Tag Archives: Love

Sep18

Odd Girl Out by Tasneem Abdur-Rashid

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Odd Girl Out by Tasneem Abdur-Rashid

At 368 pages this identity centered mature YA book really hooked me and had me invested, which is impressive because Islamophobia stereotypes and being the new kid in a new place tropes are pretty frequently done, and often after a while, feel repetitive.  For me the charm of this book is actually not Maaryah and her peers/friends/bullies storylines, but the protagonist’s relationship with her parents and what caused her mom and dad to divorce.  Obviously as a mom of teens, I’m not in the target audience, but I feel like I benefited from the Muslim authored, Islam centered book, and think older teens, perhaps 17 and up, will also find the book enjoyable and reflective of views they have, challenges they face, and boundaries they have to establish.  I don’t want to spoil it, but SPOILER, had my dear friends that have read the book clued me in that the book will toe and slightly cross the haram lines, but ultimately show Maaryah deciding to re-establish her boundaries after being tempted not to, i.e. making a poor choice to attend a party with boys and alcohol present, and dressed in a way not typical to her hijabi style, I wouldn’t have read the last hundred and twenty pages or so with my jaw clenched in fear. The book shows a lot of Islam in practice, salat, duas, discussions about hijab, but not everyone will agree with decisions Maaryah makes or the rationale behind them as they vacillate between culture, religion, and family expectations.  I love that Maaryah is fallible and never abandons her faith, and that who we are is more than a singular mistake or instance of poor judgement. The book is not preachy, most will just take it as a girl finding her place in her new family dynamic in a new country, who happens to Muslim.  I think, an assumption really, based on what the author has said about her previous adult books, something along the lines that they are not meant to be Islamic fiction, but are stories with Muslim characters, and I think this book should probably be viewed the same.  There is swearing, hand holding, a side hug, normalized boy girl friendships, lying, running away, deceit, cheating, alcohol, mention of hookups, dating, vaping, music, flirting, hijab questioning, bullying, physical assault.  My biggest concern about the book is that it brings up Palestine, but doesn’t discuss Palestine. A side character is a non practicing Jew that visits Tel Aviv and Maaryah wants to discuss the occupation with her, but hesitates and the moment passes.  It is never revisited which I really wish it would have.  It could have modeled a bit how to have those conversations, I know it isn’t that type of book, but Maaryah mentions repurposing kaffiyehs in her designs and so it hints that it matters to her, but never pulls on that thread.  At one point it also mentions another character posted something pro Isr@*l during the genocide, which I can only assume the author thought that by the time of publication would have ended.  SubhanAllah ya Raab.

SYNOPSIS:
The tag line on the cover “From Dubai Girl to London Nobody…” very succinctly summarizes the plot.  Maaryah had an idyllic life in Dubai with her parents and close friends, spending her holidays with her mom’s family in London, and securing an internship with a famous designer.  All is going well until her parents get divorced, her mom moves her to the UK, not near her extended family, and the lack of Muslims, let alone hijabis, at her high school has her bullied with no friends to have her back.  With her mom in survival mode, their once close relationship is non-existent, and the 15 year old is left to sort through it all on her own.

WHY I LIKE IT:

There is a little pulling of punches so to speak of asserting that the boundaries are Islamic, but for the most part I think Muslim readers will see that Maaryah does view a lot of what she experiences through an Islamic lens which I appreciate. I also like that the protagonist’s connection to salat and faith is hers, it isn’t forced on her and I think for this demographic that is good micro messaging and framing.

I was very grateful that the book answered the questions about Maaryah’s family dynamic, so often parental problems are pushed to the void and let to be resolved or understood off the page. And while in the first half it was teased a little as we aren’t having that conversation right now, I did ultimately by the end feel like it was sufficiently resolved.  I also felt the mom was blaringly absent at weird times and I get that it was a plot device to get her out of the way, but if you are dragging at the 100 page mark, I do encourage you to keep reading, it does pick up.

This book isn’t meant to be didactic, and I recognize I’m putting that on it a bit, but I do think the Gaza framing missed an opportunity to show readers how to navigate that very real scenario through the power of fictional characters.

