Tag Archives: school

Mark My Words: The Truth is There in Black and White by Muhammad Khan

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Mark My Words: The Truth is There in Black and White by Muhammad Khan

This 304 page YA/Teen book was surprisingly well written, gripping, relevant, and engaging.  I say “surprisingly” because the cover and title don’t scream pick-me-up-and-read-me, at all.  If I’m being completely honest, it looks like a self published book from the 90s, not one about to be released on June 1, 2022.  Appearances aside, it reads real and raw and even though it is very British and I didn’t understand a lot of the slang or the framing, I still was very invested.  The main character is Muslim and while part of the plot is focused on her identity, it isn’t her doubting herself, it is her in all her facets taking on stresses in her life, sticking up for what’s right, and going to bat against some very heavy hitters in the community.  The book has drugs, parties, racism, islamophobia, lying, crushes, cross dressers, gay and straight characters and relationships, privilege, assault, theft, robbery, language, hate crimes, talk of condoms, rape, sexual assault- it is raw, but the Muslim characters know who they are and engage in the environment around them as informed practicing Muslims.  The main character wears hijab and when she goes undercover she wears a wig and that conversation with herself if it is ok or not takes place, as she starts to have feelings for a boy and she tries to justify if it is ok for her, that conversation in her mind also is written out, many of her friends are of different sexual orientation and there is no judging or preaching, she accepts and celebrates them and they do the same for her. The drug use is never glorified and racism and misogyny are called out. The author is a teacher and it states in the backmatter the role his classroom and the students have in his writing and I think it shows.  The book says ages 12 and up, but I think for the content, critique on systemic racism, details about drug and drug use, gentrification, and media bias, the book is better suited for 16 year old readers and up.

SYNOPSIS:

Fifteen year old Dua’s school is under renovations which means her whole grade is being integrated with students at Minerva College, an elite private school on the other side of town.  It is an exam year, and what should be a dream for hard working Dua to get a foot in the door at her ideal school, quickly becomes anything but.  The kids from Bodley are made the scapegoats for a growing drug problem and the journalist in Dua is not standing for it.  When she doesn’t make the Minerva paper, she decides to start her own, and the dirt her and her news crew start uncovering isn’t mere gossip, it is outright illegal.  While journalism starts taking over her school life, Dua’s home life is quickly crumbling.  Her mother is falling apart mentally, failing to get to work, and struggling to keep her own demons at bay.  When Dua’s slightly estranged father tries to step in to help, Dua has to reconcile her past relationship with him and find a way to move forward.  In between all the drama at school and home is Dua’s time on the basketball court, and star Minerva Rugby player, Hugo, has taken an interest in her Kobe sneakers, and her.  The two spend some flirty time on the court leaving Dua with some decisions to make, and her questioning who to trust as everything starts to blow up.

WHY I LIKE IT:

I love how fierce and strong Dua is.  Yes, she over does it at times, but just as fiercely as she pushes for what is right in her mind, she acknowledges her errors and works to correct them.  She is Muslim because she is Muslim it is never a label she wears for attention or for someone else, it is who she is.  I love that there are also Muslim side characters including the principal.  Dua and Huda, another girl at school are always getting mistaken for one another, which is a great OWN voice (even though the author is male) inclusion.  Additionally Huda has a boyfriend, and when in the midst of a conversation she refers to him as her fiancé, Dua freezes, and Huda explains that they are getting married as soon as they turn 16 since dating is Haram and their parents all know.  I love that there is no explaining or judging at 16 year olds getting married, it just is what it is. Most of the book is written in that tone, that there are girls wearing hijab, and yes it gets pulled off at some point, there are guys writing make-up columns, there are gay guys explaining sub groups within the minority, but it all comes across as judgement free.  When racist, or homophobic, or Islamophobic, or misogynistic, or classist comments are made, other characters call them out, not to debate or preach, but to just emphasize the live and let live tone the book seems to advocate.

I was thrilled to see Dua’s best friend Liam wears hearing aids and that is very much a part of him, it isn’t a label stuck on and forgotten.  It is joked about, it is a daily presence and the author notes it in the backmatter as well.

There were some side storylines that felt a little under devolved, I would have liked a stronger emotional arc in Dua’s mom’s mental health deterioration, as well as what drove her parents to divorce.  The book is fast paced, so I wouldn’t want a lot more back story, but a little more to connect with would have been nice.

Honestly it took a few attempts to get in to the story, just because I’m American and the book is British.  I finally just read through the first twenty pages and kept going and then I was fine.  I know that is my own bias, but it is worth noting since the title, and cover aren’t attractive and then once you start it isn’t immediately clear what is going on, that some determination might be required before the book becomes difficult to put down.

