Category Archives: Arabic

Apr22

The City of Jasmine by Nadine Presley illustrated by Heather Brockman Lee

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The City of Jasmine by Nadine Presley illustrated by Heather Brockman Lee

With a release date of May 6, I really wanted to wait to post a review because the images are gorgeous in the electronic version, and I can only imagine how moving and captive they will be presented in a physical format, but alas I know the importance of presales and am sharing to hopefully encourage you to preorder and/or request from your library, this gorgeous 40 page OWN voice book.  A love letter to Damascus, and the sights, sounds, smells, taste, and feelings that the author remembers despite the mountains and oceans that now separate her, are lyrically shared with readers on a journey through the city. The ethereal lilting of words draw readers of all backgrounds in, and the complimentary gorgeous illustrations convey a palpable sense of beauty, love, and memories of home.  Even on a screen, they force you to get lost in their beauty. The cadence of the words allow natural pauses that tug on your eyes and draw them toward something in the images not seen before, forcing the readers and listeners alike to hesitate before turning the page.

The book starts with a little girl telling where she comes from, “the City of Jasmine,” “the Umayyad Mosque,” “Ghouta,” “Damascus,” “Qasioun,” “Qala’at Dimashq,” headers for spreads rich with poetry, wonder, and longing.

Neighborhoods of diverse families gathering, and sharing the foods that bring people together, and quiet bookshops that facilitate travel through time. Family memories built around orchards and fountains and laughter and love.  So far away from the author now, the memories are not lost, they can be touched when the scent of jasmine is “breathed in, and breathed out.”

The book concludes with an author’s note and a glossary.  Those of us who are not Syrian, and who have never been, after spending time with this book will undoubtedly be tempted to add Damascus to our bucket list of travel plans, and inshaAllah as the country rebuilds such trips will come to fruition.

Apr15

Everything Grows in Jiddo’s Garden by Jenan A. Matari illustrated by Aya Ghanameh

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Everything Grows in Jiddo’s Garden by Jenan A. Matari illustrated by Aya Ghanameh

This sweetly illustrated 32 page rhyming book starts off introducing a little girl living in one place, and having a home in Palestine that she has never been to, but loves.  The book then becomes pretty universal with her and her grandfather talking about what grows, his “green thumb superpowers,” and the magic of planting small trees that change and produce. The pages then add in more Arabic words of what is grown, and then when Jiddo is drying his eyes recounting why he had to flee his home and his roots, I too, found I was emotionally invested in light of everything current and past, and the simple words weaving a heartfelt story of family, connection, and home. I do wish that there was some Islam in the text or illustrations: a dua, a plea to Allah swt, a hijab on a main character not just on background memories, but there is not. There is also nothing overtly political or named in the text. The backmatter does discuss the Nakba without naming names and highlights the author’s inspiration, but inshaAllah nothing that will get the book banned or kept off shelves. The rhyme and cadence are pretty good, it doesn’t feel overly forced, but when reading aloud in a group, as always, I suggest practicing a few times to make the flow consistent.

The book starts with a beautiful spread of a mother and daughter looking through a photo album, and imaging going to Palestine one day, the subsequent pages show how Jiddo’s garden helps bring Palestine to them. The “sour green janarek plums,” “crunchy green khiyar,” and “plump red bandora.” Mama makes warak enab and Teta sings for more.

One day the little girl wonders how her Jiddo learned to grow everything and he shares that he learned from his father how to care for the land.  She then wants to know why they left Palestine, and he says, “our land was taken from us…and our family had to flee.” The hope is to return, the illustrations show the key to their occupied home being held on to, and reinforces the symbolism that Palestinians are like seeds that will flourish wherever they are, reaching toward the light.

The book contains a glossary with words written in English and in Arabic script, and an author’s note in the backmatter with presumably personal photographs of the author and her family.  I read a digital ARC and look forward to release day for my preorder to arrive.

