Tag Archives: Love

Jan28

Courting Samira by Amal Awad

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Courting Samira by Amal Awad

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Authored by a Palestinian-Australian and featuring a protagonist of the same background, this adult rom-com, is pretty halal all things considered.  The book is not preachy, hijab and not drinking alcohol are all discussed as being religious decisions, but there is no insight as to how or why they are part of Islam, they just are, and because the characters are Muslim that is what they do.  I found myself reading while cooking, which means I was invested enough to keep reading, but if I missed a line or two, to pull something out of the oven, I didn’t need to go back and find my exact spot.  It reads a lot like a Confessions of a Shopaholic or Bridget Jones Diary, Islamically it is on par with a Hana Khan Carries On or Finding Mr Perfectly Fine, where the characters are Muslim and that sets parameters, their culture adds the flavor, and the love triangle and writing adds the plot, yeah it is tropey, but most people wouldn’t be picking this up for literary insights, it is meant to be fun, and it is.  Three things bothered me with this book that gets a lot right. One, the cover, I find it ugly, additionally it mentions multiple times in the book that her eyes are blue, clearly on the cover they are brown.  Second, the labeling of “moderate,” “conservative,” “liberal,” and “fundy” Muslims.  There isn’t internalized Islamophobia, every one of the main side characters practices Islam in their way, the other characters accept it, and the stereotyping that the religious one is mean or critical is not present at all (alhumdulillah), the labels just bother me.  Finally the kiss at the end before marriage, they are engaged, and it probably is still better than many YA Muslamic romances out there, but as an Islamic school librarian, I have to mention it.

SYNOPSIS:
Samira works at a Bridal magazine, writing on occasion, but mostly getting coffee.  The book opens with her mid door-knock, looking at the manga hair of a yet another prospective husband, come to drink coffee and eat biscuits with his parents to meet her and hers in another meeting that will end with no match made.  Her parents don’t force her, she plays along willingly, venting to her cousin Lara who refuses to humor her parents, and her co-worker Cate who’s own dating dramas show Samira she isn’t really missing out.  When evil cousin Zahra is suddenly getting engaged, Samira is sucked in to familial obligations and involvement.  Menem, a guy she met at a team building activity, works near her, and they keep meeting, the icing on the cake is that his brother is Zahra’s groom. As things start to heat up with Menem, old family friend Hakeem starts acting weird, and Samira finds herself caught in a love triangle.

WHY I LIKE IT:

There are a lot of tropes of being 27 and unmarried, being a disappointment for having a liberal arts degree and the like, but at least there are not mean parents, forced religiosity, or the what will everyone say storylines present. A lot of the fun is found in the references to pop culture, that surprisingly didn’t bother me.  I was, however, annoyed when suddenly 80 pages in the fourth wall was broken.  It broke the tone, but it didn’t become a regular things, so I carried on.  A side character asks if Samira’s actions are Muslim or Arab and I like that, that distinction is presented.  I wish there was more culture, Samira is Palestinian, Menem is Lebanese, but there isn’t a lot of cultural sprinklings throughout that are specific to the two cultures. There are also a lacking of salams/assalamualaikums in their daily interactions.  It does mention Samira praying quite frequently, which I most definitely appreciated though.

Plot and character development was decent for the genre.  The pacing makes this book a quick read, I read it in two days (while cooking).  I never quite felt a connection to Lara, or rather why Samira and her were so close other than for a lack of options.  She just kind of annoyed me throughout, and never seemed to be a great friend (cousin).  A few times the book would seem to hint at something and nothing would come from it, take Zahra touching her stomach while picking out ice cream, or why Hakeem says he knows Samira can’t call her brother when she has car trouble.

FLAGS:

A kiss, a few hugs, hints at haram acts in earlier days, alcohol, music, belly dancing, texting, emailing, chatting freely with opposite gender.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use this as a book club book, but I would be ok having it on the library shelf for high schoolers.

