Category Archives: Picture book

The Unexpected Friend: A Rohingya Children’s Story by Raya Rashna Rahman illustrated by Inshra Sakhawat Russell

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The Unexpected Friend: A Rohingya Children’s Story by Raya Rashna Rahman illustrated by Inshra Sakhawat Russell

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I have mixed feelings about this book. On the surface I am thrilled that there is a story highlighting the plight of the Rohingya for children and that it includes some character depth and relatability to global readers. On the flip side, the book is very vague and could be any refugee in any camp and is not Rohingya specific. Additionally, I feel that it is too idyllic. I am no expert by any means, I wouldn’t even say that I am well-versed, but the book paints an impression of a thriving organized camp with medical help, orderly food lines and a vibrant school. Yes, it talks about the lines being long, and naturally if you are out collecting firewood, it is a bit rugged, but I don’t know that the lasting impression is a humanitarian crises. I understand that in a 36 page, kindergarten to 2nd grade book, political complexities and horrors are not a natural platform, but I worry that the aim of bringing attention to the situation will miss its mark by not capturing its truth more clearly.

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Faisal has just finished his afternoon prayer and while outside the mosque he hears a faint chirping and discovers a small bird with a hurt wing.  He and his friend Rahim take the bird to the learning center to be cared for while the boys head to the forest to collect firewood.

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The forest can be dangerous, but in order to cook, they must have wood to burn.  While in the forest, the boys encounter an elephant and remark on how they are depleting the animals’ natural habitat.  When leaving Faisal trips and falls, scattering his collected firewood and breaking his arm.

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Rahim offers to share his firewood with Faisal and the two head back to camp to get Faisal to the doctor.    Like the bird, who’s wing has been bandaged, Faisal now too has a hurt appendage.  The two spend every minute together for weeks, and when both have healed, Faisal admits he doesn’t want to let the bird free. He knows it is the right thing to do and alas allows the bird to go.

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The book has an afterword regarding Cox’s Bazar and information about the author and Save the Children Foundation.

Hello! A Welcoming Story by Gina K. Lewis illustrated by Maria Jose’ Campos

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Hello! A Welcoming Story by Gina K. Lewis illustrated by Maria Jose’ Campos

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This 62 page early elementary story is told from two perspectives, you flip the book to read each parallel story from two points of view, the refugee children’s and the children welcoming them.  Overall, I feel it is very well-intentioned and gets a lot right, but I found myself not feeling comfortable with some of the messaging regarding the visibly Muslim character included.

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I love that there are characters of all skin tones both welcoming the refugees and the refugees themselves. And I love the vague universalness that binds all the refugees together being expressed:  that they love their home, they had to flee, the journey was dangerous, they left everything behind, etc..

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I also love the warmth and genuine compassion that comes from the welcoming children.  They are reassuring, open, and seem to truly want to provide confidence to their new classmates.  The simple text really conveys a lot of emotion albeit very idyllic, that provides ways that readers in similar situations can also mimic when welcoming anyone new.

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On one of the two story sides a map is included showing that the refugee kids come from all over the world, the side that did not have the map I worry might confuse young readers.  They might not realize that the five children do not all come from the same country.  There should be a map on both sides, ideally.

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The illustrations that show how the welcoming kids understand the refugee stories is clever in the showing of their understanding.  The images are similar, but the different style is a great emphasis on how we process from our point of reference facts that others have lived.

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The concept of a new kid finding everything so different and not fitting in, is a great concept to explore in terms of clothing and food and language, but for some reason I didn’t like how the girl in hijab was presented.  I’m ok that she took off her hijab to fit in, and that her classmates encouraged her to be herself, and put it back on, but the text is too over reaching, to an erroneous end.

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It says on one page, “No one looked like me, but most people smiled.”  Really, NO ONE? No other Muslims exist in your new home? It then says, “I was afraid to wear my real clothes to school.  The other kids didn’t dress like me.”  In the illustration her clothes are EXACTLY THE SAME, the only thing that changes is she has a scarf on. Hijabs are a religious article of clothing, they are not unique or country specific.  And what does real clothing even mean?

