Tag Archives: Mariam Hakim

Wake Up! It’s the Ramadan Drummer by Mariam Hakim and Dalia Awad

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Wake Up! It’s the Ramadan Drummer by Mariam Hakim and Dalia Awad

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The beautiful shimmering cover of this new Ramadan book drew me in from the first few pages with the emotional impact of the father in the story losing his job.  Unfortunately the fun illustrations and overall story are not quite enough to make the book an enjoyable read over multiple readings.  By the time you read the book a second time, the missing punctuation, the assumptions and continuity holes, make the book unravel.  It has merit and highlights, I just really hope that an editor is brought in before a second printing takes place to clean up the sentences, patch the holes, and polish it to make it shine.  It has so much potential, but it is disappointing especially if you have been waiting, perhaps a bit impatiently, to share this with children to get them excited for Ramadan.  Even more so if you had hopes of reading it again and again throughout the month.

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The book summarizes Ramadan on the first page, presumably making the ideal reader a Muslim already familiar with Ramadan significance, and then jumps into revealing that the Baba has lost his job.  The optimistic mama isn’t deterred and sends the Baba and kids to the store so she can cook up something special.

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While at the store an elderly woman greets the kids and their father as, “Abu Tabla.” The son dismisses it until later that night when Baba has gone to the mosque and Mama surprises Adam and Anisa with the story of their Baba’s baba walking the streets before dawn to wake people up for suhoor.  She even digs out an old photograph, and with that, Adam is determined to get his father to revive the tradition.

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I love that Adam and his Baba work together to figure out lyrics and a beat.  I also like that it isn’t an instant success, but rather takes some grit, determination, and perseverance.  I also like that the whole family and eventually neighborhood come together, and that men and women go to the masjid for fajr.

There are some concerns I have though as well.  There are a lot of missing commas, the text uses mosque instead of masjid which reads inauthentic, and the whole old lady character, Hannah, is all sorts of underdeveloped.  She has to introduce herself, yet she knows where Abu Tabla lives, a drum magically appears in her hands, and her prodding is based on the premise that she knows what is going on inside people’s homes, what they are thinking, and what their intentions are.  I get that it is a kid’s story, but by the second or third reading it is hard to unsee how erroneous the logic is.  Especially when fasting like so many acts in Islam, are between a person and Allah swt, not for everyone else to judge.

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Presumably the story takes place in an Islamic majority setting and the neighbors are all Muslim, which offers a great discussion starter for readers in non Muslim majority places to find ways to maybe share Ramadan or to imagine living where everyone is fasting.

I feel like the last few pages about the drummer going viral is unnecessary, and the story could have, and probably should have, ended with the family and parade entering the masjid.  I particularly found it odd that a line reads, “News of the Ramadan drummer tradition starting up again reached as far as Pakistan, Egypt, Somalia, Turkey and even Indonesia,” why is Indonesia called out like that? Seems off putting somehow, not inclusive. The book concludes by circling back to the Baba getting paid to wake people up and finding jobs through the people also coming to fajr, which seems a bit raw for a children’s book.  A simpler, “even though Baba found another job, being the drummer was still the one he loved most,” would have tied everything up a little better for the demographic.  I’m hoping to include this story during one of my weekly Ramadan story times in my local community, and will probably skip the last few pages and just read the hadith at the end about waking up for suhoor.

Jamal the Giant and the Largest Lesson by Mariam Hakim illustrated by Nesba Yoosef

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Jamal the Giant and the Largest Lesson by Mariam Hakim illustrated by Nesba Yoosef

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My initial thoughts of this 32 page Islamic fiction, fable-style book, is that it needed to be tested on children, lots and lots of children.  It should have been read aloud to catch all the grammar, syntax, and diction errors, and young readers and listeners should have been asked what they learned or understood from the story, BEFORE, being published.  The message is sweet, the illustrations cute, but it feels unrefined and reads underdeveloped: pictures and concepts are not enough to carry a book if the writing is poor.

I have looked forward to obtaining the book since its launch, so as soon as it was available from a US stockist (@crescentmoonstore), I didn’t even hesitate to purchase it.  I knew the book was available for free online as a read aloud on YouTube, but because I truly love supporting Muslim authors and publishers, I wanted to wait until I had a physical copy in my hand.  These opinions are my own, all my reviews are.  I mean no malicious will to anyone, I’ve spent my money on something, and once I’ve done so, I am completely justified to have an opinion.  You don’t have to like it, or agree with it, but it isn’t personal.  I’ve given reasonings for my opinions, and I stand by them.

Jamal the Giant isn’t necessarily mean, but he is careless, young, and selfish.  He scares the animals in the woods, destroys their homes, ruins farmers’ crops, and steals from the village.  One night, he wants to steal some juice and in the process overhears the community members discussing how different he is from his kind parents, and that he must be forced to leave.  He tries to mend his ways before he is driven from his home, but to no avail.  Unsure how to fix things, it is the advice of a tiny mouse that sets his reform in motion and conveys the message from the Quran, surah 11 ayat 114, “Good deeds cancel out bad deeds.  This is a reminder for the mindful.” He learns he must apologize, make amends and be kind.

