Tag Archives: Muslim Author

Muhammad’s Recipe for Remembering By Maidah Ahmad illustrated by Shruti Prabhu

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Muhammad’s Recipe for Remembering By Maidah Ahmad illustrated by Shruti Prabhu

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I feel like the idea and heart of this 40 page picture book is decent, but the story, presentation and takeaway are just really poorly executed.  The pitch is a Muslim Desi kid feeling left out when all his friends are rehearsing for the upcoming veterans assembly because he doesn’t have anything to share.  He then starts asking his family, and the Muslims and non Muslims hanging out at the mosque to find out about Muslim and Indian involvement in the World Wars.  A rarely explored topic, considering in the West WWI and WWII are taught from a Western centric perspective, no doubt.  Unfortunately, most early elementary readers, the book’s target audience is 4-7, have limited knowledge of the World Wars, let alone about the subcontinents own politics and that they were occupied themselves under colonial rule at the time, and this book does nothing to explain any of it.  The inconsistencies, plot holes, vocabulary and ultimate lack of sharing a single story from a descendant of someone who fought, make the book rather pointless and forgettable.  Truly the take away is that there were Muslims among the Indian army, they made roti and prayed.  No real idea what they experienced, saw, endured, or gained in return for being forced to fight for Britain on the global stage.

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The book starts with Muhammad listening in to his classmates talk about their family members that are veterans and him feeling left out.  At recess they don’t let him battle in the reenactments and instead make him be the cook. When he gets home his dad is making rotis and Muhammad asks his dad if they have veterans in their family, they then go ask his grandfather if his great great grandfather fought in either World Wars.  Dada jaan recalls that “they sent my grandfather to France in World War One.”  But he never spoke about it except to mention that they shared rotis.  He suggests they go to the mosque the next night as that is where, “a kaleidoscope of people gather.” He learns from a Sikh uncle in a turban that whole villages went to fight and from Imam Rafiq that the soldiers fasted in Ramadan, prayed, and celebrated Eid.  No one has any visible tokens of their family’s service as they were lost over time.  Determined not to let the stories be lost, Muhammad shares roti at the assembly.

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Ok, buckle up, I have a lot to point out, but first the positive.  I like that the dad makes rotis.  Mom isn’t in the book, but there are a lot of pictures of a lady hanging on the walls of the house, so possibly she has passed and dad has to cook, no matter, it is nice seeing a Desi dad in the kitchen.  I also like that the mosque is central to the story, I wish it was called a masjid, and that it was explained why people that are not Muslim are hanging out there.  Brown people are generally lumped together and this seems to reinforce that stereotype, which makes me less than thrilled.  It seems like a social environment with ping pong tables and snacks happening, so why not say it is a social hall at the masjid where people of all faiths often gather.  A “kaleidoscope of people” does not explain people of different religions at a mosque to most four year olds.  The book claims the assembly is honoring veterans, so why is Muhammad only curious about WWI and WWII is never explained.  He is teased and forced to be the cook by his friends, with a very negative connotations and depiction in the illustration, but that notion is never pushed back upon, and is actually heightened with rotis being the thread that ties the entire book together.  A missed opportunity to be sure.

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I really struggle with the reality that the majority of Indians were forced to fight, and the book keeps it vague in the text with lines such as “joined the war effort,” and “they sent..” who is they? It sounds nice that Muhammad doesn’t want the stories, like the artifacts to be lost, but WHAT STORIES? If the book is about remembering, and stories are to be shared at the assembly, I feel short changed that the reader doesn’t get a single story about a Muslim or Indian that fought in one of the World Wars.  Isn’t that the point of the book? Yes the book has sources at the end, but it is fictionalized, make up a story, give the reader and Muhammad something to take pride in, to understand through, to imagine, what it was like for his great great grandfather.

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I struggled with the illustrations as well, Imam Rafiq looks off in the final image, I don’t get why Dada jaans memories seem to be on the TV either.  I also didn’t understand why rotis were the thread, but then it is paratha at breakfast that gives the idea, and who really is constantly spreading ghee on paratha or roti let alone at war, or at recess.