Oct6

Every Rising Sun by Jamilya Ahmed

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Every Rising Sun by Jamilya Ahmed

The lush writing and ever present threads of Islam captivated me from the first page of this Shaherazade retelling.  I truly could hear my own voice in my head reading each word, and falling into the masterful story-telling of the protagonist/author.  With about a third of the book left though, I was sadly stopped abruptly in my tracks.  I found myself annoyed by Shaherazade, and having to convince myself that even though this is an adult read, she is very much coming of age and finding herself, only she doesn’t evolve and grow, and doesn’t have a character arc, and by the end I felt deflated.  Is the book good? Yes.  Would I recommend it to readers 18 and up that enjoy OWN voice, strong female, historical fiction? Absolutely.  But I find myself frustrated, because when the book was good, it was so good, but as the end drew closer, I realized there were holes, big ones, that could so easily have been fixed.  The author has the skill, the knowledge, all the tools, but alas, I didn’t appreciate Dunyazade because she is largely absent.  I didn’t know the interworking of her assistants and friends so I didn’t care about them, side characters were so painfully underdeveloped. And with 50 pages left, I was for the first time perhaps ever, glad that the narrative moved from showing to telling (I know, who am I even). I needed the articulation to connect the dots particularly of Shahryar and Shaherazade’s relationship.  The 423 page book could have, and should have, been a hundred pages longer to not feel so rushed at the end, and there should have been a map.  The book has adult themes but they are handled in almost a YA manner.  The beheadings, affairs, wedding nights, battles, war, are not detailed, but rather identified and moved on from even though they are so central to the plot.

SYNOPSIS:

In twelfth-century Persia the daughter of the Malik’s adviser stumbles on the Khatoon and her lover, she anonymously alerts the King to the affair and the beheading of wives begins.  To keep the country from revolting at their mad king, Shaherazade offers to become his next wife, to assuage her guilt for what she set in motion, on the hope that her storytelling will keep her alive come morning.  Life doesn’t pause however, as Shaherazade spins her tales, but rather amplifies.  She accompanies her husband, Malik Shahryar as they join Saladin in the Third Crusade.  The caravan, the journey, the battles, the romance, all bring the climax of returning home to a Kirman under siege will test Shaherazade’s story-telling abilities to the brink and with it the Seljuk Empire.

WHY I LIKE IT:
The prose is on point, time stood still while getting lost in a world of history, imagination, and the author’s skill.  The constant presence of Islam in the characters life was incredible. It was not established and then left to the side: the times are marked by prayers, the athan is ever-present, the duas are heartfelt.  Yes the characters drink wine, and sleep around, but they also fast and treat their prisoners of war with compassion.

I really struggled with how little I cared about people dying, there should have been more connection and more emotion for the side characters, and as the story progressed, I became increasingly irritated that I wasn’t forced to care about them, to know them, to appreciate what they meant to Shaherazade.

I also felt that the majority of the story took place over one year.  How do you forget that you are telling stories to save your life and (SPOILER) start sneaking around with some other guy.  You have a guard detail that follows you everywhere, you are in a caravan and you live in a tent, everyone knows everything!  Shaherazade is also clueless a lot of the times asking soft questions and then told how intelligent she is and allowed to plot and scheme with various rulers.  I love that she has a voice, she isn’t silenced, that she is never apologetic for being opinionated and her very presence is never a kindness, she takes up space and doesn’t look back, but the inconsistencies in her judgement needed some smoothing out.  Show her understanding grow, and increase her intellect to wisdom, don’t have her charming and manipulating leaders one minute and then being so naive the next.  She should have been so much smarter by the end of the book than she was shown to be in her personal dealings.  Her political knowledge was strong, and she was a force, and that level of insight into her own life would have been a character arc to see.

The book is adult, but it almost reads YA and I’m not sure why, it is sourced, the historical presence is exciting, the words and flavors intoxicating.  I normally love when the characters are shown and the reader doesn’t have to be told things, but the only reason I finished to the end was honestly because I got some telling.  I was relieved to hear from Shahryar what he knew, what he felt, what he could own up to.  Perhaps had there been more showing of the intricacies of palace life with the side characters the book would not have gotten to that point, but the lush writing could only carry the book so far.