FLAGS:

Copied from above: There is swearing, hand holding, a side hug, normalized boy girl friendships, lying, running away, deceit, cheating, alcohol, mention of hookups, dating, vaping, music, flirting, hijab questioning, bullying, physical assault.

TOOLS FOR LEADING THE DISCUSSION:

I would shelve this in an upper high school classroom, I think that decision to be at the party is clearly shown to be a mistake, to put herself in that situation is something she regrets, and I think showing that she comes out from it offers a lot to be discussed.

Apr22

The City of Jasmine by Nadine Presley illustrated by Heather Brockman Lee

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The City of Jasmine by Nadine Presley illustrated by Heather Brockman Lee

With a release date of May 6, I really wanted to wait to post a review because the images are gorgeous in the electronic version, and I can only imagine how moving and captive they will be presented in a physical format, but alas I know the importance of presales and am sharing to hopefully encourage you to preorder and/or request from your library, this gorgeous 40 page OWN voice book.  A love letter to Damascus, and the sights, sounds, smells, taste, and feelings that the author remembers despite the mountains and oceans that now separate her, are lyrically shared with readers on a journey through the city. The ethereal lilting of words draw readers of all backgrounds in, and the complimentary gorgeous illustrations convey a palpable sense of beauty, love, and memories of home.  Even on a screen, they force you to get lost in their beauty. The cadence of the words allow natural pauses that tug on your eyes and draw them toward something in the images not seen before, forcing the readers and listeners alike to hesitate before turning the page.

The book starts with a little girl telling where she comes from, “the City of Jasmine,” “the Umayyad Mosque,” “Ghouta,” “Damascus,” “Qasioun,” “Qala’at Dimashq,” headers for spreads rich with poetry, wonder, and longing.

Neighborhoods of diverse families gathering, and sharing the foods that bring people together, and quiet bookshops that facilitate travel through time. Family memories built around orchards and fountains and laughter and love.  So far away from the author now, the memories are not lost, they can be touched when the scent of jasmine is “breathed in, and breathed out.”

The book concludes with an author’s note and a glossary.  Those of us who are not Syrian, and who have never been, after spending time with this book will undoubtedly be tempted to add Damascus to our bucket list of travel plans, and inshaAllah as the country rebuilds such trips will come to fruition.

Mar16

My First Salah Book: Why and How we Pray by Learning Roots

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My First Salah Book: Why and How we Pray by Learning Roots

Over 91 pages this informative book tells “The Story of Salah” through the miraculous night journey, how to do wudu and its benefits, step by step how to make salah, and then a story style portion of “Life with Salah.” I do not have the digital “kitab” pen that allows readers to have the book read to them and activities made interactive without parental involvement, but even with out it, the book is a pretty solid resource.  The hardback binding, and full color pages are not crowded, they introduce nine characters at the beginning and feature them throughout the pages learning the steps, imagining witnessing the events, and putting the lessons into practice.  Some of the recent Learning Roots books have the characters watching or imagining themselves in story’s of the Sahabas and Prophets, that make me uncomfortable.  The first chapter of this book, is more limited as it illustrates a light in the sky as the Buraq being seen by some children, not the characters in the book, and a silhouetted tree as Sidrat al-Muntaha.  As I am not knowledgeable enough to know if it is “right” or “wrong” to have a child seeing the silhouetted tree and pointing to it, or who it is meant to be, I’ve included pictures for you to decide what is best for your family.  I particularly like that on the pages where Arabic is spoken it is found written in easy to read Arabic with English translation and transliteration.  Within the text there are attributions of hadith and after each chapter there is an activity and questions.  The book concludes with a glossary.

Whether as a tool to learn for the first time, or a book to revise with children already praying, the approach is gentle and easy, inviting children to engage with the pages.  The four chapters are packed full of information, but the illustrations, diagrams, and steps, also allow the book to be referenced, or read cover to cover.

The last chapter, “Life with Salah” shows the character group engaging with salah in a very idyllic way, but given the tone of the book, it works, and will allow readers to see salah as more than just an obligation, which is important.

