLS FOR LEADING THE DISCUSSION:

I have suggested a few ADULT friends read the book so we can chat, but no kiddos, no teens, no early twenties, old ladies (31 plus according to the main character)!

My Baba’s House: A Poem of Hope by Dr. Amani Mugasa illustrated by Eman Salem

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My Baba’s House: A Poem of Hope by Dr. Amani Mugasa illustrated by Eman Salem

my babas house

I wanted to love this Islamic centered children’s book about grief, but I found it a bit problematic and misleading.  I am by no means an expert in Islamic matters of death or in psychological bereavement, but the note at the beginning of the book- if I wasn’t already going to look at it critically- really raised some warning flags.  It says that the book is not an instructional book on Aqeedah, that even though the title and whole story is about a house being built that “the book only expresses the idea that we hope and pray that Baba’s good deeds will lead him to Jannah, that that the rest of the family will meet him there one day, not that he is there already.” So, before you even start the story, it seems that the disclaimer is making it clear that this book is not religiously accurate, and that it is just meant to soothe and provided hope.  After taking all that in to consideration, and reading the 26 pages of text over a dozen times, I think I finally pinpointed why the book further reads problematic for me.  It is the repeating phrase, “Your Baba has been building a beautiful house for you,”  because he hasn’t right? He has built a house for himself through his good deeds in this duniya, he benefited HIS parents by being a righteous Muslim.  The words “for you” completely take the book in my head from being a slight suspension of timing where the deceased are, in to be misleading.  So if the book is not accurately framed and only to be taken as something “to open the discussion,” what is the point? Why fill it with Islamic references and concepts, if they will then have to be clarified, corrected, and re taught?  Sigh, I’m happy to listen to those that want to change my mind, truly I am.

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The rhyming book starts out with a mom and two kids being consoled by the text that their Baba has been building a house for them with Allah’s help.  That it is amongst the flowers, made with Allah’s powers. That with every good deed he did, their Baba becomes a builder, that there are pure rivers and trees, and that the house is hidden through Allah’s gate.

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To find their Baba’s house they will walk with Prophets, and see ripe fruits, and smell sweet musk.  There will be rivers of milk and he will carry them above his head.  The illustrations on this page are a little off in my opinion the shadows of a person elevating and even the girl looks a little concerned.

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I like that the next spread addresses that only Allah knows when the day will come that we reunite. And then the next pages tell how the children can help decorate their Baba’s house by calling adhaan, reading Qur’an, being kind, giving charity, and making duas.

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The book concludes with encouraging patience and finding reassurance in knowing we belong to Allah and to Him we return.

With the exception of the one page, the illustrations are adequate and show a mixed racial family.  The rhyming lines are rather weak, and ultimately there are just better books out there about grief that don’t have to be so qualified for accuracy.

Zara’s Rules for Record-Breaking Fun by Hena Khan illustrated by Wastana Haikal

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Zara’s Rules for Record-Breaking Fun by Hena Khan illustrated by Wastana Haikal

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This early chapter book packs a lot of personality, growth, and fun into 127 pages.  The writing quality is engaging and the characters relatable.  If you have read the Zayd Saleem books you will recognize the family in this new stand alone series.  Either way though, from the surprising Naano to the fun Mamoo, the neighborhood children and the desire to maintain her reign as Queen of the neighborhood, the book may be meant for 7-10 year olds, but based on the kids in my house, anyone that picked it up, read the entire book before putting it back down.  The grandma covers her head, it mentions she reads Quran, there is a Salaam or two, an InshaAllah, and desi cultural foods mentioned.  The focus is not on religion or culture, but the layer adds depth to the characters, and normalizes names and practices in a universal plot.

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SYNOPSIS:

Zara’s neighborhood has a lot of kids in it, and Zara has the reputation of being the leader who rules with grace and fairness.  It is a position she takes very seriously.  When Mr. Chapman moves out and a new family moves in, Zara fears losing her place.  The new girl Naomi has a lot of ideas and everyone seems to like them.  Zara has a grand idea to set a Guinness World Record, but with her little brother Zayd messing her up, nothing is going as planned for the summer.

