Tag Archives: Rumi

Amazing Muslims Who Changed the World: Extraordinary Stories of Incredible People by Burhana Islam illustrated by Reya Ahmed, Deema Alawa, Nabi H. Ali, Saffa Khan, Aaliya Jaleel and Aghnia Mardiyah

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Amazing Muslims Who Changed the World: Extraordinary Stories of Incredible People by Burhana Islam illustrated by Reya Ahmed, Deema Alawa, Nabi H. Ali, Saffa Khan, Aaliya Jaleel and Aghnia Mardiyah

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The 30 stories presented over 197 pages are inspiring, and this compilation so desperately overdue. The book is not chronological it is completely random, and at first I was confused, but as I made my way through the book, I actually grew to love not knowing who I would be reading about next.  Yes, there is a table of contents, but the point being that you don’t have to be born into royalty, or be a warrior, or have lived a long time ago to be amazing, you just have to follow your passion.  I learned so much about people I thought I knew about, and was tickled to learn about people I have never heard of: bakers, athletes, actors, educated slaves, architects, spies, singers, scientists and politicians.

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At the end of each six page illustrated blurb is an “Interesting Fact” and at the end of the entire book are some activities in the “Amazing Extras” section.  Readers can crack a code like Noor Inayat Khan who helped the Allies decode and send secret messages from France to Britain or write a poem like Rumi, a song like Yusuf Islam (Cat Stevens), draw a superhero like G. Willow Wilson, make a camera following the science of Hasan Ibn Al-Haytham, or color a picture of Muhammad Al-Idrisi.

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My favorite biographies were those that I knew little or nothing about before hand.  If I had to pick two favorite among all of those sections, I’d pick Khawlah bint Al-Azwar and Ayuba Suleiman Diallo.

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In 600 CE Arabia, Khawah, the masked knight, learned how to fight along side her brother and eventually served with Khalid ibn Waleed in battle.  It is said that she killed the Byzantine leader that captured her and then asked for her hand in marriage.

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Ayuba Suleiman Diallo in the 1700s in modern day Senegal was a highly educated man who was captured and forced in to slavery in Maryland, USA, interacted with James Oglethorpe, found himself being sent to England and with the help of a Thomas Bluett was able to be freed and eventually return home a free man. SubhanAllah!

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This book has it all: famous Muslim men, famous Muslim women, Black Muslims, Arab Muslims, European Muslims, American Muslims, Asian Muslims, African Muslims, Muslims who lived a long time ago, Muslims who are still alive all jumbled up and beautifully presented by a Muslim author and a handful of Muslim illustrators. This book is wonderful for 3rd graders to adults and would be a benefit on any book shelf.  It is worth noting there are no sources given, and doesn’t explain how the people were chosen to be included in the book.

An Ocean in One Drop: The Tale of Hajar in Hajj by Mariam Hakim illustrated by Layla Abdubaisi & Hameedah Hamadah

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An Ocean in One Drop: The Tale of Hajar in Hajj by Mariam Hakim illustrated by Layla Abdubaisi & Hameedah Hamadah

IMG_7027A story about Hajar (saa), about Zamzam, about Hajj, and how we are all connected through our faith in Allah.  In 32 water color adorned pages, the rhyming couplets tell a well-known historical story for children of all ages, with Hajar front and center.

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The book is framed with a young girl, Jamila sitting with her grandmother who has just returned from Hajj.  She is giving Jamila some Zamzam water as she tells her the story of Hajar, and how at the heart of our Hajj we honor and follow in Hajar’s footsteps.

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Left in the desert with her son Is’mail (as) she runs between two hills, Safa and Marwa looking for water and help. This step of Hajj, Sa’ee, is required by all pilgrims to perform as Hajar did. Grandma explains to Jamila, that after praying to Allah (swt) and after the seventh run, water appeared and still flows today, Zamzam.

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Jamila learns from her grandma the value of the water, and the power trusting Allah has in our lives.  She also learns how the well attracted people and is now the  city of Makkah.  “You see the sacred Sa’ee has many lessons within: Courage, patience, faith and love.” the grandmother tells Jamila before quoting Rumi and liking the desert water to an ocean of history.

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The book contains a two page Glossary of names and terms at the end as well as information about the author and illustrators.  As expected there is also an ayat regarding Prophet Ibrahim and his family from the Quran at the end, and somewhat surprisingly, Bible verses about Hagar.