The message is accurate, but I have some concerns at how it is conveyed.  Why was the responsibility on the giant to learn how to behave.  Yes if he knew better, he should do better, but it is made clear that he is the last of his kind and his parents died when he was really young.  If the villagers aren’t going to try and teach him, who is?  It isn’t necessarily victim blaming, but if you don’t know better, and have no one to teach you, you definitely are a victim of neglect in some ways.  To have them going from enabling him out of a promise to his parents to threatening to kick him out from his home, is a little abrupt.

Story-wise there are some points that gave me pause.  Why is there an owl flying off in the daytime, sure there are some diurnal owls, but most kids are taught owls are nocturnal, why not change it to a woodland bird that is active in the day, don’t confuse kids.  It doesn’t specify a timeframe that the story takes place in, but it feels like a fable with talking animals a giant and a clear message.  There is a baker, a farmer, an imam, a greengrocery, it is all very quaint, but then the imam is holding a cell-phone, wait what? I do appreciate that the farmer is female though, and that some of the women cover and some do not, it seems representative.

I’m curious who taught the giant to read, and how come he writes his “s” backwards, there seems to be a bit of disjointedness to the upbringing of the giant, his age, even in giant terms.  A lot it seems the author assumes the reader knows about giants or their stereotypes perhaps, because the book doesn’t address them, and the result isn’t a fun moral story, but one that seems to miss things.

The little mouse teaching the big giant, carries some Lion and the Mouse-Aesop fable vibes, but really it is the proof-reading of the book that is disappointing.  When you read it aloud, commas are abundantly missing (even in the online reading pauses are placed where commas are not written).  Why is the B in Baker capitalized, and if it is the Baker’s house, as in last name is Baker, then an apostrophe is missing.  Many of the lines are just awkward and halting, even if not particularly erroneous.  The diction is questionable at times, Jamal “always” thinks about that day at the lake, woah, doesn’t reflect on it, but it haunts him “always.”  Jamal “‘really’ didn’t have to steal,” seems to imply he was justified in stealing a little, this should be a black and white issue in a children’s book, no?

There are questions at the end of the book, and a whole page of information about the author and illustrator as well.  In a case like this I don’t know if the publisher didn’t do justice to the author’s work, or if the author should have refined it more, before coming to the publisher, but it is unfortunate because clearly a lot of effort went in to the illustrations and promoting of the book.

An Ocean in One Drop: The Tale of Hajar in Hajj by Mariam Hakim illustrated by Layla Abdubaisi & Hameedah Hamadah

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An Ocean in One Drop: The Tale of Hajar in Hajj by Mariam Hakim illustrated by Layla Abdubaisi & Hameedah Hamadah

IMG_7027A story about Hajar (saa), about Zamzam, about Hajj, and how we are all connected through our faith in Allah.  In 32 water color adorned pages, the rhyming couplets tell a well-known historical story for children of all ages, with Hajar front and center.

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The book is framed with a young girl, Jamila sitting with her grandmother who has just returned from Hajj.  She is giving Jamila some Zamzam water as she tells her the story of Hajar, and how at the heart of our Hajj we honor and follow in Hajar’s footsteps.

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Left in the desert with her son Is’mail (as) she runs between two hills, Safa and Marwa looking for water and help. This step of Hajj, Sa’ee, is required by all pilgrims to perform as Hajar did. Grandma explains to Jamila, that after praying to Allah (swt) and after the seventh run, water appeared and still flows today, Zamzam.

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Jamila learns from her grandma the value of the water, and the power trusting Allah has in our lives.  She also learns how the well attracted people and is now the  city of Makkah.  “You see the sacred Sa’ee has many lessons within: Courage, patience, faith and love.” the grandmother tells Jamila before quoting Rumi and liking the desert water to an ocean of history.

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The book contains a two page Glossary of names and terms at the end as well as information about the author and illustrators.  As expected there is also an ayat regarding Prophet Ibrahim and his family from the Quran at the end, and somewhat surprisingly, Bible verses about Hagar.

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I’m not sure that the link to Rumi’s quote and hence the title of the book is smooth, it seems a bit forced.  Also, I’m not sure why the Bible verse and the Bible entry appearing in the Glossary is present.  It seems like an Islamic story for readers of all faiths to know what Muslim’s believe, so I’m confused why the interfaith angle at the end is there.  Perhaps, if there was an explanation or an Author’s Note or a tie-in to the story, but without any of that, it seems inconsistent and random.

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As far as the illustrations on the 8.5 x 11 thick soft bound pages are concerned, they are rather mediocre.  The anime’ style people, the texture, shimmery bits, and the flowing deserts, make me feel like I should love them, and there is truly nothing wrong with them,  I just wasn’t overly wowed by them.  I actually found the illustrations off for the story at hand.  I’m  certain everyone will disagree with me, and some really are gorgeous, but overall I found them collectively, to be just ok.