FLAGS:

Drugs, drug use, sexual assault, physical assault, corrupt police, racial profiling, gentrification, systemic racism, media bias, partying, deception, bribery, expulsion, mental health, bullying, cross dressing, relationships, attraction, misogyny, hate crimes, threats, corruption, property damage, theft, stealing, cursing, language, alcohol consumption, dealing, to name a few, it is a contemporary high school setting with students taking on racist elitists.

TOOLS FOR LEADING THE DISCUSSION:

I know the flag list seems long, but I think there is a lot of sleuthing, action, character and story building and investment that give the book a lot of heart.  I think it could be shared in an Islamic high school and would result with some amazing discussions.  If you want to grab a copy, you can go through this link that will benefit me, I think Amazon gives me 2.2% back, lol, but when you pay for your own books, truly every little bit helps! Happy Reading!

Hollow Fires by Samira Ahmed

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Hollow Fires by Samira Ahmed

hollow fires

Every YA Samira Ahmed review I have written I remark at how amazing the premise is, how flat the characters are, and how forced the romance feels.  I am so happy that I did not dismiss this book, and when I return this copy to the library, I will be eagerly awaiting the purchased one to arrive so as to be placed on my book shelf.  There is connection to the protagonist, she is even likeable, the brief flirty romance is natural and not heavy handed, and the only thing better than the premise is the contemporary commentary.  The multiple writing styles, lyrical voices, and thriller/mystery elements make this 404 page teen book hard to put down.  Islam is present in different forms in different characters. There are very gentle elements of faith that really contrast the chaos of the plot and radiate peace: fajr salat, wanting a janazah, identifying as Muslim.  And while the book says 7th grade and up, I think it is more suited for high school readers.  There are strong themes of islamophobia, media, and privilege, there is killing, murder, a gay Muslim, a ghost, assault, language, planning to go to a school dance, racism, vandalism, misogyny, Halloween, relationships, hate crimes, and abuse of power, to name a few reasons that I think older readers (and adults) will appreciate and understand more deeply than most middle schoolers, how remarkable this book truly is.

SYNOPSIS:

Safiya is in her senior year at her elite private school, she’s a scholarship kid, and her passion is journalism.  As the editor of the paper she is unafraid to challenge the principal and spur others to action.  When a fellow Muslim kid, Jawad, at a nearby local school gets arrested for bringing a makerspace jetpack to school, it bothers her.  When Jawad goes missing, and events at school and in the community start putting Muslims and other minorities on edge, Safiya finds herself collecting bread crumbs and getting closer to the truth.  Throw in vandalism to her parents Desi store, smoke bombs in the bathrooms, swastikas graffitied at school, and a dead boy whispering to her and you have yourself an action packed thriller that hits close to home.  When the circumstances of how Jawad’s body are found and the clues start to fall in place, Safiya and readers will find themselves rushing against the clock.  Her to safety, and readers to see if their suspensions are correct.

WHY I LIKE IT:

I love, love, love how each chapter starts with a fact, or a lie, or an alternate fact, or truth, I keep rereading them. They are so clever, and thought provoking as the short lines stare at you in black and white and get under your skin.

I don’t think the book explains if a ghost in Islamic doctrine would be possible, but I do like that the book on more than one occasions tries to explore it.  I think for me acknowledging that it doesn’t fit, but that jinn exist and that maybe it just is what it is allowed me to overlook it and read the story for what it is.  I appreciate that the author gave the characters presence of mind to try and view it through an Islamic perspective and see answers that way, even if it did come up short.

I love the parents in the book, all of them. There is no oppression or force or lack of understanding, from the parents which was a nice break from the normal YA Muslim family dynamic presentation.  As a result perhaps, Safiya has never gone to a school dance, but when asked to Winter Formal she doesn’t have any religious or cultural hesitation in agreeing to go.  Part of me wishes it would have crossed her mind, but I think the other part wins out- that for her it is a non issue and that her view and practice of Islam is just different than mine and that is ok.  I think part of the reason I am ok with it is because there is no overly forced make-out sessions or drawn out angsty scenes.  There is a kiss on the cheek and one on the forehead, a tiny bit of snuggling, and maybe a handhold.  Suffice it to say it isn’t overboard and extreme, it never says that Safiya prays, she notes her parents do, but it seems she goes to the mosque, she identifies as Muslim and she is unapologetic, so by moving the choice to her to go or not go to a dance allows Islam to stay Islam and her actions to stay her actions.  A subtle difference I’m sure for most, but for me a very powerful one in a book that is about more than Islam’s view of premarital relationships.  I think it is also promising in that it shows how far literature has come that these nuances can exist without being overly explained or made into black and white issues.

In a similar vein is how the three Muslim characters are presented.  At one point it says they all go to different mosques because of geography or ethnicity, but to them they are just Muslim.  This includes Usman a kufi wearing Shia Hazara from Afghanistan who is always crushing on his tennis partner, or some other guy.  There is nothing more said about it, and the book carries on.

