Category Archives: 1st through 3rd

Jan23

Saif’s Special Patches by Humera Malik illustrated by Ravan Sader

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Saif’s Special Patches by Humera Malik illustrated by Ravan Sader

I really had no idea what this book was going to be about, and the first page or so seemed a little off with the child not knowing about the quilt he was wrapped up in, but. oh. my. heart! Every subsequent turn of the page was a hug from Saif’s patch made quilt straight to my cynical soul.  The infusion of Islam as such a part of his daily activities, his loving family and environment, and the reminder that labels can both hurt and inspire is beautifully done. The illustrations, the tone, and the messaging, is great for kids that have been called “just shy” and everyone who has ever doubted themselves (i.e. everyone) with it’s relatable emotions, and reminder that like a quilt, we are still growing.  I cannot wait for this book to be released and I can enjoy a physical copy to share in classrooms, libraries, and bedrooms. One of the best picture books I’ve read in a while, thank you.

The book starts with Ami asking Saif why he isn’t outside playing basketball with his friends.  He replies, that he “is shy.”  His mother shows him that the quilt is made of patches of Saif: experiences he has had. She shows him a patch and helps him recall the memory attached to it,  starting with last Eid when he was brave and went down the big slide. As he joins in the recollection, he then owns the label that he is brave.  It isn’t that easy though, he tries to be smart like his brother and read a lot, but reading is hard, his brother reminds him he is smart and points out the patch from when he won the scavenger hunt.  Swimming, helping at the masjid, reading Quran, calling the athan, all help Saif to realize he is more than just shy, more than one label, and that he is still growing.

I love the relatability of what Saif is going through, and even though so many of the settings and examples are Muslim centered, the book will resonate with all readers, of all ages.  A tear or more two may have stumbled out as I saw little me in the illustrations and the scenarios, and I have never been called shy. The book releases in March and is traditionally published, meaning plenty of time to pre-order a copy and request your library to shelve it, as it will be available wherever books are sold.

Jan1

Amina Banana and the Formula for Friendship by Shifa Saltagi Safadi illustrated by Aaliya Jaleel

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Amina Banana and the Formula for Friendship by Shifa Saltagi Safadi illustrated by Aaliya Jaleel

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I have five children, I have taught second grade, I have shelved, recommended, and read aloud a number of early chapter books for the better part of the last 20 years, so when I say that this book changes the standard of what a book (series) for this demographic can and should be, I do not say it lightly. Yes, I am bias, the author is a dear friend, but Amina has layers, growth, insight, struggles, warmth, heart, and all the other glowing adjectives normally associated with beloved books and characters for older readers. This book is the first in a series of four, and each book is somehow better than the previous. At 126 pages with a robust backmatter that includes scientific extensions, a recipe for ful mdamas, and a note from the author, I am confident that children of all ages, everywhere, caregivers, parents and educators alike will all fall in love with Amina, cheer for her, laugh with her, and be enamored with her attitude, perseverance, and joy.

SYNOPSIS:
Amina loves having a plan, a formula in fact, and when she arrives in Indiana as a refugee from Syria she is determined to make friends in 3rd grade.  Things don’t always go as expected, but alhumdulillah Amina doesn’t stay down: classmates, family, and determination combine to help the clever, yellow-loving protagonist find a way to rework her experiments, accept what she can and cannot control, and succeed in making this new country feel a little bit like home.

WHY I LOVE IT:
I adore the humor, unapologetic Islam, the rich Syrian culture woven in, and Amina’s approach to life.  So often early chapter book protagonists are obnoxious, annoying, crude almost, bratty, arrogant, and repetitive, Amina is none of those things.  She is vulnerable and strong, confident, yet nervous, hopeful, but worried, she is tangibly real in a way that readers will see themselves and relate.  I love the humor of idioms being confusing, and the heart of seeing what the parents have sacrificed and are willing to sacrifice by starting over in a new place.  The illustrations add to the experience of drawing reluctant readers in and will help those transitioning from picture books to chapter books be immersed by the story.  As always the author’s writing is impeccable and the story well-crafted.