Jan1

Amina Banana and the Formula for Friendship by Shifa Saltagi Safadi illustrated by Aaliya Jaleel

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Amina Banana and the Formula for Friendship by Shifa Saltagi Safadi illustrated by Aaliya Jaleel

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I have five children, I have taught second grade, I have shelved, recommended, and read aloud a number of early chapter books for the better part of the last 20 years, so when I say that this book changes the standard of what a book (series) for this demographic can and should be, I do not say it lightly. Yes, I am bias, the author is a dear friend, but Amina has layers, growth, insight, struggles, warmth, heart, and all the other glowing adjectives normally associated with beloved books and characters for older readers. This book is the first in a series of four, and each book is somehow better than the previous. At 126 pages with a robust backmatter that includes scientific extensions, a recipe for ful mdamas, and a note from the author, I am confident that children of all ages, everywhere, caregivers, parents and educators alike will all fall in love with Amina, cheer for her, laugh with her, and be enamored with her attitude, perseverance, and joy.

SYNOPSIS:
Amina loves having a plan, a formula in fact, and when she arrives in Indiana as a refugee from Syria she is determined to make friends in 3rd grade.  Things don’t always go as expected, but alhumdulillah Amina doesn’t stay down: classmates, family, and determination combine to help the clever, yellow-loving protagonist find a way to rework her experiments, accept what she can and cannot control, and succeed in making this new country feel a little bit like home.

WHY I LOVE IT:
I adore the humor, unapologetic Islam, the rich Syrian culture woven in, and Amina’s approach to life.  So often early chapter book protagonists are obnoxious, annoying, crude almost, bratty, arrogant, and repetitive, Amina is none of those things.  She is vulnerable and strong, confident, yet nervous, hopeful, but worried, she is tangibly real in a way that readers will see themselves and relate.  I love the humor of idioms being confusing, and the heart of seeing what the parents have sacrificed and are willing to sacrifice by starting over in a new place.  The illustrations add to the experience of drawing reluctant readers in and will help those transitioning from picture books to chapter books be immersed by the story.  As always the author’s writing is impeccable and the story well-crafted.

FLAGS:

There is some teasing, reflections on why Syria was left, the journey to America, and hardship.

TOOLS FOR LEADING THE DISCUSSION:
This book is ideal for classroom, library, and home shelves.  It would be a wonderful classroom read aloud and works equally as well at bedtime.  My children college to elementary have all read and loved Amina, and I highly encourage preordering so that your children will get a chance to fall in love with her too.

 

Nov23

Vultures in the House of Silence by A.R. Latif

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Vultures in the House of Silence by A.R. Latif

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This 312 page richly imagined Islamic fantasy is both engaging and compelling.  It is too advanced for me to review as it weaves a complex tale based on history, religion, fantasy, and imagination.  I do know that it was for the most part well written, I have some issue when the character’s diction would include words that felt too contemporary slang, but it didn’t happen too often.  The pacing though, unfortunately for me, was definitely off.  Undoubtedly the author has tremendous skill.  The emotional pulls, the world building, the consistent cliffhangers at the end of each chapter, kept me curious to see what would unfold.  The story beats just dragged more often than they should have for no clear reason in developing the plot, defining character arcs, or adding to the rising action.  I don’t think I ever stopped reading at the end of a chapter, those hooks were well placed, but when I stopped in the middle of the chapter, it often took four or five days for me to be motivated enough to open the book back up.  I truly think it just needs a good editor to help cut certain scenes, and smooth out the tempo.  The idea and layers are great, and if I, as someone who struggles with middle grade fantasy, couldn’t walk away from this YA/Adultish read, I’m sure lovers of fantasy, jinn, monsters, Islamic history, found family, gray characters and action, will find this book an enjoyable read, even the slow parts, that  I struggled with.  So no this is not a negative review,  I am hopeful my teenagers will read it and enjoy it, I just really hope the author will consider working with an editor to elevate the text as it truly has potential.