The style of the writing between the alternating voices of Safiya and Jawad are nice, but I particularly liked the inclusion of the interviews, articles, excerpts, and court transcripts.  The change of pace made it feel like it was more than a fictionalized story about the characters at hand, and a societal trend that is impactful to us all.  Which of course is a theme of the book, and was a nice way to show and convey that sentiment without having to say it over and over again to be heard.

FLAGS:

Copy and pasted from above:  There are strong themes of islamophobia, media, and privilege, there is killing, murder, attempted murder, a gay Muslim, a ghost, assault, language, planning to go to a school dance, racism, vandalism, misogyny, Halloween, relationships, hate crimes, and abuse of power. The hand of Fatima symbol is apparent in the marketing of the book, it isn’t a huge part of the story itself.  It is a key chain that was given to a character and then passed on with a message that it will keep you safe.  Clearly it doesn’t keep you safe and the irony and the passing of it from one character to another (I’m really trying not to spoil anything, can you tell) is the only significance it has on the story.

TOOLS FOR LEADING THE DISCUSSION:

I have already told my daughter she needs to read the book this summer after finals (she is 15), and while I would love to do this as a high school book club book, I don’t know that the ease of going to a dance, the normative presentation of a gay Muslim, and the ghost as a main character would be widely accepted at an Islamic school.  I think I will suggest it to high schoolers that I know, and would do so confidently as the writing, overall messaging, and critique on the media and privilege are so well executed in a compelling story, but I think the flags might keep me from “teaching” the book or shelving it in the school library.

The Maliks Ramadan Mayhem by Zanib Mian

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The Maliks Ramadan Mayhem by Zanib Mian

This 93 page Islam centered, action packed, humor filled book was written as a gift by the fabulous Zanib Mian for her readers. The book was to be free, all you had to do was pay shipping. Well, if you lived outside of the UK, that would make the book pretty expensive, so like any entitled book lover, I started annoying the author, my friend Noura the owner of Crescent Moon Store, and any and all connections I could muster to get the book during Ramadan. I wasn’t trying to get it for free, I just really wanted it in my hands. So, when the author did a second printing for purchasing, and my US stockist was on the list, I was giddy. Then I went out of town to be able to spend Eid with family and the lovely book sat on my neighbors dining table until the blessed month and the festivities of Eid, had come and gone. But guess what, it is ok. This book is fun, no matter what time of year you read it. It is as silly and informative and relatable as all the Omar books, and the characters just as delightful, the mystery just as teasing, and the quirkiness just as charming for readers 7 to 100. Thank you for this gift, thank you dear friend for stocking it at an incredibly affordable price and getting it to me with such speed and love. And dear readers, don’t wait until next Ramadan to get your copy, you and your children will enjoy the book now, repeatedly, and as they get excited for Ramadan next year (and the year after, and the one after that too), inshaAllah.

SYNOPSIS:

Maysa Malik is often misunderstood, and crossing lines at school, with friends, and at madrassah that get her in trouble, even while making others laugh. Her twin brother Musa doesn’t have Maysa’s penchant for getting in trouble, and so their parents are letting him go on the school trip, but not her. Maysa is determined to prove to her parents that she isn’t a class clown and can stay out of trouble. With help from Musa and their neighbor Norman, a cookie tower competition might be just the thing to raise money for charity and get in her parents’ good graces. But, a little lie to avoid teasing has big consequences and destroyed cookie towers mean her plan to go on her residential trip is failing. And no, I’m not going to spoil the plan b the kids come up with, or reveal the snowballing implications of the lie, I wouldn’t want to ruin it for you.

WHY I LIKE IT:

I love that the Islamic tidbits are woven in and made a part of the story. It doesn’t pull out to give facts about Ramadan, salat, and charity, it is all part of the story and works well for both Muslims and non Muslims without compromising or watering down important aspects of our faith. I absolutely love that Norman makes wudu before doing anything and everything related to Islam, and is very aware that farting is a wudu popping act.

There is a “moral” about honesty and self confidence, but it doesn’t come off preachy, and as I’ve grown to expect from the author, her voice reads very genuine and true. The lessons from one character to another and from within internal reflection of a character, feels organic and age appropriate.

The only thing that bothered me initially, but perhaps not so much at the end (I’m going to try not to spoil anything here). Is that the one character that speaks “broken” English is painted as being strict, mean, and short tempered. There is redemption for him, but I wish the characters were more aware of their own impressions of Mr Saleh, and that the stereotype wasn’t perpetuated.

FLAGS:

Lying, accusations, some retaliation against a bully, gossip, gambling is mentioned, butt jokes, fart and bathroom mentions. Nothing offensive, but it is funny.

TOOLS FOR LEADING THE DISCUSSION:

I won’t do this as a book club selection, but I am hoping to read it aloud to 2-4th grade next year before or during Ramadan. It would probably just take a few library sessions and I think the kids will love it.