FLAGS:

There is some teasing, reflections on why Syria was left, the journey to America, and hardship.

TOOLS FOR LEADING THE DISCUSSION:
This book is ideal for classroom, library, and home shelves.  It would be a wonderful classroom read aloud and works equally as well at bedtime.  My children college to elementary have all read and loved Amina, and I highly encourage preordering so that your children will get a chance to fall in love with her too.

 

Nov11

The Gift of Eid by Shifa Saltagi Safadi illustrayed by Aaliya Jaleel

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The Gift of Eid by Shifa Saltagi Safadi illustrayed by Aaliya Jaleel

With heartfelt words and large two-page spread illustrations, this beautiful book shares a mother and daughter finding the perfect Eid gift for one another while bringing the reader into the Souq Al-Hamidiyeh, before sending them off to Masjid Al-Umawi for a warm hug.  A retelling of the classic, A Gift of the Magi, the story poignantly presents threads of love, gifts, loss, and Eid to fill the reader with joy, peace, and gratitude.  I’m admittedly very bias, as a close friend of the author, but this beautiful book doesn’t need lip service or marketing, it will appeal to all readers in all settings, and be cherished and asked for, over and over again, all throughout the year. Alhumdulillah.

The book starts with Yasmine and her mama entering the souq through the archway, and Yasmine remembering her father and her imagining the circles in the ceiling to be twinkling stars.  He is no longer with them, the magic is gone and money is tight now, but with liras jingling in her pocket, Yasmine is determined to find an Eid gift for her mother that will make her smile.

Yasmine looks around the shops as her mother counts out liras to buy za’atar, and tries to find something cheaper than sfeeha at the bakery.  She finally knows what to get her mother, but it is more lira than she has.  With determination and selflessness she makes a decision to get her mama the perfect gift.

The process separates the two, and when they reunite at the masjid for maghrib salat, it isn’t the gifts themselves, but rather what they mean, that make the laughter, tears, and love overflow.

I love the emotional depth the book conveys so deftly, never explaining or pulling the reader out of the story, thus allowing the connection to linger long after the book is closed, a rare treat in a picture book.

Oct6

My Olive Tree by Hazar Elbayya

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My Olive Tree by Hazar Elbayya

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I love that this author illustrator traditionally published book shows the ways that olive trees and their fruit connect people.  The little girl, Salam, can’t wait to grow her very own tree, but it takes a while, and when it finally sprouts, it is trampled by soldiers.  Heartbroken to lose her plant, her community shows her how they are like their beloved olive trees: their roots are deep, and they are a part of the land.  The tender illustrations, the poignant symbolism, and the love and unity that radiates through, makes this book an important read for children and adults of all ages and backgrounds.  There are no countries mentioned in the text (Palestine appears only in the author’s note), nor any religion, there are visible Muslims in the illustrations, even the soldiers are unnamed, but the setting is clear.  Picture books take years to be published and that it released at this point in history, shows how long the struggle for freedom has been taking place, and how strong and resilient Palestinians are.  This book that will be read over and over, shows even in the sadness, the feeling of hope abounds.

The book starts with Salam noting how old her grandpa is, and that only the olive trees are older than Sido.  Sido then explains to his granddaughter how the olive trees connect them all: farmed, picked, pressed, oil used to cook, olives sold to eat, added to dishes, and made into soap.  Salam goes to plant her seed and be part of the connection. She waters it and waits, but it doesn’t seem to be growing.

Finally a spout, and then a little plant, and then the soldiers march into their lands and destroy everything in their path, even Salam’s olive tree.  Sido reassures her that she will plant more olive trees in her lifetime, but Sido also wants to show her that she is not alone.  Friends, family, and neighbors, come together to show her, “just like the olive trees, when they try to break us, we grow back stronger.”

A truly beautiful hopeful book, subhanAllah.

