Tag Archives: Allah

Momo & Bronty’s First Book About Allah by Zanib Mian illustrated by Laila Ramadhani

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Momo & Bronty’s First Book About Allah by Zanib Mian illustrated by Laila Ramadhani

The short simple texts spread out over 14 thick pages talking about Allah swt is a great addition for our littlest believers.  Accompanied by engaging adorable illustrations, this book offers a great way to encourage kids to think, talk, and center Allah swt.  It isn’t just a list of all Allah swt created, it dedicates a spread to that, but then builds on it by sharing that He wasn’t born, He is one, He loves us, and that is why we worship Him and do what He has asked, so that we can one day see Allah swt in Jannah, inshaAllah.

The illustrations on every spread burst with joy and make it fun for older preschool and kindergarteners.  I love that it clearly states that “We do the things He asked us to.  And don’t do the things He said not to.”  I don’t recall ever seeing this articulated in a child’s book, and the simplicity is powerful.  Anyone that has kids, know they have a lot of questions about Allah swt and this book is a great start to cultivating the love and connection between child and creator.

I purchased my copy from Crescent Moon and if you use my initials at checkout (ISL) you will save 10%

Dear Moon: Inspiration from the Beautiful Wisdom of the Qur’an by Zayneb Haleem

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Dear Moon: Inspiration from the Beautiful Wisdom of the Qur’an by Zayneb Haleem

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At 128 pages, this hard back 7.5 x 8.5 inch book is a beautiful book from start to finish.  If you follow the artist online (@idotdoodle), you know her style and her incorporation of an ayat from the Qur’an or an Islamic sentiment with her signature young girl and nature embellished scenes.  But holding the book in your hands, and pausing on the two page spreads to reflect, and ponder, and be reminded to connect with the love of your creator, is truly a treat. Whether you read it from start to finish, or dip in and spend time with just a few pages at a time, the book will capture the attention of all ages and be enjoyed over and over again, alhumdulillah.

The book starts with a welcome to the reader from the artist, introducing herself, her connection to Islam, her love of art, her expression of emotions through her illustrations, how she picked the verses, where her own thoughts and reflections emerged from, and what she hopes the book will accomplish. 

The book releases in February 2025 and is available wherever you purchase your books.  I hope you will consider preordering to show your support.

Different Together by Ayesha N. Rahmaan illustrated by Rizkia Gita

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Different Together by Ayesha N. Rahmaan illustrated by Rizkia Gita

This 32 page large 10 x 10 hardback book explores how we are all different and unique, while also being the same too.  The illustrations and text present a nice way for children to learn that Allah swt created us all to be different in our appearances, what foods we like, how we dress, how we speak, but come together to all say Assalamu alaykum and stand foot-to-foot to pray.  Some of the refrains are a bit abrupt, and it really focuses a lot on physical descriptions and food, the target audience though of preschool to early elementary, will see themselves in the book, probably even a character that looks like them, and expand their understanding of al-Khaliq creating them all.

 

The book starts with an ayat from Surah al-Hujurat and then starts by asking the audience to imagine a world were everyone is the same.  It highlights that Allah created each of us starting with prophet Adam (as) to be just as we are, with different traits. From there, neighbors are introduced: their names, country of origin and favorite foods that all come together to make a table of sharing.

In school the students look different and play different, in the city the different building types are shown to come together, and in the masjid our hearts are in sync when we pray. The text concludes asking the reader to highlight five ways they are unique and a hadith in Arabic along with its English translation.