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I also didn’t like the text reading, “This is my journey’s end.”  That seems to imply that you leave the horrors behind, you build bridges, this is your home now, and that is it.  This is a children’s book, the message should be that there is so much more to you and to your life, and you will find welcoming people and be the one welcoming in the future.  I don’t like that it seems to carry the weight of finality to a person’s story.  People, all of us, are more than just a label.

Nour’s Secret Library by Wafa’ Tarnowska illustrated by Vali Mintzi

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Nour’s Secret Library by Wafa’ Tarnowska illustrated by Vali Mintzi

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Set in Daraya, and based on a real events in Syria, as well as the author’s own life in Lebanon, this 32 page elementary and up story does an amazing job of showing relatable childhood adventures and ingenuity shining through even in the most horrific of environments.  The book is inspiring and warm, but the backdrop of war is very much present.  Some young children may be bothered by the images and text, while others will benefit from understanding the humanity that is affected by such violence.  I know the book says the pages are not final, but I wanted to put it out to help drum up interest.  I feel this story would best work in intimate settings where discussion, compassion, and gratitude can all intuitively transpire.

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Nour’s best friend is her cousin Amir, they love to read and imagine adventure and secret societies.  As their dream to create a secret club, complete with a secret password and handshake, for them and their friends starts to come to fruition, war arrives first. 

Families are forced to seek shelter away from the bullets at night in their basements, and only are allowed to venture out when absolutely necessary.  Every time Amir goes out, he collects any books he finds, and encourages his friends to do the same.  

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They begin sorting the books, and trying to decide what to do with them, when Nour has an idea to create a secret library.  Everyone pitches in when an empty, half destroyed basement is located, and the books are moved and set up on discarded planks of wood.  A boy next door is entrusted with the secret handshake and becomes the deputy librarian.

As word spreads, everyone from boys and girls to soldiers and rescuers, collect books to stock the shelves and checkout books to keep their minds busy.  The library, named Fajr, is open every day from morning to evening and closed during Jummah.  It becomes the city’s best kept secret and a source of hope for the community.

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There are references at the back that tell about the true story of the Secret Library in Syria, the author’s memories of hiding in the basement in Lebanon, a glossary of terms, information about Syria, the illustrator’s research, information about the war, and famous libraries in the Middle East.

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Shems and the Magic Seabream by Alwia Al-Hassan illustrated by Ada Konewki

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Shems and the Magic Seabream by Alwia Al-Hassan illustrated by Ada Konewki

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I don’t know how to review this book, I truly don’t, it claims to be based on Saudi folklore, it has #muslimsintheillustrations, and references Allah swt once, it is by a Muslim author, but it isn’t religious. And it definitely isn’t for everyone. It is terrible, and yet you can’t look away. Every stereotype about appearance and trope about step-mothers, it is all there, but EVIL CACKLE, the book is delicious, and not in the cooking the children and eating them sort of way, that is in the book too, but in the laugh-out-loud, gasp in disbelief, and be shocked at the complete disregard for political correctness, moral messaging, and lesson teaching that leaves a brightly illustrated dark tale for kids, and adults, to thoroughly enjoy. It pulls you in, it suspends reality, it makes good and bad so black and white that you accept the attempts at murder as justified, and it ultimately reminds you of the horrors that all fairytales build upon to entertain. I remember the first time as an adult I was asked to read Hansel and Gretel to a young niece. I knew the story, and started not thinking much of it, and then I froze: children are lost, they seek shelter in a home where they are not allowed to leave, the owner of the home wants to cook them and eat them. Yeah, this book is like that.

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Shems and her twin sister Shareefa live in a small town with their fisherman father. They are poor, but happy, until their father remarries and the stepmother is horrid. She is ugly and fat and covered in greasy spots, negative connotations that reflect her personality. (FLAGS: superficial judgement and body shaming). She hates children. (FLAG: Yes it uses the word hate, and calls children fat while contrasting them with cute children).

