Category Archives: OWN Voice

My First Book About Salah: Teachings for Toddlers and Young Children by Sara Khan illustrated by Ali Lodge

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My First Book About Salah: Teachings for Toddlers and Young Children by Sara Khan illustrated by Ali Lodge

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Looking at the books in the series, reading them to my children, getting the latest one delivered to my doorstep: every step along the way makes me smile, alhumdulillah.  The soft warm illustrations and impressive amount of information lovingly conveyed in board book form really makes the series a staple for young children.  The newest addition to the series is about Salah, and I love that the framing is that prayer is a blessing, it doesn’t open with listing the five daily prayers, it begins with Isra wal Miraj.  It sets the tone that prayer is special and beautiful and a gift.  It does eventually list the five required prayers, the words of the athan, Fatiha in English and Arabic, steps of wudu, and parts of salah, but the way it is woven together is seamless and so much more than just lists of information.  With ayats from the Quran sprinkled in, the book flows from one focus to the next, leaving the end as always, for facts and questions.  Appropriate for ages two and up, this 26 page board book can and will still inspire and teach older kids.

The only pause this book gave me were the illustrations.  There is not a single page where the people praying are standing shoulder to shoulder, foot to foot.  I could see if in a few pictures the creative liberty, or Covid reality manifest itself in the pictures, but whether it is a family praying, or people in a masjid, there is a gap between the individuals, and that seemed off to me.  Additionally because of the spacing in all the pictures, the pictures where perhaps the people are not praying together, but are just shown to be making tasleem or the illustration that all Muslims of all colors and all professions and all abilities pray, it almost seems to show men and women praying together.  I don’t know that the toddlers in the audience will notice, but perhaps be aware of it if when reading it to your children.  Aside from that the illustrations show the global faith of Islam and the beauty that we all worship together.

Available to purchase here and I’m sure it will be stocked by Crescent Moon as well.  Oh PS it also comes with a sheet of stickers.

We are All We Have by Marina Budhos

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We are All We Have by Marina Budhos

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In many ways this book reads like a reboot of the author’s 2007 book Ask Me No Questions, there are sprinkled in references to Islamic culture, but nothing about the characters or the author truly show the book to be a Muslim story, or Islam centered.   Much like Ask Me No Questions, the book is told through a female protagonist who is forced to figure out why a parent is detained, what to do now that they are on their own with a sibling, and figuring out why they are being forced to leave America if they are not undocumented, but asylum seekers.  And much like that book, the protagonist is really whiney, entitled, and annoying, as is the mother.  This 256 page middle school/young YA read draws drama from the 2019 Muslim ban and ICE raids, but is more a character based plot than a political focused telling.  Because of the similarities to the earlier published book, and the lack of Islam in the text, and being unclear regarding the faith of the author, I’m just going to write a quick review and move on. The book is a quick read it has flashbacks to Pakistan and in those scenes mentions mosques, Eid, and Ramadan in passing. A few cultural side characters mutter an inshaAllah on occasion and there is a clear #muslimintheillustrations like side character that is remarked to wear a scarf on her head named Amirah, but is barely in the story.  Worth being aware of for younger readers is romance, kissing, making out, between Rania and Carlos, and *SPOILER* that the mother left her husband for another man years earlier.

SYNOPSIS:

Rania is weeks away from high school graduation when an ICE raid casts a wide net and picks up her mother as collateral.  Rania has always known they check in regularly to appeal their status, but with her journalist father killed years earlier in Pakistan, the family fled to America for safety, Kamal was even born in America, it has never been a concern.  As her mother gets taken away, Rania starts to wonder about the secrets her mother has always kept and the truth starts to unravel.  In the process though, protective services takes her and her brother to a shelter where they meet Carlos and escape.  Once on the run, they attend Rania’s graduation, spend months on Cape Cod, gain protection from a congregation at a synagogue all while trying to piece together Rania’s truth.

