Category Archives: 1st through 3rd

Mar12

The Night Before Eid: A Muslim Family Story by Aya Khalil illustrated by Rashin Kheiriyeh

Posted on March 12, 2023 by islamicschoollibrarian

This 40 page early elementary picture book is set the night before Eid and radiates with love from a boy to his Teita, traditional ka’ak, and the family’s Egyptian culture. The robust and personal backmatter shares a glimpse into the threads from the author’s real life that the story touches upon, and makes the book extend beyond the pages. It is worth noting that this book does not articulate if it is for Eid al Fitr or Eid al Adha and thus works for both. There is nothing religious in the book except a reference to something happening after Eid prayer in a memory, and the shape of the cookie being round like the Ramadan moon, Eid day is not mentioned, it is simply the catalyst for this warm family story about a boy and his grandma making a special treat for the first time and sharing it at school. The large hardback book with fun illustrations is ideal for both story time and bedtime readings alike.

It is the night before Eid and Teita has arrived from Egypt. Zain can’t wait to make ka’ak to take to school and share with his friends. The beloved powdered sugar cookies are steeped in tradition, both in Zain’s family and in Egyptian history. Once the suitcases is unpacked and the special ingredients found, Teita and Mama share memories of baking with cousins, painting henna designs on hands and putting eidiya in envelopes. The family recalls singing together on the balcony while Geddo played the tabla and lights and lanterns filled the streets below, after Eid prayer they would hand out the ka’ak.

Zain wants the ka’ak to turn out perfectly so his teacher and friends will like them. Teita tells him that ka’ak is as old as the ancient pharaohs, and that recipes were found in the pyramids. At one time rulers would even put gold coins in the cookies. Zain and his Teita mix and add the required ingredients, and drink iced apricot juice as they wait for the dough to be just right. Getting the cookies pressed with the molds though is harder than it looks, and Zain gets frustrated. Teita’s love and patience and Zain’s clever thinking get the treat making back on track. The ka’ak doesn’t have a gold coin filling, but they are filled with tradition.

The timeline is a bit off for me with the grandma coming before Eid and then the cookies going to school on Monday, and then Monday evening when Zain is writing down the recipe with Teita he is telling her Eid Mubarak and that it is the best Eid ever. So, it seems that he went to school on Eid, not to Eid prayers, which is fine, just a little sad that there was no Eid celebration or prayers. I don’t know that kids will be bothered by it, but the lack of mirroring and stressing how joyous Eid is does somehow get lost and mitigated, in my opinion, by skipping acknowledgement of the religious holiday. In the backmatter the author remarks that she has “outgrown the magic of Eid,” so perhaps it is intentional that the day is not included in the text.

The last six pages of the book are filled with informative and engaging information about What is Eid, Ka’ak Time Line, A Note from the Author with photographs of her and her family celebrating Eid, a Simple Ka’ak Recipe and Additional Resources.

I purchased my copy from Crescent Moon Store where if you put my initials ISL (Islamic School Librarian) in at checkout you will save 10% or is available here on Amazon where the book currently has a coupon for $3.80 off.

Mar3

Moon’s Ramadan by Natasha Khan Kazi

Posted on March 3, 2023 by islamicschoollibrarian

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This beautiful lyrical book has a simple premise of the moon looking down on people celebrating Ramadan as it circles the Earth, but stands out as being unique thanks to the poetic language and engaging illustrations. Each spread shows moon in a different phase over a different country, and the joy, activities and worship that Muslims are partaking in during the blessed month. I’m embarrassed to say, I didn’t realize that the author is also the illustrator until I sat down to write this review, and honestly it makes sense, as the story text and illustrations work seamlessly together. The tone of the book, the details in the pictures, and the rich language make this a good read for a large audience. Little ones probably won’t fully understand the poetry, but they will be mesmerized none-the-less and feel the excitement. My three year old calls the moon all year round, the “Ramadan Moon” and he understood that the Moon in the story is excited seeing us celebrate and worship. He consistently would still be peeking in windows or searching the scenes, not quite ready for me to turn the page long after the text was done being read. Older kids will appreciate the shared global bonds of Muslims and the cultural specifics too. They will grasp the information shared and beliefs touched upon in the flowing words that do not preach. My only criticism is that the book starts with Moon saying, “Hello.” In an Islamic centered book I would have expected to see Assalamualaikum, especially since it appears on the page where moon is above Egypt, so I’m not sure why the English greetings is used. The book has a glossary and notes at the end making it a great addition to Muslim and non Muslim spaces alike. I plan to read the book for a Masjid story time as the large hardback book will work just as well for a group of kids as it does at bed time.