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I’m not sure that the link to Rumi’s quote and hence the title of the book is smooth, it seems a bit forced.  Also, I’m not sure why the Bible verse and the Bible entry appearing in the Glossary is present.  It seems like an Islamic story for readers of all faiths to know what Muslim’s believe, so I’m confused why the interfaith angle at the end is there.  Perhaps, if there was an explanation or an Author’s Note or a tie-in to the story, but without any of that, it seems inconsistent and random.

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As far as the illustrations on the 8.5 x 11 thick soft bound pages are concerned, they are rather mediocre.  The anime’ style people, the texture, shimmery bits, and the flowing deserts, make me feel like I should love them, and there is truly nothing wrong with them,  I just wasn’t overly wowed by them.  I actually found the illustrations off for the story at hand.  I’m  certain everyone will disagree with me, and some really are gorgeous, but overall I found them collectively, to be just ok.

 

 

Whichwood by Tahereh Mafi

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Whichwood by Tahereh Mafi

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I am admittedly late to the Tahereh Mafi fan club, and to rectify that I checked out all her books from the library (There’s quite a few).  Yeah, I have four kids and not a ton of time, so I decided to start reading Whichwood thinking then I could review it here due to it’s jacket claiming “Persian Fantasy,” plus noticing characters having names tinged with Islamic culture: Benyamin, Roksana, and Laylee Layla Fenjoon.  So, while I guessed the 368 AR 7.5 wouldn’t have anything Islamic, I figured it would at least give Muslim kids a taste of themselves in some of the words and representation by the hijab wearing author. And I think I was right. 

SYNOPSIS:

Laylee is a mordeshoor, which means she is responsible for caring for the dead and moving them to the next world. Its hard physical work, and since her Maman has passed away and her Baba has gone a bit crazy, the grueling job is left to her.  She is desperately tired and overworked and behind, and the people of the town, Whichwood, abuse and ridicule her relentlessly.  Laylee’s world is a frozen wonderland filled with odd characters and occurrences and magic of all random and gruesome sorts.  Two children, Oliver and Alice, from a different magical land show up unexpectedly to help Laylee with her burden, but Laylee is not well and is on the verge of death, and their help is not initially wanted.  As Laylee starts to die, it will take her living friends, with their variety of magical gifts to bring her back to life, and the dead ghosts that she can speak with, to help her live a life worth enjoying.

WHY I LIKE IT:

I love that Rumi is mentioned and quoted.  I love that words such as hamam and halva are tossed in, it gives flavor to a book that doesn’t need it, but is enhanced by it none-the-less.  The world created is so bizarre, that I was pleasantly surprised how the author kept the descriptions from becoming confusing albeit at times circular and tedious, the book starts out slow, but speeds up as you progress.  The narrator is telling the tale, and speaks often directly to the reader, which is a literary device that one doesn’t see that often in YA books, and I really enjoyed it.  It kept the book inline and avoided plot holes, as the narrator could just tell you how she knew and keep the timeline of the story intact.  

The characters are amazing.  Laylee is 13 and on her own, washing and scrubbing and pulling nails out of corpses before burying them in the frozen earth.  All while being harassed by the ghosts around her.  She has dropped out of school, the community doesn’t even pay her financially or with respect for the work she does, and yet she plugs along.  The reader wants to feel sorry for her, but there isn’t time, there is a lot going on.  Alice’s magic is she can color the world, and Oliver has the gift of persuasion.  Benyamin, Laylee’s closest neighbor on the peninsula, has insects and spiders that live in him and that he can communicate with.  His ailing mother can speak with whales, and rides inside them as a form of transport.  Yeah, it’s a bit nuts.  And because it is so fantastic, at times the story isn’t predictable or even really seeming to move to a clear climax, there is just so much to take in.  

I don’t really even know what to critique in terms of what I wish I would have seen or felt was lacking because there was no expectation.  The book is a companion book to Furthermore, which I think I will do as later as an audio book with my kids.  Perhaps once I read that one I’ll know more about Oliver and Alice’s gifts as the book is about them, as I do have some lingering questions about their whimsical abilities and backstories.  I would have also like a bit more on the mordeshoors, how they are trained, when they marry what enchantments that entails etc.  Seems like the concept in its most basic form could have benefitted from a little more detail.