The Secret Diary of Mona Hasan by Salma Hussain

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The Secret Diary of Mona Hasan by Salma Hussain

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I really don’t know how to review this book. Is it funny and engaging, yes at times, but I am a 41 year old, and I can attribute it (hopefully/possibly) to satire, hubris, character voice, and commentary, except it isn’t written for me, it is written for 10-14 year olds.   There is no way would I put this in the hands of a fourth grader, let alone a high schooler.  The book starts on New Year’s eve with a “Muslim” family drinking alcohol, later the 11 year old drinks to get brave enough to meet up with her boyfriend (he wanted to wait until after Ramadan), after a bad haircut she starts wearing hijab and later takes it off, her period starts and she is baffled at which hole it comes out of, she is no longer allowed to be alone in a room with a boy because that is how babies are made, but it is ok to go to a school dance and kiss them, women are rather useless, old people (31 year olds and up)  should know their place and act their age, dark skin is bad, chests need to be big, slut is both something you are and something you can do,  Aisha (RA)’s age of marriage is criticized as is Khadeeja (RA)’s, no one is as good at her, Ramadan is annoying because she has to hide when she eats in public for a whole month, Friday prayers even though they rush through them limit their fun time, the Tablighi Jamaat have to be lied to and hidden from, her mom is pregnant months after coming out of her bedroom smiling, her father claims he will only ever enter a mosque horizontally, you can see the list goes on and on.  Yet at the same time, there are true moments of strength, such as when she fights back against the creepy sexual assault vibes from “uncle annoying” and then protects her sister when her parents dismiss it, when she sticks up to a bully to protect her gay friend in Canada, the dad getting caught one day praying salat, the love of family felt despite her perceived privilege while visiting Pakistan, her constant reference to Allah swt as she asks Him and tries to understand the world around her, and her terrible, terrible poetry.  The diary style is both brilliant in trying to show the world through Mona’s eyes, and irritating as NONE of the aforementioned concerns are given any context, explanation, reflection, anything.  The thoughts pour out of her head, onto the paper, and the reader is left to figure out if this is how things are, is this her naïve view, is she commenting on society, is the author, is this fact, is it satire, is it someone with an axe to grind on culture and religion, is it showing the ridiculousness of so many stereotypes? And to be honest, I have no idea.  Which is why I can’t say that the book is good or bad, I think it is well written, my problem with it is, I don’t know who it is written for.  I think it would be very damaging to young children, the vulgarity, misogyny, racism, arrogance, will hurt both those that see parts of themselves in Mona and those that read it and assume too much about what Mona represents.

SYNOPSIS:

Mona is an 11 year old girl, and this is her diary.  She is arrogant and opinionated, but she grows and mellows as her view of the world moves from privilege in Dubai to immigrant in Canada with a bit of an awakening in Pakistan in between.  It is her view of her life, her place in the world, and the greater society around her.  It is an easy read on the surface of her living through the war without getting any days off of school, friends, maturation, first loves, hoping for a bigger chest, pulling a fire alarm to get time with a boyfriend, feminism, and the annoyance of being better than everyone else in everything she does.  There are side characters that flit in and out and family members that shape her, but the point of view is uniquely hers in all matters regarding leaving the Middle East as a Pakistani living there, spending time with her mother and father’s families in Pakistan and the rift her parents’ love marriage caused on their acceptance of her, their move to Canada to start a more peaceful life that ends up being grueling and difficult and through it all threads of Islam, fitting in, and growing up.  It is a snapshot of so much that the reader is left to connect the pieces, assign them value, and understand the larger message, if one exists.

WHY I LIKE IT:

I still don’t know if I like it or dislike it.  I dislike it for kids.  I like it for adults as a light over the top snarky read, but I think my opening paragraph is sufficient and the 296 page book doesn’t need my concerns and praises rehashed here.

FLAGS:

Misogyny, anti Islam, sexism, racism, ageism, lying, vulgarity, cursing, crude talk, lying, disrespect, lack of religious respect, kissing, sexual assault (attempt), deceit, pulling a fire alarm, physical fighting/assault, family trauma, arrogance, pettiness, stereotypes, bullying, sexual innuendos,

TOOLS FOR LEADING THE DISCUSSION:

I have suggested a few ADULT friends read the book so we can chat, but no kiddos, no teens, no early twenties, old ladies (31 plus according to the main character)!