Told from a personified Moon’s perspective, the book begins with Moon smiling at Earth as people all over the world excitedly point and look up at her, but once they see her, they rush off to prepare for the month. Over Turkey, the Ramadan Drummer awakens sleepy people for suhoor and over Indonesia he sees families gathering for iftar. As each day passes Moon grows fuller watching the children do good deeds and people sharing their wealth.

Nights of Taraweeh and listening to the Quran over Somalia, sharing treats in the United Kingdom, and interfaith among neighbors in the United States bring joy to Moon. And as the waning crescent sees henna being put on hands in Dubai the month is coming to an end. People once again look to the sky, but they cannot see Moon in Argentina, Moon is new. It is Chaand Raat and then it is Eid. Moon is back in Egypt watching people celebrate and then the world returns to looking up at Moon and she beams with love and gratitude.

There are diverse characters of a variety of skin tones, mobilities, ages, body size and abilities featured all throughout the book in a positive and inclusive normalizing manner. The backmatter makes the concepts more accessible and the book work on different layers. I really enjoyed the book and am excited to share it. I purchased mine at Crescent Moon Store where using my initials ISL (Islamic School Librarian) will save you 10% it is also available here at Amazon Even my local public library has it on the shelves already! Happy Ramadan!

Mar2

Nadia and Nadir: Ramadan Cookies by Marzieh A. Ali illustrated by Lala Stellune

Posted on March 2, 2023 by islamicschoollibrarian

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Nadia and Nadir: Ramadan Cookies by Marzieh A. Ali illustrated by Lala Stellune

This 32 page early reader is part of the Nadia and Nadir series that can be read and purchased as a standalone. It shows the sibling duo problem solving, working together, sharing, and getting excited for Ramadan. With the theme of cookies, the book could work as a read aloud in a small group with an activity of making cookies following it, but the small leveled reader size and text volume would make it a hard selection for larger groups. The setting is Ramadan, the female characters wear hijab (even in the home with just family), but there is not a lot of religious beliefs or practices included in the story. It does detail the lunar calendar and phases of the moon, but thankfully does a decent job of inserting that knowledge from Nadia who has learned about the moon in science class. There are a few salams, and it mentions that Nadir isn’t fasting because he is young, Nadia gets up for their predawn meal, and snuggles back in to bed after saying her prayers. There is articulation that Ramadan is a month for Muslims and a time to share blessings when the kids share their cookies with the neighbors. There is a handful of Urdu words sprinkled in and a glossary at the end. The book shows a family’s traditions and radiates joy, it is a solid addition to Muslim and non Muslim book shelves in showing Ramadan cookie making and excitement in action, but would not inform a lot about the religious aspects, uniqueness, or basic practices about the month.

Nadia and Nadir start the book with their binoculars around their necks waiting for Abu to arrive home from work, Ammi is already on the roof and they are determined to spot the Ramadan moon. The kids are all sorts of confused where to even look in the vast night sky, but once Abu helps them out they find it and declare, “Chand Mubarak.”

Nadir wants to know why it isn’t a full moon, and his older sister Nadia explains the cycles, they are then off to make cookies as per their families Ramadan tradition. The dough is ready, the star cookie cutter has been found, but where is the moon cookie cutter? Nadia has an idea, and sure enough her problem solving skills allow crescent moons to be made.

The next morning Nadia has her predawn meal of cookies and milk and when Nadir wakes up he has the same. The kids pack up bags of cookies with their Ammi to pass to neighbors and friends, with only one left who will get it Nadia or Nadir?

