Tag Archives: Family

Feb4

Maymoona’s Moon: A Special Eid Story by Razeena Omar Gutta illustrated by Zayneb Haleem

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Maymoona’s Moon: A Special Eid Story by Razeena Omar Gutta illustrated by Zayneb Haleem

I love the illustrations of this book and have been trying to get it since it released in Australia to no avail, it finally is being released here in America and the 32 page hardback book is so cute to look through.  The story is, well, sigh.  It isn’t bad or wrong, but for a religious centered book, it has no Islam, no Eid feels, no faithful reliance.  Rather than using religion to bring the sighting of the moon to little Muslims and non Muslims, and blending it with the protagonists desire to be an astronaut as the framing of the story, it just focuses on the celestial intrigue.  “Cosmic compasses,” “galactic goggles,” and a cheering squad are needed for “Operation Galaxy Gaze,” there are no “Bismillahs” or “Alhumdulillahs” when looking for the moon, and ultimately seeing it.  Again, it isn’t wrong, it just seems a little unfortunate.  This book will be read in Islamic and public schools, libraries, and everywhere else children, preschool to early elementary, gather with hopes of hearing a Ramadan or Eid story.  I’m just fairly confident, none will leave knowing what Eid is, or why it is important to Muslims.  They will get that Maymoona loves the stars, there is an “inshaAllah” when she dreams of being an astronaut some day, but even the backmatter entitled, “Why is Seeing the Moon so Important for Eid?” focuses on just that, the seeing of the moon, not the month of Ramadan ending and Eid joy prevailing.  I know I’m harsh when it comes to Islamic rep, this one just skirted the line of telling us about searching for the moon, leaving Ramadan behind, and the excitement of Eid, when it so easily could have shown us, and left a lasting impression long after the book closed.

The book starts with the sights and sounds of Eid approaching. There is only one thing left to do and that is something Maymoona takes very seriously, looking for the moon.  It is the most exciting part of Eid for her, as she dreams of being a future astronaut.  She assembles her team to plot and plan, her gear to give her the best chance of success, and she squashes her nerves and makes her ascent to the best vantage point.  And then she waits, patiently to see if the wind will move the clouds, if her dreams of landing on the moon will come to fruition, if tomorrow will be Eid.

The large 8.5 x 11 pages with a matte finish make this book easy to share in small groups or at bedtime, and really let the pictures charm the audience on each and every spread.

Jan28

Eid for Nylah by Nizrana Farook illustrated by Zelma Firdauzia

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Eid for Nylah by Nizrana Farook illustrated by Zelma Firdauzia

I have read this book dozens of times and I honestly don’t know how I feel about it. If you remove the title and second to last page and just READ the words, the book could be about any holiday that you might clean and decorate for, that would involve giving gifts, putting on henna, wearing new clothes, praying, and sharing food at. The illustrations imply that it is a Muslim holiday with about half the women in the pictures wearing hijab, and a few decor items that say Eid Mubarak in English and Arabic, but readers that are unaware or unfamiliar might not grasp that it is faith based at all, and the Author’s Note mentions, but doesn’t detail much about the religious significance either. During one reading, I felt it also could almost seem like a mystery, that the title just happens to ruin. The cat Nylah goes to different houses on the street seeing and hearing the tidying and banner hanging and gift wrapping occurring, but doesn’t know why no one has time for her, until the big reveal that it is Eid. I think for little non reading kids that actually might be my approach, to share the book without the title and back blurb and see if they can figure out why everyone is too busy to play with Nylah.  I don’t know that it is tokenism, or that Islam is left out to make the book palatable for the Western gaze, I could be wrong though, I really just think this is the author’s style.  Having read her chapter books that always center animals, feature community, and include Muslim names, I think this is just an extension of her lyrical writing in her debut picture book. The book would work for either Eid, but the backmatter is the author’s reflection on Ramadan and Eid al Fitr.  I know I’m the minority that struggles with Islamic holiday books that leave out the Islam, so for those of you that do not find it disappointing, the book is sweet.  Nylah is a cat that is welcome and known to the entire neighborhood, to come and go as she pleases, the age engaging illustrations complimented by the cadence and rhythm of the structure, lines, and diction are easy to read aloud to groups of all sizes, and hold the attention of 3 year old children and up.