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She especially hates Shems and Shareefa. She tries to get rid of them: she puts them in the oven, abandons them in a field, tries to drown them in the night. But the girls somehow always escape and their father believes that it was all a misunderstanding. (FLAG: attempted murder).

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Now that the girls are older, they are forced to serve Mama Ouda, and when food runs low, she considers eating them. (FLAGS: abuse and threats). Luckily they are much too thin. One day when Mama Ouda is craving fish, Shems heads out to catch some seabream, yes that is a real type of fish. And the only one she catches is a magical one. (FLAG: magic).

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The next day Shems dressed as Shareefa recalls the fish’s promise near the water, and a basket of fish appears with pieces of sparkling gold. The girls eat like queens, hide the gold, and keep Mama Ouda fed. This carries on until they get caught and a murder and mermaid and moving out of their mud hut conclude the story and set up a potential sequel.

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The dad is pretty clueless and that has its own negative assumptions to counter, but if you and your kids can handle the over the top darkness, the story written in playful rhymes is sure to entertain and be asked for repeatedly. (FLAGS: stereotypes about fathers and stepmothers).

You Truly Assummed by Laila Sabreen

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You Truly Assummed by Laila Sabreen

We need more diverse books, especially within Islamic rep stories.  So I was so excited to receive an arc of this 352 page YA/Teen Black Muslim authored and featured OWN voice story.  I was prepared for rawness and grit and insight and all the feels.  Sadly to say, it is not that.  It is surface level plot points that are unexplored, disjointed, emotionless, and overshadowed by poor writing, contradictory details, and errors. Admittedly I saw an early copy and there is hope that the spelling errors, continuity mistakes and numerous contradictions can be fixed, but I highly doubt the narrative, character arcs, and holes, will or can be rewritten.  It is such a shame, because every time I was ready to put the book aside and claim I could not finish it, a powerful beautiful paragraph or sentence would pull me in and give me hope that the book would turn around and be what its own blurb claimed the book set out to do: “shatter assumptions” and “share truth.” In full disclosure, this book centers the intersection of being Black and Muslim, an experience I do not share firsthand nor claim to know in all of its multitudes and complexities.

SYNOPSIS:

Sabriya, Zakat, Farah: three Black female Muslim 17-year-olds in different parts of America, with different passions, different life experiences, and different dreams, take one alternating chapter at a time to tell their stories with occasional blog posts scattered between.  A terrorist attack in the in the D.C. metro, lots of serendipitous technology events, and a need to find community and the girls come together to create a blog that gathers followers and haters alike in the summer before their senior year.

Sabriya “Bri” is a ballet dance, and often one of two black ballerinas in class.  The book opens with her preparing for the summer intensive audition process when news of the nearby metro attack makes time stand still.  Her mom cannot be reached, and multiple people are killed and many more injured.  Bri and her younger sister Nuri identify like their father, as Muslim, but their mother is not.  It doesn’t seem to be much of an issue, except in that Bri’s mother often cannot relate to experiences her daughter is going through.  Bri asks Allah swt to keep her mom safe, but throughout the entirety of the book it does not mention her praying salat or actively showing she is Muslim aside from wearing an Allah swt necklace and her sorting through her desire to prove to others she is a Muslim versus eventually being content to be enough for her own self.  She does at one point refuse to cook bacon, but she does have a love interest, and Islam reads more of a label to her, than a practiced way of life.  Bri journals as a way to let off steam, and her younger sister Nuri encourages her to move to an app to blog.  Reluctantly Bri agrees, after being reassured that she can keep it private, she names her journal/blog ‘You Truly Assumed’ and accidentally sets it to public.

With the city reeling, the family commits to volunteering every day to provide food to those directly affected.  Bri is placed in a group with her father’s new boss and Hayat, a Muslim boy that she thought was a popular showoff, but is quickly falling for.  The micro aggressions from her father’s boss, who is also the volunteer group leader elevate, and the more she learns about him and his connection with an alt right group, the more she writes about in her journal.  By the time she realizes that it has all gone public, she decides based on the comments that she should keep it up, recruit more contributors, and get someone on board that is tech savvy.

