Category Archives: Middle School

A Tariq Twins Mystery: Murder for Two by Niyla Farook

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A Tariq Twins Mystery: Murder for Two by Niyla Farook

I don’t know what I was expecting, but woah once the actual crimes started piling up and the sleuthing began, I was invested in Riri and Ani working out their differences, solving the case, and freeing their accused dad.  At 336 pages, a full on murder, attempted murder, arson, thieving, and arrests all taking place, the book is definitely for older middle grade readers. The premise and dual points of view of 11 year old twins being reunited after 3 years apart by their divorced parents, getting to know how their OCD, ADHD, and autism factor in to their personalities, learning about TUSC, the town of Castlewick, and the side characters that will turn suspects, result in it taking the story a while to get going.  But if you can get through it, and can suspend belief, the book is a fun mystery that takes on heavy topics, and crime, but somehow keeps it light and consumable by the intended audience. The twins are Muslim, one wears hijab, and there are Islamic references, but once the identity is established, it really doesn’t play a role, or shape the characters’ view of the world or approach to dealing with their grief, anxiety, and obstacles they face.  There is mention of halal marshmallows and hijab, but they never say a quick dua or pray, and by the end is not really even shown to be a big part of their daily lives.  I have no idea if the neurodivergent rep is accurate, but the tone and approach is very positive and normalizing.  Parents may want to know that the book starts on the last day of school and the teacher is non binary, referred to as Mx Henderson with they/them/theirs pronouns. The character is mentioned a lot in the first nine pages, and then never again.  Pronouns for other characters are listed on their profile cards.  There is teasing of a girl having a crush on a boy, a few couples dating, a character being born out of wedlock, and a male character being in a relationship with someone named Toby that is mentioned a few times, but only on the final mention in the last few pages of the book, does it clarify that it is a boyfriend.  The book seems to be intentionally diverse in ethnicities, religions, identity, and orientation, but the story is a murder mystery, and a family reconnecting, and the mentions in passing are not detailed, or overly explored.  I mention all this for adults to determine what is best for their children.

SYNOPSIS:

Supersleuth Imani Tariq aka Ani lives in Castlewick with her father, Abderrazzak and spends time at Cafe Vivlio with Mrs. Kostas.  The small town is Ani’s stomping grounds for sleuthing and carrying out the cases her TUSC (Tariq Ultrasecret Supersleuth Centre) organization takes on.  She knows everyone, and everyone knows her, and she is not looking forward to spending the summer with her “evil twin” visiting from California.  Riri short for Noori, lives with her mom and is heading to the UK so her mom can set up a new office for her company, and the twins can reconnect after being apart for three years.  There is a lot of animosity in the former family of four, but the girls slowly start to rely on each other when they find Mrs. Kostas’ dead body in the secret garden, alibis not checking out, relationships coming to light and their dad being arrested for the murder.

WHY I LIKE IT:

I naively thought it would be a murder of a distant side character that the girls tried to solve, or maybe a trick and it looked like a murder, but ended up not being one, so I was really kind of shocked that in fact a murder occurred, that the girls found the body, and that the story of lies, deceit, art theft, secret identities, relationships, and webs of coincidences and manipulation was just getting started. The girls’ voices are distinct, but as they pop around doing what they do, the reader is often just expected to go along with it an not over analyze. I kind of liked that the ending spelled it all out, like a good villain in cartoons the culprit gets their moment to detail and confess what they did, how they did it and why.  In full disclosure though, with about 30 pages left in the book, I was genuinely still curious who the guilty person would be.

The book balances very real mirroring threads with absolutely bonkers ones.  The girls get counseling for grief, talk about their OCD and ADHD.  They also run circles around the police, unravel the plot through research, interviews, crime scene analysis and get the murderer to confess to only them.

The Islamic rep at the start really got me excited, but it stopped rather abruptly and there was no longer even any Assalamualaikums or walakumsalams after about the first 40 pages or so. The characters are of Pakistani decent, but I have never heard “hudafiz” as a farewell before, Allah hafiz and KhudaHafiz, yes, but never with an H.  It appears a few times in the book, and even the internet, for whatever it is worth, says it is probably a mistake.

FLAGS: (Things parents might want to know the book contains):

Murder, attempted murder, assault, framing, deceit, lying, arson, teasing, close boy/girl friendships (Muslim characters), hetero and lgbtq+ relationships, romantic interests, child out of wedlock, jealousy, revenge, name calling, parents are divorced, therapy/counseling, ADHD, anxiety, grief, abandonment, loss, OCD, autism, unemployment.