The book starts with a family “wiping and scrubbing, tidying and sorting, everything in sight.”  When no one has time to play with Nylah, she heads outside under the crescent moon, and goes next door to Bilal’s house, where he and his family are decorating.  When she tries to play with the ribbon, she is once again told they are too busy to play, so she slips into Reem’s house where they are doing henna.  This continues from one house to another until the next morning when her family all dressed wakes her up to go to the park with them for prayers and Nylah realizes it is Eid.  Now the children are not too busy and everyone plays with Nylah.

Yeah, I know, taking a cat to Eid prayers sounds wild to me too, kids love imagining though what chaos might ensue.  There is enough hinted at that Muslim families can find the clues and make the book more religious or holiday centered, but I wish it showed the cat seeing praying or reading Quran, hearing the athan or thikr, or something that would ground the book in Islam, but alas, it does not.

The book concludes with an Author’s Note and scanable QR Code for a free audio reading.

Jan26

The Eidi Bag by Shazia Afzal illustrated by Shiva Delsooz

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The Eidi Bag by Shazia Afzal illustrated by Shiva Delsooz

This adorable 32 page picture book, is not just a story about celebrating Eid al fitr, it weaves in themes of culture, faith, anticipation, disappointment, change, and appreciation.  It is Sarah’s first Eid in a new country and she has made herself a new Eidi bag just for the occasion, to collect the money she will receive from friends and family to celebrate the holiday, and then use to buy treats to share.  Except other than her parents and grandfather, no one gives her Eidi.  She longs for Pakistan and the traditions that she is used to, when slowly she sees that new and different traditions can also be fun and filled with love and joy.  The slow realization and protagonist point of view are skillfully done in keeping the story engaging, the arc smooth, and the lessons nuanced.  The beautiful illustrations, tug at your heart and bring the story to life making me confident that it will be a highly sought after addition to any book shelf for story time, bedtime or independent readers, Muslim and non Muslim alike.

The book starts with Sarah running into the kitchen on Eid morning to show her Mama her Eidi bag and ask for her Eidi. Her Mama lovingly gives in and reminds her that it isn’t polite to ask for Eidi.  Sarah repeats the requests when Baba and Dada ji enter, and Mama rolls her eyes.  The family is then off to the masjid to pray, listen to the khutba and give donations.  At each turn of greeting friends, Sarah shows off her bag, and yet no one offers her Eidi, much to her confusion.  On the way home Sarah is missing Pakistan and recalling how full her bag would be if she were there.

Once home, Mama is busy in the kitchen getting ready for guests to come by. Sarah notices that they will be coming at a certain time, not in and out all day long like before.  When the guests, Muslim and non Muslim, start to arrive they each bring a gift, baklava, flowers, candies, a little plant, and even a set of 40 markers just for Sarah, that she can store in her Eidi bag.

I love that even though it could very easily come across as whiney, or with money being discussed, greedy, it doesn’t.  The book is very tender, and you feel the emotions of Sarah in a new place adjusting to what her expectations are to the reality, and adapting. Being kind of dismissed at Eid also was very reflective as children everywhere get a bit jostle with all the hugging and greetings flying around above their heads. I also love that the neighbors come, including a friend named Jessica, modeling for non Muslims what they too can expect if invited to an Eid party. Someone brings baklava, not a traditional Pakistani dish, also showing the diversity within Islam, subtly adding an additional beautiful layer to the story.

The book concludes with an Author’s note and a glossary.  A great book that will work for both Eid al Fitr and Eid al Adha.