SYNOPSIS:

I don’t know that I can retell the story, it has a lot going on and I’ll probably inadvertently spoil something, so here is the summary from the back of the book:

“A boy wakes up surrounded by corpses. Unable to move, he is assaulted by vultures who stop pecking at him only when he speaks. To survive this nightmarish ordeal, he tells them the story of how he ended up on their menu…

What follows is the wild tale of the young gardener Khurafa, coping with the aftermath of the Mongol invasion of Baghdad and the death of his parents amidst the bloodshed. After a vivid dream and several supernatural encounters, he becomes convinced that an ancient group of nine sorcerers called the Servants are bent on world domination. Accompanied by his scholarly mentor Shaykh Nariman, and the sly, uncannily perceptive Zakiyya, he seeks saintly help against the Servants, but finds mostly monsters instead.”

WHY I LIKE IT:

I love the opening, it really grabs you, the emotion of Khurafa and the loss of his parents and his predicament with the vultures connects you to him and his vulnerabilities.  The twists are also well developed and keep the book interesting.  I feel like the end needed more, and the middle needed less.  SPOILERS: I didn’t get the cat, or the going from village to village.  All the names, and all the drama at each village, dragged for me.

It appears the book is meant to be a series, so I wonder if many of the characters that died will return, but I feel like the final battle was a little disappointing, and anti-climatic.  All the build up and then it went so quick.  I appreciated the full circle on the House of Silence, and the answering of some of the questions, but for all the emotion  at the start, the end didn’t mirror that in the cathartic way I hoped it would.

I say all this with full acknowledgement that I am not drawn to fantasy, I am not well versed in Islamic history, and it is absolutely possible, that I just don’t get it. In brief, I am not the target audience.

TOOLS FOR LEADING THE DISCUSSION:

I think this book could be a good book club selection, with some motivation to get to the end, I think readers will be happy that they did, and I would imagine they would be willing to read the next book in the series. For many I would imagine it would be the first Islamic fantasy they will have read that has the layers, richness, and intrigue that this book does, and inspire them.

Sep10

Crestar and the Knight Stallion: The Legend Begins by Robertson, Ahmad, Jasim, Gastonny, and Robinson

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Crestar and the Knight Stallion: The Legend Begins by Robertson, Ahmad, Jasim, Gastonny, and Robinson

This new comic book series combines a lot of exciting elements.  It is a comic book and soon to be live action movie, it is both action and comedic,  it features Desi (Pakistani) and Arab (Iraqi) representation in the title roles, as it is in part written and created by the “characters” themselves. There are Muslim hijabi side characters, cultural Islamic phrases, and a whole lot of saving the day in a plagued Dearborn, Michigan setting.  I admittedly am still very much an outsider to comic books, what all goes in to them, their target audience, and what norms and expectations they carry.  So, I say what I am about to say from a very non critical, simply informative stance, when I say it has what I would consider mature content for elementary aged kids.  The comedy found in the offhand comments, the profanities that are substituted with symbols, surprised me. I anticipated a level of violence and killing, and appreciate that this book doesn’t have the near naked females being shown as many comics do, but I don’t think it is appropriate for younger audiences, probably more middle school and up.  I have not seen the live action, in a different format it might hit different so to speak, but I’m sharing some pictures of the text so that families can decide if the comic books are a good fit for their readers or not.

I love the idea of Muslim rep superheroes, that one is an Iraqi immigrant having to find himself in American society and accept himself, that Crestar is mysterious and his background and motives not known, the cultural and religious infusions, and matchmaking stresses are all amazing subplots to the evil that is destroying the community.  Theft and killings are the norm, Crestar is fighting back, when he discovers Ali has survived an explosion, he begins testing him with the hopes he will join him as the Knight Stallion. The first book is an introduction to the characters, the setting, and the protagonists meeting, it ends hinting that Crestar and the Knight Stallion will be working together, which isn’t much of a surprise given the title of the series, but it sets the stage.