Farah Rose lives in California with her mom.  Even though she knows who her father is, she has never had a relationship with him.  When her mom decides that this summer she should go to Boston to meet him and get away from the tensions following the DC attacks, she reluctantly agrees.  With a passion for tech, Tommy, her father persuades her by registering her for an intro computer science college course and a chance to meet her siblings.  Farah is nervous to leave her boyfriend, and worries about being a summer babysitter, but out of love to her mother, agrees to go.  When she learns about the blog, she joins to help with the tech side.

Once in Boston she struggles to connect with her father and his wife, but is immediately drawn to the children.  Her story provides some insight into the concept of privilege within black communities.  Her father and his family are not Muslim, nor did they seem to know that she was. Presumably the only reason it even comes up is when they serve bacon at breakfast and she mentions she is Muslim and a pescaterian  Farah meets a lesbian Muslim girl in her college class and learns that there has a been a hate crime and taken the life of her new friend’s friend.  Farah offers to help with the vigil and her commitment to the blog increases as hate crimes, and Islamophobes seem to be on the rise.

Zakat “Kat” seems to present the more “conservative” Muslim.  She lives in an idyllic town and attends an all girls Islamic school.  There is also an all boys Islamic school and they are big rivals of the public high school.  Kat loves art and often takes art classes in the Islamic school with music pumping through the halls, unfortunately her parents don’t want her majoring in art at school.  They were the victims of predatory college loans and want her to be more pragmatic in her chose of school and direction of study.  She is more sheltered and even has to go behind her parents’ backs to be a part of You Truly Assumed.  She shares her sketches and comics and art work and loves knowing that people are connecting with her work and messages.

When her quaint town becomes the victim of hate crimes, she has to decide if she is going to step up and use her voice, or blend in as she has always done.  Zakat prays regularly, often at the gender neutral mosque behind a female identifying imam, wears hijab, and deals with jealousy as her best friend becomes friends with a girl who years earlier bullied Kat.

The three girls’ stories intertwine as they become friends, share their own personal lives with one another, and thus the reader, and create a space to be seen and heard through the blog.

WHY I LIKE IT:

The book honestly reads sloppy.  I don’t know why it seems the growing trend is to not properly edit these Islamic OWN voice YA novels, but this is another book that indicates a troubling trend.  I love that these voices are emerging, but it sadly feels that editors are nervous or afraid to question things and demand better.  The book is so much telling and so little showing.  I don’t want to be told that the blog posts are powerful, and moving, I want to read them and feel moved.  I don’t want to read that you had to understand that you had to stop proving your religiosity to others and just live for yourself, I want to see the incidents and reflection that brought on that growth. I don’t want to be told that you are becoming friends with the other two bloggers, I want to see that they understand you when no one else does.  The whole premise of the book is to connect with the reader, but the emotion isn’t in the pages, so there is nothing to connect with unfortunately.  Saying there is a terrorist attack, saying that hate crimes are occurring, does not bring forth an investment to the story if details, context, and cathartic releases are not also included.

There are some basics errors.  Wudu is described in the wrong order, Zakat talks of living in Georgia in a fictitious town, but the landmarks and colleges are all accurate until she mentions looking out over Lake Erie.  I Google mapped it, there is no Lake Erie in Georgia (just the Great Lakes one on the Canada US border), it is only mentioned once, so presumably an oversight, not a fictitious landmark.  There are some spelling errors and grammar errors as extra words enter a few sentences (3%), dinner replace the word diner.  At one point it mentions the girls meeting on a Zoom call, and then the next line refers to it as a Skype call (54%).  The plushness of the Georgia mosque is often commented on, but they have to put down their prayer rugs to pray, this is pre covid, so a little off.

