Tag Archives: minority

Mama in Congress: Rashida Tlaib’s Journey to Washington by Rashida and Adam Tlaib with Miranda Paul illustrated by Olivia Aserr

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Mama in Congress: Rashida Tlaib’s Journey to Washington by Rashida and Adam Tlaib with Miranda Paul illustrated by Olivia Aserr

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I wasn’t particularly looking forward to this book.  Books by politicians are always suspect, by a politician currently in office- more so, and a book written about one’s self can be a little self promoting to say the least, but when I saw my library had it, I put it on hold and thought to give it a shot.  Surprisingly, the book is really cute.  It is framed as her son (one of the contributors) telling his mom’s story, it owns that while yes she was one of the First Muslim Congresswomen, there were a lot of people before her that ran and paved the way.  What really shocked me was the amount of Islam in the book: Salat-al-Istikharha, actively learning about Islam not just as culture, there is an Ayat from the Quran, etc.. The book says for ages 4-8 and for the amount of text on the pages, there is no way a preschooler will sit through this. I can see this book, however, being used in an elementary classroom to teach about the American political system, and inspiring kids that they can make a difference, that they can rise to positions of leadership without compromising who they are, and that no matter their background, and that they can be successful in following their dreams.  I don’t think Congresswoman Tlaib should be put on a pedal stool for some of the policies she has supported or bills endorsed, but I think even if you don’t support her politically, her story and her accomplishments do show possibilities for minorities to reach the highest levels of government.  The fact that she is a Palestinian Muslim Women and has found success in the context of American government as told from a child’s perspective, really surprised and impressed me, and I can see it being a worthwhile story to share with young students.

The book starts with two boys on the steps of the capitol, Adam and Yousif wondering if the president is their mom’s boss, and mom, saying that no, the 700,000 people in the district she represents are.  The book then pulls back and Adam starts to tell the story of him and his brother going to work with their mom, Congresswomen Rashida Tlaib the representative from Michigan.

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Before she was elected their yama and yaba immigrated from the West Bank to America, where Rashida was born.  Eventually there would be 14 kids born and Rashida would choreograph dances, basketball games, and seek privacy to dance like a pop star, or chase after the bookmobile.

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Comments toward her well-spoken mother to learn English, embarrassment at the smell of the factory polluted environment, and an offer by a high school teacher to join the debate team, helped pave the way for Rashida to find her voice and make changes.

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Rashida was the first in her family to graduate high school and from there she went to college and then law school.  She also started to learn more about Islam and the reasons behind her family’s traditions.  Her favorite passage from the Quran became, “with hardship comes ease.”

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She started working with an elected official from the Michigan House of Representatives and started a family.  When a seat became vacant she was encouraged to run.  No Muslim had ever been elected to the Michigan House and even her own yaba didn’t think people would vote for an Arab, so she prayed Salat al-Istikhara and did a lot of thinking.

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The book shows what she wanted to accomplish and how she went door-to-door and found both success and hardship meeting with the people.  Ultimately though, she won the seat and held it for many years.  When Adam was 12 she decided to run for the U.S. House of Representatives, and he and his brother joined in to help knock on doors.

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She won, and was one of two Muslim women to be elected that year.  Adam and Yousif dabbed in celebration at the inauguration as their mom was sworn in in her Palestinian thobe. On her first day, however, there were threats, and Adam though they should hide the fact that they were Muslims.  Their mom told them it is important to be their authentic selves, “that sometimes it takes many to run for there to be a first.”

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The book concludes with a glossary, an infographic of the branches of government. Can be purchased here.

Anything But Okay by Sarah Darer Littman

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Anything But Okay by Sarah Darer Littman

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This 345 page contemporary book is brand new from Scholastic and isn’t yet in the AR database, it is billed as appropriate for ages 12 and up and is probably pretty accurate.  The cover, in my opinion, is rather a disservice for the audience.  The book would appeal to girls and boys, and isn’t really about school drama, which is the vibe I got from the cover.  The story is actually pretty deep and thought provoking, on a wide range of issues facing many young adults today.

SYNOPSIS:

Told from Stella Walker’s perspective, the book opens with her and her friends, Ken and Farida, reviewing old movies.  Farida, an Iraqi immigrant, is constantly pointing out the stereotypes, tropes, and bias they engage in regularly and see depicted around them.  She is constantly nagging her friends to recognize their privilege and check it.  Stella tries to get it, but it’s not that easy. Nor are the obstacles that the book explores. 