A Show for Two by Tashie Bhuiyan

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A Show for Two by Tashie Bhuiyan

a show for two

I didn’t love the author’s debut novel, but wanted to see what a second novel would offer, and sadly it really is a lot of the same: light funny romcom surface story featuring a Bangladeshi Muslim character lead mixed in with layers of mental health, a toxic family, high school stress, and cultural expectations driving the plot.  There is crude language, hetero, lesbian, bi, and pansexual relationships discussed, but nothing more than kissing is detailed in any of the scenes.  There is a lot of cultural trauma from the parents and to the book’s credit, it does establish pretty early on that the main character is not religious, but that she does believe in Allah swt.  Similarly, there is a Bangladeshi loving family in the story, so it is not making a critique on the entire culture, it is just the character’s family that is cruel.  Ultimately, at 416 pages I was surprised that there were gaps in character arcs and plot.  I never really liked the protagonist, Mina, but because of how underdeveloped and pivotal the best friend and younger sister were, when it all came to a climax, I found myself rooting for her, which is a very shallow reasoning in an OWN voice book. Additionally, the parents are terrible, and had I dnf-ed it (I was tempted until about 30% through it) I doubt I would have ever known that there was a time that they weren’t terrors.  The peeling back of the layers of the family came too late, too slow, and the progression was muddled.  I probably will not actively seek out further books from this author if the same themes and tropes are present, if she changes it up, I probably could be persuaded.  The book is marketed 7th grade and up, but with the triggers, hate, language, content, genre, language, length I would say 17 and up, if at all.

SYNOPSIS:
Samina “Mina” Rahman is waiting to leave New York and her hateful parents, and start her life at USC as a film student.  All she needs to do is win the Golden Ivy Film Competition, and get excepted to USC.  Her parents dismissing her dreams, passions, and abilities agree to only let her leave if she wins the competition, doubting that it would ever happen, they even put it in writing.  Co-president of the high school film club and best friend, Rosie is equally determined to win, there is just one big problem, every year the winning film has a cameo by a famous actor.  Cue accidental meeting of Mina and Emmitt Ramos, up and coming indie movie heart throb that is cast in the new Firebrand blockbuster.  Sent to Mina’s high school to research for his upcoming role, Mina is tasked with convincing him to make an appearance in their film.  It is a romance story, so you can see where it is headed in this enemies to lovers book.

As family, friends, and college admission stresses mount, the simplicity of what Mina wants and how to go about getting it will be called in to question as her walls crumble and she will have to evaluate people in her life and how they will be affected by her actions.

WHY I LIKE IT:

I like that the story is based on real events in the author’s life, not just the religion, culture, mental health threads, but that an actor came to her high school in preparation for a part: Tom Holland.  I also like that while her parents don’t value her, she has found a support group of sorts that do.  At times Mina reads a lot older than she is, particularly when she is admonishing the freshman, but at other times she storms off pouting and seems to be very childish.  I vacillate between this being intentional and it being an inconsistency in the writing. The younger sister Anam is painfully written.  She is bold and confrontational, yet at the same time so clingy and needy and all over the place.  At one point I thought she perhaps was suicidal and was braced for a really dark twist in the story, but no it was just Anam being Anam, I suppose, and the stress was never revisited let alone resolved.

I truly dreaded the passages about Mina’s home life and her family, they all were just awful to each other and rather than taking Mina’s side because I was shown, I found myself questioning what I was missing in the before and after dynamic.  It is clear they are wretched, the victim doesn’t need to justify the abuse. The transformation of the family dynamic just felt lacking and in fiction when parts are explored it could have really showed some of the micro aggressions and changes that existed and made the relationship salvageable so that the reader would understand why saving and fixing the family were no longer options.  Generational trauma is real and serious and a little more attention I think could have provided an amazing mirror to readers dealing with similar elements.

If the book was half the length I would assume that details would be glossed over, but this book had room, and I don’t understand why so few photography and director references seem to find their way into the text to show that these characters truly are passionate about what they are claiming to desire.  I know the story isn’t a film story or a culture story, but they don’t spend hours editing the film or working on props? Emmitt is regularly pulled away from shoots, but always seems to have enough photos to choose from?  Mina talks of her dad cooking, but foods aren’t detailed, the connection of food to love to family and that being severed seemed like a gaping hole in the crumbling home scenes.  If halal food and no pork can make it into a love relationship, that much cultural/religious depth should have made it inside a families home.

As mentioned in the intro, it didn’t bother me from a religious perspective that Mina was off kissing a boy, that Anam had boyfriends, etc. because Islam was accounted for and the characters are not practicing, so I do appreciate that it didn’t become a stereotypical rebelling against religion book.  Truly, thank you.

FLAGS:

Language, relationships (straight, bi, lesbian, pan), kissing, making out, hand holding, lying, mental health, hate, deception, cruelty, emotional abuse, angry ex boyfriend, triggers.

TOOLS FOR LEADING THE DISCUSSION:
Would not shelve or encourage young readers at our Islamic school to read this.