WHY I LIKE IT:

I like that it touches on the Muslim Ban and the fear that gripped the nation for anyone in the process of being a citizen or trying to travel to the flagged countries.  I wish it would have actually spent a bit more time on that.  The title of the book makes it sound like the family is completely alone and isolated, yet, they are constantly surrounded by people that are looking out for them and sympathetic in their choice not to ask too many questions.  I struggled with liking Rania, when you write a book about people that may or may not have broken a law, regardless of if you agree with the law or not, you really have to make it compelling. You have to get behind the character and their motives, and I never did.  I did not understand why she for example finally finds her uncle or an aunt and doesn’t demand answers, it is like, I’m tired, I’ll nap and we will talk later, no, not believable.  Additionally, I could not get a feel for the younger brother, I get that he is sheltered, but he reads like he is four years old, not that he is in second grade at best, I think he might be in fourth.  Really all over the place.  And the Rania and Carlos relationship, should have stayed awkward.  They at times are like siblings, and when the line is crossed, Carlos even remarks on it, and I think having it be weird, but clear that they have a bond, would have been a much stronger choice.  A lot of the plot holes make the story drag such as what was the problems at the bank for the uncle, but because it is short, I think older readers will get through it. I don’t think I’d suggest anyone read the book, but it isn’t so awful that I would warn too harshly against it.   The characters don’t identify or act Muslim, so when they kiss or lie, it isn’t a reflection on the religion.

FLAGS:

Kissing, lying, running away, making-out. Muslim friend sneaking out, drinking, partying, stereotypical oppressive Muslim dad and meek mom.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that I would throw the book out, but I wouldn’t actively seek to acquire it to shelve either.

The Moon from Dehradun: A Story of Partition by Shirin Shamsi illustrated by Tarun Lak

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The Moon from Dehradun: A Story of Partition by Shirin Shamsi illustrated by Tarun Lak

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I’ve read this book numerous times: sometimes for the text, sometimes for the tone, sometimes to slowly immerse myself in the pictures. I know the basics of my own family’s journey to Pakistan, and this book added to that understanding. I like that it forced me to slow down and to really appreciate what partition was for both sides, from a child’s perspective. Pakistan and India gained freedom from British rule 75 years ago. Nearly every Pakistani or Indian you know today, has a parent or grandparent that lived through it. It is not history from long ago, it is still very much with us, and no I’m not talking about the lingering effects of colonization, I’m talking family stories, and loss of property and wealth, memories of the journey, the terror, the fear, the relief, the determination. This book is one story, perhaps the first mainstream published in the west, of one family’s experience. There could be a thousand more books and they would all be different, all powerful, all reflective. I love that this book is Pakistani authored, Indian illustrated, I love that it offers pages with no words at all. I love that a child’s perspective for such a monumental event is told for other children. There is a lot there for desi readers to unpack, and consider, there is also a lot there for non desi’s to be made aware of, and I hope that you will seek out this book no matter who you are, and share it.

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The book starts with excitement from Azra about an upcoming train ride, even though her family has lived in Dehradun, at the base of the Himalayas, for generations. Suddenly though there is yelling outside because people are afraid, and her Abba runs in saying they have to leave now. Ammi, Abba, Azra, and the baby “Chotu,” rush out the door, leaving the cooking dinner still on the stove. When they get to the train, Azra realizes she has left her beloved doll, Gurya behind. They cannot go back for her.

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Azra blames Chotu, for making her forget her doll, for taking her parent’s attention, yet as the days and nights on the train reveal tired people, sad faces, and fear, Azra finds comfort in her little brother’s embrace.

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When they arrive in Lahore, they are met with food, and shelter. They are given a house that looks like the owners left in the same manner that they had to flee. There are balls of dough with a rolling pin, laundry strewn about, and even a doll left abandoned under a bed.

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The book concludes with a map, a glossary, and an informative author’s note addressing pre-partition, partition, and the author’s own family story. There is hardship and frantic upheaval, but peace and welcome too. The illustrations illuminate the text and show the powerful emotion when words sometime simply don’t exist.

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The book is not political or even religious. There is an Indian flag when they leave and a Pakistani flag when they enter, there are sounds of athan, and packing of a rehl, and a comparison to Eid, and the doll at the end has a bindi on her forehead. The book does not make one side out to be in the right or in the wrong, if you do not know that partition of the subcontinent was a mass migration based on religion and the chaos further exacerbated by the British, this book will not spell it out for you.