The books are available widely at places such as Amazon but for the same price I hope you will support a small Muslim owned bookstore and purchase your copy at Crescent Moon, if you use my initials ISL (Islamic School Librarian) at checkout you will save 10%, link:

Nadia & Nadir Series

Feb13

Amir’s Blue Jacket by Sarah Musa illustrated by Rania Hasan

Posted on February 13, 2023 by islamicschoollibrarian

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Amir’s Blue Jacket by Sarah Musa illustrated by Rania Hasan

This heartfelt elementary picture book does a remarkable job of drawing the reader in to the emotions of the main character, his relationship with his grandfather, and imparting a moral message without being preachy. The illustrations are lovely on their own, but the way the muted tones convey the memories and illustrate the text really ties the book together. Whether it is for a larger story time or a one-on-one bedtime read, the book will offer discussion, comfort, guidance, and a little surprise at the end for Muslim and non Muslims alike. The slightly allegorical book does conclude with a widely known hadith (it is attributed to Prophet Muhammad saw, but is not further cited/sourced) and the family is clearly Muslim with their names mentions of Eid and God, and a hijab clad woman, but the book is universal and a lovely addition to any book shelf.

The book starts with Amir finding his Grandpa’s old blue jacket and recalling wrapping himself in it the day after his beloved Grandpa died. With it smelling like mothballs, he tosses it in the washing machine, but unfortunately when it comes out it has clearly shrunk. Amir is in denial, he says it fits fine and he has no desire for a new one. It is Grandpa’s jacket, and Amir is going to wear it, no matter how tight it is. Amir storms off to sit under the apple tree and recalls picking apples and making applesauce the year before for the whole neighborhood. Grandma shares that she used to keep grandpa’s cane but when someone needed it, she let it go.

Grandma stirs another memory in Amir when she pulls the tray of ka’k out of the oven, of him trying to sneak a whole plate for himself only to have his hiding spot taken over by ants. When he is asked this time to share a plate, every step to the neighbors house reminds him even more of making the trip with his grandfather. Slowly he starts to realize that his memories are with him, not in his grandfather’s things, and Amir makes a decision that would make his grandfather proud, and (inshaAllah) give him more good deeds, even though he is gone.

The idea of sadaqah jariyah is understood through the story, and present in the hadith at the back, but it is never mentioned outright. Just as God is used, not the term Allah (swt). As Amir feels denial, frustration, and eventually peace, nothing is really told, it is shown, which really opens the book up to be a tremendous tool in sharing it with children and asking them to discuss what they understand, what they feel, and what they took away from Amir and his Grandpa’s blue jacket story.

The book is available through the publisher Ruqaya’s Bookshelf as well as HERE at Crescent Moon Bookstore where code ISL will save you 10%.

Feb6

Crescent Moon Friends by Wadia Samadi & Mo Duffy Cobb illustrated by Lisa Lypowy

Posted on February 6, 2023 by islamicschoollibrarian

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Crescent Moon Friends by Wadia Samadi & Mo Duffy Cobb illustrated by Lisa Lypowy

This 32 page book does not read like a new release, it looks like something you would have found in the early 2000s when the recent war in Afghanistan started and books about refugees from the region were popping up. Admittedly back then, I probably would have been more forgiving that the smiling illustrations showed Islam in action and two characters from different cultures coming together through dialogue, respect, acceptance, and fun, but for reasons I’ll articulate, this book reads very superficial, dismissive and erroneous at times. I am not Canadian or Afghani, I am a neighbor to both as a Pakistani American, and the book is OWN voice, so if I am just being overly picky, or sensitive, and am wrong, I am happy to acknowledge it, but before you push back, please read the entire review.

The description of the book says:

Crescent Moon Friends introduces the reader to two best friends Amelia and Aisha. While the pair is from Canada and Afghanistan, the girls reconcile their differences through exploration of the values they share. This book initiates a family conversation about Islam, explores tradition and language, and brings the girls closer together as a result. It is our hope that the book will be used as a teaching tool to help children understand the cultural backgrounds of others, and to create a warm environment for refugees resettling in Atlantic Canada from the Middle East.

This picture book is for both non- Muslims who are living in the West, and Muslims who are living outside their home countries. The focus of the book is on tradition, not religion, it also captures the significance of Islam. This is a valuable title for library and classroom use.

So first of all, I feel like the foundation of the book is othering Islam in making it seem that this book is an introduction of Islam to non Muslim with the premise being that Islam is what, a foreign religion? Numerous Canadians are both Afghani and Muslim in 2022, before I even began the book I was already fearing the framing. Then it identifies Afghanistan as the Middle East, which just made me really question the accuracy. Somehow after that first paragraph, the book then tries to say that the book is not about religion, but traditions. While part of me appreciates that distinction, the second part of the sentence saying that it wants to capture the significance of Islam really shows the poor focus of the book.