Auntie Aisha Answers: The Tween Muslim’s Ultimate Guide to Growing Up by Aisha Hussain Rasheed illustrated by Magdelena Zareba

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Auntie Aisha Answers: The Tween Muslim’s Ultimate Guide to Growing Up by Aisha Hussain Rasheed illustrated by Magdelena Zareba

Kids have questions, and in today’s world it is easier than ever to get answers, however parents need to parent and help provide CORRECT answers for their children. This 100 page book is a great resource to facilitate conversation, hand to tweens to read independently, or just have on the shelf for when a child is curious and knows the internet might not be the best resource.  For boys and girls, this book takes a conversational tone of answering questions that tweens are thinking about, and maybe some that they should be thinking about.  I love that it is not just a body or maturation or puberty book, it discusses boundaries, emotions, hygiene, wellness, it weaves Islam in for context and reassurance and direction, and also has workbook type activities to engage the reader.  The balance of facts and conversation keep it from not being dry, or overly heavy handed, which is also quite impressive.  The text, illustrations, size, and pacing make the information available in pieces or cover to cover.  We tend to have more female focused “growing up” books for our Muslim girls, and this one really is for both.  It provides insight into one’s own body and as well as understanding and compassion for the opposite gender.  If nothing else it normalizes that changes are nothing to be ashamed or embarrassed by and allows real conversation with proper terminology to be discussed in an age appropriate and Islamically rooted manner;  yeah, the Islamic references are sourced! If you have kids, go order this already, you will be glad you did, alhumdulillah.

The book starts with discussing the blessing of one’s body and moves into discussing abilities and disabilities before moving into male and female bodies.  The first section really focuses on the body: privacy, care, autonomy, healing.  The second section is called “Growing Pains” and discusses the changes the body undergoes.  Before opening the book, I for some reason, assumed it would be framed as questions and answers, and it is not, it is chapters, but the chapters have illustrations, activities, bolded words, and are visually engaging.

Ultimately I love that the book is easy.  The topic matter can seem intimidating when you are faced with discussing some of these topics with tweens, and this book really will put parents and children at ease in the way it approaches, discusses, and walks readers through concepts that Islam has provided resources and answers for in the Quran and Sunnah, in a contemporary tween friendly way. 

Any Way You Look by Maleeha Siddiqui

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Any Way You Look by Maleeha Siddiqui

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If you feel that hijab is like salat and that it should be done no matter what, even if you are being forced, your heart is not in it, or you are doing it to appease someone other than Allah swt, than this book might not be for you.  I am not a scholar, I should not be giving anyone Islamic advice or suggestions, but after sitting with this book, having read all 250 pages in one go, this is the crux that I have come up with regarding who will be the target Muslim audience for the book.  The Islam flows and the central Islamic message is the importance of one’s relationship with Allah swt.  So whether the fictional characters are wearing hijab, considering hijab, removing hijab, I was not overly bothered, they were still praying, going to the masjid, attending halaqas, and spending time thinking about their relationship with Allah swt at present, and what they hope it will be in the future.  The niqabi mother never forces her view on her daughters, the book does not get preachy, nor does it only show one perspective, as a result the reader is allowed to appreciate the other themes of the book and the impeccable writing.  That being said, did I wish there was more sitting on the prayer rug conversing with Allah swt about what to do? Yes.  Do I wish that everyone’s hijab journey, both real and fictitious, was easy? Yes. Do I wish we lived in a world that women were respected no matter how they dressed? Absolutely.  This book is middle grade and it takes on numerous sensitive topics, and in my very biased opinion does an incredible job.  The book contains sexual harassment, judgement, peer pressure, stereotypes, gender roles, bullying and so much more.  I truly couldn’t put the book down, the tears of being seen kicked off the book, and then tears of strength concluded the book.  Muslim and non Muslim readers alike, will be better for reading this unapologetic, OWN voice book.

SYNOPSIS:

Ainy’s life is busy: school is wrapping up, summer plans with her best friend Safiya are being made, the family has moved into the basement of her crush Izyaan’s house, her father is in Pakistan caring for an ill grandma, and Amma’s clothing store, Naseerah’s Almari, is getting busy.  Ainy begs to work at the shop as Bajjo takes on a second job to help the family make ends meet, and when her Amma finally agrees, Quratulain’s best laid plans to learn how to be a designer, and have the best summer ever, are about to be challenged.