Abdul’s Story by Jamilah Thompkins-Bigelow illustrated by Tiffany Rose

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Abdul’s Story by Jamilah Thompkins-Bigelow illustrated by Tiffany Rose

abduls story

I really don’t know what more you could want from a 40 page brightly illustrated picture book for ages 5 and up.  I felt seen, I got a little emotional, I was inspired, I smiled, I felt compassion and empathy, hope and nervousness.  I was reminded of the power of role models, of getting down on a child’s level, literally.  I was reassured that we all make mistakes, learn differently, and can still thrive. Suffice it to say the book is moving.  The OWN voice lyricism will resonate with children of all colors, but that the messaging is from a Black Muslim boy and is so unapologetic and proud and beautiful, makes the emotions Abdul feels palpable.  Every classroom bookshelf needs this book, every child needs to hear it, read it, and explore the layers contained within.  Alhumdulillah.

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The book starts out with absolute joy.  Abdul loves to tell stories.  Writing stories, however, is something else.  The letters are tricky, they get turned around, they aren’t straight and crisp like the one’s the barber cuts.   His pages don’t look like the neat lines of his classmates.

He decides that maybe his stories aren’t for books.  It isn’t like he even sees stories like his in books:  stories about the people and places that he knows.

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Then one day a visitor comes to class, Mr. Muhammad, and he is a writer.  He encourages the children to, “write new stories with new superheroes.”  Abdul tries, but he keeps making mistakes, and then he has to erase, and before long his paper is covered in smudges and holes.

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Mr. Muhammad encourages Abdul to keep trying and fix the messes later, Abdul has an idea, and with a “bismillah,” he gives it another go.  There is no perfection, there is just determination.  The struggles, success, and support of his peers and Mr. Muhammad, just might change Abdul’s mind about his stories.

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I love that the book is Black centered and Muslim centered.  There is praying salat, mention of bean pies, a classmate in hijab, and saying of Bismillah.  I’ve read the book seven or so times and it has yet to get old.  The characters burst with personality, even the side ones, that I’m positive it will be a favorite at story time and bedtime alike.

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Can be purchased at Crescent Moon Store or Amazon

One Wish: Fatima al-Fihri and the World’s Oldest University by M.O. Yuksel illustrated by Mariam Quraishi

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One Wish: Fatima al-Fihri and the World’s Oldest University by M.O. Yuksel illustrated by Mariam Quraishi

one wish

This book is so long overdue, yet at the same time it was worth the wait.  The writing is simply superb: Fatima al Fihri is celebrated, Islam is centered, there are references, and the story compelling.  We, Muslims, as a whole know so little about the beautiful impact fellow Muslims have had on the current world and our way of life, that to see this book being celebrated in public libraries, in Islamic schools, at masjids, and retail bookstores, truly makes you sit up a little straighter, and reach confidently to get this book in your hands to share with those around you.  Thank you Mindy (@moyuksel.author) for these 40 pages of absolute delight, ages 5 and up will read it to learn, read it again to enjoy, and inshaAllah read it repeatedly to be inspired.

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The book begins with a Hadith regarding seeking knowledge and leaving knowledge behind.  It then begins the biography of Fatima as a small girl curious about the world around her starting with the word Iqra, read, from the Qur’an.  It sets the stage of her living in the desert in the early ninth century, a time where some boys went to school and some girls learned at home. Her connection to Islam and it teaching her the value of knowledge caused her wish, to build a school, to grow stronger.

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When war destroys her town her family flees to the busy city of Fez, Morocco.  She begins to accompany her father to the souk and enjoys listening to talk of planets, distant lands and different languages and wishes these scholars could educate everyone. She grows and gets married and her and her family become wealthy merchants.

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Tragically, her father and husband die, and Fatima must decide what to do next for her family.  She decides to help her community as a form of sadaqah jariyah and make her wish a reality.  She sets out to build a school where everyone can live and study for free.  She purchases land, and the building begins.  Fatima oversees each detail and names it the al-Qarawiyyin after her hometown in Tunisia.  It takes two years to build and it still functions today.

The back matter is just as compelling as the story with an Author’s Note, information on The University of Al-Qaryawiyyin, a Glossary, Bibliography, and a Timeline.  The only complaint I have about the book, are the illustrations.  I really don’t understand why half of her hair is showing when based on the time and her connection to her faith, she most likely was a niqabi.  I don’t understand the continuity of the hijab from a young child to adulthood.  I get that it shows her influence moving forward at the end, but it could have been a small print on an outfit for token representation of symbolism, I don’t get it as being a complete outfit her whole life.

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I absolutely love the role of Islam in both Fatima’s life and in this book.  It is so much a part of her and her wish, that every reader will recognize how connected her faith and the creation of the University were and I’m confident both Muslim and non Muslim readers will be in awe of her devotion and accomplishments, inshaAllah.

Eid Empanadas by Wendy Diaz illustrated by Uthman Guadalupe

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Eid Empanadas by Wendy Diaz illustrated by Uthman Guadalupe

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I love books that show, not tell how diverse Muslims are and celebrate the unique ways that Islam and culture come together.  This early elementary chapter book beautifully blends, Islam with Spanish words and phrases that all come together to celebrate Ramadan and Eid in America.  At 79 pages, with illustrations sprinkled in, this is a great book to share all year long.