Let me pause here though and answer a question I’m sure many of you are wondering, “why review a book that is not well written, and is not widely promoted or known about.” The answer is simple, a book such as this may not sell in big numbers and be regularly seen online and in stores, but they often do find their way into libraries and classrooms. They are often shelved to fill “diversity” or “inclusion” quotas and thus their messaging does often reach our children. I also highlight books like this, not just to pick on this particular book, but to show that OWN voices doesn’t make something automatically correct. If this is the author’s own experience or is a memoir, there is some leeway, but saying that Afghanistan is in the Middle East or that Salam is Dari, not Arabic, or that it is “naan tandori” instead of “tandoori naan,” just makes the book seem inauthentic. Often publishers, editors, agents perhaps don’t want to push back and appear uncultured or racist, so they don’t question details, is the only thing I can think of as to why this trend continues to perpetuate. Which is also why the importance of having a piece sensitivity read cannot be overlooked, even when the author is writing about their own religion or culture. Yes, I too am only one person saying I have issues, but beta and sensitivity readers such as @muslimbookreviewers are four people and we discuss based on what we know and between the four of us there are a lot of singular specialties and a lot of overlapping expertise that really help books get it right. Sorry for my rant, back to the book at hand…

The book starts with the white Canadian girl camping with her family and wondering what the upcoming school year will bring. The text says. “she loved to look at the crescent moon.” Already the writing is clearly weak, who loves to look at a particular phase of the moon, does she not like the waxing gibbous or whole moon? The next spread introduces Aisha, she is standing in the foreground with a mosque behind her and the text says she loves the moon too. “There was a crescent moon on top of the mosque where her family went to pray.” Aisha has her hair loosely covered, and immediately we are connecting Aisha to her faith and to Amelia through their love of the crescent moon. Interestingly, Aisha who would presumably love the crescent as it symbols holidays and month changes in the lunar calendar is presented as liking the moon because of it decoration aesthetic. It is where her family went to pray, sure it reminds her of home, but chances are she didn’t often go to the masjid as culturally most women don’t, so I’m not sure that this spread really has any accuracy or value, it just sounds good…if that.

The next spread is the first day of 6th grade with the teacher introducing a new friend to the class. If it is the first day of school, aren’t they all new to the class? Aisha recalls that she left Afghanistan because there was a war in her country and school wasn’t safe, if she is twelve or thirteen, I’m not sure what caused the change in real life for the war timeline being referenced. On a more relatable note it mentions that she missed swinging in her grandfather’s garden with cousins as well.

The next page showing the girls being silly with pencils to look like a bunny and walrus is sweet. It shows language isn’t necessary, that silliness is universal and it is cute. The girls then show how they share things unique to their culture with one another. Aisha teaches her how to say Salam, hello in Dari, how to dance the Attan, about Eid, the most important Muslim holiday, and about a game with stones called anjaaq panjaaq. But this is wrong, Salam is Arabic, Eid is Arabic for festival or holiday so what Eid is the book referring to? Also why not tell how to play the game, or how to do the dance or how Eid is celebrated? If the book is to build cultural (or religious) bridges, thus far I’ve only learned how to stick pencils in my mouth to look like a walrus or behind my head to look like a rabbit.

It is then Amelia’s turn to share Canadian culture and the book picks: ghosts, goblins, Santa Clause and the Easter Bunny. I find this a bit offensive on Canadians’ behalf, really their holidays are what make them who they are? Later we will learn that Amelia is not religious, yet the symbols for religious holidays of Easter and Christmas are what are being presented. Additionally, the holidays mentioned are not even unique to Canada: Christmas, Halloween, and Easter, are the same in America at the very least.

The next spread shows their moms becoming friends and the girls playing in Aisha’s mom’s scarves, hijabs, shoes and make-up. I find the joy sweet, but I wonder if the book as stated in the details by the author/publisher is to help refugees- is this a bit misleading- that they are settled and have an abundance of clothing accurate? Often refugees need assistance, will a book like this send the wrong message about helping those fleeing war get established, by not just avoiding talking about need, but celebrating surplus?