I got my copy from crescent moon store, if you use my initials (ISL) at checkout you can save 10%.

Mar5

Ibraheem’s Perfect Eid by Farhana Islam illustrated by Nabila Adani

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Ibraheem’s Perfect Eid by Farhana Islam illustrated by Nabila Adani

Gorgeous illustrations, joyful Islam, and a sweet story about a little boy realizing there is more to Eid than presents. The protagonists voice is really on point and a great way to counter so many of the books, and real life antics of kids equating Eid to being about gifts. This 23 page picture book for 3-6 year olds, works for both Eid al Fitr or Eid al Adha, and follows little Ibraheem as he searches for his gifts throughout his sunnah and love filled Eid day at home and at the mosque.  I love that it shows him getting drawn into the khutba, doing takbir, ruku and sajood, eating dates before going, and taking a different path on the way home.  It doesn’t have any backmatter, but if reading it to a child, I would hope the little details in the text and illustrations would be discussed. It took me a few readings to be ok with how Ibraheem discusses his gift order with Allah swt, but I think for little kids and with the consistent tone of the book, it makes it relatable.  I also don’t know why his mom and rest of the family do not go for Eid prayers. Other females are shown at the mosque in the background, and people of various ages and mobility, but alas it is just Ibraheem and his Baba at salah, and a house full of love and family the rest of the day.

The book starts with an illustration of Ibraheem hanging up his “Eid Sunnahs” chart next to his “Dear Allah” swt list of gifts that he wants. The text then starts with it being Eid day and Ibraheem looking in all the usual places for his presents, but comes up empty. He wonders if his parents forgot, if Allah forgot, but he knows that would never happen. Luckily Baba and he are off to the mosque for prayers, maybe, he thinks, the presents are there.

As the father and son walk to the mosque they greet others, and then settle in for the “Eid day stories.” I don’t love that the khutbah is referred to as such, but that is probably just me. When the iqamah is called, it is time to pray and Ibraheem copies his Baba before they make their way into “the sea of smiling faces.”

Back at home it is time to enjoy food, games, fun, and cuddles with a bustling house.  Presents still haven’t been found, but the day has been perfect, and presents can always be opened tomorrow.

I love that this is a traditionally published book, that centers Islam on Eid and radiates with joy.  The large size makes it easy to share in all settings, and the illustrations beg to be explored and appreciated.

Jan8

Kamal’s Key by Rifk Ebeid illustrated by Sophia Soliman

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Kamal’s Key by Rifk Ebeid illustrated by Sophia Soliman

This 44 page hardback book gently, yet powerfully, focuses on the Palestinian resistance symbol of the key, by sharing a multi generational tale of new beginnings, heartache, hope, and resilience. The writing is moving, and flows with simple lines, beautiful illustrations, and maintaining a focus on a singular theme. So often well meaning books about oppression, war, politics, try and include numerous details that the picture book suffers in its appeal to younger audiences, the opposite is often true with books being so generalized that it isn’t clear exactly where refugees are from or what turmoil is being discussed. This book strikes a beautiful balance of calling the incoming occupiers a dark cloud and not giving them space or attention, while focusing on Palestinian experiences through a lens of hope, joy, and love.

The book starts with the key. It is a beginning to Kamal’s home. It is on his belt at his wedding, it is the beginning of his and Huda’s new life starting together, a symbol of their home when their son is born. It is the beginning of Jalal’s imaginative play of using it as a dhulfiqar. It is secured around Huda’s neck when they are forced to leave their home, and find refuge in tents. It is hung when the tents become walls.

One day Jalal takes it down, when the hurt in his father’s eyes is too much for him to witness. When Jalal becomes a father though to Salma, the key becomes her toy, her microphone, her connection. When Kamal gifts the key to his granddaughter it becomes her art, her poetry, her necklace, a symbol of her hope and a people’s right to return.

I’ve read this story a few times to myself, as well as with my children, and I only wish it was a little larger in size. It works well one-on-one or with a few, but it is a story that needs to be shared in large story time groups, and the 9 x 9 inch size makes it a bit difficult.