Before she can design, she has to learn how the shop works, the frustration and time involved make her unable to fulfill her plans with Safiya causing a widening rift with the life long friends.  Bajjo who has always been Ainy’s role model starts shutting her out, and Izyaan’s cousin Yasir seems to be everywhere Ainy is. She is not comfortable with him showing up at her work, bumping in to her all over town, messaging her at night, and while she knows he is in the wrong, she starts to wonder if it is a result of something she has done.  With no one to talk to, Ainy is left to handle the Yasir problem on her own, and the relentless anxiety, isolation, and fear begin to change Ainy and everyone is too busy to notice until all the threads combine: a big wedding order from Yassir’s mom, hijabs being taken off and put on, and Ainy taking a stand.

WHY I LIKE IT:

The book hits close to some events I have experienced in my life, to the point that I had to check if the book had the typical disclaimer that the characters are a work of fiction and any resemblance is coincidental.  The characters feel that real, and their emotions that relatable, that even at my old age, I was moved, invested, and unable to look away.

I love that the author provides a lot of perspectives about hijab, but does not make a heavy handed judgement, the title of the book hints that women should be respected, and valued, no matter how they dress, and the mom in the book does a great job of setting that tone as she asks her clients how they feel in different clothes, as she models how her daughter’s choice to wear or not wear hijab is a reflection of their relationship with Allah swt, as her decision to wear niqab is hers.

There is no internalized Islamophobia, no othering, no watering down.  The book is solid and I think even if you don’t agree with the choices the characters make, the writing is strong enough that you can see why the characters do what they do for them.

My only real critique is the cover.  I don’t know why, but I don’t love it.  It doesn’t scream fashion and Islam, and the strength of the writing, the characters, and their summer together deserve a better visual representation, sorry.

FLAGS:

Triggers for those who’ve experienced unwanted attention and sexual harassment. Does have boys and girls being friends, crushes mentioned, hijab, backbiting, bullying, stereotypes, peer pressure.

TOOLS FOR LEADING THE DISCUSSION:

While I can see why some people would not “approve” of the book, and some will love the book, I think in an environment of discussion and someone qualified (not me) to guide young readers, this book would be an incredibly empowering, book to think about, enjoy, and relate to in an Islamic school book club setting.

Please consider preordering/ordering this book.  It is available here on Amazon.

From Here and There by Larissa Olinda illustrated by Herry Prihamdani

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From Here and There by Larissa Olinda illustrated by Herry Prihamdani

This sweet rhyming picture books discusses, focuses, and celebrates being a multicultural child.  Not the often seen child of an immigrant living in a society that is different than their parents, this story doesn’t even discuss where the child in the story resides, it just joyfully explores having a Brazilian mom and a Saudi father, while centering Allah swt in bringing them together.  The book highlights each culture, notes some differences, and acknowledges compromise, making this a reflective book for kids with parents from different cultures, but also a window of coming together that all readers can enjoy. Toddlers to early elementary will enjoy the 31 pages with bright engaging pictures and introduction to cultures and a topic not often seen in Islamic fiction, or any books for that matter.

The book is told from the child’s perspective as he breaks down his appearance and him being half his mom and half his dad.  He discuss the different sounds of Arabic and Portuguese, how meals are eaten, time is spent, people dress, and handwriting looks, without belittling or othering either culture.

The little boy circles back numerous times that this is all Allah’s decree, that brought his parents from different parts of the world together.  It shows challenges and compromise at time, and ultimately love and smiles.  The book concludes with helping readers like him to feel seen and articulates Prophet Muhammad (saw) saying that no person is better than another based on where they are from.

The book concludes with an ayat from the Quran and a hadith, and is based on the author’s life. I can really see this book being used in a class as an introduction to a lesson asking kids to write their own family traditions coming together. It also works well at bedtime, or anytime.

