Category Archives: Historical Fiction

Jun29

Mae Among the Stars by Roda Ahmed illustrated by Stasia Burrington

Posted on June 29, 2020 by islamicschoollibrarian

Inspired by the early life story of astronaut Mae Jemison this 36 page AR 3.0 children’s picture book is inspiring and encouraging. It is not a biography of the first African American woman in space for children, infact with the exception of the note at the end, there really are very few specifics about how she went from being discouraged by a teacher to flying in outer space. That isn’t to say the book isn’t beautiful and impressive, because it is, and it shows how no one should limit your dreams or your success. The book radiates warmth and determination and for children, preschool to third grade, if desired, offers a way to start a discussion about racism and sexism all while celebrating the amazing accomplishments of Mae Jemison.

Mae is a dreamer and her homework one day asks her what she wants to be when she grows up, she tells her family she wants to see the Earth from up there, pointing to the sky. Her mom tells her that she will have to be an astronaut to do that. Nervous that it might be too lofty of a goal, her family reassures her that if she can dream it and believe it and work hard for it, that anything is possible.

From then on, Mae reads books about space from the library, plays pretend, and makes herself a space suit from old curtains and a cardboard box. She dreams about being in space and looking back at Earth, and she tells everyone she can about her dream to be an astronaut.

At school when the teacher asks what everyone wants to do and be in the future, Mae’s answer gets her laughed at. Ms. Bell tries to encourage her to be a nurse instead. Once home, Mae breaks in to tears that her teacher didn’t believe in her. Mae’s mom tells her that her teacher was wrong and that she hoped Mae didn’t believe her. She told Mae that no one could stop her from pursuing her dreams.

With her family’s unwavering support and a lot of hard work, Mae goes to space. The book ends with her keeping her promise of waving to her parents and looking down on Earth.

The book touches on a lot of powerful issues that I really hope adults will point out and discuss with their children. Why her teacher didn’t think she could be an astronaut, not as a belittling of the nursing profession, but as a woman of color what would make her teacher think that was her best option. When and how should we handle when teachers, or people in authority, do or say something that we disagree with. I also hope that the note at the end that tells more about Dr. Jemison’s accomplishments is poured over again and again and again and appreciated. Truly she is a hero!

There is nothing Islamic in the book, I’m assuming the author is Muslim, but honestly I didn’t find anything in my Google searches that would indicate that she is or isn’t. It is really just my assumption about the name and my wanting to share this inspiring story with beautiful illustrations with the people who frequent my blog. Enjoy!

Jun5

Mad, Bad, and Dangerous to Know by Samira Ahmed

Posted on June 5, 2020 by islamicschoollibrarian

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Mad, Bad, and Dangerous to Know by Samira Ahmed

I really should give up reading Samira Ahmed books. This is the third one I’ve read, and while she is definitely getting better, I still don’t know why her editors don’t fix her flat notes. Like in Internment, the premise in this book is amazing, but other parts are just cringe-y and painful and really, really unnecessary. My guess is, she would identify herself as a romance YA author, and yet consistently in her works, that is the most lacking part: the character building and forced romances. The art history mystery, the inspiration and “real” life of the characters from the past, the setting of Paris in the summer, the fight for woman to be heard are all so well done and compelling and interesting that this romp that blurs fact and fiction might deserve a read, but you have to overlook the forced love triangle, excessive kissing, be willing to suspend reality regarding Alexandre Dumas, Eugène Delacroix, and Lord Byron, artifacts and sleuthing, but if you can do all that, this 337 page book for 9th grade and up, is definitely fun and hard to put down.

SYNOPSIS:
The protagonist is 17-year-old French-Indian-Muslim-American Khayyam, who is spending her summer in Paris with her professor parents like they do every year. But this year is different as she is being ghosted by her boyfriend Zaid back in Chicago and has just been humiliated by her poor research attempts to link a missing painting from artist Delacroix to author Dumas in an entrance essay competition to her dream school. Khayyam’s story is really just beginning though as she steps in dog crap and bumps into a descendent of Alexandre Dumas as she wipes it off. A cute descendant, who shares the name with his distant grandfather, and viola’ the two of them are off on a whirlwind adventure of clues and attraction and mystery solving.

