Tag Archives: Story Time

The Katha Chest by Radhiah Chowdhury illustrated by Lavanya Naidu

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The Katha Chest by Radhiah Chowdhury illustrated by Lavanya Naidu

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This 40 page picture book for preschoolers and up shows connection to family, memories, and Bangladeshi culture as a little girl explores the quilts made from her Maa and aunts’ worn out saris.  This book has been on my radar for a while and while there is nothing wrong with the slow and thoughtful story, it didn’t sweep me up in a hug and wow me, as I had hoped it would.  The illustrations are as critical as the words in conveying the message, and the illustrations are indeed beautiful, I guess I just needed more.  More connection to the emotion the little girl was feeling recalling the strong women in her life, more impact to the fact that her Nanu is no longer with them, and more understanding about the history of Bangladesh that seems to shape the memories.  I worry that most readers simply won’t get anything other than the surface level of the book, which is ok, the memories woven through generations manifesting in quilts, is tangible and perhaps enough.  I feel like, however, the framing of the story and the textless illustration pages attempted to add more layers to the story, and I think to anyone not Bangladeshi, those layers might not be understood.  I wish their was an afterward with notes about the pictured references, inclusion of such backmatter would really open the book up to a wider audience, and give the book discussion and staying power in my opinion.  If you are Bangladeshi this book will be a treasure I’m sure, and I’d love to hear your thoughts on it.

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Asiya loves going to her Nanu’s house, there are treasures there.  Her favorite treasure is the katha chest.  An old trunk full of the quilts made from the old worn out saris of her Nanu, Maa, and khalas. She snuggles in their warmth and listens to the stories they tell. Stories of hardship, joy, skills learned, moves made, loss, death, love and family.

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Boro Khala’s looks like Khalu’s medal, from a sad time when he was away.  Mejo Khala bright oranges and yellow like her fingers.  Shejo Khala’s is stiff and neat, she is never messy.  Choto Khala’s has a white streak like the white saris she wears since Khalu died.  Maa’s katha is patchworked and different than the others, and Nanu’s is paper thin and smells of tea, old books, porcelain and wood.

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There is an author’s note and illustrator’s note detailing the construction and value of kathas, but nothing about Bangladeshi wars, wearing white after a husband’s death, or the textile skills and artistry shown.  The book would read well with context or activities about family heirlooms, connections, and traditions.

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After Iftar Tales arranged by Bismillah Buddies

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After Iftar Tales arranged by Bismillah Buddies

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This book’s beautiful dark blue cover with sparkly stars feels good in your hands and looks lovely on the shelf.  It is a collection of 10 short stories presumably to be read by an adult to a child or children during Ramadan and has its highs and lows.  As often is the case in anthologies, some are written better than others and while I particularly liked two of the stories contained, I couldn’t help wishing that the entire collection would have been better edited.  I don’t know any of the authors, or their ages, and there is not an intro or conclusion detailing how the stories were selected or compiled, but as a whole, the grammar errors (spaces before and after commas and periods), failure to spell out numbers less than ten, and the overall plot holes in so many of the stories, makes it hard to love this book.  Something about judging a book by it’s cover would seemingly apply here, the illustrations are decent, the topics and themes covered are important, but the finishing is lacking, and the book really had a lot of potential.

SYNOPSIS:
The ten stories cover Ramadan in different ways, and do not get repetitive.  With different authors and illustrators and pictures on every other page at a minimum, the books presents well.  Many of the stories are adequate, but largely forgettable as the plot holes just made me and my kids dismiss them.  A few are too lengthy and wandering, but there are two that even despite writing obstacles, thematically were memorable:  “A Ramadan Surprise” by Malika Kahn and “Iftar in Space” by Tayyaba Anwar.

“A Ramadan Surprise” is written in rhyming verse and discusses the need for wheelchair accessibility at masjids.  Focusing on a young girl it also hints on the importance of accessibility for the elderly.  This is such a needed and important reminder and I love that it is present in a book that is positioned to be read and thus hopefully discussed.

“Iftar in Space” similarly opens itself up to be discussed and marveled at between a child(ren) and an adult: how would you fast and pray if you were on the International Space Station. This connection could then be made for people that live near the poles, and how science is valued in Islam and so much more.  I love that Islamic information is seemingly sourced, but I would have loved a line or two at the end clearly articulating that in fact this is what this scholar or these scholars have declared.