You can order the book here

When a Brown Girl Flees By Aamna Qureshi

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When a Brown Girl Flees By Aamna Qureshi

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I was both nervous and excited to read this contemporary book having loved the author’s fantasy, but unsure how a Brown Muslim Pakistani American girl running away from home would be presented.  Alhumdulillah, the author approached the story from a place of love.  There is no internalized Islamophobia, self othering, or in broad strokes even an identity crisis. The protagonist has made decisions, drastic ones, and is trying to piece her life back together on her own terms, but the love of culture, family and faith, is always upheld.  It reads like Islamic fiction, with very didactic passages and moral positioning, I’m still quite surprised that it is traditionally published.  The version I read had grammar errors, so I’m hoping that they will be corrected when the book releases in a few weeks.  The story is engaging, but the writing a bit monotone.  Much of the story is telling, not showing, and because of the surface level spoon feeding of so much of the plot, when the catalyst or rationale is not provided, the book seems underdeveloped, or lacking, unfortunately.  I would not recommend this book for the target audience of YA readers (12/13 and up) it contains sex, slut shaming, self harm, depression, suicidal thoughts, physical and emotional abuse, profanity, and mentions drug use.  I do think though, early college age readers will enjoy and benefit from reading the book.  At a time in the reader’s life when they are defining themselves on their own terms, owning up to their own mistakes and laying out a future path, this book will provide relatability amplified by religious and cultural touchstones.  The heart of the story is the connection of a girl with Allah swt after she has sinned, the guilt and regret she feels, and how she finds herself, and returns to try and fix things with her family.  The characters are flawed and the overall messaging beautiful, hopeful and uplifting.  Unfortunately, it just reads like an early draft and I wish it had a bit more refinement.  Keeping that in mind though, it does have a place, and I’m glad to see our “new adults”  can find reflections of  themselves in a piece of literature that amplifies their Islamic identity instead of criticizing or questioning it.

SYNOPSIS:

The book starts with Zahra deciding to run away from home.  She parks her car, leaves her phone and catches a flight to New York from California.  The reader doesn’t exactly know why she is running, only that a few days after high school graduation she is escaping a toxic home life, an impending wedding, and misery.  As the story peels back layers we start to see some of the nuance of what she is running from as characters from her past find her and physical space allows her some perspective to see her own role in her “old” life.  When she arrives in New York, it isn’t the city life that she seeks, but rather the nature and pace of Long Island that offers her a fresh start.  She heads to the masjid, makes a friend, and starts to put her life together without parental obligation, outside interference, and self loathing.  She cannot run forever though and she cannot escape herself.  She must confront her past, own her mistakes, be honest with her new friends, and find peace with her family, not because she has to as a Brown daughter of immigrants, but because she trusts Allah, loves her family, and wants to “fix” things.

WHY I LIKE IT:

I’m a sucker for books that show redemption through the love and mercy of Allah (swt).  Yeah her new friends were idyllic in their family life, relationships and worship, but we all want friends that make us better Muslims, so I let it slide. Islam is centered, she wears hijab, she reconnects with salat, it is her identity even when she is just going through the motions. The author at times conflated culture and faith, but it never issues blanket statements or falls into universal stereotypes for Desi culture or Muslims.  She does a good job of keeping the negatives to the people and the critiques to the failure to push back on dangerous expectations. My issues weren’t the character flaws either, I’m onboard with the messiness of being human and the ability to seek and receive forgiveness from our creator.  I just wanted to feel things more.  So much was just told when it should have been shown.  I wanted to see the stress and anguish of her family life, not simply told it was depressing.  I wanted to see her cutting life long friends out and being isolated, not told she had lost her friends.  The book focuses on her running, and why she ran, but a big plot point for why she ran, having sex, needed more fleshing out.  Why was she driven to such an act? I know that she was depressed, I’m not belittling that, but what pushed her to such a strong stance, when she was already allowed on the school trip, she hadn’t yet been given the ultimatum and over and over the book says “I miss my family,”” I miss my home,” “I miss my mom.”  I didn’t feel the connection or understand what she was feeling, thinking, and it seemed like a huge hole in the book.  For all the themes of mental illness, faith, generational trauma, misogyny, abuse, expectation, depression, lying, culture, life choices, higher education, family dynamics, self harm. the book never quite felt rich with emotion or deeper than the surface level story.  At the beginning the author says she first wrote the book when she was a senior in high school, and while that may have made the main character’s perspective and voice ring true, as a successful author now, I wish she would have added the nuance, the insight, the subtlety that would have drawn the reader in and allowed them to get inside Zahra’s head and heart to see her and perhaps even themselves.