Khayyam’s story is interwoven and told between small glimpses of Leila’s story. Leila is a Haseki, a chosen concubine of the Pasha in Ottoman Turkey, but the lover of Giaour and friend of the jin. As we learn her story from 200 years earlier and her struggle to break free of her gilded cage in the harem, only to be defined by the artist and poets and author men around her, her story and Khayyams collide.

WHY I LIKE IT:

I know precious little of art history, I can name drop a few artists and paintings, but that is being generous, so the fact that I have no clue what is real and what is fake and what is possible, made this story all the more fun and engaging. Yes, I researched, aka Googled, stuff as I read and am perfectly content to accept the fictional what ifs that the book offers. I love how the art world and literary world are one in the book and that they inspired each other. The way the sleuthing, the finding of artifacts, and unraveling of it all is presented is indeed a romp. Realistic? Not a chance, but fun. I also love how both Khayyam and Leila had to define themselves and ultimately not do it in the reflection of a male.

The rest of the book, is a bit of a stretch. Leila’s story naturally has holes in it as it is told in broken pieces, but Khayyam’s story does too. I just didn’t care about her past boyfriend/ex-boyfriend/friend, whatever Zaid is or was, and clearly after moping about him for 300 pages and then not even giving him a proper goodbye, means that the author and character didn’t really care either, which made the already forced, cringe-y annoyingness all the more grating. As for the relationship, the other piece in the triangle, with Alexandre, was fine in that there was angst, but they put it aside to solve the mystery, so it didn’t bother me too much. Of course the fact that Khayyam is a practicing Muslim who seems to have no problems with boyfriends, and making out and that her parents don’t mind either, makes the faith aspect all the more befuddling. I guess practicing might be a stretch, her mom and her go to Jummah prayer on Friday, thats about the extent, and she mentions she doesn’t drink. Zaid, sets up a tutoring program at the masjid, but his instagram has him hanging all over girls too, so not sure why the characters are even Muslim. I suppose it is good to have that diverse representation, but it doesn’t seem to make much necessary sense to the overall story.

FLAGS:

Implied concubine activities, with the Pasha and the lover. Lots and lots and lots of kissing, nothing graphic, but annoying amounts of it being mentioned.

TOOLS FOR LEADING THE DISCUSSION:

I want someone to discuss it with me and point out where the facts end and the speculation starts and when the full on fiction takes over. I don’t think I could use this book as a book club book because of the center stage of the haram romances in both Khayyam’s time and Leila’s. But if you have read it, talk to me about it, I’m curious!

NPR’s Review: https://www.npr.org/2020/04/11/831873365/in-mad-bad-dangerous-romantic-sleuths-uncover-a-byronic-secret

May18

Our Superhero Edhi Baba written and illustrated by Maria Riaz

Posted on May 18, 2020 by islamicschoollibrarian

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Our Superhero Edhi Baba written and illustrated by Maria Riaz

This is a hard review to write. I have been trying to get this book in my hands since it was published and just could not. I’d ask people to bring it from Pakistan, or try and order it on Amazon to find it out of stock. And then finally I was fortunate that my cousin was able to purchase it for me, get it to my dad who was visiting Karachi, my dad then mailed it to me within the U.S. and voila a book that sells online for $15 (and is currently in stock) in my hand for RS 475 (less than $3), I mention this because if I had paid $15 for a 7×7 inch book that has only 16 pages, I’d be grumpy. Having paid less than $3 (plus shipping) and involved multiple family members in the process, if I’m honest, I’m still a little disappointed with.

The book is beautifully illustrated, the author is the illustrator so why not make the book larger, so the illustrations could be appreciated? The book is really short and very vague, even the note at the end could provide so much more about this national hero, his accomplishments, his struggles, his goals, his legacy. And I’m not sure why it doesn’t.

The book is framed with kids presenting superheroes in class: Superman, Hulk, Spiderman, etc., two kids wearing grey shirts and white pants start their presentation about Edhi.

In rhyming lines the kids talk about how Edhi’s mother would give to the needy and how he continued this giving whatever he could spare from a young age. How giving everyday made his heart grow big. He gave to everyone and didn’t discriminate based on skin. It mentions that he started an ambulance service and we should follow his plan of helping and donating.