I am not going to write a full review, because I can’t. I just really don’t know if the superhero parts are new and unique or tired and tropey because I don’t know enough about comics to have a valid opinion.  There are trailers online and the first two comic books available are top industry quality in terms of graphics, binding, length etc.

Apr12

Shiny Misfits by Maysoon Zayid and Shadia Amin

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Shiny Misfits by Maysoon Zayid and Shadia Amin

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I admittedly wanted to read this book because the author is of Palestinian descent. I have seen clips of her standup and I’m not a huge fan, although I do appreciate that she doesn’t deny her culture and Islam, doesn’t let her cerebral palsy keep her from working toward her dreams, and that she is successful.  All good messages for a 256 page middle grade graphic novel that is not autobiographical, but draws on her life none-the-less.  I was surprised, though, that there are no Palestinian references in the book, very few Arab cultural touchstones either, and yet swearing on the Quran and not eating pork are presented fairly often, almost as “bits” to be laughed at.  I truly understand that the character is presented as culturally Muslim more than centering Islam in her identity, but perhaps because the protagonist, Bay Ann, is rather unlikeable, it just rubbed me the wrong way.  I love that the people in Bay Ann’s life do not caudle her, and that she is fierce and dramatic and driven, but she is an awful friend, her obsession with Alyee Maq (yes full names are used throughout) gets annoying, and I worry that some of the humor will be missed for the younger target audience and be taken as Muslim or Arab norms.  The presentation of a disability in a well illustrated graphic novel is empowering, an amazing Arab dad is nice to see, a divorced family co-parenting is important, but the foundation for much of the story is Bay Ann’s crush on Alyee Maq, he does kiss her on the cheek for social media likes, the book starts with Halloween Idol, features dancing throughout, and concludes with a Nondenominational Holiday Spectacular.  Bay Ann’s mom is not very kind or involved, and Alyee Maq’s mom, the only hijabi in the book, also is rather rough.  This is a book where I acknowledge my own overthinking, as both an adult reader and reviewer.  If you are ok with the (random) Islamic rep, kids will benefit from seeing Bay Ann as a fully capable person who happens to have a disability.  I’d suggest seeing if your local library has the book and looking through it first to see if you are comfortable passing it on to your kids.

SYNOPSIS:

Bay Ann is a tap dancer and with Halloween Idol coming up, she plans to win.  Her best friend Michelle is going to do her make-up as a zombie bride, and be her zombie bridesmaid with Davey Matt, the third in their trio, being the dead ring-bearer dog.  They can’t be her backup dancers because she is a one woman show, but she needs them to cheer her on.  When she wins, she has the spotlight stolen from her by Alyee Maq kissing her claiming he is making “a sick girls dream come true.” The clip goes viral, as Alyee Maq is a bit of a celebrity and the competition is on.  Whether it is science fair, social media posts, or the class debate, Bay Ann is determined to knock Alyee Maq down, claim the online spotlight, and  prove her talent is more than her disability.  With each attempt failing, her resolve grows stronger and her tunnel vision pushes those closest to her away, as she joins Alyee Maq with the hopes that if she can’t beat him, she will join him and achieve the fame she seeks.

WHY I LIKE IT:

I know the book is rather intentionally ridiculous, but I wanted to cheer for Bay Ann, and I never really liked her.  I don’t like how she treats Davey Matt, or even Michelle.  If she was better to them at the beginning, I think it would have shown how disconnected her mom Malak is as well as the school administrators, and made it more funny, but it truly just makes her seem like she is awful to everyone, and thus you don’t really find yourself invested in her stardom, her friendships, or her defining her own narrative.

I wish their was some Arab rep, not just a few Arabic words tossed in here and there.  I also wish there was more Islamic centering, or honestly even less. The swearing on the Quran really bothered me, Friday prayer is mentioned in passing, but there is no impact on the characters or the story, so it seemed misplaced.