FLAGS:

The author and book identify triggers in the book “please be mindful of TWs: depression, anxiety, emotional abuse, physical abuse, self-harm, suicidal ideation, slut-shaming, PTS.”

There is also music, boys and girls alone in cars together, lying, cursing, generational trauma, misogyny, abuse, expectation, depression, anxiety, guilt, life choices, higher education, family dynamics, cutting, a brother who is often high or smells like weed/pot, it mentions partying, a sexual event, deceit, physically assaulted by a parent.  Nothing haram is glorified, but it is there and it is detailed, and not everything is resolved.

TOOLS FOR LEADING THE DISCUSSION:

I would not be able to shelve or teach this book in an Islamic school library, but in a college MSA book club or a youth group of a similar age this book would be incredible to read and discuss.

Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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It is quite remarkable in the course of 40 pages that so many themes, layers, emotions, windows, mirrors, and relevance can radiate with ease and entertainment for children four and up.  The authenticity of the text and illustrations create tangible feels in this book, that months after reading it for the first time, I am still moved to tears, both inspired by joy and as a cathartic release of being seen.  The true mastery is that even if you are not Muslim and cannot relate to the nervousness of praying publicly, you understand Muhammad’s hesitancy and feel for him as he battles not just finding a place, but watching onlookers reactions to his father, police proximity, and being brave enough to push yourself even when you are scared.  Usually when asked what my favorite book is, I stumble to narrow it down to just one, but truly this book has raised the bar of not just traditional publishing representation, but Islamic/Muslim literature across the board.  It is a gift to read, to share, to enjoy, and a blessing that such an unapologetic book is available so widely for our children to connect with, and our non Muslim friends to see us through.  Please spend time with this book and make it available to your children, your students, your community, it really is that good, alhumdulillah.

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It is Muhammad’s birthday and he is seven, “Old enough to pray five times a day,” his father gifts him a prayer rug, and  Muhammad is ecstatic.  He makes wudu that night and offers salat with full attention.  He says the Sunday school words and shares his most wished for wishes to Allah swt, not even letting little sister, Maryama distract him.

After Fajr the next morning, he is determined to find a secret place at school to pray Dhuhr. Daddy doesn’t need secret places, if prayer time comes he pulls his ice cream truck over and prays on the sidewalk, “never delay salat.”  At school, Muhammad heads to Mrs. Baker to ask for a place to pray, but his confidence waivers and he returns to his seat.

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Anxiety about where to pray has him looking for spots throughout the morning, but when recess comes he finds he can’t take the prayer rug out from under his jacket.  He lingers when everyone returns to class and rushes through the words and motions in the coat closet.

That evening he is with his daddy in the ice cream truck and the sunshine and smiles pour out of the two.  When the sun sets it is Maghrib time and Daddy heads to the sidewalk to pray, reassuring Muhammad that he can pray at home.  Muhammad watches his dad and various events spur him to make his decision.

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I love love love the way salat is approached with love and excitement and that the dad embodies safety and joy and does not pressure or force Muhammad.  The relationship is beautiful and allows for worship to be seen as both personal, as well as obligatory and merciful.  The duo also show a great parent child dynamic that warms the heart.

