Category Archives: 1st through 3rd

Oct6

My Olive Tree by Hazar Elbayya

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My Olive Tree by Hazar Elbayya

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I love that this author illustrator traditionally published book shows the ways that olive trees and their fruit connect people.  The little girl, Salam, can’t wait to grow her very own tree, but it takes a while, and when it finally sprouts, it is trampled by soldiers.  Heartbroken to lose her plant, her community shows her how they are like their beloved olive trees: their roots are deep, and they are a part of the land.  The tender illustrations, the poignant symbolism, and the love and unity that radiates through, makes this book an important read for children and adults of all ages and backgrounds.  There are no countries mentioned in the text (Palestine appears only in the author’s note), nor any religion, there are visible Muslims in the illustrations, even the soldiers are unnamed, but the setting is clear.  Picture books take years to be published and that it released at this point in history, shows how long the struggle for freedom has been taking place, and how strong and resilient Palestinians are.  This book that will be read over and over, shows even in the sadness, the feeling of hope abounds.

The book starts with Salam noting how old her grandpa is, and that only the olive trees are older than Sido.  Sido then explains to his granddaughter how the olive trees connect them all: farmed, picked, pressed, oil used to cook, olives sold to eat, added to dishes, and made into soap.  Salam goes to plant her seed and be part of the connection. She waters it and waits, but it doesn’t seem to be growing.

Finally a spout, and then a little plant, and then the soldiers march into their lands and destroy everything in their path, even Salam’s olive tree.  Sido reassures her that she will plant more olive trees in her lifetime, but Sido also wants to show her that she is not alone.  Friends, family, and neighbors, come together to show her, “just like the olive trees, when they try to break us, we grow back stronger.”

A truly beautiful hopeful book, subhanAllah.

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Jun4

I’ll See You in Ijebu by Bunmi Emananjo illustrated by Dian Ejaita

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I’ll See You in Ijebu by Bunmi Emananjo illustrated by Dian Ejaita

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As a window into Nigerian life, this 32 page book is beautiful, celebratory, and an incredible resource to learn from and emerge yourself in, as the beautiful pages, and delightful language sweeps you away to Ijebu and Olu’s grandparent’s house for Eid al Adha.  As a Muslim, this book’s framing might require some conversation with little ones that may or may not be right for your family.  The protagonist in the book, Olu, is Catholic, her siblings and parents are as well, her mother’s family however, is Muslim.  The multi-faith family celebrate each others’ holidays, for example Olu goes to the mosque to pray after taking communion at church, and the cousins haven’t seen each other since they came to Lagos to celebrate Christmas.  Eid al Adha is celebrated with a big meal, prayers, and being together, but nothing specific about belief or doctrine is included in the text. The tender heart of the story is the subtle bond between Olu and her grandfather, Baba, even though language differences prevent them from talking. The writing style is as beautiful as the full page illustrations, with part of each page dedicated to more traditional story telling, and another complimentary part expressed in a more lyrical fashion that reads often like a song.  The backmatter is robust with information about Nigeria (including a map), Food, Fun, Faith and Family, Oriki, Fashion, an Author’s Note, a recipe for Puff Puff, an Illustrator’s Note, and a list of people who helped create the book. The book is OWN voice written and illustrated, but I do not think either are Muslim, and while the publisher lists the book as being for ages 4-10, it is a bit text heavy, so take that into consideration. 

The book starts with Mummy calling Olu and her brothers for breakfast.  Daddy is in America at their old home visiting his brother, and today they are going to Ijebu to visit Baba and Iya Akin for Eid.  This year Olu is eight and will finally get to help make the Sallah feast. The traffic is bad in the hot weather, with smells of vendors cooking filling the air.  The family listens to Afrobeats and 90s pop music until they are finally there.  When they arrive Baba is waiting and sings Olu’s oriki as they embrace.  Food is a big part of visits to Ijebu, as they pick ripe cashews, sugar cane, guavas, and mangoes on Baba’s farm.