Tyger by SF Said illustrated by Dave McKean

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Tyger by SF Said illustrated by Dave McKean

I don’t know that I’ve ever read a book like this 304 page middle grade fantasy, dystopian, highly illustrated adventure. It delves into philosophy, alternate universes, slavery, racism, politics, magic, identity, friendship, betrayal, human rights, education, following your dreams, saving the world, and a talking immortal tiger. It started a little stilted for me, but as the book progressed, I began to see that a lot of detail about all the above mentioned threads would make for a very adult, very lengthy read, and this is meant for 9-12 year olds, albeit they would need to be able to handle the darkness of the book at times, and caregivers, be aware there is a public hanging of a child. The author is Muslim, and the protagonist and a side character identify as Muslim.  There is not much about Islam, or shown in practice, but that they are afraid to learn and practice their faith is mentioned briefly. I think kids will enjoy the read, and not get hung up on threads unexplored as I did.  The illustrations really make it a book that feels exciting to spend time with, and one that will linger with the reader.  I look forward to sharing it when it releases soon in the US, as it was published in 2022 in the UK.

SYNOPSIS:

In short the book is about a boy, Adam, living “in an alternate London where the British Empire hasn’t ended and slavery was never abolished.” In a partitioned off Ghetto as a minority from the vague “Middle East,” who is unable to go to school, or even draw, he makes deliveries for his family to help keep them afloat. During one such delivery he encounters a tiger, an animal like so many others that is extinct, her name is Tyger, and she speaks.  She is an immortal searching for Guardians to help her heal and open a portal to the city.  When Adam, who is immediately connected to her, cannot find a Guardian, she begins to train him, time is short and when he discovers his friend Zadie, short for Scheherazade, has some training from her father, the two set out to open the doors of perception, imagination, creation, and  revelation, to save the day.

WHY I LIKE IT:

I really like that this book opens up larger discussions about society, self, literature, imagination etc, and can really be adapted to mean different things depending on what the reader brings to it. The book addresses these themes in a way that doesn’t talk down to the reader, and in many ways allows the simple bad guy of the story to not be the takeaway point, but rather the journey of understanding perspective, points of view, empathy, creating something, and hope to be far more important.

The identity of the characters being Muslim initially was just a label, one that just made Adam and Zadie more “other,” but a few cleverly crafted sentences about hiding their names, their skin color, and whether it worked or not, allow the reader to reflect on if denying yourself to appease others is effective or not, or rather more importantly knowing when and in which situations it could be a benefit or a selling out of who you are.  Zadie and her father seem to practice, and one point Solomon ( Suleiman), offers his prayers, he says Assalamualaikum and Bismilliah. Adam and his family on the other hand, have hidden their faith so as to fit in better, and thus it is simply an identity label.

I liked that the illustrations weren’t just stunning in their own right, but also highlighted the mood, and metaphysical elements of the story.  I feel like I could teach not just a few lessons on this book, but dozens, and who knows if they would be correct, but I think this book would be fantastic as a read aloud in a classroom for the story at hand and for the discussions.  The darkness, the excitement, the hope, really gripped me, and while I could opine on plot holes and lack of articulation, in some key scenes, I appreciate that over explanation would take away from all that the book gets right.

FLAGS:

Racism, oppression, colonialism, slavery, hanging, power imbalance, betrayal, lying, sneaking, fighting, killing, magic, fantasy elements.

TOOLS FOR LEADING THE DISCUSSION:

Where to even start, this book needs an educators guide, stat. I looked online and couldn’t find one and I hope that will be corrected soon because if you read my thought above, you know there is a lot to discuss.

Huda F Wants to Know? by Huda Fahmy

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Huda F Wants to Know? by Huda Fahmy

Huda Fahmy books always make me laugh, but this is the first one that made me cry. Centering mental health and her parents divorce, we see Huda grappling with change, loss, anger, and resolve in a raw vulnerable way. While ever hopeful, and at times comical, the book is also incredibly moving and insightful.  Whether as part of the Huda F series or her two graphic novels prior, her autobiographic books always tackle heavy topics in a joyful, hilarious, honest way that appeal to girls and boys from middle school and up.  I know at 263 pages, this book is a YA read, but in my house my kids (daughter and sons) have loved reading her perspective about hijab, arranged marriages, identity, and sibling relationships. The unapologetic Muslim authenticity is unparalleled, and that non Muslims champion her books as well, truly shows the value of good story telling, and gives me hope in an often bleak world. Huda’s books are staples: new books are anxiously awaited, previous books are regularly reread, and Huda F Wants to Know? continues in that tradition.  This book isn’t just fun, it is important- it normalizes mental health, empowers families shaken up by change, and makes us all feel seen and less alone. SubhanAllah.