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SYNOPSIS:

Omar is in 5th grade and when his teacher assigns the entire class to write an essay about their Ramadan and Eid traditions he is nervous that his family’s way of celebrating is very different than everyone else’s.  Omar’s mom is from Puerto Rico and his dad’s parents immigrated from Ecuador, even after a year and a half at the Islamic school, though, he still feels like the new kid, and doesn’t want to draw attention to himself.

Sensing that Omar is nervous, his teacher Ms. Khan offers ways to brainstorm and organize his thoughts.  Once home, in his casa, his little sister and parents join in to give him enough ideas, if only he can be brave enough to share them.

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WHY I LIKE IT:

I love that there is so much joy and love in this little book.  The twist of having a kid not feel like he is fitting in at an Islamic school, is also so fabulous to read.  The OWN voice narrative and recipe at the back will help kids like Omar everywhere feel confident to share their culture, and those that know kids like Omar (even if only fictiously) anxious to learn more about Latino Muslims.

The only thought that did cross my mind, when Jummah was being explained as the congregational prayer on Friday, was why not use the word Jummah, just like all the Spanish words were used, and then defined.  I would love to ask the author who the intended audience is, and how that shaped her word choice, what was defined and what wasn’t.

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FLAGS:
None

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TOOLS FOR LEADING THE DISCUSSION:

I’m hoping to get copies to the first grade and second grade teacher to read in Ramadan to their classes. This book has the potential to really excite kids, expand their understanding, and show them how beautiful and diverse Islam really is.

Zahra’s Trip to Misr by Sufiya Ahmed

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Zahra’s Trip to Misr by Sufiya Ahmed

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This middle grade series has been highly recommend to me numerous times over the years, and I finally found a copy to read and review.  It is book three in the series, and I have not read the first two, so I may be missing something, but the book didn’t wow me honestly.  The 147 page story published in 2011 has a lot of potential, but I felt like it didn’t know who the audience would be, and thus often felt cumbersome and disjointed to read.  At times it uses Islamic terms (muezzin), other times the Urdu words (namaz), and way too often the english meanings (ablution, peace be upon you, mosque), often all three in a single paragraph.  It is Islamic fiction and stays adventurous, without getting overly preachy and didactic, but there are some cruel life threatening antics by the girls, and some heavy themes of child trafficking, revenge, kidnapping, lying, bullying, gender treatment in Islamic spaces, finance and micro loans, but to its credit, it stays on level and, while as a mom some of the adventure needs adult intervention, I think young readers would support the young girls handling so much on their own.

SYNOPSIS:

Twelve year old Zahra and her classmates from her Islamic boarding school are headed on a class trip from England to Egypt.  For ten days they will be learning about the history, the culture, and connecting to Islam.  A group of first year girls and their chaperones in a foreign country meet with former students, another girls school from the UK, and some of their chaperone’s husbands giving this short book a lot of characters to get to know briefly, and only in passing.

The adventure starts right away as bully Saira locks a claustrophobic girl in the airplane lavatory in revenge of being locked in a freezer and forced to eat spiders earlier in the school year, and the foreshadowing that these battles are not over is set.  Once in Egypt, the girls muddle through worksheets sharing what they have learned, stopping to pray, and enjoying the experience.  Every so often at the hotel however, they see a girl they have dubbed, “sad girl” and the mystery to figure out what is making her so sad will ultimately make this a trip that brings the girls close to danger, and if successful will make them heroes. Toss in a nasheed concert, a runaway camel, and it is going to be a busy week and a half for them all.

WHY I LIKE IT:

The book presents a lot of Islam, and I think most readers will learn something and see Islam practiced authentically.  There is praying, and wearing hijabs, and halal meat, and Islamic history, and the 99 names of Allah all present in the characters naturally.

The book starts with Zahra and her mom and aunt rushing to the airport, they are running late.  Zahra’s aunt is not Muslim and presumably her mom is a convert, there is some really awkward dialogue before the family leaves, and it is called out as being awkward, but it just didn’t seem to fit either.  Why would a girl’s brother tell a non Muslim to wear a scarf? A character that is just in the first scene? I’m hoping there is more to her as a character in the first two books, and maybe this is a reference to something, but it just reads really weird and unrealistic (I hope).

Similarly, I am sure the first two books cover the forcing a bully to eat spiders and why she was locked in a freezer, but to just see that this is the level of the pranks, is a little disturbing.  The book acknowledges that locking a girl in a bathroom who has claustrophobia is dangerous, and that triggering the camel to run-off was similarly potentially deadly, but what about the other cruelties? It doesn’t even hint that there is more there, and I would have liked to see some context to recognize that these aren’t benign pranks, they are pretty big acts.