The book contradicts itself at 11% saying that they can drive to North Carolina or New York for auditions, while the rest of the chapter is convincing Bri to volunteer because they cannot. One of the reasons Farah left California was because of the tensions, but Boston is closer to the place of the attacks and also a large diverse bustling city.  When Farah is wanting to talk to Tommy and his wife about the vigil, she walks in to a room and comments on who is there, in the next line, it mentions that it isn’t a good time to have the conversation since Jess is not there.  Jess was just mentioned as being there and the conversation does end up taking place (84%).  When Bri has a blow up with her dad’s boss, Hayat is worried that she hasn’t been delivering meals all week as a result, later in the chapter it mentions that the conversation happened yesterday (77%).   When Bri introduces her friend to Hayat she doesn’t mention that the two girls know his little sister very well, and it seemed unnecessarily awkward.  Zakat stares off in to space and imagines a sketch and remarks that she has never shared a sketch before and it is something she wants to explore.  This is 81% of the way in to the book, she has been sharing her sketches on the blog since she joined.

In terms of Islamic representation, Zakat’s mosque has one entrance and doesn’t divide based on gender, there is a female imam, the steps of wudu are in the wrong order, the girls all seem to focus on their “Islamic” necklaces or rings as if they are such an integral part of the religion.  The girls never pause or hesitate to have boyfriends, kiss them, bring them around their Muslim family.  Even Zakat who reads really naive and young and goes to an all girls Islamic school decides that a logical event is to have a mixed gender party with music and none of the parents have an issue.  It is even held in a Muslim girl’s basement. There are very few salams or mashaAllahs or inshaAllahs, or bismillahs in the book.  There is music, dancing and dating.  Not naive to say that Muslims don’t participate in all these activities, but to not offer any pause, reflection, or clarification, in a book trying to show the life of some one who identifies as Muslim is a little puzzling.  At the beginning it mentions that Black Muslims are “othered” in Islamic gatherings, and I really wish this thread would have been a larger part of the book.  To see where the larger community is racist and lacking, to see where the engagements occur and where they fall short is a very unique lived experience that the book seemed to tease, but ultimately abandoned completely.

Plot points were not fully developed, a book of secrets was not built up or stressed and then became a huge issue without sufficient understanding as to why offered.  The hate crime in Boston that took the life of a young black Muslim girl was also not given enough weight in the story, or how she helped organize the galvanizing vigil.  The blog aspect was just not believable, so much happening by happenstance and then the material not being shown.  Show us the comics, the sketches, the passages.  Let us read the comments and show us your texts back and forth to see your friendship growing.  I loved the parts about Bri and her dad’s boss, about Farah’s father’s family and her interacting, the parts that mentioned Juneteenth and bean pie.  I wanted more immersion in to these characters lives.  To know their back stories and their struggles.  I wanted to feel like I was seeing something that for too long has not been given the space to be authentic and real, but ultimately I finished the book just glad it was over and I no longer needed to exhaust myself trying to imagine the book that it could have been.

FLAGS:

Domestic terrorism, hate crimes, death.  Relationships mentioned, straight and queer.  Transgendered and ungendered masjids, female imams.  Boyfriends both Muslim and non Muslim.  Mixed parties, dancing, music, art with faces, lying, cursing.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think there is enough content to discuss in a book club setting, neither to relate to nor open ones’ eyes to.  I would like to discuss the book if any one has read it, if I am simply so ignorant of the Black Muslim female experience that I don’t get the book, I am happy to learn and listen and change, inshaAllah.

One Sun and Countless Stars by Hena Khan illustrated by Mehrdokht Amini

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One Sun and Countless Stars by Hena Khan illustrated by Mehrdokht Amini

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I don’t think that Hena Khan is necessarily a controversial figure, but some days her work feels very polarizing as some praise her ability to share OWN voice desi American Muslim stories while others feel like she waters down the very stories she is sharing to appease the majority.  Irregardless of our nuanced views, many of us first were made aware of her when we we were swept away in 2012 by the mainstream book, Golden Domes and Silver Lanterns.  Since then she also has published a book about shapes in the same format, and now this counting book that reminds me how beautiful and powerful it is to see Islam so unapologetically presented to all children.