When it is finally Eid the family walks to the nearby mosque for prayers in matching outfits.  Then it is time to cook the two rams for the Eid feast.  Olu is going to braid the ram intestines.  It is a lot to cook and a lot to eat. When the week is over, and it is time to leave, once again it is Olu and Baba’s hug that make the love tangible and the book emotional as they say their wordless goodbye.

Jun3

Sami’s Special Gift: An Eid al-Adha Story by M.O. Yuksel illustrated by Huseyin Sonmezay

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Sami’s Special Gift: An Eid al-Adha Story by M.O. Yuksel illustrated by Huseyin Sonmezay

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This sweet 32 page story, blends themes of loss, grief, giving, homelessness, Islam, Eid al Adha, and joy with simple early reader level text and beautiful illustrations. The book never gets preachy and doesn’t other, making it a great addition to all shelves, everywhere. There is information about Eid al Adha and what a homeless shelter is in the backmatter along with a glossary that explains, Islamic and Turkish terms.

Sami loves Eid and celebrating at the carnival with Dede, his grandfather, but this year, Dede is not there, and Sami is sad. When a package from Nene arrives from Turkiye with Dede’s favorite sheep decorated Eid tie for Sami, things start to look up. Sami never wants to take it off, and even wears it over his new Eid clothes as they head to the mosque for prayers. After salat and before the carnival, the family visits a local butcher and picks up meat to take to the homeless shelter.

Sami has never been to a homeless shelter and has only heard of his parents going and helping there. He asks his parents about it on their way and once they arrive heads off to play ball with a boy, as his sister shares her doll with a little girl. When it is time to leave for the carnival, Sami imagines what the his life would be like if he lost his home and belongings, and makes a decision, knowing exactly what his Dede would do.

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I love how the book weaves in information about Islam by having the family praying, listening to the imam, wearing new clothes, and giving in charity, without pulling out of the story. Same for the Turkish cultural inclusions of food and words. I also like that in the illustrations the mom wears hijab when out of the house, but not inside. It all comes together smoothly and is unapologetic, even while handling the sadness of his grandfather no longer being with him, the empathy at the homeless shelter, and joy at the carnival.

My only concern is when it says both in the text and in the backmatter that meat is given: one third to friends, one third to family and one third to the poor. I don’t know that it is wrong, but to clarify you keep one third for yourself (and family), and distribute one third to friends, and one third to the poor. Additionally, I also know a lot of people might not love the illustration style, but the picture of them in the mosque, won me over.

May31

The Home We Make by by Maham Khwaja illustrated by Daby Zainab Faidhi

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The Home We Make by by Maham Khwaja illustrated by Daby Zainab Faidhi

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This 48 page picture book follows a family as they leave their home under siege and journey to America.  Through the eyes of the young girl the thread of what is home, where is home, and is it a place or a feeling weave through the emotional unknown that the family faces throughout.  Even once settled the feeling of security at home is threatened, and the family must persevere.  The little girl’s joy and hope that whatever comes will be faced together with her parents, keeps the book hopeful and at times even joyful.  The lyrical writing is occasionally makes the book feel text heavy, but because the reflection of memories and inclusion of emotions is used in conjunction with the story moving forward, I think elementary aged children with guidance will benefit from reading and discussing the book. As a former journalist, I truly believe one can research a topic and write an accurate story or an article presenting what they learned for others to benefit from.  At the same time as a lover of fiction, I enjoy OWN voice and the authenticity that it brings to the experience.  So, when I read the Author’s Note at the end, and found the author is not a refugee, and that there is no named sources of the author’s friends who are refugees, in fact there are no references whatsoever, I felt deflated.  It in some ways makes me uncomfortable that what looks much like a Syrian refugee story on the pages, is perhaps so mainstream, that a fictionalized account can be shared and accepted without authenticating it.  No country is named in the book, the author is an immigrant so there undoubtedly is a level of OWN voice, and she disclosed she is not a refugee- truly nothing “wrong” has been done, but nonetheless I feel like I should share that here for you to decide how you feel about it before reading the book.

The book starts with rockets falling outside a family’s home while they pack essentials in the red glow.  They then leave their home, and the house key behind as they start their journey. They begin walking past destroyed buildings, the girl’s school, branches that seem to not want to let them leave.  They arrive at the docks, spread the same blanket they once took to the beach during happier times, and wait for the boats.