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Jun4

I’ll See You in Ijebu by Bunmi Emananjo illustrated by Dian Ejaita

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I’ll See You in Ijebu by Bunmi Emananjo illustrated by Dian Ejaita

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As a window into Nigerian life, this 32 page book is beautiful, celebratory, and an incredible resource to learn from and emerge yourself in, as the beautiful pages, and delightful language sweeps you away to Ijebu and Olu’s grandparent’s house for Eid al Adha.  As a Muslim, this book’s framing might require some conversation with little ones that may or may not be right for your family.  The protagonist in the book, Olu, is Catholic, her siblings and parents are as well, her mother’s family however, is Muslim.  The multi-faith family celebrate each others’ holidays, for example Olu goes to the mosque to pray after taking communion at church, and the cousins haven’t seen each other since they came to Lagos to celebrate Christmas.  Eid al Adha is celebrated with a big meal, prayers, and being together, but nothing specific about belief or doctrine is included in the text. The tender heart of the story is the subtle bond between Olu and her grandfather, Baba, even though language differences prevent them from talking. The writing style is as beautiful as the full page illustrations, with part of each page dedicated to more traditional story telling, and another complimentary part expressed in a more lyrical fashion that reads often like a song.  The backmatter is robust with information about Nigeria (including a map), Food, Fun, Faith and Family, Oriki, Fashion, an Author’s Note, a recipe for Puff Puff, an Illustrator’s Note, and a list of people who helped create the book. The book is OWN voice written and illustrated, but I do not think either are Muslim, and while the publisher lists the book as being for ages 4-10, it is a bit text heavy, so take that into consideration. 

The book starts with Mummy calling Olu and her brothers for breakfast.  Daddy is in America at their old home visiting his brother, and today they are going to Ijebu to visit Baba and Iya Akin for Eid.  This year Olu is eight and will finally get to help make the Sallah feast. The traffic is bad in the hot weather, with smells of vendors cooking filling the air.  The family listens to Afrobeats and 90s pop music until they are finally there.  When they arrive Baba is waiting and sings Olu’s oriki as they embrace.  Food is a big part of visits to Ijebu, as they pick ripe cashews, sugar cane, guavas, and mangoes on Baba’s farm.

When it is finally Eid the family walks to the nearby mosque for prayers in matching outfits.  Then it is time to cook the two rams for the Eid feast.  Olu is going to braid the ram intestines.  It is a lot to cook and a lot to eat. When the week is over, and it is time to leave, once again it is Olu and Baba’s hug that make the love tangible and the book emotional as they say their wordless goodbye.

Jun3

Sami’s Special Gift: An Eid al-Adha Story by M.O. Yuksel illustrated by Huseyin Sonmezay

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Sami’s Special Gift: An Eid al-Adha Story by M.O. Yuksel illustrated by Huseyin Sonmezay

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This sweet 32 page story, blends themes of loss, grief, giving, homelessness, Islam, Eid al Adha, and joy with simple early reader level text and beautiful illustrations. The book never gets preachy and doesn’t other, making it a great addition to all shelves, everywhere. There is information about Eid al Adha and what a homeless shelter is in the backmatter along with a glossary that explains, Islamic and Turkish terms.

Sami loves Eid and celebrating at the carnival with Dede, his grandfather, but this year, Dede is not there, and Sami is sad. When a package from Nene arrives from Turkiye with Dede’s favorite sheep decorated Eid tie for Sami, things start to look up. Sami never wants to take it off, and even wears it over his new Eid clothes as they head to the mosque for prayers. After salat and before the carnival, the family visits a local butcher and picks up meat to take to the homeless shelter.

Sami has never been to a homeless shelter and has only heard of his parents going and helping there. He asks his parents about it on their way and once they arrive heads off to play ball with a boy, as his sister shares her doll with a little girl. When it is time to leave for the carnival, Sami imagines what the his life would be like if he lost his home and belongings, and makes a decision, knowing exactly what his Dede would do.