The note at the end talks about how to donate and how superheroes have big hearts and share not just with people they like, but even people they don’t like. The author then says that she donates money and skill.

The writing is clear enough for the sparse words on the page. I don’t want to critique a Pakistani writing rhymes in British English, because I speak one language, and clearly realize the beauty in being able to speak and write and convey in more than one language, but it is a bit awkward in parts.

The idea of the book is beautiful. Edhi was a humanitarian that needs recognition both within Pakistan and abroad. But, I really wish this book had a bit more substance to it. I think it can get a conversation going with little kids, but older kids will find it very generic, and unless a nearby adult can add to the story, it sadly won’t be remembered.

A portion of the book goes to support edhi.org, but it doesn’t specify how much.

(size reference):

Apr17

Yusuf’s Ramadan Lantern by Jasmin Zine illustrated by Brad Cornelius

Posted on April 17, 2020 by islamicschoollibrarian

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Yusuf’s Ramadan Lantern by Jasmin Zine illustrated by Brad Cornelius

The soft illustrations on 32 pages, surrounded by ample, large, well -paced text for second graders and up give life to a sweet story about a young boy, his grandfather, and the passing on of a Ramadan heirloom. While not a chapter book, and a little too long for little ones to enjoy as a simple picture book, the book may not beg children to pick it up and read it, but if they do, they will enjoy a sweet story that parents won’t mind reading more than once.

Synopsis:

Yusuf’s grandparents have just returned from their trip to Egypt and Yusuf is excited to see them, and receive the electronic fanooz he asked them to bring back. But when Grandpa takes Yusuf outside to give him the gift, it isn’t the modern light up lantern he asked for, it is an old rusty, cracked metal fanooz. Grandpa explains that the old fanooz used to be his when he was a young boy and begins his story of himself going out with his father to wake their neighbors for suhoor in Ramadan. The subtle details of how he would be woken up, how his dad would beat the drum and the song they would sing as they would walk around, keeps the story slow and engulfing. He then tells about returning and eating dates soaked in milk, and bread and fava beans before the white thread of light appeared.

Slowly the little boy, seeing how happy his grandfather is in his reminiscing, realizes that the fanooz he has been entrusted with is far better than the electronic one he asked for. As he walks his grandfather out the door, he is surprised with the gift he originally wanted, the fancy new fanooz. Not excited, his grandfather asks Yusuf what is wrong, and Yusuf, realizes that he likes the history filled one better.

The old fanooz finds a permanent place in Yusuf’s room, and he and his father fix the broken glass and polish up the metal to be regularly lit on Ramadan mornings and remind them all of grandfather as a little boy walking and waking people up before dawn.

WHY I LIKE IT:

I love the subtlety and detail. There are now so many books about the tradition of waking the neighbors up for suhoor, but this one focuses on the bonding of the grandfather and his father as well as the bond between the grandfather and Yusuf. The story speaks of the tradition with the drum, yet somehow it is the lantern that ties it all together.

There is sufficient referencing about Ramadan and fasting to appeal to Muslim kids and inform non Muslims a bit. The book is not preachy, it is cultural and religious in a narrative story sort of way.

My only main complaint is that I don’t know who the target audience is with the long pages of text, and full page pictures. It is a hard book to place. The illustrations are sweet and compliment the story, but in the pictures, Yusuf just seems too young. His ability to appreciate his grandfather’s old lantern verses the electronic fanooz he asked for implies a bit older child. In the pictures he looks like he is three or four years old, a disconnect that often distracted me from the story. I also wish they would have used an Arabic word or title for the grandfather.

FLAGS:

clean

TOOLS FOR LEADING THE DISCUSSION:

It is obviously too short and not the correct format for a book club, but I am hoping to share it at story time. It will be a bit of a challenge for little children to sit through, but I’m thinking it is worth the effort, inshaAllah, bismillah…

Mar23

My Great-Grandmother’s Gourd by Cristina Kessler illustrated by Walter Lyon Krudop

Posted on March 23, 2020 by islamicschoollibrarian

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My Great-Grandmother’s Gourd by Cristina Kessler illustrated by Walter Lyon Krudop

A beautiful story based on a true event in Sudan, this 32 page AR 4.2 book contains lessons about tradition, new technology, village life, culture, family, love, and community. Unfortunately it is one of those books that I doubt any child would pick up and want to read. Meant for fourth graders, there is a lot of text on each page, and the story is not quick and light, it is thoughtful and memorable. The book is a powerful one in opening one’s eyes to a different culture, environmental challenges, and innovations making it an important one for parents and teachers to share with younger children and encourage older ones to spend some time with.