Stella’s parents are vets, and her brother, Rob, has just returned from his second tour in Afghanistan and is suffering from PTSD.  Additionally, Rob’s best friend commits suicide and yet, Stella’s family doesn’t involve her in the conversations and concerns, and as a result she doesn’t talk to her best friend Farida.  This tension is amplified when Farida wants to run for class president, but her parents advise her against it, as Islamaphobia is on the rise with the mayor, up for re-election, spouting hate speech, and his son, already in the race to lead the school. 

Stella, as a result, is convinced to run with the help and support of her friends.  All should be going well, but in a desperate attempt to get Rob out of the house, a trip to the mall to watch a movie results in Rob sticking up for a Sikh kid being bullied, and breaking the instigators nose.  The police are called in, and the real drama of the book takes center stage, as social media, a bigoted mayor, and a family’s member friendship with a Muslim paint Rob as a radicalized terrorist.  The Walker’s house is vandalized and Farida’s family’s restaurant is suffering and the mayoral election and class office election will all require some tough decisions and insights into honesty, framing, perseverance and friendship.

WHY I LIKE IT:

I don’t think I was expecting the book to explore so many topics and to do it, in a rather real and raw way.  The arc of concepts covered provides a lot of juice and relevance and the quick pace, makes it a quick read.  Some pages are letters written by Rob, a number of pages are the various police reports taken after the mall assault and the various points of view are great.  It explores how media editing and framing can change a narrative to one side or another. 

I love Farida, bless her, she is annoying and one-dimensional, but yet so relatable.  She is the token minority that ties it all together and is the billboard representation of “other.”  I can so relate to her, being the minority and the one that constantly had to be the gadfly on the masses.  

The school election is a little cheesy and overly elevated in importance, but it is the catalyst, so while I wasn’t really invested in who won, I liked the concepts it brought to the forefront of the characters lives.  The family struggles and retaking the truth and owning it, was the real strength of the book, and introducing kids to the horrors of war, returning from war, mental illness, the blind eye of politicians, the struggles of the VA, the power of the media, friendship, and concepts of patriotism, privilege, pride, suicide, and moving forward.

My biggest complaint is the awkward and forced romance.  It isn’t even romance really.  After the mall incident, Stella confides in a classmate, Adam,  who comes over to see if she is okay and they hold hands and kiss.  It is so out of left field and so awkward I would imagine for most readers, not just me the conservative muslim mama looking for books for my kids and their school book club.  In all they kiss five times I think, and mentions them holding hands twice.  It isn’t lamented or dwelled on, it just kind of boom, jumps in to the story and then yes, they kind of snuggle after the election results, which is a little more fitting (but still irritating).  Rob meets a girl, and again later on when she comes to celebrate the plea deal its nice that she is there, but they talk like once and he completely falls for her, kind of intense and random.  The discussions about letting someone in to your life and all is good, and more natural and they don’t kiss, but they do have “feelings” for each other.  

There isn’t much about Islam other than that Farida is Muslim and that her mom wears hijab.  Even the Islamaphobia is mentioned more for political and prejudicial purposes than as a segway in to understanding Islam.

FLAGS:

Kissing (see above), suicide, war, violence.  Beer is mentioned at the end when a college veteran gets one out of the fridge.  

TOOLS FOR LEADING THE DISCUSSION:

I really want to do this as a Middle School Book Club choice, yes I’m hosting those again.  I need to talk to the school counselor about the kissing stuff.  I think they can handle it, but I don’t know the kids well enough just yet, to verify this.   Being it isn’t the Muslim characters, I can’t imagine it is any different from what they see on TV or in Disney Movies, but still, I can’t confidently say it will happen.  Twelve and up is the non Muslim age point, I’ll have to think it over and update this once I investigate. 

