Tag Archives: unapologetic

The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

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The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

This gorgeous and powerful 36 page picture book goes back in time to a Palestine where the struggles of today are still found, along with the resilience of the people, determination of the women, ingenuity of the children, love and hope.  The book is so strongly unapologetic in its portrayal of marbles representing strategy of kids to battle the giants aka soldiers, of children being imprisoned, of the occupiers being outsmarted by the people, and the joy that persists despite the attempts of erasure. The story within a story…within a story(?), doesn’t name Palestine until the very end, after the stories at hand have wrapped up, and doesn’t disclose that it is based on a true story, except for in the blurb.  It is also worth highlighting that the book is not OWN voice or sourced.  I still am sharing though because it is positioned as happening long ago, and thus hopefully not further erasing a Palestinian voice, but rather sharing a story to prevent it from being lost.  I do not know the author, illustrator, or publishers’ intent, this is simply my view and I am happy to be corrected if I have arrogantly overstepped.  



The book starts with a lullaby lilting through the air, the la la las, connecting the women caring for their children. Mama Laya is busy so Big Brother Bilal is playing with the children, marking which soldiers have been defeated on the paper that matches the marble game in the lane. When the giants take him away the children run to find Daddy Salim.

The searching children and family find Bilal in prison, and the giants don’t speak the language of the people to be reasoned with, so they must figure out a way to free him on their own.  Mama and the children have a picnic outside the prison and secret filled lullaby conveys the plan right under the giants’ noses. With Bilal free, the women gather to teach each other a secret way to communicate, to resist, to hope, in the lullabies that they sing.

There is no religion mentioned, but the title page begins, “In the Name of God,” and numerous characters are depicted wearing hijab.  I read a digital arc and I hope the printed version has backmatter to highlight that the author is not Palestinian, when this would have taken place, and if it is accurate.  Authenticity and accuracy are important, and I hope the book clarifies what is real, what is imagined, an where the information came from.

 

Any Way You Look by Maleeha Siddiqui

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Any Way You Look by Maleeha Siddiqui

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If you feel that hijab is like salat and that it should be done no matter what, even if you are being forced, your heart is not in it, or you are doing it to appease someone other than Allah swt, than this book might not be for you.  I am not a scholar, I should not be giving anyone Islamic advice or suggestions, but after sitting with this book, having read all 250 pages in one go, this is the crux that I have come up with regarding who will be the target Muslim audience for the book.  The Islam flows and the central Islamic message is the importance of one’s relationship with Allah swt.  So whether the fictional characters are wearing hijab, considering hijab, removing hijab, I was not overly bothered, they were still praying, going to the masjid, attending halaqas, and spending time thinking about their relationship with Allah swt at present, and what they hope it will be in the future.  The niqabi mother never forces her view on her daughters, the book does not get preachy, nor does it only show one perspective, as a result the reader is allowed to appreciate the other themes of the book and the impeccable writing.  That being said, did I wish there was more sitting on the prayer rug conversing with Allah swt about what to do? Yes.  Do I wish that everyone’s hijab journey, both real and fictitious, was easy? Yes. Do I wish we lived in a world that women were respected no matter how they dressed? Absolutely.  This book is middle grade and it takes on numerous sensitive topics, and in my very biased opinion does an incredible job.  The book contains sexual harassment, judgement, peer pressure, stereotypes, gender roles, bullying and so much more.  I truly couldn’t put the book down, the tears of being seen kicked off the book, and then tears of strength concluded the book.  Muslim and non Muslim readers alike, will be better for reading this unapologetic, OWN voice book.

SYNOPSIS:

Ainy’s life is busy: school is wrapping up, summer plans with her best friend Safiya are being made, the family has moved into the basement of her crush Izyaan’s house, her father is in Pakistan caring for an ill grandma, and Amma’s clothing store, Naseerah’s Almari, is getting busy.  Ainy begs to work at the shop as Bajjo takes on a second job to help the family make ends meet, and when her Amma finally agrees, Quratulain’s best laid plans to learn how to be a designer, and have the best summer ever, are about to be challenged.