The book starts with Huda’s plan for her junior year in high school, her friend Nabz and her are determined to buckle down and get scholarships.  When Huda’s parents call a family meeting, she thinks she just might be getting a car, but instead she and her sisters learn, their parents are getting a divorce. The book then rewinds to show a little lead up before Huda’s world shatters, and junior year’s blue print is tossed aside.  We see her going to the masjid for weekly halaqas where Sr Amal discusses topics like societal pressures, family expectations, gender bias in education, and other relevant topics.  At one such gathering, Dr Haifa came to talk about mental health.  We also see her crushing on a boy at school, fighting with her mom and sisters, and the girls going on a road trip to a Muslim convention.

Every storyline, every twist, every page really, has Islam woven in.  It is the way the characters see themselves, see their world, handle stresses, find peace.  Mental health is not separate from the hadith and sunnah, it is blended and approached in a holistic manner.  Divorce is understood Islamically, and the clarity in which it is articulated will, I imagine, be so reassuring for Muslims who have gone through it, and seen others go through it.  Just as my boys years ago read That Can Be Arranged, and became incredibly curious about marriage in Islam, I have no doubt that this book, will also be a powerful conversation starter for so many.  I don’t know if that is part of why Huda write, but it definitely is a result of her books.  I wish I could ask her, I’d also want to know how she decides what to share of her own life, where the line of reality and fiction for her is and how she sets and maintains those boundaries? I also desperately would like to ask her if she plans to write forever, because the world benefits from her books, needs her books, I know I do.  No pressure or anything.

 There are resources for mental health at the back of the book, some even specifically for Muslims. Please preorder this book and/or request it at your local public library as a show of support, it releases in April.

Safiyyah’s War by Hiba Noor Khan

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Safiyyah’s War by Hiba Noor Khan

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A.M.A.Z.I.N.G! SubhanAllah the subject matter is incredible, but the characters, writing, and Islamic inclusion really make this 327 page book a must read for all upper middle grade and lower middle school aged children everywhere. The book is historical fiction, set in Paris during WWII, the Nazis are invading and the Muslims at the Grand Mosque of Paris are covertly helping, hiding, and saving their Jewish neighbors.  Based on real facts, the book does not get lost in politics, or propaganda, or the enemy, the story stays on level for an MG reader with character arcs that are not confined to the atrocities at hand. The familial love, the friendships, the bravery of so many, really lingers long after the last page is read. Knowing that Muslims in France did this and that their stories have by-and-large been lost over time, makes this book all the more important to share with our own children.  This book fills such a void for children in Western countries wondering why WWII lessons in school never mention Muslims, and that this is traditionally published in the UK, soon to be in the USA, really is a benefit to us all.  I do wish the book was more strongly sourced, there are Historical Notes at the end, but I’d love to know where to go to get more facts about it all.  Little kid me would have been obsessed, adult me can’t wait to share this book with teachers and book clubs to discuss, teach, enjoy, and be inspired by, alhumdulillah.

SYNOPSIS:

Safiyyah lives in the apartments in the compound of the Grand Mosque and while Muslims are more-or-less safe from the imminent threat of the Nazi’s, because of their connections to North Africa, their world is still changing quickly. Safiyyah loves maps, helping run errands for her father, Ammo Kader, and Ammo Imam, and spending time with her Setti.  She also loves spending time with her best friend, Isabelle at school and on weekends.  When the Nazi presence is no longer avoidable, Isabelle and her family leave, errands are no longer safe and Setti’s beloved oranges are harder and harder to get. To top it all off, her father starts acting secretive and Safiyyah starts sneaking around to find out what is going on, unraveling a clandestine network helping those needing to get away.  Her family has no intention of involving her, but when soldiers start getting suspicious of the Muslims assisting the Jews, Safiyyah takes on dangerous roles that just maybe a young girl can accomplish without drawing too much attention to herself, the cause, and the Muslim community’s commitment to helping the innocent.

WHY I LIKE IT:

I love that the book is fast paced and the fear of being caught is always present, yet the book is able to flesh out relationships, character growth, and religious understanding.  Little details weave in and out, and the confidence that the writer is in control of all the threads allows the reader to be swept away, completely. The interfaith aspects are not just check marks, the story shows the ease in which the communities work together and their connections are tangible.  There is no internalized Islamophobia or othering, and the way that Islam emboldens the characters’ actions is so beautiful: from the larger commitment for justice, to the personal internal reflections of wearing of hijab, praying, listening to the athan, making duas for the deceased, etc..  Spending time to ruminate on the idea that breaking an unjust law to save lives through an Islamic lens is empowering, and knowing that this is the risk that real Muslims in Paris took is so very humbling. I love that the conflict of France and Algeria is not left out as the Kabyle protagonist and her grandmother note that they are now supporting those wearing French uniforms to fight the Germans.