Aisha is then shown helping Amelia with math and when Aisha needs help with a Halloween costume, Amelia is there. The book really is doubling down on the importance of Halloween to Canadian culture, which again feels off. But also most Muslims don’t celebrate pagan holidays, so I’m not sure I like the positioning that it is cultural to celebrate and that to be Canadian one must engage in the rituals. Whether you see it as pagan or just assimilation, either way it doesn’t sit right for a book aimed at finding common ground between diverse individuals. Math is neutral and universal, why not have Amelia help Aisha with something also less controversial?

The next spread shows Aisha missing Afghanistan, and Amelia being a supportive friend and wanting to visit Afghanistan too. Unfortunately, once again the weak writing has her sounding like an adult missing the laughter in the air and hope and flowers, not a kid talking. When Amelia joins in, naan tandori is mentioned, which is backward, if it is the same as in Urdu it should be tandoori naan. She also wishes they could wear colorful Afghani clothes and dance the Attan, which are two acts not limited to Afghanistan. They can put on traditionally clothing and dance in Canada.

The story then takes a huge pivot and shows Aisha and her mom praying with the very vague text of her mom “described her way of life, Islam as the peace in her heart, and said turning to Allah in prayer would keep Aisha happy.” The text seems misplaced and the messaging completely pointless, why not frame it as what Aisha believes or what her faith teaches her? It almost comes across as her mom forcing the belief on her and this being the first Aisha has heard about it. The next page is set up the same, but shows Amelia’s faith to be kindness and compassion while they sit in nature. I think the intent was to be positive, but when you have two people representing entire populations, all sorts of stereotypes come in to play that either have to be so general as to be accurate or more specific to the two characters at hand. In this case I feel the takeaway is that holidays define Canadians, even religious holidays, but they are fine to participate in because Amelia is not part of organized religion.

Thus the next spread of Aisha’s family celebrating Christmas with Amelia makes sense in the story, but I find alarming because it normalizes abandoning your own religious convictions and adopting another faiths in order to fit in and assimilate. Imagine a teacher reading this book to a first grade class and little Muslim children who demand that Christmas and Easter stay out of public schools are hearing messaging normalizing the holidays for people of all faiths. Imagine a recent immigrant or refugee further feeling pressured to adopt these practices because they want to be seen as “good citizens” or be accepted by the larger community. The contrast of Aisha’s family celebrating Christmas is Amelia helping make star and moon shaped cookies for Eid.

The story comes back to the girls love of the moon, one as a dreamer, the other as a scientist. It tells of other firsts Aisha experiences and Amelia learning about Aisha and her faith. I’m not sure what a genie lamp has to do with Islam, but it is in the illustration with a hamsa hand, a book, a tasbih, and a crescent with a minaret coming out.

Aisha then starts to wear hijab and Amelia learns how to wear one too. No details about what or why hijab is worn or given, and in the illustrations it doesn’t completely cover anyone’s hair. The girls ski together and drink hot chocolate and living in Canada allows Aisha “to be the girl she was meant to be.” I’m not sure what that means, but that seems to be the resolution to the book before it circle backs to the mom and concludes.

I think on the very surface the book is a nice idea, but the conflation of what it means to be Canadian with observance of holidays and the lacking details of what it means to be Muslim Afghani make the book miss so much and ultimately do more harm than good if shared.

Dec30

Hamza Attends a Janaza by Shabana Hussain illustrated by Atefeh Mohammadzadeh

Posted on December 30, 2022 by islamicschoollibrarian

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Hamza Attends a Janaza by Shabana Hussain illustrated by Atefeh Mohammadzadeh

For years it has been noted how few children’s Islamic books about grief and loss are available, and while numerous titles have come out in the last few years, it wasn’t until I saw this new book, did I realize how desperately we were in need of a book on janaza. I love that the author establishes on the first page that this book is not focused on grief, but rather about death, the burial, and preparing to meet Allah (saw) in the hereafter with our deeds. The beauty is that while the topic is critical and needed, the story is also well done. It may not focus on emotion, but it has a lot of heart and tenderness, thus making it a wonderful addition to all book shelves for children preschool and up as a brief introduction to how Islam views death, the rituals of burial, and the worship that surrounds it. Packaged with clear text, robust backmatter and absolutely adorable illustrations, I am very happily impressed with this book.