Jan23

Saif’s Special Patches by Humera Malik illustrated by Ravan Sader

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Saif’s Special Patches by Humera Malik illustrated by Ravan Sader

I really had no idea what this book was going to be about, and the first page or so seemed a little off with the child not knowing about the quilt he was wrapped up in, but. oh. my. heart! Every subsequent turn of the page was a hug from Saif’s patch made quilt straight to my cynical soul.  The infusion of Islam as such a part of his daily activities, his loving family and environment, and the reminder that labels can both hurt and inspire is beautifully done. The illustrations, the tone, and the messaging, is great for kids that have been called “just shy” and everyone who has ever doubted themselves (i.e. everyone) with it’s relatable emotions, and reminder that like a quilt, we are still growing.  I cannot wait for this book to be released and I can enjoy a physical copy to share in classrooms, libraries, and bedrooms. One of the best picture books I’ve read in a while, thank you.

The book starts with Ami asking Saif why he isn’t outside playing basketball with his friends.  He replies, that he “is shy.”  His mother shows him that the quilt is made of patches of Saif: experiences he has had. She shows him a patch and helps him recall the memory attached to it,  starting with last Eid when he was brave and went down the big slide. As he joins in the recollection, he then owns the label that he is brave.  It isn’t that easy though, he tries to be smart like his brother and read a lot, but reading is hard, his brother reminds him he is smart and points out the patch from when he won the scavenger hunt.  Swimming, helping at the masjid, reading Quran, calling the athan, all help Saif to realize he is more than just shy, more than one label, and that he is still growing.

I love the relatability of what Saif is going through, and even though so many of the settings and examples are Muslim centered, the book will resonate with all readers, of all ages.  A tear or more two may have stumbled out as I saw little me in the illustrations and the scenarios, and I have never been called shy. The book releases in March and is traditionally published, meaning plenty of time to pre-order a copy and request your library to shelve it, as it will be available wherever books are sold.

Jan20

Almost Sunset by Wahab Algarmi

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Almost Sunset by Wahab Algarmi

At 224 pages, this middle grade graphic novel has a whole lot of heart. Seventh grade is not easy for anyone, and Hassan is balancing school, grades, soccer, fasting, and taraweeh every night, while dealing with friends, video games, cousins, and falling asleep in class. I love that this OWN voice book really centers Islam. It doesn’t shy away from showing the stresses that the character and presumably the readers of immigrant kids in public schools might encounter, right alongside stresses with Muslim cousins and friends at the masjid trying to pressure you to do something you don’t want to do.  And as in any coming of age story, young Hassan does not want any special treatment or parents to get involved. SPOILER: Hassan does hide his faith and that he is fasting for Ramadan at school, he also does make mistakes, notably among them is when he breaks his fast in what he is told is a loophole of sorts, but by the end he grows and trusts and realizes he doesn’t have to do it all, all the time, and that he isn’t alone. The book is not heavy, but it has layers that serve as relatable mirrors and windows for kids who are going to thoroughly enjoy this richly illustrated book.

SYNOPSIS:

The story starts with seventh grader, Hassan dreaming about food, drooling on his arm, and then being woken up by his teacher, again.  It is Ramadan and Hassan is fasting, going to taraweeh at night, trying to keep up with school and soccer, and on top of it all, he doesn’t want anyone to know.  He also doesn’t have the latest version of the popular video game that all his friends have, and he has to explain to his childhood friend Rosie why it is no longer appropriate for them to hang out together.  Nights and weekends with family and at the masjid should be a reprieve, but somehow even there he is the odd one out, opting to pray instead of play, and being unsure if closing your eyes while sneaking food really prevents Allah swt from seeing you eating like his cousins claim.  Threaded through it all are soccer practices, games, and falling grades that are going to get him tossed off the team, making this a Ramadan to remember.