The pacing of the story is rushed, and at times a bit chaotic.  I think it is intentional, but it makes it hard to connect to the characters or to grasp their motivations.  I don’t know that I truly ever understood why Bay Ann wants the spotlight, or why Alyee Maq is famous, or why Davey Matt hangs around Michelle and Bay Ann when they belittle him. It doesn’t need to be thoroughly explained, but when you finish the book, and feel exhausted, but can’t even articulate what the book was really about other than a girl that wants to be famous for her talent not her shaking, and won’t let anything or anyone get in her way, it seems like some opportunities were missed.

FLAGS:

Close male and female friendships with touching, an unwanted kiss, lying, manipulation.  Swearing on a Quran, disrespect. Using people.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that I would seek this book out to own, but in an Islamic school library if it found its way in, I would probably not object to it being shelved.

Jun5

The Great Banned-Books Bake Sale by Aya Khalil illustrated by Anait Semirdzhyan

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The Great Banned-Books Bake Sale by Aya Khalil illustrated by Anait Semirdzhyan

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This follow-up picture book to The Arabic Quilt, takes readers back to Kanzi’s school, but also works as a standalone for ages 7-10.  Addressing the hot topic of book banning, the fictional story brings the discussion down to an elementary level and shows kids speaking up and pushing back against something they don’t agree with.  The main character finds a connecting thread to events in Egypt, and with her class and family behind her, she finds her voice and takes the lead.  The story bounces around a bit and feels a little rough and underdeveloped at times, but the subject matter is important and can be used to help guide discussions, encourage peaceful protesting, and taking action.  There is nothing Islamic specific in the text, the main character’s mom and teita wear hijab and are in the illustrations (#muslimsintheillustrations), in a memory of Egypt there is a man holding a cross.  The author is Muslim and mentions it in the Author’s Note at the end.

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The book starts with Kanzi leading the class to the library, she passes the Arabic quilt she helped bring to life and walks a little taller.  She has promised her Teita she will bring home a book with Arabic words from the library, but when she walks in to the library, the “bookcase where the new diverse books were displayed has been emptied.”  The librarian explains that the books have been banned.  That the school district, like many others around the country, have decided certain books are not allowed. Kanzi is upset, but her classmates “gather near (her) in solidarity. They want her to know that they care, too.”

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Back in class the teacher opens up the discussion, and Kanzi can’t find her words.  Kareem says it is unfair and when the teacher explains that people are responding by protesting, writing letters, and buying more copies of banned books.  Kanzi finds her voice and suggests a bake sale.  Kareem suggests they raise money to buy books that are banned and call it “The Great Banned-Books Bake Sale and Protest.” Molly adds that they can put the books in Little Free Libraries. The class agrees that Friday will be the day, that baked foods inspired by books that are banned will be sold to raise funds to buy more banned books, and the local news station will be invited to broadcast the protest.

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Kanzi helps Teita make baklawa from a book they once read, while her grandma tells her stories of protesting in Tahrir Square.  Teita held a banner and demanded rights for the people of Egypt. Friday comes, and the kids are determined to be heard, as the crowd grows, Kanzi’s nerves also grow, but her strength comes from those that support her and who have also spoken up to be heard.

I enjoyed the illustrations and the backmatter.  The inclusion of a baklawa recipe and insight to how this story came about with the banning of The Arabic Quilt, definitely adds to the book’s appeal.  I felt a little disconnect though from the emotions of the book, and oddly enough, little connection to the characters.

I wish it would have shown her joy when she first saw the diverse book display.  How it made her feel seen and valued and included to see books that reflected her and her classmates.  Then we, the readers,  would feel the pain too, now that they are gone.

I also was a little unsure of the scene when all the kids gather around Kanzi in solidarity, why is she the only one upset? Is it that they care about her or that they care that the books are no longer available? Sure it can be both, but again, as it is written, it isn’t particularly strong.