FLAGS:

Relationships. sex, kissing, fornication, killing, beheading, lying, hangings, war, battle, drinking wine, scheming, kidnapping, attempted rape, it is Adult, but nothing is overly detailed or glamorized.

TOOLS FOR LEADING THE DISCUSSION:

I would love to chat about this book, I think I could be swayed to love it, or play the devils advocate and argue for the sake of arguing.  Being how highly recommended this book came to me from a dear friend, I’m ready to battle and anxious to discuss!

I got my copy from the library, but can be purchased here.

Sep18

If You See a Bluebird by Bahram Rahman illustrated by Gabrielle Grimard

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If You See a Bluebird by Bahram Rahman illustrated by Gabrielle Grimard

This cultural picture book shows life of an Afghan family before fleeing the country and after.  In the flashbacks the women are wearing hijab, now in the west they are not.  I debated if I should do a complete review or just a Muslim in the illustration tag, and ultimately decided to do a review so that I might document what I fear is a new trend.  In the last ten years most Afghan books addressed international involvement, the Taliban, and refugees, but seemed to still feature Islam and the characters as Muslim.  This book carries the refugee theme, but Islam is seen in the “before” illustrations only.  Another recently published book, The Carpet: An Afghan Family Story, similarly contained no Islam, but interestingly also kept it out of the illustrations.  Realistically, I know that two books don’t make a trend, but with the change of politics in Afghanistan, I think the OWN voice narratives are important to watch and be aware of.  In the past an Afghan book would be conflated with also being an Islamic rep book, and I don’t know if that will continue to be the case.  I also don’t know what the take away impression would be upon a kid if they were to pick the book off the shelf.  Would they find the head coverings in the unsafe country and the lack of hijabs in the safe country as a message about Islam, would they understand the politics, would they even notice?  The sweet story of a boy picking berries with his grandma involves music, wishing on birds, and reflecting on the violence that forced them to leave Afghanistan.

The book starts with Ali and his Nana waking up early to pick blackberries.  They don’t want to wake his exhausted parents, and quietly pack a lunch and get on their bikes and head out.  The blackberries are not as sweet as the mulberries he remembers from Afghanistan.  Suddenly he misses home.

The family left Kabul after soldiers came to their house and they knew it wasn’t safe anymore.  He couldn’t bring both of his stuffies and the family left on foot at night.  They rode a bus and waited behind a fence before they boarded a plane.

 

Back in the present the two eat their picnic, when a bluebird arrives, Nana tells Ali to make a wish before it flies away.  Nana says all her wishes have come true: the family is safe and together.  Ali is whisked back to sitting beneath the mulberry tree with his parents laughing and his toys around, he wishes for home.  Nana explains that home is not a place, it is the love you have.  The book concludes with Ali appreciating his loving family and his new “home.”

Sep8

Three Holidays and a Wedding by Uzma Jalaluddin and Marissa Stapley

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Three Holidays and a Wedding by Uzma Jalaluddin and Marissa Stapley

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I don’t think I have ever sat down and watched a complete Hallmark Channel holiday movie, but I know the stereotypes and I’ve caught enough scenes while hanging out with my grandma to know that reality has to be suspended, there will be a happy ending, and the snow and small town charm is going to be laid on pretty heavy as the wholesome romance plays out.  This book is the literary equivalent of such a movie. So with that in mind, there are somethings I will concede can be overlooked, but religiously there are some things that need to be noted (see below).  I also have to admit that I couldn’t put the book down and read the entire 384 page Adult book in two sittings. The book is told in alternating perspectives: Maryam and Anna.  Maryam and her family are Muslim, the book takes place in 2000 when Ramadan/Eid, Christmas and Hanukkah all took place within days of each other.  Anna celebrates Christmas, but grew up celebrating Hanukkah too.  Even if a romance that has Muslims ok with adopting “Christmas-y” celebrations during the last ten nights of Ramadan no less. is not a book that appeals to you, it is worth noting that this book does an incredible job of not becoming performative.  There is no internalized Islamophobia, self-othering, no over explaining, convincing, justifying or religious or cultural identity crisis. For a book co authored by a Muslim and a non Muslim and traditionally published, I am excited for the precedence this book sets.