Before she can design, she has to learn how the shop works, the frustration and time involved make her unable to fulfill her plans with Safiya causing a widening rift with the life long friends.  Bajjo who has always been Ainy’s role model starts shutting her out, and Izyaan’s cousin Yasir seems to be everywhere Ainy is. She is not comfortable with him showing up at her work, bumping in to her all over town, messaging her at night, and while she knows he is in the wrong, she starts to wonder if it is a result of something she has done.  With no one to talk to, Ainy is left to handle the Yasir problem on her own, and the relentless anxiety, isolation, and fear begin to change Ainy and everyone is too busy to notice until all the threads combine: a big wedding order from Yassir’s mom, hijabs being taken off and put on, and Ainy taking a stand.

WHY I LIKE IT:

The book hits close to some events I have experienced in my life, to the point that I had to check if the book had the typical disclaimer that the characters are a work of fiction and any resemblance is coincidental.  The characters feel that real, and their emotions that relatable, that even at my old age, I was moved, invested, and unable to look away.

I love that the author provides a lot of perspectives about hijab, but does not make a heavy handed judgement, the title of the book hints that women should be respected, and valued, no matter how they dress, and the mom in the book does a great job of setting that tone as she asks her clients how they feel in different clothes, as she models how her daughter’s choice to wear or not wear hijab is a reflection of their relationship with Allah swt, as her decision to wear niqab is hers.

There is no internalized Islamophobia, no othering, no watering down.  The book is solid and I think even if you don’t agree with the choices the characters make, the writing is strong enough that you can see why the characters do what they do for them.

My only real critique is the cover.  I don’t know why, but I don’t love it.  It doesn’t scream fashion and Islam, and the strength of the writing, the characters, and their summer together deserve a better visual representation, sorry.

FLAGS:

Triggers for those who’ve experienced unwanted attention and sexual harassment. Does have boys and girls being friends, crushes mentioned, hijab, backbiting, bullying, stereotypes, peer pressure.

TOOLS FOR LEADING THE DISCUSSION:

While I can see why some people would not “approve” of the book, and some will love the book, I think in an environment of discussion and someone qualified (not me) to guide young readers, this book would be an incredibly empowering, book to think about, enjoy, and relate to in an Islamic school book club setting.

Please consider preordering/ordering this book.  It is available here on Amazon.

Dear Muslim Child by Rahma Rodaah illustrated by Aya Ghanameh

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Dear Muslim Child by Rahma Rodaah illustrated by Aya Ghanameh

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The flow, poignancy, and lyrical verses force you to slow down, take a deep breath, and immerse yourself in the concepts and ideas so beautifully presented in the text, and illustrated on the pages.  Whether you are reading it alone, snuggled up with a little one, or in a boisterous story time, this book pulls you in as it speak directly to the reader (or listener), burrowing inside and inspiring reassurance and confidence.  The tone of the text melds with the illustrations making the book appeal to those looking to understand, be seen, or to be empowered.  The short stanzas with the opening refrain of, “Dear Muslim child,” are a delight to read and share again and again, alhumdulillah.

The book does not have a story or a plot, but has an organization that keeps the pace moving in a poetic way. It starts by mentioning that we were meant to be, even “before Allah spoke the universe into existence.”  It then tells us about Islam, nur, names, the power of words, purifying our hearts (with wudu), listening to the adhan, and praying.  It talks of the beauty of hijab, and community, and purpose and mattering.

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The centering of Allah (swt) is not shied away from, yet the book is not preachy or overly religious.  For example wudu is shown, but not named; adhan is named but not defined.  If you wish to discuss each page, there is a lot to unfold, but if you want to just read the surface it is beautiful just the same.  The book is traditionally published, and a true accomplishment of the author, and the authors that have come before that this book, this type of book, is widely available for us all to enjoy.

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Huda F Cares? by Huda Fahmy

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Huda F Cares? by Huda Fahmy

There is nothing quite like reading a YA graphic novel where you feel so completely seen, where you laugh out loud and snort at the shared idiosyncrasies, and where you don’t have to worry that the next page will normalize something haram.  This book, and the entire series, are such a gift to us all that I’m posting this review now, knowing full well that the book does not release until October, with the hopes that you will all preorder it.  This OWN voice authentic rep needs all the support we can offer it to signal to publishers that we want to see books like this published for our kids, ourselves, to share with our Muslim and non Muslim friends and that we want to see similar unapologetic voices in the future.  Huda loves Islam, she is Muslim, but that doesn’t mean she doesn’t feel uneasy at the idea of praying in public, or making wudu at a rest stop.  Her sisters sing Native Deen’s M-U-S-L-I-M to call her out, she fan girls about We Hunt the Flame, and the entire book reads like time spent with friends who can keep you laughing, comfort you when needed, and who are willing to share their very real relatable world with you as they take on Disney World.