FLAGS:

Wish making, lying, death, fear, occupation, war, destruction, oath taking on a Quran, tasbeehs, working with wine barrels and smugglers.  There is a strong familiarity with Christian and Jewish holidays, some crossover celebration.  Some Christian angel imagery being used by Safiyyah for Ammo. Sneaking, hiding, forgery, skipping school.

TOOLS FOR LEADING THE DISCUSSION:

Having only ever read one other book on this topic, The Grand Mosque of Paris, that would definitely be a reference I would present when introducing the book.  Whether in a classroom, a library, a home, a book club, I hope this book gets read, passed around, shared, and discussed.  Muslims and non Muslims alike will fall in love with persistent over-eager Safiyyah and hopefully remember the resistance the characters in the book and real life sought with courage and dedication for the good of humanity.

I own my UK copy and have preordered US copies for myself, my mom, my teacher friends and hope you will do the same (you can preorder here).  Please also request your local public libraries to shelve this important book.

Muhammad Ali and Malcolm X: The Fatal Friendship by Randy Roberts and Johnny Smith adapted by Margeaux Weston (A Young Readers Adaptation of Blood Brothers)

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Muhammad Ali and Malcolm X: The Fatal Friendship by Randy Roberts and Johnny Smith adapted by Margeaux Weston (A Young Readers Adaptation of Blood Brothers)

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A lot of us Muslims name drop Muhammad Ali and Malcolm X in discussions about civil rights quite often, and at least, speaking for myself, I thought I had the general idea about the relationship between these two iconic figures. I have read a fair amount of books in my quest to identify books that show how Islam shaped the men as opposed to those that tend to gloss over their eventual conversion to Sunni Islam, but I read this book as if it were fiction and I didn’t know what was going to happen next.  I have not read the original Blood Brothers, but this young readers adaptation is well done in conveying the politics, environment, struggles, and humanity of these two men.  Their flaws and growth, their tests, their friendship, it really is a compelling read. The focus on their friendship puts Nation of Islam as the focus, but the book does a good job of identifying it as being different than Islam.  As their friendship falters, Malcolm X goes for Hajj and is seen to change, and choices made by Cassius Clay show the men quite distant at the time of el-Hajj Malik el-Shabazz’s assassination, even though eventually their paths proved quite similar. The 240 page book is MG, but I think middle school readers (in classrooms, book clubs, and on their own) will better appreciate the intersection of these two giants, the events of their time, and the legacy they have left for us all.

SYNOPSIS:

The book is a snapshot in time, sometimes focusing on Malcolm X, sometimes on Cassius Clay, sometimes of their time together.  It starts with background insight and then shares the rise of both of them in their respective worlds, Nation of Islam and boxing.  Threaded through it all is the influence that Elijah Muhammad had on them, and key events they experienced that shaped their thoughts and opinions on race relations, politics, religion, and life.  It shows Malcolm X as the teacher, and leader taking in Clay and believing in him against the Nation’s wishes and thus when Muhammad Ali pushes him away the reader sees the Champ in a different light.  It shows deception and manipulation, as deep and riveting as the best fiction out there, but is very vulnerable in showing regret and both individuals’ ability to keep learning and growing.  The conclusion highlighting Muhammad Ali reaching out to Malcolm X’s daughter Attallah, and the forgiveness that took place in restoring the love between the two men and their families, really was a cathartic release that reminds readers that for as idolized as these two figures are in pop culture and history, they were very real people.  The book has a Biography at the end that breaks down sources by Government Documents, Archival Collections, Newspapers, Magazine Articles, Books, and Websites.  It is a “Selected Biography” that is seven pages long.

FLAGS:

Racism, manipulation, assassination, hate crimes, stereotypes, propaganda, oppressions, abuse, police brutality, assault, bombing, arson, attempted murder, fear, threats, killing.

TOOLS FOR LEADING THE DISCUSSION:

I have preordered a book for my own children to read and one for the school, I really think this book needs to be easily accessible for middle school students in libraries, classrooms, and homes.  I would love to do this as a middle school book club, I think the authentic perspective will give our youth who have heard of Malcolm X and think they know Muhammad Ali some insight into really spending time with what they did, what they faced, and how remarkable their friendship was.