The book is dark, and there is some darkness in Laylee, and I think that is what makes me like her as a character.  There are some emotions that she really has to work through, and I like that it is fuzzy and messy, I think the target audience of the book will really identify with some of Laylee’s internal struggles. The heart of the book is solid and is very grounded in reality even with all the fantasy on the surface.  I love that Laylee isn’t affected by what other’s expect her to be, there is amazing strength in this being brought to the forefront.  Also, the crystallization of giving someone what they need, not what you think they need is a lesson that will hopefully linger in the readers. 

FLAGS:

The book could be seen as grotesque, but I didn’t find it overly icky, I think middle school and up will  be perfectly ok with all the death.  Oliver is completely star struck and in love with Laylee and her beauty.  But, the book hints only at a future romance.  Similarily, Benyamin and Alice might have a future, but it isn’t mentioned more than a crush and isn’t dwelled on or annoying to the action of dead bodies coming out of their graves or anything like that.

TOOLS FOR LEADING THE DISCUSSION:

Author’s Website: http://www.taherehbooks.com/

A youtube review: https://www.youtube.com/watch?v=bgwtFqiFIi0

The Secret Message: Based on a Poem by Rumi by Mina Javaherbin illustrated by Bruse Whatley

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The Secret Message

Once again Mina Javaherbin retells a Rumi story in a fun, charming way to children that probably have never heard his stories before.  The illustrations bring this 32 page tale written on an AR 4.6 level to life.  While written for older elementary children, this book works well for kindergarteners and 1st graders in story time as well.  The pictures and descriptions make for an engaging story for all levels and the twist at the end make you want to go back and read it again and again.

A wealthy Persian merchant brings a parrot from India to call and sing to those passing by to come in to the shop.  The parrot helps make the merchant famous and before long he has completely sold out of all his wares.  He plans to return to India and asks his family what they want him to bring back, he even asks the parrot.  The parrot asks for nothing but a message to be delivered to his friends about how he misses them and about his new home and cage.  The story follows the merchant to India and through it, showing and telling about the sites and goods.  On the way back the merchant stops in a tropical forest to deliver the parrot’s message.  The birds listen carefully and then one by one, fall off their branches with their backs on the ground and their feet in the air.  When the merchant returns he delivers the message and the same thing happens to his parrot.  (SPOILER). Sad that he has caused his parrot to die, he takes him out of the cage where in an instant the parrot flies out of the hole in the domed ceiling all the way home to his friends in India.

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Islam isn’t shown, and I debated including it, but culturally it is relevant with the character journeying from Iran to India and the author being from Iran.  Plus it is based on a Rumi poem.  There is nothing un Islamic in the book, and there is plenty of little places in the book to get kid’s opinion on the action, thus making it a book definitely worth your time.

 

 

 

Elephant in the Dark: Based on a poem by Rumi retold by Mina Javaherbin illustrated by Eugene Yelchin

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Elephant in the Dark

Rumi’s poem The Blind Men and the Elephant has been retold and transformed over time to emphasize many lessons: getting the whole story, defining truth, not being nosey, understanding points of view amongst others.  The basic story is that each person touches a part of the elephant in the dark and cannot fathom each other’s perspectives or what an elephant is, thus they take to bickering and proving that they and they alone are right.Elephant in the Dark inside

A big fan of the Karen Beckstein early reader version, that involves 6 blind men and is presented on a 2.6 level I was skeptical of this 32 page AR level 3.0 version.  The bright pictures and large picture format quickly won me over.  This book works so well for story time as the kids all know what an elephant looks like, they can all understand how the people are getting confused and all can see how their arguing isn’t helping.  All without much adult prompting.  The kids get so annoyed by the villagers not respecting Ahmad’s personal property and not listening to one another that when the illustrator has the children being the smart ones and enjoying the elephant at the end, the reader/listeners are giggling and feel like they are “in” on the truth.

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one translated version:

Some Hindus have an elephant to show.
No one here has ever seen an elephant.
They bring it at night to a dark room.
One by one, we go in the dark and come out
saying how we experience the animal.
One of us happens to touch the trunk.
A water-pipe kind of creature.
Another, the ear. A very strong, always moving
back and forth, fan-animal. Another, the leg.
I find it still, like a column on a temple.
Another touches the curved back.
A leathery throne. Another the cleverest,
feels the tusk. A rounded sword made of porcelain.
He is proud of his description.
Each of us touches one place
and understands the whole that way.
The palm and the fingers feeling in the dark
are how the senses explore the reality of the elephant.
If each of us held a candle there,
and if we went in together, we could see it.