SYNOPSIS:

It is summer and Huda and her family are heading on a road trip to Disney World. One sister hangs back for a Quran intensive, the one sister she likes.  Determined to make the best of it she piles in the back seat of the family car with her three other sisters and they hit the road.  The 24 hour one way trip is filled with sibling bickering, rest stop stresses, and parental gems.  Once they get to the park though, their parents have some surprises for them, and Huda finds herself bonding with her sisters despite herself.

FLAGS:

Fart jokes, bullying, punching, self defensive, hitting a boy in the privates for attempting to pull off a hijab, forced physical touch, lying, nothing YA can’t manage.  The title might seem crude to some, I, personally, love the ownership of one’s name, but the book is not offensive.

TOOLS FOR LEADING THE DISCUSSION:

This book won’t work as a book club selection, but I hope it finds its way to every home, middle school and up class and library.  Boys and girls will enjoy the content and I have no doubt, like the other books in the series preteens and teens will be regularly thumbing through the pages giggling and sharing their favorite parts.  You can preorder your copy here https://amzn.to/44Be87O

Please preorder if you can, and if you cannot please request your public library to shelve it, check it out, read, suggest, and enjoy!

Definitely one of my favorite books of the year, decade…..ever?

Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly

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It is quite remarkable in the course of 40 pages that so many themes, layers, emotions, windows, mirrors, and relevance can radiate with ease and entertainment for children four and up.  The authenticity of the text and illustrations create tangible feels in this book, that months after reading it for the first time, I am still moved to tears, both inspired by joy and as a cathartic release of being seen.  The true mastery is that even if you are not Muslim and cannot relate to the nervousness of praying publicly, you understand Muhammad’s hesitancy and feel for him as he battles not just finding a place, but watching onlookers reactions to his father, police proximity, and being brave enough to push yourself even when you are scared.  Usually when asked what my favorite book is, I stumble to narrow it down to just one, but truly this book has raised the bar of not just traditional publishing representation, but Islamic/Muslim literature across the board.  It is a gift to read, to share, to enjoy, and a blessing that such an unapologetic book is available so widely for our children to connect with, and our non Muslim friends to see us through.  Please spend time with this book and make it available to your children, your students, your community, it really is that good, alhumdulillah.

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It is Muhammad’s birthday and he is seven, “Old enough to pray five times a day,” his father gifts him a prayer rug, and  Muhammad is ecstatic.  He makes wudu that night and offers salat with full attention.  He says the Sunday school words and shares his most wished for wishes to Allah swt, not even letting little sister, Maryama distract him.

After Fajr the next morning, he is determined to find a secret place at school to pray Dhuhr. Daddy doesn’t need secret places, if prayer time comes he pulls his ice cream truck over and prays on the sidewalk, “never delay salat.”  At school, Muhammad heads to Mrs. Baker to ask for a place to pray, but his confidence waivers and he returns to his seat.

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Anxiety about where to pray has him looking for spots throughout the morning, but when recess comes he finds he can’t take the prayer rug out from under his jacket.  He lingers when everyone returns to class and rushes through the words and motions in the coat closet.

That evening he is with his daddy in the ice cream truck and the sunshine and smiles pour out of the two.  When the sun sets it is Maghrib time and Daddy heads to the sidewalk to pray, reassuring Muhammad that he can pray at home.  Muhammad watches his dad and various events spur him to make his decision.

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I love love love the way salat is approached with love and excitement and that the dad embodies safety and joy and does not pressure or force Muhammad.  The relationship is beautiful and allows for worship to be seen as both personal, as well as obligatory and merciful.  The duo also show a great parent child dynamic that warms the heart.

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I like that there really isn’t any “hate” given to anyone praying, it is hinted at, people do not understood, but the focus is not on the outside bystanders- it is what Muhammad thinks and feels.  I’m fairly certain every Muslim who has prayed in public has encountered a wide variety of responses, and this book keeps the gray to reflect and spark conversation.  It is often met with ignorance, with hate, with aggression, but it is also met with respect, apathy, and curiosity which the text and illustrations allow for.