WHY I LOVE IT:

Wahoo, some Yemeni representation, I loved the flashback/dream longing for Yemen.  I like that Hassan isn’t expecting adults or others to speak for him, and his heart is really in the right place.  I did feel a bit of a disconnect though when his friends knew he fasted the previous year, why he wouldn’t just explain it was time again for him to do so. Increasingly even the most isolated western cities are aware of Ramadan, so I didn’t feel that hesitation for Hassan to own it, even when a friend explicitly asks.  SPOILER, On a similar thread, his soccer coach is Muslim and their isn’t a huge sigh of relief and immediate kinship when the information is revealed.  If Hassan really feels he is shouldering it alone, why wouldn’t this empower him to step into himself so to speak.  I also didn’t understand why the end of the season pizza party wouldn’t have just been at iftar time. The book really had a chance to model how others can support their Muslim friends, and moving a food based celebration a few hours is an easy accommodation, but the Muslim coach didn’t even do it, so why would non Muslims.  

When Hassan does sneak food during his fast, he gets away with it, but it doesn’t sit right with him and I think it is powerfully done, him coming clean also is not punished as it really is something between Hassan and Allah swt and I love how it is left to that.  Regardless of if you feel it is required of a 7th grade boy or not, the ownership of faith I feel is more important than the getting in trouble by your parents in this case.

FLAGS:

Lying, failing grades, sneaks food during fasting, boy girl friendship, hints at internalized Islamophobia.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club, but would absolutely have it on shelves for kids to easily access, and I would absolutely discuss with them, what their takeaways were.

Jan15

Yours, Eventually by Nura Maznavi

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Yours, Eventually by Nura Maznavi

It has been a while since I’ve read Austen’s Persuasion, and I should probably remedy that, but alas, here I am reviewing another adult, Desi-fied, Muslim tinged retelling, and am embarrassed to admit I was absorbed and invested, as if I had no idea how it would play out. Sure there were author liberties, but the heart of the story hits the same beats (that I recall) and works so well when adapted for our faith and culture. It isn’t halal halal, nor is it Muslim focused, the culture and cultural expectations are definitely more centered for the Pakistani American Muslim cast. The characters are all Muslim, a few wear hijab, they abstain from alcohol, date with intent to marry, attend Bismillahs, but they aren’t shown praying, or viewing life through an Islamic lens, or Muslim conscience. There are a few kisses and hand holds, and male/female close friendships, but for an adult read, the Muslim authored 400 page novel is pretty notably clean.

SYNOPSIS:
Asma is in her final year of Emergency Medicine residency and the pressure to get married is ever mounting. With her father making poor financial choices, he and Asma’s oldest sister Iman, are moving out of their Palo Alto mansion and heading back to Sacramento. Culture won’t let Asma live alone, so she is forced to crash on an air mattress at her youngest sister, Maryam’s house in the room of her three year old twin nephews. Asma feels it is her responsibility to take care of everyone since her mother passed away, but with the family splitting up, she has to decide for once, what she wants. Eight years ago she did what she was told and broke off her engagement with Farook. Unfortunately, she has regretted it every day since and never moved on. When of all people, Farook’s sister moves into Asma’s old house, a chance encounter brings the two face to face. When Farook starts courting Maryam’s sister in law, things get particularly tense. Throw in a dozen or more side characters, amp up the drama, and settle in to see how it all unfolds.

WHY I LIKE IT:

If my recollection of the original source material holds, it takes a while to get all the characters in their desired place and position for the story to sweep the reader away, and this version does the same. At times I worried that threads and characters were being overlooked, but by the end, most everything felt resolved. I did feel Fatima’s story was underdeveloped and showed Asma as being a bit of a bad friend, and there is no way three year olds would recognize someone from a picture taken 8 years earlier, but I know, romance books require some suspension of reality to work. The premise of the plot is even a bit shaky, but once you are rooting for the characters you aren’t too worried about why they need a second chance. For the most part the writing is fairly smooth, a fair amount of characters the author managed to keep annoying, but not completely unredeemable, and I appreciated the restraint. The pacing at times was a little sluggish, with a lot of characters that the reader needed to connect with resulting in telling and not showing, so I was a bit disappointed that end felt rushed. I wanted to bask in the resolution of all that angst, longing looks, and obstacles being overcome.