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War is not a trivial matter, and I kind of feel like this book reduced it to food, and allowed some racism, classism, and  Islamophobia, to go unchecked along the way.  I like that the backmatter has a recipe and an author’s note, but colonialism, service, war, are all heavy topics that are hard to bring down to an early elementary level picture book, and sadly this book is unable to connect and inform readers about this time in history.

Three Summers: A Memoir of Sisterhood, Summer Crushes, and Growing Up on the Eve of the Bosnian Genocide by Amra Sabic-El-Reyess with Laura L. Sullivan

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Three Summers: A Memoir of Sisterhood, Summer Crushes, and Growing Up on the Eve of the Bosnian Genocide by Amra Sabic-El-Reyess with Laura L. Sullivan

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It is difficult and probably rather inappropriate for me to offer a “review” of a memoir, after all who am I to have opinions on someone’s lived experience.  And this non fiction book in particular is so desperately needed and important, as OWN voice middle grade literature about Bosnia is fairly non existent. So continue reading my thoughts with a grain of salt, suffice it to say, that I enjoyed the book, and loved the author’s YA book The Cat I Never Named, but ultimately I struggle to suggest this for the intended audience of 8-12 year olds.  As a child my family was involved with Bosnian refugees in the 90s, as an adult I understand that Islam, and being Muslim, is not a monolith, as someone who can empathize with loss and heartache, I couldn’t put the book down.  Yet, I truly doubt that many fourth graders will feel the emotional climaxes that are not shown, but told.  That they will understand the timeline and what is about to happen if the book were to continue.  That they will feel a connection to the characters who read so much older than them.  If the book was fiction, I would say the characters read YA, with the bikinis and details of body growth, kissing, making out, having boyfriends, and dancing at the discotheque, cigarette smoking, backless dresses, noting which neighbors are having affairs, and trying to become their “truest self,” but the book is a memoir, this is the author’s life when she was 11, 12, and 13.  In an environment where her maturity is noted as being heightened because of the loss of her brother and her personality, the book shows cultural norms, that will still strike contemporary reader as being much more adult in nature. Islamically, the label of Muslim and Bosniaks, is ever present.  Bosniaks were massacred for being Muslim, period.  The book never shows them praying, or mentions Allah swt or the Quran, covering is something only the older generations did, they do drink alcohol on occasion, but they have a cow slaughtered Islamically and burials are done in accordance with Islamic principles.  There is kissing, having boyfriends is not problematic unless they are Serb, the only imam mentioned does weird black magic type things.  So while the label of “Muslim” may feel to Muslims readers more like a cultural marker at times, it is none-the-less incredibly empowering to see that Amra takes pride in her Bosniak identity and doesn’t shy away from it. Other flags/triggers are domestic abuse, bullying, physical violence, attempted drowning, accidental drowning, death of a sibling, kidnapping, imprisonment, threat of war, racism, Islamophobia, music, fortune tellers, lying, threatening.  The backmatter offers a timeline and thus gives some information about the rape, torture, genocide, abuse, and destruction.

SYNOPSIS:

The book starts with a visiting fortune teller giving Amra and her family hope that her older brother Amar will be pain free soon. Amar suffers from Marfan syndrome, and is frequently weak, teased, and in pain.  But he is also wise and patient, brilliant and gentle, and beloved by so many, and Amra is broken when he passes away.  To help break her from her debilitating grief, her parents reach out to a cousin in Belgrade, who has long been estranged for marrying a Serb, to come visit for the summer.  Zana and her younger sister Vedrana, engulf Amra in warmth and adventure and the summer on the River Una is just what Amra needs.  The next summer Zana and Amra resume their idyllic adventures of swimming, make-up, crushes, and coming of age, with only a hint of fracture based on religious lines creeping in the final days.  The following summer Amra is starting to mature on her own and understand the world around her.  Her father has lost his job, been kidnapped essentially and tortured, and while nights dancing at the discotheque give laughter and light, the girls final summer, is the end of peace, and innocence for all Bosniaks.

WHY I LIKE IT:

I love the end, that there are real life updates of the people in the book.  It made me cry.  It is also so timely to what is occurring in Gaza and how no matter how clear it is that it is genocide, and it is oppression, and it is racism, some just cannot see it.  The book is joyful, but the reality of the backmatter is heavy, and real, and important.