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I preordered mine here and it can now be purchased from all major book sellers.

Ida in the Middle by Nora Lester Murad

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Ida in the Middle by Nora Lester Murad

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Ideal for middle school readers (upper mg/lower ya), this magical realism book takes readers from middle school in American to a Palestinian village outside of Jerusalem through the consumption of some magical olives.  Written by a Jewish author married to a Palestinian Muslim who raised their three daughters in Palestine, the book features a lot of Islam, but is Palestinian centered in its insight, critique, culture, and dreams.  Over 224 pages, Ida starts to find where she fits in both in understanding her self within her family, her place in America, her passion in life, and what it means to be Palestinian.  The story is important, and is told in a way that will encourage readers to learn more about the occupation.  Nuances are shown in characters and groups, but the line that the occupation is oppressive is never compromised.  I appreciate that the author writes from her own experiences and openly acknowledges that she is not trying to take away from Palestinian born and raised OWN voice stories, but she is an advocate, she has raised her children and lived in the West Bank, and her characters reflect a sense of intimate knowledge, love, and appreciation.  Even with Ida having to decide to stay in America or Palestine, the two countries are not pitted against each other or seen as black or white, as to which is better or worse, the middle is where much of the story takes place, and appreciating your culture no matter how much others are trying to erase your existence, is always stressed.

SYNOPSIS:

Ida is the middle child of her Palestinian immigrant family and isn’t artistic like her younger sister, a ballet dancer like her older sister, or a soccer player like her father.  She wishes she was invisible.  Especially when her classmates turn on her every time there are conflicts in the middle east.  When it seems that everyone wants to diminish her heritage, she finds herself at a new school, unsure of where she fits in.  With anti Palestinian attitudes and Islamophobic people, Ida just wants to go unnoticed, unfortunately middle school requires a passion project to be presented and Ida has no idea what her passions are, and how she will face the crowds.

One day when looking for a snack she finds a jar of olives stuffed in a cupboard- olives brought by a family friend from her now deceased aunt in Busala, one bite and she is magically transported to the familial village.  It is an alternate reality of what life would be if her parents never came to America.  Not only is she in a country she has never seen before, meeting family members she has never met before, but even her own parents and sisters are somehow different.  She enjoys the warmth, the communal activities, the extended family.  Her mom in hijab, the athan being heard, the men all going for jummah, but then they sit down for a meal and the same olives are served and Ida accidently takes a bite and is whisked back home.

Once home, she longs for so much of Palestinian life, but relishes in the convenience and ease of America as well.  Her passion project still looms and she finds herself hoping to escape it by going back to Palestine.  When she finds herself back near Jerusalem she ventures out with her Aunt, who isn’t dead in this reality, and learns more about the occupation and oppression, and how the families interact with the various Israelis: some sympathetic to Palestinians, some actively working to help Palestinians, and some settlers- forcefully killing and bulldozing Palestinian homes.

When Israeli military troops enter their village, the families meet to discuss the best course of action, the families do not agree, there is no clear way to prepare, there is no guarantee of survival.  Ida starts to find her voice, and when the soldiers enter, Ida finds herself rushing out to help a small boy. Guns, demolition, rocks, tear gas, fear, so much fear, what can one person do? What can one village do?  What will Ida do?

WHY I LIKE IT:

The book is relatable and moving, not just for those with a tie or interest in Palestine.  It is a coming of age story that shows a girl grappling with forces so much bigger than herself, while at the same time dealing with homework and friends and stereotypes.  Ida has a lot to figure out and the book doesn’t sugar coat a happy ending, it simply provides a moving story based on reality, through a character whose quirks and personality you find yourself rooting for.