Author’s website: https://sarahdarerlittman.com/books_2/young-adult/anything-but-okay-coming.html

Reading Guide: https://sarahdarerlittman.com/books_2/young-adult/abo-teaching-reading-guide.pdf

 

It Ain’t So Awful, Falafel by Firoozeh Dumas

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It Ain’t So Awful, Falafel by Firoozeh Dumas

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Islamaphobia is rampant in today’s America, but it isn’t the first time that a minority group has had to face extreme persecution.  Often us Muslims need to look around and be reminded: Blacks are still targeted, Japanese once were interned, Italians, Irish, Hispanics, really every minority group has, and continues to struggle to be accepted as part of American culture, unfortunately.  Today’s middle school students didn’t live through 9//11 and often they think they are the first to be ostracized for their faith or their parent’s countries of origin.  So I picked up this book to see how well the book would serve as a way to discuss prejudice and persecution with Muslim kids, in a way that they could relate to, but be removed enough from that hopefully they could offer their own insights and experiences.   This book takes place in the 1970s and the climax is the Iran hostage situation as the book is told from an 11-year-old Iranian girl’s perspective. 

Similarly, most Persian penned books that I’ve read fight against Islam and the way it was forced upon them by their government, so I also wanted to see how the author would paint the faith in her semi auto-biographical-middle-school tale.  Alhumdulillah, I was happily surprised how Islam was handled in this 378 page, AR 4.7, book, and I think, like the inscription reads, “To all the kids who don’t belong, for whatever reason.  This one’s for you.”

SYNOPSIS:

Zomorod has lived in America before.  She was born in Iran, moved to California, moved back to Iran, back to California, and now from Compton, California she is moving to the much wealthier Newport Beach and hoping to start middle school fitting in more with her new Brady Bunch inspired name, Cindy.  Establishing early that she is the translator for her mother, who doesn’t speak English and doesn’t want to learn, and that she is somewhat embarrassed by her parent’s thick accents, lack of American snacks, Iranian food, and conversation topics, the book will appeal to most middle schooler’s who can relate.  Her parents, however, are pretty chill about letting her go out with friends, and doing whatever she wants, so really its more about the age and being angsty and awkward, then it is about her parents and their lifestyle and culture.  The basic point of the book is a growing-up tale of making friends, finding real ones that care about you, finding the balance between family and the outside world, cultures that conflict, the past and the future, and ultimately finding acceptance and pride in who, and what you are.

The political climate in Iran and in America amplify what it is like when people hate your country, but can’t find it on the map, and manifest in the story with bullying at school, Zomorod’s father losing his job and not finding a new one, and some hateful acts occurring at the Yousefzadeh’s home. 

WHY I LIKE IT:

The book could be heavy and dark, but it’s not.  The voice of Zomorod really stays in the persona of an 11-year-old girl and is poignant, clever and light-hearted, I even laughed out loud a few times.   The 1970’s backdrop isn’t too alienating for today’s readers, as there aren’t a lot of cultural references that would turn them off.  The historical significance, is very likely one they will not have heard of before and the book, through Zomorod’s eyes, will shed light on Iran in the late 70s and early 80s without boring the target audience.  They might even learn something and remember it.  

The stereotypes about Iran are addressed, the concept of a single person having to represent every one of that minority group is felt first had through the main character, and many misconceptions about Iran are clarified.  Yet, the book doesn’t get preachy, it maintains its lightness, and while I read it in a few days, it was just as easy to put down as it was to pick up.  The characters felt real and developed for the most part, so even though it was a tale about life, it was compelling enough to stick around, and you are invested enough to care how the characters are doing. There are a lot of really great supporting characters in the book as well: neighbors, friends, teachers, friend’s families, and a few not so nice characters that surprisingly aren’t painted with a singular condemning evil stroke.  The author is very careful to reserve judgement of all her characters and the sub groups they represent.

Which brings me to how Islam is handled in this book.  Her family doesn’t practice, but her reference for Islam is shia, as evident by her mentioning 12 imams.  I took pictures of most of the pages where Islam is mentioned, less than 10 in all, but where it is mentioned it is handled very politically correct and powerfully.   She talks about how they don’t celebrate Christmas or most holidays as they aren’t Christian or really American, but when the pool key is lost she does pray to a Christian Saint after a suggestion that such an act will help it be found.  It isn’t really presented as a religious act, more of one done in desperation. Here are the most applicable and relevant passages regarding Islam.