The book starts with Hamza telling about his favorite day of the week, Saturday, the day he spends with his Nano-ji and cousins, but one day all that changes when his mom gets a phone call about the loss of a community Uncle. Mom says, inna lillahi wa inna illahi rajioon quietly in to the phone and Hamza knows something is wrong, but doesn’t quite understand why the passing of Uncle Sameer, the owner of the local sweet shop, means he has to attend a janaza instead of going to his grandfather’s house.

Hamza’s parents explain the reward of going, and remind him that we all have to leave this world one day. They recall Uncle Sameer helping bandage his knee when he got hurt and gave him a lollipop. Once in the car, Hamza wants to know what is going to happen. His parents explain the ghusl and the body being wrapped in the kafan and the body being put in the ground.

When they get to the masjid there are a lot of aunties on the women’s side, including Auntie Salma who everyone is hugging and reassuring. After dhuhr the janaza begins, but it is a standing up namaz, and is very short, and Hamza is confused. Later outside the long box is loaded into the car, duas are made, and the body taken to the cemetery.

At the graveside, more duas are made, and Hamza worries that Uncle will be lonely. When his father explains that his good deeds will keep him company, Hamza remembers the kindness Uncle Sameer has shown him and makes duas.

The backmatter contains hadith about what still benefits those that have died, reward for attending a janaza, a glossary, discussion points, suggested activities, and duas. The book is a great starting point to introducing death, rituals, and answering questions any child might have in a gentle manner.

I bought the book from Crescent Moon Store

Nov7

Elephant’s Makeover by Rukhsana Khan illustrated by Ikram Syed

Posted on November 7, 2022 by islamicschoollibrarian

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Elephant’s Makeover by Rukhsana Khan illustrated by Ikram Syed

I absolutely respect and appreciate Rukhsana Khan and even my least favorite Ruqaya’s Bookshelf published book is still a good quality book, so I preordered this with such giddy delight. And yet, when I read it the first time, I didn’t get it. I put it away, pulled it out again weeks later and still wasn’t feeling it, I repeated this process over and over, and finally, I’ve resolved what I’ve always known: that it is ok not to love a book. It doesn’t mean I don’t still love and respect everyone involved, but alas, it just didn’t appeal to me. So, as always, I’m accountable for my thoughts and my thoughts only and you are free to disagree and argue with me, it isn’t personal, and I will try and point out good and problematic elements so that you can make your own decisions based on your preferences and see if the book would be a good addition to your shelves or not.

This hardback Muslim authored, Muslim illustrated anthropomorphized book takes the shape of a moral fable in which Elephant has no friends, attributes it to her appearance, forces the insects and animals around her to give her their eyes, waist, nose, arms etc., and then when they still don’t like her is persuaded by ant to return the body parts, apologize and be content to be ant’s friend.

My problem I think with the book is that it conflates appearance with friendship without a clear moral, and then Elephant being forced to change by Ant to have a friend seems to reinforce a questionable mindset, even if Ant is more or less in the right. There is no self reflection on the role of appearance, or what kindness looks and feels like, or even insight into what self confidence, friendship, and body appreciation entails. It lumps it all together, uses outside influences to get elephant a friend, but doesn’t really articulate any lessons learned or moral to be conveyed. If I am mistaken and the book is not set to be a moral inspired fable, the climatic joy of the book is simply, what- Do as you are told to have a friend?

The book starts out with the other animals questioning, but essentially bullying Elephant about her size, calling her big and awkward and wondering if she can even see or hear them. Elephant then looks in the mirror and picks herself apart, body part by body part. She tells Owl, who has beautiful eyes to switch with her. Owl doesn’t want to, Owl needs eyes to see, but the transaction occurs. Next up is Wasp, who has a tiny waist, then Mole with a star shaped nose, etc. The result is a bizarre looking “Elephant” and numerous unhappy, unable to move critters. Yes, they are all friends, size, nocturnal, predator, prey not brought in to consideration. The animals leave and Elephant is still friendless and feeling bad. Ant pipes up that he knows what should be done. Interestingly Elephant doesn’t want to listen because it is “just an ant.” Ant responds, “I have a million friends and I know how to be nice.” So now we are using appearance, having friends, and being nice as synonyms. Elephant agrees to listen, Ant forcefully convinces Elephant to give everything back and apologize. Ant agrees to go with Elephant, once the animals and insects get their body part back they race off in fear. Elephant is left back to normal but still with no friends when Ant says that he likes her. So, was Elephant really sorry? Did she learn to be nice? To be a friend? Did she want to give the parts back or did she do it so Ant would be her friend? Did she appreciate the function and beauty of her own body? So many loose ends that don’t show any growth, teach a moral, convey entertainment or joy, or make me get what the purpose was. It left me, and my children confused. And again, had we laughed along the way and been entertained, I wouldn’t need a character arc or lesson, but sadly we closed the book having not felt those feels at all.