I like that the book shows Bosnia and the culture and the traditions, the few books I’ve read focus on the war, and the rich culture and deep history doesn’t get to shine like it does here.

I do wish the book was more showing than telling.  I know it is a memoir, but at times it was just too advanced commentary and insight.  I fully believe the author is brilliant, and at 11 years old was pondering her life, but most readers just aren’t at that age, and the tangents keep the readers at arms length.  The book says it is about crushes, so I don’t want to keep harping on it, but it really is Amra and Zana and a gaggle of other female cousins quite often worrying about boys, and crushes, and kissing.  It doesn’t get obnoxious, but it isn’t a line here or there, it is the bulk of the book.

FLAGS:

Domestic abuse, bullying, physical violence, attempted drowning, accidental drowning, death of a sibling, kidnapping, imprisonment, threat of war, racism, Islamophobia, music, fortune tellers, lying, threatening, death, loss, grief, affairs, cheating, racism, bare bodies, crude jokes, crushes, kissing, making out, sneaking out, smoking, drinking, developing bodies, bullying, internalized Islamophobia, kidnapping, imprisonment, dancing, black magic imams.  The backmatter offers a timeline and thus gives some information about the rape, torture, genocide, abuse, starvation, and destruction during the Bosnian genocide.

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TOOLS FOR LEADING THE DISCUSSION:

I think with some context about war, about communism, the Ottoman empire even, this book could be used in a teaching setting to allow the time frame to be seen from those living it, but, for more mature middle school to early high school readers.  It is a lot for MG and that it is non fiction makes me want it to be understood and appreciated and I don’t know that for the intended demographic, even with context and guidance it would be achieved. There really isn’t a plot, it is a memoir, and the pacing and assumed context knowledge I feel like, just wouldn’t be there for the typical western middle grade reader.

Idrees and the New Old Shoes by Hoda Elmasry illustrated by Tiemoko Sylla

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Idrees and the New Old Shoes by Hoda Elmasry illustrated by Tiemoko Sylla

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This sweet 28 page book keeps the text to a minimum while showing a boy with a lot of heart doing what he knows is right, even when he knows he will be laughed at.  I really love how the story draws readers in and conveys a lot, without over explaining.  Ages preschool and up will understand that Idrees wants new shoes, but second hand shoes are what are available.  That he wants to prove how fast he is at school, but that being a good neighbor is the right thing to do.  Based on the illustrations, the family is Muslim, mom wears hijab when out, but not at home, but there is nothing in the text that articulates the family’s faith.  The author is Muslim and the book is published by Ruqaya’s Bookshelf.

Idrees can’t wait for his new shoes so that he can beat Harris and be the fastest runner at Barton Elementary.  When mama comes home, she has shoes, but they are not new, they are hand-me-downs from the neighbor Mrs. Freeman.  Things are not the same as last year for Idrees and his mom, but with help from the neighbors they get by.  They also look out for Mrs. Freeman who is always forgetting something or another it seems.

Idrees doesn’t think he can beat Harris with these old shoes, and dreads being teased, but with some prodding from mama he tries on the shoes and heads out the door.  He gets to school in record time and things are looking up.  Harris has jokes when he sees the outdated sneakers, but Idrees is confident he can win the race.  When Mrs. Freeman shows up lost though, somehow the race just seem that important.

The book is available here at Crescent Moon Store where my initials ISL will save you 10% at checkout.

Idrees and the New Old Shoes

Shiny Misfits by Maysoon Zayid and Shadia Amin

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Shiny Misfits by Maysoon Zayid and Shadia Amin