As she finds her self alone a lot and not having much fun, she decides to change things up.  She works to be less bossy, less controlling, more willing to to share her crown.  With a lot of heart, internal growth, recognizing her strengths and weaknesses, the neighborhood kids just might have a record-breaking summer.

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WHY I LIKE IT:

I love that the story wasn’t just surface level, it acknowledged some emotions and stresses and introspection, that I was pleasantly surprised to see played out in an early chapter book.  I really just enjoy the family, they read relatable and fun. The Nanoo’s surprise ability to hula hoop and her pettiness over a cooking competition genuinely made me smile.  The neighborhood kids and the politics of the different aged children having to find ways to compromise reminds me a lot of my summers as a kid, and the nostalgia was sweet.  I like the Islamic touchstones, I would have loved if they had to go in at sunset to pray or something of the like, but I was glad that at least that Nanoo reads Quran and an inshaAllah in the text made me feel seen.

FLAGS:

Music, dancing, frustration, jealousy

TOOLS FOR LEADING THE DISCUSSION:

I think this book should definitely be on every library and class shelf.  It releases tomorrow on Amazon, but Crescent Moon Store already has it.

Must Love Pets: Friends Fur-Ever by Saadia Faruqi

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Must Love Pets: Friends Fur-Ever by Saadia Faruqi

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This 208 middle grade novel by a Muslim author features a desi family and the protagonist’s love of pets.  Iman Bashir is on summer break and is determined to convince her mom and grandfather that she is responsible enough for a pet dog.  The internal realization of selfishness, her ability to problem solve, be a good friend, and know the limits around her, keep the story from being whiny and annoying.  The writing is superb and the characters relatable.  I wish there was a bit more Pakistani culture, or some indication of the characters faith (there is one Salaam), not because all books need it, but rather because it almost seems that text goes out of its way to not contain it.  The story is clean and the first in a series that I think most kids will enjoy. The father in the story has passed away and at times Iman struggles with sharing her thoughts on him, I don’t think it would be triggering, it is subtle and adds depth to the story, but it is worth noting incase it hits too close to home.

SYNOPSIS:

Iman has been begging, or rather asking her mom for a dog at every chance she can get, but after 43 rejections she is thinking she needs a new plan.  When she meets the new neighbor, Olivia, who is the same age as her and her best friend London, an idea is hatched to start a pet sitting business.  Iman’s mom is always stressing how important it is to help others after all.  Opportunity strikes when Sir Teddy’s owner has to rush out of town, the girls offer their services to watch the beloved dog.  But how do you share caring for a dog at three different houses? How do you let your parents know what you have committed to? What do you do when your brother is allergic to dogs, or you have a cat that doesn’t like dogs, or your house is still in boxes? What do you do when your first customer goes missing?

WHY I LIKE IT:

I like the side stories the best: the grief of losing a parent, the Dada Jee and his lemons, the soccer team helping search for the missing dog.  The story itself is fine, albeit predictable on the surface.  Where it really shines is in the point of view of Iman.  I love that her internal dialogue knows that she is being selfish, that she is being a bad friend, but that she is still feeling these very real feelings adds depth to the book, character, and plot.

I like that the mom is a strong single mom, and I hope that as more books in the series are written we get to see some emotional unpacking and connection between her and Iman.  I do like that the meaning of Iman’s name is explained in Arabic, and desi foods are featured, but I couldn’t help but feel that the writing would set up for something more, and then abruptly pull back.  There really is no explanation about why Dada Jee doesn’t like dogs other than saying in Pakistan they aren’t allowed in the house.  So finish the though, face palm, they are not let in because religiously which has influenced culture- dogs are generally not brought inside, it is a bit of a contentious point.  I get because Muslims feel differently about dogs it was probably kept out, but she is a talented writer, she could have still acknowledged the hole in the rationale without committing to a side.  Sure in my Islamic School Librarian head, I would have loved the characters taking their shoes off when they enter the house, eating halal, and pausing to pray, but I accept that isn’t the story.  At times though it didn’t feel OWN voice, it felt very watered down on the cultural rep and it makes me wonder why it was really included at all.

FLAGS:

Clean.  Loss of a parent.

TOOLS FOR LEADING THE DISCUSSION:

This is a solid MG book and would be a great addition on a school or classroom library shelf.