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I’m not sure why the three characters named in the book Kanzi, Kareem, and Molly, do not have their names shown on the Arabic quilt pictured in the illustrations, and I also don’t know why it bothered me that the book banned that had baklawa/baklava was not named.  I don’t care that it isn’t a real book, but I wanted a title to make the case of how ridiculous this ban is more articulate.  Additionally, I love Little Free Libraries, but it seemed tossed in without much fleshing out. The book doesn’t explain what Little Free Libraries are, so I’m not sure that kids will even understand the plan.

The book is a decent read, I don’t know that the climax or characters will be memorable on their own, which is unfortunate because connection with the success or failure of this fictionalized book ban really could have radiated out of the book and deeply inspired kids.  The reversal of the boards decision doesn’t directly link to the kids’ actions.  I had to provide that link to my own kid when I read the book to him (he is almost 8).  It is implied, but a line or two about how the kids protest encouraged other people to also speak up, or write letters, or that the school board attended the bake sale, would have shown that when voices amplify it is hard to ignore them.

The book has value on the shelf and can be preordered here https://amzn.to/3C5Baaj

May26

The Jasad Heir by Sara Hashem

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The Jasad Heir by Sara Hashem

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When I requested this book, I really thought it was YA, when I saw it was 528 pages I went online to see what I missed, and sure enough it is considered an “Adult Fantasy” and in the process I read some of the (negative) reviews about the book.  I grew nervous as I’m not naturally a fantasy fan, mg fantasy is more my level, with occasional YA entrapping me.  I told myself 25% is the least I could do, and if it wasn’t clicking, I’d know I gave it a genuine shot.  By about 21% I couldn’t put it down.  I think not expecting the complexities of an adult book was a benefit.  The book has no Islam, it contains Egyptian cultural references, but religion is not present, and thankfully that means no djinn either (they seem over represented these days).  The protagonist is in her early twenties, it has an enemies to lovers trope, and magic is central to the storyline, but aside from frequent unremorseful murder and torture, an intimate make-out scene at the end, and some drinking of ale, the book is fairly clean. I feel like there might have been some plot holes, but I honestly was so swept up in the story and proud of myself for understanding the world building and politicking, that I am just going to assume I missed something or it will be addressed in the next book of the series.  The author is Muslim and while it is labeled Adult, I think high school juniors and seniors and up, can and will, love Sylvia and Arin and sorting through the lies and deception to see the Jasadi heir rise.

SYNOPSIS:

The book follows Sylvia a young woman apprenticing with the village chemist, living in a keep (aka orphanage) and hiding her magic, or rather hiding that she is Jasadi, her magic is useless with the invisible handcuffs placed on her as a child before the kingdom burned in the Blood Summit.  She is unkind, harsh, and selfish, but somehow a few other orphans have not been scared off and on her birthday she is forced to acknowledge that people in her life might care about her.  There are four kingdoms that remain (Lukub, Omal, Orban, and Nizahl) and every three years they participate in the Alcalah, a battle to pay honor to the founding siblings who were entombed to cease their magic from destroying others and going mad.  The tradition makes no sense as the champions often end up dead (think Hunger Games), and the people acknowledge it, but none-the-less, they all get caught up in the excitement and entertainment.  Since the destruction of Jasad, the magic kingdom, magic everywhere has been outlawed.  Originally all people had magic, but it was lost over time.  Sylvia is the heir of the Jasad kingdom, and with no magic and no sense of obligation to Jasadis that have scattered, she carries on hoping to one day take over for the aging chemist.  When the son of the Supreme responsible for the death of her loved ones and all of Jasad crosses her path, deals will be made, a champion will be crowned and love will felt. Sylvia will also have to reexamine people from her past, her selective memories, and decide what type of future she wants to fight for.