Fatima’s Sudanese village has just installed a new pump, and to show how easy it is to use, Fatima is chosen to try it out first. With all the excitement over new technology, life for the village is about to get easier. No more hauling the water with camels and filling the baobab trees to store the water in for the dry season.

Easier for everyone except Fatima’s grandmother. She refuses to abandon the methods of the past so easily, and independently begins to prepare her tree, her great-grandmother’s gourd. Fatima tries to talk her out of it, and the other villagers mock her refusal to accept technology.

When Fatima hears the neighbor louder than the call to prayer calling her grandmother a fool and laughing at her, Fatima boldly and defiantly joins her grandmother in preparing the tree for when the rains come.

The two dig a circle, a necklace, around the old tree to catch the water in the hard red clay, when the rains come, it catches the water, and when it stops, the two move the water to the inside of the tree with buckets. All the while, the villagers shake their heads at the two hard at work.

When, in the middle of the dry season, the pump breaks and it will be days before it can be repaired, the chief, Ibrahim, declares they must resort back to the old ways and Fatima and her grandma offer to share their water to hold everyone over. “Maybe it’s wise to mix old with the new,” Grandma poignantly notes. The following year the village works together to prepare the trees, just in case the pump breaks.

There is a glossary of Arabic Words at the beginning of the book and an Author’s note about the “Thirst Triangle” and the use of the baobabs or tabaldi trees used to store water.

There is nothing overtly religious in this culturally rich story. The women cover their head, they say “inshaAllah,” the call to prayer is mentioned and they have Islamic names: Fatima, Ibrahim, Musa, Ahmed, Ali, Osman etc..

Dec13

The Chronicles of Bani Israil: The King, Queen, and the Hoopoe Bird by Dr. Osman Umarji illustrated by Sama Wareh

Posted on December 13, 2019 by islamicschoollibrarian

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The Chronicles of Bani Israil: The King, Queen, and the Hoopoe Bird by Dr. Osman Umarji illustrated by Sama Wareh

At 134 pages the fictionalized retelling of Prophet Sulaiman’s (AS) kingdom and interaction with Queen Bilqis comes to life from the point of view of a Hoopoe bird. The book is marketed as a “Quranic fantasy adventure,” which I found a bit misleading. The book is rooted in Quran and Hadith facts according to the author, and colored in to try and tie a story together, but even for 3rd and 4th graders I don’t know that there is much adventure or suspense. As a prophet story it is pretty solid, but as an adventure book it seemed a bit scattered in its attempts to give history, draw in unrelated anecdotes and make it seem intense, when the dialogue suggested otherwise.

SYNOPSIS:

The book starts with the narrator setting the stage to tell his story of being in Prophet Sulaiman’s army nearly 3,000 years ago in the land of Sham. Told in first person and limited to what he saw, the Hoopoe bird (Hud-hud) addresses the reader and begins his tale. He first gives some information about Hoopoe birds and Prophet Dawud (Prophet Sulaiman’s father), before lovingly describing Jerusalem and how the Bani Israil came to the land of Sham.

The first real glimpse of what kind of ruler Prophet Sulaiman is, is given with the detail allotted to how he repaired Masjid Al-Aqsa. The bird then tells of Prophet Sulaiman’s many powers and gifts from Allah (swt), the ability to control the wind, control liquid metal, speak with animals, and of course the Jinn. Slowly, the reader begins to understand how impressive Prophet Sulaiman’s kingdom is, not just by being told, but being shown, so to speak, and reminded pointedly by the Hoopoe that despite so much power how humble towards Allah swt, Prophet Sulaiman remained.