There are not enough lifejackets, but her parents make sure she gets one.  As the boat bobs along, the young girl imagines astronauts in space and wonders if they too miss home.  The angels in blue vests get them from the boats to the camp, where they stay and wait, while they complete paperwork and dream of finding a new home. When that day comes, the goodbye is hard, but they board a plane to America with hopes and dreams.

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In America there is an apartment, help to learn the language, and reminders that they are lucky they have made it this far.  But, there are also people who do not want them here, that make them feel unsafe in their new home, and the family will have to work hard to find their place and make the puzzle pieces fit.

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The full illustrations bring the book to life, and compliment the text, establishing a tone that is seamless in conveying both fear and happiness on a kid appropriate level. 

 

 

 

Apr23

Awe-Samosas! by Marzieh Abbas illustrated by Bhagya Madanasighe

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Awe-Samosas! by Marzieh Abbas illustrated by Bhagya Madanasighe

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I was really enjoying this book about a determined young girl and her dad making samosas for friends, missing Dadijan, adapting and problem solving, an encouraging Urdu speaking parrot, a reference to Ramadan, and incredible illustrations… and then I froze.  On page 32 of the 40 page book it says the word “pepperoni” clearly affirming that the Muslim girl who’s dupatta wearing Dadijan wakes up at fajr to call her, has made pepperoni pizza samosas for her friends.  Perhaps I’m over reacting, it is one word, but I truly cannot get past it.  The first time I recall asserting myself as Muslim was in preschool making pizzas and me telling my teacher at three and half years old that I cannot eat pepperoni.  Sure as a middle aged adult, I know you can get beef or turkey or faux pepperoni, but the standard is pork, and this book does not clarify that it is not pork.  The word is intentional, the story would be exactly the same if it were just a cheesy pizza samosa, yet it articulates it as a peperoni pizza samosa. And I truly cannot fathom why.  Classrooms and libraries will shelve this book, teachers and librarians will read this book, little Muslim kids that look like Noor, are going to shrink when they get to that line: either they will question if we can have pepperoni (why else was it in Noor’s home), or have to now convince adults and classmates that the book is wrong in addition to explaining that Muslims do not eat pork, a big task for the intended audience of preschool to third grade.  If you omit that one word, the book is wonderful, layered, joyful, and a lot of fun.

Noor’s friends are coming over, two girls and a boy, for the first time and Noor wants to make samosas to eat with them.  It is too early to call Dadijaan in Pakistan, and Noor thinks she remembers how to make them.  Abbu offers to order pizza, but Noor is determined, even when she discovers they don’t have the necessary ingredients.  She puts on Dadijaan’s kitchen dupatta, and with her parrot, Mithoo, encouraging her every time she gets stuck with “Sab theek hai. Sab theek Hoga! Everything’s great, everything’s going to be okay!” Noor heads to plan B, Awe-Samosas, samosas with unique fillings.

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Noor gets Abbu onboard and helping and when her friends arrive, the turmeric colored pastries are ready for eating.  Some are apple-cinnamon filled, and remind Kaitlin of her grandma’s Fourth of July apple-pie, some are stuffed with honey and pistachio like baklava according to Layla, and Jonathan finds the cheesy peperoni samosa genius.  When Dadijaan sees the pictures Abbu has sent at fajr, she calls and praises Noor with the friends hoping to have another samosa party when she is visiting next.

The book concludes with Dadijaan’s Special Samosa Recipe, and a Glossary.  The book is widely available, including here on Amazon.

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Apr8

Lion on the Inside: How One Girl Changed Basketball by Bilqis Abdul-Qaadir with Judith Henderson illustrated by Katherine Ahmed

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Lion on the Inside: How One Girl Changed Basketball by Bilqis Abdul-Qaadir with Judith Henderson illustrated by Katherine Ahmed

This nonfiction picture book memoir is about Bilqis Abdul-Qaadir’s love of basketball, accomplishments, and ultimate decision to choose her hijab over her career.  For elementary readers the 40 page book reads like a story, and shows what it means to work hard, be talented, stay true to yourself, and be willing to fight for what you believe in.  As the Massachusetts State high school basketball scoring record holder and the first NCAA hijab wearing Muslim basketball player, she was forced to leave the fight on the court and instead fight to change the rules regarding headgear for women playing international professional basketball.  She won the fight, but unfortunately it was too late for her, she now advocates for Muslim girls in sports to not have to choose to cover or play.