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I admittedly wanted to read this book because the author is of Palestinian descent. I have seen clips of her standup and I’m not a huge fan, although I do appreciate that she doesn’t deny her culture and Islam, doesn’t let her cerebral palsy keep her from working toward her dreams, and that she is successful.  All good messages for a 256 page middle grade graphic novel that is not autobiographical, but draws on her life none-the-less.  I was surprised, though, that there are no Palestinian references in the book, very few Arab cultural touchstones either, and yet swearing on the Quran and not eating pork are presented fairly often, almost as “bits” to be laughed at.  I truly understand that the character is presented as culturally Muslim more than centering Islam in her identity, but perhaps because the protagonist, Bay Ann, is rather unlikeable, it just rubbed me the wrong way.  I love that the people in Bay Ann’s life do not caudle her, and that she is fierce and dramatic and driven, but she is an awful friend, her obsession with Alyee Maq (yes full names are used throughout) gets annoying, and I worry that some of the humor will be missed for the younger target audience and be taken as Muslim or Arab norms.  The presentation of a disability in a well illustrated graphic novel is empowering, an amazing Arab dad is nice to see, a divorced family co-parenting is important, but the foundation for much of the story is Bay Ann’s crush on Alyee Maq, he does kiss her on the cheek for social media likes, the book starts with Halloween Idol, features dancing throughout, and concludes with a Nondenominational Holiday Spectacular.  Bay Ann’s mom is not very kind or involved, and Alyee Maq’s mom, the only hijabi in the book, also is rather rough.  This is a book where I acknowledge my own overthinking, as both an adult reader and reviewer.  If you are ok with the (random) Islamic rep, kids will benefit from seeing Bay Ann as a fully capable person who happens to have a disability.  I’d suggest seeing if your local library has the book and looking through it first to see if you are comfortable passing it on to your kids.

SYNOPSIS:

Bay Ann is a tap dancer and with Halloween Idol coming up, she plans to win.  Her best friend Michelle is going to do her make-up as a zombie bride, and be her zombie bridesmaid with Davey Matt, the third in their trio, being the dead ring-bearer dog.  They can’t be her backup dancers because she is a one woman show, but she needs them to cheer her on.  When she wins, she has the spotlight stolen from her by Alyee Maq kissing her claiming he is making “a sick girls dream come true.” The clip goes viral, as Alyee Maq is a bit of a celebrity and the competition is on.  Whether it is science fair, social media posts, or the class debate, Bay Ann is determined to knock Alyee Maq down, claim the online spotlight, and  prove her talent is more than her disability.  With each attempt failing, her resolve grows stronger and her tunnel vision pushes those closest to her away, as she joins Alyee Maq with the hopes that if she can’t beat him, she will join him and achieve the fame she seeks.

WHY I LIKE IT:

I know the book is rather intentionally ridiculous, but I wanted to cheer for Bay Ann, and I never really liked her.  I don’t like how she treats Davey Matt, or even Michelle.  If she was better to them at the beginning, I think it would have shown how disconnected her mom Malak is as well as the school administrators, and made it more funny, but it truly just makes her seem like she is awful to everyone, and thus you don’t really find yourself invested in her stardom, her friendships, or her defining her own narrative.

I wish their was some Arab rep, not just a few Arabic words tossed in here and there.  I also wish there was more Islamic centering, or honestly even less. The swearing on the Quran really bothered me, Friday prayer is mentioned in passing, but there is no impact on the characters or the story, so it seemed misplaced.

The pacing of the story is rushed, and at times a bit chaotic.  I think it is intentional, but it makes it hard to connect to the characters or to grasp their motivations.  I don’t know that I truly ever understood why Bay Ann wants the spotlight, or why Alyee Maq is famous, or why Davey Matt hangs around Michelle and Bay Ann when they belittle him. It doesn’t need to be thoroughly explained, but when you finish the book, and feel exhausted, but can’t even articulate what the book was really about other than a girl that wants to be famous for her talent not her shaking, and won’t let anything or anyone get in her way, it seems like some opportunities were missed.

FLAGS:

Close male and female friendships with touching, an unwanted kiss, lying, manipulation.  Swearing on a Quran, disrespect. Using people.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that I would seek this book out to own, but in an Islamic school library if it found its way in, I would probably not object to it being shelved.