There is quite a bit of commentary about pushing back on stereotypes, expectations, and cultural weight. There are aunties doing the match making and gossiping, and plenty of folks chasing wealth above all else, it doesn’t weigh down the storyline, but it at times does get a bit repetitive and shallow.

FLAGS:

Romance, kissing, hugging, holding hands, lying, death, pyramid scheme, alcohol, consumerism,

TOOLS FOR LEADING THE DISCUSSION:
I might let this be in a school library, it is clearly adult with the characters nearly 30 years old, but high school romance lovers will enjoy this, and it isn’t overly mature for ages 16 and up.

Jan8

Kamal’s Key by Rifk Ebeid illustrated by Sophia Soliman

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Kamal’s Key by Rifk Ebeid illustrated by Sophia Soliman

This 44 page hardback book gently, yet powerfully, focuses on the Palestinian resistance symbol of the key, by sharing a multi generational tale of new beginnings, heartache, hope, and resilience. The writing is moving, and flows with simple lines, beautiful illustrations, and maintaining a focus on a singular theme. So often well meaning books about oppression, war, politics, try and include numerous details that the picture book suffers in its appeal to younger audiences, the opposite is often true with books being so generalized that it isn’t clear exactly where refugees are from or what turmoil is being discussed. This book strikes a beautiful balance of calling the incoming occupiers a dark cloud and not giving them space or attention, while focusing on Palestinian experiences through a lens of hope, joy, and love.

The book starts with the key. It is a beginning to Kamal’s home. It is on his belt at his wedding, it is the beginning of his and Huda’s new life starting together, a symbol of their home when their son is born. It is the beginning of Jalal’s imaginative play of using it as a dhulfiqar. It is secured around Huda’s neck when they are forced to leave their home, and find refuge in tents. It is hung when the tents become walls.

One day Jalal takes it down, when the hurt in his father’s eyes is too much for him to witness. When Jalal becomes a father though to Salma, the key becomes her toy, her microphone, her connection. When Kamal gifts the key to his granddaughter it becomes her art, her poetry, her necklace, a symbol of her hope and a people’s right to return.

I’ve read this story a few times to myself, as well as with my children, and I only wish it was a little larger in size. It works well one-on-one or with a few, but it is a story that needs to be shared in large story time groups, and the 9 x 9 inch size makes it a bit difficult.

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The book concludes with an author’s note, an illustrator’s note and a glossary, not just of terms, but traditions, concepts, and information about the song. I purchased my copy from Crescent Moon Store.

Jan4

MetalGhost: Kashif and the Echoes from a Past Life by Ali Mohammad Rizwan

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MetalGhost: Kashif and the Echoes from a Past Life by Ali Mohammad Rizwan

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This 350 page YA book (14/15+) does not hit the ground running, but once it finds its stride, it is a lot of fun.  I handed the book to my son, who loves Islamic fiction, and at 30 pages he brought it back saying it was terrible. I upped the ante and bribed him with goalie gear to read to 100 pages, but he couldn’t stop, he finished the book, and returned the favor by encouraging me to move it to the top of my TBR pile.  Like him, I truly wanted to dnf it early on. There are too many names, too many line edit errors (mistakes, repetitive phrases, adverbs), and a little too many forced cheesy (halal) romance scenes. And then the writing gets a little better, the plot strengthens, the Islam is more than just the character’s religion, but something that actively engage with, humor is woven in, twists develop, emotional threads are pulled, and you find yourself absorbed and invested in the story.  The writing at the end unravels as well, it feels  forced, much like the beginning, but perhaps that is the vigilante/superhero genre’s norm to get readers to pick up the next book in the series for answers and clarity. I’m glad the book was nominated for the Muslim Book Awards, I may not have heard about it otherwise, and I love that my son, who is currently re-reading it, found a book that is relevant, appealing, and has an Islamic heart.  Think a mix of Batman and Green Arrow, with a splash of Ironman all wrapped up in a thobe, and being advised by his mother and the local imam to go pray.