The child trafficking and kidnapping plot really had me wishing that the girls at least talked to Anu Apa. Having preteens take on such a dangerous situation so haphazardly was a little stressful for me, and I need to find some middle grade readers to help me see the actions through their eyes.

The randomness of the nasheed concert didn’t seem to fit for me, the song she wrote wasn’t that good, the whole thing came together too easily, and then some of the girls taking off their hijabs in wildness seemed such an odd tangent to me.

The biggest obstacle for me was the terminology and diction.  I don’t think it matters if the readers are Muslim or not, use the Islamic terms.  The teachers and students go to an Islamic school, it isn’t a stretch to have them use the proper term of salat instead of namaz, they can remark on the athan, not azan, they can say Assalamualaikum, they don’t need to say in english peace be upon you, and upon you when they greet, it seems so halting to the authenticity of the characters and flow of the story.

I think part of the difficulty in getting these books in the US is they just had one edition printed, and I genuinely hope that at some point the author will revisit the books especially now that she has been published mainstream for her other works, and hopefully grown as an author.  There is a lot of good in the book, it just could use some polishing and updating.

FLAGS:

Child trafficking, revenge, kidnapping, lying, bullying, cruel pranks, physical assault.

TOOLS FOR LEADING THE DISCUSSION:
I wouldn’t go out of my way to get these books on a classroom shelf based on this one book.  If a classroom or library already has them, I wouldn’t remove them.  Utlimately, I don’t know that many readers will stick with the sorting out of all the characters in the beginning of the book, and those that do I think would probably be slightly disappointed, not with the presentation of Islam, but in the side story building details.

An Ayesha Dean Novelette: The High School Heist by Melati Lum

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An Ayesha Dean Novelette: The High School Heist by Melati Lum

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If you are a long time fan of Ayesha Dean and you have been waiting for some children in your life to grow up just a little, so you can share the strong Muslim detective books with them, you are in for treat.  This book is a short novelette for middle grade readers!  It isn’t a prequel detailing her personal backstory, but it does show how she got her first taste of sleuthing at age 13.  If you are new to the series: the book like all the others is Islam centered, fast paced, authentically voiced, and an overall fun read.  Unique to this book is that it is for ages 8 and up, and takes place in Ayesha’s home country of Australia.

SYNOPSIS:

Ayesha is at a new school, she has recently started wearing hijab and she just wants to settle in to it all with friends Jess and Sara.  Things have been going missing from year eight lockers, but it isn’t until Ayesha is a victim does the concern really hit home.  Add to that getting paired with the jerk Dylan Wyley for a project in Indonesian class, and Ayesha is not having a good day.  When she senses some suspicious activity, she is on the case: ready to get her stolen book back, take down a bully, put her Tae Kwon Do training to use, and make it to the library to pray her salat on time.

WHY I LIKE IT:

I really enjoyed the relatable voice of young Ayesha, having read all of the other books in the series, it was sweet to get a peek of her in her younger school days.  I love how much Islam is in the book, and not in a preachy way, but rather in a ‘I’m Muslim and this is how I see the world and this is what I do’ sort of way. I’m not going to lie though, I wanted more backstory on how she became friends with Jess and Sara, how she settled in to living with Uncle Day when her parents died, and all the backstory four books solving crimes around the world just couldn’t get to.  But I fully realize, that is just something I may never get (hint, hint) and will have to be content with the fast paced, culture and Islam rich stories that we thankfully get.  I’m not complaining, I just get overly invested.

To all my arrogant ignorant readers out there, that like me, might be a bit confused about Australian schooling and culture- I embarrassed and humbled myself and annoyed the ever gracious author to learn more about Ayesha’s world.  In Australia the lockers are located in the students’ homeroom classrooms (tute rooms), hence they don’t often padlock them.  High school refers to ages 12-17, and sometimes 11th and 12th grade are called senior school, and “How did you go” is a phrase in Australian English.  See, aren’t you glad I asked, now we know, and can widen our view together.

The only thing that I think I would have liked to see would have been a bit of pause before Ayesha got into a fight.  It is high energy, and she does it to help someone, but I feel like at 13 years old, in a book for 8 year olds, and as someone familiar with Tae Kwon Do, it should have been more articulated that she was nervous to engage in a physical altercation, and was only doing it because she could not diffuse the situation, get the victim away, and thus had to step in.  I recognize that pulling out of the scene might have made it lose momentum, but I felt a little off celebrating a school fight without that pause of introspection.

FLAGS:

Fighting, stealing, bullying, Islamohobia, racism, bigotry.

TOOLS FOR LEADING THE DISCUSSION:
The book is short and for a younger age than I meet with, but I look forward to purchasing the book on February 20, 2022 to have available in the school library for anyone to pick up and read, inshaAllah.