I love the presence of Islam and the way it is apart of Ida and her surroundings, even though she makes it clear early on that her family is not religious.  The Quran is mentioned, the athan, various salat, hijab, Hajj, Ayatul Kursi, Ramadan, Eid, wasting food as being haram.  In Boston her friend knows she doesn’t eat pork, she went to Sunday school to learn Arabic at the mosque when she was younger.  It doesn’t gush with Islam, but it is present, for example Ida’s sister and her joke about a good Palestinian girl shouldn’t have a boyfriend, it isn’t tied to their religion. The story is a Palestinian one, and as someone who is not Palestinian, the images, the foods, the smells, the love all seemed to embrace everything I’ve ever heard Palestinian friends talk about, and it feels like a warm hug to read the effects being in Palestine has on Ida.

I love that the author is upfront about her perspective, and I love that she is putting this story out there.  The writing is sufficient: I was invested in the story, and it was an easy read. I don’t know that I’ll remember it months from now for it’s imagery or power, but I’m certain I’ll remember the commentary about life under occupation and the struggle to not be erased by a world that doesn’t seem to care about the settlers still taking Palestinian homes and their way of life away by force.

FLAGS:

Fear, crushes, death, injuries, loss, magic, bullying, racism, Islamophobia, guns, physical assault, threat of force, destruction.

TOOLS FOR LEADING THE DISCUSSION:

Our school is majority Palestinian.  Years ago when we read Where the Streets Had a Name, I learned so much about the students, their families, their own experience living under oppression, that I can’t wait to present this book with the middle schoolers and take notes on their thoughts.  I would not lead the discussion, I would let them, their voices will not be erased by me.

Preorder available here: Amazon

Dear Black Child by Rahma Rodaah illustrated by Lydia Mba

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Dear Black Child by Rahma Rodaah illustrated by Lydia Mba

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This beautiful 32-page picture book by Muslim author Rahma Rodaah radiates joy through the text and illustrations.  The powerful and lyrical words on the page inspire confidence to take up space and encourage celebration through their messaging and tone.  My three-year-old enjoyed me reading it aloud, it kept his focus and his interest, and my seven-year-old read it over my shoulder and then numerous time on his own.  The sway and images painted by the text are so well refined that you could truly read this book a dozen times and still be moved by the passages.  The illustrations compliment the author’s message in their reflection of Black children of all shapes, sizes, shades, and mobility.  There is even a visibly Muslim woman in hijab (#muslimintheillustration) that looks like the author herself.

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I look forward to sharing this book with various story times in the community, in my children’s classes, and in regular rotation at my own home.  Framed as a letter to a beautiful Black child, the book speaks to “you.”  It starts with encouraging you to stand in your own light, take up space, say your name proudly, and proclaim your native tongue.

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It inspires the Black child to speak confidently, roam freely, to be rooted, yet move swiftly. To write the books and tell the stories that only they can tell, and to trust their inner compass.  It also reassures them that they are not alone, that there are those that will always help, always cheer them on, and remind them of their glory.

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The book is as powerful as it is beautiful and I hope it finds a home on every classroom, library, and home bookshelf.  I purchased mine here.

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The Girl Who Lost a Leopard by Nizrani Farook

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The Girl Who Lost a Leopard by Nizrani Farook

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This stand alone middle grade read by Muslim author Nizrana Farook is similar to her first two books about an elephant and a whale in that it is set in Serendib a long time ago and revolves around a beautiful wild animal and clever, endearing, determined young children. This actual story is an easy read at 203 pages (the end of the book is the first four chapters of one of her previously published books).  I think seven and eight year olds will enjoy getting to know Selvi and the beautiful leopard Lakka that she considers a friend.  For me the ending took an odd turn that seemed out of place, but up until then I was enchanted by the lush imagery, sheer determination, and sweet friendship shared within the pages.  The main character is not Muslim, but presumably some of the side characters are with names such as, Amir and Salma.

SYNOPSIS:
Selvi and her mother live in a small home on the mountain.  Most days she runs wild with a golden leopard she has named Lakka.  She keeps her distance, but there is a pattern to their interactions, and when Selvi’s mother finally allows her to go to school, and she finds the other children unkind, Lakka becomes her only friend.  One day poachers are on the mountain hunting not just any leopards, which are protected by the queen, but the rare golden one that is often seen in the area, Selvi tries to interfere.  And before she knows it, they are after her.  She hides near a home, and when the poacher’s come looking for her, she is at the mercy of Amir to lie and say he hasn’t seen her.  Amir is a classmate, a mean one, but he has seen her before with the leopard, and suddenly Lakka is not so alone.