SYNOPSIS:

Anna is in a perfect relationship, with the perfect guy, and accidently sees the perfect ring in her boyfriend’s luggage.  With Christmas plans in Toronto to meet Nicks wealthy parents, it is clear that the perfect proposal is also going to happen.  But Anna is not perfect, and who she seems to be to Nick is not who she is or wants to be.  It feels so fake.  With separate flights from Denver to Toronto, getting redirected and stranded in Snow Falls, Ontario gives her the pause she needs to decide what she wants.  She meets Josh, someone in town visiting, which complicates things, and she sorts through her grief of loosing her father and the speed in which her ex step mother moved on, all why becoming good friends with Maryam and her family in this idyllic town that she doesn’t want to leave.

Maryam is the oldest daughter who shoulders the expectation so that her younger sister can live her best life.  She became a pharmacist to carry on the family business, so Saima could be a physician with Doctors Without Borders.  Now Saima has decided that she wants a wedding in Ramadan and Maryam has to plan it. The flight being diverted and the wedding party being stuck in Snow Falls has long ago crush Saif and Maryam sorting through their past and a possible future together.  

The two protagonists, their past, future, love interests are all multiplied by a town full of love and holiday activities, a wedding that might be missed, a Holiday Hoopla show, a movie being filmed, fasting in Ramadan, and wise old Dadu, a former Bollywood director guiding the characters to a happy ending.

WHY I LIKE IT:

The book is an easy read, it really is a guilty pleasure escape from reality and that it comes from a place of- we are Muslim, we fast, we pray, we don’t/shouldn’t date without marriage in mind, and everyone in the book already knows all this makes you feel ok about indulging.  It even has a thread of analyzing parental expectation and peeling back some of the assumptions regarding the disconnect worked in throughout the story.  

It took a few chapters for me to stop fighting and accept that the snow is so bad that the airport is closed, but every store, restaurant, and the roads in the town are open.  That the phones are out, no one has a charger, but the payphone works and food can be ordered and delivered.  That Anna is strolling around in a cocktail dress and can find a sweater, but she can’t find pants, and holiday gifts for everyone were not a problem to obtain.  The book notes the idyllic diversity and amazing payphone, but you really just have to let it go if you are to enjoy the book.

Some things I couldn’t let go though are the Islamic religious portrayals.  The characters note that a wedding in Ramadan is a terrible idea, but for as authentic as the waking up for suhoor and fajr are every day and iftar is every evening, the Muslim wedding party spend the last 10 days and nights of Ramadan watching Bollywood movies, dancing at a music filled mehndi party, planning and performing in an interfaith holiday show, and listening to Christmas music.  I know Ramadan staples of reading Quran, doing thikr, and praying, don’t fit the genre, but there are enough people to make jammat, one night it mentions they go to the musallah for taraweeh salat, but I really wish it was every night, and that more traditional Ramadan foundations were shared.  I did love that why Dadu couldn’t fast was explored, and that when Saima was stressed she went to the musallah, but really Bollywood marathons and parties in Ramadan are uncomfortable even in fiction.

FLAGS:

For Adults and New Adults the book is remarkably clean.  The romance is tame even for YA, the characters are all adults and it is more the Ramadan non worship and Christmas normalization that is more flag worthy to me if a Muslim teen were to read it, than the relationships.  So take what you will from the flags: Anna and Nick seem to live together at the beginning, Anna and Josh hold hands, kiss.  Maryam and Saif hold hands and hug.  Saima and Miraj hug.  There are some other hetero couples that kiss. Mention of Maryam’s prior relationship features her husbands infidelity, and Saif admits to having a girlfriend.  There are a few LGBTQ+ couples in the town that own stores and the inn, but don’t seem to be Muslim, and their relationships are not significant plot points.   Muslims joining in Christmas activities. Alcohol and a pub are mentioned, but Anna partakes, no Muslim characters.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I could do this as an Islamic school book club choice for middle or high school.  But I do want to gush about it with my Lit Sisters.  You can preorder it here https://amzn.to/3L7K9wQ