There is a tangent about his love of horses, before the Hud-hud takes center stage again as a spy in the powerful army of men, jinn, and animals. The story of the ants is shared and about half way through the book it is on one of the bird’s scouting missions that he sees a Queen and her people worshipping the sun.

The back and forth between Prophet Sulaiman and Queen Bilqis as Prophet Sulaiman urges the Queen to allow her people to worship Allah or risk invasion is a familiar tale and one the author asserts he tried to use only Islamic sources to include.

The book ends after the Queen has visited, embraced Islam, more anecdotes about Prophet Sulaiman’s wisdom are shared and how even in his death he attempted to show the doubting people the power and oneness of Allah swt. The revelation of the termite breaking his walking stick and the retirement of the bird who had lived a most wondrous life, conclude the story before an Author’s Note at the end of the book.

WHY I LIKE IT:

I love Prophet stories and especially ones that are easy to read, memorable, and factual. I think the book does a decent job in a fictionalized retelling of getting a lot of the important information in, albeit sometimes a bit forced, but keeping it on level for upper elementary and being clear and concise. I didn’t stumble on grammatical mistakes or find parts confusing, it was well told and presented. More than once in the book, I felt like it would have made a better oral story than written one. The bird had to articulate how he knew stuff if he wasn’t there, and he kept asking the reader questions or telling them to pay attention.

The book is meant for Muslim kids and I wish there would have been footnotes or sources.

The illustrations were nice, they are full color but I am admittedly bias as I grew up writing letters to the illustrator who was my penpal for a few years.

FLAGS:

None

TOOLS FOR LEADING THE DISCUSSION:

Doesn’t fit my book club criteria, but definitely think kids would benefit from reading the story and discussing how the author shared the information, what they think the Hud-hud’s life was like and then maybe trying to retell a story of their own from a different perspective.

Nov29

Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

Posted on November 29, 2019 by islamicschoollibrarian

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Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

When I first started teaching I wasn’t a big fan of graphic novels, slowly I saw their benefit for struggling readers, and eventually I came to appreciate them as an enhanced tweak in story telling for everyone. This book however takes the concept to the next level, for me anyway. As the inside flap claims, it is a book “that brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.” As a coming of age story of two friends at its core, yet taking on breast cancer, kidney failure, parental loss, different cultures, different religions and with a back drop of the Egyptian revolution, I’d say the book is meant for high school and up. Not so much for content as for understanding and appreciation of all that went it to creating this ethnographic book.

SYNOPSIS:

Unlikely friends Anna and Layla cross economic, religious, and cultural differences to build a life long friendship. The book is divided into three parts: Cairo, Five Years Later, and Revolution. In the first part we see Layla’s family serving as the caretakers of a building and the two young girls bonding over pranks, arrogant tenants, and just being silly. Anna’s family is American and the father works for the oil companies, thus they are financially very well off, however, the father is rather distant and the mother is dying of cancer. The section concludes with the passing of Anna’s mom and the family going to Boston for the funeral.

Five years later finds the girls in college. Layla in medical school and Anna at a university in Boston. Layla’s father is suffering from renal failure and is unwilling to consider a transplant. While Anna is trying to see if she carries the same genes as her mother and if insurance will cover it. She also has to decide if she would want to have a complete double mastectomy, if she would want her breasts reconstructed, if she should do it now or later. She gets a lot of opinions, but ultimately decides to find a way to pay for it and have it done. Her father doesn’t understand, and Layla dismisses it forcing Anna to have to handle it alone. But when news come that Layla’s father isn’t going to make it, she rushes back to Egypt to offer her support.

In the final section, the revolution has spread and Dr. Layla is helping those injured in Tahrir Square during the protests, and Anna is helping to identify bodies despite being attacked for being a foreigner and part of the problem. Anna has kept the secret of her mastectomy from Layla and Layla assumes she has cancer. At odds with their roles in the revolution, and with keeping secrets from each other and their differences in financial opportunities coming to a head, Anna returns to Boston. When Layla’s brother is shot and loses an eye, however, Anna returns to Egypt and the two friends work to keep their relationship.