The book has a flow as it starts from her being born into a basketball family, and shooting hoops at three.  She plays with her brothers with her grandma, Mudgie, always cheering her on.  Her mother’s strength grounds her and at age 12 she puts on her mother’s hijab and heads out to play ball.

At 14 she is wearing her own hijab and playing on the high school team, her hijab is her super power, and reminder to be fierce, faithful, and kind. When the ref halts the game and says she can’t wear her hijab, her team stands with her, until the game resumes.

She gets a full scholarship to the University of Memphis and plays her final season at Indiana State.  She meets President Obama and beats him in a game.  When she decides to play international though, again she gets told she can’t unless she removes her hijab. She chooses her faith, and when she finally gets the ban overturned, it is too late for her, but not for other Muslim girls.

The book concludes with some photographs, additional information, discussion questions, and places to discover more.  I appreciate that it shows her praying, but I wish it gave just a little insight as to why Muslim women cover, why it is part of our faith.

I found my copy at the library, it is available to purchase here.

Mar19

An Eid Story: Husna and the Eid Party by Fawzia Gilani-Williams illustrated by Kulthum Burgess

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An Eid Story: Husna and the Eid Party by Fawzia Gilani-Williams illustrated by Kulthum Burgess

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This 27 page book is old, published in 2007, and one that I kept an eye out for on occasion since reviewing a similar early chapter book by the same author, The Lost Ring, that I found in a public library in 2016.  Somehow it found its way to me in 2024, and I’m reviewing it because it has been a while since I’ve indulged in older books that shaped the foundation of Muslim literary representation so many years ago.  It is the epitome of Islamic fiction and what Islamic fiction looked like when I started teaching.  It has a Muslim protagonist, with a universal stress, framed in Islamic acts, perspectives, information, and morals.  It is unapologetic, it is at time preachy, and while the writing isn’t remarkable, an engaging story is laid out with numerous lessons along the way.  You may not want to rush out and purchase this book, but if you have it on your shelf, it would be worth pulling out, dusting off, and sharing with a child. At times the details feel a little dated, but there is a timelessness to stresses with friends, being left out, assuming the worst, and wanting to be included.  This book will offer a chance to be seen in the text and illustrations as Husna waits to be invited to her friend’s Eid party.  The book does not specify if it is Eid al-Fitr of Eid al-Adha, but it really isn’t impactful on the story, as it simply sets the time, mood, and draws all the threads together.

SYNOPSIS:
It is the week after Eid and students are back at their Islamic school, Husna has lots of friends, but Maryam is her favorite.  While on the playground, someone asks Maryam where the party is going to be, and she responds, “probably at the house.”  Excited Husna waits for her invitation, that unfortunately never comes.

WHY I LIKE IT:
Even though the book has a happy ending and is based on a misunderstanding, the feelings are very real.  I remember feeling left out, I’ve seen my own kids and students feel it, and that the book is a snapshot of that feeling from a Muslim perspective, really makes it hit home.  Husna makes dua in sujud at Maghrib and Fajr that she will be invited, conversations begin with As-Salamu ‘Alaikum and end with Barak Allahfi-ki, homework is learning Hadith and memorizing ayats, jumah is prayed, and every page is filled with Islam.

FLAGS:

None

TOOLS FOR LEADING THE DISCUSSION:
The book is an early reader, a text heavy one at that, but none-the-less meant for ages seven and up. I can see it being read today in small groups in an Islamic school or if you have a young one who is perhaps feeling something similar.  You might have to explain invitations in the mail, or calling on a house phone, but it still has relevance.