Between making friends at school, battling her uncle’s rules to start behaving more ladylike, and keeping a leopard safe, the adventure is fast paced and the story entertaining.

WHY I LIKE IT:

I love kids outsmarting adults and saving the day, it makes for good story telling.  I don’t want to spoil the ending, but I really felt like it was forced.  I truly do not understand why the children needed to take a drugged Lakka to the port and back.  Why not leave him with the new friends and go to the port without him? He is a wild animal, we have been given reasoning for so much of the human animal interactions to be believable, that this seems to be negligent.  So much could have gone wrong and for what? There was no need.  The kids wanting to see punishment handed out is motivation enough for them to make the journey in my opinion.  Sigh, I don’t know that younger kids will be as bothered as I am, but I think fourth graders and up will definitely question it and be confused.  I also don’t know that I have ever seen the sneak peak of another book included at the end, being for a book previously published.  Aren’t they usually for upcoming releases? Either way, it seemed to make the last portion of the book deflate a bit for a story that was engaging, entertaining, and hard to put down until then.

FLAGS:

Lying, poaching, abuse, threats, killing, animal cruelty, bullying.

TOOLS FOR LEADING THE DISCUSSION:

This would be a fun read aloud in a classroom or at bedtime.  The short chapters have little illustrations above the headings that hint at what is to come, and the writing style is perfect for short blocks of time.

The book is available on Amazon

Tittle Tattle Talia: A Story about Gossiping by Salwah Isaacs-Johaadien illustrated by Zeyneb Yildirim

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Tittle Tattle Talia: A Story about Gossiping by Salwah Isaacs-Johaadien illustrated by Zeyneb Yildirim

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I really enjoyed this Islamic moral book about gossiping.  Over the years I’ve taught a few Sunday school lessons, class lessons, and even hosted story times on the Islamic cautions regarding backbiting, and honestly I don’t think kids really grasp how easy it is to commit the act and be a part of it.  They understand they shouldn’t do it, what the punishment is, and that it is bad, but I don’t know that the materials I’ve used and seen, have really connected with younger kids without a lot of supplementing; and this book highlighted that we really can be messaging better on a child’s level.  The pages are incredibly text heavy, but neither I nor my audience seemed to mind until close to the end, because of the comedy and relatability of the story up to that point.  I think the coach getting overly involved took it back to being a lesson from adults and broke the child perspective tone.  I do love that the kids that listen to the gossip are also held accountable, the importance of the coach’s message clearly is important, but the story telling quality would have benefitted from a few tweaks.  The illustrations are cute, unfortunately the font is not very appealing.  I do like that the salwat is given in Arabic, and that Hadith are mentioned in the text as well as in the backmatter with an author’s note.

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The story starts with Talia owning that she loves to share tales about the people around her, before telling one to her older sister.  Her sister tries to stop her and tells her that she needs to watch what she says or she might one day have to eat her words.  Talia wonders what eating your words means.  Similar situations occur between Talia and her brother, her mother, as well as her father.  Each time the story is reprimanded and a funny euphuism remarked upon and then giggled about by Talia.

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At school she does the same, telling stories, often at the expense of a boy named Ahmed, and the more interest the other kids show, the more outrages her tales become.  She soon starts telling them about everyone, and her classmates and friends grow weary and fearful that they might be next.

It all comes to a climax when Talia’s classmates say enough is enough and stop talking to her, and go as far as refusing to pick her when picking teams, and playing with her at all.  The coach concludes then that the match should be cancelled and Talia should apologize.  The cancellations seems extreme, and the forcing to apologize almost takes away from the emotional realization that her “tales” have become bullying.

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As Talia leaves, her classmates gather up and she sees Ahmed not joining them.  When she gets to her front gate, her friends catch up to her and apologize and acknowledge their roles in perpetuating the gossip.  Talia then goes to find Ahmed and get him some ice cream to apologize.