WHY I LIKE IT:

Phew, even writing that lame summary was challenging, the book weaves a lot together and I loved the politics and world building, but clearly don’t feel confident enough to discuss it.  I think the slow burn romance was a little obvious, but I also think the author knew it would be obvious and rather than try and disguise it, she embraced it, and provided actual obstacles in their coming together (they cannot touch), not just that they want to kill each other.  I am assuming that the physical copy (I read an electronic arc), will have a map and perhaps a list of the kingdoms and characters.  It wasn’t hard to keep it all straight, but it will definitely add to the overall packaging.

I would have liked a little more explanation at points, even if it is my own weakness requiring it, but I didn’t understand the magic mining, the handcuffs, and would have liked a little more back story on the warring magic factions, their splintering timeline, and Soraya’s fallout.  I also would have liked more about Sylvia’s parents relationship and how that union came to be across two kingdoms.  Honestly I didn’t even quite get Sefa and Marek’s relationship.  I probably needed to slow down and read, but I couldn’t it was action packed, fast paced, and I needed to know what was coming next.  The climax was a little weak and the book ended on a cliff hanger as a book two is already forthcoming, but the fact that I read it and enjoyed it, speaks volumes as to the characters, story quality, writing, and approachability of the book.

FLAGS:

Mention of rape, whores, sexual assault, sex, a character is asked if a character’s needs are met by a man or a woman, an intimate male/female passionate scene at the end, using physical flirting as a distraction, theft, killing, lying, torture, murder, poisoning, breaking of a back, stabbing, it is an adult fantasy, there is all sorts of deviant behavior, but I really think 17 and up even in an Islamic school can handle it.

TOOLS TO LEAD THE DISCUSSION:

The backmatter and author reference the book to Egypt, yet aside from the names and some foods and clothing, there isn’t a lot that a casual reader would catch.  I think discussion about the Arab Spring and linking the plot to real politics could make for a fun discussion in a high school book club setting.  There is some Arabic sprinkled in that I would assume is accurate and would enjoy having translated by students as well.

May5

I Was Their American Dream: A Graphic Memoir by Malaka Gharib

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I Was Their American Dream: A Graphic Memoir by Malaka Gharib

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I was hesitant to read the book, afraid it would pit the author’s two cultures (Egyptian and Filipino) and faiths (Catholic and Muslim) that her parents identified with against each other.  Raised as the daughter of immigrants from very different backgrounds in California I was very pleasantly surprised that the book leads with heart and positivity for the unique, yet universal feelings she experienced in her life.  The short 156 page red, white, and blue filled pages are funny, poignant, and reflective, that I think high school readers and up will enjoy spending time in Cerritos and Egypt through the eyes of Malaka.  It is easy to say that you can’t be Muslim and Catholic, but she doesn’t opine on the right or wrong of it in large terms, she discusses her life and her own situation.  As a teacher I would see students that would attend Islamic school five days a week and then go to church on Sundays, whether you agree with the choices this author/character makes is not what I intend to review, it is her life, but rather the manner in which it is shared.  There are many kids out there from “conflicting” backgrounds, and to see someone take the love and benefits offered to forge their own path in creating their own American dream, was a nice twist on the immigrant identity finding narrative.

SYNOPSIS:

The book starts with introductions to the characters, her family members that influence her, and then begins the tales of what brought her Filipino mother and Egyptian father to America, how they met, married, started a family, and divorced. Malaka exists outside her family in school, balancing her heritage and coming of age.  Raised during the school year by her mother and extended Filipino family, she spends summers in Egypt where her father resides with his new wife and children.  Coming of age as an immigrant, balancing cultures, religions, school, and dreams, the book concludes with her marrying a white Southerner and adding to the mix.