Eliyas Explains + Bite-Size Journal: Why Does Allah Let Bad Things Happen? by Zanib Mian illustrated by Daniel Hills

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Eliyas Explains + Bite-Size Journal: Why Does Allah Let Bad Things Happen? by Zanib Mian illustrated by Daniel Hills

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The book stems from the genocide occurring in Gaza, but expands to cover the more general concepts of qadr (destiny), tests, and sabr.  The book assumes that what is happening in Palestine is known and does not discuss specific details, allowing the book to be both timely, yet universal.  As with all the books in the series, the conversational humorous approach appeals to children as foundational Islamic concepts are broken down and explained.  The book is 73 pages with the journal portion starting on page 33. In some of the other books, the journal feels more of a hands on to already shared information, or an accompanying workbook of sorts.  In this book however, I feel like the second half continues to explain the topic at hand, and convey key components in understanding why Allah swt, lets “hard” things happen, how we should view the tests, approach difficulties, and inshaAllah triumph. The book has been checked by a Shaykh, and I highly recommend this important book for elementary, middle grade, and even middle school children. The concept of qadr is difficult, I struggle to truly grasp what we can and cannot change, but this book helps readers focus on what we can change and how to view terrible things that happen to us and to others.

The book starts with Eliyas introducing himself and his family, and then wondering why “Israel is being able to do what they’re doing in Gaza.  Why isn’t Allah stopping it?” As with all Eliyas books, mom and dad are sought out, food is somehow worked in, and time and space are given to Eliyas and his siblings to be given an answer. His parents start by being glad that Eliyas’s heart is soft for the Palestinians and that he is bothered by what is happening to them, before explaining that a lot of understanding is trusting and truly believing that Allah swt knows best.

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The book uses hadith, ayats from the Quran, it even shouts out other Zanib Mian books, The Mindful Book of Wellbeing, for seeing the bigger picture and Eliyas Explains Why Should I Pray my Salat on how to make yourself strong to get through the struggles of this duniya.

The book talks about why Allah swt didn’t make everyone good, and it is clear in saying that being mad and sad are ok too, as long as we are not questioning Allah swt. There are prompts and questions (with answers) and the book is not heavy, despite the subject matter, the tone and approach stay on level and allow readers to connect, alhumdulillah.

You can get your copy here at Crescent Moon Store.

Come To Prayer by Salwah Isaacs-Johaadien illustrated by Zeynep Yildirim

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Come To Prayer by Salwah Isaacs-Johaadien illustrated by Zeynep Yildirim

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Framed around the five fard prayers, the rhyming 26 pages take readers all around the world with the refrain of “come to prayer, some to salah, come to success, come to falah” appearing after each two page spread.  Reykjavik, Honolulu, Rio, Timbuktu, Kuala Lumpur, and Makkah are shown as families gather to pray in each city.  It is hard to know if the locations were chosen for a specific reason, or to just help with the rhyming lines.  I appreciate the map at the end in showing 18 masjids in the world, but they are not the only ones pictured in the book, so honestly it was not intuitive why they were highlighted. Additional information about the masjids included and where they are located in the world would have been far more beneficial.  The rhyming at times is forced, but for the minimal lines on the pages, and the clear organization of the book, it didn’t bother me too much.  The illustrations compliment the text well and amplify the concept of Islam being a global faith through the connection of Muslims praying everywhere.  The Islamic fiction book is meant for toddlers to early elementary, and with the positive tone of salah being an invitation to success, I think it works well for the audience.

The book starts with little kids waking up in a snowy scene in Reykjavik and heading out with their parents to pray Fajr at the masjid.  Then it is rain in Honolulu that can’t stop a family of five from driving slowly to the masjid for Zuhr.  In Rio a family packs up at the beach to get to Asr salah on time.  For Maghrib, not even a sandstorm across the Sahara can keep a family in Timbuktu from getting to prayer.  And finally a family takes shelter in the masjid for Isha as thunder and lightning in Kuala Lumpur halt their tour. The story ends with everyone entering Makkah in ihraam to pray at the Kaaba.

The book is a thick paperback cover, with glossy 9 x 9.5 inch pages.  It works well for small group story times or bedtime.  It is available on Amazon here or from Crescent Moon Store here.

Behind My Doors: The Story of the World’s Oldest Library by Hena Khan illustrated by Nabila Adani

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Behind My Doors: The Story of the World’s Oldest Library by Hena Khan illustrated by Nabila Adani

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The world’s oldest library proudly stands in Fez, Morocco: started by a Muslim woman, restored by a Muslim woman, and in this 40 page book the library itself tells its own story in a book authored by a Muslim woman.  The personified library shares a few highlights from its early start as a corner in Fatima Al-Fihri’s masjid and university to collections spanning multiple buildings, from a bustling center of learning and knowledge to a place of disrepair and neglect.  Staying on an early elementary level, the informative author’s note and references make the book engaging for older readers as well, and an incredible addition to bookshelves everywhere.