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The book concludes with an author’s note, an illustrator’s note and a glossary, not just of terms, but traditions, concepts, and information about the song. I purchased my copy from Crescent Moon Store.

Dec15

Hidden Fires by Sairish Hussain

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Hidden Fires by Sairish Hussain

I will not be getting over this book any time soon. It broke my heart, and all my other critical organs, in the most delightfully well-done way possible, and undoubtedly I am better for it. I don’t read a lot of adult fiction these days, and with some diabetic retinopathy concerns, I couldn’t read the 384 page adult book about generational trauma, partition, the Grenfell Tower fire, family dynamics, bullying, self-harm, and resilience, but was pulled in to the audio book version instead. The Desi-British voices of Yusuf, Rubi, and Hassan were refreshing to my American ears.  The multi-perspective book told in parts richly develops the characters, their relationships, and their current, past, and future struggles.  The author is Muslim, as are the characters, and while they all practice in their own way, it is undoubtedly who they are, and their Islamic identity is not questioned, feared, blamed, or apologized for.

SYNOPSIS:
The book weaves three distinct voices. Yusuf, is an 80 year old an immigrant who lived through partition, raised his family in the UK, has lost his wife a year prior, and is struggling with haunting memories of the past, failing health, regular loss of friends, and loneliness.  Hassan, Yusuf’s youngest son is a workaholic who is married to a non Muslim, non Desi who is suffering from fibromyalgia and who’s mother unexpectedly passes away in Spain.  Rubi, is Hassan’s 16 year old girl who is overweight, bullied, lonely and about to take her GCSE exams when she is dumped on her grandfather Yusuf’s door while her parents head to Spain.  The book opens in Ramadan the night of the Grenfell Tower fire and the horrific event affects them all, stirs memories, and shapes futures.  From there the layers of each character slowly unravel as they cope with the swiftly changing present as they desperately work to break free from the past.  As dementia plagues Yusuf, Rubi finds purpose in being needed, and Hassan is forced to re-prioritize his life before it is too late.

WHY I LIKE IT:
The book takes a slow approach to building up the characters and their back stories. It is almost feels like world building as a book would if it were a fantasy, it doesn’t info dump, but at some point the hooks are so deeply embedded that you really cannot leave the characters and their world and you have to finish the book, just to ensure they are ok.  Because I listened to the book, I feel like there might have been some Islamic content that was not completely ok, but again I was having vision issues and couldn’t note where to go back and check.  I think it is fine, and because it is an adult read, I think the audience can discern accuracy, but please know, I’m not 100% green lighting the Islamic rep.  It is undoubtedly well done and fasting and praying are a part of the characters, but their relationship to their faith and their understanding of it, is presented as theirs, it doesn’t get preachy or make broad statements about Muslims everywhere or Islamic doctrine.  

FLAGS:
There is body shaming, self-harm, trauma, death, torture, killing, lying, abuse, fear, guilt, dementia, bullying, assault, physical violence, drug use (mentioned), attempted suicide (mentioned), music, theft, make-up, close male and female relationships, Muslim marrying a non-Muslim, hallucinations.

TOOLS FOR LEADING THE DISCUSSION:
I think mature high school seniors or possibly even juniors could benefit from this book with discussions.  I think Rubi’s voice tied to her father and grandfather, will really open up youngsters perspectives, and provide a great vehicle to hear their thoughts, fears, worries, concerns about body image, self harm, aging grandparents, accessibility to parents, etc..

Nov11

The Gift of Eid by Shifa Saltagi Safadi illustrayed by Aaliya Jaleel

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The Gift of Eid by Shifa Saltagi Safadi illustrayed by Aaliya Jaleel

With heartfelt words and large two-page spread illustrations, this beautiful book shares a mother and daughter finding the perfect Eid gift for one another while bringing the reader into the Souq Al-Hamidiyeh, before sending them off to Masjid Al-Umawi for a warm hug.  A retelling of the classic, A Gift of the Magi, the story poignantly presents threads of love, gifts, loss, and Eid to fill the reader with joy, peace, and gratitude.  I’m admittedly very bias, as a close friend of the author, but this beautiful book doesn’t need lip service or marketing, it will appeal to all readers in all settings, and be cherished and asked for, over and over again, all throughout the year. Alhumdulillah.