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The author’s note at the end is important:

There are many significant numbers in Islam.  They include one for God, five for the pillars of the religion and daily prayers, seven for the circles pilgrims and visitors walk around the Ka’aba during hajj and more.

Mathematics and astronomy were among the intellectual pursuits of early Muslims.  They helped to develop algebra and used geometry to create the elaborate patterns found in Islamic art.

For this book, I chose concrete and illustratable terms rather than abstract concepts.  The representations for each number focus on things we can count in the world around us.

The book counts the diverse and global parts of a practiced faith.  The unique and the mundane, all beautifully illustrated and richly conveyed.  From cups of tea and shoes taken off for prayer to two hands making dua and four lines of a surah being memorized.  The book counts up to nine and then marvels at the countless stars that we see each night.

The first page is possibly a bit problematic in accuracy.  The tone and framing of starting the day with the sun rising and the sound of the adhan is warm and beautiful, but the adhan is not called at sunrise for the first prayer of the day, fajr.  Fajr begins at dawn.  There are only 21 words on the first page, so I’m inferring a lot about the correlation of the sun and athan that may or may not be present.  It is something frequently misrepresented, so it catches my attention. And yes, the seven tawafs mentioned in the author’s note would also apply to umrah, not just hajj.

Overall, the book is lovely and will remind many of us what made us all celebrate Hena Khan and her stories so many years ago.

Environmental Sunnahs: Emulating the Prophet One Earth-Friendly Act at a Time by Alia G. Dada illustrated by Sarah Hafeez

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Environmental Sunnahs: Emulating the Prophet One Earth-Friendly Act at a Time by Alia G. Dada illustrated by Sarah Hafeez

This beautiful book explores how intertwined Islam and caring for the earth are in a kid appropriate manner.  The rhyming lines and fun illustrations are accompanied at the end by very detailed sourcing, references, and tips.  All non fiction or fictionalized fact books should be sourced this well, it really has set the bar, and left most books in the dust.  My only real critique of the book is that I wish it was larger.  The pictures and dancing text need more space to be poured over and enjoyed. The 8×8 size doesn’t do the 36 page book justice.  The inside text should also be a more uniform/consistent in size.  At times the rhyme is off and feels forced, but because there are facts on each page the story isn’t read consecutively.  You break the rhyme scheme to ponder over the “Did you know?” sections, so the beat and cadence isn’t super important.  Overall, a well-done book to share and discuss with children ages 5 and up, and a great reference, resource, and memorable teaching tool to bring us all closer to the prophetic mannerisms we strive to emulate.

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The book starts off with a message by naturalist, Director of the Art and Wilderness Institute and author of “How to Draw 60 Native CA Plants and Animals, a Field Guide (and my former childhood penpal) Sama Wareh.  It then jumps in to exploring the miracle of nature on land and under the sea. It shows desert landscapes, and mountainous ones, jungles, and farms, valleys and cities.

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The book talks about water: Zam Zam and wudu and where clean water comes from.  How little water we should use according to hadith and how to respect all living things. It talks about Prophet Sulaiman (as) showing kindness to even an ant. And how planting a tree is charity. It shares information about reusable goods, limiting waste, and understanding eco systems.

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The book concludes with easy to read Hadith references, Quranic references, a glossary, and action items.

Loujain Dreams of Sunflowers by Uma Mishra-Newbery and Lina Al-Hathloul illustrated by Rebecca Green

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Loujain Dreams of Sunflowers by Uma Mishra-Newbery and Lina Al-Hathloul illustrated by Rebecca Green

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This 40 page early elementary book based on the efforts of the real life woman, Loujain AlHathloul, and her work to change the laws regarding women driving in Saudi Arabia, had a lot of promise.  Unfortunately, the symbolism connecting flying and driving, just didn’t work for me.  No one can flap their arms and fly, so to demand gender equality for an unrealistic action, is a big stretch that ultimately stretches itself too thin.  There is nothing Islamic, except women wearing a hijab in a few illustrations, or even Saudi specific in the book.  It talks of the desert, but the country is unnamed.   Overall, I just had so many questions such as: if she was flying before sunrise- how was she not seen returning from the sunflower patch, can women then never leave an area, are there ways they can fly as passengers, are there other modes of transportation, at what age are children allowed to fly, and so many more, that they prevented me from being inspired by the story.