Majdi Mansoor and the Book of Miracles by Anisa Bezak

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Majdi Mansoor and the Book of Miracles by Anisa Bezak

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I don’t think I have ever seen or even heard of any dystopian Islamic fiction reads, we have a handful of Islamic historical fiction, and dystopian with Muslim characters, but the genre made me curious, and with that motivation I began the 458 page book.  The beginning didn’t immediately grip me, but I told myself to read a hundred pages before deciding to DNF it or keep reading, and long before that arbitrary mark, I was intrigued by the story, invested in the characters, and impressed by the consistent writing, pacing, and role of Islam.  The book is preachy and idyllic, but that is to be expected, the way Islamic ideas and concepts and concerns were included as plot points though, is surprisingly well done.  For much of the story, I kept wondering who the target audience would be.  The vocabulary is a bit advanced, and the pages full of small text.  The book starts story wise-solid middle grade, but I think by the end I would recommend this book for advanced middle grade or early middle school Muslim readers.  I’ve heard from some adults that they read a chapter to their kids each night, and I think that aloud younger kids might also enjoy the story and be swept away to a future land run by a corporation where religion is banned, books are a thing of the past, a boy speaks only in Quranic ayats and hadith, and bullies of all sizes will have to be faced.

SYNOPSIS:

Twelve year old Jacob is an orphan in Tanas World and is unwillingly part of a gang.  One day in a boarded up old building he finds a book, a physical book, the Quran.  Religion is not allowed, Islam most of all, but he reads the book, and even though he doesn’t believe, he keeps rereading the pages.  When an attempt to steal some tech takes him outside the boundaries of the walled off city, he meets a small boy, Majdi Mansoor, who talks in a peculiar way. When threatened by the gang, Jacob decides to take Majdi’s side and that one act sets the two boys on a course that will change them forever.

I don’t want to give away too much, but Jacob is taken in by the Mansoor family who live in isolation and in hiding outside Tanas Corps patrols.  The parents are kidnapped, the children seek to save them and along the way meet smugglers, a Muslim community corrupted by bidah and djinn, Muslim Defense Unit rebels seeking revenge, and the executives who want the MEECA device to imprison the planet.

WHY I LIKE IT:

I was honestly impressed with the quality of writing, but I honestly don’t know if it was because my expectations were so low, or in fact was sufficiently edited and refined.  The characters have heart, the world building is believable, and the Islam is handled with an even hand.  At times members of the Mansoor family are too “good,” but Jacob has a sense of humor, is fallible, and curious which allows the story to stay moving and on task. There are some major plot points that are not resolved, and I’m assuming the political details will play out in the second book.  I’m hoping at least. The book doesn’t talk down to the reader, but older readers might find it too preachy.

I’m hoping my early teens who love Islamic fiction chapter books such as The Broken Kingdom series, The Adventure of Nur Al-Din books, and The Moon of Masarrah quartet will similarly enjoy this.

FLAGS:

Death, bullying, manipulation, assault, revenge, danger, whispers of shatan, bidah

TOOLS FOR LEADING THE DISCUSSION:

I would love to do this as a Middle School book club, I think it would be a bit too cheesy, but I think there would be some great discussions to be had about seeking, temptation, bidah, forgiveness, and the way that Majdi talks and Islam is woven in to the text.

Saving Sunshine by Saadia Faruqi illustrated by Shazleen Khan

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Saving Sunshine by Saadia Faruqi illustrated by Shazleen Khan

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The themes, messaging and Islamic and cultural representation in this upper MG/lower middle school graphic novel are wonderfully unapologetically present.  Yet somehow, I never connected with the characters, and the plotting seemed stiff.  I don’t regret reading the book, and I’m sure most readers will be delighted with the main story of sibling annoyance, a sick turtle, and independent kids with reflective flashbacks and OWN voice threads of Islamophobia, immigration, starting to wear hijab, identity and othering.  I just felt the tropes were predictable, stereotypical even, and when the dad takes a stethoscope to a medical conference and the TSA agent doesn’t know what it is, I cringed.  Seriously, who takes a stethoscope on vacation? Who doesn’t know what one is? I normally love the author’s characters and wish for more Islam, this book gave me the Islam, but I really disliked the siblings, they were mean, angry, and annoying.  I own that reading a book about bickering kids a few days before my own five children returned to school may have jaded me, and I do think I found the religious touchstones predictable because I do read a lot of kid lit and I’m older, so while I’m not gushing in my praise for this book, I will be preordering a copy for myself and the school library. How is that for having an opinion and then completely walking it back? Yeah, it happens.