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There is so much love and joy in the book as well as identity, that I don’t mind one bit that my littles ask me to read it over and over.  It is perfect for groups, one-on-one, and I cannot wait to share it in a story time, there is also an incredibly informative and heartfelt Author’s Note at the end.  If you haven’t preordered it yet, the book releases on June 6, 2023, please pre order it and signal the support for this book and future books that center authentic Muslim joy, Black Muslim representation, and OWN voice author and illustrator accuracy.  Request it at your library, put it on hold at your library, check it out, read it.  If you cannot preorder it, still purchase it when you can, inshaAllah it will be a beloved book in your home as well.

Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

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Egyptian Lullaby by Zeena M. Pliska illustrated by Hatem Aly

There was a time in college when my friends and I would gift each other Cinderella retellings and versions from all over the world, that was nearly 20 years ago, and I haven’t thought much of it, until this book reminded again of “This is the House that Jack Built.” Having just read and reviewed “The Masjid that Kamal Loves” which is structed similarly, I can confidently say forget Cinderella, I’m loving this new trend, of a repetitive layered story conveying love and excitement and joy to little readers in such an engaging way. This book has more of a story than the original and shows relationships and longing, even though it is primarily a love letter to Cairo.  The swapping out in some verses for Arabic words and English translations, the sound affects and the connections really elevate the OWN voice details in the text and make the book an absolute treat to read and share even for those of us who are not Egyptian and have never visited.  The Auntie who visits wears hijab, the muezzin calling Allah u Akbar is a repeated refrain, their are numerous illustrations of women in hijab and a masjid is shown repeatedly throughout allowing Muslims everywhere to feel seen with this culturally specific story.  The Glossary with the Arabic script and pronunciation guides and Notes from the Author and Illustrator really radiate with love and invite the reader to participate in the celebration on the pages.  I have no doubt children (and their parents) three and up everywhere will fall in love with the 40 page story and delightful illustrations.

Auntie Fatma comes to visit a little girl’s family from Egypt and brings sahlab and changes for two weeks to the home.  Arabic is spoken, and a nightly lullaby of the sounds of Cairo are among the beloved additions to connect the little girl to her Auntie and her culture.

The lullaby begins with the sound of the Nile, the boats floating through the city, the athan calling to prayer, the carts on the streets, the traffic.  The halawa ya battekh, swish, swoosh, swish, Allah u Akbar, beep honk toot, all add layers to the bustle of the city as the little girls memories of the sights and sounds of Egypt soothe her to sleep.  When it is time for Auntie to return the little girl’s sadness is palpable, but Auntie finds a way to reassure her and all those that have drunk from the Nile and long to return.

It is hard to say if the text adds to the illustrations or the illustrations to the story, both combine to make this book impossible to read without smiling.  I love that the mosque is shown in the daytime and at night implying that the call to prayer is not a one time thing without articulating that Muslims pray five times a day. I don’t know if the author identifies as Muslim or if the inclusion of the athan and Allah u Akbar is just an environmental reality of Egyptian daily life and thus featured.  The illustrator could have very well added the hijabs on his own as there is nothing religious or explanatory in the text.  Perhaps it is worth noting that there is a dog in the family’s home that seems to sleep with the little girl.  The book is a cultural heartfelt portrayal, and that Islam is prominently featured so beautifully made for a lovely surprise.

I hope you will consider preordering the book here, requesting it at your library, and sharing it on classroom and home bookshelves.  Happy Reading!

The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

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The Masjid Kamal Loves by Ashley Fraklin illustrated by Aaliya Jaleel

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I don’t normally post about upcoming releases this far in advance (2.5 months), but I am hoping that if I share the link for preorders, I just might help in signaling to the traditional publishing world that books like this are so so so important and that we will support unapologetic, well written, Muslim centered, Muslim and Black joy featured books with our purchasing power.  This book is incredible for toddlers to early elementary in its “This is the House that Jack Built” format.  Muslim kids will giggle with excitement as they see themselves happy to see their friends at Jumu’ah, flinging shoes a little too hard before entering the musallah, splashing a bit when making wudu, playing while helping put out the prayer rugs, and getting a little wiggly or tired during the khutbah.  The happiness and love radiates off the pictures and through the text that even non Muslim readers will feel our connection to our Masjids and the prayers that occur within.  Muslim authored, Muslim illustrated, masjid not mosque, and a beautiful Author’s Note, makes this book a must have on every shelf where young children need books that mirror their experiences and provide windows into the beauty of Islam.