I don’t quite think the friends needed to apologize, I think they should have just realized their role, I think with discussion it might be clarified, but I worry that it defers Talia’s ownership of wrong doing, and could send some mixed messages.

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It is also a little pausing that Talia makes up a story about why a girl wears hijab, when her own mother wears hijab and she is clearly Muslim.  On the one hand, I like that it shows how ridiculous her tales have gotten, but it also could seem like she is falling for a stereotype as well.  There is good rep in the illustrations of those that cover and those that don’t, there is a child in a wheelchair and lots of shades of skin colors and hair types.  The text also contains traditional Islamic names and some that are not.

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The book helps our children to be better and the story engaging enough to be memorable, that while I wish it was cleaned up a better to strengthen the writing, I do find it a benefit on a shelf to be shared at bedtime, in classrooms, in story times and as a reminder to not participate in gossip or listen to it.

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Egypt by Aya Khalil illustrated by Magda Azab

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Egypt by Aya Khalil illustrated by Magda Azab

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This sweet board book is part of a series, the other two books are Japan and France, releasing in October.  All are brightly illustrated, 20 page books for ages zero to four and take the littlest of readers into a country, through sights, experiences, foods and language.  This particular book does not feature any visible #muslimsintheillustrations but the author is Muslim, and so I am reviewing and sharing it here.

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The framing of the book is a day in the life of a little girl, who wakes up with bosas from her mama and baba and greetings of Ahlan.  Some of the words are written in Arabic script with the English transliteration and pronunciation provided, other times it is just the English transliteration of the Arabic with the pronunciation asterisked and written smaller immediately below the text.

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Once she is awake, she gets dressed, brushes her teeth and is off with her baba to buy pita and ful.  The busy street offers sights to see and fruits to pick from.  She ponders and asks herself and the readers which one to choose.

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At her Teita and Geddos there is dancing and tabla playing before walking back home along the Corniche.  Dinner is served and bedtime has arrived. The book concludes with a summary of her day linking the Arabic words to the illustrations and English meaning, as well as some pronunciation tips for the Arabic sounds.

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As a Muslim reviewer I had to hope there might be one hijab clad woman in the illustrations, I know many Muslims don’t cover and Egypt is diverse, but considering the lens I review from, I feel obligated to state that opinion.

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A little more critically, I was a bit surprised on the page with the colorful boats that the color names yellow, blue, and purple, were not included in Arabic and only in English.  Seemed that would have been an naturally and easy inclusion.

Overall, the book did a good job of celebrating Egypt without over explaining, keeping it bright and engaging for toddlers.  I really like the language being shared in a story context, not just a book with a picture on it and words in different languages.  I also liked that while the details were Egypt specific, there were also pages that were universal.

Available for preorder and purchase here

Marya Khan and the Incredible Henna Party by Saadia Faruqi illustrated by Ani Bushry

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Marya Khan and the Incredible Henna Party by Saadia Faruqi illustrated by Ani Bushry

I thoroughly enjoyed the voice and playfulness of this 144 page early chapter book.  Mary Khan is a hoot as she navigates third grade, her Pakistani-American family, and the politics of birthday parties.  There is not a lot of Islam sprinkled in, save a few salaams, but the mom and Dadi wear hijab which is mentioned in the text and in the illustrations. Culture is presented warmly and her current stresses are not tied to her faith or background.  There is mention of witches and churrails, and she calls her sister one too, some lying, and numerous over the top efforts to be helpful as “Operation Help the Khans” is put in to action.  Nothing a first or second grader won’t be able to handle or understand, and a great series in between the author’s Yasmin books and her Must Love Pets series.

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SYNOPSIS:

Marya’s birthday is two days after her neighbor Alexa’s, her rich spoiled neighbor who is also in her class, and in her seating group.  The youngest of three kids Marya often feels that no one listens to her, and her wanting a birthday party this year, is met with the same dismissal in her eyes.  Aliya is a teenager and Salman, who she calls Sal to her grandmother’s chagrin, is in 5th grade, so Marya often finds herself hiding out in her Dadi’s room watching dramas in Urdu that she doesn’t really understand.  When she sees a birthday on the screen with henna, a band, and an elephant, Marya doesn’t want just any old party, she wants it all. 