WHY I LIKE IT:

At first it didn’t bother me that the text was so small, but mid way through, it started to because the pictures are so inviting and regular.  If a child is snuggled up with a reader looking at the pictures it is impossible for them to follow along. I get that that is kind of the point, but with huge margins, the text size can easily be increased.

I don’t know why the book doesn’t seem to have been edited.  The cover and illustrations and binding are all decent to high quality, the cost of the book for consumers is high, so I don’t know why an editor was not (seemingly) involved in the process.  Sure I am picky, but it isn’t one or two grammar errors, it is a lot, and when it is a regular concern, it ruins the flow and feeling of the book.

Overall, honestly there is also very little Islam present in most stories except for the timing of Ramadan, and many of the stories seem to have gaps.  In the first story, a boy is found by a stranger and gifted a lamp, and the family never even tries to find the person who saved their son to thank him? They live in a small village?  In one of the stories where a little girls is fasting for the first time she is also making a salad independently and pulling a cooked tray of lasagna out of a hot oven. A child in one story eats moldy candy, and in a contemporary story kids donate their money to an orphanage.  Are there still orphanages? In one story it opens with a banner being made that is crooked, but the accompanying illustration does not match.  One error or two is easy to overlook, but again, when it is every single story, it is incredibly disappointing.

FLAGS:

Clean

TOOLS FOR LEADING THE DISCUSSION:

I think while reading it you would find plenty to discuss with your children.  On stories where your children seem bored you could skip them, if sentences don’t make sense you can alter them.  I doubt children will read the book independently, so there is some wiggle room to add or subtract from the text to make the points you want to make and keep the stories engaging.  There are a few stories that discuss Covid and the frustration that it has caused to daily activities, which might help add another layer of connection to the text.

Ramadan Rocket by Emma Halim illustrated by Stephen Tucker

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Ramadan Rocket by Emma Halim illustrated by Stephen Tucker

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The banter in this 36 page Ramadan moon book is fun and engaging, and as the mom of five kids who was once a kid herself, the struggle is real to try and spot the Ramadan moon.   Most years, frustration abounds and nothing is seen. Haarith has the same problem, but last year he did something about it.  In this 36 page book for preschoolers and up, the faceless pictures will have kids giggling and their imagination’s soaring as they try and determine if Ramadan is about to begin.

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Haarith loves listening to stories about Ramadan, but always has trouble seeing the Ramadan moon. Last year, he decided to get a closer look.  He set out to build a rocket, but his best friend Hakeem had one he could borrow, so Haarith recruits two other friends, Jawaad and Khaleel, and plans are underway.  Jawaad will pilot since he flew out of a swing last week, and Khaleel will be in charge of food because his mom makes awesome cakes.  The boys head to space, passing, satellites, drones, and NASA rockets, before they see the moon and head back home.  After maghrib the community heads to search the sky and when they see nothing, it is Haarith that can locate exactly what they are looking for.

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I wish the moon was shown as super thin and hard to see in the illustrations, instead of as a thick crescent so that kids that might not have personal experience could at least understand why Haarith is struggling.  Also, I’m not sure why the line spacing on one page is double what it is on the others.  Many of the pages are text heavy and could have used some editing to tighten it up, but overall the story is fun.

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The premise though sent my head spinning, and yes I’m going to show my ignorance here, you can judge me. If you go to space, the moon is spherical, the earth and shadows are no longer at play right? So wouldn’t a new moon, a full moon, or a waxing gibbous all look the same? Clearly my confidence in this matter is non existant, and while I have no problem with the characters borrowing a friend’s rocket, it has been sitting unused for a year after all, I’ve been struggling to get this point clarified in my head.  And I believe it would all depend on where the rocket is and thus the boys’ point of view.  According to the University of Maryland, “The reason that we do not always see a Moon which is half lit is because of our position relative to the Moon and the Sun. As the Moon moves in its orbit, different portions of it appear (to us!) to be lit up as we look at it from Earth. This is why we see lunar phases.” So I suppose that depending on the rocket’s position in space would determine if the moon looked like a “Ramadan moon” or say a third quarter moon.  I’ve linked a NASA video that explains that the International Space Station sees the same phases as earth, so umm yeah, maybe I should take a break from fiction and go read some nonfiction basic science books. 