SYNOPSIS:

Life is going pretty well for Kashif Razvi, he is about to marry his longtime crush, with both families’ blessings and excitement, he is busy at work but enjoys it, and he hangs out in his free time with his tech friend Samir, developing robotic and cutting edge devices, but then everything falls apart.  When his father dies because of a mysterious power outage in the ICU, Kashif can’t let it go, and starts looking for answers.  He comes up empty following the legal, traditional routes and decides to take matters into his own hands.  He throws on a suit designed by Samir and takes to the streets as MetalGhost, becoming the city’s new hope.  He follows leads to avenge his loss, uncovers corrupt police, cracks down on human trafficking, and seeks to set right other ails of the city.  No matter the crime, a few names always seem to be in the mix, and as the city starts to fall apart, copycat vigilantes start popping up, and MetalGhost finds it won’t be as easy as he thought to hang up his thobe and leave his crime fighting life behind.

WHY I LIKE IT:

Everyone wants a Muslim super hero, but usually they come across as overly juvenile, or their faith and culture performative. This book finds a nice balance of action, contemporary relevance and Islam. The structure feels formulaic, but it works as it seems to track with superhero movies.  You get the emotional tragedy, then the plot, then the resolution. The middle of the story flows and draws in seerah, sahaba inspiration, humor, and action.  The beginning and the end, though are just really stilted.  I’m not going to spoil anything, but the end was not as strong as it should have been, the reveals and twists were not articulated well and they should have been, they were so shocking.  The numerous names and characters at the beginning really need to be edited and simplified, they linger in the middle, but honestly the reader stops caring and just reads for the plot, hoping that it will get sorted.

FLAGS:

I love that the relationship beats are halal, there are a few tinges that might lean into the line, but are gray at most.  There is killing, death, torture, human trafficking, crime, lying, vigilantism.  For teens it is fine.

TOOLS FOR LEADING THE DISCUSSION:

My son and I have chatted about the book, but I think to take to a larger group, I really would want it to have another round of edits.  The idea of the story is wonderful, and to read by yourself I think it excels at what it is.  But to have teens, sitting around picking it apart to discuss and reflect on, will need the writing to be cleaner and stronger.

Dec31

Our Neighborhood: Excited for Eid by Marzieh Abbas illustrated by Anoosha Syed

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Our Neighborhood: Excited for Eid by Marzieh Abbas illustrated by Anoosha Syed

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Like the first book in the Celebrating Islam from the Our Neighborhood series, Friday Fun, this 26 page 7 x 7 board book is delightfully done in capturing the joy, sentiments, and traditions of the day. The mix of specifics and generalized parts of an Eid day experience offer both a window and mirror for toddler to early preschool kids. My concerns is that while maybe families will sense that henna/mendhi is cultural fun, and balloons and ice cream are not a religious requirement of the holiday, the two page spread dedicated to gathering at graves is a lot of space given to a cultural practice, not an Islamic one. I’m not a scholar and the book with its minimal words does not indicate if these families are visiting all graves, if they visit on days other than Eid, if they are grieving recent deaths and acknowledging that holidays can be hard. It shows multiple families at multiple graves some with flowers, some bare, some placing flowers, under the words, “gather together” and “love forever.” It is uncomfortable to me because of the space it takes up and the implication that it is a major part, or perhaps that it is a requirement of the religious holiday, when it is not.

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Similarly, the absence of going to the masjid or even praying is also glaringly missing. The family goes past the “lit up mosque” to get to the “fun kiosk” later at night for fun and games, but again no Eid prayers, five daily prayers, or really any worship is shown to take place on Eid other than in the illustrations reading Quran and making dua at graves. Hijab is shown on numerous women and mentioned in the text. For a book about a religious holiday, positioned to celebrate Islam, I would have hoped for some clear religious acts to be shown and articulated as being joyous parts shared by a global faith.