SYNOPSIS:

Twins Zara and Zeeshan bicker, a lot.  Zara loves animals and nature, Zeeshan space exploration, and both love their phones.  When the family heads to a medical conference in Key West where their mom is getting an award, the kids get their phones taken away by their parents when the two won’t stop fighting. The parents stick to their policy and the two are forced to stick together and entertain themselves while their parents attend lectures.  At one point they find a turtle and Zara takes the lead to try and help Sunshine, but will need her brother along the way.

WHY I LIKE IT:
I love that the characters identifying as Muslim was central and unapologetic.  I liked the flashbacks that provided a little bit of depth to the parents coming to America and their life in Pakistan, along with the personal reflections about starting to wearing hijab and when the kids started to go their own way.  But the airport scene, the identity issues, and the Islamophobia seemed a little superficial and over done.  The heart to hearts with the dad and his son and mom and Zara were sweet and insightful about belonging and where you come from, and not being so angry, but they also seemed very natural and in-character for the parents which is a disconnect from the anger the kids seem to carry.  If the parents are talking to them and modeling all this, it is a bit of a stretch that they are reacting as they are in the book.

I have a brother, it is just the two of us, we aren’t twins, but growing up in the 80s as the only Muslims in the area with a convert mom and immigrant dad, we came together a lot because only each other could understand the stresses we faced in and outside our home.  I thought this book would draw on that universal theme, and I was surprised that the point of the book felt a little underdeveloped.  I know MG can handle more than we give them credit for, but I felt like this book built up to have more of a warm hug, than I felt.  I wanted more of them plotting together, I didn’t feel like Zara really needed her brother to stick up for her, she wanted it sure, but that was a foot in the door that I think was missed.  She is strong, yet was being vulnerable with her brother, and he was able to step up for her, but it needed a few more beats to be appreciated.  I also wanted more connection to the turtle, his name is in the title, I thought he’d have a bigger role.

FLAGS:

Disrespect, lying, anger, yelling, bullying, teasing, Islamophobia, stereotypes, prejudice

TOOLS FOR LEADING THE DISCUSSION:

The book would allow for discussion for middle grade readers who might see themselves in the family dynamic or be able to relate to some of the Islamophobia.  It could also cause some worry for some children that being visibly Muslim or having cultural names, and wearing cultural clothes will bring negative differential treatment to them.

Available for order here

Book One: Thunderbird by Sonia Nimr translated by M. Lynx Qualey

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Book One: Thunderbird by Sonia Nimr translated by M. Lynx Qualey

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My public library had this book and so I picked it up seeing that it was Palestinian authored fantasy, and I am always on the lookout to support OWN voice Palestinian stories.  The book cover is gorgeous, the inside text unfortunately is tiny making this middle school aged book only 110 pages.  It is translated from Arabic and published by a university, so my expectations were pretty meager which assisted in me being fully swept away by the story at hand.  Sure the book has a few glitches in point of view,  often it feels a bit abrupt and djinn stories are a dime a dozen, but what elevated this book and made it stand out was the Palestinian history interwoven into the plot: snippets about the Mamluk soldiers and Ottomans, the Ayyubid rulers and walls around Jerusalem.  There isn’t enough history touched upon in my opinion, but I look forward to see, now that the world building is established, if the rest of the series will highlight the historical thread.  I have no idea if the characters or author are Muslim, there are references to praying and hearing the athan, but they could just be cultural.  There is magic, fantasy, djinn, prophecies, and reading of tea leaves, as well as fighting, assault, and talk of oppression under Israeli rule.  I’d assume it is advanced Middle Grade or lower YA, but to me it seems 11 and up would enjoy the quick fast paced read.

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SYNOPSIS:

Noor’s parents are dead, and she lives with a grandmother who loves her, and an uncle and his family who don’t.  When her grandma dies, Noor is alone and with things combusting in to flames around her and no one left to defend her claims that it wasn’t her, Noor is trying to piece together a ring left to her, her mother’s research, and her flame creation abilities.  Her search leads her to a colleague of her mother’s and an old archaeological site.  While staying with an aunt in Jericho over the holidays, a mysterious cat guides her to the same archeological site where the cat reveals that she is really a djinn.  The barrier between the seen and unseen world is failing, and Noor is prophesized to be the only one that can ensure it doesn’t happen.  With a trait of the mythical phoenix Noor must find ways to travel in time and retrieve a feather before the bird is reborn.  Along the way she will have the help of the djinn and of her doppelgänger from that time period.