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The book starts out describing Kamal’s smile and offering the reason for such joy as being Jumu’ah at the masjid. It then starts with describing the masjid and all that is contained with the lines adding on the refrain of “the masjid Kamal loves.”  The friends, the shoes, the feet, the rugs, etc.. Terms such as imam, ummah, salaam are in the text and the illustrations show wudu, salat, khutbah, conveying a Jumu’ah experience.

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Each page is brightly illustrated across horizontal orientated scenes.  The expressions on the kids faces, are engaging and smile inducing and the lyrical text has a rhythm and strength that makes you feel proud to also have a masjid to love like Kamal.

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I have an arc, but have preordered a copy for myself here and hope you will do the same. Please also request your public libraries to order it, and if they have already you can place the book on hold, inshaAllah little steps to show support.

Bhai for Now by Maleeha Siddiqui

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Bhai for Now by Maleeha Siddiqui

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We tend to love people and books that do things first, for good reason, they raise the bar, set the standard, and pave the way for all those that come after.  And no, this is not the first middle grade traditionally published book to have Muslim characters having a completely non-Islamic-identity-centered plot, BUT it might just be the best one I’ve read.  The amount of Islam woven into the characters and storyline is absolutely incredible and seamless. The writing quality keeping dual male point of views separate, engaging, and unique without judgement, is nearly flawless.  The emotional connection of the writing and characters and plot had me both laughing out loud and crying unapologetically within the span of the 276 pages of the book.  This book is a treat for the readers and everyone eight and up I’m quite nearly certain will enjoy this Muslim authored, unapologetically Muslim approach about two 8th grade strangers realizing they are twin brothers and getting to know each other.

SYNOPSIS:

Shaheer lives with his dad and paternal grandfather.  They are well-to-do with his father being an ER physician, but they move around a lot, and never stay in one place long enough to make friends, unpack boxes, or feel like they have a home.  Ashar has lived in Virginia since he was four.  He and his mom recently moved out of living with her brother and his family, but they are next door so even though money is often tight, family and love are always present.

The first day of eighth grade finds the two boys at the same school, staring at each other and wondering how they can maybe find the pieces of themselves that have always been missing. The idea is good, but the reality is complicated.  Ashar and Shaheer’s parents have refused to even acknowledge each other to the boys over the years, extended family plays along, and the boys have to decide if they can even forgive their parents for doing this to them.  Throw in a cousin who knows the boys are switching places, hockey practices, a masjid remodel, and the ever looming threat that Shaheer will be moving yet again and the stage is set for a lot of laughs, tears, and characters that won’t be forgotten anytime soon.

WHY I LIKE IT:

The retelling of “The Parent Trap” is not predictable, nor does it talk down to the reader and tie everything up in a nice unrealistic bow.  There are twists and disappointment and hope and joy, not just for the characters, but for the readers as well.  The side characters are even fleshed out and memorable, not just as foils for the protagonists (I loved cousin Zohra), but as characters with a vested interest in how it all plays out.  I was surprised how clearly different the characters are, even when imitating one another and how nuanced their differences are.  They are not simply opposites: one is not good the other bad, one outgoing one an introvert, rather they are just different, as any two siblings undoubtedly would be.

I absolutely love how Islam is so much a part of the story, a part of the characters, a part of the details, but is not the whole story.  There is no Islamophobia, internal or external, there is no religious othering, it is masterfully done and Muslims and non Muslims alike will benefit from the real tangible expression, growth, and presentation of faith for the characters.

Similarly, culture is presented as a part of the characters in various forms without overly explaining or white centering.  This is who the characters are and their present predicament, as crazy as it is, could happen to anyone, of any culture or of any faith, the two are not corollary. But because it is happening to Ashar and Shaheer, the reader is brought into their world where salat/namaz, athan, mosques, hockey, entrance exams, volunteer work, finances, naan, pineapple on pizza, donuts, and nihari are all present and all unapologized for.  Well, except for the pineapple on pizza.

The best part of it all, is that it is also clean.