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The book starts with the library introducing itself and welcoming the reader. “Merhaba! I am Al-Qarawiyyin Library–the oldest library in the world.” At over a thousand years old, the library begins at the hands of Fatima Al-Fihri in 859 who dared to dream big and created a space of learning and worship in Morocco.

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As the courtyards and collections grew, seekers of knowledge, from all backgrounds, gathered to discuss, debate, and learn.  Special rooms with special locks kept books safe: a Quran written on camel-leather, a philosophers drawings in gold ink.

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Nearly destroyed once by a fire, the library endured, but over time the rooms were no longer filled with the bustle of people.  One day a small girl, Aziza, paused at the door, but did not enter for many years.  When she did return, she came as an architect with a team to restore the library and invite people back in to read, learn, and dream.

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It delights me that such an important story is available to be widely learned from and appreciated.  You can preorder a copy here from Amazon.

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Kareem Between By Shifa Saltagi Safadi

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Kareem Between By Shifa Saltagi Safadi

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It doesn’t matter how many Word documents you read, Goggle docs you add comments to, and screen shots you revise; to hold a physical book in your hands that you have been blessed to observe from the sidelines through numerous revisions, is mind blowing.  Reading the final version from page 1 to page 324, plus the backmatter, has left me at a loss for words with tears streaming down my cheeks. I truly cannot imagine the book any other way. All past drafts and storylines, were just stepping stones to get the book to this version, and as a fan of literature my whole life, to see this metamorphosis in real time has added to my respect and admiration of authors.  Enough about me though, this review is of the middle grade novel in verse that tells the story of Syrian American Kareem, a loveable boy caught in between choices, siblings, friends, labels, and global acts beyond his control.  He makes mistakes, he tries to make things right, and at the center of it all is his Islamic identity, love of football, and genuinely good heart.  I am biased in that I have self appointed Kareem as my nephew, but even after dozens of readings, I was moved to tears three times during the course of this reading.  I made my teens read the book and they loved it, and like them, we hope we get more Kareem in the future.

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SYNOPSIS:

Kareem loves football, particularly the Bears, and dreams of seeing his Arabic name on an American jersey one day in the NFL.  Unfortunately, he hasn’t made the school team, his best and only friend Adam has moved away, and the coach’s son is offering to talk to his dad for Kareem in exchange for some school help.  Add in a new Syrian kid at school, his mom going to Syria to take care of his grandfather, and the fruition of Executive Order 13769 aka the Muslim Ban, and seventh grade has Kareem scrambling on every down to say the least.

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WHY I LOVE IT:

The football framing, the literary inclusions, the Arabic, the Islam, all combine with such tangible heart to create a seamless read both as a compelling story and as an example of literary craft.  The language is on point and intentional, that even if you don’t know the character or novel referenced, the Arabic words included, or football terminology used, you will be invested in the characters and plot, and find yourself cheering for Kareem.  Often debut authors show promise, but their stories have plot holes, or pacing issues, or inconsistencies, that is not the case with this book.  The crumbs are there that tie everything together, the depth of the characters’ personalities reveal how developed they are, and the timeline keeps the book moving forward.  There are no dry or slow spots in the entire novel, it is easily read in one sitting as you find yourself nervous for Kareem, and curious how it will resolve.

Boys and girls, Muslims and non Muslims, Arabs and non Arabs, all will find themselves drawn to this book, and thinking about the characters, particularly Kareem, long after the final page is read.

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FLAGS:

Some stress and anxiety with missing parents.  Death, bullying, cheating, fighting, lying, racism.

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TOOLS FOR LEADING THE DISCUSSION:

The book is a solid middle grade, but the quality of writing and engaging plot makes it work for a middle school book club read as well.  I cannot wait to share this book widely.

Preorders speak volumes and I truly hope if you are able that you will preorder a copy, you can do so here.  Requesting your local public library to shelve the book is also a tremendous help to signal to publishers what type of stories and OWN voice authentic representation consumers will support.