WHY I LIKE IT:

The book is grounded in so much conflict and turmoil, but fights hard to keep a character based narrative. With two illustrators and two authors trying to convey medical approaches, two cultures, two religion, two friends, and a revolution, the last 70 pages of the 302 page book are details about how the book came about, interviews with the various contributors, a timeline of the revolution, discussion questions, key references and a teaching guide. The book at times was confusing to me, and I’m not sure why, it quickly resolved itself or a flip back a few pages would clarify it, but I think some of the illustrations were just off enough that it complicated things. Anna by and large is depicted oddly on a few pages along with her family as well.

Layla’s family is definitely religious and at times has to challenge their thoughts to understand Anna and their own circumstances too. I think it is handled really well and allows the reader to consider things without answers being clear cut, is it Allah’s will to not have a transplant and accept death as being written for you or to have the transplant and ask Allah to make it successful? By and large the book poses questions through the juxtaposition of the two characters and the experiences they endure, and while it shows the choices they made, it draws the reader in to wonder what they would do in their shoes without judgement. The book provides a lot of facts and leaves them there making it more thought provoking than a simple story.

The characters are often composites of real characters the academic author’s learned about, yet some are directly based on activists and leaders of the revolution. The graffiti artwork is attributed and powerful. There is a lot of information in the notes after the comics end.

FLAGS:

There is death and revolution, Layla’s brother is taking Tramadol, and their are sketches of breasts as Anna learns about her disease and prognosis.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club as I don’t know how much middle schoolers would get out of it and the book is pretty pricey. I would recommend people read it though as it gives a different perspective on numerous things many of us take for granted.

Home

Nov22

Allies by Alan Gratz

Posted on November 22, 2019 by islamicschoollibrarian

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This is the second Alan Gratz multi-perspective historical fiction novel I’m reviewing for its inclusion of a Muslim character. While in Refugee it seemed a natural choice to include a Muslim family, I was completely shocked that he would feature one in a WWII D-Day novel. With numerous storylines spread over 322 pages the book is quick, fast paced, intense and emotional. An enjoyable read for history lovers and curious kids fifth grade and up, it is an AR 5.6 and older kids will benefit from it too.

SYNOPSIS:

The characters and timeline are fictionalized to all take place on D-Day, June 6, 1944, as the Allied forces and French resistance come together to storm German occupied France on the beaches of Normandy. Many of the details do come from history though as detailed in the Author Notes at the end of the book.

The book starts out following Dee, a German national who left for America to escape the Nazi’s and is now returning in a Higgins boat to fight them. Knowing no one will understand, including his friend Sid, a Jew from New York, he keeps this knowledge to himself and focuses on the task ahead.

Samira and her mother are the focus of the next mission and highlight the role of the French Resistance, the Maquis. What makes their story more meaningful is that they are spies with the French Resistance, but they are French Algerians, not really a part of France at all, and they are Muslim. In Samira’s back story we learn how she must remove her hijab and how she is treated different at school because Algeria and France are at odds. When her mother is taken by the Nazis before she can deliver the message to the Resistance, Samira vows to do it and get her mother back as well.

19-year-old James from Winnipeg Canada is a paratrooper who volunteered for combat to feel empowered after years of bullying. His buddy in the story Sam is a Cree Indian from Quebec, who has few rights at home, and hopes to have more success in the military.

Medic Henry is scrambling along on the beach helping anyone and everyone he can. Having left behind a segregated US, even the military has reservations about African Americans saving and serving. As he performs one heroic act after another being questioned and doubted and insulted all along the way, readers see how ridiculous and infuriating racism is on every level.

We meet Private Bill Richards who drives a Sherman tank and is following in his fathers WWI footsteps. But who is unfortunately killed before reaching Bayeux. And finally we meet Monique Marchand, a French 13 year old girl, who gets caught up in the invasion because she left her swim suit in the beach hut the day before and has returned to retrieve it. Determined to do something other than cower in fear, she starts helping fallen soldiers and meets up with American journalist Dorothy, a strong woman determined to not be stopped on the basis of gender.

All the story lines criss and cross as the invasion is a chaotic mess and everyone is dropped, disembarked, or arriving in the wrong place at the wrong time. Surviving the day is an immediate challenge and not one that everyone will succeed at. The larger success of the mission will depend on some lucky breaks and a whole lot of teamwork.