The book starts with Yasmine and her mama entering the souq through the archway, and Yasmine remembering her father and her imagining the circles in the ceiling to be twinkling stars.  He is no longer with them, the magic is gone and money is tight now, but with liras jingling in her pocket, Yasmine is determined to find an Eid gift for her mother that will make her smile.

Yasmine looks around the shops as her mother counts out liras to buy za’atar, and tries to find something cheaper than sfeeha at the bakery.  She finally knows what to get her mother, but it is more lira than she has.  With determination and selflessness she makes a decision to get her mama the perfect gift.

The process separates the two, and when they reunite at the masjid for maghrib salat, it isn’t the gifts themselves, but rather what they mean, that make the laughter, tears, and love overflow.

I love the emotional depth the book conveys so deftly, never explaining or pulling the reader out of the story, thus allowing the connection to linger long after the book is closed, a rare treat in a picture book.

Jun4

I’ll See You in Ijebu by Bunmi Emananjo illustrated by Dian Ejaita

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I’ll See You in Ijebu by Bunmi Emananjo illustrated by Dian Ejaita

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As a window into Nigerian life, this 32 page book is beautiful, celebratory, and an incredible resource to learn from and emerge yourself in, as the beautiful pages, and delightful language sweeps you away to Ijebu and Olu’s grandparent’s house for Eid al Adha.  As a Muslim, this book’s framing might require some conversation with little ones that may or may not be right for your family.  The protagonist in the book, Olu, is Catholic, her siblings and parents are as well, her mother’s family however, is Muslim.  The multi-faith family celebrate each others’ holidays, for example Olu goes to the mosque to pray after taking communion at church, and the cousins haven’t seen each other since they came to Lagos to celebrate Christmas.  Eid al Adha is celebrated with a big meal, prayers, and being together, but nothing specific about belief or doctrine is included in the text. The tender heart of the story is the subtle bond between Olu and her grandfather, Baba, even though language differences prevent them from talking. The writing style is as beautiful as the full page illustrations, with part of each page dedicated to more traditional story telling, and another complimentary part expressed in a more lyrical fashion that reads often like a song.  The backmatter is robust with information about Nigeria (including a map), Food, Fun, Faith and Family, Oriki, Fashion, an Author’s Note, a recipe for Puff Puff, an Illustrator’s Note, and a list of people who helped create the book. The book is OWN voice written and illustrated, but I do not think either are Muslim, and while the publisher lists the book as being for ages 4-10, it is a bit text heavy, so take that into consideration. 

The book starts with Mummy calling Olu and her brothers for breakfast.  Daddy is in America at their old home visiting his brother, and today they are going to Ijebu to visit Baba and Iya Akin for Eid.  This year Olu is eight and will finally get to help make the Sallah feast. The traffic is bad in the hot weather, with smells of vendors cooking filling the air.  The family listens to Afrobeats and 90s pop music until they are finally there.  When they arrive Baba is waiting and sings Olu’s oriki as they embrace.  Food is a big part of visits to Ijebu, as they pick ripe cashews, sugar cane, guavas, and mangoes on Baba’s farm.

When it is finally Eid the family walks to the nearby mosque for prayers in matching outfits.  Then it is time to cook the two rams for the Eid feast.  Olu is going to braid the ram intestines.  It is a lot to cook and a lot to eat. When the week is over, and it is time to leave, once again it is Olu and Baba’s hug that make the love tangible and the book emotional as they say their wordless goodbye.