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I love how the book weaves in information about Islam by having the family praying, listening to the imam, wearing new clothes, and giving in charity, without pulling out of the story. Same for the Turkish cultural inclusions of food and words. I also like that in the illustrations the mom wears hijab when out of the house, but not inside. It all comes together smoothly and is unapologetic, even while handling the sadness of his grandfather no longer being with him, the empathy at the homeless shelter, and joy at the carnival.

My only concern is when it says both in the text and in the backmatter that meat is given: one third to friends, one third to family and one third to the poor. I don’t know that it is wrong, but to clarify you keep one third for yourself (and family), and distribute one third to friends, and one third to the poor. Additionally, I also know a lot of people might not love the illustration style, but the picture of them in the mosque, won me over.

May31

The Home We Make by by Maham Khwaja illustrated by Daby Zainab Faidhi

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The Home We Make by by Maham Khwaja illustrated by Daby Zainab Faidhi

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This 48 page picture book follows a family as they leave their home under siege and journey to America.  Through the eyes of the young girl the thread of what is home, where is home, and is it a place or a feeling weave through the emotional unknown that the family faces throughout.  Even once settled the feeling of security at home is threatened, and the family must persevere.  The little girl’s joy and hope that whatever comes will be faced together with her parents, keeps the book hopeful and at times even joyful.  The lyrical writing is occasionally makes the book feel text heavy, but because the reflection of memories and inclusion of emotions is used in conjunction with the story moving forward, I think elementary aged children with guidance will benefit from reading and discussing the book. As a former journalist, I truly believe one can research a topic and write an accurate story or an article presenting what they learned for others to benefit from.  At the same time as a lover of fiction, I enjoy OWN voice and the authenticity that it brings to the experience.  So, when I read the Author’s Note at the end, and found the author is not a refugee, and that there is no named sources of the author’s friends who are refugees, in fact there are no references whatsoever, I felt deflated.  It in some ways makes me uncomfortable that what looks much like a Syrian refugee story on the pages, is perhaps so mainstream, that a fictionalized account can be shared and accepted without authenticating it.  No country is named in the book, the author is an immigrant so there undoubtedly is a level of OWN voice, and she disclosed she is not a refugee- truly nothing “wrong” has been done, but nonetheless I feel like I should share that here for you to decide how you feel about it before reading the book.

The book starts with rockets falling outside a family’s home while they pack essentials in the red glow.  They then leave their home, and the house key behind as they start their journey. They begin walking past destroyed buildings, the girl’s school, branches that seem to not want to let them leave.  They arrive at the docks, spread the same blanket they once took to the beach during happier times, and wait for the boats.

There are not enough lifejackets, but her parents make sure she gets one.  As the boat bobs along, the young girl imagines astronauts in space and wonders if they too miss home.  The angels in blue vests get them from the boats to the camp, where they stay and wait, while they complete paperwork and dream of finding a new home. When that day comes, the goodbye is hard, but they board a plane to America with hopes and dreams.

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In America there is an apartment, help to learn the language, and reminders that they are lucky they have made it this far.  But, there are also people who do not want them here, that make them feel unsafe in their new home, and the family will have to work hard to find their place and make the puzzle pieces fit.

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The full illustrations bring the book to life, and compliment the text, establishing a tone that is seamless in conveying both fear and happiness on a kid appropriate level. 

 

 

 

Apr23

Awe-Samosas! by Marzieh Abbas illustrated by Bhagya Madanasighe

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Awe-Samosas! by Marzieh Abbas illustrated by Bhagya Madanasighe