Mar17

Ilyas & Duck: Spectacular Salah by Omar S. Khawaja illustrated by Mattia Cerato

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Ilyas & Duck: Spectacular Salah by Omar S. Khawaja illustrated by Mattia Cerato

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It has been a minute since we have had a new Ilyas & Duck book to read and share with our kids, and this one focusing on prayer is informative, fun, and was well worth the wait.  It is also long, 48 pages long to be exact.  There is a lot of information and works best for ages six or seven and up.  The clever rhyme and engaging illustrations tell about wudu, the times of the five daily prayers, Surah Al Fatiha, facing the Kabah, having the right intention, connecting with Allah, and not being distracted. I love the framing that salah is not just an obligation, but is an opportunity to talk to Allah swt and should be spectacular.  The author reads his books aloud a lot to kids, so if you have ever seen one of his readings, I highly recommend channeling the voices and energy, to hold the audiences attention if using the book at story time.  If reading at bedtime, or if handing to an independent reader, take the opportunity to discuss the points, check understanding, and reflect upon what Duck is learning.  As always the banter between Duck and Ilyas keeps the kids laughing, the story moving, and the information flowing, alhumdulillah.

The book starts with two verses from the Quran and the hashtag #freepalestine, before entering the world of Ilyas and Duck one summer afternoon,.  An alarm goes off and Ilyas heads off to make wudu and pray.  Duck couldn’t get up though, he prayed earlier, so he thought he was done.  Ilyas explains that there are five prayers in the day, and Duck is seriously worried that Fajr, Dhuhr, Asr, Maghrib, and Isha are going to cut in to his game time, snack time, and movie time.

When Ilyas tells Duck that prayers don’t take long and it is when you speak to Allah swt, Duck in his enthusiastic way is determined to make each and every prayer spectacular. He drafts a plan, learns the steps and what to say, finds the direction, makes his intention, says Allahu Akbar and starts training. 

He is praying all over the Earth whenever the time comes, but then he learns he can do more and goes to visit the Professor.  He learns about connection and closeness to Allah.  He also learns about using his heart and staying focused, before rushing back to tell Ilyas all that he has learned.

The book covers a lot of ground, and gets kids excited to pray.  I like that the information is a mix of highly detailed specifics, general knowledge, and humor.  The way the salah times are described and the emphasis on connecting with Allah swt and making your prayers heartfelt is not often seen in books for this age group, and I think it gives the book a wider lasting appeal.  My 8 year old did point out after reading it independently and laughing, that if Duck prayed Fajr didn’t he know a little bit about prayer already?  Also, given the length of the book, a line clarifying that infact not all places on Earth are ok to pray upon, would have been nice. 

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I hope this book signals more books in the series are heading our way.  I notice that the illustrator is not the same, but the pictures are similar enough I doubt most kids will notice. The book is widely available and can be purchased from Amazon here or from Crescent Moon here. 

Mar12

Khadija and the Elephant Toothpaste Experiment by Farah Qaiser and Hajer Nakua illustrated by Natalya Tariq

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Khadija and the Elephant Toothpaste Experiment by Farah Qaiser and Hajer Nakua illustrated by Natalya Tariq

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This 26 page book is set on Eid, it does not specify Eid al-Fitr or Eid al-Adha, but it isn’t overly impactful on the story outside of the framing, so really it is a non issue.  The book shows a Muslim family and is a benefit for appealing to women and girls in science, unfortunately it has some plot holes though.  A big point of the book is the girl, Khadija, wondering if she can be a scientist who wears hijab because she doesn’t see any scientists at the fair wearing one. When she voices this concern to her parents, her father reassures her saying, “Anyone can be a scientist.  Scientists can wear a hijab like Amma, or glasses like me.”  First of all, I don’t like it equating hijab to glasses, hijab is a religious practice, not a tool to help you see or an accessory.  I’m well aware not every book has to have Islam centered, but I do worry that if hijab is relegated to an article of clothing, and Khadija doesn’t wear hijab, that readers might just be confused and not be able to connect the dots.  With weak writing, a confusing premise, and a climax of doing an experiment, that is not included for the readers to do at home, included in the book; I am struggling to recommend this for every bookshelf.  It isn’t a bad read, it just should be better.  I love the joyful engaging illustrations, I like the female Muslim science representation even. I just ultimately think the weak writing drags the book down and will have some kids confused why she is worried about a scarf she doesn’t wear impeding on a career she doesn’t have, and be unable to see that as a Muslima she will want to wear hijab as an act of worship when she grows up.