When the cover was revealed I’ll admit I was intrigued by the texture and tone of the elephant, but for some reason the inside pages went from creepy with poignant intent, to a little disturbing, The body parts of the animals are removed and swapped and reaffixed with masking tape. I’m not opposed to slightly dark humor in children’s books, but I think this could really bother some younger kids that will dwell on the idea of body parts being taken unwillingly. The text is sparse and presumably the book is for younger readers, so consider this if your children are sensitive.

There is nothing religious or Islamic in the book, nor is their scientific elements to why the animals bodies are the way they are or for what purpose. It does not discuss environment or relationships in a non fiction manner. The clear large simple text would suggest the book is for 4-8 year olds.

Oct31

Call Me By My Name: 99 Names of Allah by Ayesha N. Rahmaan illustrated by Azra Momin

Posted on October 31, 2022 by islamicschoollibrarian

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Call Me By My Name: 99 Names of Allah by Ayesha N. Rahmaan illustrated by Azra Momin

If you are going to put out a book that has been done hundreds of times before; think numbers, alphabets, Islamic phrases- then be sure and make your book stands out. And while yes there are numerous English and Arabic books of all sizes about the beautiful names of Allah, this book does in fact stand out. The shiny cover, with or without the dusk jacket, the sturdiness in your hands, the illustrations, the large font and easy to read English and Arabic (with harakat), is an absolute joy to read, look through, and talk about with children four and up. The book works in a lot of settings for a lot of ages because of its simplicity, presentation, and appeal. Kids will pull this off the shelf and look at it without prompting, just as adults can discuss the names, and build lessons off of the ayats included. The versatility of the book is why I’m stretching out of my comfort zone of fictional reads to review this Islamic non fictional book.

The book starts with establishing that the 25 of 99 names included are those “specifically mentioned in the Holy Quran, with a reference to the surah and aya where each name can be found.” It shares an aya about the Asmaa Al Husna and a hadith narrated by Abu Huraira and then starts right in.

Most of the names are given a two page spread, a few are only given one, and the English, Arabic, aya, and source are provided. The illustrations are joyful children and nature scenes. The book concludes with a spread of all 99 names in English and Arabic with the translations.

You can purchase a copy here.

Oct26

Mama in Congress: Rashida Tlaib’s Journey to Washington by Rashida and Adam Tlaib with Miranda Paul illustrated by Olivia Aserr

Posted on October 26, 2022 by islamicschoollibrarian

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Mama in Congress: Rashida Tlaib’s Journey to Washington by Rashida and Adam Tlaib with Miranda Paul illustrated by Olivia Aserr

I wasn’t particularly looking forward to this book. Books by politicians are always suspect, by a politician currently in office- more so, and a book written about one’s self can be a little self promoting to say the least, but when I saw my library had it, I put it on hold and thought to give it a shot. Surprisingly, the book is really cute. It is framed as her son (one of the contributors) telling his mom’s story, it owns that while yes she was one of the First Muslim Congresswomen, there were a lot of people before her that ran and paved the way. What really shocked me was the amount of Islam in the book: Salat-al-Istikharha, actively learning about Islam not just as culture, there is an Ayat from the Quran, etc.. The book says for ages 4-8 and for the amount of text on the pages, there is no way a preschooler will sit through this. I can see this book, however, being used in an elementary classroom to teach about the American political system, and inspiring kids that they can make a difference, that they can rise to positions of leadership without compromising who they are, and that no matter their background, and that they can be successful in following their dreams. I don’t think Congresswoman Tlaib should be put on a pedal stool for some of the policies she has supported or bills endorsed, but I think even if you don’t support her politically, her story and her accomplishments do show possibilities for minorities to reach the highest levels of government. The fact that she is a Palestinian Muslim Women and has found success in the context of American government as told from a child’s perspective, really surprised and impressed me, and I can see it being a worthwhile story to share with young students.