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I was really enjoying this book about a determined young girl and her dad making samosas for friends, missing Dadijan, adapting and problem solving, an encouraging Urdu speaking parrot, a reference to Ramadan, and incredible illustrations… and then I froze.  On page 32 of the 40 page book it says the word “pepperoni” clearly affirming that the Muslim girl who’s dupatta wearing Dadijan wakes up at fajr to call her, has made pepperoni pizza samosas for her friends.  Perhaps I’m over reacting, it is one word, but I truly cannot get past it.  The first time I recall asserting myself as Muslim was in preschool making pizzas and me telling my teacher at three and half years old that I cannot eat pepperoni.  Sure as a middle aged adult, I know you can get beef or turkey or faux pepperoni, but the standard is pork, and this book does not clarify that it is not pork.  The word is intentional, the story would be exactly the same if it were just a cheesy pizza samosa, yet it articulates it as a peperoni pizza samosa. And I truly cannot fathom why.  Classrooms and libraries will shelve this book, teachers and librarians will read this book, little Muslim kids that look like Noor, are going to shrink when they get to that line: either they will question if we can have pepperoni (why else was it in Noor’s home), or have to now convince adults and classmates that the book is wrong in addition to explaining that Muslims do not eat pork, a big task for the intended audience of preschool to third grade.  If you omit that one word, the book is wonderful, layered, joyful, and a lot of fun.

Noor’s friends are coming over, two girls and a boy, for the first time and Noor wants to make samosas to eat with them.  It is too early to call Dadijaan in Pakistan, and Noor thinks she remembers how to make them.  Abbu offers to order pizza, but Noor is determined, even when she discovers they don’t have the necessary ingredients.  She puts on Dadijaan’s kitchen dupatta, and with her parrot, Mithoo, encouraging her every time she gets stuck with “Sab theek hai. Sab theek Hoga! Everything’s great, everything’s going to be okay!” Noor heads to plan B, Awe-Samosas, samosas with unique fillings.

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Noor gets Abbu onboard and helping and when her friends arrive, the turmeric colored pastries are ready for eating.  Some are apple-cinnamon filled, and remind Kaitlin of her grandma’s Fourth of July apple-pie, some are stuffed with honey and pistachio like baklava according to Layla, and Jonathan finds the cheesy peperoni samosa genius.  When Dadijaan sees the pictures Abbu has sent at fajr, she calls and praises Noor with the friends hoping to have another samosa party when she is visiting next.

The book concludes with Dadijaan’s Special Samosa Recipe, and a Glossary.  The book is widely available, including here on Amazon.

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Apr8

Lion on the Inside: How One Girl Changed Basketball by Bilqis Abdul-Qaadir with Judith Henderson illustrated by Katherine Ahmed

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Lion on the Inside: How One Girl Changed Basketball by Bilqis Abdul-Qaadir with Judith Henderson illustrated by Katherine Ahmed

This nonfiction picture book memoir is about Bilqis Abdul-Qaadir’s love of basketball, accomplishments, and ultimate decision to choose her hijab over her career.  For elementary readers the 40 page book reads like a story, and shows what it means to work hard, be talented, stay true to yourself, and be willing to fight for what you believe in.  As the Massachusetts State high school basketball scoring record holder and the first NCAA hijab wearing Muslim basketball player, she was forced to leave the fight on the court and instead fight to change the rules regarding headgear for women playing international professional basketball.  She won the fight, but unfortunately it was too late for her, she now advocates for Muslim girls in sports to not have to choose to cover or play.

The book has a flow as it starts from her being born into a basketball family, and shooting hoops at three.  She plays with her brothers with her grandma, Mudgie, always cheering her on.  Her mother’s strength grounds her and at age 12 she puts on her mother’s hijab and heads out to play ball.

At 14 she is wearing her own hijab and playing on the high school team, her hijab is her super power, and reminder to be fierce, faithful, and kind. When the ref halts the game and says she can’t wear her hijab, her team stands with her, until the game resumes.

She gets a full scholarship to the University of Memphis and plays her final season at Indiana State.  She meets President Obama and beats him in a game.  When she decides to play international though, again she gets told she can’t unless she removes her hijab. She chooses her faith, and when she finally gets the ban overturned, it is too late for her, but not for other Muslim girls.

The book concludes with some photographs, additional information, discussion questions, and places to discover more.  I appreciate that it shows her praying, but I wish it gave just a little insight as to why Muslim women cover, why it is part of our faith.

I found my copy at the library, it is available to purchase here.