Apr26

Three Summers: A Memoir of Sisterhood, Summer Crushes, and Growing Up on the Eve of the Bosnian Genocide by Amra Sabic-El-Reyess with Laura L. Sullivan

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Three Summers: A Memoir of Sisterhood, Summer Crushes, and Growing Up on the Eve of the Bosnian Genocide by Amra Sabic-El-Reyess with Laura L. Sullivan

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It is difficult and probably rather inappropriate for me to offer a “review” of a memoir, after all who am I to have opinions on someone’s lived experience.  And this non fiction book in particular is so desperately needed and important, as OWN voice middle grade literature about Bosnia is fairly non existent. So continue reading my thoughts with a grain of salt, suffice it to say, that I enjoyed the book, and loved the author’s YA book The Cat I Never Named, but ultimately I struggle to suggest this for the intended audience of 8-12 year olds.  As a child my family was involved with Bosnian refugees in the 90s, as an adult I understand that Islam, and being Muslim, is not a monolith, as someone who can empathize with loss and heartache, I couldn’t put the book down.  Yet, I truly doubt that many fourth graders will feel the emotional climaxes that are not shown, but told.  That they will understand the timeline and what is about to happen if the book were to continue.  That they will feel a connection to the characters who read so much older than them.  If the book was fiction, I would say the characters read YA, with the bikinis and details of body growth, kissing, making out, having boyfriends, and dancing at the discotheque, cigarette smoking, backless dresses, noting which neighbors are having affairs, and trying to become their “truest self,” but the book is a memoir, this is the author’s life when she was 11, 12, and 13.  In an environment where her maturity is noted as being heightened because of the loss of her brother and her personality, the book shows cultural norms, that will still strike contemporary reader as being much more adult in nature. Islamically, the label of Muslim and Bosniaks, is ever present.  Bosniaks were massacred for being Muslim, period.  The book never shows them praying, or mentions Allah swt or the Quran, covering is something only the older generations did, they do drink alcohol on occasion, but they have a cow slaughtered Islamically and burials are done in accordance with Islamic principles.  There is kissing, having boyfriends is not problematic unless they are Serb, the only imam mentioned does weird black magic type things.  So while the label of “Muslim” may feel to Muslims readers more like a cultural marker at times, it is none-the-less incredibly empowering to see that Amra takes pride in her Bosniak identity and doesn’t shy away from it. Other flags/triggers are domestic abuse, bullying, physical violence, attempted drowning, accidental drowning, death of a sibling, kidnapping, imprisonment, threat of war, racism, Islamophobia, music, fortune tellers, lying, threatening.  The backmatter offers a timeline and thus gives some information about the rape, torture, genocide, abuse, and destruction.

SYNOPSIS:

The book starts with a visiting fortune teller giving Amra and her family hope that her older brother Amar will be pain free soon. Amar suffers from Marfan syndrome, and is frequently weak, teased, and in pain.  But he is also wise and patient, brilliant and gentle, and beloved by so many, and Amra is broken when he passes away.  To help break her from her debilitating grief, her parents reach out to a cousin in Belgrade, who has long been estranged for marrying a Serb, to come visit for the summer.  Zana and her younger sister Vedrana, engulf Amra in warmth and adventure and the summer on the River Una is just what Amra needs.  The next summer Zana and Amra resume their idyllic adventures of swimming, make-up, crushes, and coming of age, with only a hint of fracture based on religious lines creeping in the final days.  The following summer Amra is starting to mature on her own and understand the world around her.  Her father has lost his job, been kidnapped essentially and tortured, and while nights dancing at the discotheque give laughter and light, the girls final summer, is the end of peace, and innocence for all Bosniaks.

WHY I LIKE IT:

I love the end, that there are real life updates of the people in the book.  It made me cry.  It is also so timely to what is occurring in Gaza and how no matter how clear it is that it is genocide, and it is oppression, and it is racism, some just cannot see it.  The book is joyful, but the reality of the backmatter is heavy, and real, and important.

I like that the book shows Bosnia and the culture and the traditions, the few books I’ve read focus on the war, and the rich culture and deep history doesn’t get to shine like it does here.