Sep4

From Here and There by Larissa Olinda illustrated by Herry Prihamdani

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From Here and There by Larissa Olinda illustrated by Herry Prihamdani

This sweet rhyming picture books discusses, focuses, and celebrates being a multicultural child.  Not the often seen child of an immigrant living in a society that is different than their parents, this story doesn’t even discuss where the child in the story resides, it just joyfully explores having a Brazilian mom and a Saudi father, while centering Allah swt in bringing them together.  The book highlights each culture, notes some differences, and acknowledges compromise, making this a reflective book for kids with parents from different cultures, but also a window of coming together that all readers can enjoy. Toddlers to early elementary will enjoy the 31 pages with bright engaging pictures and introduction to cultures and a topic not often seen in Islamic fiction, or any books for that matter.

The book is told from the child’s perspective as he breaks down his appearance and him being half his mom and half his dad.  He discuss the different sounds of Arabic and Portuguese, how meals are eaten, time is spent, people dress, and handwriting looks, without belittling or othering either culture.

The little boy circles back numerous times that this is all Allah’s decree, that brought his parents from different parts of the world together.  It shows challenges and compromise at time, and ultimately love and smiles.  The book concludes with helping readers like him to feel seen and articulates Prophet Muhammad (saw) saying that no person is better than another based on where they are from.

The book concludes with an ayat from the Quran and a hadith, and is based on the author’s life. I can really see this book being used in a class as an introduction to a lesson asking kids to write their own family traditions coming together. It also works well at bedtime, or anytime.

You can order the book here

Jun12

Always Sisters: A Story of Loss and Love by Saira Mir illustrated by Shahrzad Maydani

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Always Sisters: A Story of Loss and Love by Saira Mir illustrated by Shahrzad Maydani

This 32 page picture book for early elementary children addresses an important topic of pregnancy loss and grief through the eyes of a young girl excited and then devastated by the loss of her unborn sister.  The author is Muslim, but their is nothing religious in the text, it is a universal and poignant story from an OB-GYN who has counseled patients and experienced it in her own family.  The book is a story that can benefit children needing reassurance or simply provide a way to have heartfelt conversations.  The soft illustrations and gentle steps the character takes to help with the big feelings inside will allow readers of all ages to feel less alone, and see that support is available.

Nura is not born yet, and Samir is a fun little brother, but Raya has big plans for a baby sister.  They will run through sprinklers in matching bathing suits, and she’ll pass on her ballet costumes for her to wear, she’ll love chocolate and dolphins and they’ll share everything. Raya even hopes they will share a birthday, that would be the best present ever.

One day Mama goes to the doctor for a checkup, but when she comes back she looks like she has been crying.  She tells Raya, Nura won’t be coming home.  Nura is confused and sad.  There is an ache in her heart.  She talks to her parents, draws pictures, meets with the school counselor.  The family plants a tree and they talk about her and remember.

I like that you see the joy and anticipation the little girl has for the arrival of her little sister and the painful aftermath when she is not going to get to see her dreams materialize.  The book isn’t just a resource, it has literary elements as well that make the book valuable for those who can relate and even those that have been spared from such a loss.  The book can be preordered here. 

Jun9

Forty Words for Love by Aisha Saeed

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Forty Words for Love by Aisha Saeed

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This YA magical realism book by a Muslim author contains no Islam, and while it is a love story of sorts, and there is a kiss, it remains clean for the demographic.  It is a snapshot of daily life for a few characters in a small magical town.  There is no real understanding of the premise, or the magic, nor resolution to what happens or why any of it matters, there aren’t even forty words for love provided, yet the author is good at writing, so I kept reading, even when the plot holes and rationale for the “point” of the book clearly were not coming.  The ethereal lilting tone was lovely and lyrical at times, but honestly, I was left with more confusion about the leaves, the tree, the pastel waters and the cause of blame and bigotry at the end, than when I started.  It is an easy read, I don’t regret it, but it is hard to suggest others invest in a 304 page book that doesn’t really leave you feeling satisfied.  I wouldn’t object to it on a shelf, and others might absolutely love the infusion of other worlds into a grounded reality to tell a story of industry leaving a town, and two kids moving from friendship to romance, but I just wanted more: more world building, more tension, more resolution, more backstory, more detail, more magic, more understanding, more character development and connection.