WHY I LIKE IT:

Even though she identifies more as Filipino American and goes to Catholic school, there is a fair amount of Islam and Egyptian culture included in the book.  I love that she loves her step mom and step siblings and finds beauty in Islam, learns to pray, read Quran, and mentions her love of Prophet Muhammad saw.  Sure as an Islamic school librarian, I wish she chose Islam, lived it and centered it in her life, but this is not a character, this is a real person, and to see her lovingly showing the goodness in Islam and how it has positively influenced her, is nice to see nonetheless.  There are a few storylines I didn’t quite understand, the skateboarding in Egypt a big one, but the quick pace of her narrative life-story flows well and is easily consumable.  Often stories like this are overly dragged down by dated pop cultural references and over criticizing “othering” paradigms, but this book contains enough to keep it grounded without it alienating contemporary readers.

FLAGS:

Stereotypes, lying, relationships, periods, music, dancing, nothing really stands out, there might have been some language, I read it a few days ago and honestly don’t recall anything overly problematic, but content wise it is a mature teenage read with retrospection and marriage being a part of the narrative.

TOOLS FOR LEADING THE DISCUSSION:
I don’t know that I would shelve or teach this book, but I think it is one to file away in my head for people I might encounter looking for a book about blended faiths and cultures benefitting from the many worlds they have one foot in and one foot out of, and those ultimately looking for a place to see their experiences mirrored.

I found my copy of this book at my local public library and it is also available here from Amazon.

Apr24

Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

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Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

There was a time in college when my friends and I would gift each other Cinderella retellings and versions from all over the world, that was nearly 20 years ago, and I haven’t thought much of it, until this book reminded again of “This is the House that Jack Built.” Having just read and reviewed “The Masjid that Kamal Loves” which is structed similarly, I can confidently say forget Cinderella, I’m loving this new trend, of a repetitive layered story conveying love and excitement and joy to little readers in such an engaging way. This book has more of a story than the original and shows relationships and longing, even though it is primarily a love letter to Cairo.  The swapping out in some verses for Arabic words and English translations, the sound affects and the connections really elevate the OWN voice details in the text and make the book an absolute treat to read and share even for those of us who are not Egyptian and have never visited.  The Auntie who visits wears hijab, the muezzin calling Allah u Akbar is a repeated refrain, their are numerous illustrations of women in hijab and a masjid is shown repeatedly throughout allowing Muslims everywhere to feel seen with this culturally specific story.  The Glossary with the Arabic script and pronunciation guides and Notes from the Author and Illustrator really radiate with love and invite the reader to participate in the celebration on the pages.  I have no doubt children (and their parents) three and up everywhere will fall in love with the 40 page story and delightful illustrations.

Auntie Fatma comes to visit a little girl’s family from Egypt and brings sahlab and changes for two weeks to the home.  Arabic is spoken, and a nightly lullaby of the sounds of Cairo are among the beloved additions to connect the little girl to her Auntie and her culture.

The lullaby begins with the sound of the Nile, the boats floating through the city, the athan calling to prayer, the carts on the streets, the traffic.  The halawa ya battekh, swish, swoosh, swish, Allah u Akbar, beep honk toot, all add layers to the bustle of the city as the little girls memories of the sights and sounds of Egypt soothe her to sleep.  When it is time for Auntie to return the little girl’s sadness is palpable, but Auntie finds a way to reassure her and all those that have drunk from the Nile and long to return.

It is hard to say if the text adds to the illustrations or the illustrations to the story, both combine to make this book impossible to read without smiling.  I love that the mosque is shown in the daytime and at night implying that the call to prayer is not a one time thing without articulating that Muslims pray five times a day. I don’t know if the author identifies as Muslim or if the inclusion of the athan and Allah u Akbar is just an environmental reality of Egyptian daily life and thus featured.  The illustrator could have very well added the hijabs on his own as there is nothing religious or explanatory in the text.  Perhaps it is worth noting that there is a dog in the family’s home that seems to sleep with the little girl.  The book is a cultural heartfelt portrayal, and that Islam is prominently featured so beautifully made for a lovely surprise.

I hope you will consider preordering the book here, requesting it at your library, and sharing it on classroom and home bookshelves.  Happy Reading!