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WHY I LIKE IT:

The story is clever, fast paced, and the character endearing.  I wish the details were fleshed out and of course I wish there was more history when she travels back in time.  The climaxes are quick builds and even quicker resolutions, but despite all the flaws I really enjoyed the story and look forward to the rest of the series.  The book ends on a cliff hanger that feels rather abrupt, but being it is clearly established as book one in a trilogy, I don’t think readers will be too upset at the sudden end.

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FLAGS:

Magic, time travel, prophesies, fortune telling, assault, oppression, fighting, loss, arson, arguing, djinn, fighting

TOOLS FOR LEADING THE DISCUSSION:

The book probably is too short for a book club read, but I think a teacher could definitely use it as a reference in story writing, historical fiction fantasy, culture inclusion lessons.  If you wanted to use the book, you’d be able to find plenty to draw on for teachable moments in literature, history, and writing style.  There would also be a lot to discuss in terms of occupation, myth, legend, and culture.

If your library doesn’t have it you can find it on Amazon

Hamra and the Jungle of Memories by Hanna Alkaf

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Hamra and the Jungle of Memories by Hanna Alkaf

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This 400 page middle grade retelling of Little Red Riding Hood bursts with Malaysian culture, magic, action, and adventure.  The main character and her family are Muslim and hijab, duas, zikr, halal, Qur’an and salat are included throughout.  The mix of legends and characters from Malaysian culture in building the fae world is not contrasted with religious faith, but assumed to both coexist without issue.  The book is clean for ages nine and up and the only concepts worth noting are some intense life and death situations, close male and female friendships, dementia, and the element of fantasy.  The book is set during the Covid-19 pandemic which will ultimately date the book as it doesn’t convey the tone for readers unfamiliar with the curfews, social distancing, controversies, and masking.  Those who have just lived through it, will not need the framing, but in a few years I do fear that the book will be lacking in fully understanding why the tourists, parents, and markets are so absent.  As with all of the author’s books there are also dated pop culture references, that slow the narrative down for today’s readers.  The book grabs you from the start and the second half flies by smoothly, but the middle quarter is a bit slow as the world building is not robust, and the reader is thrust into a magical world that is just accepted without pause, and the reader is asked to accept it at face value as well.

SYNOPSIS:

It is Hamra’s birthday, but the independent 13 year old is not being celebrated- everyone has forgotten: her mother is a front line worker, her father helping those with limited resources, and her aging grandfather and her are left to care for her memory slipping grandmother.  When Hamra, Little Red, storms off to the jungle to collect some herbs, in an act of spite, she defies the rules drilled in to her 1- Always ask permission before you enter.  2- Don’t challenge what you can’t even see. 3- Never use your true name. 4-Never take what isn’t yours. 5-If you hear someone calling your name, never, ever look behind you. She also doesn’t listen to the regular reminders to tie her shoes.  Simple rules, that when broken set the story in to motion.  Along with her best friend Ilyas, the two will strike a deal with a weretiger for their transgressions that takes them on a journey to try and save Opah, themselves, and prove their quest a success.  The characters they meet, the clues they unravel, the legends they understand, and the scenic islands they explore are as lush as the love Hamra has for her family and the drive she has to return home safely.

WHY I LIKE IT:

I love the way Islam is truly part of the characters, and a natural extension of how they see the world and act within it.  I wish there was stronger world building blending the world of the known and the fantasy for the reader.  The writing of the Malaysian setting is beautifully unapologetic and I love that there is not a glossary or overly explained descriptions, it is immersive and I appreciate that, but the framing of the two worlds I felt was a bit disjointed and needed some fleshing out.  At times it feels more telling than showing in detailing the depths of the legends or the superstitions that are true for the story.  I did enjoy the characters’ quirks and stubbornness, there is not a lot of arc and growth, but with the intensity of the adventure and culture, I didn’t feel it lacking in development.  For much of the book I didn’t quite appreciate the Covid-19 framing, but by the end I understood that it was a way to have the tourist spots void of people, the parent’s out of the way; a little more development though would have had the uncertainty of so much more fully realized.

FLAGS:

Fear, trickery, danger, loss, death, music, musical references, dammit is said.  There is some violence, close male and female friendships, and a possible trigger of dementia in a loved one.  There is myth, legend, magic, fairies, fae, and fantasy, if you are ok with the concepts in general the presentation is clean even with mixing religion and these concepts.  If you are uncomfortable of fantasy and Islam coexisting, this book draws the two worlds very close.