Every year Marya’s best friend Hana comes over for pizza, cake, and a sleepover, but when Alexa hands out beautiful invitations to everyone at school, Marya says she too is having a party, a henna party.  Hana knows something is up, but it is full steam ahead for Marya as she devises a plan to convince her family to allow it to happen. With her mom’s flower shop busy with an upcoming wedding, there are lots of ways that Marya can help around the house, and then her family will have to let her, right? If only something could work out as Marya plans.  Then to top it all off, Marya starts to feel bad for the annoying Alexa and in a moment of kindness invites her to her party. It will just be boring pizza and cake, but if Marya can be nice to Alexa, perhaps anything is possible, and there might be more surprises in store for them all.

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WHY I LIKE IT:

I love the vocabulary calendar words thrown in and the fertilizer smell that permeates all.  The story line might not be the most unique, but the silly disasters and the spunk of Marya make her endearing and the book enjoyable.  I love that the stress isn’t her culture or religion, she is a Pakistani American Muslim and she has concerns that all kids have, everywhere.  I also love that the mom owns her own flower shop and is passionate and successful in her work.  

One thing I didn’t quite get was why henna is called henna in the book and not mendhi? There are desi food names included, I wish it would have also maybe had a conversation in the book explaining that it is called mendhi in Urdu, but they are calling it henna.  I love that Dadi doesn’t like Salman’s name getting shortened and that mom’s hijab is remarked upon in a normative way. 

I probably shouldn’t like the comments that Marya makes about her sister, but I laughed, and yes she is cheeky, but it is funny and love filled, I hope. She also makes mean comments about Alexa, but the growth arc shows improvement and reads real.

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FLAGS:

Name calling, lying, teasing, mention of jinn, birthday, bands.

TOOLS FOR LEADING THE DISCUSSION:

Too young for a book club, but definitely preordering for the school library.  

Thank you to Netgalley and Amulet Books for the arc.  You can preorder your copy HERE

 

Mona’s Scrapbook Adventure by Nouha Deliou illustrated by Kadhima Tung

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Mona’s Scrapbook Adventure by Nouha Deliou illustrated by Kadhima Tung

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Algerian culture, as far as I’ve seen, is incredibly underrepresented in western literature and not represented at all in children’s books.  I love that this author, who felt the same- did something about it.  This 40 page colorful story incorporates Algerian traditions and culture with universal themes of sibling love, wedding excitement, and being sad about change.  The OWN voice warmth shows Muslim characters in America holding to traditions and making new ones.  The book is long, but is not text heavy.  For toddlers and preschoolers up to second grade, I can see readers enjoying the detailed descriptions of the dresses and foods, and feeling the feelings of little Mona as her beloved older sister prepares for her wedding and ultimately leaving with her husband.

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The book starts on the morning of the big day, Layla’s engagement.  Mama explains to Mona that the Imam will do the kitab and that her older sister is excited because she has known Ahmed since school and likes him a lot.  Once dressed Mona watches Layla get ready in traditional Algerian clothes.

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When Ahmed and his family arrive, he and Layla announce that after the wedding they will be moving from New York to Arizona.  Mona is devastated, as the women start to zaghreet in celebration. She wonders if she can go with them, but decides she can’t leave her parents.  Later that night, Layla and Mona chat and decide that Mona will help plan for the wedding and they will make a scrapbook.

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Over the next few months, clothes are bought, cakes are tasted, flowers are decided upon, and Arayech is made.  The night of the henna is fun, but then it is the wedding, and then time for Layla and Ahmed to go. Happy tears and promises to always be connected conclude the story before a scrapbook page for the readers is revealed to make their own designs.  That is followed by a glossary, and information about the author and illustrator.

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I love the detail about the different cultural and regional Algerian dresses in the illustrations, the Algerian traditions shared through the text, and the connection between the two sisters. The book is available in hard back or paper back and I got mine from Crescent Moon Store  

https://crescentmoonstore.com/products/monas-scrapbook-adventure?sca_ref=1601585.fIPhoqtScY