Zahra’s Blessing by Shirin Shamsi illustrated by Manal Mirza

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Zahra’s Blessing by Shirin Shamsi illustrated by Manal Mirza

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Just when you think all the Ramadan stories have been told, you flip open a new book, hold your breath as the stage of predictability is set, and alhumdulillah in this case, you squeal with delight when the big reveal in a children’s book swept you up and surprised you too.  This 32 page richly illustrated story for elementary readers is heartfelt, culture rich, informative, and embracing.  The book doesn’t dwell on the details of Ramadan, fasting, and Eid, but intentionally focuses on some of the feelings, blessings, and acts that make the month extra special.

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Zahra looks up at the Ramadan moon as she hugs her teddy bear and sends a prayer up asking for a little sister. The next day Mama is packing up beloved clothes, and ones that the family has out grown to be donated.  They discuss giving without hoping for anything in return and once again Zahra asks her mama for a little sister. To which her mother lovingly replies that she should be patient.

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When Teddy goes missing, Zahra can’t help but think a little sister would help her find it.  Iftar that night are all of Zahra’s favorite desi foods and prayer after is her asking for a sister and Teddy.  The following day Mama and Zahra take the collected donation items to the shelter and Zahra realizes how sad she is about losing Teddy and these refugees have lost everything.

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Zahra spends time with the children at the shelter and gets to know them.  She wishes she could find Teddy to gift to a young girl named Haleema.  Some days Ramadan crawls slow, and other days fast.  The family reads Quran together, fasts during the day and prays at night.  The night before Eid, Zahra’s dad whispers a secret to Zahra, one that she keeps close to her all through Eid prayers the next day.

Not going to spoil it, although I’m sure you can guess what is going to happen.  There are hints in the remaining illustrations, but I think kids will enjoy not having the heads up.  The book concludes with some informational blurbs and details about the Muslim author and Muslim illustrator.

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I enjoyed the illustrations, they are bright and bold and festive and unique.  They compliment the text completely as they show praying, reading Quran, making duas, etc.  The text doesn’t get preachy, it doesn’t even mention Allah swt or God, but talks of prayer and blessings.  The combination of the text and illustrations, however, definitely convey a strong unapologetic Ramadan/Muslim centered story.  Overall, it is universal and warm and sweet, and both Muslim and non Muslim children would benefit from reading it.

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My only concern is the page that the family is making dua together, it seems odd that they are all sitting in a line as if they have just prayed, but not prayed with the dad in front and the mom and Zahra behind. I read an electronic arc of the book and I look forward to purchasing a physical copy to add to my bookshelf.

Spirit of the Cheetah: A Somali Tale by Karen Lynn Williams & Khadra Mohammed illustrated by Julia Cairns

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Spirit of the Cheetah: A Somali Tale by Karen Lynn Williams & Khadra Mohammed illustrated by Julia Cairns

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This timeless 40 page tale of a young boy as he prepares for his right of passage into adulthood is rich with wisdom, culture, and tradition.  So many gentle lessons can be found in the book, as it leaves deeper understanding and connection to be felt and explored long after the book has been closed and returned to the shelf.  There are seemingly hijab wearing #muslimsintheillustrations, and the author’s name would suggest she is also a Muslim, but with the line, “Called on the spirit of Shabelle,” and talk of the “Spirit of the cheetah,” it is hard to know for sure if the main character is.

The story starts with Roblay running everywhere in preparation for an upcoming race where he hopes to place in the top three, and prove he is a man and no longer a boy.  On the day of the race he races his fastest, but he does not come out at the top.

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His grandfather, his Awoowo, tells him that to be successful he needs to capture the spirit of their people and leave his thumbprint on a cheetah’s coat.  His grandfather then tells him about the cheetahs long ago and how the river is named after them.  He explains that thumbprints on a cheetah’s fur honor those that have proven themselves.

Roblay trains and searches for many days.  He wonders if it is enough to mark a cub.  But his grandfather asks him if he wants to remain a cub.  This motivates Roblay to work harder.  When a year has passed and the race is about to take place again, he finally touches his cheetah.

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He lines up for the race strong, proud and sleek, and he has the chance again to prove he is a man and make his family proud.  Nope, not going to tell you how it ends.

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The book starts with an Author’s notes from both authors and concludes with Notes on the Cheetah.

The Sleepy Farmer: The Farmer Who Almost Missed Fajr by Shazia Afzal illustrated by Ingy Hamza

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The Sleepy Farmer: The Farmer Who Almost Missed Fajr by Shazia Afzal illustrated by Ingy Hamza

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This adorable board book combines animal sounds, team work, appreciation, and getting to the masjid on time for fajr.  Oh ya, and it is silly too.