FLAGS:

Nothing an eight year old can’t handle, but there is deception as they imitate each other, parental arguing.  There is mention of Shaheer putting his headphones on and listening to music. Zohra plays flute in the band and it mentions when she has practice or that the family all goes and supports her. Male cousins and female cousins interact with each other freely.

TOOLS FOR LEADING THE DISCUSSION:

If my middle school book club is mostly 6th graders in the fall, I think I will feature this book as soon as it is released on October 4th.  Even if it is a bit below “reading level” the writing is engaging and I don’t think even the most cynical book club member will be sorry they spent time with this book.  It would be a quick read for them, but an enjoyable one for sure.

It can be preordered here on Amazon

The Stardust Thief by Chelsea Abdullah

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The Stardust Thief by Chelsea Abdullah

I was a little nervous to read an adult fantasy book with jinns, both in terms of length and knowing I would undoubtedly compare it to the Daevabad trilogy, but I got an ARC and dove in.  I was put off by the use of gods, and that there was no Islam present at all.  I’m not sure if the author identifies as Muslim, or what her background is, so I told myself I’d read at least 25% and then state I didn’t finish it because I primarily review juvenile fiction with Islamic content or by Muslim authors.  Well, lets suffice it to say that arbitrary percentage came and went and I had no intention of putting the book down.  So why am I featuring it? Simple, it is clean and I liked it.  Aside from the plural little g gods, the book is Arab culture rich as a retelling of the Arabian Nights, according to @muslimmommyblog the Arabic is accurate, the story is engaging, and really my only question is, why isn’t it YA?  I have a handful of reasons why I focus on children and teen lit, but one very strong one is that the books are “cleaner” in theory.  Lately though, it has been hard finding YA that followers of my reviews can confidently share with teen readers.  I think this one, although it isn’t a religious mirror, the salaams, culture, Arabic, and storyline, tinge the framing and make it a fun “safe” read to suggest to our kids.  At 480 pages, it probably is best for ages 15 and up, and it ends on a cliff hanger, so I’m not sure what the next book might introduce, just be aware this review is for this book alone.

SYNOPSIS:

Layla aka Loulie aka The Midnight Merchant hunts and sells magic jinn relics that she locates with the help of her jinn bodyguard Qadir.  After her tribe was slaughtered by a mysterious army, and she the only survivor, Qadir and her have been a team.  When her skills align with the needs of a powerful sultan she is forced to go on a journey with his son, the prince and one of his 40 thieves, to find a magic lamp that will lead her to answers about her past, offer her chances of revenge, test her abilities, plague her with loss, and fill the pages with adventure.  Stories of the One Thousand and One Nights are weaved in through oral storytelling, world building is built and explored through the characters’ understanding their world and the jinn, and the non stop action keeps the story moving forward with minimal dialogue and a lot of high energy showing.  Clearly if I say too much, the excitement will be lost, and I don’t want to spoil the characters’ arcs, their foibles, their illusions, and the climax- seeing as it is a linear story and if the motivation to move forward is lost, the book will lose its charm.

WHY I LIKE IT:

The book keeps pace pretty well, a lot of the spoilers are not dragged out and I appreciate that they are not used to dangle the reader’s interest.  The story has depth, the characters are fleshed out, and the truth and illusion reveals are done without insulting the reader.  I’m still undecided about the (SPOILER) comic book quality of death for the main characters, but it keeps it interesting, so for now at least, I’ll play along.

There aren’t a lot of characters, but there are a lot of names for each character and at times in the thick of fast paced action sequences, I did get a little confused as to what was happening to whom and who was saying what.

I don’t truly understand why the divinity is plural or why they say salaam, but nothing else “Islamic” is remotely present save the concept of jinn.  I suppose though for all the fantasy books that use Islamic terms and imagery and then present them horribly, I should be glad that this one really doesn’t conflate the two, but an athan in the background or a few inshaAllahs, sigh I suppose a girl can dream.

FLAGS:

Language, violence, murder, killing, deceit, minor seduction, betrayal.  Very clean not just for an adult fantasy, clean for most any YA or Teen book.

TOOLS FOR LEADING THE DISCUSSION:

It would be a bit of a pivot for me to feature this book as a book club selection because there is plural deities and NO Islam, but it is very tempting to suggest it to the high school advisor.  The book comes out May 17, 2022, you can preorder it which helps show support, or order after it releases on Amazon.