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The book starts with Khadija and her family heading to her school for the science fair after Eid salah.  She sees lots of scientists, but notices none wearing hijab.  She gets a science kit to do at home and then the family starts to prepare for guests coming over for dinner.

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Khadija can’t wait to do her experiment so she quietly gathers up supplies, and heads to the bathroom to make elephant toothpaste. It works, a little too well, but then it is everywhere and mom and dad show up to help her clean.  Khadija wonders if she is not cut out to be a scientist.  Mom and dad console her, the people arrive for an Eid party, and her parents and her do the experiment for all to see.

The story is pretty straightforward, but I sure have a lot of questions: why is the “big day” the science fair and not Eid.  It is at her school but the science fair is not students sharing projects, but professional scientists? And does she purchase a science kit, why does her mom give it to her at the fair, but then she asks the scientist is she can do it at home? What else did she see or learn at the science fair, she just went saw scientists in lab coats, got the kit and left?  How was it still morning when she got home after the fair, after Eid salah?  There is a whole page of her getting an Eid gift and squealing with delight, but never shares what the gift is.  I also really, really wish it had the experiment in the book. I want to know what it is and why it is called, “elephant toothpaste.” I truly do not know why this book has no backmatter.  Information about women in science, how to do the experiment, maybe something about hijab or Eid. A link or scannable QR code to see the experiment would have even added something to increase knowledge and excitement for science, representation, and dreaming big.

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Mar11

Looking for the Eid Moon by Sahtinay Abaza illustrated by Sandra Eide

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Looking for the Eid Moon by Sahtinay Abaza illustrated by Sandra Eide

The illustrations and sister bonding in this story are sweet, but it isn’t exciting, and doesn’t feel very Ramadan or Islamic rep or even very purposeful.  I was really surprised that there wasn’t a craft activity or science tie in at the end, it seemed to be heading in that direction seeing as Eid joy, iftar, and anything religious are all completely absent. The plot really is just the title, “looking for the Eid moon.” The text feels abrupt, it doesn’t flow, and feels othering.  “For years, the moon marked important Muslim holidays and dates. And Eid wouldn’t begin until the crescent moon was spotted.” Numerous communities still rely on local sighting and have hilal committees marking all moon phases and months.   This framing of it being an antiquated practice, feels off.  The sisters are young, but Sara is old enough “to know the crescent moon is faint and hard to see,” yet she doesn’t even acknowledge iftar time, they don’t pray maghrib.  The complete removal of Islam makes looking for the Eid moon seem like they could just be looking for Mars or a comet.  It says they are excited for an Eid party, but clearly not enough to be excited it is Eid the next day, they are simply sad that they didn’t see the moon.  I’ve read the book a few times, and I truly can’t make it make sense, and I don’t understand how silver paint glows, shouldn’t it be glow in the dark paint? Sigh.

The book starts with Sara looking at her Eid dress saying she is excited for the Eid party, but first she has something to do.  She packs her flashlight and binoculars and grabs her little sister Lulu and the head out to spot the Eid moon. On their way out they pass mom hanging decorations, and she wishes them well.

In the backyard the girls watch the sky change colors and the sky is cloudy.  As it gets darker, the girls get a little scared, but mom finds them and tells them the moon has been spotted elsewhere.  The girls are sad and Sara comes up with a way to cheer up Lulu.  SPOILER she paints a ball silver, fills it with coins, and writes a note that it is from the Eid Moon, claiming this is a moon rock.  Lulu proclaims it the “best Eid ever.”

The Author’s note tells of the family’s tradition to hide and find moon rooks with coins in them, in what sounds akin to an Easter egg hunt.  It also erroneously says that Eid al Fitr is a three day holiday.  I don’t get the connection to the moon being brave and a source of light to refugees in the book, if that was the author’s intent, to show the moon as hope “when times are bleak and dark,” I’m sorry but the message was not conveyed.