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I like that there really isn’t any “hate” given to anyone praying, it is hinted at, people do not understood, but the focus is not on the outside bystanders- it is what Muhammad thinks and feels.  I’m fairly certain every Muslim who has prayed in public has encountered a wide variety of responses, and this book keeps the gray to reflect and spark conversation.  It is often met with ignorance, with hate, with aggression, but it is also met with respect, apathy, and curiosity which the text and illustrations allow for.

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There is so much love and joy in the book as well as identity, that I don’t mind one bit that my littles ask me to read it over and over.  It is perfect for groups, one-on-one, and I cannot wait to share it in a story time, there is also an incredibly informative and heartfelt Author’s Note at the end.  If you haven’t preordered it yet, the book releases on June 6, 2023, please pre order it and signal the support for this book and future books that center authentic Muslim joy, Black Muslim representation, and OWN voice author and illustrator accuracy.  Request it at your library, put it on hold at your library, check it out, read it.  If you cannot preorder it, still purchase it when you can, inshaAllah it will be a beloved book in your home as well.

“Granny, Where Does Allah Live?” by Yasmin Kamal illustrated by Citra Lani

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“Granny, Where Does Allah Live?” by Yasmin Kamal illustrated by Citra Lani

 

This 32 page picture book for 3-6 year olds takes readers and listeners on a car ride with Granny as questions are asked, sights are seen, and love is spread.  The rhyme is actually pretty decent, the explanation of Allah swt being on a throne above us wherever we are adhered to, and the illustrations are bright, bold, and have a lot to hold little one’s interest.  Overall, the banter between the kids and their Granny, the drive to the mosque being filled with joy and love, make me overlook a lot of little annoyances.  The book packs a lot in, but the voice and tone is easy and I think most kids will see the connection of asking where Allah is, to asking why we have to go to the mosque, to why it is important to talk to Allah swt in our prayers, etc., as a way to have their own questions touched upon.  I do wish the book was a little bigger and perhaps hardbound, to make story time sharing a possibility, the book is 7.5 x 7.5, so good for little hands and sufficient for in lap reading.  The book concludes with three activities that incorporate a few of Allah’s beautiful names.

The book starts out with a young boy and girl excited to be spending the day with their Granny and going on a ride in her special car.  No idea why it is special, but it is purple and has flowers painted on it, so lets go! The kids love to ask Granny questions when they drive.  So after saying bismillah, they wonder why people don’t have tails or shells on their backs, or where they are going, or if they can have ice creams. 

As they head to the mosque to meet Grandad  they wonder if that is where Allah (swt) lives.  Granny tells them no, so they ask if He lives in the sky, when she says no, they wonder about in the trees or in the sea.  Finally she says that they “don’t have to go anywhere to find Allah, His throne is above us where ever we are.”

She then details how we can be reminded of Allah in things around us, nature, animals, land formations and then tells the children Allah is the most generous friend and it is important to talk to Him in our prayers. The children ask what we can tell Him, and Granny shares that we can tell Him everything and anything because He always hears.

Granny then explains that when we do good, we make Allah swt happy and when we aren’t nice we make him sad.  So then the kids want to know why we have to go to the mosque, Granny replies, to be part of a community.

The book is a string of questions, so it doesn’t come across as overly preachy, even though it is Islamic fiction, and the voice is natural.  It sounds like a conversation a grandma and some kids would have, I’m guessing the book was spawned by some real life experiences.  My kids and my mom definitely have this relationship.

 All this though, isn’t too say the book is perfect.  If  you read my reviews, you know there is always going to be a little nudge to try and elevate it from my perspective for the next go round. So with that in mind, the book does read a little long, the tangents get a little away from the simple articulate answer of stressing where Allah swt is, the text runs over the pictures a few too many times, and the people praying are not foot-to-foot shoulder-to-shoulder.  There are no salutations, saw, or asterisks after Allah. The word Jummah is not used although they are going to the mosque on Friday and a lot of people are gathering in the day, and the word mosque is used, not masjid.