SYNOPSIS:

In the vey first chapter, a small child drowns.  The child had wandered off from his nanny and died in the ocean.  That is the day that the pink and purple waters of Moonlight Bay turned angry and black.  Eighteen year old Raf, a Golub, blames himself because he was about to tell his childhood friend Yasmine that he was in love with her.  A rule that he has been told for the last decade will mean that his leaf on his arm will fade and he will have to leave his community.  When he is about to approach Yas he sees that she is cozying up with Moses, and he stops.  When the body is then found, a scream breaks loose and  everyone runs to the little boy. Later that night the Golub tree opens and two kids, a brother and sister emerge, and the tourist rich city is no longer beautiful.  The candy factory that relies on the healing waters closes up shop and most of the townsfolk move away.  Many of those that remain blame the Golub for the town’s misfortune.  The Golub arrived by tree a decade before when their own homeland froze over.  They live in the forest and eagerly await the tree to thaw signaling that it is safe for them to return home.

Yas and Raf carry on, Raf working in the diner, and Yas gathering shells for her mother to shape into stars that heal.  Both dream of leaving the confining town, pursuing their passions: Yas art and Raf architecture, but rules, family, and obligation keep them from leaving and keep them from being more than just friends.

WHY I LIKE IT: (SPOILERS):

I like the tone of the book.  It is like a dreamy lullaby that floats around, but I really needed answers.  If certain threads were unresolved, I could take it as being left up to interpretation, but this was more than a literary devices, this reads underdeveloped.  So much happens in the first chapter, and the rest of the book really doesn’t keep up.  The reader never learns why the leaves fade or pulse or why Uncle came to the conclusions he did even if safety was his motivation, we don’t know how Kot and Nara got through the tree or survived for 10 more years in Golub.  It is hard to believe that in a decade so few Golub tested out their leaves? And what purpose do they even have? They allow them to return, that is it? That is their rumored, untested magical ability? Were the waters healing before the Golub came, the confusion of what Yas and her mom do and the arrival of the tree seem a bit inconsistent. Yas feels electricity when Raf is around it is mentioned a few times, but never explored.  We are told that Jake hates Golub, but does anyone else really?  How can a city that reads like 10 people have its own high school? It doesn’t feel fleshed out, it reads like there are a few families is all, and doesn’t contrast it to when the town was thriving, it is rather stagnant.  I get that bigotry and hate are illogical and the story is perhaps a bit of an allegory for that, but the town has pink and purple waters with healing properties that changed overnight and a group of people arrived through a tree with leaves tattooed on their arms, I don’t see how the magic or the leaf on their inner arm is what is being blamed for Sammy’s death or the water changing.  It is a weak premise.  Even when we learn that Uncle lied, no one seems to get any truth out of him or be determined to figure stuff out. It is a bit hard to believe no one ever looked at the beach at night, and what exactly are the Weepers doing?  Some history or back story about Moonlight would be great to explore. Are Golub and humans different in any way? What was the cause of death of Raf’s dad? Absolutely nothing set out by the book is resolved, nothing is learned, no characters grow, the only closure is that Raf and Yas have told each other how they feel, and the Golub have learned that they can travel further than 40 miles from their tree, that is it.

I do like the mix of names of the characters coming from different cultures all existing without othering or explanation. I like that the slow burn angst is clean, it is nothing a 14 and up couldn’t handle, even if it is a bit obvious.

FLAGS:

Magic, a gay couple own the movie theater, there is some angst, a couple of kisses between Yas and Raf, bullying, premonitions, family fighting, lying, sneaking, romantic hetero affection.