The book starts with two boys on the steps of the capitol, Adam and Yousif wondering if the president is their mom’s boss, and mom, saying that no, the 700,000 people in the district she represents are. The book then pulls back and Adam starts to tell the story of him and his brother going to work with their mom, Congresswomen Rashida Tlaib the representative from Michigan.

Before she was elected their yama and yaba immigrated from the West Bank to America, where Rashida was born. Eventually there would be 14 kids born and Rashida would choreograph dances, basketball games, and seek privacy to dance like a pop star, or chase after the bookmobile.

Comments toward her well-spoken mother to learn English, embarrassment at the smell of the factory polluted environment, and an offer by a high school teacher to join the debate team, helped pave the way for Rashida to find her voice and make changes.

Rashida was the first in her family to graduate high school and from there she went to college and then law school. She also started to learn more about Islam and the reasons behind her family’s traditions. Her favorite passage from the Quran became, “with hardship comes ease.”

She started working with an elected official from the Michigan House of Representatives and started a family. When a seat became vacant she was encouraged to run. No Muslim had ever been elected to the Michigan House and even her own yaba didn’t think people would vote for an Arab, so she prayed Salat al-Istikhara and did a lot of thinking.

The book shows what she wanted to accomplish and how she went door-to-door and found both success and hardship meeting with the people. Ultimately though, she won the seat and held it for many years. When Adam was 12 she decided to run for the U.S. House of Representatives, and he and his brother joined in to help knock on doors.

She won, and was one of two Muslim women to be elected that year. Adam and Yousif dabbed in celebration at the inauguration as their mom was sworn in in her Palestinian thobe. On her first day, however, there were threats, and Adam though they should hide the fact that they were Muslims. Their mom told them it is important to be their authentic selves, “that sometimes it takes many to run for there to be a first.”

The book concludes with a glossary, an infographic of the branches of government. Can be purchased here.

Oct24

Nadia and Nadir Lunch in the Leaves by Marziah A. Ali illustrated by Lala Stellune

Posted on October 24, 2022 by islamicschoollibrarian

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Nadia and Nadir Lunch in the Leaves by Marziah A. Ali illustrated by Lala Stellune

This 32 page early reader is absolutely adorable with jumping in the leaves, sibling love, imaginary unicorns and dragons, yummy food, Pakistani culture and delightful illustrations. Books in this genre aren’t particularly known for their story telling, but with chapter breaks and relatable experiences I was absolutely pulled in to Nadia and Nadir’s world and family. My seven year old loved that he could read it independently and was delighted to see himself so reflected in the text, infact I have given in and we will be having chicken tikka and raita for dinner tomorrow, but I’m not raking the leaves, haha.

SYNOPSIS:

Siblings Nadia and Nadir are woken up by there mother with the promise of a surprise. The hints are crunchy and colorful, and when the kids realize it isn’t a giant bowl of cereal outside, they are excited to jump into the giant pile of leaves their abu has raked up in the yard. The kids dive and swim and imagine themselves to be dinosaurs and unicorns as their dad grills chicken tikka and their mom watches on shelling walnuts.

The kids bump heads and decide to play something a little safer by making faces with the leaves, branches, walnut shells, and flowers. They create a family portrait and then it is time to eat lunch and drink chai.

WHY I LIKE IT:

I love that it is a very recognizable family: the women are wearing hijab, urdu words are sprinkled in, and Pakistani foods are being eaten, there is no othering, all kids will enjoy the story, and Muslim and desi Muslims specifically will feel seen.

I love that there is imagination and dad cooking and hanging out in a chill environment. There is a glossary at the back, but for this demographic I actually really like it. It allows for the independent reader to use a book tool to understand a word. I also like that illustrations of the words flutter around the cartoon author and illustrator blurbs.

There are details about the trees dropping the leaves as well as why the leaves are changing color.

FLAGS:

None

TOOLS FOR LEADING THE DISCUSSION:

Too young for a book club selection, but ideal to have on the shelves of a classroom library, school library, or home library.

Well done alhumdulillah. Paperback and library bound additions available here. The book is part of a series, but can be purchased individually or as a set. I plan to review each of the six books over the next few months.