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Farmer Salman stayed up late and doesn’t wake up in the morning when the rooster crows. The crowing wakes the hen who starts to cluck, the clucking wakes the horse who starts to neigh…and before you know it, it awakens the entire farm.

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But, Farmer Salman still doesn’t wake up, so the animals get louder, and louder, and finally the cat in the house wakes up and meows in the farmer’s face.  The meowing wakes Salman up and he makes wudu and heads to the masjid, just in time for fajr salat.

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He returns from the masjid, thanks the animals and gives them their breakfast, alhumdulillah.

The book is only 10 pages and some pages are text heavy.  I think a few more pages to reduce the text on some of the pages would really make an already fun book, incredible.

One Sun and Countless Stars by Hena Khan illustrated by Mehrdokht Amini

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One Sun and Countless Stars by Hena Khan illustrated by Mehrdokht Amini

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I don’t think that Hena Khan is necessarily a controversial figure, but some days her work feels very polarizing as some praise her ability to share OWN voice desi American Muslim stories while others feel like she waters down the very stories she is sharing to appease the majority.  Irregardless of our nuanced views, many of us first were made aware of her when we we were swept away in 2012 by the mainstream book, Golden Domes and Silver Lanterns.  Since then she also has published a book about shapes in the same format, and now this counting book that reminds me how beautiful and powerful it is to see Islam so unapologetically presented to all children.

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The author’s note at the end is important:

There are many significant numbers in Islam.  They include one for God, five for the pillars of the religion and daily prayers, seven for the circles pilgrims and visitors walk around the Ka’aba during hajj and more.

Mathematics and astronomy were among the intellectual pursuits of early Muslims.  They helped to develop algebra and used geometry to create the elaborate patterns found in Islamic art.

For this book, I chose concrete and illustratable terms rather than abstract concepts.  The representations for each number focus on things we can count in the world around us.

The book counts the diverse and global parts of a practiced faith.  The unique and the mundane, all beautifully illustrated and richly conveyed.  From cups of tea and shoes taken off for prayer to two hands making dua and four lines of a surah being memorized.  The book counts up to nine and then marvels at the countless stars that we see each night.

The first page is possibly a bit problematic in accuracy.  The tone and framing of starting the day with the sun rising and the sound of the adhan is warm and beautiful, but the adhan is not called at sunrise for the first prayer of the day, fajr.  Fajr begins at dawn.  There are only 21 words on the first page, so I’m inferring a lot about the correlation of the sun and athan that may or may not be present.  It is something frequently misrepresented, so it catches my attention. And yes, the seven tawafs mentioned in the author’s note would also apply to umrah, not just hajj.

Overall, the book is lovely and will remind many of us what made us all celebrate Hena Khan and her stories so many years ago.

Room for Everyone by Naaz Khan illustrated by Merce’ Lopez

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Room for Everyone by Naaz Khan illustrated by Merce’ Lopez

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I started to read this book to myself, abruptly stopped, gathered my children around, and began again aloud.  This 40 page early elementary picture book isn’t just counting up and down with silly scenarios and outrageous details, it is familiarity with a culture often not represented with universal humor, appeal, and anticipation. This rhyming book begs to be shared: one-on-one, at story time, or in a classroom.  There is so much joy and connection that I’m ready to felt-board the story, march into my kid’s school and demand an audience.  I found mine at the library, but I think I am going to order it because it definitely deserves a place on the bookshelf to be read again and again.

Musa and Dada get in a daladala and are off to the crystal blue waters of Zanzibar.  But it is hotter than peppers out and the kind driver is offering everyone a ride.  First is the old man with his seatless bike, then it is two little goats and their herder, next is vendors with their three baskets of fruits.  Each time Musa cries and protests that there is not room for anyone else, let alone their stuff.  Yet when everyone wiggles and scoots and smooshes, there seems to be room for everyone.  This continues until there are ten scuba divers joining the smelly fish and stinky chickens, umbrellas and milk pails.

Alhumdulillah, they reach the beach.  Then one by one they all get out at Nungwi beach.  Giggles and wiggles and Musa and Dada are off the minibus and swimming in the cool waters. Alhumdulillah indeed.  The book concludes with a glossary and an author’s note.

“Find me on Twinkl’s list of best children’s books of 2021!” 