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The book starts with Loujain believing in her self and knowing that one day she will fly.  She dreams of a place of a million sunflowers, a picture her dad has given her inspires her to seek out bright colors, capture them on film, and hang them in her room.

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In the morning her father straps on his wings, and flies off.  Loujain is not allowed to fly because she is a girl.  Her family tells her that one day she will.  When she tells the kids at school, they laugh at her.  When she pushes her dad to teach her, her mother advocates that he should.

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Loujain and her father practice flying before the sun rises, and finally they make the long journey to see the sunflowers.  Her father takes a picture of Loujain, and it appears the next day in the newspaper.  Other girls are inspired and begin to demand the right to fly too.

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I love the mom in the book, and her encouraging of Loujain’s dad to teach her.  She asks him, “if you don’t support her, who will?” I don’t know why the mom isn’t wearing a hijab on the last page though.  It seems like there is a subtle message there about hijab being legally required as well.

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The book is a reach, and for me it didn’t connect or leave an impression.  The information about the prison sentence and push back to achieve the legal change was far more interesting and memorable, but only a few paragraphs long at the end.

Pizza in his Pocket: Learning to be Thankful to Allah by Jawaad Abdul Rahman illustrated by Natalia Scabuso and Johera Mansura

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Pizza in his Pocket: Learning to be Thankful to Allah by Jawaad Abdul Rahman illustrated by Natalia Scabuso and Johera Mansura

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I didn’t think the old version was falling short, but I had to have the new one, because well, I’m a mom.  And sometimes songs that have stood the test of time really do translate perfectly to story books that are engaging, memorable, and so fun.  I can’t get through it without singing it, but the new pictures do force me to slow down and look at the maps and the points of interest that have been included.  Ages two and up will love the book, older kids will enjoy the nostalgia, parents will beam at the words getting stuck in everyone’s head and the lessons making their way in to real actions.

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The new book is slightly different than the original, but more inline with the online videos by Zain Bhikha and his son.  The back of the book has an ayat from surah Al-An’am and reinforces that while the song is fun, the foundation of not wasting and sharing with the poor is an important part of Islam.

A great book to read over-and-over again and one that is universal enough to be shared with Muslim and non Muslim children alike.

Room for Everyone by Naaz Khan illustrated by Merce’ Lopez

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Room for Everyone by Naaz Khan illustrated by Merce’ Lopez

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I started to read this book to myself, abruptly stopped, gathered my children around, and began again aloud.  This 40 page early elementary picture book isn’t just counting up and down with silly scenarios and outrageous details, it is familiarity with a culture often not represented with universal humor, appeal, and anticipation. This rhyming book begs to be shared: one-on-one, at story time, or in a classroom.  There is so much joy and connection that I’m ready to felt-board the story, march into my kid’s school and demand an audience.  I found mine at the library, but I think I am going to order it because it definitely deserves a place on the bookshelf to be read again and again.

Musa and Dada get in a daladala and are off to the crystal blue waters of Zanzibar.  But it is hotter than peppers out and the kind driver is offering everyone a ride.  First is the old man with his seatless bike, then it is two little goats and their herder, next is vendors with their three baskets of fruits.  Each time Musa cries and protests that there is not room for anyone else, let alone their stuff.  Yet when everyone wiggles and scoots and smooshes, there seems to be room for everyone.  This continues until there are ten scuba divers joining the smelly fish and stinky chickens, umbrellas and milk pails.

Alhumdulillah, they reach the beach.  Then one by one they all get out at Nungwi beach.  Giggles and wiggles and Musa and Dada are off the minibus and swimming in the cool waters. Alhumdulillah indeed.  The book concludes with a glossary and an author’s note.

“Find me on Twinkl’s list of best children’s books of 2021!”