The pictures are fun and will appeal to kids, especially when the car goes all magic school bus and starts flying, and going underwater.  I hope this is the first book in the series as it really does have potential to present answers to kids questions in a joyful colorful way.

Book available on Amazon 

 

Turning Back to Allah: Sulaiman’s Caving Calamity by Aliya Vaughan illustrated by Rakaiya Azzouz

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Turning Back to Allah: Sulaiman’s Caving Calamity by Aliya Vaughan illustrated by Rakaiya Azzouz

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Good early elementary books can be tricky: the voice needs to read authentic, the lessons not preachy, and the scenarios relatable, all while not talking down to the reader or talking above their comprehension.  As fabulous middle grade books seem to be popping up at record speed, I find myself reading the same old books with my fourth child who is six.  Alhumdulillah, this book was nominated in the Muslim Bookstagram Awards 2021 competition and I was able to purchase and receive it quickly from Noura at Crescent Moon Store.  My son can read it, although because of the British terminology, he did better when I read it to him, none-the-less, he could explain it, he genuinely understood and related to the main character, and was emotionally connected to the outcome of the story.  The 49 page, color illustrated story is perfect for independent readers first or second grade and up.  The book also contains comprehension questions, etiquettes for du’a, a list of times and places when du’as are answered, and evidence for the story from hadith.  Additionally there are ayats from the Quran at the beginning and end of this well sourced book, alhumdulillah.

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SYNOPSIS:

Sulaiman is getting ready for an overnight scout trip in some caves.  He is nervous having been stuck in his apartment elevators the summer before and being lost at a park with his family.  His stress has him being mean to his little sister, and his dad tries to mediate, but you can sense that their normal bickering is heightened because this is going to be hard for Sulaiman.  The scouts meet up to board their mini bus and Sulaiman is acting weird, he wants to sit by the window, he wants to read signs, finally he tells Jacob about his worries and the two boys agree to stick together like glue while they are in the caves.  Foreshadowing is set, and when Sulaiman’s batteries roll away and he stops to retrieve them he gets separated from the group and he will have to rely on his faith in Allah swt to feel less alone and brave what is to come.

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WHY I LIKE IT:

I love that when Sulaiman is arguing with his sister he doesn’t have hadith quoted at him.  Sure it is ideal, but really, as parents we just want the bickering to stop most times and our kids to be nice.  It is often easier to instill morals and lessons in calm times, not in the middle of an emotional kerfuffle.  At the same time, when he is scared, he falls back on the lessons he has been taught from the Quran and sunnah.  I love how it reads realistic.  We want our kids to turn to Allah swt for all things, but sometimes to teach that we encourage them to seek Allah swt in times of happiness and times of hardship.  Sulaiman is scared, really scared, and he turns to Allah swt, and it is heartfelt and emotional.

I’m embarrassed to say, but I was a little confused by the being lost in a park prior story thread.  It either needed more detail, or maybe just more context, but I thought it was the same park they are heading to with scouts, then realized it was a completely separate park and incident, so I would like a bit more framing of that story line.  Also the stress of being stranded in the elevator, doesn’t directly connect to the rest of the story, perhaps bringing up some claustrophobia fears would have helped tie it all together.  As it is, it just seems that Sulaiman seems to be tested a lot and rather traumatically.

The illustrations being in full color and full page are a welcome surprise in the book.  However, there is one two-page illustration that shows the kids laughing before boarding the minibus, but it isn’t derived directly from the text, and I initially thought Sulaiman was being laughed at for his fears.  I went back, and it doesn’t seem that is the case, but I wonder if I was the only one confused by that illustration.

All-in-all the book physically is appealing to children with the open font, colorful pictures, size, and length.  The story is relevant, and the islamic tie-ins powerful, alhumdulillah.

FLAGS:

Some teasing, possible bullying among siblings.  Some scary moments mentioned and explored: being stuck in an elevator, lost in a park, left alone in a cave.

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TOOLS FOR LEADING THE DISCUSSION:

This would be a fun read aloud in a second grade class.