I enjoyed the little baby’s desire for ice cream that stretches through the story. It will add a layer of joy to even the youngest audience members. The gathering to eat and share and have fun is beautifully illustrated under the simple rhyming text, but Eid is a religious holiday, and that point seemed unfortunately absent.

Dec30

The Djinn Waits A Hundred Years by Shubnum Khan

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The Djinn Waits A Hundred Years by Shubnum Khan

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I didn’t realize how many characters this 308 page adult book has until I sat down to write this review.  The slow peeling back of layers into their backstories, motivations, perspectives, and insecurities, makes you get to know them in a way that feels real and deep, but in no way can be succinctly explained in a review.  First off to clarify, I feel the title is a bit of click bait, the djinn is there, but not a big part of the book, there is also a ghost, who is a more impactful character, so the vibe is more haunting than Islamic lens.  In fact, a few characters are Muslim, but that is about it.  The writing though, oh the writing is quite lovely and immersive.  The culture of desi characters in South Africa, the slivers of colonization and caste that get commentary, and the heartache of all those who have called, and do call Akbar Manzil home, will linger even if the details fade over time.  I listened to the audio book, so it is possible that triggers or flags might have been missed, for the most part the book is relatively clean, death, murder, attempted murder, and supernatural beings being the most obvious.

SYNOPSIS:

The main character is very much the grand estate of Akbar Manzil, a palatial home off the coast of South Africa that shaped lives and futures and hid horrors and loss.  In modern times it has been subdivided into apartments where lives and futures are still shaped and horrors and loss are also hid, and hid from.  When Sana and her father arrive to take up residence, the past and the present begin to unite, a djinn that has never left the house is stirred, and the more Sana pokes and prods, and the more she understands about the original inhabitants of the home, the more the house pushes back.

I don’t know how much to tell, as spoilers aren’t so easily defined in this book.  The family in the past is a man from India, Akbar, who falls in love with the area, builds a house despite his wife hating it all and desperate to leave, opens a sugar factory, his mother comes to live with them, they have two children, servants, friends, he stocks the gardens with monkeys, giraffes, a lion, and then one day he is enamored by a Hindu worker, Meena, at the factory and takes her as his second wife.  The jealously and family drama reaches a crescendo when she is pregnant and has a little boy.  Beyond the family storyline is a djinn also enamored by Meena, who takes up residence in the house to be close to her.

In present times, the other tenants in the house have their own baggage, loss, regret, and fears that cause daily squabbles and plottings.  Sana deals with the loss of her mother who hated her, and a dead sister who haunts her.  There is also Pinky in love with Shah Rukh Khan, Zuleikha a former famous pianist who has lost her edge, the Doctor who owns the home, a mother waiting for her son to visit, a parrot named Mr. Patel, Fancy, Razia Bibi, and so on. The house is occupied, but hollow, not full, and the the lingering djinn seems to always lurk just beyond the surface, in the corners and shadows that haunt them all.

WHY I LIKE IT:
I like that the writing keeps you hooked, even at times when there is no rising action, or conflict, you are genuinely drawn in and invested in just learning about the characters and how their lives, both those in the past and the present, intersect.  I didn’t like the fact that there is a djinn and a ghost, I feel like the ghost negates the realness that djinn.  It is possible that the ghost was a metaphor, or symbolism, but it was a little off to me, to have both as I understood it.  I don’t know how I feel about the vagueness of the final climax, yes I’m trying not to give anything away, but SPOILER: who set the fire?

FLAGS:

Loss, death, ghosts, djinn, murder, attempted murder, lying plotting, manipulation, music.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that this would work for an Islamic school book club, that doesn’t mean it wouldn’t work, but rather I need someone to discuss with me, so that I feel like I understood some of the lingering threads that are unresolved.  Basically, I would need to have someone explain parts to me, before I could help 15-16 year olds and up make sense of it all.