TOOLS FOR LEADING THE DISCUSSION:

There is no Islam and the plot is centered around two teens’ feelings for one another so I would not host this as a book club, nor would I really want to do so.  But, if I knew there was a a group of people gathering to discuss this book, I would totally join in to see if any insight to all the unanswered threads could be resolved.

May22

Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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It is quite remarkable in the course of 40 pages that so many themes, layers, emotions, windows, mirrors, and relevance can radiate with ease and entertainment for children four and up.  The authenticity of the text and illustrations create tangible feels in this book, that months after reading it for the first time, I am still moved to tears, both inspired by joy and as a cathartic release of being seen.  The true mastery is that even if you are not Muslim and cannot relate to the nervousness of praying publicly, you understand Muhammad’s hesitancy and feel for him as he battles not just finding a place, but watching onlookers reactions to his father, police proximity, and being brave enough to push yourself even when you are scared.  Usually when asked what my favorite book is, I stumble to narrow it down to just one, but truly this book has raised the bar of not just traditional publishing representation, but Islamic/Muslim literature across the board.  It is a gift to read, to share, to enjoy, and a blessing that such an unapologetic book is available so widely for our children to connect with, and our non Muslim friends to see us through.  Please spend time with this book and make it available to your children, your students, your community, it really is that good, alhumdulillah.

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It is Muhammad’s birthday and he is seven, “Old enough to pray five times a day,” his father gifts him a prayer rug, and  Muhammad is ecstatic.  He makes wudu that night and offers salat with full attention.  He says the Sunday school words and shares his most wished for wishes to Allah swt, not even letting little sister, Maryama distract him.

After Fajr the next morning, he is determined to find a secret place at school to pray Dhuhr. Daddy doesn’t need secret places, if prayer time comes he pulls his ice cream truck over and prays on the sidewalk, “never delay salat.”  At school, Muhammad heads to Mrs. Baker to ask for a place to pray, but his confidence waivers and he returns to his seat.

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Anxiety about where to pray has him looking for spots throughout the morning, but when recess comes he finds he can’t take the prayer rug out from under his jacket.  He lingers when everyone returns to class and rushes through the words and motions in the coat closet.

That evening he is with his daddy in the ice cream truck and the sunshine and smiles pour out of the two.  When the sun sets it is Maghrib time and Daddy heads to the sidewalk to pray, reassuring Muhammad that he can pray at home.  Muhammad watches his dad and various events spur him to make his decision.

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I love love love the way salat is approached with love and excitement and that the dad embodies safety and joy and does not pressure or force Muhammad.  The relationship is beautiful and allows for worship to be seen as both personal, as well as obligatory and merciful.  The duo also show a great parent child dynamic that warms the heart.

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I like that there really isn’t any “hate” given to anyone praying, it is hinted at, people do not understood, but the focus is not on the outside bystanders- it is what Muhammad thinks and feels.  I’m fairly certain every Muslim who has prayed in public has encountered a wide variety of responses, and this book keeps the gray to reflect and spark conversation.  It is often met with ignorance, with hate, with aggression, but it is also met with respect, apathy, and curiosity which the text and illustrations allow for.

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There is so much love and joy in the book as well as identity, that I don’t mind one bit that my littles ask me to read it over and over.  It is perfect for groups, one-on-one, and I cannot wait to share it in a story time, there is also an incredibly informative and heartfelt Author’s Note at the end.  If you haven’t preordered it yet, the book releases on June 6, 2023, please pre order it and signal the support for this book and future books that center authentic Muslim joy, Black Muslim representation, and OWN voice author and illustrator accuracy.  Request it at your library, put it on hold at your library, check it out, read it.  If you cannot preorder it, still purchase it when you can, inshaAllah it will be a beloved book in your home as well.