Letters from a Prophet by Zimarina Sarwar illustrated by Giorgio Bacchin

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Letters from a Prophet by Zimarina Sarwar illustrated by Giorgio Bacchin

I’m not a fan, as a general rule, of lift the flap books for toddlers (they just tear them), so imagine my delight when I was completely captivated with a lift the flap book for middle grade and up! And the flaps are not trivial, they reveal letters from Prophet Muhammad (saw), maps, interesting facts, and make an already impressive, beautiful non fiction picture book, feel interactive and somehow even more enticing.  The book gives context and information for four letters sent by RasulAllah to Emperor Heraclius, Al-Muqawqis, King Chosroes, and Al-Nijashi.  Each section has the story of the letter and then a two page spread that details lessons we can learn.  The book itself starts with an introduction, a section about the seal and where the ideas to send the letters came from.  It concludes with final thoughts and a bibliography.  I do wish the book was perhaps checked by a scholar, but at least it has sources at the end.  Truly, I learned so much from reading this book and discussing it with my kids, I’m even thinking I might need to gift my mom a copy for Eid. It works for adults and kids alike, a few pages at a time at bedtime, in a classroom setting, as a resource.  I hope books like this become the norm for teaching Islamic history to our children, it really has raised the bar, alhumdulillah.

The book starts with the cover, the large 55 page hardback book with raised images, really sets the tone that this is going to be an experience.  The introduction starts with the basics explaining the value of lettering writing in history, it then establishes where the idea came from to reach out to Byzantium, Egypt, Persia, and Abyssinia.

It gives a brief timeline of the life of Prophet Muhammad saw, tells about the value of seals and what the Prophet’s seal looked like before starting the letters.  Then the four sections begin, the first being to Heraclius the Emperor of Byzantium, then Al-Muqawaqis also known as the Ruler of Egypt: Jurayj ibn Mina-Kiolos, Leader of the Copts, then King Chrosroes also known as the Shah of Persia Khosrow al-Parvaiz II, and then finally Al-Najashi also known as King Negus of Abyssinia As’hama Ibn Abjar.

The Final Thoughts discuss the impact even though most did not convert and offer the reader different aspects to consider while looking at the bigger picture.

The book won the Muslim Book Awards 2023 Non Fiction category and is available for purchase here at Crescent Moon Store.

Mimi & Unicorn Get to Know Allah by Zanib Mian illustrated by Laila Ramadhani

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Mimi & Unicorn Get to Know Allah by Zanib Mian illustrated by Laila Ramadhani

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Creating understanding and love of Allah swt is perhaps the most important type of Islamic fiction book available for young children, so I love that we have options to choose from. The framing of this book is nothing new, a child asking various people about Allah swt to learn about Him, is found in numerous books.  But, this 32 page book is particularly engaging because of the large brightly illustrated pages, and the author’s signature style of conveying facts in a simple relatable manner.  The comic relief of the unicorn and the adorable protagonist are great, and the added layer of it being checked by two named scholars really make this one of the best in a very populated category.

The book starts with Mimi wondering about Allah swt after hearing people say things such as, “Allah will take care of it,” and “Allah knows.”  She asks her imaginary friend, Unicorn, but she doesn’t know either, so they head off to ask different family members.

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Summaya, Mimi’s big sister tells her that  “if you know Allah, you love Him, and He loves you.” It is followed up with details that Allah swt knows us, because he made us. From Nana, Mimi and Unicorn learn that Allah swt is One, and he explains why we don’t know what he looks like.  From Nani we learn that “Allah swt has no beginning and no ending.” Baba explains that we turn to Allah swt when we need help, Unicorn wonders if we need a phone or Imam to do that. Finally she talks to her Mama who explains trusting Allah’s plan.

Each stop is beautifully articulated and examples are given, resulting in a Mimi who’s heart becomes light and warm, and who works to know more about Allah swt every single day.

The backmatter includes notes from the author and illustrator and various bookish people sharing their early understanding of Allah swt and his attributes.

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The book is available from muslimchildrensbooks.co.uk in the UK and here from Crescent Moon Store in the USA (she ships globally)