WHY I LIKE IT:

I love that the story somehow isn’t political at all in the traditional war story, war strategy sense. But the strength at least for me, wasn’t the horrific battle at hand, which is truly violent and abhorrent, but the relationships between the people. The realizing what is driving them, what matters and more importantly how hard our prejudices are. The larger story of the Allies shows British, Americans, and Canadians coming together to defeat he Nazis, but yet, a girl, an African American, and a Cree are treated as “other” irregardless of how beneficial they are even in matters of life and death.

As for the story of Samira, she is a tough girl, both clever and brave. To have a Muslim in an American/westerm story of D-Day and a young girl at that, to me was pretty remarkable. There isn’t mention of faith or anything other than that she is told to take off her scarf and continues to wear a small kerchief on her head anyway, but for Muslim kids all over, this character and how she behaves will spark a sense of extra pride in the Allies success over Hitler, just as the other minority characters will for their representation in such a dramatic event.

FLAGS:

There is a bit of mild profanity. There is violence and death, and blood, not too bad, but the point is clear, the beach isn’t pretty.

TOOLS FOR LEADING THE DISCUSSION:

I think this book would be a great supplement to any WWII history lesson. There are great resources at the end, and maps at the beginning and a high energy, short chaptered book that doesn’t skimp on character building or war intensity.

Author’s website: http://www.alangratz.com

Oct28

Islamic History for Kids: Story of Badr by Qasim Riaz

Posted on October 28, 2019 by islamicschoollibrarian

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Islamic History for Kids: Story of Badr by Qasim Riaz

This fictional story of a non-fiction-historical event over 37 large, 12×12, pages really brings the battle of Badr to life for readers ages seven and up. The book is engaging and keeps chidden focused, excited, and clear as to what is unfolding, why the battle was important for Muslims, and why it still has lessons today. Unfortunately, there are no source notes, bibliography, or references in the book, so I’m not sure how accurate the details are, and I haven’t yet had a chance to have someone more knowledgeable than I check it for accuracy. The ayats from the Quran quoted are identified in text and yes, I understand it isn’t a reference book, but even having some imam or scholar give their approval would reassure people considering purchasing the book. Additionally, fairly prominently there is a disclaimer at the beginning of the book that says, “The characters in this book are entirely fictional. Any resemblance to actual persons living or dead is entirely coincidental,” which is a common disclaimer, but in a book of this nature, it did strike me as odd. So, you may want to read it first yourself before presenting it to your child as fact.

There is also a typo that my children discovered rather quickly and pointed out to me, I was a little disheartened when I asked about it, to discover the author knew about it before mailing it out, but for some reason didn’t find it necessary to put a note or let the customer be aware of it. I put a post-it note in mine to show all of you, and will be taking a black marker to it shortly. Mistakes and typos happen, but I felt that they should have let the consumer know, once they knew that it was there, for accuracy sake.

The book starts off with a brother and sister fighting, Zain and Zahrah. When the father goes to stop them, Zain tells him that Prophet Muhammad (SAW) used to fight, and the father concedes the point, but points out it was not something he wanted to do. He tells them that for the first 13 years he didn’t fight back even when the Quraysh made fun of him.

The kids ask who the Quraysh are and why they didn’t believe the Prophet, to which the father lovingly answers their questions before telling him about the verses revealed allowing them to fight from Surah Al-Baqarah.

They learn about Abu Sufyan returning from Syria with a large caravan and how the Prophet wanted to surprise them. Only to learn that Abu Sufyan had arranged a much larger army from Mecca to come and attack the Prophet and his Companions.

There are details about how they determined the size of the army based on how many camels were being eaten, and how the Muslims camped near the wells to control the water. The story reads smoothly and pulls out when the children have questions seamlessly.

As the battle is set 1000 soldiers against 313 Muslims, the book explains how the battle starts with three duels and explains how Utbah, Shaiba and Walid battle Hamza (RA), Ali (RA), and Ubaydah (RA). The Ansar win all three battles and the Quraysh charge.

Prophet Muhammad (SAW) makes duas, and Allah (SWT) answers sending a thousand angels following one after another to help.

When the dust settles the Muslims are victorious and the order is given for the prisoners to be treated kindly. They are given food, rides, and the opportunity to pay a ransom for their freedom or they could teach 10 Muslims to read and write in exchange for their release.