Apr24

Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

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Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

There was a time in college when my friends and I would gift each other Cinderella retellings and versions from all over the world, that was nearly 20 years ago, and I haven’t thought much of it, until this book reminded again of “This is the House that Jack Built.” Having just read and reviewed “The Masjid that Kamal Loves” which is structed similarly, I can confidently say forget Cinderella, I’m loving this new trend, of a repetitive layered story conveying love and excitement and joy to little readers in such an engaging way. This book has more of a story than the original and shows relationships and longing, even though it is primarily a love letter to Cairo.  The swapping out in some verses for Arabic words and English translations, the sound affects and the connections really elevate the OWN voice details in the text and make the book an absolute treat to read and share even for those of us who are not Egyptian and have never visited.  The Auntie who visits wears hijab, the muezzin calling Allah u Akbar is a repeated refrain, their are numerous illustrations of women in hijab and a masjid is shown repeatedly throughout allowing Muslims everywhere to feel seen with this culturally specific story.  The Glossary with the Arabic script and pronunciation guides and Notes from the Author and Illustrator really radiate with love and invite the reader to participate in the celebration on the pages.  I have no doubt children (and their parents) three and up everywhere will fall in love with the 40 page story and delightful illustrations.

Auntie Fatma comes to visit a little girl’s family from Egypt and brings sahlab and changes for two weeks to the home.  Arabic is spoken, and a nightly lullaby of the sounds of Cairo are among the beloved additions to connect the little girl to her Auntie and her culture.

The lullaby begins with the sound of the Nile, the boats floating through the city, the athan calling to prayer, the carts on the streets, the traffic.  The halawa ya battekh, swish, swoosh, swish, Allah u Akbar, beep honk toot, all add layers to the bustle of the city as the little girls memories of the sights and sounds of Egypt soothe her to sleep.  When it is time for Auntie to return the little girl’s sadness is palpable, but Auntie finds a way to reassure her and all those that have drunk from the Nile and long to return.

It is hard to say if the text adds to the illustrations or the illustrations to the story, both combine to make this book impossible to read without smiling.  I love that the mosque is shown in the daytime and at night implying that the call to prayer is not a one time thing without articulating that Muslims pray five times a day. I don’t know if the author identifies as Muslim or if the inclusion of the athan and Allah u Akbar is just an environmental reality of Egyptian daily life and thus featured.  The illustrator could have very well added the hijabs on his own as there is nothing religious or explanatory in the text.  Perhaps it is worth noting that there is a dog in the family’s home that seems to sleep with the little girl.  The book is a cultural heartfelt portrayal, and that Islam is prominently featured so beautifully made for a lovely surprise.

I hope you will consider preordering the book here, requesting it at your library, and sharing it on classroom and home bookshelves.  Happy Reading!

Apr17

The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

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The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

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I don’t normally post about upcoming releases this far in advance (2.5 months), but I am hoping that if I share the link for preorders, I just might help in signaling to the traditional publishing world that books like this are so so so important and that we will support unapologetic, well written, Muslim centered, Muslim and Black joy featured books with our purchasing power.  This book is incredible for toddlers to early elementary in its “This is the House that Jack Built” format.  Muslim kids will giggle with excitement as they see themselves happy to see their friends at Jumu’ah, flinging shoes a little too hard before entering the musallah, splashing a bit when making wudu, playing while helping put out the prayer rugs, and getting a little wiggly or tired during the khutbah.  The happiness and love radiates off the pictures and through the text that even non Muslim readers will feel our connection to our Masjids and the prayers that occur within.  Muslim authored, Muslim illustrated, masjid not mosque, and a beautiful Author’s Note, makes this book a must have on every shelf where young children need books that mirror their experiences and provide windows into the beauty of Islam.

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The book starts out describing Kamal’s smile and offering the reason for such joy as being Jumu’ah at the masjid. It then starts with describing the masjid and all that is contained with the lines adding on the refrain of “the masjid Kamal loves.”  The friends, the shoes, the feet, the rugs, etc.. Terms such as imam, ummah, salaam are in the text and the illustrations show wudu, salat, khutbah, conveying a Jumu’ah experience.

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Each page is brightly illustrated across horizontal orientated scenes.  The expressions on the kids faces, are engaging and smile inducing and the lyrical text has a rhythm and strength that makes you feel proud to also have a masjid to love like Kamal.

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I have an arc, but have preordered a copy for myself here and hope you will do the same. Please also request your public libraries to order it, and if they have already you can place the book on hold, inshaAllah little steps to show support.