My Name is Bana by Bana Alabed illustrated by Nez Riaz

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My Name is Bana by Bana Alabed illustrated by Nez Riaz

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OWN voice books are always important, and while we see a rise in minority voices claiming their own stories, to read a child’s story about war and hope by a child, is particularly impressive.  Bana Alabed was born in 2009, she is an activist, a Syrian refugee, and now an author.  Her clear voice doesn’t stumble and her perspective is unapologetic, yet hopeful.  Over 40 pages she tells her story in her own words with beautifully warm and complementary illustrations filling the pages.  For kindergarten and up, this book stands out in a crowded field of refugee inspired stories for its authenticity, strong author, and overall emotional connection.

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Bana begins her picture book memoir by asking her mother why she was named Bana.  Her mother explains that she was named after a tall bushy tree that grows in Syria.  Her favorite tree.  A tree that is qawai, Arabic for strong.

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Bana then asks what it means to be strong.  And once again her mother lovingly explains, that strong is to be brave even when you are scared, and to be sturdy so others can lean on you.  It also means you use your mighty voice to speak up when something is wrong, you read, study, and exercise your body.

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Bana appreciates her name, and being strong, because war came to her country.  When bombs fell they had to hide, when her brothers were scared, she had to keep them distracted, when they moved to a new place where they didn’t know the language or any people, she had to be strong still.

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As a young girl, Bana tweeted about the war, the book doesn’t touch on that, but it does show her being strong as she shares her story all over the world.  It then returns to her and her mother discussing amal, Arabic for hope, and Bana imagines herself strong, reaching into the sky.

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The book ends on a simpler note of acknowledging her little brothers’ names: Laith and Noor, lion and light.  The Author’s Note at the end is just as powerful as the text of the book and provides more information about Bana’s experience and outlook. The way that war is handled is not overpowering for young readers, and will provide a great starting point of discussion.  The relationship between Bana and her mother is warm and supportive and equally deserving of mention with the little people you share the book with, alhumdulillah.

“Kids shouldn’t have to always be strong.  Every child deserves to live in peace.” Bana Alabed

What’s The Matter Habibi? written and illustrated by Betsy Lewin

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What’s The Matter Habibi? written and illustrated by Betsy Lewin

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This short silly 32 page AR 2.7 book by the illustrator of the famous Click, Clack, Moo books tells a tale of an unhappy camel in Egypt and his caring owner Ahmed’s attempt to understand what is wrong.  There is nothing religious in the book, save a few visible hijab wearing women in the bazaar illustrations, and the main human character’s name.  The cultural backdrop though,  does introduce and encourage familiarity for young readers who may not have exposure to Arabic words and people.  The author is clearly not Arab, but the book thanks the Cairo NESA delegates for their help in developing the story.  Before reading it I was nervous that because the presentation would be coming from an outside perspective,  that the messaging would be condescending and/or stereotypical.  I think I was perhaps giving the book way too much thought, because ultimately the story isn’t that deep.  The illustrations and tone are warm and focus on a camel wanting a fez and the efforts it takes for Habibi to acquire one and for Ahmed to track him down.  It is surface level silliness for younger kids, the camel and owner are kind to each other and the setting just ties it all together.  I am not Arab, and could definitely argue that the camel and his silly owner do perpetuate stereotypes, so feel free to offer up your thoughts if you have read the book.  Irregardless of where you side, the fact that I’m sure had I read this book in 1997 when it was published, I would have been gushing to see the name Ahmed in a widely available book, but here we are nearly 25 years later and I’m questioning if these are stories that are better left to be told by OWN voice perspectives.

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Ahmed and Habibi give rides to children every day, but one day Habibi refuses to get up.  Ahmed asks if it is a toothache, a tummy ache, and no response.  When he asks if his feet hurt, Habibi stands up, and Ahmed gives the camel his babouches (that magically fit).

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Habibi then takes off running through the bazaar.  He approaches the man selling fezzes and a trade is made: the slippers for a hat.  Ahmed trailing behind barefoot, then has to purchase his own shoes back.  As Habibi passes different shops and hears how handsome he is, Ahmed is able to follow him.  When they finally reunite, Habibi is surrounded by happy children, and Ahmed admits, he really is a handsome camel.  Happily Habibi gives the children extra long rides and then let’s Ahmed ride him home.

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This book would work well for story times to ages four and up.  It would lend itself to themes about silly animals, hats, Egypt and Arab culture.  The crowds of people including the children are dressed in both thobes and pants and t-shirts.  You see traditional headgear on some and none on others.  It seems clear that the camel is not the normal mode of transportation, as there are no other camels, or even cars, only people walking in the book.  Habibi is a novelty for the children and adults he passes, so one could possibly safely assume he is a tourist attraction of sorts.

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