With the story concluded the father then makes sure the children understand some of the many lessons from the battle. Including having Allah on your side, trusting Allah, putting in your best effort, and being kind and generous even to those against you.

There is no illustrator listed, but the pictures are done really well showing modern relatable, squabbling kids getting drawn in to a historical story by their father. The emotion on the characters faces adds depth to the story and engages the readers in seeing and understanding a desert battle so long ago.

The text on some pages varies quite noticeably, with some pages barely having a line to spare and some only being a line or two long. It does slightly affect the rhythm (and aesthetic) of the book, but it is manageable as long as you remember to give the kids enough time to see the picture on the short pages, as the overall size makes the book perfect for story time to large and small groups. The book stays on level, which is nice, and there is a glossary of abbreviated terms (AS, RA, SAW, SWT) at the end.

The company: Ghazi Production is planning Uhud to be the next book, and informed me a bibliography will be included in that one. InshaAllah!

Sep23

An Ocean in One Drop: The Tale of Hajar in Hajj by Mariam Hakim illustrated by Layla Abdubaisi & Hameedah Hamadah

Posted on September 23, 2019 by islamicschoollibrarian

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An Ocean in One Drop: The Tale of Hajar in Hajj by Mariam Hakim illustrated by Layla Abdubaisi & Hameedah Hamadah

A story about Hajar (saa), about Zamzam, about Hajj, and how we are all connected through our faith in Allah. In 32 water color adorned pages, the rhyming couplets tell a well-known historical story for children of all ages, with Hajar front and center.

The book is framed with a young girl, Jamila sitting with her grandmother who has just returned from Hajj. She is giving Jamila some Zamzam water as she tells her the story of Hajar, and how at the heart of our Hajj we honor and follow in Hajar’s footsteps.

Left in the desert with her son Is’mail (as) she runs between two hills, Safa and Marwa looking for water and help. This step of Hajj, Sa’ee, is required by all pilgrims to perform as Hajar did. Grandma explains to Jamila, that after praying to Allah (swt) and after the seventh run, water appeared and still flows today, Zamzam.

Jamila learns from her grandma the value of the water, and the power trusting Allah has in our lives. She also learns how the well attracted people and is now the city of Makkah. “You see the sacred Sa’ee has many lessons within: Courage, patience, faith and love.” the grandmother tells Jamila before quoting Rumi and liking the desert water to an ocean of history.

The book contains a two page Glossary of names and terms at the end as well as information about the author and illustrators. As expected there is also an ayat regarding Prophet Ibrahim and his family from the Quran at the end, and somewhat surprisingly, Bible verses about Hagar.

I’m not sure that the link to Rumi’s quote and hence the title of the book is smooth, it seems a bit forced. Also, I’m not sure why the Bible verse and the Bible entry appearing in the Glossary is present. It seems like an Islamic story for readers of all faiths to know what Muslim’s believe, so I’m confused why the interfaith angle at the end is there. Perhaps, if there was an explanation or an Author’s Note or a tie-in to the story, but without any of that, it seems inconsistent and random.

As far as the illustrations on the 8.5 x 11 thick soft bound pages are concerned, they are rather mediocre. The anime’ style people, the texture, shimmery bits, and the flowing deserts, make me feel like I should love them, and there is truly nothing wrong with them, I just wasn’t overly wowed by them. I actually found the illustrations off for the story at hand. I’m certain everyone will disagree with me, and some really are gorgeous, but overall I found them collectively, to be just ok.

Islamic School Librarian

Reviewing Children & YA Islamic Fiction, Books by Muslim Authors, & Books Featuring Muslim Characters

Category Archives: Historical Fiction

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My Great-Grandmother’s Gourd by Cristina Kessler illustrated by Walter Lyon Krudop

The Chronicles of Bani Israil: The King, Queen, and the Hoopoe Bird by Dr. Osman Umarji illustrated by Sama Wareh

Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

Allies by Alan Gratz

Islamic History for Kids: Story of Badr by Qasim Riaz

An Ocean in One Drop: The Tale of Hajar in Hajj by Mariam Hakim illustrated by Layla Abdubaisi & Hameedah Hamadah