I do wish the book was more showing than telling.  I know it is a memoir, but at times it was just too advanced commentary and insight.  I fully believe the author is brilliant, and at 11 years old was pondering her life, but most readers just aren’t at that age, and the tangents keep the readers at arms length.  The book says it is about crushes, so I don’t want to keep harping on it, but it really is Amra and Zana and a gaggle of other female cousins quite often worrying about boys, and crushes, and kissing.  It doesn’t get obnoxious, but it isn’t a line here or there, it is the bulk of the book.

FLAGS:

Domestic abuse, bullying, physical violence, attempted drowning, accidental drowning, death of a sibling, kidnapping, imprisonment, threat of war, racism, Islamophobia, music, fortune tellers, lying, threatening, death, loss, grief, affairs, cheating, racism, bare bodies, crude jokes, crushes, kissing, making out, sneaking out, smoking, drinking, developing bodies, bullying, internalized Islamophobia, kidnapping, imprisonment, dancing, black magic imams.  The backmatter offers a timeline and thus gives some information about the rape, torture, genocide, abuse, starvation, and destruction during the Bosnian genocide.

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TOOLS FOR LEADING THE DISCUSSION:

I think with some context about war, about communism, the Ottoman empire even, this book could be used in a teaching setting to allow the time frame to be seen from those living it, but, for more mature middle school to early high school readers.  It is a lot for MG and that it is non fiction makes me want it to be understood and appreciated and I don’t know that for the intended demographic, even with context and guidance it would be achieved. There really isn’t a plot, it is a memoir, and the pacing and assumed context knowledge I feel like, just wouldn’t be there for the typical western middle grade reader.

Mar6

Made from the Same Dough by Laura El Alam illustrated by Passant Ablal

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Made from the Same Dough by Laura El Alam illustrated by Passant Ablal

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Not all books about Ramadan have to be lists of facts. It is ok to show Ramadan and Islamic elements in stories that have their own plots, character arcs, conflicts and resolutions that are not just about abstaining from food and water, or losing your temper.  This book set in Ramadan is a story about a  Muslim boy and his Christian grandfather, and a whole lot of heart.  As a child of a convert, this book spoke to me, and I saw myself in that relationship, not only as a child, but even as an adult bringing my grandparents to my kids Islamic schools, friends’ lunches, and asking them to wait on the side while we pray.  I absolutely love the perspective of the protagonist, that he is worried about what Muslims will think of his grandfather not fasting or praying, as opposed to the often shown character worrying about what non Muslims think about us. The paradigm shift is subtle, but empowering to Muslim readers to see that they are not “other” in any environment.  The authenticity and how it all comes together in the clear text of the book is beautiful, but I must say, I really struggle with the illustrations.  I know art is subjective, and I am no artist, but yikes, I feel like the pictures actually distract from the story unfortunately.

The book starts with Papa coming over to his daughter’s family home and smelling something cinnamon-y delicious.  He dives in to the harira soup and recalls the cinnamon Christmas cookies they used to make.  Rayan wonders if Papa even remembers that the rest of them are all fasting.

Mama invites him to join the family at Auntie Hana’s for iftar the next night, and Rayan worries what Papa will do when they all pray, or if his friends will wonder why he came to iftaar if he is not fasting.

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Papa agrees and offers to make cinnamon cookies to share.  Rayan doesn’t like the idea of Christmas cookies at iftar and tells grandpa that Santa won’t be there.  The next day when Grandpa comes over to bake, Rayan refuses to help. Part scared, part frustrated, part anxious, Rayan hears everyone having fun, but stays in his room.

When they arrive at the iftaar potluck, Rayan reminds Papa to take of his shoes and then devises a plan to keep the Christmas cookies from causing any embarrassment. Only his sister Aliya foils his plan and Rayan will have to face his own feelings and make things right.

I’ve read this book easily close to twenty times, since ordering it, evaluating it for the Muslim Book Awards 2023, (it won the Holiday category), writing this review, and reading it to my littles at bed time, and it still hits close to the heart every time.  It reminds me of my own grandpa, who has been gone almost exactly a year, who may not have always understood our actions as Muslims no matter how often we tried to explain them to him, but never loved us any less.

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You can purchase your copy here at Crescent Moon