TOOLS FOR LEADING THE DISCUSSION:

I have taught two of her books in middle school book club discussions, and I would teach this one as well.  It is enjoyable to see Malaysian Muslim characters so confident in their identity and having adventures that are enhanced by their faith and culture while focusing on larger themes of friendship, family, forgiveness, and adventure.

The book comes out in March of 2023, I’ve preorderd mine HERE and I hope you will as well.

An Andalus Adventure by S.N. Jalali

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An Andalus Adventure by S.N. Jalali

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I truly am glad I read this book. I love historical fiction, visiting Spain is on my bucket list, this book has a map, details about what is historical what is fiction, has Islam woven in to the heart and soul of the story and characters, and yet it was a hard read.  The first few pages grip you, the last 50 bring it all together, but the middle 250 were hit and miss in this lower YA/upper MG book.  I honestly had to force myself to keep reading.  My teen and tween son couldn’t get past 38 pages or so, and I’ve asked around and no one I know that started the book, finished it.  I think ultimately there are just too many characters, too many points of view, that even though the history is rich, the literary points all in order, their isn’t enough character connection to hold the readers through the wandering details.  This author’s style is a bit more slow, but I think in the House of Ibn Kathir series, the setting of being in school and having friend problems is relatable to readers; boarding horses on to a boat, deciding to wage war, and going in to battle are not familiar concepts, and without the emotional connection it loses momentum.  The climax is nice but ultimately rather lackluster, and the beauty of characters taking shahada, Jews being freed, Solomon’s table, an old lady with a premonition, and a character dying are just not enough to keep the story in reader’s hands, unfortunately. 

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SYNOPSIS:

The summary might make the book seem fast paced, and while it does constantly move forward to a clear destination, it isn’t a “buckle your seatbelt and hang on” type of story.  The setting is Northern Africa and the Iberian Peninsula in 711 CE, 92 years after the Hijrah.  The book opens with two young siblings Ben and Bella, overlooking the coast, dreading their lives under Visigoth oppression, and hiding their Jewish culture and faith.  It then jumps to the Governor of Ceuta, Count Julian (Ilyan), awaiting to meet with Umayyad leader Tariq ibn-Ziyad.  He is hoping to rescue his daughter from the court of King Roderick and convince the Muslim General to enter Iberia, restore the rightful king, and free the people essentially.  Add in voices from Qasim, a young Berber, and Jacob a captured Iberian, and the stage is set to get everything in order to cross the straights, survey the enemy, take on the King, and introduce Islam to the new land.

WHY I LIKE IT:

I absolutely love the Islam and the history and the fictional liberties.  I love that the book is clean, although, I do wonder if more information about Lady Florinda would have helped the reader understand her father’s desperation, I do understand the vagueness, but it is a glaring omission that keeps the reader curious.  Ultimately I wanted more backstory.  The little given about the characters was engaging.  I loved the teasing about being a shepherd, Jacob coming to love Islam, Bella not wanting to marry, but it seemed to always stop short of sweeping me away.  I didn’t cry (SPOILER) when Hisham died, I barely knew him.  I didn’t feel the urgency to hide and escape from Leander’s proposal.  It set up to add depth regarding Old Mother Magda, the Cave of Secrets, and the unverified death of the king, but after being stated it was never mentioned again or resolved for any real purpose. 

All that aside, I think the book has value, it is just really dry in spots, a lot of spots, and given the vocabulary, the changing narrators, the choppiness between chapters, and the history, it is hard to keep reading or be anxious to pick up once you have put it down.  So with all that in mind, I think the book would be great to use in a classroom setting.  You could read a chapter Monday, and then pick it back up on Thursday and not worry that no one remembers anything because it is focusing on new characters anyway.  In a middle school, or upper elementary the book would be a great crossover between History, English, and Islam classes. The book would naturally lend itself to the students keeping character journals, the supplements and backmatter would allow for references and insight in to real history, and I think the book would do really well in this set up to connect with the audience. 

The Epilogue was nice, but a little disjointed.  I appreciated the updates on the characters and it showing Muslims and people of other faiths coexisting and being accepting even within families, but the connection to the story was a little lost.  Similarly, I love that it mentioned  Abbas Ibn Firnas, but I don’t know that most kids know enough about him to know what is being hinted at and what the outcome was of his flight at the end.

FLAGS:

Death, war, battles, killing, nothing graphic, very tame, not graphic or detailed gore.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that I could get middle school students to read the book for a book club, it would have to be motivated by a grade to get through it in a classroom setting I’m afraid.  See above to read my thoughts on how to present it.

I purchased my book on Amazon and will receive a few pennies if you decide to purchase a copy using this link.