  • Dr. Klein shakes his head in sympathy.  “Do your wife and Cindy have to wear those cover-ups if you go back?”  “Yes, and I cannot believe this.  When we lived in Iran, my wife, my sisters, all the women I knew wore western clothes.  No tennis clothes like you see here, but regular clothes.  Only religious women chose to wear hijab, it meant something.  Imagine if everybody in America had to wear a cross around their neck or a Star of David-what would those symbols mean? Nothing. If you have to wear it, it means nothing.  If you choose to wear it, it means something” (168).
  • “The Ayatollah is Muslim, right? So is, like Allah, his God?”  “Allah is the Arabic word for God,” I say.  “It’s the same God. (154).”
  • We don’t have Saints in Islam, just a Prophet with twelve imams, and they don’t preach to animals or help find lost items,  My family, like most Iranians, is Muslim, but we never do anything religious.  I’ve never even been in a mosque, which is like a church (40).
  • “Being Muslim means different things to different people,” I say.  “My family doesn’t do anything officially religious.  My dad says religion is kindness and that’s what everyone should practice” ((184-5).
  • “…even though we belong to three different religions. We are alike in so many more ways than we are different.” 

FLAGS:

The book is fine for middle school readers, there is mention of Cindy’s dad trying alcohol at one point in the past and not liking it.  Cindy’s friends tease her once or maybe twice about liking a boy and Halloween is celebrated.  There is a lot of lying in the book, but it is made clear why, even if she doesn’t always feel bad about it: she is embarrassed by her mom’s food and lies that she shared it, she withholds information a lot, she pranks the neighbor lady who left a dead rodent on their porch, etc.  Hopefully the demographic won’t be inspired by Zomorod’s antics and just find them as her way of dealing with life.

TOOLS FOR LEADING THE DISCUSSION:

This would be a fun book club book to discuss being new to a country, minorities, how to handle conflicting cultures, and how to be and have good friends.

Educators guide: http://firoozehdumas.com/wp-content/uploads/2016/03/ItAintSoAwfulFalafelguide.pdf

https://www.floridamediaed.org/uploads/6/1/4/2/61420659/ms_-_it_ain%E2%80%99t_so_awful_falafel.pdf

https://www.bookmovement.com/bookDetailView/49051/It-Ain’t-So-Awful,-Falafel-By-Firoozeh-Dumas

Author’s page: http://firoozehdumas.com/books/it-aint-so-awful-falafel/

Mommy’s Khimar by Jamilah Thompkins-Bigelow illustrated by Ebony Glenn

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Mommy’s Khimar by Jamilah Thompkins-Bigelow illustrated by Ebony Glenn

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Children playing dress-up with their mother’s clothes is a universal activity, that most can relate to.  Playing dress-up in your mother’s khimar is what makes this book both familiar and stereotype breaking in a way that is actually pretty powerful.

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In this 40 page hardback book targeting 4-8 year olds, Salaam Reads, once again brings Muslim characters to the masses, without alienating or talking down to either Muslim or non Muslims readers.

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The story starts off with a little girl explaining that “A khimar is a flowing scarf that my mommy wears.  Before she walks out the door each day, she wraps one around her head.”  She then marvels at the variety of scarves her mother has, commenting on the colors, and prints, and designs, that by the time she is ready to use them as her favorite make-believe accessory, readers will be wishing they too could have such an assortment.

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From using a khimar to be a queen with a golden train, to being a shooting star, the reader also along the way learns that she loves the connection the khimars offer her of her mother, when she isn’t near.  The ladies at the masjid are also part of that connection so that when she dreams of all the fantastical pretend things she can be, she also knows they too are with her.  Even her grandma, Mom-Mom, who exclaims “Sweet Jesus” when she sees her in her yellow khimar, and loves her although she doesn’t go to the mosque like the little girl does, is a part of the love and support the little girl feels by those around her when she is wrapped up in her mother’s khimar.  download (1)I love that it stresses even though her grandma is not Muslim they love each other because they are family.  Muslims and Islam are never mentioned outright, just the mosque and the ladies saying Assalamu alaikum, hint at the khimar being worn for religious reasons.

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Perhaps the best part is the pictures.  The illustrations with their yellowish hues radiate warmth and the faces and smiles are good for the soul.  You can feel the love the little girl both receives and gives to those around her through the pictures that perfectly compliment the simple text.

The diversity of the book in the main character being a girl, a child of color, and a Muslim, is such a beautiful thing to see.  Stories like this are powerful tools when children see themselves in books with positive messages, and remind us all how much more diversity it needed in literature to both highlight our differences, and celebrate our similarities.